UPC · Release
Los Angeles Philharmonic, Zubin Mehta
Last verified:
The UPC for “Complete Decca Recordings” by Los Angeles Philharmonic, Zubin Mehta is 028948503742. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 304 tracks, each with its own ISRC. Tracks include GBF077010211, GBF077010212, GBF077010213.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Egmont Overture, op. 84 | — | ||
| 2 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 4 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 5 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 7 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 8 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo allegro | — | ||
| 2-1 | Hunnenschlacht, Symphonic Poem no. 11, S.105 | — | ||
| 2-2 | Orpheus, S.98 | — | ||
| 2-3 | Mazeppa, Symphonic Poem no. 6, S.100 | — | ||
| 3-1 | Symphony no. 3 in C minor, op. 78 “Organ”: Ia. Adagio - Allegro Moderato | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-2 | Symphony no. 3 in C minor, op. 78 “Organ”: Ib. Poco Adagio | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-3 | Symphony no. 3 in C minor, op. 78 “Organ”: IIa. Allegro Moderato - Presto | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-4 | Symphony no. 3 in C minor, op. 78 “Organ”: IIb. Maestoso - Allegro | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 4-1 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: I. Bewegt, Nicht Zu Schnell | — | ||
| 4-2 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: II. Andante Quasi Allegretto | — | ||
| 4-3 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: III. Scherzo: Bewegt - Trio: Nicht Zu Schnell. Keinesfalls Schleppend - Scherzo | — | ||
| 4-4 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: IV. Finale: Bewegt, Doch Nicht Zu Schnell | — | ||
| 5-1 | Symphony no. 8 in C minor: I. Allegro moderato | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-2 | Symphony no. 8 in C minor: II. Scherzo: Allegro moderato | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-3 | Symphony no. 8 in C minor: III. Adagio: Feierlich langsam | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-4 | Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell | Los Angeles Philharmonic, Zubin Mehta | — | |
| 6-1 | Quattro pezzi sacri: No. 1. Ave Maria | Los Angeles Master Chorale, Zubin Mehta | — | |
| 6-2 | Quattro pezzi sacri: No. 2. Stabat mater | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-312.153.778-4 | |
| 6-3 | Quattro pezzi sacri: No. 3. Laudi alla Vergine Maria | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-329.592.951-6 | |
| 6-4 | Quattro pezzi sacri: No. 4. Te Deum | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-310.678.670-9 | |
| 7-1 | Pictures at an Exhibition: Promenade / Gnomus | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-2 | Pictures at an Exhibition: Promenade / The Old Castle | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-3 | Pictures at an Exhibition: Promenade / Tuiuleries | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-4 | Pictures at an Exhibition: Bydlo | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-5 | Pictures at an Exhibition: Promenade / Ballet of the unhatched Chickens | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-6 | Pictures at an Exhibition: Two Polish Jews: one rich, one poor | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-7 | Pictures at an Exhibition: Promenade / The Marketplace at Limoges | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-8 | Pictures at an Exhibition: Cum mortuis in lingua morta | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-9 | Pictures at an Exhibition: The Hut on Fowl's Legs | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-10 | Pictures at an Exhibition: The Great Gate of Kiev | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-800.323.843-6 | |
| 7-11 | Pictures at an Exhibition: Promenade / Gnomus | Vladimir Ashkenazy | T-920.064.650-0 | |
| 7-12 | Pictures at an Exhibition: Promenade / The Old Castle | Vladimir Ashkenazy | — | |
| 7-13 | Pictures at an Exhibition: Promenade / Tuiuleries | Vladimir Ashkenazy | — | |
| 7-14 | Pictures at an Exhibition: Bydlo | Vladimir Ashkenazy | — | |
| 7-15 | Pictures at an Exhibition: Promenade / Ballet of the unhatched Chickens | Vladimir Ashkenazy | — | |
| 7-16 | Pictures at an Exhibition: Two Polish Jews: one rich, one poor | Vladimir Ashkenazy | — | |
| 7-17 | Pictures at an Exhibition: Promenade / The Marketplace at Limoges | Vladimir Ashkenazy | — | |
| 7-18 | Pictures at an Exhibition: Cum mortuis in lingua morta | Vladimir Ashkenazy | — | |
| 7-19 | Pictures at an Exhibition: The Hut on Fowl's Legs | Vladimir Ashkenazy | — | |
| 7-20 | Pictures at an Exhibition: The Great Gate of Kiev | Vladimir Ashkenazy | T-061.792.492-1 | |
| 8-1 | 1812 Overture, op. 49 | — | ||
| 8-2 | Romeo and Juliet - Fantasy Overture | — | ||
| 8-3 | Symphony no. 4 In F minor, op. 36, TH.27: I. Andante Sostenuto – Moderato Con Anima | — | ||
| 8-4 | Symphony no. 4 In F minor, op. 36, TH.27: II. Andantino in modo di canzone | — | ||
| 8-5 | Symphony no. 4 In F minor, op. 36, TH.27: III. Scherzo. Pizzicato ostinato - Allegro | — | ||
| 8-6 | Symphony no. 4 In F minor, op. 36, TH.27: IV. Finale Allegro con fuoco | — | ||
| 9-1 | Symphony no. 1 In G minor, op. 13: I. "Winter Daydreams" | — | ||
| 9-2 | Symphony no. 1 In G minor, op. 13: II. Adagio cantabile ma non tanto | — | ||
| 9-3 | Symphony no. 1 In G minor, op. 13: III. Scherzo Allegro scherzando giocoso | — | ||
| 9-4 | Symphony no. 1 In G minor, op. 13: IV. Finale Andante lugubre - Allegro maestoso | — | ||
| 9-5 | Symphony no. 2 In C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo | — | ||
| 9-6 | Symphony no. 2 In C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 9-7 | Symphony no. 2 In C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | — | ||
| 9-8 | Symphony no. 2 In C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto | — | ||
| 10-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro | — | ||
| 10-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato | — | ||
| 10-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | — | ||
