UPC · Release
Academy of St Martin in the Fields
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The UPC for “Academy of St. Martin in the Fields 60th Anniversary Edition” by Academy of St Martin in the Fields is 028948500932. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 965 tracks, each with its own ISRC. Tracks include GBBBA6170918, GBBBA6170919, GBBBA6170920.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto grosso in D major, op. 6 no. 7: I. Vivace - Allegro - Adagio | — | ||
| 2 | Concerto grosso in D major, op. 6 no. 7: II. Allegro | — | ||
| 3 | Concerto grosso in D major, op. 6 no. 7: III. Andante: Largo | — | ||
| 4 | Concerto grosso in D major, op. 6 no. 7: IV. Allegro | — | ||
| 5 | Concerto grosso in D major, op. 6 no. 7: V. Vivace | — | ||
| 6 | Concerto grosso in D minor, op. 6 no. 10: I. Adagio - Allegro | — | ||
| 7 | Concerto grosso in D minor, op. 6 no. 10: II. Largo | — | ||
| 8 | Concerto grosso in D minor, op. 6 no. 10: III. Presto | — | ||
| 9 | Concerto grosso in D major, op. 1 no. 9: I. Allegro | — | ||
| 10 | Concerto grosso in D major, op. 1 no. 9: II. Largo | — | ||
| 11 | Concerto grosso in D major, op. 1 no. 9: III. Allemanda: Allegro | — | ||
| 12 | Concerto grosso in D major, op. 1 no. 9: IV. Sarabanda: Largo | — | ||
| 13 | Concerto grosso in D major, op. 1 no. 9: V. | — | ||
| 14 | Concerto in F major, op. 7 no. 6: I. Grave - Allegro - Grave | — | ||
| 15 | Concerto in F major, op. 7 no. 6: II. Allegro | — | ||
| 16 | Concerto in F major, op. 7 no. 6: III. Grave e spirituoso - Adagio | — | ||
| 17 | Concerto in F major, op. 7 no. 6: IV. Allegro | — | ||
| 18 | Concerto grosso in G minor, op. 6 no. 6: I. Larghetto e affettuoso | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 19 | Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 20 | Concerto grosso in G minor, op. 6 no. 6: III. Musette: Largetto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 21 | Concerto grosso in G minor, op. 6 no. 6: IV. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 22 | Concerto grosso in G minor, op. 6 no. 6: V. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 23 | Concerto grosso in G minor, op. 3 no. 10: I. Adagio | — | ||
| 24 | Concerto grosso in G minor, op. 3 no. 10: II. Allegro | — | ||
| 25 | Concerto grosso in G minor, op. 3 no. 10: III. Largo | — | ||
| 26 | Concerto grosso in G minor, op. 3 no. 10: IV. Presto | — | ||
| 27 | Concerto a 5 in A minor, op. 5 no. 5: I. Allegro | — | ||
| 28 | Concerto a 5 in A minor, op. 5 no. 5: II. Adagio | — | ||
| 29 | Concerto a 5 in A minor, op. 5 no. 5: III. Allegro | — | ||
| 30 | Étude no. 2 for horn and strings: Largo - Allegro - Moderato | — | ||
| 2-1 | Concerto grosso in A major, op. 9 no. 11: I. Largo | — | ||
| 2-2 | Concerto grosso in A major, op. 9 no. 11: II. Allegro | — | ||
| 2-3 | Concerto grosso in A major, op. 9 no. 11: III. Adagio | — | ||
| 2-4 | Concerto grosso in A major, op. 9 no. 11: IV. Aria | — | ||
| 2-5 | Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-6 | Concerto grosso in G major, op. 6 no. 1: II. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-7 | Concerto grosso in G major, op. 6 no. 1: III. Adagio | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-8 | Concerto grosso in G major, op. 6 no. 1: IV. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-9 | Concerto in F major (Tafelmusik - Set II): I. Allegro | — | ||
| 2-10 | Concerto in F major (Tafelmusik - Set II): II. Largo | — | ||
| 2-11 | Concerto in F major (Tafelmusik - Set II): III. Vivace | — | ||
| 2-12 | Concerto for cello and strings in c minor, RV 401: I. Allegro con molto | — | ||
| 2-13 | Concerto for cello and strings in c minor, RV 401: II. Adagio | — | ||
| 2-14 | Concerto for cello and strings in c minor, RV 401: III. Allegro ma non molto | — | ||
| 2-15 | Concerto grosso in E minor, op. 3 no. 1: I. Adagio e staccato | — | ||
| 2-16 | Concerto grosso in E minor, op. 3 no. 1: II. Adagio | — | ||
| 2-17 | Concerto grosso in E minor, op. 3 no. 1: III. Allegro | — | ||
| 2-18 | Oboe Concerto in E-flat major: Maestoso e deciso - Larghetto cantabile - Allegro polonaise | — | ||
| 2-19 | Concerto grosso in D major, op. 6 no. 1: I. Largo | — | ||
| 2-20 | Concerto grosso in D major, op. 6 no. 1: II. Allegro - Adagio | — | ||
| 2-21 | Concerto grosso in D major, op. 6 no. 1: III. Largo - Allegro | — | ||
| 2-22 | Concerto grosso in D major, op. 6 no. 1: IV. Largo - Allegro | — | ||
| 2-23 | Concerto grosso in D major, op. 6 no. 1: V. Allegro | — | ||
| 3-1 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": I. Allegro | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-2 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": III. Allegro (Danza pastorale) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto - Allegro | — | ||
| 3-5 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): II. Adagio - Presto - Adagio | — | ||
| 3-6 | Concerto for Violin and Strings in G minor, op. 8 no. 2, RV. 315 "L'estate": III. Presto (Tempo impetuoso d'estate) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-924.629.834-0 | |
| 3-7 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": I. Allegro (Ballo, e canto de' villanelli) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-8 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": II. Adagio molto (Ubriachi dormienti) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": III. Allegro (La caccia) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-10 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": I. Allegro non molto | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-910.793.958-2 | |
| 3-11 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.640.005-6 | |
| 3-12 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": III. Allegro | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-13 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): I. Allegro | — | ||
| 3-14 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): II. Largo | — | ||
| 3-15 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): III. Danza pastorale: Allegro | — | ||
| 3-16 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto - Allegro | — | ||
| 3-17 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): II. Adagio - Presto - Adagio | — | ||
| 3-18 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): III. Presto (Tempo impetuoso d'estate) | — | ||
| 3-19 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): I. Ballo, e canto de' villanelli: Allegro | — | ||
| 3-20 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): II. Ubriachi dormienti: Adagio molto | — | ||
| 3-21 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): III. La caccia: Allegro | — | ||
| 3-22 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): I. Allegro non molto | — | ||
| 3-23 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): II. Largo | — | ||
| 3-24 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): III. Allegro | — | ||
| 4-1 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: I. Allegro | — | ||
| 4-2 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: II. Grave | — | ||
| 4-3 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: III. Allegro | — | ||
| 4-4 | Concerto in F major for Oboe, Strings and Continuo, RV 456: I. Largo | — | ||
| 4-5 | Concerto in F major for Oboe, Strings and Continuo, RV 456: II. Allegro | — | ||
| 4-6 | Concerto in F major for Oboe, Strings and Continuo, RV 456: III. Adagio | — | ||
| 4-7 | Concerto in F major for Oboe, Strings and Continuo, RV 456: IV. Presto | — | ||
| 4-8 | Bassoon Concerto in A minor, RV 498: I. Allegro (ma molto moderato) | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-9 | Bassoon Concerto in A minor, RV 498: II. Larghetto | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | T-910.957.851-0 | |
| 4-10 | Bassoon Concerto in A minor, RV 498: III. Allegro | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-11 | Concerto in C minor for Flute, Strings and Continuo, RV 441: I. Allegro non troppo | — | ||
| 4-12 | Concerto in C minor for Flute, Strings and Continuo, RV 441: II. Largo | — | ||
| 4-13 | Concerto in C minor for Flute, Strings and Continuo, RV 441: III. [Allegro] | — | ||
| 4-14 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: I. Allegro | — | ||
| 4-15 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: II. Larghetto | — | ||
| 4-16 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: III. Allegro | — | ||
| 4-17 | Piccolo Concerto in C major, RV 443: I. Allegro | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 4-18 | Piccolo Concerto in C major, RV 443: II. Largo | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-19 | Piccolo Concerto in C major, RV 443: III. Allegro molto | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-20 | Concerto in D minor for 2 Oboes, Strings and Continuo, RV 535: Ia. Largo | — | ||
| 4-21 | Concerto in D minor for 2 Oboes, Strings and Continuo, RV 535: Ib. Allegro | — | ||
| 4-22 | Concerto for Two Oboes in D minor, RV 535: II. Largo | Neil Black, Iona Brown, Christopher Hogwood, Celia Nicklin, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-23 | Concerto for Two Oboes in D minor, RV 535: III. Allegro molto | Neil Black, Iona Brown, Christopher Hogwood, Celia Nicklin, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-24 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: I. Allegro | — | ||
| 4-25 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: II. Grave | — | ||
| 4-26 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: III. Allegro | — | ||
| 5-1 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: I. Allegro | — | ||
| 5-2 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: II. Grave | — | ||
| 5-3 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: III. Allegro | — | ||
| 5-4 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: I. Allegro | — | ||
| 5-5 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: II. Larghetto | — | ||
| 5-6 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: III. Allegro | — | ||
| 5-7 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: I. Allegro | — | ||
| 5-8 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: II. Andante | — | ||
| 5-9 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: III. Allegro | — | ||
| 5-10 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: I. Allegro | — | ||
| 5-11 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: II. Largo | — | ||
| 5-12 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: III. Allegro | — | ||
| 5-13 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: I. [Allegro] | — | ||
| 5-14 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: II. Largo | — | ||
| 5-15 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: III. Allegro | — | ||
| 5-16 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: I. Andante molto | — | ||
| 5-17 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: II. Largo | — | ||
| 5-18 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: III. Allegro molto | — | ||
| 5-19 | Concerto in D major for Violin, Strings and Continuo, RV 562a: I. Allegro | — | ||
| 5-20 | Concerto in D major for Violin, Strings and Continuo, RV 562a: II. Grave | — | ||
| 5-21 | Concerto in D major for Violin, Strings and Continuo, RV 562a: III. Allegro | — | ||
| 6-1 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: I. Andante | — | ||
| 6-2 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: II. L'arte della fuga, a 4 parte reale: Presto | — | ||
| 6-3 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: III. Andantino - Adagio | — | ||
| 6-4 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: IV. Allegro moderato | — | ||
| 6-5 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: I. Grave | — | ||
| 6-6 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: II. Allegro assai | — | ||
| 6-7 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: III. Andante | — | ||
| 6-8 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: IV. Allegro | — | ||
| 6-9 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: I. Francese: Presto - Tempo giusto | — | ||
| 6-10 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: II. Inglese: Andante | — | ||
| 6-11 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: III. Italiano: Allegro assai | — | ||
| 6-12 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: I. Andante | — | ||
| 6-13 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: II. Allegro - Adagio | — | ||
| 6-14 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: III. Allegro - Adagio - Allegro | — | ||
| 6-15 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: I. Andante | — | ||
| 6-16 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: II. Allegro - Grave | — | ||
| 6-17 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: III. Allegro | — | ||
| 6-18 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: I. Allegro moderato - Andante - Grave | — | ||
| 6-19 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: II. Adagio - Presto | — | ||
| 6-20 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: III. Affettuoso - Andante | — | ||
| 6-21 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: IV. Allegro moderato | — | ||
| 6-22 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: V. Andante - Adagio - Allegro assai - Adagio - Presto | — | ||
| 7-1 | Trumpet Concerto in D major: I. Allegro | — | ||
| 7-2 | Trumpet Concerto in D major: II. Grave: Poco andante | — | ||
| 7-3 | Trumpet Concerto in D major: III. Vivace | — | ||
| 7-4 | Trumpet Concerto in C major: I. Allegro | — | ||
| 7-5 | Trumpet Concerto in C major: II. Largo | — | ||
| 7-6 | Trumpet Concerto in C major: III. Allegro | — | ||
| 7-7 | Concerto à cinque: I. Allegro | — | ||
| 7-8 | Concerto à cinque: II. Cantabile | — | ||
| 7-9 | Concerto à cinque: III. Menuet | — | ||
| 7-10 | Concerto à cinque: IV. Plaisanterie | — | ||
| 7-11 | Trumpet Concerto in D major, FWV L:D1: I. Allegro | — | ||
| 7-12 | Trumpet Concerto in D major, FWV L:D1: II. Largo | — | ||
| 7-13 | Trumpet Concerto in D major, FWV L:D1: III. Allegro | — | ||
| 7-14 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: I. Allegro | — | ||
| 7-15 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: II. Largo | — | ||
| 7-16 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: III. [Allegro] | — | ||
| 7-17 | Concerto à cinque: I. Moderato | — | ||
| 7-18 | Concerto à cinque: II. Menuett | — | ||
| 7-19 | Concerto à cinque: III. Larghetto | — | ||
| 7-20 | Concerto à cinque: IV. Vivace | — | ||
| 7-21 | Trumpet Concerto in D major: I. Andante | — | ||
| 7-22 | Trumpet Concerto in D major: II. Allegro moderato | — | ||
| 7-23 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, I. Allegro con spirito | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-24 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, II. Andante - Attacca subito | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-25 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, III. Rondo: Allegro | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-1 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: I. Affettuoso | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-2 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: II. Allegro Assai | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 8-3 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: III. Cantabile | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-4 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: IV. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-003.055.867-8 | |
| 8-5 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): I. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-6 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): II. Adagio | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-7 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): III. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-312.438.619-8 | |
| 8-8 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: I. Andante | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-9 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: II. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-10 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: III. Siciliana | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-11 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: IV. Presto | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-12 | Concerto for Violin, Strings and Basso continuo in D major, TWV 51:D10: I. Adagio - Allegro - Adagio - Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-13 | Concerto for Violin, Strings and Basso continuo in D major, TWV 51:D10: II. Grave - Vivace | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-14 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: I. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-15 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: II. Adagio | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-16 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: III. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-312.438.619-8 | |
| 8-17 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: I. Overture: Grave - Allegro | — | ||
| 8-18 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: II. The Sleeping Thetis: Sarabande / III. Thetis Awakening: Bourrée / IV. Neptune in Love: Loure | — | ||
| 8-19 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: V. Nymphs at Play: Gavotte / VI. The Jovial Triton: Harlequinade / VII. The Turbulent Aeolus | — | ||
| 8-20 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: VIII. The Amiable Zephyr: Menuet / IX. Ebb and Flow: Gigue / X. The Merry Mariners: Canarie | — | ||
| 9-1 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: I. Allegro | — | ||
| 9-2 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo | — | ||
| 9-3 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: III. Allegro | — | ||
| 9-4 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: I. Vivace - Grave | — | ||
| 9-5 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: II. Largo | — | ||
| 9-6 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: III. Allegro | — | ||
| 9-7 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: IV. [Minuet] | — | ||
| 9-8 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: V. [Gavotte] | — | ||
| 9-9 | Concerto grosso in G major, op. 3 no. 3, HWV 314: I. Largo e staccato - Allegro | — | ||
| 9-10 | Concerto grosso in G major, op. 3 no. 3, HWV 314: II. Adagio | — | ||
| 9-11 | Concerto grosso in G major, op. 3 no. 3, HWV 314: III. Allegro | — | ||
| 9-12 | Concerto grosso in F major, op. 3 no. 4, HWV 315: I. [Overture] Andante - Allegro - Lentamente | — | ||
| 9-13 | Concerto grosso in F major, op. 3 no. 4, HWV 315: II. Andante | — | ||
| 9-14 | Concerto grosso in F major, op. 3 no. 4, HWV 315: III. Allegro | — | ||
| 9-15 | Concerto grosso in F major, op. 3 no. 4, HWV 315: IV. Minuetto alternative: Allegro | — | ||
| 9-16 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: I. [Andante] | — | ||
| 9-17 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: II. Fuga: Allegro | — | ||
| 9-18 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: III. Adagio | — | ||
| 9-19 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: IV. Allegro ma non troppo | — | ||
| 9-20 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: V. Allegro | — | ||
| 9-21 | Concerto grosso in D major, op. 3 no. 6, HWV 317: I. Vivace | — | ||
| 9-22 | Concerto grosso in D major, op. 3 no. 6, HWV 317: II. Allegro | — | ||
| 9-23 | Alcina, HWV 34 - incidental music: Overture: Adagio - Allegro - Musette - Menuet | — | ||
| 9-24 | Alcina, HWV 34 - incidental music: Il ballo: Gavotte - Sarabande - Menuet | — | ||
| 9-25 | Alcina, HWV 34 - incidental music: Act III Music: Sinfonia - Entrée - Tamburino | — | ||
| 9-26 | Alcina, HWV 34 - incidental music: Dream Music: Entrée des songes funestes - Le Combat | — | ||
| 10-1 | Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto | — | ||
| 10-2 | Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro | — | ||
| 10-3 | Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio | — | ||
| 10-4 | Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro | — | ||
| 10-5 | Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro | — | ||
| 10-6 | Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto | — | ||
| 10-7 | Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro | — | ||
| 10-8 | Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano | — | ||
| 10-9 | Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 10-10 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | — | ||
| 10-11 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | — | ||
| 10-12 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | — | ||
| 10-13 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise: Andante | — | ||
| 10-14 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo | — | ||
| 10-15 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | — | ||
| 10-16 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | — | ||
| 10-17 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano | — | ||
| 10-18 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | — | ||
| 10-19 | Concerto grosso in D major, op. 6 no. 5, HWV 323: I. [Larghetto e staccato] | — | ||
| 10-20 | Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro | — | ||
| 10-21 | Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto | — | ||
| 10-22 | Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo | — | ||
| 10-23 | Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro | — | ||
| 10-24 | Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet: Un poco larghetto1 | — | ||
| 10-25 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | — | ||
| 10-26 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto | — | ||
| 10-27 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette: Larghetto | — | ||
| 10-28 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro | — | ||
| 10-29 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro | — | ||
| 11-1 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo | — | ||
| 11-2 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro | — | ||
| 11-3 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano | — | ||