| 10-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | — | ||
| 10-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco | — | ||
| 10-6 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai | — | ||
| 10-7 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 10-8 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro | — | ||
| 10-9 | Symphony no. 4 in F minor, op. 36: IV. Finale Allegro con fuoco | — | ||
| 11-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 11-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 11-3 | Symphony no. 5 in E minor, op. 64: III. Valse Allegro moderato | — | ||
| 11-4 | Symphony no. 5 in E minor, op. 64: IV. Finale Andante maestoso - Allegro vivace | — | ||
| 11-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 11-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 11-7 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 11-8 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale Adagio lamentoso - Andante | — | ||
| 12-1 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship: Largo e maestoso - Allegro non troppo | — | ||
| 12-2 | Scheherazade, op. 35: II. The Story of the Kalandar Prince: Lento - Andantino - Allegro molto | — | ||
| 12-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess: Andantino quasi allegretto | — | ||
| 12-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea: Allegro molto | — | ||
| 13-1 | Symphony no. 8 in G major, op. 88: : I. Allegro con brio | — | ||
| 13-2 | Symphony no. 8 in G major, op. 88: : II. Adagio | — | ||
| 13-3 | Symphony no. 8 in G major, op. 88: : III. Allegretto grazioso | — | ||
| 13-4 | Symphony no. 8 in G major, op. 88: : IV. Allegro ma non troppo | — | ||
| 13-5 | The Wood Dove, op. 110 | — | ||
| 14-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 14-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 14-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo – Molto vivace | — | ||
| 14-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 14-5 | Carnival Overture, op. 92 | — | ||
| 15-1 | Also sprach Zarathustra, op. 30: I. Einleitung | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-9 | Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 16-1 | Don Quixote, op. 35: Mäßiges Zeitmaß. Thema mäßig | — | ||
| 16-2 | Don Quixote, op. 35: Gemächlich | — | ||
| 16-3 | Don Quixote, op. 35: Kriegerisch | — | ||
| 16-4 | Don Quixote, op. 35: Mäßiges Zeitmaß | — | ||
| 16-5 | Don Quixote, op. 35: Etwas breiter | — | ||
| 16-6 | Don Quixote, op. 35: Sehr langsam | — | ||
| 16-7 | Don Quixote, op. 35: Schnell | — | ||
| 16-8 | Don Quixote, op. 35: Ein wenig ruhiger als vorher | — | ||
| 16-9 | Don Quixote, op. 35: Gemächlich | — | ||
| 16-10 | Don Quixote, op. 35: Schnell und stürmisch | — | ||
| 16-11 | Don Quixote, op. 35: Viel breiter | — | ||
| 16-12 | Don Quixote, op. 35: Sehr ruhig | — | ||
| 17-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 17-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 17-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 17-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 17-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 17-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 18-1 | Sinfonia domestica, op. 53: Bewegt – Sehr lebhaft – Ruhig | — | ||
| 18-2 | Sinfonia domestica, op. 53: Scherzo: Munter | — | ||
| 18-3 | Sinfonia domestica, op. 53: Adagio (Langsam) | — | ||
| 18-4 | Sinfonia domestica, op. 53: Finale: Sehr lebhaft | — | ||
| 19-1 | Ein Alpensinfonie, op. 64: Nacht | — | ||
| 19-2 | Ein Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 19-3 | Ein Alpensinfonie, op. 64: Der Anstieg | — | ||
| 19-4 | Ein Alpensinfonie, op. 64: Eintritt in den Wald (Wanderung neben dem Bache) | — | ||
| 19-5 | Ein Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 19-6 | Ein Alpensinfonie, op. 64: Erscheinung | — | ||
| 19-7 | Ein Alpensinfonie, op. 64: Auf blumigen Wiesen | — | ||
| 19-8 | Ein Alpensinfonie, op. 64: Auf der Alm | — | ||
| 19-9 | Ein Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 19-10 | Ein Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 19-11 | Ein Alpensinfonie, op. 64: Gefahrvolle Augenblicke (Auf dem Gipfel) | — | ||
| 19-12 | Ein Alpensinfonie, op. 64: Vision | — | ||
| 19-13 | Ein Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 19-14 | Ein Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | — | ||
| 19-15 | Ein Alpensinfonie, op. 64: Elegie | — | ||
| 19-16 | Ein Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 19-17 | Ein Alpensinfonie, op. 64: Gewitter und Sturm | — | ||
| 19-18 | Ein Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 19-19 | Ein Alpensinfonie, op. 64: Ausklang | — | ||
| 19-20 | Ein Alpensinfonie, op. 64: Nacht | — | ||
| 20-1 | Symphony no. 3: I. Kraftig. Entscheiden (Pt. 1) | — | ||
| 21-1 | Symphony no. 3: II. Kraftig. Entscheiden (Pt. 2) | — | ||
| 21-2 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast (Pt. 2) | — | ||
| 21-3 | Symphony no. 3: IV. Sehr langsam. Misterioso: 'O Mensch! Gib acht!' 'O Mensch! Gib acht' (Pt. 2) | — | ||
| 21-4 | Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck (Pt. 2) | — | ||
| 21-5 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden (Pt. 2) | — | ||
| 22-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-3 | Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) | Los Angeles Philharmonic, Zubin Mehta | T-800.652.468-2 | |
| 22-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-6 | Symphony no. 10 In F-sharp major: I. Adagio | — | ||
| 23-1 | Rückert‐Lieder: 1. Ich atmet’ einen linden Duft | — | ||
| 23-2 | Rückert‐Lieder: 2. Liebst du um Schönheit | — | ||
| 23-3 | Rückert‐Lieder: 3. Blicke mir nicht in die Lieder | — | ||
| 23-4 | Rückert‐Lieder: 5. Um Mitternacht | — | ||
| 23-5 | Rückert‐Lieder: 4. Ich bin der Welt abhanden gekommen | — | ||
| 23-6 | Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | — | ||
| 23-7 | Lieder eines fahrenden Gesellen: 2. Ging heut’ morgen übers Feld | — | ||
| 23-8 | Lieder eines fahrenden Gesellen: 3. Ich hab’ ein glühend Messer | — | ||
| 23-9 | Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen von meinem Schatz | — | ||
| 24-1 | Petrushka, Part 1 - Shrovetide Fair - Danse Russe (Scene 1) | — | ||
| 24-2 | Petrushka, Part 2 - Petrushka (Scene 2) | — | ||
| 24-3 | Petrushka, Part 3 - The Blackamoor - Valse (Scene 3) | — | ||
| 24-4 | Petrushka, Part 4 - Shrovetide Fair - The Death of Petrushka (Scene 4) | — | ||
| 24-5 | Petrushka, Circus Polka for a Young Elephant | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-6 | 8 Miniatures for 15 Players: 1. Andantino | — | ||
| 24-7 | 8 Miniatures for 15 Players: 2. Vivace | — | ||
| 24-8 | 8 Miniatures for 15 Players: 3. Lento | — | ||
| 24-9 | 8 Miniatures for 15 Players: 4. Allegretto | — | ||
| 24-10 | 8 Miniatures for 15 Players: 5. Moderato | — | ||
| 24-11 | 8 Miniatures for 15 Players: 6. Tempo di marcia | — | ||
| 24-12 | 8 Miniatures for 15 Players: 7. Larghetto | — | ||
| 24-13 | 8 Miniatures for 15 Players: 8. Tempo di tango | — | ||
| 24-14 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: I. Introduction | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-15 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: II. Les augures printaniers - Danses des adolescentes | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-16 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: III. Jeu du rapt | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-17 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: IV. Rondes printanières | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-18 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: V. Jeux des cités | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-19 | Le Sacre du printemps, Part 1, 6a. Cortege du sage | — | ||
| 24-20 | Le Sacre du printemps, Part 1, 6b. Le sage | — | ||
| 24-21 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: VII. Danse de la terre | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-22 | Le Sacre du Printemps: Part 2: Le Sacrifice: I. Introduction | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-23 | Le Sacre du Printemps: Part 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-24 | Le Sacre du Printemps: Part 2: Le Sacrifice: III. Glorification d’élue | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-25 | Le Sacre du Printemps: Part 2: Le Sacrifice: IV. Évocation des ancêtres | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-26 | Le Sacre du Printemps: Part 2: Le Sacrifice: V. Action rituelle des ancêtres | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-27 | Le Sacre du Printemps: Part 2: Le Sacrifice: VI. Danse sacrale: l’élue | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-1 | The Planets, op. 32: I. Mars, the Bringer of War | Los Angeles Philharmonic, Zubin Mehta | T-923.663.725-5 | |
| 25-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Los Angeles Philharmonic, Zubin Mehta | T-101.257.909-6 | |
| 25-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-6 | The Planets, op. 32: VI. Uranus, the Magician | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-7 | The Planets, op. 32: VII. Neptune, the Mystic | Los Angeles Master Chorale, Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-1 | Daphnis et Chloé, Suite 2: 1. Lever du jour | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-2 | Daphnis et Chloé, Suite 2: 2. Pantomime | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-3 | Daphnis et Chloé, Suite 2: 3. Danse generale | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-4 | Ma Mere l’Oye Suite: 1. Pavane de la Belle au bois dormant | — | ||
| 26-5 | Ma Mere l’Oye Suite: 2. Petit Poucet | — | ||
| 26-6 | Ma Mere l’Oye Suite: 3. Laideronnette, imperatrice des Pagodes | — | ||
| 26-7 | Ma Mere l’Oye Suite: 4. Les entretiens de la Belle et de la Bete | — | ||
| 26-8 | Ma Mere l’Oye Suite: 5. Le jardin feerique | — | ||
| 26-9 | Ma Mere l’Oye Suite: La Valse | — | ||
| 27-1 | Symphony no. 4: I. Allegro | — | ||
| 27-2 | Symphony no. 4: II. Poco allegretto | — | ||
| 27-3 | Symphony no. 4: III. Poco adagio quasi andante | — | ||
| 27-4 | Symphony no. 4: IV. Allegro | — | ||
| 28-1 | Enigma Variations op. 36: Theme | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-2 | Enigma Variations op. 36: Variation I CAE (Andante) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-3 | Enigma Variations op. 36: Variation II HDS-P (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-4 | Enigma Variations op. 36: Variation III RBT (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-5 | Enigma Variations op. 36: Variation IV WMB (Allegro di Molto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-6 | Enigma Variations op. 36: Variation V RPA (Moderato) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-7 | Enigma Variations op. 36: Variation VI Ysobel (Andantino) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-8 | Enigma Variations op. 36: Variation VII Troyte (Presto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-9 | Enigma Variations op. 36: Variation VIII WN (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-10 | Enigma Variations op. 36: Variation IX Nimrod (Adagio) | Los Angeles Philharmonic, Zubin Mehta | T-010.115.427-1 | |
| 28-11 | Enigma Variations op. 36: Variation X Dorabella: Intermezzo (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-12 | Enigma Variations op. 36: Variation XI GRS (Allegro di Molto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-13 | Enigma Variations op. 36: Variation XII BGN (Andante) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-14 | Enigma Variations op. 36: Variation XIII Romanza (Moderato) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-15 | Enigma Variations op. 36: Variation XIV EDU Finale (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-16 | Symphony no. 1: I. Allegro | — | ||
| 28-17 | Symphony no. 1: II. Adagio molto (sostenuto) | — | ||
| 28-18 | Symphony no. 1: III. Scherzo: Vivace | — | ||
| 28-19 | Symphony no. 1: IV. Allegro molto | — | ||
| 29-1 | Symphony no. 2: I. Andante moderato | — | ||
| 29-2 | Symphony no. 2: II. Allegro | — | ||
| 29-3 | Symphony no. 2: III. Adagio cantabile | — | ||
| 29-4 | Symphony no. 2: IV. Lento maestoso | — | ||
| 29-5 | Symphony no. 2: V. Allegro molto vivace | — | ||