| 11-4 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante | — | ||
| 11-5 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe | — | ||
| 11-6 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande: Andante | — | ||
| 11-7 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | — | ||
| 11-8 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro | — | ||
| 11-9 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio | — | ||
| 11-10 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana: Andante | — | ||
| 11-11 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro | — | ||
| 11-12 | Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo | — | ||
| 11-13 | Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro | — | ||
| 11-14 | Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto | — | ||
| 11-15 | Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro | — | ||
| 11-16 | Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Minuet | — | ||
| 11-17 | Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue | — | ||
| 11-18 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture | — | ||
| 11-19 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro | — | ||
| 11-20 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air: Lento | — | ||
| 11-21 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro | — | ||
| 11-22 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro | — | ||
| 11-23 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato | — | ||
| 11-24 | Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato | — | ||
| 11-25 | Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro | — | ||
| 11-26 | Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo, e staccato | — | ||
| 11-27 | Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante | — | ||
| 11-28 | Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro | — | ||
| 12-1 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo | — | ||
| 12-2 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro | — | ||
| 12-3 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano | — | ||
| 12-4 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo | — | ||
| 12-5 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro | — | ||
| 12-6 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: I. Adagio | — | ||
| 12-7 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: II. Allegro | — | ||
| 12-8 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: III. Largo | — | ||
| 12-9 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: IV. Vivace | — | ||
| 12-10 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: I. Vivace | — | ||
| 12-11 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: II. Fuga: Allegro | — | ||
| 12-12 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: III. Andante | — | ||
| 12-13 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: IV. Allegro | — | ||
| 12-14 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: I. Grave | — | ||
| 12-15 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: II. Allegro | — | ||
| 12-16 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: III. Sarabande: Largo | — | ||
| 12-17 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: IV. Allegro | — | ||
| 12-18 | Concerti a due cori No. 1 in B-flat: Ouverture | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-19 | Concerti a due cori No. 1 in B-flat: Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-20 | Concerti a due cori No. 1 in B-flat: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-21 | Concerti a due cori No. 1 in B-flat: Lento | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-22 | Concerti a due cori No. 1 in B-flat: A tempo ordinario | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-23 | Concerti a due cori No. 1 in B-flat: Alla breve. Moderato | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-24 | Concerti a due cori No. 1 in B-flat: Menuett. Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-25 | Concerti a due cori No. 2 in F: Pomposo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-26 | Concerti a due cori No. 2 in F: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-27 | Concerti a due cori No. 2 in F: A tempo giusto | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-28 | Concerti a due cori No. 2 in F: Largo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-29 | Concerti a due cori No. 2 in F: Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-30 | Concerti a due cori No. 2 in F: A tempo ordinario | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-31 | Concerti a due cori No. 3 in F: Ouverture | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-32 | Concerti a due cori No. 3 in F: Allegro - Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-33 | Concerti a due cori No. 3 in F: Adagio | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-34 | Concerti a due cori No. 3 in F: Andante larghetto | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-35 | Concerti a due cori No. 3 in F: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 13-1 | Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-914.323.771-2 | |
| 13-2 | Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-3 | Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-4 | Keyboard Concerto no. 2 in E major, BWV 1053: I. [ ] | Murray Perahia, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 13-5 | Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-6 | Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-7 | Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-8 | Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-9 | Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-1 | Keyboard Concerto no. 3 in D major, BWV 1054: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-2 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-3 | Keyboard Concerto in D, BWV 1054: 3rd movement | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-6 | Keyboard Concerto no. 5 in F minor, BWV 1056: III. Presto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-7 | Pianoconcert No.6 in F Major, BWV 1057 | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-8 | Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante | Murray Perahia, Academy of St Martin in the Fields | T-802.445.410-3 | |
| 14-9 | Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-10 | Keyboard Concerto no. 7 in G minor, BWV 1058: I. (Allegro) | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-11 | Keyboard Concerto no. 7 in G minor, BWV 1058: II. Andante | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-12 | Keyboard Concerto no. 7 in G minor, BWV 1058: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 15-1 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: I. Vivace | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | — | |
| 15-2 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | — | |
| 15-3 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-4 | Violin Concerto no. 1 in A minor, BWV 1041: I. (Allegro moderato) | Julia Fischer, Academy of St Martin in the Fields | T-902.685.630-4 | |
| 15-5 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | Julia Fischer, Academy of St Martin in the Fields | — | |
| 15-6 | Violin Concerto no. 1 in A minor, BWV 1041: III. Allegro assai | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-7 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-8 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | Julia Fischer, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 15-9 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-10 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: I. Allegro | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-070.161.055-0 | |
| 15-11 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: II. Adagio | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-309.901.323-3 | |
| 15-12 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: III. Allegro | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 16-1 | The Art of Fugue: Contrapunctus 1 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-2 | The Art of Fugue: Contrapunctus 2 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-309.901.323-3 | |
| 16-3 | The Art of Fugue: Contrapunctus 3 | Christopher Hogwood | — | |
| 16-4 | The Art of Fugue: Contrapunctus 4 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-5 | The Art of Fugue: Canon alla Ottava | Christopher Hogwood | — | |
| 16-6 | The Art of Fugue: Contrapunctus 5 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | The Art of Fugue: Contrapunctus 6, a 4, im Stile francese | Christopher Hogwood | — | |
| 16-8 | The Art of Fugue: Canon alla Decima, Contrapuncto alla Terza | Christopher Hogwood | — | |
| 16-9 | The Art of Fugue: Contrapunctus 7, a 4, per Augmentationem et Diminutionem | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-10 | The Art of Fugue: Contrapunctus 8, a 3 | Christopher Hogwood | — | |
| 16-11 | The Art of Fugue: Canon alla Duodecima in Contrapuncto alla Quinta | Christopher Hogwood | — | |
| 16-12 | The Art of Fugue: Contrapunctus 9, a 4, alla Duodecima | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Members of the Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 16-13 | The Art of Fugue: Contrapunctus 10, a 4, alla Decima | Carmel Caine, John Gray, Kenneth Heath, Malcolm Latchem, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-14 | The Art of Fugue: Canon per Augmentationem in contrario motu | Christopher Hogwood | — | |
| 16-15 | The Art of Fugue: Contrapunctus 11, a 4 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-16 | The Art of Fugue: Contrapunctus 13, a 3 (rectus) | Christopher Hogwood | T-314.634.514-0 | |
| 16-17 | The Art of Fugue: Contrapunctus 12, a 4 (rectus) | Carmel Caine, John Gray, Kenneth Heath, Malcolm Latchem, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-322.629.499-7 | |
| 16-18 | The Art of Fugue: Fuga a 2 Clav. | Sir Andrew Davis, Christopher Hogwood | — | |
| 17-1 | The Art of Fugue: Contrapunctus 13, a 3 (inversus) | Christopher Hogwood, Academy of St Martin in the Fields | T-314.634.514-0 | |
| 17-2 | The Art of Fugue: Contrapunctus 12, a 4 (inversus) | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-322.629.499-7 | |
| 17-3 | The Art of Fugue: Alio modo Fuga a 2 Clav | Sir Andrew Davis, Christopher Hogwood, Academy of St Martin in the Fields | — | |
| 17-4 | The Art of Fugue: Fuga a 3 Soggetti (unfinished) | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-031.552.490-3 | |
| 17-5 | Musical Offering: Ricercar 1, a 3 | Nicholas Kraemer, Academy of St Martin in the Fields | — | |
| 17-6 | Musical Offering: Canon perpetuus super Thema Regium | Nicholas Kraemer, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-7 | Musical Offering: Canon 1, a 2 (Canon cancricans) | Iona Brown, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-8 | Musical Offering: Canon 2, a 2, violini in unisono | Iona Brown, Roger Garland, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-9 | Musical Offering: Canon 3, a 2, per motum contrarium | William Bennett, Iona Brown, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-10 | Musical Offering: Canon 5, a 2 (Canon circularis per tonos) | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-11 | Musical Offering: Sonata for Flute, Violin and Continuo: Largo | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-005.005.728-7 | |
| 17-12 | Musical Offering: Sonata for Flute, Violin and Continuo: Allegro moderato | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | — | |
| 17-13 | Musical Offering: Sonata for Flute, Violin and Continuo: Andante larghetto | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-902.685.622-4 | |
| 17-14 | Musical Offering: Sonata for Flute, Violin and Continuo: Allegro | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-900.239.609-0 | |
| 17-15 | Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum) | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-16 | Musical Offering: Canon a 4 | Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-17 | Musical Offering: Canon perpetuus | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-18 | Musical Offering: Canon 4, a 2, per augmentationem, contrario motu | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-19 | Musical Offering: Fuga canonica in epidiapente | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-20 | Musical Offering, BWV 1079: Ricercare a 6 | William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-1 | Harpsichord Concerto no. 5 in G minor: I. Largo - Allegro on spirito | — | ||
| 18-2 | Harpsichord Concerto no. 5 in G minor: II. Adagio | — | ||
| 18-3 | Harpsichord Concerto no. 5 in G minor: III. Vivace | — | ||
| 18-4 | Sonata no. 1 in F major: I. Andante | — | ||
| 18-5 | Sonata no. 1 in F major: II. Adagio | — | ||
| 18-6 | Sonata no. 1 in F major: III. Allegro | — | ||
| 18-7 | Overture no. 1 in E minor | George Malcolm, Academy of St Martin-in-the-Fields, Neville Marriner | — | |
| 18-8 | Sinfonia in B-flat major, Wq 182 no. 2: I. Allegro di molto | — | ||
| 18-9 | Sinfonia in B-flat major, Wq 182 no. 2: II. Poco adagio | — | ||
| 18-10 | Sinfonia in B-flat major, Wq 182 no. 2: III. Presto | — | ||
| 18-11 | Variations on ‘Les Folies d'Espagne’ | — | ||
| 18-12 | Harpsichord Concerto in C minor, Wq 43 no. 4: I. Allegro assai | — | ||
| 18-13 | Harpsichord Concerto in C minor, Wq 43 no. 4: II. Poco adagio - Tempo di Minuetto | — | ||
| 18-14 | Harpsichord Concerto in C minor, Wq 43 no. 4: III. Allegro assai | — | ||
| 18-15 | Harpsichord Concerto in A major, T297/I (ii): I. Allegro | — | ||
| 18-16 | Harpsichord Concerto in A major, T297/I (ii): II. Andante ma non troppo | — | ||
| 18-17 | Harpsichord Concerto in A major, T297/I (ii): III. Allegro | — | ||
| 19-1 | Six Symphonies, op. 3: No. 1 in D: Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-2 | Six Symphonies, op. 3: No. 1 in D: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-3 | Six Symphonies, op. 3: No. 1 in D: Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-4 | Six Symphonies, op. 3: No. 2 in C: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 19-5 | Six Symphonies, op. 3: No. 2 in C: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-6 | Six Symphonies, op. 3: No. 2 in C: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-7 | Six Symphonies, op. 3: No.3 in E Flat: Allegro di molto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-8 | Six Symphonies, op. 3: No.3 in E Flat: Andantino | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-9 | Six Symphonies, op. 3: No.3 in E Flat: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-10 | Six Symphonies, op. 3: No. 4 in B Flat: Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-11 | Six Symphonies, op. 3: No. 4 in B Flat: Andantino, sempre piano | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-12 | Six Symphonies, op. 3: No. 4 in B Flat: Tempo di menuetto, più tosto allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-13 | Six Symphonies, op. 3: No. 5 in F: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-14 | Six Symphonies, op. 3: No. 5 in F: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-15 | Six Symphonies, op. 3: No. 5 in F: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-16 | Six Symphonies, op. 3: No. 6 in G: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-17 | Six Symphonies, op. 3: No. 6 in G: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-19 | March in D major, K408/2 | — | ||
| 19-20 | Symphony no. 52 in C minor: I. Allegro assai con brio | — | ||
| 19-21 | Symphony no. 52 in C minor: II. Andante | — | ||
| 19-22 | Symphony no. 52 in C minor: III. Menuetto: Allegretto | — | ||
| 19-23 | Symphony no. 52 in C minor: IV. Finale: Presto | — | ||
| 20-1 | 6 Concerti Armonici: Concerto no. 1 in G major: I. Grave | — | ||
| 20-2 | 6 Concerti Armonici: Concerto no. 1 in G major: II. Allegro | — | ||
| 20-3 | 6 Concerti Armonici: Concerto no. 1 in G major: III. Grave: Staccato | — | ||
| 20-4 | 6 Concerti Armonici: Concerto no. 1 in G major: IV. Allegro | — | ||
| 20-5 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: I. Largo | — | ||
| 20-6 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: II. Da capella: Non presto | — | ||
| 20-7 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: III. Largo affettuoso | — | ||
| 20-8 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: IV. Allegro | — | ||
| 20-9 | 6 Concerti Armonici: Concerto no. 3 in A major: I. Grave assai sostenuto | — | ||
| 20-10 | 6 Concerti Armonici: Concerto no. 3 in A major: II. Canone di Palestrina | — | ||
| 20-11 | 6 Concerti Armonici: Concerto no. 3 in A major: III. Largo andante | — | ||
| 20-12 | 6 Concerti Armonici: Concerto no. 3 in A major: IV. Vivace | — | ||
| 20-13 | 6 Concerti Armonici: Concerto no. 4 in G major: I. Adagio | — | ||
| 20-14 | 6 Concerti Armonici: Concerto no. 4 in G major: II. Da capella | — | ||
| 20-15 | 6 Concerti Armonici: Concerto no. 4 in G major: III. A tempo comodo | — | ||
| 20-16 | 6 Concerti Armonici: Concerto no. 4 in G major: IV. A tempo giusto | — | ||
| 20-17 | 6 Concerti Armonici: Concerto no. 5 in F minor: I. Largo andante | — | ||
| 20-18 | 6 Concerti Armonici: Concerto no. 5 in F minor: II. Da capella: Presto | — | ||
| 20-19 | 6 Concerti Armonici: Concerto no. 5 in F minor: III. Largo affettuoso | — | ||
| 20-20 | 6 Concerti Armonici: Concerto no. 5 in F minor: IV. Allegro moderato e staccato | — | ||
| 20-21 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: I. Affettuoso | — | ||
| 20-22 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: II. Presto | — | ||
| 20-23 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: III. Largo | — | ||
| 20-24 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: IV. Vivace | — | ||
| 21-1 | Concerto in D major for Horn and Strings: I. Allegro | — | ||
| 21-2 | Concerto in D major for Horn and Strings: II. Adagio | — | ||
| 21-3 | Concerto in D major for Horn and Strings: III. Allegro | — | ||
| 21-4 | Concerto in E-flat for Horn and Strings: I. Moderato | — | ||
| 21-5 | Concerto in E-flat for Horn and Strings: II. Siciliano | — | ||
| 21-6 | Concerto in E-flat for Horn and Strings: III. Allegro ma non presto | — | ||
| 21-7 | Concerto no. 3 in E-flat major: I. Allegro | — | ||
| 21-8 | Concerto no. 3 in E-flat major: II. Adagio cantabile | — | ||
| 21-9 | Concerto no. 3 in E-flat major: III. Allegro | — | ||
| 21-10 | Concerto no. 9 in E-flat major: I. Allegro | — | ||
| 21-11 | Concerto no. 9 in E-flat major: II. Siciliano - Larghetto | — | ||
| 21-12 | Concerto no. 9 in E-flat major: III. Allegro | — | ||
| 21-13 | Concerto in D major for Horn and Strings: I. Moderato | — | ||
| 21-14 | Concerto in D major for Horn and Strings: II. Adagio | — | ||
| 21-15 | Concerto in D major for Horn and Strings: III. Allegro | — | ||
| 21-16 | Horn Concerto no. 14 in E-flat major: I. Moderato | — | ||
| 21-17 | Horn Concerto no. 14 in E-flat major: II. Siciliano | — | ||
| 21-18 | Horn Concerto no. 14 in E-flat major: III. Tempo di menuetto | — | ||
| 21-19 | Horn Concerto no. 15 in D major: I. Allegro ma non molto | — | ||
| 21-20 | Horn Concerto no. 15 in D major: II. Siciliano | — | ||
| 21-21 | Horn Concerto no. 15 in D major: III. Allegro: Tempo di menuetto | — | ||
| 22-1 | Don Juan - ballet: Sinfonia: Allegro | — | ||
| 22-2 | Don Juan - bellet: Act One. Andante grazioso - Andante | — | ||
| 22-3 | Don Juan - ballet: Act One. Allegro maestoso - Allegro furioso | — | ||
| 22-4 | Don Juan - ballet: Act One. Allegro forte risoluto - Risoluto moderato | — | ||
| 22-5 | Don Juan - ballet: Act Two. Gavotte - Brillante | — | ||
| 22-6 | Don Juan - ballet: Act Two. Allegretto - Moderato | — | ||
| 22-7 | Don Juan - ballet: Act Two. Giusto - Allegro - Presto | — | ||
| 22-8 | Don Juan - ballet: Act Two. Andante grazioso - Andante | — | ||
| 22-9 | Don Juan - ballet: Act Two. Presto - Allegretto - Presto - Allegretto | — | ||
| 22-10 | Don Juan - ballet: Act Three. Andante - Allegro giusto | — | ||
| 22-11 | Don Juan - ballet: Act Three. Moderato - Andante | — | ||
| 22-12 | Don Juan - ballet: Act Three. Grazioso - Allegretto | — | ||
| 22-13 | Don Juan - ballet: Act Three. Moderato - Presto - Risoluto e moderato | — | ||
| 22-14 | Don Juan - ballet: Act Three. Allegro - Andante staccato | — | ||
| 22-15 | Don Juan - ballet: Act Three. Allegro - Allegretto | — | ||
| 22-16 | Don Juan - ballet: Act Four. Larghetto | — | ||
| 22-17 | Don Juan - ballet: Act Four. Allegro non troppo | — | ||
| 22-18 | Ariodante, HWV 33 - Ballet music selections: Ouverture: Adagio - Allegro - Alla Gavotta | — | ||
| 22-19 | Ariodante, HWV 33 - Ballet music selections: Sinfonia pastorale: Ballo - Gavottes - Allegro | — | ||
| 22-20 | Ariodante, HWV 33 - Ballet music selections: Rondeau I - Rondeau II - Finale | — | ||
| 22-21 | Il pastor fido, HWV 8a - Ballet music selections: Pour les chasseurs I & II | — | ||
| 23-1 | Cello Concerto in C major, Hob. VIIb:1: I. Moderato | — | ||
| 23-2 | Cello Concerto in C major, Hob. VIIb:1: II. Adagio | — | ||
| 23-3 | Cello Concerto in C major, Hob. VIIb:1: III. Finale: Allegro molto | — | ||
| 23-4 | Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato | — | ||
| 23-5 | Cello Concerto No. 2 in D major, H. 7b-2 (Op. 101): II. Adagio | Heinrich Schiff, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 23-6 | Cello Concerto in D major, Hob. VIIb:2: III. Rondo: Allegro | — | ||
| 23-7 | Trumpet Concerto in E-flat, H.Viie/1: I. Allegro | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-8 | Trumpet Concerto in E-flat, H.Viie/1: II. Andante | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-9 | Trumpet Concerto in E-flat, H.Viie/1: III. Allegro | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-10 | Harpsichord Concerto in D major, Hob. VIII:11: I. Vivace | — | ||
| 23-11 | Harpsichord Concerto in D major, Hob. VIII:11: II. Un poco adagio | — | ||
| 23-12 | Harpsichord Concerto in D major, Hob. VIII:11: III. Rondo all'Ungherese allegro assai | — | ||
| 24-1 | Overture in D major, Hob. Ia:7bis | — | ||
| 24-2 | Acide e Galatea: Overture, Hob. 1a:5 | — | ||
| 24-3 | Six Allemandes, Hob. IX:9: No. 1 in B-flat major | — | ||
| 24-4 | Six Allemandes, Hob. IX:9: No. 2 in G major | — | ||
| 24-5 | Six Allemandes, Hob. IX:9: No. 3 in E-flat major | — | ||