| 29-6 | Holidays in a Connecticut Country Town: II. Decoration Day | Los Angeles Philharmonic, Zubin Mehta | — | |
| 29-7 | Variations on “America” | Los Angeles Philharmonic, Zubin Mehta | T-329.589.636-1 | |
| 30-1 | Lincoln Portrait | Gregory Peck, Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-2 | Concerto for Four Percussion Soloists & Orchestra: I. Recitativo quasi senza misura | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-3 | Concerto for Four Percussion Soloists & Orchestra: II. Allegro con brio | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-4 | Concerto for Four Percussion Soloists & Orchestra: III. Cadenza e Variazioni | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-5 | Contextures; Riots - Decade '60, 1/2. Interlude - Prestissimo | Los Angeles Philharmonic, Zubin Mehta | T-011.422.353-8 | |
| 30-6 | Contextures; Riots - Decade '60, 3. Calore | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-7 | Contextures; Riots - Decade '60, 4/5, Presto - Molto adagio | Los Angeles Philharmonic, Zubin Mehta | T-318.676.528-2 | |
| 31-1 | Overture Candide | Los Angeles Philharmonic, Zubin Mehta | T-903.288.559-9 | |
| 31-2 | An American in Paris | Los Angeles Philharmonic, Zubin Mehta | T-070.001.144-4 | |
| 31-3 | Fanfare for the Common Man | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.054.000-6 | |
| 31-4 | Appalachian Spring (1945 Suite): 1. Very slowly | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 31-5 | Appalachian Spring (1945 Suite): 2. Allegro | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 31-6 | Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-7 | Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-8 | Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-9 | Appalachian Spring (1945 Suite): 6. Meno mosso | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-10 | Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-11 | Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 32-1 | Verklarte Nacht, op. 4, Grave Takt 1 | — | ||
| 32-2 | Verklarte Nacht, op. 4, Molto rallentando Takt 100 | — | ||
| 32-3 | Verklarte Nacht, op. 4, Pesante. Grave Interlude | — | ||
| 32-4 | Verklarte Nacht, op. 4, Adagio Takt 229 | — | ||
| 32-5 | Verklarte Nacht, op. 4, Adagio Takt 370 | — | ||
| 32-6 | Le Poeme de l'Extase, op. 54 | — | ||
| 33-1 | Chamber Symphony no. 1, op. 9 | — | ||
| 33-2 | Variations, op. 31, Introduktion. Mäßig, ruhig | — | ||
| 33-3 | Variations, op. 31, Thema. Molto moderato | — | ||
| 33-4 | Variations, op. 31, Variation I. Moderato | — | ||
| 33-5 | Variations, op. 31, Variation II. Langsam | — | ||
| 33-6 | Variations, op. 31, Variation III. Mäßig | — | ||
| 33-7 | Variations, op. 31, Variation IV. Walzertempo | — | ||
| 33-8 | Variations, op. 31, Variation V. Bewegt | — | ||
| 33-9 | Variations, op. 31, Variation VI. Andante | — | ||
| 33-10 | Variations, op. 31, Variation VII. Langsam | — | ||
| 33-11 | Variations, op. 31, Variation VIII. Sehr rasch | — | ||
| 33-12 | Variations, op. 31, Variation IX. L'istesso tempo; aber etwas langsamer | — | ||
| 33-13 | Variations, op. 31, Finale. Mäßig schnell | — | ||
| 34-1 | Arcana | — | ||
| 34-2 | Intégrales | — | ||
| 34-3 | Ionisation | — | ||
| 35-1 | Star Wars Suite: I. Main Title | Los Angeles Philharmonic, Zubin Mehta | T-909.207.175-5 | |
| 35-2 | Star Wars Suite: II. Princess Leia’s Theme | Los Angeles Philharmonic, Zubin Mehta | T-070.248.046-3 | |
| 35-3 | Star Wars Suite: III. The Little People | Los Angeles Philharmonic, Zubin Mehta | T-070.248.046-3 | |
| 35-4 | Star Wars Suite: The Cantina Band | Los Angeles Philharmonic, Jules Chaikin | T-070.243.919-7 | |
| 35-5 | Star Wars Suite: IV. The Battle | Los Angeles Philharmonic, Zubin Mehta | T-070.243.919-7 | |
| 35-6 | Star Wars Suite: V. The Throne Room and End Title | Los Angeles Philharmonic, Zubin Mehta | T-918.295.244-9 | |
| 35-7 | Close Encounters of the Third Kind: Suite | Los Angeles Philharmonic, Zubin Mehta | T-070.233.382-1 | |
| 36-1 | Boléro | Los Angeles Philharmonic, Zubin Mehta | T-003.006.377-4 | |
| 36-2 | Slavonic March - Slavonic March, for orchestra, Op. 31 | Los Angeles Philharmonic, Zubin Mehta | — | |
| 36-3 | Carmen, Prelude Act 1 | — | ||
| 36-4 | Carmen, Prelude Act 4 | — | ||
| 36-5 | La forza del destino: Overture (Sinfonia) | Los Angeles Philharmonic, Zubin Mehta | T-306.483.068-4 | |
| 36-6 | Poet and Peasant: Overture | Los Angeles Philharmonic, Zubin Mehta | T-909.264.126-4 | |
| 37-1 | Die Fledermaus: Overture | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 37-2 | Le nozze di Figaro | — | ||
| 37-3 | La gazza ladra | — | ||
| 37-4 | Overture Der Freischütz | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 37-5 | Rienzi: Overture | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 38-1 | Trumpet Concerto in E-flat major: I Allegro | — | ||
| 38-2 | Trumpet Concerto in E-flat major: II Andante | — | ||
| 38-3 | Trumpet Concerto in E-flat major: III Allegro | — | ||
| 38-4 | Piccolo Concerto in A minor: I Allegro | — | ||
| 38-5 | Piccolo Concerto in A minor: II Larghetto | — | ||
| 38-6 | Piccolo Concerto in A minor: III Allegro | — | ||
| 38-7 | Clarinet Concertino op. 26 | — | ||
| 38-8 | Polonaise de Concert op. 4 | — | ||
| 38-9 | Scherzo-Tarentelle op. 16 | — |
Identifier Graph
028948503742 is a Universal Product Code (UPC) assigned to Complete Decca Recordings by Los Angeles Philharmonic, Zubin Mehta. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 304 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Songwriters/Publishers (IPI)
The UPC for “Complete Decca Recordings” by Los Angeles Philharmonic, Zubin Mehta is 028948503742. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2020-01-01. Label: Decca. This release contains 304 tracks, each with its own ISRC. Tracks include GBF077010211, GBF077010212, GBF077010213.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Egmont Overture, op. 84 | — | ||
| 2 | Symphony no. 7 in A, op. 92: I. Poco sostenuto - Vivace | — | ||
| 3 | Symphony no. 7 in A, op. 92: II. Allegretto | — | ||
| 4 | Symphony no. 7 in A, op. 92: III. Presto - Assai meno presto | — | ||
| 5 | Symphony no. 7 in A, op. 92: IV. Allegro con brio | — | ||
| 6 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": I. Allegro | — | ||
| 7 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": II. Adagio un poco mosso | — | ||
| 8 | Piano Concerto no. 5 in E-flat major, op. 73 "Emperor": III. Rondo allegro | — | ||
| 2-1 | Hunnenschlacht, Symphonic Poem no. 11, S.105 | — | ||
| 2-2 | Orpheus, S.98 | — | ||
| 2-3 | Mazeppa, Symphonic Poem no. 6, S.100 | — | ||
| 3-1 | Symphony no. 3 in C minor, op. 78 “Organ”: Ia. Adagio - Allegro Moderato | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-2 | Symphony no. 3 in C minor, op. 78 “Organ”: Ib. Poco Adagio | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-3 | Symphony no. 3 in C minor, op. 78 “Organ”: IIa. Allegro Moderato - Presto | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 3-4 | Symphony no. 3 in C minor, op. 78 “Organ”: IIb. Maestoso - Allegro | Anita Priest, Los Angeles Philharmonic, Zubin Mehta | — | |
| 4-1 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: I. Bewegt, Nicht Zu Schnell | — | ||
| 4-2 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: II. Andante Quasi Allegretto | — | ||
| 4-3 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: III. Scherzo: Bewegt - Trio: Nicht Zu Schnell. Keinesfalls Schleppend - Scherzo | — | ||
| 4-4 | Symphony No. 4 In E-flat Major, "Romantic" (1878/1880 Version: IV. Finale: Bewegt, Doch Nicht Zu Schnell | — | ||
| 5-1 | Symphony no. 8 in C minor: I. Allegro moderato | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-2 | Symphony no. 8 in C minor: II. Scherzo: Allegro moderato | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-3 | Symphony no. 8 in C minor: III. Adagio: Feierlich langsam | Los Angeles Philharmonic, Zubin Mehta | — | |
| 5-4 | Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell | Los Angeles Philharmonic, Zubin Mehta | — | |
| 6-1 | Quattro pezzi sacri: No. 1. Ave Maria | Los Angeles Master Chorale, Zubin Mehta | — | |
| 6-2 | Quattro pezzi sacri: No. 2. Stabat mater | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-312.153.778-4 | |
| 6-3 | Quattro pezzi sacri: No. 3. Laudi alla Vergine Maria | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-329.592.951-6 | |
| 6-4 | Quattro pezzi sacri: No. 4. Te Deum | Los Angeles Master Chorale, Yvonne Minton, Los Angeles Philharmonic, Zubin Mehta | T-310.678.670-9 | |
| 7-1 | Pictures at an Exhibition: Promenade / Gnomus | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-2 | Pictures at an Exhibition: Promenade / The Old Castle | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-3 | Pictures at an Exhibition: Promenade / Tuiuleries | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-4 | Pictures at an Exhibition: Bydlo | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-5 | Pictures at an Exhibition: Promenade / Ballet of the unhatched Chickens | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-6 | Pictures at an Exhibition: Two Polish Jews: one rich, one poor | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-7 | Pictures at an Exhibition: Promenade / The Marketplace at Limoges | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-8 | Pictures at an Exhibition: Cum mortuis in lingua morta | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-9 | Pictures at an Exhibition: The Hut on Fowl's Legs | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 7-10 | Pictures at an Exhibition: The Great Gate of Kiev | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-800.323.843-6 | |
| 7-11 | Pictures at an Exhibition: Promenade / Gnomus | Vladimir Ashkenazy | T-920.064.650-0 | |
| 7-12 | Pictures at an Exhibition: Promenade / The Old Castle | Vladimir Ashkenazy | — | |
| 7-13 | Pictures at an Exhibition: Promenade / Tuiuleries | Vladimir Ashkenazy | — | |
| 7-14 | Pictures at an Exhibition: Bydlo | Vladimir Ashkenazy | — | |
| 7-15 | Pictures at an Exhibition: Promenade / Ballet of the unhatched Chickens | Vladimir Ashkenazy | — | |
| 7-16 | Pictures at an Exhibition: Two Polish Jews: one rich, one poor | Vladimir Ashkenazy | — | |
| 7-17 | Pictures at an Exhibition: Promenade / The Marketplace at Limoges | Vladimir Ashkenazy | — | |
| 7-18 | Pictures at an Exhibition: Cum mortuis in lingua morta | Vladimir Ashkenazy | — | |
| 7-19 | Pictures at an Exhibition: The Hut on Fowl's Legs | Vladimir Ashkenazy | — | |
| 7-20 | Pictures at an Exhibition: The Great Gate of Kiev | Vladimir Ashkenazy | T-061.792.492-1 | |
| 8-1 | 1812 Overture, op. 49 | — | ||
| 8-2 | Romeo and Juliet - Fantasy Overture | — | ||
| 8-3 | Symphony no. 4 In F minor, op. 36, TH.27: I. Andante Sostenuto – Moderato Con Anima | — | ||
| 8-4 | Symphony no. 4 In F minor, op. 36, TH.27: II. Andantino in modo di canzone | — | ||
| 8-5 | Symphony no. 4 In F minor, op. 36, TH.27: III. Scherzo. Pizzicato ostinato - Allegro | — | ||
| 8-6 | Symphony no. 4 In F minor, op. 36, TH.27: IV. Finale Allegro con fuoco | — | ||
| 9-1 | Symphony no. 1 In G minor, op. 13: I. "Winter Daydreams" | — | ||
| 9-2 | Symphony no. 1 In G minor, op. 13: II. Adagio cantabile ma non tanto | — | ||
| 9-3 | Symphony no. 1 In G minor, op. 13: III. Scherzo Allegro scherzando giocoso | — | ||
| 9-4 | Symphony no. 1 In G minor, op. 13: IV. Finale Andante lugubre - Allegro maestoso | — | ||
| 9-5 | Symphony no. 2 In C minor, op. 17 "Little Russian": I. Andante sostenuto - Allegro vivo | — | ||
| 9-6 | Symphony no. 2 In C minor, op. 17 "Little Russian": II. Andantino marziale, quasi moderato | — | ||
| 9-7 | Symphony no. 2 In C minor, op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | — | ||
| 9-8 | Symphony no. 2 In C minor, op. 17 "Little Russian": IV. Finale. Moderato assai - Allegro vivo - Presto | — | ||
| 10-1 | Symphony no. 3 in D major, op. 29 "Polish": I. Introduzione e allegro | — | ||
| 10-2 | Symphony no. 3 in D major, op. 29 "Polish": II. Alla tedesca. Allegro moderato | — | ||
| 10-3 | Symphony no. 3 in D major, op. 29 "Polish": III. Andante elegiaco | — | ||
| 10-4 | Symphony no. 3 in D major, op. 29 "Polish": IV. Scherzo. Allegro vivo | — | ||
| 10-5 | Symphony no. 3 in D major, op. 29 "Polish": V. Finale. Allegro con fuoco | — | ||
| 10-6 | Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima - Moderato assai | — | ||