| 24-6 | Six Allemandes, Hob. IX:9: No. 4 in C major | — | ||
| 24-7 | Six Allemandes, Hob. IX:9: No. 5 in A major | — | ||
| 24-8 | Six Allemandes, Hob. IX:9: No. 6 in D major | — | ||
| 24-9 | Six Allemandes from Hob. IX | — | ||
| 24-10 | Organ Concerto in C major, Hob. XVIII.1: I. Moderato | — | ||
| 24-11 | Organ Concerto in C major, Hob. XVIII.1: II. Largo | — | ||
| 24-12 | Organ Concerto in C major, Hob. XVIII.1: III. Allegro molto | — | ||
| 24-13 | Horn Concerto no. 1 in D, H.VIId no. 3: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-14 | Horn Concerto no. 1 in D, H.VIId no. 3: II. Adagio | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-15 | Horn Concerto no. 1 in D, H.VIId no. 3: III. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.717.414-7 | |
| 24-16 | Horn Concerto no. 2 in D major, Hob. XVIId.4: I. Allegro moderato | — | ||
| 24-17 | Horn Concerto no. 2 in D major, Hob. XVIId.4: II. Adagio | — | ||
| 24-18 | Horn Concerto no. 2 in D major, Hob. XVIId.4: III. Allegro | — | ||
| 25-1 | Symphony no. 53 in D major “L'Impériale”: I. Largo maestoso - Vivace | — | ||
| 25-2 | Symphony no. 53 in D major “L'Impériale”: II. Andante | — | ||
| 25-3 | Symphony no. 53 in D major “L'Impériale”: III. Menuetto | — | ||
| 25-5 | Symphony no. 99 in E-flat major: I. Adagio - Vivace assai | — | ||
| 25-6 | Symphony no. 99 in E-flat major: II. Adagio | — | ||
| 25-7 | Symphony no. 99 in E-flat major: III. Menuetto: Allegretto | — | ||
| 25-8 | Symphony no. 99 in E-flat major: IV. Finale: Vivace | — | ||
| 25-9 | Symphony no. 102 in B-flat major: I. Largo - Vivace | — | ||
| 25-10 | Symphony no. 102 in B-flat major: II. Adagio | — | ||
| 25-11 | Symphony no. 102 in B-flat major: III. Menuetto: Allegro | — | ||
| 25-12 | Symphony no. 102 in B-flat major: IV. Finale: Presto | — | ||
| 26-1 | Horn Concerto in D major, P134: I. Larghetto | — | ||
| 26-2 | Horn Concerto in D major, P134: II. Allegro ma non troppo | — | ||
| 26-3 | Horn Concerto in D major, P134: III. Menuet | — | ||
| 26-4 | Six Minuets, P70 | — | ||
| 26-5 | Duo Concertante for Viola and Organ in C major, P55: I. Allegro molto | — | ||
| 26-6 | Duo Concertante for Viola and Organ in C major, P55: II. Adagio sostenuto | — | ||
| 26-7 | Duo Concertante for Viola and Organ in C major, P55: III. Prestissimo | — | ||
| 27-1 | Concertone for 2 Violins and Orchestra in C major, K190/186E: I. Allegro spiritoso | — | ||
| 27-2 | Concertone for 2 Violins and Orchestra in C major, K190/186E: II. Andantino grazioso | — | ||
| 27-3 | Concertone for 2 Violins and Orchestra in C major, K190/186E: III. Tempo di menuetto: Vivace | — | ||
| 27-4 | Serenata notturna in D, K. 239: I. Marcia. Maestoso | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-5 | Serenata notturna in D, K. 239: II. Minuetto & Trio | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-6 | Serenata notturna in D, K. 239: III. Rondeau. Allegretto - adagio - allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-7 | Divertimento in D, K. 136: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-900.021.469-7 | |
| 27-8 | Divertimento in D, K. 136: II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-900.021.469-7 | |
| 27-9 | Divertimento in D, K. 136: III. Presto | Academy of St Martin in the Fields, Neville Marriner | T-700.095.171-5 | |
| 27-10 | Divertimento in B-flat, K. 137: I. Andante | Academy of St Martin in the Fields, Neville Marriner | T-910.958.396-2 | |
| 27-11 | Divertimento in B-flat, K. 137: II. Allegro di molto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-12 | Divertimento in B-flat, K. 137: III. Allegro assai | Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 27-13 | Divertimento in F, K. 138: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-801.411.105-9 | |
| 27-14 | Divertimento in F, K. 138: II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-802.445.410-3 | |
| 27-15 | Divertimento in F, K. 138: III. Presto | Academy of St Martin in the Fields, Neville Marriner | T-700.095.171-5 | |
| 28-1 | Sinfonia concertante in E-flat, KV App C14.01/297b: I. Allegro | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 28-2 | Sinfonia concertante in E-flat, KV App C14.01/297b: II. Adagio | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-3 | Sinfonia concertante in E-flat, KV App C14.01/297b: III. Andantino con variazioni | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-4 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso | Iona Brown, Josef Suk, Academy of St Martin in the Fields | — | |
| 28-5 | Sinfonia Concertante in E-flat major, K. 320d/364: II. Andante | Josef Suk, Academy of St Martin in the Fields, Iona Brown | T-802.445.410-3 | |
| 28-6 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto | Iona Brown, Josef Suk, Academy of St Martin in the Fields | — | |
| 28-7 | Adagio and Fugue in C minor, KV 546 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-1 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-2 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-3 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Neville Marriner | T-902.774.400-9 | |
| 29-4 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-5 | Serenade in D, KV 320 «Posthorn»: 1. Adagio maestoso – Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-6 | Serenade in D, KV 320 «Posthorn»: 2. Minuetto | Academy of St Martin in the Fields, Neville Marriner | T-931.717.066-4 | |
| 29-7 | Serenade in D, KV 320 «Posthorn»: 3. Concertante (Andante grazioso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-8 | Serenade in D, KV 320 «Posthorn»: 4. Rondeau (Allegro ma non troppo) | Michael Laird, Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-9 | Serenade in D, KV 320 «Posthorn»: 5. Andantino | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-10 | Serenade in D, KV 320 «Posthorn»: 6. Minuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-11 | Serenade in D, KV 320 «Posthorn»: 7. Finale (Presto) | Academy of St Martin in the Fields, Neville Marriner | T-902.845.190-3 | |
| 29-12 | Serenade in D, KV 239 «Serenata notturna»: 1. Marcia (Maestoso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-13 | Serenade in D, KV 239 «Serenata notturna»: 2. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-14 | Serenade in D, KV 239 «Serenata notturna»: 3. Rondeau (Allegretto – Adagio – Allegro) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 30-1 | Serenade in B-flat, KV 361 “Gran Partita”: 1a. Largo – | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | T-005.005.728-7 | |
| 30-2 | Serenade in B-flat, KV 361 “Gran Partita”: 1b. Allegro molto | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-3 | Serenade in B-flat, KV 361 “Gran Partita”: 2. Menuetto – Trio I-II | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-4 | Serenade no. 10 in B-flat major, K. 370a/361: Adagio | Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner | — | |
| 30-5 | Serenade in B-flat, KV 361 “Gran Partita”: 4. Menuetto (Allegretto) - Trio I-II | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-6 | Serenade in B-flat, KV 361 “Gran Partita”: 5. Romanze (Adagio – Allegretto – Adagio) | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | T-902.574.467-6 | |
| 30-7 | Serenade in B-flat, KV 361 “Gran Partita”: 6. Thema (Andante) mit Variationen | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-8 | Serenade in B-flat, KV 361 “Gran Partita”: 7. Finale (Molto allegro) | Wind Ensemble of the Academy of St. Martin in the Fields, Sir Neville Marriner | T-316.103.728-7 | |
| 30-9 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante | Members of the Academy of St Martin in the Fields, Michael Laird | T-011.422.353-8 | |
| 30-10 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro | Members of the Academy of St Martin in the Fields, Michael Laird | — | |
| 30-11 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto | Members of the Academy of St Martin in the Fields, Michael Laird | — | |
| 30-12 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante | Members of the Academy of St Martin in the Fields, Michael Laird | T-318.676.528-2 | |
| 30-13 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto | Members of the Academy of St Martin in the Fields, Michael Laird | T-900.021.469-7 | |
| 30-14 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte | Members of the Academy of St Martin in the Fields, Michael Laird | T-900.021.469-7 | |
| 31-1 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-2 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-3 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-4 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-5 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-6 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-7 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-8 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-9 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-10 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-11 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-12 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-13 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-14 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-15 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-16 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-17 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-18 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-19 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-20 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 31-21 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 31-22 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-23 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-24 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-25 | Twelve Contredanses, WoO 14 no. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-26 | Twelve Contredanses, WoO 14 no. 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-27 | Twelve Contredanses, WoO 14 no. 3 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-28 | Twelve Contredanses, WoO 14 no. 4 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-29 | Twelve Contredanses, WoO 14 no. 5 | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-30 | Twelve Contredanses, WoO 14 no. 6 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-31 | Twelve Contredanses, WoO 14 no. 7 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-32 | Twelve Contredanses, WoO 14 no. 8 | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 31-33 | Twelve Contredanses, WoO 14 no. 9 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-34 | Twelve Contredanses, WoO 14 no. 10 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-35 | Twelve Contredanses, WoO 14 no. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-36 | Twelve Contredanses, WoO 14 no. 12 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-37 | Große Fuge in B-flat major, op. 133 | — | ||
| 32-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto: Allegro Vivace - Trio: Un poco meno allegro | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Academy of St Martin in the Fields, Joshua Bell | — | |
| 32-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Academy of St Martin in the Fields, Joshua Bell | T-314.638.300-4 | |
| 32-7 | Symphony no. 7 in A major, op. 92: III. Presto | Academy of St Martin in the Fields, Joshua Bell | T-915.710.750-1 | |
| 32-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Academy of St Martin in the Fields, Joshua Bell | — | |
| 33-1 | Clarinet Concerto no. 1 in F minor, op. 73, J114: I. Allegro | — | ||
| 33-2 | Clarinet Concerto no. 1 in F minor, op. 73, J114: II. Adagio ma non troppo | — | ||
| 33-3 | Clarinet Concerto no. 1 in F minor, op. 73, J114: III. Rondo: Allegretto | — | ||
| 33-4 | Concertino for Clarinet and Orchestra in C minor / E-flat major, op. 26, J109: I. Adagio ma non troppo - Andante | — | ||
| 33-5 | Concertino for Clarinet and Orchestra in C minor / E-flat major, op. 26, J109: II. Allegro | — | ||
| 33-6 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: I. Allegro | — | ||
| 33-7 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: II. Romanza: Andante | — | ||
| 33-8 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: III. Alla Polacca | — | ||
| 34-1 | Guillaume Tell: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.248.424-4 | |
| 34-2 | Le siège de Corinthe: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-3 | La Cenerentola: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-304.872.410-9 | |
| 34-4 | La gazza ladra: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-5 | La cambiale di matrimonio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-308.444.956-5 | |
| 34-6 | La scala di seta: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-305.157.600-8 | |
| 34-7 | Tancredi: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 34-8 | Il Signor Bruschino: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-315.038.116-7 | |
| 34-9 | Il Turco in Italia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.685.492-6 | |
| 34-10 | L'inganno felice: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-1 | Maometto II: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 35-2 | Ricciardo e Zoraide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-3 | Sinfonia al Conventello: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-4 | Sinfonia di Bologna: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-5 | Semiramide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-6 | Il viaggio a Reims: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 35-7 | Il barbiere di Siviglia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.354.204-3 | |
| 35-8 | L'Italiana in Algeri: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-301.972.539-0 | |
| 36-1 | Bianca e Faliero: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-2 | Otello: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-917.144.492-1 | |
| 36-3 | Demetrio e Polibio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-4 | Edoardo e Cristina: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.574.378-5 | |
| 36-5 | Armida: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-6 | Edipo a Colono: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-7 | Ermione: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-8 | Torvaldo e Dorliska: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.482.271-1 | |
| 37-1 | Trumpet Voluntary in D major "The Prince of Denmark's March" | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.738.677-2 | |
| 37-2 | Solomon: Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Neville Marriner | — | |
| 37-3 | PURCELL: ABDELAZER - RONDEAU | Academy of St Martin in the Fields, Sir Neville Marriner | T-310.522.636-2 | |
| 37-4 | Sonato a quattro no. 3 in C major: Moderato | — | ||
| 37-5 | String Quintet in E major, op. 13 no. 5: Minuet | — | ||
| 37-6 | Divertimento in D major, K334 - Orchestral version: Menuetto - Trio - Menuetto | — | ||
| 37-7 | String Quartet in F major, Hob. III:17 “Serenade”: Andante cantabile | — | ||
| 37-8 | Trumpet Concerto in E-flat major, Hob. VIIe:1: III. Allegro | — | ||
| 37-9 | String Quartet no. 1 in D major, op. 11 - Orchestral version: II. Andante cantabile | — | ||
| 37-10 | Rosamunde, D797: Ballet Music no. 2 | — | ||
| 37-11 | A Midsummer Night's Dream, op. 61: Scherzo | — | ||
| 37-12 | Allegro for 4 String Quartets | — | ||
| 37-13 | Concertino armonico no. 5 in F minor: I. Adagio - Largo | — | ||
| 37-14 | Concertino armonico no. 5 in F minor: II. Da capella: Presto | — | ||
| 37-15 | Concertino armonico no. 5 in F minor: III. A tempo commodo (con sordini) | — | ||
| 37-16 | Concertino armonico no. 5 in F minor: IV. A tempo giusto | — | ||
| 37-17 | Introduttione teatrale, op. 4 no. 5: Allegro | — | ||
| 38-1 | Symphony no. 9 for Strings in C minor, op. posth.: I. Allegro moderato | — | ||
| 38-2 | Symphony no. 9 for Strings in C minor, op. posth.: II. Poco adagio | — | ||
| 38-3 | Symphony no. 9 for Strings in C minor, op. posth.: III. Scherzo | — | ||
| 38-4 | Symphony no. 9 for Strings in C minor, op. posth.: IV. Allegro moderato | — | ||
| 38-5 | Symphony no. 10 for Strings in B minor, op. posth. | — | ||
| 38-6 | Symphony no. 12 for Strings in G minor, op. posth.: I. Grave - Allegro | — | ||
| 38-7 | Symphony no. 12 for Strings in G minor, op. posth.: II. Andante | — | ||
| 38-8 | Symphony no. 12 for Strings in G minor, op. posth.: Allegro molto | — | ||
| 38-9 | Concerto in A minor for Piano and Strings: I. Allegro | — | ||
| 38-10 | Concerto in A minor for Piano and Strings: II. Adagio | — | ||
| 38-11 | Concerto in A minor for Piano and Strings: III. Finale: Allegro ma non troppo | — | ||
| 39-1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 39-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo | — | ||
| 39-3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | — | ||
| 39-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 39-5 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | — | ||
| 39-6 | Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | — | ||
| 39-7 | Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | — | ||
| 39-8 | Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello: Presto | — | ||
| 40-1 | Symphony no. 1 in D major: I. Allegro molto | — | ||
| 40-2 | Symphony no. 1 in D major: II. Allegro moderato | — | ||
| 40-3 | Symphony no. 1 in D major: III. Scherzo: Non troppo presto | — | ||
| 40-4 | Symphony no. 1 in D major: IV. Finale: Adagio - Allegro vivace | — | ||
| 40-5 | Symphony no. 2 in E-flat major: I. Adagio - Allegro agitato | — | ||
| 40-6 | Symphony no. 2 in E-flat major: II. Larghetto | — | ||
| 40-7 | Symphony no. 2 in E-flat major: III. Scherzo: Allegro molto | — | ||
| 40-8 | Symphony no. 2 in E-flat major: IV. Finale: Allegro, leggiero assai | — | ||
| 40-9 | Faust - Ballet music: Danse des Nubiennes (Allegretto) | — | ||
| 40-10 | Faust - Ballet music: Adagio | — | ||
| 40-11 | Faust - Ballet music: Danse antique (Allegretto) | — | ||
| 40-12 | Faust - Ballet music: Variations de Cléopâtre (Moderato maestoso) | — | ||
| 40-13 | Faust - Ballet music: Les Troyennes (Moderato con moto) | — | ||
| 40-14 | Faust - Ballet music: Variations du miroir (Allegretto) | — | ||
| 40-15 | Faust - Ballet music: Danse de Phryné (Allegro vivo) | — | ||
| 41-1 | Serenade for Strings in E major, op. 22: I. Moderato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-2 | Serenade for Strings in E major, op. 22: II. Tempo di valse | Academy of St Martin in the Fields, Sir Neville Marriner | T-310.562.700-3 | |
| 41-3 | Serenade for Strings in E major, op. 22: III. Scherzo. Vivace | Academy of St Martin in the Fields, Sir Neville Marriner | T-911.517.582-1 | |
| 41-4 | Serenade for Strings in E major, op. 22: IV. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-5 | Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-6 | Serenade for Wind in D minor, op. 44 B77: I. Moderato, quasi marcia | — | ||
| 41-7 | Serenade for Wind in D minor, op. 44 B77: II. Minuetto: Tempo di minuetto | — | ||
| 41-8 | Serenade for Wind in D minor, op. 44 B77: III. Andante con moto | — | ||
| 41-9 | Serenade for Wind in D minor, op. 44 B77: IV. Finale: Allegro molto | — | ||
| 42-1 | The Nutcracker Suite, op. 71a: 1. Miniature Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-2 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: March | Academy of St Martin in the Fields, Sir Neville Marriner | T-304.210.691-8 | |
| 42-3 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Sugar-Plum Fairy | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-4 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Russian Dance | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-5 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Arabian Dance (Coffee) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-6 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Chinese Dance (Tea) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-7 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Reed-Pipes | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.140.239-7 | |
| 42-8 | The Nutcracker Suite, op. 71a: 3. Waltz of the Flowers | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.792.441-0 | |
| 42-9 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-10 | Serenade for Strings in C, op. 48: II. Waltz | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-11 | Serenade for Strings in C, op. 48: III. Elegie: Larghetto elegiaco | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-12 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-13 | Violin Concerto in D major, op. 35: I. Allegro moderato | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.685.630-4 | |
| 42-14 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-15 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | T-307.068.427-0 | |
| 43-1 | Holberg Suite, op. 40: I. Praeludium: Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-2 | Holberg Suite, op. 40: II. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-3 | Holberg Suite, op. 40: III. Gavotte: Allegretto - Musette: Poco più mosso - Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-4 | Holberg Suite, op. 40: IV. Air: Andante religioso | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-5 | Holberg Suite, op. 40: V. Rigaudon: Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-6 | Elegiac Melodies, op. 34: 1. Hjerterar | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-7 | Elegiac Melodies, op. 34: 2. Våren | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-8 | Valse Triste, op. 44 no. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-9 | Little Suite, op. 1: I. Praeludium | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-10 | Little Suite, op. 1: II. Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-11 | Little Suite, op. 1: III. Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-12 | Serenade, op. 11: I. Praeludium | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-13 | Serenade, op. 11: II. Andante espressivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-14 | Serenade, op. 11: III. Scherzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-15 | Serenade, op. 11: IV. Marcia | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-16 | Rakastava, op. 14: 1. The lover | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-17 | Rakastava, op. 14: 2. The Path of his Beloved | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-18 | Rakastava, op. 14: 3. Good Evening! ... Farewell! | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-1 | Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-2 | Violin Concerto no. 1 in G minor, op. 26: Adagio | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale (Allegro energico) | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | T-307.068.427-0 | |