| 10-7 | Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone | — | ||
| 10-8 | Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro | — | ||
| 10-9 | Symphony no. 4 in F minor, op. 36: IV. Finale Allegro con fuoco | — | ||
| 11-1 | Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima | — | ||
| 11-2 | Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza | — | ||
| 11-3 | Symphony no. 5 in E minor, op. 64: III. Valse Allegro moderato | — | ||
| 11-4 | Symphony no. 5 in E minor, op. 64: IV. Finale Andante maestoso - Allegro vivace | — | ||
| 11-5 | Symphony no. 6 in B minor, op. 74 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 11-6 | Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | — | ||
| 11-7 | Symphony no. 6 in B minor, op. 74 "Pathétique": III. Allegro molto vivace | — | ||
| 11-8 | Symphony no. 6 in B minor, op. 74 "Pathétique": IV. Finale Adagio lamentoso - Andante | — | ||
| 12-1 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship: Largo e maestoso - Allegro non troppo | — | ||
| 12-2 | Scheherazade, op. 35: II. The Story of the Kalandar Prince: Lento - Andantino - Allegro molto | — | ||
| 12-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess: Andantino quasi allegretto | — | ||
| 12-4 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea: Allegro molto | — | ||
| 13-1 | Symphony no. 8 in G major, op. 88: : I. Allegro con brio | — | ||
| 13-2 | Symphony no. 8 in G major, op. 88: : II. Adagio | — | ||
| 13-3 | Symphony no. 8 in G major, op. 88: : III. Allegretto grazioso | — | ||
| 13-4 | Symphony no. 8 in G major, op. 88: : IV. Allegro ma non troppo | — | ||
| 13-5 | The Wood Dove, op. 110 | — | ||
| 14-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio - Allegro molto | — | ||
| 14-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | — | ||
| 14-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo – Molto vivace | — | ||
| 14-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | — | ||
| 14-5 | Carnival Overture, op. 92 | — | ||
| 15-1 | Also sprach Zarathustra, op. 30: I. Einleitung | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 15-9 | Also sprach Zarathustra, op. 30: IX. Nachtwandlerlied | Los Angeles Philharmonic, Zubin Mehta | — | |
| 16-1 | Don Quixote, op. 35: Mäßiges Zeitmaß. Thema mäßig | — | ||
| 16-2 | Don Quixote, op. 35: Gemächlich | — | ||
| 16-3 | Don Quixote, op. 35: Kriegerisch | — | ||
| 16-4 | Don Quixote, op. 35: Mäßiges Zeitmaß | — | ||
| 16-5 | Don Quixote, op. 35: Etwas breiter | — | ||
| 16-6 | Don Quixote, op. 35: Sehr langsam | — | ||
| 16-7 | Don Quixote, op. 35: Schnell | — | ||
| 16-8 | Don Quixote, op. 35: Ein wenig ruhiger als vorher | — | ||
| 16-9 | Don Quixote, op. 35: Gemächlich | — | ||
| 16-10 | Don Quixote, op. 35: Schnell und stürmisch | — | ||
| 16-11 | Don Quixote, op. 35: Viel breiter | — | ||
| 16-12 | Don Quixote, op. 35: Sehr ruhig | — | ||
| 17-1 | Ein Heldenleben, op. 40: Der Held | — | ||
| 17-2 | Ein Heldenleben, op. 40: Des Helden Widersacher | — | ||
| 17-3 | Ein Heldenleben, op. 40: Des Helden Gefährtin | — | ||
| 17-4 | Ein Heldenleben, op. 40: Des Helden Walstatt | — | ||
| 17-5 | Ein Heldenleben, op. 40: Des Helden Friedenswerke | — | ||
| 17-6 | Ein Heldenleben, op. 40: Des Helden Weltflucht und Vollendung | — | ||
| 18-1 | Sinfonia domestica, op. 53: Bewegt – Sehr lebhaft – Ruhig | — | ||
| 18-2 | Sinfonia domestica, op. 53: Scherzo: Munter | — | ||
| 18-3 | Sinfonia domestica, op. 53: Adagio (Langsam) | — | ||
| 18-4 | Sinfonia domestica, op. 53: Finale: Sehr lebhaft | — | ||
| 19-1 | Ein Alpensinfonie, op. 64: Nacht | — | ||
| 19-2 | Ein Alpensinfonie, op. 64: Sonnenaufgang | — | ||
| 19-3 | Ein Alpensinfonie, op. 64: Der Anstieg | — | ||
| 19-4 | Ein Alpensinfonie, op. 64: Eintritt in den Wald (Wanderung neben dem Bache) | — | ||
| 19-5 | Ein Alpensinfonie, op. 64: Am Wasserfall | — | ||
| 19-6 | Ein Alpensinfonie, op. 64: Erscheinung | — | ||
| 19-7 | Ein Alpensinfonie, op. 64: Auf blumigen Wiesen | — | ||
| 19-8 | Ein Alpensinfonie, op. 64: Auf der Alm | — | ||
| 19-9 | Ein Alpensinfonie, op. 64: Durch Dickicht und Gestrüpp auf Irrwegen | — | ||
| 19-10 | Ein Alpensinfonie, op. 64: Auf dem Gletscher | — | ||
| 19-11 | Ein Alpensinfonie, op. 64: Gefahrvolle Augenblicke (Auf dem Gipfel) | — | ||
| 19-12 | Ein Alpensinfonie, op. 64: Vision | — | ||
| 19-13 | Ein Alpensinfonie, op. 64: Nebel steigen auf | — | ||
| 19-14 | Ein Alpensinfonie, op. 64: Die Sonne verdüstert sich allmählich | — | ||
| 19-15 | Ein Alpensinfonie, op. 64: Elegie | — | ||
| 19-16 | Ein Alpensinfonie, op. 64: Stille vor dem Sturm | — | ||
| 19-17 | Ein Alpensinfonie, op. 64: Gewitter und Sturm | — | ||
| 19-18 | Ein Alpensinfonie, op. 64: Sonnenuntergang | — | ||
| 19-19 | Ein Alpensinfonie, op. 64: Ausklang | — | ||
| 19-20 | Ein Alpensinfonie, op. 64: Nacht | — | ||
| 20-1 | Symphony no. 3: I. Kraftig. Entscheiden (Pt. 1) | — | ||
| 21-1 | Symphony no. 3: II. Kraftig. Entscheiden (Pt. 2) | — | ||
| 21-2 | Symphony no. 3: III. Comodo. Scherzando. Ohne Hast (Pt. 2) | — | ||
| 21-3 | Symphony no. 3: IV. Sehr langsam. Misterioso: 'O Mensch! Gib acht!' 'O Mensch! Gib acht' (Pt. 2) | — | ||
| 21-4 | Symphony no. 3: V. Lustig im Tempo und keck im Ausdruck (Pt. 2) | — | ||
| 21-5 | Symphony no. 3: VI. Langsam. Ruhevoll. Empfunden (Pt. 2) | — | ||
| 22-1 | Symphony no. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-3 | Symphony no. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) | Los Angeles Philharmonic, Zubin Mehta | T-800.652.468-2 | |
| 22-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 22-6 | Symphony no. 10 In F-sharp major: I. Adagio | — | ||
| 23-1 | Rückert‐Lieder: 1. Ich atmet’ einen linden Duft | — | ||
| 23-2 | Rückert‐Lieder: 2. Liebst du um Schönheit | — | ||
| 23-3 | Rückert‐Lieder: 3. Blicke mir nicht in die Lieder | — | ||
| 23-4 | Rückert‐Lieder: 5. Um Mitternacht | — | ||
| 23-5 | Rückert‐Lieder: 4. Ich bin der Welt abhanden gekommen | — | ||
| 23-6 | Lieder eines fahrenden Gesellen: 1. Wenn mein Schatz Hochzeit macht | — | ||
| 23-7 | Lieder eines fahrenden Gesellen: 2. Ging heut’ morgen übers Feld | — | ||
| 23-8 | Lieder eines fahrenden Gesellen: 3. Ich hab’ ein glühend Messer | — | ||
| 23-9 | Lieder eines fahrenden Gesellen: 4. Die zwei blauen Augen von meinem Schatz | — | ||
| 24-1 | Petrushka, Part 1 - Shrovetide Fair - Danse Russe (Scene 1) | — | ||
| 24-2 | Petrushka, Part 2 - Petrushka (Scene 2) | — | ||
| 24-3 | Petrushka, Part 3 - The Blackamoor - Valse (Scene 3) | — | ||
| 24-4 | Petrushka, Part 4 - Shrovetide Fair - The Death of Petrushka (Scene 4) | — | ||
| 24-5 | Petrushka, Circus Polka for a Young Elephant | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-6 | 8 Miniatures for 15 Players: 1. Andantino | — | ||
| 24-7 | 8 Miniatures for 15 Players: 2. Vivace | — | ||
| 24-8 | 8 Miniatures for 15 Players: 3. Lento | — | ||
| 24-9 | 8 Miniatures for 15 Players: 4. Allegretto | — | ||
| 24-10 | 8 Miniatures for 15 Players: 5. Moderato | — | ||
| 24-11 | 8 Miniatures for 15 Players: 6. Tempo di marcia | — | ||
| 24-12 | 8 Miniatures for 15 Players: 7. Larghetto | — | ||
| 24-13 | 8 Miniatures for 15 Players: 8. Tempo di tango | — | ||
| 24-14 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: I. Introduction | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-15 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: II. Les augures printaniers - Danses des adolescentes | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-16 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: III. Jeu du rapt | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-17 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: IV. Rondes printanières | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-18 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: V. Jeux des cités | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-19 | Le Sacre du printemps, Part 1, 6a. Cortege du sage | — | ||
| 24-20 | Le Sacre du printemps, Part 1, 6b. Le sage | — | ||
| 24-21 | Le Sacre du Printemps: Part 1: L’Adoration de la Terre: VII. Danse de la terre | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-22 | Le Sacre du Printemps: Part 2: Le Sacrifice: I. Introduction | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-23 | Le Sacre du Printemps: Part 2: Le Sacrifice: II. Cercles mysteriéux des adolescentes | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-24 | Le Sacre du Printemps: Part 2: Le Sacrifice: III. Glorification d’élue | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-25 | Le Sacre du Printemps: Part 2: Le Sacrifice: IV. Évocation des ancêtres | Los Angeles Philharmonic, Zubin Mehta | — | |
| 24-26 | Le Sacre du Printemps: Part 2: Le Sacrifice: V. Action rituelle des ancêtres | Los Angeles Philharmonic, Zubin Mehta | T-070.257.887-7 | |
| 24-27 | Le Sacre du Printemps: Part 2: Le Sacrifice: VI. Danse sacrale: l’élue | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-1 | The Planets, op. 32: I. Mars, the Bringer of War | Los Angeles Philharmonic, Zubin Mehta | T-923.663.725-5 | |
| 25-2 | The Planets, op. 32: II. Venus, the Bringer of Peace | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-3 | The Planets, op. 32: III. Mercury, the Winged Messenger | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-4 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | Los Angeles Philharmonic, Zubin Mehta | T-101.257.909-6 | |
| 25-5 | The Planets, op. 32: V. Saturn, the Bringer of Old Age | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-6 | The Planets, op. 32: VI. Uranus, the Magician | Los Angeles Philharmonic, Zubin Mehta | — | |
| 25-7 | The Planets, op. 32: VII. Neptune, the Mystic | Los Angeles Master Chorale, Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-1 | Daphnis et Chloé, Suite 2: 1. Lever du jour | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-2 | Daphnis et Chloé, Suite 2: 2. Pantomime | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-3 | Daphnis et Chloé, Suite 2: 3. Danse generale | Los Angeles Philharmonic, Zubin Mehta | — | |
| 26-4 | Ma Mere l’Oye Suite: 1. Pavane de la Belle au bois dormant | — | ||
| 26-5 | Ma Mere l’Oye Suite: 2. Petit Poucet | — | ||
| 26-6 | Ma Mere l’Oye Suite: 3. Laideronnette, imperatrice des Pagodes | — | ||
| 26-7 | Ma Mere l’Oye Suite: 4. Les entretiens de la Belle et de la Bete | — | ||
| 26-8 | Ma Mere l’Oye Suite: 5. Le jardin feerique | — | ||
| 26-9 | Ma Mere l’Oye Suite: La Valse | — | ||
| 27-1 | Symphony no. 4: I. Allegro | — | ||
| 27-2 | Symphony no. 4: II. Poco allegretto | — | ||
| 27-3 | Symphony no. 4: III. Poco adagio quasi andante | — | ||
| 27-4 | Symphony no. 4: IV. Allegro | — | ||
| 28-1 | Enigma Variations op. 36: Theme | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-2 | Enigma Variations op. 36: Variation I CAE (Andante) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-3 | Enigma Variations op. 36: Variation II HDS-P (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-4 | Enigma Variations op. 36: Variation III RBT (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-5 | Enigma Variations op. 36: Variation IV WMB (Allegro di Molto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-6 | Enigma Variations op. 36: Variation V RPA (Moderato) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-7 | Enigma Variations op. 36: Variation VI Ysobel (Andantino) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-8 | Enigma Variations op. 36: Variation VII Troyte (Presto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-9 | Enigma Variations op. 36: Variation VIII WN (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-10 | Enigma Variations op. 36: Variation IX Nimrod (Adagio) | Los Angeles Philharmonic, Zubin Mehta | T-010.115.427-1 | |
| 28-11 | Enigma Variations op. 36: Variation X Dorabella: Intermezzo (Allegretto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-12 | Enigma Variations op. 36: Variation XI GRS (Allegro di Molto) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-13 | Enigma Variations op. 36: Variation XII BGN (Andante) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-14 | Enigma Variations op. 36: Variation XIII Romanza (Moderato) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-15 | Enigma Variations op. 36: Variation XIV EDU Finale (Allegro) | Los Angeles Philharmonic, Zubin Mehta | — | |