| 44-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-5 | Violin Concerto in E minor, op. 64: II. Andante | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-6 | Violin Concerto in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | T-909.876.883-3 | |
| 45-1 | Le bourgeois gentilhomme, op. 60: I. Ouvertüre zum 1. Aufzug: Jourdain - der Bürger | — | ||
| 45-2 | Le bourgeois gentilhomme, op. 60: II. Menuett | — | ||
| 45-3 | Le bourgeois gentilhomme, op. 60: III. Der Fechtmeister | — | ||
| 45-4 | Le bourgeois gentilhomme, op. 60: IV. Auftritt und Tanz der Schneider | — | ||
| 45-5 | Le bourgeois gentilhomme, op. 60: V. Das Menuett des Lully | — | ||
| 45-6 | Le bourgeois gentilhomme, op. 60: VI. Courante | — | ||
| 45-7 | Le bourgeois gentilhomme, op. 60: VII. Auftritt des Cleonte (nach Lully) | — | ||
| 45-8 | Le bourgeois gentilhomme, op. 60: VIII. Vorspiel zum 2. Aufzug: Intermezzo Dorantes und Dorimene - Graf und Marquise | — | ||
| 45-9 | Le bourgeois gentilhomme, op. 60: IX. Das Diner: Tafelmusik und Tanz des Küchenjungen | — | ||
| 45-10 | Tanzsuite nach Couperin, AV 107: I. Pavane: Einzug und feierlicher Reigen | — | ||
| 45-11 | Tanzsuite nach Couperin, AV 107: II. Courante | — | ||
| 45-12 | Tanzsuite nach Couperin, AV 107: III. Carillon | — | ||
| 45-13 | Tanzsuite nach Couperin, AV 107: IV. Sarabande | — | ||
| 45-14 | Tanzsuite nach Couperin, AV 107: V. Gavotte | — | ||
| 45-15 | Tanzsuite nach Couperin, AV 107: VI. Wirbeltanz | — | ||
| 45-16 | Tanzsuite nach Couperin, AV 107: VII. Allemande | — | ||
| 45-17 | Tanzsuite nach Couperin, AV 107: VIII. Marsch | — | ||
| 46-1 | Scottish Fantasy for Violin and Orchestra, op. 46: I. Introduction: Grave, Adagio cantabile | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-2 | Scottish Fantasy for Violin and Orchestra, op. 46: II. Scherzo Allegro | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-3 | Scottish Fantasy for Violin and Orchestra, op. 46: III. Andante sostenuto | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-4 | Scottish Fantasy for Violin and Orchestra, op. 46: IV. Finale: Allegro guerriero | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-5 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-6 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-7 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | Joshua Bell, Academy of St Martin in the Fields | T-306.377.272-1 | |
| 47-1 | La damnation de faust, op. 24: Marche hongriuse | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-2 | Pavane pour une infante défunte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-3 | L'apprenti sorcier | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-4 | Danse macabre, op. 40 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-5 | Prélude à l’après-midi d’un faune | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-6 | Joyeuse marche | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-7 | Baïlèro (Chants d'Auvergne) | — | ||
| 47-8 | Gymnopédie no. 3 | — | ||
| 47-9 | Gymnopédie no. 1 | — | ||
| 47-10 | Pavane, op. 50 | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.340.218-7 | |
| 47-11 | Dolly Suite, op. 56: I. Berceuse | — | ||
| 47-12 | Dolly Suite, op. 56: II. Mi-a-ou | — | ||
| 47-13 | Dolly Suite, op. 56: III. Le Jardin de Dolly | — | ||
| 47-14 | Dolly Suite, op. 56: IV. Kitty-valse | — | ||
| 47-15 | Dolly Suite, op. 56: V. Tendresse | — | ||
| 47-16 | Dolly Suite, op. 56: VI. Le Pas espagnol | — | ||
| 48-1 | Pini di Roma: I. I pini di Villa Borghese | — | ||
| 48-2 | Pini di Roma: II. Pini presso una catacomba | — | ||
| 48-3 | Pini di Roma: III. I pini del Gianicolo | — | ||
| 48-4 | Pini di Roma: IV. I pini della Via Appia | — | ||
| 48-5 | Fontane di Roma: I. La fontana di Valle Giula all'alba | — | ||
| 48-6 | Fontane di Roma: II. La fontana del Tritone al mattino | — | ||
| 48-7 | Fontane di Roma: III. La fontana di Trevi al merrigio | — | ||
| 48-8 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | — | ||
| 48-9 | Feste romane: I. Circenses | — | ||
| 48-10 | Feste romane: II. Il giubileo | — | ||
| 48-11 | Feste romane: III. L'Ottobrata | — | ||
| 48-12 | Feste romane: IV. La Befana | — | ||
| 48-13 | Gli ucceli: I. Prelude | — | ||
| 48-14 | Gli ucceli: II. La colomba | — | ||
| 48-15 | Gli uccelli: III. La gallina | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-16 | Gli ucceli: IV. L'usignolo | — | ||
| 48-17 | Gli ucceli: V. Il cuccù | — | ||
| 49-1 | Music for Strings, Percussion and Celesta, BB 114: I. Andante tranquillo | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-061.693.281-0 | |
| 49-2 | Music for Strings, Percussion and Celesta, BB 114: II. Allegro | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-802.445.410-3 | |
| 49-3 | Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-4 | Music for Strings, Percussion and Celesta, BB 114: IV. Finale: Allegro molto | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-329.454.787-4 | |
| 49-5 | Divertimento, BB 118: I. Allegro non troppo | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-6 | Divertimento, BB 118: II. Molto adagio | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-7 | Divertimento, BB 118: III. Allegro assai | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 50-1 | Pulcinella (Concert Suite): I. Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.033.238-2 | |
| 50-2 | Pulcinella (Concert Suite): II. Serenata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-3 | Pulcinella (Concert Suite): III. Scherzino | Academy of St Martin in the Fields, Sir Neville Marriner | T-918.612.201-0 | |
| 50-4 | Pulcinella (Concert Suite): IV. Tarantella | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-5 | Pulcinella (Concert Suite): V. Toccata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-6 | Pulcinella (Concert Suite): VI. Gavotta con due variazioni | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-7 | Pulcinella (Concert Suite): VII. Vivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-8 | Pulcinella (Concert Suite): VIIIa. Minuetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-9 | Pulcinella (Concert Suite): VIIb. Finale | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.498.490-3 | |
| 50-20 | Capriccio for Piano & Orchestra: I. Presto | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 50-21 | Capriccio for Piano & Orchestra: II. Andante Rapsodico | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-22 | Capriccio for Piano & Orchestra: III. Allegro Capriccioso | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-1 | Introduction and Allegro for String Orchestra and Quartet, op. 47 | Kenneth Essex, Raymond Keenlyside, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-2 | Serenade in E minor for Strings, op. 20: I. Allegro piacevole | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-3 | Serenade in E minor for Strings, op. 20: II. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-4 | Serenade in E minor for Strings, op. 20: III. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-5 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 51-6 | Elegy for Strings, op. 58 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-7 | The Spanish Lady – Suite | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-8 | Serenade for Strings | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-9 | Capriol Suite: I. Basse‐Danse | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-10 | Capriol Suite: II. Pavane | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-11 | Capriol Suite: III. Tordion | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-12 | Capriol Suite: IV. Bransles | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-13 | Capriol Suite: V. Pieds‐en‐l’air | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-14 | Capriol Suite: VI. Mattachins (Sword Dance) | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-15 | A Shropshire Lad | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-16 | Two English Idylls | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-17 | The Banks of Green Willow | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-1 | On Hearing the First Cuckoo in Spring | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-2 | Intermezzo and Serenade from ‘Hassan’ | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-3 | A Song Before Sunrise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-4 | Fennimore and Gerda: Intermezzo | — | ||
| 52-5 | Summer Night on the River | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-6 | Air and Dance | — | ||
| 52-7 | La Calinda from ‘Koanga’ | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-8 | The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-9 | Two Pieces for Cello and Chamber Orchestra: I. Caprice | — | ||
| 52-10 | Two Pieces for Cello and Chamber Orchestra: II. Elegy | — | ||
| 52-11 | Invocation, op. 19 no. 2 | — | ||
| 52-12 | Romance, op. 62 | — | ||
| 52-13 | Oboe Concerto: I. Rondo pastorale | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-14 | Oboe Concerto: II. Minuet and musette | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-15 | Oboe Concerto: III. Finale | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-1 | The Wasps - Overture | — | ||
| 53-2 | Fantasia on a Theme by Thomas Tallis | — | ||
| 53-3 | In the Fen Country - Symphonic Impression | — | ||
| 53-4 | Variations for Orchestra | — | ||
| 53-5 | Norfolk Rhapsody no. 1 in E minor | — | ||
| 53-6 | Five Variants of “Dives and Lazarus” | — | ||
| 53-7 | Romance | Tommy Reilly, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-1 | The Lark Ascending | Iona Brown, Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-2 | Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-3 | Concerto Grosso: I. Intrada | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-4 | Concerto Grosso: II. Burlesca ostinata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-5 | Concerto Grosso: III. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-6 | Concerto Grosso: IV. Scherzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-7 | Concerto Grosso: V. March and Reprise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-8 | English Folk Song Suite: I. March “Seventeen Come Sunday” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-9 | English Folk Song Suite: II. Intermezzo “My Bonny Boy” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-10 | English Folk Song Suite: III. March “Folk Songs From Somerset” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-11 | Sumer is i-cumen in | — | ||
| 54-12 | The Turtle Dove | — | ||
| 54-13 | The Keeper would a-hunting go | — | ||
| 54-14 | The Oak and the Ash | — | ||
| 54-15 | Early One Morning | — | ||
| 54-16 | John Peel | — | ||
| 54-17 | The Jolly Miller | — | ||
| 54-18 | I will give my love an apple | — | ||
| 54-19 | The British Grenadiers | — | ||
| 55-1 | On Hearing the First Cuckoo in Spring | — | ||
| 55-2 | Enter Spring | — | ||
| 55-3 | April - England | — | ||
| 55-4 | Summer | — | ||
| 55-5 | Harvest Hymn | — | ||
| 55-6 | November Woods | — | ||
| 55-7 | Christmas Dance “Sir Roger de Coverley” | — | ||
| 56-1 | Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso - L'istesso tempo ma in modo Lirico | — | ||
| 56-2 | Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | — | ||
| 56-3 | Concerto for Clarinet and String Orchestra, op. 31: III. Rondo: Allegro giocoso | — | ||
| 56-4 | Romance for String Orchestra, op. 11 | — | ||
| 56-5 | Nocturne, op. 7 (New Year Music) | — | ||
| 56-6 | Dies natalis, op. 8: I. Intrada | — | ||
| 56-7 | Dies natalis, op. 8: II. Rhapsody (Recitativo stromentato) | — | ||
| 56-8 | Dies natalis, op. 8: III. The Rapture (Danza) | — | ||
| 56-9 | Dies natalis, op. 8: IV. Wonder (Arioso) | — | ||
| 56-10 | Dies natalis, op. 8: V. The Salutation (Aria) | — | ||
| 57-1 | Fantasia Concertante on a Theme of Corelli | — | ||
| 57-2 | Little Music for String Orchestra | — | ||
| 57-3 | Concerto for Double String Orchestra: I. Allegro con brio | — | ||
| 57-4 | Concerto for Double String Orchestra: II. Adagio cantabile | — | ||
| 57-5 | Concerto for Double String Orchestra: III. Allegro molto | — | ||
| 57-6 | Façade - Suite no. 1 for Orchestra: 1. Polka | — | ||
| 57-7 | Façade - Suite no. 1 for Orchestra: 5. Popular Song | — | ||
| 58-1 | Lieder eines fahrenden Gesellen: “Wenn mein Schatz Hochzeit macht” | — | ||
| 58-2 | Lieder eines fahrenden Gesellen: “Ging heut' Morgens übers Feld” | — | ||
| 58-3 | Lieder eines fahrenden Gesellen: “Ich hab' ein glühend Messer” | — | ||
| 58-4 | Lieder eines fahrenden Gesellen: “Die zwei blauen Augen von meinem Schatz” | — | ||
| 58-5 | Nocturne, op. 60: “On a poet's lips I slept” | — | ||
| 58-6 | Nocturne, op. 60: “Below the thunders of the upper deep” | — | ||
| 58-7 | Nocturne, op. 60: “Encinctured with a twine of leaves” | — | ||
| 58-8 | Nocturne, op. 60: “Midnight's bell goes ting, ting, ting” | — | ||
| 58-9 | Nocturne, op. 60: “But that night when on my bed I lay” | — | ||
| 58-10 | Nocturne, op. 60: “She sleeps on soft, last breaths” | — | ||
| 58-11 | Nocturne, op. 60: “What is more gentle than a wind in summer?” | — | ||
| 58-12 | Nocturne, op. 60: “When most I wing, then do mine eyes best see” | — | ||
| 58-13 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-14 | Variations on a Theme of Frank Bridge, op. 10: Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-15 | Variations on a Theme of Frank Bridge, op. 10: March | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-16 | Variations on a Theme of Frank Bridge, op. 10: Romance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-17 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.380.384-2 | |
| 58-18 | Variations on a Theme of Frank Bridge, op. 10: Bouree classique | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-19 | Variations on a Theme of Frank Bridge, op. 10: Wiener walzer | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-20 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-21 | Variations on a Theme of Frank Bridge, op. 10: Funeral March | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-22 | Variations on a Theme of Frank Bridge, op. 10: Chant | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-23 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-1 | The Happy Prince: “He looks like an angel!” (Chorus, The Mayor, The Swallow, The Prince) | — | ||
| 59-2 | The Happy Prince: “Mother, I am so hot” (The Seamstress' Son, The Seamstress, The Prince, The Swallow) | — | ||
| 59-3 | The Happy Prince: “How wonderful the stars are!” (Chorus, The Seamstress' Son, The Seamstress, The Mayor, The Swallow, The Prince) | — | ||
| 59-4 | The Happy Prince: “How can I finish my play?” (The Author, The Prince, The Swallow) | — | ||
| 59-5 | The Happy Prince: “A sapphire! A beautiful sapphire!” (The Author, The Prince, The Swallow) | — | ||
| 59-6 | The Happy Prince: “What a lovely bit of glass!” (The Matchgirl, The Swallow, The Prince) | — | ||
| 59-7 | The Happy Prince: “Gold! Gold! Gold! Gold!!” (Chorus, The Swallow, The Prince) | — | ||
| 59-8 | The Happy Prince: “Let us take the statue down!” (Chorus, The Mayor) | — | ||
| 59-9 | The Happy Prince: “This leaden heart and this dead bird” (Chorus) | — | ||
| 59-10 | Sonata for String Orchestra: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-11 | Sonata for String Orchestra: II. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-12 | Sonata for String Orchestra: III. Lento | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-13 | Sonata for String Orchestra: IV. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 60-1 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-2 | Exsultate, jubilate, K. 165: II. Fulget amica dies | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-3 | Exsultate, jubilate, K. 165: III. Tu virginum corona | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-4 | Exsultate, jubilate, K. 165: IV. Alleluja | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | T-910.009.165-4 | |
| 60-5 | Clarinet Concerto in A major, K622: I. Allegro | — | ||
| 60-6 | Clarinet Concerto in A major, K622: II. Adagio | — | ||
| 60-7 | Clarinet Concerto in A major, K622: III. Rondo: Allegro | — | ||
| 60-8 | Piano Concerto no. 21 in C, K467: I. (Allegro maestoso) | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 60-9 | Piano Concerto no. 21 in C, K467: II. Andante | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.871-3 | |
| 60-10 | Piano Concerto no. 21 in C, K467: III. Allegro vivace assai | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Six Symphonies, op. 3: No. 6 in G: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 |
| Apollon musagète (1947 version): Premier Tableau (Prologue): I. Birth of Apollo | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: II. Variation d'Apollon (Apollon et les Muses) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: III. Pas d'action (Apollo and the 3 Muses) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: IV. Variation of Calliope (the Alexandrine) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: V. Variation of Polyhymnia | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VI. Variation of Terpsichore | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VII. Variation of Apollo | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VIII. Pas de deux (Apollo and Terpsichore) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: IX. Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: X. Apotheosis | Academy of St Martin in the Fields, Sir Neville Marriner | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948500932 is a Universal Product Code (UPC) assigned to Academy of St. Martin in the Fields 60th Anniversary Edition by Academy of St Martin in the Fields. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 965 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Academy of St. Martin in the Fields 60th Anniversary Edition” by Academy of St Martin in the Fields is 028948500932. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 965 tracks, each with its own ISRC. Tracks include GBBBA6170918, GBBBA6170919, GBBBA6170920.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto grosso in D major, op. 6 no. 7: I. Vivace - Allegro - Adagio | — | ||
| 2 | Concerto grosso in D major, op. 6 no. 7: II. Allegro | — | ||
| 3 | Concerto grosso in D major, op. 6 no. 7: III. Andante: Largo | — | ||
| 4 | Concerto grosso in D major, op. 6 no. 7: IV. Allegro | — | ||
| 5 | Concerto grosso in D major, op. 6 no. 7: V. Vivace | — | ||
| 6 | Concerto grosso in D minor, op. 6 no. 10: I. Adagio - Allegro | — | ||
| 7 | Concerto grosso in D minor, op. 6 no. 10: II. Largo | — | ||
| 8 | Concerto grosso in D minor, op. 6 no. 10: III. Presto | — | ||
| 9 | Concerto grosso in D major, op. 1 no. 9: I. Allegro | — | ||
| 10 | Concerto grosso in D major, op. 1 no. 9: II. Largo | — | ||
| 11 | Concerto grosso in D major, op. 1 no. 9: III. Allemanda: Allegro | — | ||
| 12 | Concerto grosso in D major, op. 1 no. 9: IV. Sarabanda: Largo | — | ||
| 13 | Concerto grosso in D major, op. 1 no. 9: V. | — | ||
| 14 | Concerto in F major, op. 7 no. 6: I. Grave - Allegro - Grave | — | ||
| 15 | Concerto in F major, op. 7 no. 6: II. Allegro | — | ||
| 16 | Concerto in F major, op. 7 no. 6: III. Grave e spirituoso - Adagio | — | ||
| 17 | Concerto in F major, op. 7 no. 6: IV. Allegro | — | ||
| 18 | Concerto grosso in G minor, op. 6 no. 6: I. Larghetto e affettuoso | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 19 | Concerto grosso in G minor, op. 6 no. 6: II. A tempo giusto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 20 | Concerto grosso in G minor, op. 6 no. 6: III. Musette: Largetto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 21 | Concerto grosso in G minor, op. 6 no. 6: IV. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 22 | Concerto grosso in G minor, op. 6 no. 6: V. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Academy of St Martin in the Fields | — | |
| 23 | Concerto grosso in G minor, op. 3 no. 10: I. Adagio | — | ||
| 24 | Concerto grosso in G minor, op. 3 no. 10: II. Allegro | — | ||
| 25 | Concerto grosso in G minor, op. 3 no. 10: III. Largo | — | ||
| 26 | Concerto grosso in G minor, op. 3 no. 10: IV. Presto | — | ||
| 27 | Concerto a 5 in A minor, op. 5 no. 5: I. Allegro | — | ||
| 28 | Concerto a 5 in A minor, op. 5 no. 5: II. Adagio | — | ||
| 29 | Concerto a 5 in A minor, op. 5 no. 5: III. Allegro | — | ||
| 30 | Étude no. 2 for horn and strings: Largo - Allegro - Moderato | — | ||
| 2-1 | Concerto grosso in A major, op. 9 no. 11: I. Largo | — | ||
| 2-2 | Concerto grosso in A major, op. 9 no. 11: II. Allegro | — | ||
| 2-3 | Concerto grosso in A major, op. 9 no. 11: III. Adagio | — | ||
| 2-4 | Concerto grosso in A major, op. 9 no. 11: IV. Aria | — | ||
| 2-5 | Concerto grosso in G major, op. 6 no. 1: I. A tempo giusto | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-6 | Concerto grosso in G major, op. 6 no. 1: II. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-7 | Concerto grosso in G major, op. 6 no. 1: III. Adagio | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-8 | Concerto grosso in G major, op. 6 no. 1: IV. Allegro | John Churchill, Kenneth Heath, Anthony Howard, Gerald Jarvis, Sir Neville Marriner, Norman Nelson, Barry Tuckwell, Academy of St Martin in the Fields | — | |
| 2-9 | Concerto in F major (Tafelmusik - Set II): I. Allegro | — | ||
| 2-10 | Concerto in F major (Tafelmusik - Set II): II. Largo | — | ||
| 2-11 | Concerto in F major (Tafelmusik - Set II): III. Vivace | — | ||
| 2-12 | Concerto for cello and strings in c minor, RV 401: I. Allegro con molto | — | ||
| 2-13 | Concerto for cello and strings in c minor, RV 401: II. Adagio | — | ||