| 28-16 | Symphony no. 1: I. Allegro | — | ||
| 28-17 | Symphony no. 1: II. Adagio molto (sostenuto) | — | ||
| 28-18 | Symphony no. 1: III. Scherzo: Vivace | — | ||
| 28-19 | Symphony no. 1: IV. Allegro molto | — | ||
| 29-1 | Symphony no. 2: I. Andante moderato | — | ||
| 29-2 | Symphony no. 2: II. Allegro | — | ||
| 29-3 | Symphony no. 2: III. Adagio cantabile | — | ||
| 29-4 | Symphony no. 2: IV. Lento maestoso | — | ||
| 29-5 | Symphony no. 2: V. Allegro molto vivace | — | ||
| 29-6 | Holidays in a Connecticut Country Town: II. Decoration Day | Los Angeles Philharmonic, Zubin Mehta | — | |
| 29-7 | Variations on “America” | Los Angeles Philharmonic, Zubin Mehta | T-329.589.636-1 | |
| 30-1 | Lincoln Portrait | Gregory Peck, Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-2 | Concerto for Four Percussion Soloists & Orchestra: I. Recitativo quasi senza misura | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-3 | Concerto for Four Percussion Soloists & Orchestra: II. Allegro con brio | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-4 | Concerto for Four Percussion Soloists & Orchestra: III. Cadenza e Variazioni | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-5 | Contextures; Riots - Decade '60, 1/2. Interlude - Prestissimo | Los Angeles Philharmonic, Zubin Mehta | T-011.422.353-8 | |
| 30-6 | Contextures; Riots - Decade '60, 3. Calore | Los Angeles Philharmonic, Zubin Mehta | — | |
| 30-7 | Contextures; Riots - Decade '60, 4/5, Presto - Molto adagio | Los Angeles Philharmonic, Zubin Mehta | T-318.676.528-2 | |
| 31-1 | Overture Candide | Los Angeles Philharmonic, Zubin Mehta | T-903.288.559-9 | |
| 31-2 | An American in Paris | Los Angeles Philharmonic, Zubin Mehta | T-070.001.144-4 | |
| 31-3 | Fanfare for the Common Man | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.054.000-6 | |
| 31-4 | Appalachian Spring (1945 Suite): 1. Very slowly | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 31-5 | Appalachian Spring (1945 Suite): 2. Allegro | Los Angeles Philharmonic Orchestra, Zubin Mehta | T-070.001.612-1 | |
| 31-6 | Appalachian Spring (1945 Suite): 3. Moderato: The Bride and her Intended | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-7 | Appalachian Spring (1945 Suite): 4. Fast: The Revivalist and his Flock | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-8 | Appalachian Spring (1945 Suite): 5. Allegro: Solo Dance of the Bride | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-9 | Appalachian Spring (1945 Suite): 6. Meno mosso | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-10 | Appalachian Spring (1945 Suite): 7. Doppio movimento: Variations on a Shaker Hymn | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 31-11 | Appalachian Spring (1945 Suite): 8. Moderato: Coda, Appalachian Spring | Los Angeles Philharmonic Orchestra, Zubin Mehta | — | |
| 32-1 | Verklarte Nacht, op. 4, Grave Takt 1 | — | ||
| 32-2 | Verklarte Nacht, op. 4, Molto rallentando Takt 100 | — | ||
| 32-3 | Verklarte Nacht, op. 4, Pesante. Grave Interlude | — | ||
| 32-4 | Verklarte Nacht, op. 4, Adagio Takt 229 | — | ||
| 32-5 | Verklarte Nacht, op. 4, Adagio Takt 370 | — | ||
| 32-6 | Le Poeme de l'Extase, op. 54 | — | ||
| 33-1 | Chamber Symphony no. 1, op. 9 | — | ||
| 33-2 | Variations, op. 31, Introduktion. Mäßig, ruhig | — | ||
| 33-3 | Variations, op. 31, Thema. Molto moderato | — | ||
| 33-4 | Variations, op. 31, Variation I. Moderato | — | ||
| 33-5 | Variations, op. 31, Variation II. Langsam | — | ||
| 33-6 | Variations, op. 31, Variation III. Mäßig | — | ||
| 33-7 | Variations, op. 31, Variation IV. Walzertempo | — | ||
| 33-8 | Variations, op. 31, Variation V. Bewegt | — | ||
| 33-9 | Variations, op. 31, Variation VI. Andante | — | ||
| 33-10 | Variations, op. 31, Variation VII. Langsam | — | ||
| 33-11 | Variations, op. 31, Variation VIII. Sehr rasch | — | ||
| 33-12 | Variations, op. 31, Variation IX. L'istesso tempo; aber etwas langsamer | — | ||
| 33-13 | Variations, op. 31, Finale. Mäßig schnell | — | ||
| 34-1 | Arcana | — | ||
| 34-2 | Intégrales | — | ||
| 34-3 | Ionisation | — | ||
| 35-1 | Star Wars Suite: I. Main Title | Los Angeles Philharmonic, Zubin Mehta | T-909.207.175-5 | |
| 35-2 | Star Wars Suite: II. Princess Leia’s Theme | Los Angeles Philharmonic, Zubin Mehta | T-070.248.046-3 | |
| 35-3 | Star Wars Suite: III. The Little People | Los Angeles Philharmonic, Zubin Mehta | T-070.248.046-3 | |
| 35-4 | Star Wars Suite: The Cantina Band | Los Angeles Philharmonic, Jules Chaikin | T-070.243.919-7 | |
| 35-5 | Star Wars Suite: IV. The Battle | Los Angeles Philharmonic, Zubin Mehta | T-070.243.919-7 | |
| 35-6 | Star Wars Suite: V. The Throne Room and End Title | Los Angeles Philharmonic, Zubin Mehta | T-918.295.244-9 | |
| 35-7 | Close Encounters of the Third Kind: Suite | Los Angeles Philharmonic, Zubin Mehta | T-070.233.382-1 | |
| 36-1 | Boléro | Los Angeles Philharmonic, Zubin Mehta | T-003.006.377-4 | |
| 36-2 | Slavonic March - Slavonic March, for orchestra, Op. 31 | Los Angeles Philharmonic, Zubin Mehta | — | |
| 36-3 | Carmen, Prelude Act 1 | — | ||
| 36-4 | Carmen, Prelude Act 4 | — | ||
| 36-5 | La forza del destino: Overture (Sinfonia) | Los Angeles Philharmonic, Zubin Mehta | T-306.483.068-4 | |
| 36-6 | Poet and Peasant: Overture | Los Angeles Philharmonic, Zubin Mehta | T-909.264.126-4 | |
| 37-1 | Die Fledermaus: Overture | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 37-2 | Le nozze di Figaro | — | ||
| 37-3 | La gazza ladra | — | ||
| 37-4 | Overture Der Freischütz | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 37-5 | Rienzi: Overture | Los Angeles Philharmonic, Zubin Mehta | T-910.009.125-6 | |
| 38-1 | Trumpet Concerto in E-flat major: I Allegro | — | ||
| 38-2 | Trumpet Concerto in E-flat major: II Andante | — | ||
| 38-3 | Trumpet Concerto in E-flat major: III Allegro | — | ||
| 38-4 | Piccolo Concerto in A minor: I Allegro | — | ||
| 38-5 | Piccolo Concerto in A minor: II Larghetto | — | ||
| 38-6 | Piccolo Concerto in A minor: III Allegro | — | ||
| 38-7 | Clarinet Concertino op. 26 | — | ||
| 38-8 | Polonaise de Concert op. 4 | — | ||
| 38-9 | Scherzo-Tarentelle op. 16 | — |