| 2-14 | Concerto for cello and strings in c minor, RV 401: III. Allegro ma non molto | — | ||
| 2-15 | Concerto grosso in E minor, op. 3 no. 1: I. Adagio e staccato | — | ||
| 2-16 | Concerto grosso in E minor, op. 3 no. 1: II. Adagio | — | ||
| 2-17 | Concerto grosso in E minor, op. 3 no. 1: III. Allegro | — | ||
| 2-18 | Oboe Concerto in E-flat major: Maestoso e deciso - Larghetto cantabile - Allegro polonaise | — | ||
| 2-19 | Concerto grosso in D major, op. 6 no. 1: I. Largo | — | ||
| 2-20 | Concerto grosso in D major, op. 6 no. 1: II. Allegro - Adagio | — | ||
| 2-21 | Concerto grosso in D major, op. 6 no. 1: III. Largo - Allegro | — | ||
| 2-22 | Concerto grosso in D major, op. 6 no. 1: IV. Largo - Allegro | — | ||
| 2-23 | Concerto grosso in D major, op. 6 no. 1: V. Allegro | — | ||
| 3-1 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": I. Allegro | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-2 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-3 | Concerto for Violin and Strings in E, op. 8 no. 1, RV. 269 "La Primavera": III. Allegro (Danza pastorale) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-4 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto - Allegro | — | ||
| 3-5 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): II. Adagio - Presto - Adagio | — | ||
| 3-6 | Concerto for Violin and Strings in G minor, op. 8 no. 2, RV. 315 "L'estate": III. Presto (Tempo impetuoso d'estate) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-924.629.834-0 | |
| 3-7 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": I. Allegro (Ballo, e canto de' villanelli) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-8 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": II. Adagio molto (Ubriachi dormienti) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-9 | Concerto for Violin and Strings in F, op. 8 no. 3, RV. 293 "L'autunno": III. Allegro (La caccia) | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 3-10 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": I. Allegro non molto | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-910.793.958-2 | |
| 3-11 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": II. Largo | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-911.640.005-6 | |
| 3-12 | Concerto for Violin and Strings in F minor, op. 8 no. 4, RV. 297 "L'inverno": III. Allegro | Alan Loveday, Simon Preston, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.836.120-8 | |
| 3-13 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): I. Allegro | — | ||
| 3-14 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): II. Largo | — | ||
| 3-15 | Le Quattro Stagioni, op. 8: Concerto no. 1 for Violin and Strings in E major, RV 269 “La primavera” (“Spring”): III. Danza pastorale: Allegro | — | ||
| 3-16 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): I. Allegro non molto - Allegro | — | ||
| 3-17 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): II. Adagio - Presto - Adagio | — | ||
| 3-18 | Le Quattro Stagioni, op. 8: Concerto no. 2 for Violin and Strings in G minor, RV 315 “L'estate” (“Summer”): III. Presto (Tempo impetuoso d'estate) | — | ||
| 3-19 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): I. Ballo, e canto de' villanelli: Allegro | — | ||
| 3-20 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): II. Ubriachi dormienti: Adagio molto | — | ||
| 3-21 | Le Quattro Stagioni, op. 8: Concerto no. 3 for Violin and Strings in F major, RV 293 “L'autunno” (“Autumn”): III. La caccia: Allegro | — | ||
| 3-22 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): I. Allegro non molto | — | ||
| 3-23 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): II. Largo | — | ||
| 3-24 | Le Quattro Stagioni, op. 8: Concerto no. 4 for Violin and Strings in F minor, RV 297 “L'inverno” (“Winter”): III. Allegro | — | ||
| 4-1 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: I. Allegro | — | ||
| 4-2 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: II. Grave | — | ||
| 4-3 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns and Continuo, RV 569: III. Allegro | — | ||
| 4-4 | Concerto in F major for Oboe, Strings and Continuo, RV 456: I. Largo | — | ||
| 4-5 | Concerto in F major for Oboe, Strings and Continuo, RV 456: II. Allegro | — | ||
| 4-6 | Concerto in F major for Oboe, Strings and Continuo, RV 456: III. Adagio | — | ||
| 4-7 | Concerto in F major for Oboe, Strings and Continuo, RV 456: IV. Presto | — | ||
| 4-8 | Bassoon Concerto in A minor, RV 498: I. Allegro (ma molto moderato) | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-9 | Bassoon Concerto in A minor, RV 498: II. Larghetto | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | T-910.957.851-0 | |
| 4-10 | Bassoon Concerto in A minor, RV 498: III. Allegro | Iona Brown, Martin Gatt, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-11 | Concerto in C minor for Flute, Strings and Continuo, RV 441: I. Allegro non troppo | — | ||
| 4-12 | Concerto in C minor for Flute, Strings and Continuo, RV 441: II. Largo | — | ||
| 4-13 | Concerto in C minor for Flute, Strings and Continuo, RV 441: III. [Allegro] | — | ||
| 4-14 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: I. Allegro | — | ||
| 4-15 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: II. Larghetto | — | ||
| 4-16 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: III. Allegro | — | ||
| 4-17 | Piccolo Concerto in C major, RV 443: I. Allegro | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 4-18 | Piccolo Concerto in C major, RV 443: II. Largo | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-19 | Piccolo Concerto in C major, RV 443: III. Allegro molto | William Bennett, Iona Brown, Christopher Hogwood, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-20 | Concerto in D minor for 2 Oboes, Strings and Continuo, RV 535: Ia. Largo | — | ||
| 4-21 | Concerto in D minor for 2 Oboes, Strings and Continuo, RV 535: Ib. Allegro | — | ||
| 4-22 | Concerto for Two Oboes in D minor, RV 535: II. Largo | Neil Black, Iona Brown, Christopher Hogwood, Celia Nicklin, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-23 | Concerto for Two Oboes in D minor, RV 535: III. Allegro molto | Neil Black, Iona Brown, Christopher Hogwood, Celia Nicklin, Colin Tilney, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 4-24 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: I. Allegro | — | ||
| 4-25 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: II. Grave | — | ||
| 4-26 | Concerto in F major for 2 Oboes, Bassoon, 2 Horns, Violin and Continuo, RV 574: III. Allegro | — | ||
| 5-1 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: I. Allegro | — | ||
| 5-2 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: II. Grave | — | ||
| 5-3 | Concerto in D major for 2 Oboes, Violin, Strings and Continuo (arranged for 2 trumpets), RV 563: III. Allegro | — | ||
| 5-4 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: I. Allegro | — | ||
| 5-5 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: II. Larghetto | — | ||
| 5-6 | Concerto in F major for 2 Horns, Strings and Continuo, RV 539: III. Allegro | — | ||
| 5-7 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: I. Allegro | — | ||
| 5-8 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: II. Andante | — | ||
| 5-9 | Concerto in G major for 2 Mandolins, Strings and Continuo, RV 532: III. Allegro | — | ||
| 5-10 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: I. Allegro | — | ||
| 5-11 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: II. Largo | — | ||
| 5-12 | Concerto in C major for 2 Flutes, Strings and Continuo, RV 533: III. Allegro | — | ||
| 5-13 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: I. [Allegro] | — | ||
| 5-14 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: II. Largo | — | ||
| 5-15 | Concerto in A minor for 2 Oboes, Strings and Continuo, RV 536: III. Allegro | — | ||
| 5-16 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: I. Andante molto | — | ||
| 5-17 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: II. Largo | — | ||
| 5-18 | Concerto in G major for Oboe, Bassoon and Continuo, RV 545: III. Allegro molto | — | ||
| 5-19 | Concerto in D major for Violin, Strings and Continuo, RV 562a: I. Allegro | — | ||
| 5-20 | Concerto in D major for Violin, Strings and Continuo, RV 562a: II. Grave | — | ||
| 5-21 | Concerto in D major for Violin, Strings and Continuo, RV 562a: III. Allegro | — | ||
| 6-1 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: I. Andante | — | ||
| 6-2 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: II. L'arte della fuga, a 4 parte reale: Presto | — | ||
| 6-3 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: III. Andantino - Adagio | — | ||
| 6-4 | 6 Concerti grossi, op. 7: Concerto grosso no. 1 in D major, H115: IV. Allegro moderato | — | ||
| 6-5 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: I. Grave | — | ||
| 6-6 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: II. Allegro assai | — | ||
| 6-7 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: III. Andante | — | ||
| 6-8 | 6 Concerti grossi, op. 7: Concerto grosso no. 2 in D minor, H116: IV. Allegro | — | ||
| 6-9 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: I. Francese: Presto - Tempo giusto | — | ||
| 6-10 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: II. Inglese: Andante | — | ||
| 6-11 | 6 Concerti grossi, op. 7: Concerto grosso no. 3 in C major, H117: III. Italiano: Allegro assai | — | ||
| 6-12 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: I. Andante | — | ||
| 6-13 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: II. Allegro - Adagio | — | ||
| 6-14 | 6 Concerti grossi, op. 7: Concerto grosso no. 4 in D minor, H118: III. Allegro - Adagio - Allegro | — | ||
| 6-15 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: I. Andante | — | ||
| 6-16 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: II. Allegro - Grave | — | ||
| 6-17 | 6 Concerti grossi, op. 7: Concerto grosso no. 5 in C minor, H119: III. Allegro | — | ||
| 6-18 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: I. Allegro moderato - Andante - Grave | — | ||
| 6-19 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: II. Adagio - Presto | — | ||
| 6-20 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: III. Affettuoso - Andante | — | ||
| 6-21 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: IV. Allegro moderato | — | ||
| 6-22 | 6 Concerti grossi, op. 7: Concerto grosso no. 6 in B-flat major, H120: V. Andante - Adagio - Allegro assai - Adagio - Presto | — | ||
| 7-1 | Trumpet Concerto in D major: I. Allegro | — | ||
| 7-2 | Trumpet Concerto in D major: II. Grave: Poco andante | — | ||
| 7-3 | Trumpet Concerto in D major: III. Vivace | — | ||
| 7-4 | Trumpet Concerto in C major: I. Allegro | — | ||
| 7-5 | Trumpet Concerto in C major: II. Largo | — | ||
| 7-6 | Trumpet Concerto in C major: III. Allegro | — | ||
| 7-7 | Concerto à cinque: I. Allegro | — | ||
| 7-8 | Concerto à cinque: II. Cantabile | — | ||
| 7-9 | Concerto à cinque: III. Menuet | — | ||
| 7-10 | Concerto à cinque: IV. Plaisanterie | — | ||
| 7-11 | Trumpet Concerto in D major, FWV L:D1: I. Allegro | — | ||
| 7-12 | Trumpet Concerto in D major, FWV L:D1: II. Largo | — | ||
| 7-13 | Trumpet Concerto in D major, FWV L:D1: III. Allegro | — | ||
| 7-14 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: I. Allegro | — | ||
| 7-15 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: II. Largo | — | ||
| 7-16 | Concerto in C major for 2 Trumpets, Strings and Continuo, RV 537: III. [Allegro] | — | ||
| 7-17 | Concerto à cinque: I. Moderato | — | ||
| 7-18 | Concerto à cinque: II. Menuett | — | ||
| 7-19 | Concerto à cinque: III. Larghetto | — | ||
| 7-20 | Concerto à cinque: IV. Vivace | — | ||
| 7-21 | Trumpet Concerto in D major: I. Andante | — | ||
| 7-22 | Trumpet Concerto in D major: II. Allegro moderato | — | ||
| 7-23 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, I. Allegro con spirito | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-24 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, II. Andante - Attacca subito | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 7-25 | Trumpet Concerto in E or E-flat major, WoO 1, S. 49, III. Rondo: Allegro | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 8-1 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: I. Affettuoso | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-2 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: II. Allegro Assai | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 8-3 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: III. Cantabile | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-4 | Concerto for Violin, Strings and Basso continuo in E major, TWV 51:E2: IV. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-003.055.867-8 | |
| 8-5 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): I. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-6 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): II. Adagio | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-7 | Concerto for Violin, Strings and Basso continuo in B-flat major, TWV 51:AnhB1 (spurious): III. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-312.438.619-8 | |
| 8-8 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: I. Andante | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-9 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: II. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-10 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: III. Siciliana | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-11 | Concerto for Violin, Strings and Basso continuo in G major, TWV 51:G7: IV. Presto | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-12 | Concerto for Violin, Strings and Basso continuo in D major, TWV 51:D10: I. Adagio - Allegro - Adagio - Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-13 | Concerto for Violin, Strings and Basso continuo in D major, TWV 51:D10: II. Grave - Vivace | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-14 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: I. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-011.422.353-8 | |
| 8-15 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: II. Adagio | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | — | |
| 8-16 | Concerto for Violin, Strings and Basso continuo in G minor, TWV 51:G1: III. Allegro | Iona Brown, Alan Cuckston, Denis Vigay, Academy of St Martin in the Fields | T-312.438.619-8 | |
| 8-17 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: I. Overture: Grave - Allegro | — | ||
| 8-18 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: II. The Sleeping Thetis: Sarabande / III. Thetis Awakening: Bourrée / IV. Neptune in Love: Loure | — | ||
| 8-19 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: V. Nymphs at Play: Gavotte / VI. The Jovial Triton: Harlequinade / VII. The Turbulent Aeolus | — | ||
| 8-20 | Overture in C major, TWV 55:C3 “Hamburger Ebb und Flut”: VIII. The Amiable Zephyr: Menuet / IX. Ebb and Flow: Gigue / X. The Merry Mariners: Canarie | — | ||
| 9-1 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: I. Allegro | — | ||
| 9-2 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: II. Largo | — | ||
| 9-3 | Concerto grosso in B-flat major, op. 3 no. 1, HWV 312: III. Allegro | — | ||
| 9-4 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: I. Vivace - Grave | — | ||
| 9-5 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: II. Largo | — | ||
| 9-6 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: III. Allegro | — | ||
| 9-7 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: IV. [Minuet] | — | ||
| 9-8 | Concerto grosso in B-flat major, op. 3 no. 2, HWV 313: V. [Gavotte] | — | ||
| 9-9 | Concerto grosso in G major, op. 3 no. 3, HWV 314: I. Largo e staccato - Allegro | — | ||
| 9-10 | Concerto grosso in G major, op. 3 no. 3, HWV 314: II. Adagio | — | ||
| 9-11 | Concerto grosso in G major, op. 3 no. 3, HWV 314: III. Allegro | — | ||
| 9-12 | Concerto grosso in F major, op. 3 no. 4, HWV 315: I. [Overture] Andante - Allegro - Lentamente | — | ||
| 9-13 | Concerto grosso in F major, op. 3 no. 4, HWV 315: II. Andante | — | ||
| 9-14 | Concerto grosso in F major, op. 3 no. 4, HWV 315: III. Allegro | — | ||
| 9-15 | Concerto grosso in F major, op. 3 no. 4, HWV 315: IV. Minuetto alternative: Allegro | — | ||
| 9-16 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: I. [Andante] | — | ||
| 9-17 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: II. Fuga: Allegro | — | ||
| 9-18 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: III. Adagio | — | ||
| 9-19 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: IV. Allegro ma non troppo | — | ||
| 9-20 | Concerto grosso in D minor, op. 3 no. 5, HWV 316: V. Allegro | — | ||
| 9-21 | Concerto grosso in D major, op. 3 no. 6, HWV 317: I. Vivace | — | ||
| 9-22 | Concerto grosso in D major, op. 3 no. 6, HWV 317: II. Allegro | — | ||
| 9-23 | Alcina, HWV 34 - incidental music: Overture: Adagio - Allegro - Musette - Menuet | — | ||
| 9-24 | Alcina, HWV 34 - incidental music: Il ballo: Gavotte - Sarabande - Menuet | — | ||
| 9-25 | Alcina, HWV 34 - incidental music: Act III Music: Sinfonia - Entrée - Tamburino | — | ||
| 9-26 | Alcina, HWV 34 - incidental music: Dream Music: Entrée des songes funestes - Le Combat | — | ||
| 10-1 | Concerto grosso in G major, op. 6 no. 1, HWV 319: I. A tempo giusto | — | ||
| 10-2 | Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro | — | ||
| 10-3 | Concerto grosso in G major, op. 6 no. 1, HWV 319: III. Adagio | — | ||
| 10-4 | Concerto grosso in G major, op. 6 no. 1, HWV 319: IV. Allegro | — | ||
| 10-5 | Concerto grosso in G major, op. 6 no. 1, HWV 319: V. Allegro | — | ||
| 10-6 | Concerto grosso in F major, op. 6 no. 2, HWV 320: I. Andante larghetto | — | ||
| 10-7 | Concerto grosso in F major, op. 6 no. 2, HWV 320: II. Allegro | — | ||
| 10-8 | Concerto grosso in F major, op. 6 no. 2, HWV 320: III. Largo - Adagio - Larghetto andante, e piano | — | ||
| 10-9 | Concerto grosso in F major, op. 6 no. 2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 10-10 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: I. Larghetto | — | ||
| 10-11 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: II. Andante | — | ||
| 10-12 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: III. Allegro | — | ||
| 10-13 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: IV. Polonaise: Andante | — | ||
| 10-14 | Concerto grosso in E minor, op. 6 no. 3, HWV 321: V. Allegro, ma non troppo | — | ||
| 10-15 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: I. Larghetto affettuoso | — | ||
| 10-16 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: II. Allegro | — | ||
| 10-17 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: III. Largo, e piano | — | ||
| 10-18 | Concerto grosso in A minor, op. 6 no. 4, HWV 322: IV. Allegro | — | ||
| 10-19 | Concerto grosso in D major, op. 6 no. 5, HWV 323: I. [Larghetto e staccato] | — | ||
| 10-20 | Concerto grosso in D major, op. 6 no. 5, HWV 323: II. Allegro | — | ||
| 10-21 | Concerto grosso in D major, op. 6 no. 5, HWV 323: III. Presto | — | ||
| 10-22 | Concerto grosso in D major, op. 6 no. 5, HWV 323: IV. Largo | — | ||
| 10-23 | Concerto grosso in D major, op. 6 no. 5, HWV 323: V. Allegro | — | ||
| 10-24 | Concerto grosso in D major, op. 6 no. 5, HWV 323: VI. Menuet: Un poco larghetto1 | — | ||
| 10-25 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: I. Larghetto e affettuoso | — | ||
| 10-26 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: II. A tempo giusto | — | ||
| 10-27 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: III. Musette: Larghetto | — | ||
| 10-28 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: IV. Allegro | — | ||
| 10-29 | Concerto grosso in G minor, op. 6 no. 6, HWV 324: V. Allegro | — | ||
| 11-1 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: I. Largo | — | ||
| 11-2 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: II. Allegro | — | ||
| 11-3 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: III. Largo, e piano | — | ||
| 11-4 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: IV. Andante | — | ||
| 11-5 | Concerto grosso in B-flat major, op. 6 no. 7, HWV 325: V. Hornpipe | — | ||
| 11-6 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: I. Allemande: Andante | — | ||
| 11-7 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: II. Grave | — | ||
| 11-8 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: III. Andante allegro | — | ||
| 11-9 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: IV. Adagio | — | ||
| 11-10 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: V. Siciliana: Andante | — | ||
| 11-11 | Concerto grosso in C minor, op. 6 no. 8, HWV 326: VI. Allegro | — | ||
| 11-12 | Concerto grosso in F major, op. 6 no. 9, HWV 327: I. Largo | — | ||
| 11-13 | Concerto grosso in F major, op. 6 no. 9, HWV 327: II. Allegro | — | ||
| 11-14 | Concerto grosso in F major, op. 6 no. 9, HWV 327: III. Larghetto | — | ||
| 11-15 | Concerto grosso in F major, op. 6 no. 9, HWV 327: IV. Allegro | — | ||
| 11-16 | Concerto grosso in F major, op. 6 no. 9, HWV 327: V. Minuet | — | ||
| 11-17 | Concerto grosso in F major, op. 6 no. 9, HWV 327: VI. Gigue | — | ||
| 11-18 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: I. Ouverture | — | ||
| 11-19 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: II. Allegro | — | ||
| 11-20 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: III. Air: Lento | — | ||
| 11-21 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: IV. Allegro | — | ||
| 11-22 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: V. Allegro | — | ||
| 11-23 | Concerto grosso in D minor, op. 6 no. 10, HWV 328: VI. Allegro moderato | — | ||
| 11-24 | Concerto grosso in A major, op. 6 no. 11, HWV 329: I. Andante larghetto, e staccato | — | ||
| 11-25 | Concerto grosso in A major, op. 6 no. 11, HWV 329: II. Allegro | — | ||
| 11-26 | Concerto grosso in A major, op. 6 no. 11, HWV 329: III. Largo, e staccato | — | ||
| 11-27 | Concerto grosso in A major, op. 6 no. 11, HWV 329: IV. Andante | — | ||
| 11-28 | Concerto grosso in A major, op. 6 no. 11, HWV 329: V. Allegro | — | ||
| 12-1 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: I. Largo | — | ||
| 12-2 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: II. Allegro | — | ||
| 12-3 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: III. Larghetto, e piano | — | ||
| 12-4 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: IV. Largo | — | ||
| 12-5 | Concerto grosso in B minor, op. 6 no. 12, HWV 330: V. Allegro | — | ||
| 12-6 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: I. Adagio | — | ||
| 12-7 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: II. Allegro | — | ||
| 12-8 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: III. Largo | — | ||
| 12-9 | Oboe Concerto in B-flat major, op. 3 no. 1, HWV 301: IV. Vivace | — | ||
| 12-10 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: I. Vivace | — | ||
| 12-11 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: II. Fuga: Allegro | — | ||
| 12-12 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: III. Andante | — | ||
| 12-13 | Oboe Concerto in B-flat major, op. 3 no. 2a, HWV 302a: IV. Allegro | — | ||
| 12-14 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: I. Grave | — | ||
| 12-15 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: II. Allegro | — | ||
| 12-16 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: III. Sarabande: Largo | — | ||
| 12-17 | Oboe Concerto in G minor, op. 3 no. 3, HWV 287: IV. Allegro | — | ||
| 12-18 | Concerti a due cori No. 1 in B-flat: Ouverture | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-19 | Concerti a due cori No. 1 in B-flat: Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-20 | Concerti a due cori No. 1 in B-flat: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-21 | Concerti a due cori No. 1 in B-flat: Lento | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-22 | Concerti a due cori No. 1 in B-flat: A tempo ordinario | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-23 | Concerti a due cori No. 1 in B-flat: Alla breve. Moderato | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-24 | Concerti a due cori No. 1 in B-flat: Menuett. Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-25 | Concerti a due cori No. 2 in F: Pomposo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-26 | Concerti a due cori No. 2 in F: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-27 | Concerti a due cori No. 2 in F: A tempo giusto | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-28 | Concerti a due cori No. 2 in F: Largo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-29 | Concerti a due cori No. 2 in F: Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-30 | Concerti a due cori No. 2 in F: A tempo ordinario | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-31 | Concerti a due cori No. 3 in F: Ouverture | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-32 | Concerti a due cori No. 3 in F: Allegro - Allegro ma non troppo | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-33 | Concerti a due cori No. 3 in F: Adagio | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-34 | Concerti a due cori No. 3 in F: Andante larghetto | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 12-35 | Concerti a due cori No. 3 in F: Allegro | Iona Brown, Nicholas Kraemer, Malcolm Latchem, Celia Nicklin, Alastair Ross, Denis Vigay, Sir Neville Marriner | — | |
| 13-1 | Keyboard Concerto no. 1 in D minor, BWV 1052: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-914.323.771-2 | |
| 13-2 | Keyboard Concerto no. 1 in D minor, BWV 1052: II. Adagio | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-3 | Keyboard Concerto no. 1 in D minor, BWV 1052: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-4 | Keyboard Concerto no. 2 in E major, BWV 1053: I. [ ] | Murray Perahia, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 13-5 | Keyboard Concerto no. 2 in E major, BWV 1053: II. Siciliano | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-6 | Keyboard Concerto no. 2 in E major, BWV 1053: III. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-7 | Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-8 | Keyboard Concerto no. 4 in A major, BWV 1055: II. Larghetto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 13-9 | Keyboard Concerto no. 4 in A major, BWV 1055: III. Allegro ma non tanto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-1 | Keyboard Concerto no. 3 in D major, BWV 1054: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-2 | Keyboard Concerto no. 3 in D major, BWV 1054: II. Adagio e piano sempre | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-3 | Keyboard Concerto in D, BWV 1054: 3rd movement | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-4 | Keyboard Concerto no. 5 in F minor, BWV 1056: I. Allegro | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-5 | Keyboard Concerto no. 5 in F minor, BWV 1056: II. Largo | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-6 | Keyboard Concerto no. 5 in F minor, BWV 1056: III. Presto | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-7 | Pianoconcert No.6 in F Major, BWV 1057 | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-8 | Keyboard Concerto no. 6 in F major, BWV 1057: II. Andante | Murray Perahia, Academy of St Martin in the Fields | T-802.445.410-3 | |
| 14-9 | Keyboard Concerto no. 6 in F major, BWV 1057: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-10 | Keyboard Concerto no. 7 in G minor, BWV 1058: I. (Allegro) | Murray Perahia, Academy of St Martin in the Fields | T-801.411.105-9 | |
| 14-11 | Keyboard Concerto no. 7 in G minor, BWV 1058: II. Andante | Murray Perahia, Academy of St Martin in the Fields | — | |
| 14-12 | Keyboard Concerto no. 7 in G minor, BWV 1058: III. Allegro assai | Murray Perahia, Academy of St Martin in the Fields | — | |
| 15-1 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: I. Vivace | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | — | |
| 15-2 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: II. Largo ma non tanto | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | — | |
| 15-3 | Double Concerto for 2 Violins, Strings, and Continuo in D minor, BWV 1043: III. Allegro | Julia Fischer, Alexander Sitkovetsky, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-4 | Violin Concerto no. 1 in A minor, BWV 1041: I. (Allegro moderato) | Julia Fischer, Academy of St Martin in the Fields | T-902.685.630-4 | |
| 15-5 | Violin Concerto no. 1 in A minor, BWV 1041: II. Andante | Julia Fischer, Academy of St Martin in the Fields | — | |
| 15-6 | Violin Concerto no. 1 in A minor, BWV 1041: III. Allegro assai | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-7 | Violin Concerto no. 2 in E major, BWV 1042: I. Allegro | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-8 | Violin Concerto no. 2 in E major, BWV 1042: II. Adagio | Julia Fischer, Academy of St Martin in the Fields | T-312.207.924-3 | |
| 15-9 | Violin Concerto no. 2 in E major, BWV 1042: III. Allegro assai | Julia Fischer, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 15-10 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: I. Allegro | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-070.161.055-0 | |
| 15-11 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: II. Adagio | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-309.901.323-3 | |
| 15-12 | Concerto for Violin, Oboe, and Strings in D minor, BWV 1060: III. Allegro | Julia Fischer, Andrey Rubtsov, Academy of St Martin in the Fields | T-306.395.786-4 | |
| 16-1 | The Art of Fugue: Contrapunctus 1 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-2 | The Art of Fugue: Contrapunctus 2 | Carmel Caine, John Gray, Kenneth Heath, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-309.901.323-3 | |
| 16-3 | The Art of Fugue: Contrapunctus 3 | Christopher Hogwood | — | |
| 16-4 | The Art of Fugue: Contrapunctus 4 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-5 | The Art of Fugue: Canon alla Ottava | Christopher Hogwood | — | |
| 16-6 | The Art of Fugue: Contrapunctus 5 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-7 | The Art of Fugue: Contrapunctus 6, a 4, im Stile francese | Christopher Hogwood | — | |
| 16-8 | The Art of Fugue: Canon alla Decima, Contrapuncto alla Terza | Christopher Hogwood | — | |
| 16-9 | The Art of Fugue: Contrapunctus 7, a 4, per Augmentationem et Diminutionem | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-10 | The Art of Fugue: Contrapunctus 8, a 3 | Christopher Hogwood | — | |
| 16-11 | The Art of Fugue: Canon alla Duodecima in Contrapuncto alla Quinta | Christopher Hogwood | — | |
| 16-12 | The Art of Fugue: Contrapunctus 9, a 4, alla Duodecima | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Members of the Academy of St. Martin in the Fields, Sir Neville Marriner | — | |
| 16-13 | The Art of Fugue: Contrapunctus 10, a 4, alla Decima | Carmel Caine, John Gray, Kenneth Heath, Malcolm Latchem, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-14 | The Art of Fugue: Canon per Augmentationem in contrario motu | Christopher Hogwood | — | |
| 16-15 | The Art of Fugue: Contrapunctus 11, a 4 | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 16-16 | The Art of Fugue: Contrapunctus 13, a 3 (rectus) | Christopher Hogwood | T-314.634.514-0 | |
| 16-17 | The Art of Fugue: Contrapunctus 12, a 4 (rectus) | Carmel Caine, John Gray, Kenneth Heath, Malcolm Latchem, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-322.629.499-7 | |
| 16-18 | The Art of Fugue: Fuga a 2 Clav. | Sir Andrew Davis, Christopher Hogwood | — | |
| 17-1 | The Art of Fugue: Contrapunctus 13, a 3 (inversus) | Christopher Hogwood, Academy of St Martin in the Fields | T-314.634.514-0 | |
| 17-2 | The Art of Fugue: Contrapunctus 12, a 4 (inversus) | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-322.629.499-7 | |
| 17-3 | The Art of Fugue: Alio modo Fuga a 2 Clav | Sir Andrew Davis, Christopher Hogwood, Academy of St Martin in the Fields | — | |
| 17-4 | The Art of Fugue: Fuga a 3 Soggetti (unfinished) | Neil Black, Carmel Caine, John Gray, Kenneth Heath, Cecil James, Malcolm Latchem, Tess Miller, Celia Nicklin, Stephen Shingles, Academy of St Martin in the Fields, Sir Neville Marriner | T-031.552.490-3 | |
| 17-5 | Musical Offering: Ricercar 1, a 3 | Nicholas Kraemer, Academy of St Martin in the Fields | — | |
| 17-6 | Musical Offering: Canon perpetuus super Thema Regium | Nicholas Kraemer, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-7 | Musical Offering: Canon 1, a 2 (Canon cancricans) | Iona Brown, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-8 | Musical Offering: Canon 2, a 2, violini in unisono | Iona Brown, Roger Garland, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-9 | Musical Offering: Canon 3, a 2, per motum contrarium | William Bennett, Iona Brown, Stephen Shingles, Academy of St Martin in the Fields | — | |
| 17-10 | Musical Offering: Canon 5, a 2 (Canon circularis per tonos) | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-11 | Musical Offering: Sonata for Flute, Violin and Continuo: Largo | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-005.005.728-7 | |
| 17-12 | Musical Offering: Sonata for Flute, Violin and Continuo: Allegro moderato | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | — | |
| 17-13 | Musical Offering: Sonata for Flute, Violin and Continuo: Andante larghetto | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-902.685.622-4 | |
| 17-14 | Musical Offering: Sonata for Flute, Violin and Continuo: Allegro | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields | T-900.239.609-0 | |
| 17-15 | Musical Offering: Canon a 2, quaerendo invenietis (Canon contrarium stricte reversum) | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-16 | Musical Offering: Canon a 4 | Iona Brown, Roger Garland, Malcolm Latchem, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-17 | Musical Offering: Canon perpetuus | William Bennett, Iona Brown, Nicholas Kraemer, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-18 | Musical Offering: Canon 4, a 2, per augmentationem, contrario motu | Iona Brown, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-19 | Musical Offering: Fuga canonica in epidiapente | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 17-20 | Musical Offering, BWV 1079: Ricercare a 6 | William Bennett, Iona Brown, Roger Garland, Nicholas Kraemer, Malcolm Latchem, Stephen Shingles, Denis Vigay, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 18-1 | Harpsichord Concerto no. 5 in G minor: I. Largo - Allegro on spirito | — | ||
| 18-2 | Harpsichord Concerto no. 5 in G minor: II. Adagio | — | ||
| 18-3 | Harpsichord Concerto no. 5 in G minor: III. Vivace | — | ||
| 18-4 | Sonata no. 1 in F major: I. Andante | — | ||
| 18-5 | Sonata no. 1 in F major: II. Adagio | — | ||
| 18-6 | Sonata no. 1 in F major: III. Allegro | — | ||
| 18-7 | Overture no. 1 in E minor | George Malcolm, Academy of St Martin-in-the-Fields, Neville Marriner | — | |
| 18-8 | Sinfonia in B-flat major, Wq 182 no. 2: I. Allegro di molto | — | ||
| 18-9 | Sinfonia in B-flat major, Wq 182 no. 2: II. Poco adagio | — | ||
| 18-10 | Sinfonia in B-flat major, Wq 182 no. 2: III. Presto | — | ||
| 18-11 | Variations on ‘Les Folies d'Espagne’ | — | ||
| 18-12 | Harpsichord Concerto in C minor, Wq 43 no. 4: I. Allegro assai | — | ||
| 18-13 | Harpsichord Concerto in C minor, Wq 43 no. 4: II. Poco adagio - Tempo di Minuetto | — | ||
| 18-14 | Harpsichord Concerto in C minor, Wq 43 no. 4: III. Allegro assai | — | ||
| 18-15 | Harpsichord Concerto in A major, T297/I (ii): I. Allegro | — | ||
| 18-16 | Harpsichord Concerto in A major, T297/I (ii): II. Andante ma non troppo | — | ||
| 18-17 | Harpsichord Concerto in A major, T297/I (ii): III. Allegro | — | ||
| 19-1 | Six Symphonies, op. 3: No. 1 in D: Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-2 | Six Symphonies, op. 3: No. 1 in D: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-3 | Six Symphonies, op. 3: No. 1 in D: Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-4 | Six Symphonies, op. 3: No. 2 in C: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-070.161.055-0 | |
| 19-5 | Six Symphonies, op. 3: No. 2 in C: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-6 | Six Symphonies, op. 3: No. 2 in C: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-7 | Six Symphonies, op. 3: No.3 in E Flat: Allegro di molto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-8 | Six Symphonies, op. 3: No.3 in E Flat: Andantino | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-9 | Six Symphonies, op. 3: No.3 in E Flat: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-10 | Six Symphonies, op. 3: No. 4 in B Flat: Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-11 | Six Symphonies, op. 3: No. 4 in B Flat: Andantino, sempre piano | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-12 | Six Symphonies, op. 3: No. 4 in B Flat: Tempo di menuetto, più tosto allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-13 | Six Symphonies, op. 3: No. 5 in F: Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-14 | Six Symphonies, op. 3: No. 5 in F: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-15 | Six Symphonies, op. 3: No. 5 in F: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-16 | Six Symphonies, op. 3: No. 6 in G: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 | |
| 19-17 | Six Symphonies, op. 3: No. 6 in G: Andante | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 19-19 | March in D major, K408/2 | — | ||
| 19-20 | Symphony no. 52 in C minor: I. Allegro assai con brio | — | ||
| 19-21 | Symphony no. 52 in C minor: II. Andante | — | ||
| 19-22 | Symphony no. 52 in C minor: III. Menuetto: Allegretto | — | ||
| 19-23 | Symphony no. 52 in C minor: IV. Finale: Presto | — | ||
| 20-1 | 6 Concerti Armonici: Concerto no. 1 in G major: I. Grave | — | ||
| 20-2 | 6 Concerti Armonici: Concerto no. 1 in G major: II. Allegro | — | ||
| 20-3 | 6 Concerti Armonici: Concerto no. 1 in G major: III. Grave: Staccato | — | ||
| 20-4 | 6 Concerti Armonici: Concerto no. 1 in G major: IV. Allegro | — | ||
| 20-5 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: I. Largo | — | ||
| 20-6 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: II. Da capella: Non presto | — | ||
| 20-7 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: III. Largo affettuoso | — | ||
| 20-8 | 6 Concerti Armonici: Concerto no. 2 in B-flat major: IV. Allegro | — | ||
| 20-9 | 6 Concerti Armonici: Concerto no. 3 in A major: I. Grave assai sostenuto | — | ||
| 20-10 | 6 Concerti Armonici: Concerto no. 3 in A major: II. Canone di Palestrina | — | ||
| 20-11 | 6 Concerti Armonici: Concerto no. 3 in A major: III. Largo andante | — | ||
| 20-12 | 6 Concerti Armonici: Concerto no. 3 in A major: IV. Vivace | — | ||
| 20-13 | 6 Concerti Armonici: Concerto no. 4 in G major: I. Adagio | — | ||
| 20-14 | 6 Concerti Armonici: Concerto no. 4 in G major: II. Da capella | — | ||
| 20-15 | 6 Concerti Armonici: Concerto no. 4 in G major: III. A tempo comodo | — | ||
| 20-16 | 6 Concerti Armonici: Concerto no. 4 in G major: IV. A tempo giusto | — | ||
| 20-17 | 6 Concerti Armonici: Concerto no. 5 in F minor: I. Largo andante | — | ||
| 20-18 | 6 Concerti Armonici: Concerto no. 5 in F minor: II. Da capella: Presto | — | ||
| 20-19 | 6 Concerti Armonici: Concerto no. 5 in F minor: III. Largo affettuoso | — | ||
| 20-20 | 6 Concerti Armonici: Concerto no. 5 in F minor: IV. Allegro moderato e staccato | — | ||
| 20-21 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: I. Affettuoso | — | ||
| 20-22 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: II. Presto | — | ||
| 20-23 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: III. Largo | — | ||
| 20-24 | 6 Concerti Armonici: Concerto no. 6 in E-flat major: IV. Vivace | — | ||
| 21-1 | Concerto in D major for Horn and Strings: I. Allegro | — | ||
| 21-2 | Concerto in D major for Horn and Strings: II. Adagio | — | ||
| 21-3 | Concerto in D major for Horn and Strings: III. Allegro | — | ||
| 21-4 | Concerto in E-flat for Horn and Strings: I. Moderato | — | ||
| 21-5 | Concerto in E-flat for Horn and Strings: II. Siciliano | — | ||
| 21-6 | Concerto in E-flat for Horn and Strings: III. Allegro ma non presto | — | ||
| 21-7 | Concerto no. 3 in E-flat major: I. Allegro | — | ||
| 21-8 | Concerto no. 3 in E-flat major: II. Adagio cantabile | — | ||
| 21-9 | Concerto no. 3 in E-flat major: III. Allegro | — | ||
| 21-10 | Concerto no. 9 in E-flat major: I. Allegro | — | ||
| 21-11 | Concerto no. 9 in E-flat major: II. Siciliano - Larghetto | — | ||
| 21-12 | Concerto no. 9 in E-flat major: III. Allegro | — | ||
| 21-13 | Concerto in D major for Horn and Strings: I. Moderato | — | ||
| 21-14 | Concerto in D major for Horn and Strings: II. Adagio | — | ||
| 21-15 | Concerto in D major for Horn and Strings: III. Allegro | — | ||
| 21-16 | Horn Concerto no. 14 in E-flat major: I. Moderato | — | ||
| 21-17 | Horn Concerto no. 14 in E-flat major: II. Siciliano | — | ||
| 21-18 | Horn Concerto no. 14 in E-flat major: III. Tempo di menuetto | — | ||
| 21-19 | Horn Concerto no. 15 in D major: I. Allegro ma non molto | — | ||
| 21-20 | Horn Concerto no. 15 in D major: II. Siciliano | — | ||
| 21-21 | Horn Concerto no. 15 in D major: III. Allegro: Tempo di menuetto | — | ||
| 22-1 | Don Juan - ballet: Sinfonia: Allegro | — | ||
| 22-2 | Don Juan - bellet: Act One. Andante grazioso - Andante | — | ||
| 22-3 | Don Juan - ballet: Act One. Allegro maestoso - Allegro furioso | — | ||
| 22-4 | Don Juan - ballet: Act One. Allegro forte risoluto - Risoluto moderato | — | ||
| 22-5 | Don Juan - ballet: Act Two. Gavotte - Brillante | — | ||
| 22-6 | Don Juan - ballet: Act Two. Allegretto - Moderato | — | ||
| 22-7 | Don Juan - ballet: Act Two. Giusto - Allegro - Presto | — | ||
| 22-8 | Don Juan - ballet: Act Two. Andante grazioso - Andante | — | ||
| 22-9 | Don Juan - ballet: Act Two. Presto - Allegretto - Presto - Allegretto | — | ||
| 22-10 | Don Juan - ballet: Act Three. Andante - Allegro giusto | — | ||
| 22-11 | Don Juan - ballet: Act Three. Moderato - Andante | — | ||
| 22-12 | Don Juan - ballet: Act Three. Grazioso - Allegretto | — | ||
| 22-13 | Don Juan - ballet: Act Three. Moderato - Presto - Risoluto e moderato | — | ||
| 22-14 | Don Juan - ballet: Act Three. Allegro - Andante staccato | — | ||
| 22-15 | Don Juan - ballet: Act Three. Allegro - Allegretto | — | ||
| 22-16 | Don Juan - ballet: Act Four. Larghetto | — | ||
| 22-17 | Don Juan - ballet: Act Four. Allegro non troppo | — | ||
| 22-18 | Ariodante, HWV 33 - Ballet music selections: Ouverture: Adagio - Allegro - Alla Gavotta | — | ||
| 22-19 | Ariodante, HWV 33 - Ballet music selections: Sinfonia pastorale: Ballo - Gavottes - Allegro | — | ||
| 22-20 | Ariodante, HWV 33 - Ballet music selections: Rondeau I - Rondeau II - Finale | — | ||
| 22-21 | Il pastor fido, HWV 8a - Ballet music selections: Pour les chasseurs I & II | — | ||
| 23-1 | Cello Concerto in C major, Hob. VIIb:1: I. Moderato | — | ||
| 23-2 | Cello Concerto in C major, Hob. VIIb:1: II. Adagio | — | ||
| 23-3 | Cello Concerto in C major, Hob. VIIb:1: III. Finale: Allegro molto | — | ||
| 23-4 | Cello Concerto in D major, Hob. VIIb:2: I. Allegro moderato | — | ||
| 23-5 | Cello Concerto No. 2 in D major, H. 7b-2 (Op. 101): II. Adagio | Heinrich Schiff, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 23-6 | Cello Concerto in D major, Hob. VIIb:2: III. Rondo: Allegro | — | ||
| 23-7 | Trumpet Concerto in E-flat, H.Viie/1: I. Allegro | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-8 | Trumpet Concerto in E-flat, H.Viie/1: II. Andante | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-9 | Trumpet Concerto in E-flat, H.Viie/1: III. Allegro | Alan Stringer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 23-10 | Harpsichord Concerto in D major, Hob. VIII:11: I. Vivace | — | ||
| 23-11 | Harpsichord Concerto in D major, Hob. VIII:11: II. Un poco adagio | — | ||
| 23-12 | Harpsichord Concerto in D major, Hob. VIII:11: III. Rondo all'Ungherese allegro assai | — | ||
| 24-1 | Overture in D major, Hob. Ia:7bis | — | ||
| 24-2 | Acide e Galatea: Overture, Hob. 1a:5 | — | ||
| 24-3 | Six Allemandes, Hob. IX:9: No. 1 in B-flat major | — | ||
| 24-4 | Six Allemandes, Hob. IX:9: No. 2 in G major | — | ||
| 24-5 | Six Allemandes, Hob. IX:9: No. 3 in E-flat major | — | ||
| 24-6 | Six Allemandes, Hob. IX:9: No. 4 in C major | — | ||
| 24-7 | Six Allemandes, Hob. IX:9: No. 5 in A major | — | ||
| 24-8 | Six Allemandes, Hob. IX:9: No. 6 in D major | — | ||
| 24-9 | Six Allemandes from Hob. IX | — | ||
| 24-10 | Organ Concerto in C major, Hob. XVIII.1: I. Moderato | — | ||
| 24-11 | Organ Concerto in C major, Hob. XVIII.1: II. Largo | — | ||
| 24-12 | Organ Concerto in C major, Hob. XVIII.1: III. Allegro molto | — | ||
| 24-13 | Horn Concerto no. 1 in D, H.VIId no. 3: I. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-14 | Horn Concerto no. 1 in D, H.VIId no. 3: II. Adagio | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 24-15 | Horn Concerto no. 1 in D, H.VIId no. 3: III. Allegro | Barry Tuckwell, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.717.414-7 | |
| 24-16 | Horn Concerto no. 2 in D major, Hob. XVIId.4: I. Allegro moderato | — | ||
| 24-17 | Horn Concerto no. 2 in D major, Hob. XVIId.4: II. Adagio | — | ||
| 24-18 | Horn Concerto no. 2 in D major, Hob. XVIId.4: III. Allegro | — | ||
| 25-1 | Symphony no. 53 in D major “L'Impériale”: I. Largo maestoso - Vivace | — | ||
| 25-2 | Symphony no. 53 in D major “L'Impériale”: II. Andante | — | ||
| 25-3 | Symphony no. 53 in D major “L'Impériale”: III. Menuetto | — | ||
| 25-5 | Symphony no. 99 in E-flat major: I. Adagio - Vivace assai | — | ||
| 25-6 | Symphony no. 99 in E-flat major: II. Adagio | — | ||
| 25-7 | Symphony no. 99 in E-flat major: III. Menuetto: Allegretto | — | ||
| 25-8 | Symphony no. 99 in E-flat major: IV. Finale: Vivace | — | ||
| 25-9 | Symphony no. 102 in B-flat major: I. Largo - Vivace | — | ||
| 25-10 | Symphony no. 102 in B-flat major: II. Adagio | — | ||
| 25-11 | Symphony no. 102 in B-flat major: III. Menuetto: Allegro | — | ||
| 25-12 | Symphony no. 102 in B-flat major: IV. Finale: Presto | — | ||
| 26-1 | Horn Concerto in D major, P134: I. Larghetto | — | ||
| 26-2 | Horn Concerto in D major, P134: II. Allegro ma non troppo | — | ||
| 26-3 | Horn Concerto in D major, P134: III. Menuet | — | ||
| 26-4 | Six Minuets, P70 | — | ||
| 26-5 | Duo Concertante for Viola and Organ in C major, P55: I. Allegro molto | — | ||
| 26-6 | Duo Concertante for Viola and Organ in C major, P55: II. Adagio sostenuto | — | ||
| 26-7 | Duo Concertante for Viola and Organ in C major, P55: III. Prestissimo | — | ||
| 27-1 | Concertone for 2 Violins and Orchestra in C major, K190/186E: I. Allegro spiritoso | — | ||
| 27-2 | Concertone for 2 Violins and Orchestra in C major, K190/186E: II. Andantino grazioso | — | ||
| 27-3 | Concertone for 2 Violins and Orchestra in C major, K190/186E: III. Tempo di menuetto: Vivace | — | ||
| 27-4 | Serenata notturna in D, K. 239: I. Marcia. Maestoso | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-5 | Serenata notturna in D, K. 239: II. Minuetto & Trio | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-6 | Serenata notturna in D, K. 239: III. Rondeau. Allegretto - adagio - allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-7 | Divertimento in D, K. 136: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-900.021.469-7 | |
| 27-8 | Divertimento in D, K. 136: II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-900.021.469-7 | |
| 27-9 | Divertimento in D, K. 136: III. Presto | Academy of St Martin in the Fields, Neville Marriner | T-700.095.171-5 | |
| 27-10 | Divertimento in B-flat, K. 137: I. Andante | Academy of St Martin in the Fields, Neville Marriner | T-910.958.396-2 | |
| 27-11 | Divertimento in B-flat, K. 137: II. Allegro di molto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 27-12 | Divertimento in B-flat, K. 137: III. Allegro assai | Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 27-13 | Divertimento in F, K. 138: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | T-801.411.105-9 | |
| 27-14 | Divertimento in F, K. 138: II. Andante | Academy of St Martin in the Fields, Neville Marriner | T-802.445.410-3 | |
| 27-15 | Divertimento in F, K. 138: III. Presto | Academy of St Martin in the Fields, Neville Marriner | T-700.095.171-5 | |
| 28-1 | Sinfonia concertante in E-flat, KV App C14.01/297b: I. Allegro | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 28-2 | Sinfonia concertante in E-flat, KV App C14.01/297b: II. Adagio | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-3 | Sinfonia concertante in E-flat, KV App C14.01/297b: III. Andantino con variazioni | Neil Black, Jack Brymer, Alan Civil, Michael Chapman, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 28-4 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: I. Allegro maestoso | Iona Brown, Josef Suk, Academy of St Martin in the Fields | — | |
| 28-5 | Sinfonia Concertante in E-flat major, K. 320d/364: II. Andante | Josef Suk, Academy of St Martin in the Fields, Iona Brown | T-802.445.410-3 | |
| 28-6 | Sinfonia Concertante in E-flat major for Violin, Viola & Orchestra, K. 320d/364: III. Presto | Iona Brown, Josef Suk, Academy of St Martin in the Fields | — | |
| 28-7 | Adagio and Fugue in C minor, KV 546 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 29-1 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: I. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-2 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: II. Romance. Andante | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-3 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: III. Minuetto. Allegretto & Trio | Academy of St Martin in the Fields, Neville Marriner | T-902.774.400-9 | |
| 29-4 | Serenade no. 13 for Strings in G major, K. 525 “Eine kleine Nachtmusik”: IV. Rondo. Allegro | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-5 | Serenade in D, KV 320 «Posthorn»: 1. Adagio maestoso – Allegro con spirito | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-6 | Serenade in D, KV 320 «Posthorn»: 2. Minuetto | Academy of St Martin in the Fields, Neville Marriner | T-931.717.066-4 | |
| 29-7 | Serenade in D, KV 320 «Posthorn»: 3. Concertante (Andante grazioso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-8 | Serenade in D, KV 320 «Posthorn»: 4. Rondeau (Allegro ma non troppo) | Michael Laird, Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-9 | Serenade in D, KV 320 «Posthorn»: 5. Andantino | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-10 | Serenade in D, KV 320 «Posthorn»: 6. Minuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-11 | Serenade in D, KV 320 «Posthorn»: 7. Finale (Presto) | Academy of St Martin in the Fields, Neville Marriner | T-902.845.190-3 | |
| 29-12 | Serenade in D, KV 239 «Serenata notturna»: 1. Marcia (Maestoso) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-13 | Serenade in D, KV 239 «Serenata notturna»: 2. Menuetto | Academy of St Martin in the Fields, Neville Marriner | — | |
| 29-14 | Serenade in D, KV 239 «Serenata notturna»: 3. Rondeau (Allegretto – Adagio – Allegro) | Academy of St Martin in the Fields, Neville Marriner | — | |
| 30-1 | Serenade in B-flat, KV 361 “Gran Partita”: 1a. Largo – | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | T-005.005.728-7 | |
| 30-2 | Serenade in B-flat, KV 361 “Gran Partita”: 1b. Allegro molto | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-3 | Serenade in B-flat, KV 361 “Gran Partita”: 2. Menuetto – Trio I-II | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-4 | Serenade no. 10 in B-flat major, K. 370a/361: Adagio | Academy of St Martin in the Fields Wind Ensemble, Sir Neville Marriner | — | |
| 30-5 | Serenade in B-flat, KV 361 “Gran Partita”: 4. Menuetto (Allegretto) - Trio I-II | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-6 | Serenade in B-flat, KV 361 “Gran Partita”: 5. Romanze (Adagio – Allegretto – Adagio) | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | T-902.574.467-6 | |
| 30-7 | Serenade in B-flat, KV 361 “Gran Partita”: 6. Thema (Andante) mit Variationen | Members of the Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 30-8 | Serenade in B-flat, KV 361 “Gran Partita”: 7. Finale (Molto allegro) | Wind Ensemble of the Academy of St. Martin in the Fields, Sir Neville Marriner | T-316.103.728-7 | |
| 30-9 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: I. Andante | Members of the Academy of St Martin in the Fields, Michael Laird | T-011.422.353-8 | |
| 30-10 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: II. Allegro | Members of the Academy of St Martin in the Fields, Michael Laird | — | |
| 30-11 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: III. Minuetto | Members of the Academy of St Martin in the Fields, Michael Laird | — | |
| 30-12 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: IV. Andante | Members of the Academy of St Martin in the Fields, Michael Laird | T-318.676.528-2 | |
| 30-13 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: V. Minuetto | Members of the Academy of St Martin in the Fields, Michael Laird | T-900.021.469-7 | |
| 30-14 | Divertimento No. 6 for 5 Trumpets & 4 Timpani in C major, K. 240b/188: VI. Gavotte | Members of the Academy of St Martin in the Fields, Michael Laird | T-900.021.469-7 | |
| 31-1 | 12 Minuets for Orchestra, WoO 7 no. 1 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-2 | 12 Minuets for Orchestra, WoO 7 no. 2 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-3 | 12 Minuets for Orchestra, WoO 7 no. 3 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-4 | 12 Minuets for Orchestra, WoO 7 no. 4 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-5 | 12 Minuets for Orchestra, WoO 7 no. 5 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-6 | 12 Minuets for Orchestra, WoO 7 no. 6 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-7 | 12 Minuets for Orchestra, WoO 7 no. 7 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-8 | 12 Minuets for Orchestra, WoO 7 no. 8 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-9 | 12 Minuets for Orchestra, WoO 7 no. 9 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-10 | 12 Minuets for Orchestra, WoO 7 no. 10 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-11 | 12 Minuets for Orchestra, WoO 7 no. 11 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-12 | 12 Minuets for Orchestra, WoO 7 no. 12 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-13 | 12 German Dances, WoO 8 no. 1 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-14 | 12 German Dances, WoO 8 no. 2 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-15 | 12 German Dances, WoO 8 no. 3 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-16 | 12 German Dances, WoO 8 no. 4 in B-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-17 | 12 German Dances, WoO 8 no. 5 in E-flat major | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-18 | 12 German Dances, WoO 8 no. 6 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-19 | 12 German Dances, WoO 8 no. 7 in C major | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.542.381-2 | |
| 31-20 | 12 German Dances, WoO 8 no. 8 in A major | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 31-21 | 12 German Dances, WoO 8 no. 9 in F major | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.695.614-8 | |
| 31-22 | 12 German Dances, WoO 8 no. 10 in D major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-23 | 12 German Dances, WoO 8 no. 11 in G major | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-24 | 12 German Dances, WoO 8 no. 12 in C major - Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-25 | Twelve Contredanses, WoO 14 no. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-26 | Twelve Contredanses, WoO 14 no. 2 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-27 | Twelve Contredanses, WoO 14 no. 3 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-28 | Twelve Contredanses, WoO 14 no. 4 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-29 | Twelve Contredanses, WoO 14 no. 5 | Academy of St Martin in the Fields, Sir Neville Marriner | T-916.194.049-4 | |
| 31-30 | Twelve Contredanses, WoO 14 no. 6 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-31 | Twelve Contredanses, WoO 14 no. 7 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-32 | Twelve Contredanses, WoO 14 no. 8 | Academy of St Martin in the Fields, Sir Neville Marriner | T-800.003.086-5 | |
| 31-33 | Twelve Contredanses, WoO 14 no. 9 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-34 | Twelve Contredanses, WoO 14 no. 10 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-35 | Twelve Contredanses, WoO 14 no. 11 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 31-36 | Twelve Contredanses, WoO 14 no. 12 | Academy of St Martin in the Fields, Sir Neville Marriner | T-010.437.719-6 | |
| 31-37 | Große Fuge in B-flat major, op. 133 | — | ||
| 32-1 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-2 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-3 | Symphony no. 4 in B-flat major, op. 60: III. Menuetto: Allegro Vivace - Trio: Un poco meno allegro | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-4 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Academy of St Martin in the Fields, Joshua Bell | T-001.444.317-4 | |
| 32-5 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto – Vivace | Academy of St Martin in the Fields, Joshua Bell | — | |
| 32-6 | Symphony no. 7 in A major, op. 92: II. Allegretto | Academy of St Martin in the Fields, Joshua Bell | T-314.638.300-4 | |
| 32-7 | Symphony no. 7 in A major, op. 92: III. Presto | Academy of St Martin in the Fields, Joshua Bell | T-915.710.750-1 | |
| 32-8 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Academy of St Martin in the Fields, Joshua Bell | — | |
| 33-1 | Clarinet Concerto no. 1 in F minor, op. 73, J114: I. Allegro | — | ||
| 33-2 | Clarinet Concerto no. 1 in F minor, op. 73, J114: II. Adagio ma non troppo | — | ||
| 33-3 | Clarinet Concerto no. 1 in F minor, op. 73, J114: III. Rondo: Allegretto | — | ||
| 33-4 | Concertino for Clarinet and Orchestra in C minor / E-flat major, op. 26, J109: I. Adagio ma non troppo - Andante | — | ||
| 33-5 | Concertino for Clarinet and Orchestra in C minor / E-flat major, op. 26, J109: II. Allegro | — | ||
| 33-6 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: I. Allegro | — | ||
| 33-7 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: II. Romanza: Andante | — | ||
| 33-8 | Clarinet Concerto no. 2 in E-flat major, op. 74, J118: III. Alla Polacca | — | ||
| 34-1 | Guillaume Tell: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.248.424-4 | |
| 34-2 | Le siège de Corinthe: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-3 | La Cenerentola: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-304.872.410-9 | |
| 34-4 | La gazza ladra: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 34-5 | La cambiale di matrimonio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-308.444.956-5 | |
| 34-6 | La scala di seta: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-305.157.600-8 | |
| 34-7 | Tancredi: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 34-8 | Il Signor Bruschino: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-315.038.116-7 | |
| 34-9 | Il Turco in Italia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.685.492-6 | |
| 34-10 | L'inganno felice: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-1 | Maometto II: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 35-2 | Ricciardo e Zoraide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-3 | Sinfonia al Conventello: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-4 | Sinfonia di Bologna: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-5 | Semiramide: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 35-6 | Il viaggio a Reims: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-802.679.859-5 | |
| 35-7 | Il barbiere di Siviglia: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.354.204-3 | |
| 35-8 | L'Italiana in Algeri: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-301.972.539-0 | |
| 36-1 | Bianca e Faliero: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-2 | Otello: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-917.144.492-1 | |
| 36-3 | Demetrio e Polibio: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-4 | Edoardo e Cristina: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.574.378-5 | |
| 36-5 | Armida: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-6 | Edipo a Colono: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-7 | Ermione: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 36-8 | Torvaldo e Dorliska: Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.482.271-1 | |
| 37-1 | Trumpet Voluntary in D major "The Prince of Denmark's March" | John Wilbraham, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.738.677-2 | |
| 37-2 | Solomon: Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Neville Marriner | — | |
| 37-3 | PURCELL: ABDELAZER - RONDEAU | Academy of St Martin in the Fields, Sir Neville Marriner | T-310.522.636-2 | |
| 37-4 | Sonato a quattro no. 3 in C major: Moderato | — | ||
| 37-5 | String Quintet in E major, op. 13 no. 5: Minuet | — | ||
| 37-6 | Divertimento in D major, K334 - Orchestral version: Menuetto - Trio - Menuetto | — | ||
| 37-7 | String Quartet in F major, Hob. III:17 “Serenade”: Andante cantabile | — | ||
| 37-8 | Trumpet Concerto in E-flat major, Hob. VIIe:1: III. Allegro | — | ||
| 37-9 | String Quartet no. 1 in D major, op. 11 - Orchestral version: II. Andante cantabile | — | ||
| 37-10 | Rosamunde, D797: Ballet Music no. 2 | — | ||
| 37-11 | A Midsummer Night's Dream, op. 61: Scherzo | — | ||
| 37-12 | Allegro for 4 String Quartets | — | ||
| 37-13 | Concertino armonico no. 5 in F minor: I. Adagio - Largo | — | ||
| 37-14 | Concertino armonico no. 5 in F minor: II. Da capella: Presto | — | ||
| 37-15 | Concertino armonico no. 5 in F minor: III. A tempo commodo (con sordini) | — | ||
| 37-16 | Concertino armonico no. 5 in F minor: IV. A tempo giusto | — | ||
| 37-17 | Introduttione teatrale, op. 4 no. 5: Allegro | — | ||
| 38-1 | Symphony no. 9 for Strings in C minor, op. posth.: I. Allegro moderato | — | ||
| 38-2 | Symphony no. 9 for Strings in C minor, op. posth.: II. Poco adagio | — | ||
| 38-3 | Symphony no. 9 for Strings in C minor, op. posth.: III. Scherzo | — | ||
| 38-4 | Symphony no. 9 for Strings in C minor, op. posth.: IV. Allegro moderato | — | ||
| 38-5 | Symphony no. 10 for Strings in B minor, op. posth. | — | ||
| 38-6 | Symphony no. 12 for Strings in G minor, op. posth.: I. Grave - Allegro | — | ||
| 38-7 | Symphony no. 12 for Strings in G minor, op. posth.: II. Andante | — | ||
| 38-8 | Symphony no. 12 for Strings in G minor, op. posth.: Allegro molto | — | ||
| 38-9 | Concerto in A minor for Piano and Strings: I. Allegro | — | ||
| 38-10 | Concerto in A minor for Piano and Strings: II. Adagio | — | ||
| 38-11 | Concerto in A minor for Piano and Strings: III. Finale: Allegro ma non troppo | — | ||
| 39-1 | Symphony no. 3 in A minor, op. 56 “Scottish”: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | — | ||
| 39-2 | Symphony no. 3 in A minor, op. 56 “Scottish”: II. Vivace non troppo | — | ||
| 39-3 | Symphony no. 3 in A minor, op. 56 “Scottish”: III. Adagio | — | ||
| 39-4 | Symphony no. 3 in A minor, op. 56 “Scottish”: IV. Allegro vivacissimo - Allegro maestoso assai | — | ||
| 39-5 | Symphony no. 4 in A major, op. 90 “Italian”: I. Allegro vivace | — | ||
| 39-6 | Symphony no. 4 in A major, op. 90 “Italian”: II. Andante con moto | — | ||
| 39-7 | Symphony no. 4 in A major, op. 90 “Italian”: III. Con moto moderato | — | ||
| 39-8 | Symphony no. 4 in A major, op. 90 “Italian”: IV. Saltarello: Presto | — | ||
| 40-1 | Symphony no. 1 in D major: I. Allegro molto | — | ||
| 40-2 | Symphony no. 1 in D major: II. Allegro moderato | — | ||
| 40-3 | Symphony no. 1 in D major: III. Scherzo: Non troppo presto | — | ||
| 40-4 | Symphony no. 1 in D major: IV. Finale: Adagio - Allegro vivace | — | ||
| 40-5 | Symphony no. 2 in E-flat major: I. Adagio - Allegro agitato | — | ||
| 40-6 | Symphony no. 2 in E-flat major: II. Larghetto | — | ||
| 40-7 | Symphony no. 2 in E-flat major: III. Scherzo: Allegro molto | — | ||
| 40-8 | Symphony no. 2 in E-flat major: IV. Finale: Allegro, leggiero assai | — | ||
| 40-9 | Faust - Ballet music: Danse des Nubiennes (Allegretto) | — | ||
| 40-10 | Faust - Ballet music: Adagio | — | ||
| 40-11 | Faust - Ballet music: Danse antique (Allegretto) | — | ||
| 40-12 | Faust - Ballet music: Variations de Cléopâtre (Moderato maestoso) | — | ||
| 40-13 | Faust - Ballet music: Les Troyennes (Moderato con moto) | — | ||
| 40-14 | Faust - Ballet music: Variations du miroir (Allegretto) | — | ||
| 40-15 | Faust - Ballet music: Danse de Phryné (Allegro vivo) | — | ||
| 41-1 | Serenade for Strings in E major, op. 22: I. Moderato | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-2 | Serenade for Strings in E major, op. 22: II. Tempo di valse | Academy of St Martin in the Fields, Sir Neville Marriner | T-310.562.700-3 | |
| 41-3 | Serenade for Strings in E major, op. 22: III. Scherzo. Vivace | Academy of St Martin in the Fields, Sir Neville Marriner | T-911.517.582-1 | |
| 41-4 | Serenade for Strings in E major, op. 22: IV. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-5 | Serenade for Strings in E major, op. 22: V. Finale. Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 41-6 | Serenade for Wind in D minor, op. 44 B77: I. Moderato, quasi marcia | — | ||
| 41-7 | Serenade for Wind in D minor, op. 44 B77: II. Minuetto: Tempo di minuetto | — | ||
| 41-8 | Serenade for Wind in D minor, op. 44 B77: III. Andante con moto | — | ||
| 41-9 | Serenade for Wind in D minor, op. 44 B77: IV. Finale: Allegro molto | — | ||
| 42-1 | The Nutcracker Suite, op. 71a: 1. Miniature Overture | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-2 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: March | Academy of St Martin in the Fields, Sir Neville Marriner | T-304.210.691-8 | |
| 42-3 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Sugar-Plum Fairy | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-4 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Russian Dance | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-5 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Arabian Dance (Coffee) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-6 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Chinese Dance (Tea) | Academy of St Martin in the Fields, Sir Neville Marriner | T-312.199.363-9 | |
| 42-7 | The Nutcracker Suite, op. 71a: 2. Characteristic Dances: Dance of the Reed-Pipes | Academy of St Martin in the Fields, Sir Neville Marriner | T-900.140.239-7 | |
| 42-8 | The Nutcracker Suite, op. 71a: 3. Waltz of the Flowers | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.792.441-0 | |
| 42-9 | Serenade for Strings in C, op. 48: I. Pezzo in forma di sonatina: Andante non troppo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-10 | Serenade for Strings in C, op. 48: II. Waltz | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-11 | Serenade for Strings in C, op. 48: III. Elegie: Larghetto elegiaco | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-12 | Serenade for Strings in C, op. 48: IV. Finale (Tema russo): Andante - Allegro con spirito | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-13 | Violin Concerto in D major, op. 35: I. Allegro moderato | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | T-902.685.630-4 | |
| 42-14 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 42-15 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | Leila Josefowicz, Academy of St Martin in the Fields, Sir Neville Marriner | T-307.068.427-0 | |
| 43-1 | Holberg Suite, op. 40: I. Praeludium: Allegro vivace | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-2 | Holberg Suite, op. 40: II. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-3 | Holberg Suite, op. 40: III. Gavotte: Allegretto - Musette: Poco più mosso - Gavotte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-4 | Holberg Suite, op. 40: IV. Air: Andante religioso | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-5 | Holberg Suite, op. 40: V. Rigaudon: Allegro con brio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-6 | Elegiac Melodies, op. 34: 1. Hjerterar | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-7 | Elegiac Melodies, op. 34: 2. Våren | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-8 | Valse Triste, op. 44 no. 1 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-9 | Little Suite, op. 1: I. Praeludium | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-10 | Little Suite, op. 1: II. Intermezzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-11 | Little Suite, op. 1: III. Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-12 | Serenade, op. 11: I. Praeludium | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-13 | Serenade, op. 11: II. Andante espressivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-14 | Serenade, op. 11: III. Scherzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-15 | Serenade, op. 11: IV. Marcia | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-16 | Rakastava, op. 14: 1. The lover | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-17 | Rakastava, op. 14: 2. The Path of his Beloved | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 43-18 | Rakastava, op. 14: 3. Good Evening! ... Farewell! | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-1 | Violin Concerto no. 1 in G minor, op. 26: I. Allegro moderato | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-2 | Violin Concerto no. 1 in G minor, op. 26: Adagio | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-3 | Violin Concerto no. 1 in G minor, op. 26: III. Finale (Allegro energico) | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | T-307.068.427-0 | |
| 44-4 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-5 | Violin Concerto in E minor, op. 64: II. Andante | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 44-6 | Violin Concerto in E minor, op. 64: III. Allegro non troppo - Allegro molto vivace | Joshua Bell, Academy of St Martin in the Fields, Sir Neville Marriner | T-909.876.883-3 | |
| 45-1 | Le bourgeois gentilhomme, op. 60: I. Ouvertüre zum 1. Aufzug: Jourdain - der Bürger | — | ||
| 45-2 | Le bourgeois gentilhomme, op. 60: II. Menuett | — | ||
| 45-3 | Le bourgeois gentilhomme, op. 60: III. Der Fechtmeister | — | ||
| 45-4 | Le bourgeois gentilhomme, op. 60: IV. Auftritt und Tanz der Schneider | — | ||
| 45-5 | Le bourgeois gentilhomme, op. 60: V. Das Menuett des Lully | — | ||
| 45-6 | Le bourgeois gentilhomme, op. 60: VI. Courante | — | ||
| 45-7 | Le bourgeois gentilhomme, op. 60: VII. Auftritt des Cleonte (nach Lully) | — | ||
| 45-8 | Le bourgeois gentilhomme, op. 60: VIII. Vorspiel zum 2. Aufzug: Intermezzo Dorantes und Dorimene - Graf und Marquise | — | ||
| 45-9 | Le bourgeois gentilhomme, op. 60: IX. Das Diner: Tafelmusik und Tanz des Küchenjungen | — | ||
| 45-10 | Tanzsuite nach Couperin, AV 107: I. Pavane: Einzug und feierlicher Reigen | — | ||
| 45-11 | Tanzsuite nach Couperin, AV 107: II. Courante | — | ||
| 45-12 | Tanzsuite nach Couperin, AV 107: III. Carillon | — | ||
| 45-13 | Tanzsuite nach Couperin, AV 107: IV. Sarabande | — | ||
| 45-14 | Tanzsuite nach Couperin, AV 107: V. Gavotte | — | ||
| 45-15 | Tanzsuite nach Couperin, AV 107: VI. Wirbeltanz | — | ||
| 45-16 | Tanzsuite nach Couperin, AV 107: VII. Allemande | — | ||
| 45-17 | Tanzsuite nach Couperin, AV 107: VIII. Marsch | — | ||
| 46-1 | Scottish Fantasy for Violin and Orchestra, op. 46: I. Introduction: Grave, Adagio cantabile | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-2 | Scottish Fantasy for Violin and Orchestra, op. 46: II. Scherzo Allegro | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-3 | Scottish Fantasy for Violin and Orchestra, op. 46: III. Andante sostenuto | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-4 | Scottish Fantasy for Violin and Orchestra, op. 46: IV. Finale: Allegro guerriero | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-5 | Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-6 | Violin Concerto no. 1 in G minor, op. 26: II. Adagio | Joshua Bell, Academy of St Martin in the Fields | — | |
| 46-7 | Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico | Joshua Bell, Academy of St Martin in the Fields | T-306.377.272-1 | |
| 47-1 | La damnation de faust, op. 24: Marche hongriuse | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-2 | Pavane pour une infante défunte | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-3 | L'apprenti sorcier | Academy of St. Martin in the Fields Chorus, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-4 | Danse macabre, op. 40 | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-5 | Prélude à l’après-midi d’un faune | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-6 | Joyeuse marche | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 47-7 | Baïlèro (Chants d'Auvergne) | — | ||
| 47-8 | Gymnopédie no. 3 | — | ||
| 47-9 | Gymnopédie no. 1 | — | ||
| 47-10 | Pavane, op. 50 | Academy of St Martin in the Fields, Sir Neville Marriner | T-909.340.218-7 | |
| 47-11 | Dolly Suite, op. 56: I. Berceuse | — | ||
| 47-12 | Dolly Suite, op. 56: II. Mi-a-ou | — | ||
| 47-13 | Dolly Suite, op. 56: III. Le Jardin de Dolly | — | ||
| 47-14 | Dolly Suite, op. 56: IV. Kitty-valse | — | ||
| 47-15 | Dolly Suite, op. 56: V. Tendresse | — | ||
| 47-16 | Dolly Suite, op. 56: VI. Le Pas espagnol | — | ||
| 48-1 | Pini di Roma: I. I pini di Villa Borghese | — | ||
| 48-2 | Pini di Roma: II. Pini presso una catacomba | — | ||
| 48-3 | Pini di Roma: III. I pini del Gianicolo | — | ||
| 48-4 | Pini di Roma: IV. I pini della Via Appia | — | ||
| 48-5 | Fontane di Roma: I. La fontana di Valle Giula all'alba | — | ||
| 48-6 | Fontane di Roma: II. La fontana del Tritone al mattino | — | ||
| 48-7 | Fontane di Roma: III. La fontana di Trevi al merrigio | — | ||
| 48-8 | Fontane di Roma: IV. La fontana di Villa Medici al tramonto | — | ||
| 48-9 | Feste romane: I. Circenses | — | ||
| 48-10 | Feste romane: II. Il giubileo | — | ||
| 48-11 | Feste romane: III. L'Ottobrata | — | ||
| 48-12 | Feste romane: IV. La Befana | — | ||
| 48-13 | Gli ucceli: I. Prelude | — | ||
| 48-14 | Gli ucceli: II. La colomba | — | ||
| 48-15 | Gli uccelli: III. La gallina | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 48-16 | Gli ucceli: IV. L'usignolo | — | ||
| 48-17 | Gli ucceli: V. Il cuccù | — | ||
| 49-1 | Music for Strings, Percussion and Celesta, BB 114: I. Andante tranquillo | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-061.693.281-0 | |
| 49-2 | Music for Strings, Percussion and Celesta, BB 114: II. Allegro | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-802.445.410-3 | |
| 49-3 | Music for Strings, Percussion and Celesta, BB 114: III. Adagio | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-4 | Music for Strings, Percussion and Celesta, BB 114: IV. Finale: Allegro molto | Osian Ellis, James Holland, Leslie Pearson, Eric Pritchard, Roger Smalley, Academy of St Martin in the Fields, Neville Marriner | T-329.454.787-4 | |
| 49-5 | Divertimento, BB 118: I. Allegro non troppo | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-6 | Divertimento, BB 118: II. Molto adagio | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | — | |
| 49-7 | Divertimento, BB 118: III. Allegro assai | Trevor Connah, Kenneth Heath, Alan Loveday, Stephen Shingles, Academy of St Martin in the Fields, Neville Marriner | T-306.395.786-4 | |
| 50-1 | Pulcinella (Concert Suite): I. Sinfonia | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.033.238-2 | |
| 50-2 | Pulcinella (Concert Suite): II. Serenata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-3 | Pulcinella (Concert Suite): III. Scherzino | Academy of St Martin in the Fields, Sir Neville Marriner | T-918.612.201-0 | |
| 50-4 | Pulcinella (Concert Suite): IV. Tarantella | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-5 | Pulcinella (Concert Suite): V. Toccata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-6 | Pulcinella (Concert Suite): VI. Gavotta con due variazioni | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-7 | Pulcinella (Concert Suite): VII. Vivo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-8 | Pulcinella (Concert Suite): VIIIa. Minuetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-9 | Pulcinella (Concert Suite): VIIb. Finale | Academy of St Martin in the Fields, Sir Neville Marriner | T-071.498.490-3 | |
| 50-20 | Capriccio for Piano & Orchestra: I. Presto | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | T-011.422.353-8 | |
| 50-21 | Capriccio for Piano & Orchestra: II. Andante Rapsodico | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 50-22 | Capriccio for Piano & Orchestra: III. Allegro Capriccioso | John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-1 | Introduction and Allegro for String Orchestra and Quartet, op. 47 | Kenneth Essex, Raymond Keenlyside, Hugh Maguire, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-2 | Serenade in E minor for Strings, op. 20: I. Allegro piacevole | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-3 | Serenade in E minor for Strings, op. 20: II. Larghetto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-4 | Serenade in E minor for Strings, op. 20: III. Allegretto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-5 | Sospiri for Strings, Harp and Organ, op. 70 | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.613.873-8 | |
| 51-6 | Elegy for Strings, op. 58 | Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-7 | The Spanish Lady – Suite | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-8 | Serenade for Strings | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-9 | Capriol Suite: I. Basse‐Danse | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-10 | Capriol Suite: II. Pavane | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-11 | Capriol Suite: III. Tordion | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-12 | Capriol Suite: IV. Bransles | Nicholas Kraemer, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-13 | Capriol Suite: V. Pieds‐en‐l’air | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-14 | Capriol Suite: VI. Mattachins (Sword Dance) | Nicholas Kraemer, Academy of St Martin in the Fields, Neville Marriner | — | |
| 51-15 | A Shropshire Lad | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-16 | Two English Idylls | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 51-17 | The Banks of Green Willow | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-1 | On Hearing the First Cuckoo in Spring | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-2 | Intermezzo and Serenade from ‘Hassan’ | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-3 | A Song Before Sunrise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-4 | Fennimore and Gerda: Intermezzo | — | ||
| 52-5 | Summer Night on the River | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-6 | Air and Dance | — | ||
| 52-7 | La Calinda from ‘Koanga’ | Academy of St Martin in the Fields, Neville Marriner | — | |
| 52-8 | The Walk to the Paradise Garden | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-9 | Two Pieces for Cello and Chamber Orchestra: I. Caprice | — | ||
| 52-10 | Two Pieces for Cello and Chamber Orchestra: II. Elegy | — | ||
| 52-11 | Invocation, op. 19 no. 2 | — | ||
| 52-12 | Romance, op. 62 | — | ||
| 52-13 | Oboe Concerto: I. Rondo pastorale | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-14 | Oboe Concerto: II. Minuet and musette | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 52-15 | Oboe Concerto: III. Finale | Celia Nicklin, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 53-1 | The Wasps - Overture | — | ||
| 53-2 | Fantasia on a Theme by Thomas Tallis | — | ||
| 53-3 | In the Fen Country - Symphonic Impression | — | ||
| 53-4 | Variations for Orchestra | — | ||
| 53-5 | Norfolk Rhapsody no. 1 in E minor | — | ||
| 53-6 | Five Variants of “Dives and Lazarus” | — | ||
| 53-7 | Romance | Tommy Reilly, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-1 | The Lark Ascending | Iona Brown, Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-2 | Fantasia on Greensleeves | William Bennett, Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-3 | Concerto Grosso: I. Intrada | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-4 | Concerto Grosso: II. Burlesca ostinata | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-5 | Concerto Grosso: III. Sarabande | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-6 | Concerto Grosso: IV. Scherzo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-7 | Concerto Grosso: V. March and Reprise | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 54-8 | English Folk Song Suite: I. March “Seventeen Come Sunday” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-9 | English Folk Song Suite: II. Intermezzo “My Bonny Boy” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-10 | English Folk Song Suite: III. March “Folk Songs From Somerset” | Academy of St Martin in the Fields, Neville Marriner | — | |
| 54-11 | Sumer is i-cumen in | — | ||
| 54-12 | The Turtle Dove | — | ||
| 54-13 | The Keeper would a-hunting go | — | ||
| 54-14 | The Oak and the Ash | — | ||
| 54-15 | Early One Morning | — | ||
| 54-16 | John Peel | — | ||
| 54-17 | The Jolly Miller | — | ||
| 54-18 | I will give my love an apple | — | ||
| 54-19 | The British Grenadiers | — | ||
| 55-1 | On Hearing the First Cuckoo in Spring | — | ||
| 55-2 | Enter Spring | — | ||
| 55-3 | April - England | — | ||
| 55-4 | Summer | — | ||
| 55-5 | Harvest Hymn | — | ||
| 55-6 | November Woods | — | ||
| 55-7 | Christmas Dance “Sir Roger de Coverley” | — | ||
| 56-1 | Concerto for Clarinet and String Orchestra, op. 31: I. Allegro vigoroso - L'istesso tempo ma in modo Lirico | — | ||
| 56-2 | Concerto for Clarinet and String Orchestra, op. 31: II. Adagio ma senza rigore | — | ||
| 56-3 | Concerto for Clarinet and String Orchestra, op. 31: III. Rondo: Allegro giocoso | — | ||
| 56-4 | Romance for String Orchestra, op. 11 | — | ||
| 56-5 | Nocturne, op. 7 (New Year Music) | — | ||
| 56-6 | Dies natalis, op. 8: I. Intrada | — | ||
| 56-7 | Dies natalis, op. 8: II. Rhapsody (Recitativo stromentato) | — | ||
| 56-8 | Dies natalis, op. 8: III. The Rapture (Danza) | — | ||
| 56-9 | Dies natalis, op. 8: IV. Wonder (Arioso) | — | ||
| 56-10 | Dies natalis, op. 8: V. The Salutation (Aria) | — | ||
| 57-1 | Fantasia Concertante on a Theme of Corelli | — | ||
| 57-2 | Little Music for String Orchestra | — | ||
| 57-3 | Concerto for Double String Orchestra: I. Allegro con brio | — | ||
| 57-4 | Concerto for Double String Orchestra: II. Adagio cantabile | — | ||
| 57-5 | Concerto for Double String Orchestra: III. Allegro molto | — | ||
| 57-6 | Façade - Suite no. 1 for Orchestra: 1. Polka | — | ||
| 57-7 | Façade - Suite no. 1 for Orchestra: 5. Popular Song | — | ||
| 58-1 | Lieder eines fahrenden Gesellen: “Wenn mein Schatz Hochzeit macht” | — | ||
| 58-2 | Lieder eines fahrenden Gesellen: “Ging heut' Morgens übers Feld” | — | ||
| 58-3 | Lieder eines fahrenden Gesellen: “Ich hab' ein glühend Messer” | — | ||
| 58-4 | Lieder eines fahrenden Gesellen: “Die zwei blauen Augen von meinem Schatz” | — | ||
| 58-5 | Nocturne, op. 60: “On a poet's lips I slept” | — | ||
| 58-6 | Nocturne, op. 60: “Below the thunders of the upper deep” | — | ||
| 58-7 | Nocturne, op. 60: “Encinctured with a twine of leaves” | — | ||
| 58-8 | Nocturne, op. 60: “Midnight's bell goes ting, ting, ting” | — | ||
| 58-9 | Nocturne, op. 60: “But that night when on my bed I lay” | — | ||
| 58-10 | Nocturne, op. 60: “She sleeps on soft, last breaths” | — | ||
| 58-11 | Nocturne, op. 60: “What is more gentle than a wind in summer?” | — | ||
| 58-12 | Nocturne, op. 60: “When most I wing, then do mine eyes best see” | — | ||
| 58-13 | Variations on a Theme of Frank Bridge, op. 10: Introduction and Theme | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-14 | Variations on a Theme of Frank Bridge, op. 10: Adagio | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-15 | Variations on a Theme of Frank Bridge, op. 10: March | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-16 | Variations on a Theme of Frank Bridge, op. 10: Romance | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-17 | Variations on a Theme of Frank Bridge, op. 10: Aria Italiana | Academy of St Martin in the Fields, Sir Neville Marriner | T-905.380.384-2 | |
| 58-18 | Variations on a Theme of Frank Bridge, op. 10: Bouree classique | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-19 | Variations on a Theme of Frank Bridge, op. 10: Wiener walzer | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-20 | Variations on a Theme of Frank Bridge, op. 10: Moto perpetuo | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-21 | Variations on a Theme of Frank Bridge, op. 10: Funeral March | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-22 | Variations on a Theme of Frank Bridge, op. 10: Chant | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 58-23 | Variations on a Theme of Frank Bridge, op. 10: Fugue and Finale | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-1 | The Happy Prince: “He looks like an angel!” (Chorus, The Mayor, The Swallow, The Prince) | — | ||
| 59-2 | The Happy Prince: “Mother, I am so hot” (The Seamstress' Son, The Seamstress, The Prince, The Swallow) | — | ||
| 59-3 | The Happy Prince: “How wonderful the stars are!” (Chorus, The Seamstress' Son, The Seamstress, The Mayor, The Swallow, The Prince) | — | ||
| 59-4 | The Happy Prince: “How can I finish my play?” (The Author, The Prince, The Swallow) | — | ||
| 59-5 | The Happy Prince: “A sapphire! A beautiful sapphire!” (The Author, The Prince, The Swallow) | — | ||
| 59-6 | The Happy Prince: “What a lovely bit of glass!” (The Matchgirl, The Swallow, The Prince) | — | ||
| 59-7 | The Happy Prince: “Gold! Gold! Gold! Gold!!” (Chorus, The Swallow, The Prince) | — | ||
| 59-8 | The Happy Prince: “Let us take the statue down!” (Chorus, The Mayor) | — | ||
| 59-9 | The Happy Prince: “This leaden heart and this dead bird” (Chorus) | — | ||
| 59-10 | Sonata for String Orchestra: I. Allegro | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-11 | Sonata for String Orchestra: II. Presto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-12 | Sonata for String Orchestra: III. Lento | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 59-13 | Sonata for String Orchestra: IV. Allegro molto | Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 60-1 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-2 | Exsultate, jubilate, K. 165: II. Fulget amica dies | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-3 | Exsultate, jubilate, K. 165: III. Tu virginum corona | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | — | |
| 60-4 | Exsultate, jubilate, K. 165: IV. Alleluja | Erna Spoorenberg, Philip Ledger, Academy of St Martin in the Fields, Neville Marriner | T-910.009.165-4 | |
| 60-5 | Clarinet Concerto in A major, K622: I. Allegro | — | ||
| 60-6 | Clarinet Concerto in A major, K622: II. Adagio | — | ||
| 60-7 | Clarinet Concerto in A major, K622: III. Rondo: Allegro | — | ||
| 60-8 | Piano Concerto no. 21 in C, K467: I. (Allegro maestoso) | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | — | |
| 60-9 | Piano Concerto no. 21 in C, K467: II. Andante | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | T-010.194.871-3 | |
| 60-10 | Piano Concerto no. 21 in C, K467: III. Allegro vivace assai | Yeol Eum Son, Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Six Symphonies, op. 3: No. 6 in G: Allegro assai | Academy of St Martin in the Fields, Sir Neville Marriner | T-306.395.786-4 |
| Apollon musagète (1947 version): Premier Tableau (Prologue): I. Birth of Apollo | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: II. Variation d'Apollon (Apollon et les Muses) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: III. Pas d'action (Apollo and the 3 Muses) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: IV. Variation of Calliope (the Alexandrine) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: V. Variation of Polyhymnia | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VI. Variation of Terpsichore | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VII. Variation of Apollo | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: VIII. Pas de deux (Apollo and Terpsichore) | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: IX. Coda | Academy of St Martin in the Fields, Sir Neville Marriner | — |
| Apollon musagète (1947 version): Second Tableau: X. Apotheosis | Academy of St Martin in the Fields, Sir Neville Marriner | — |
