UPC · Release
Richard Bonynge
Last verified:
The UPC for “The Complete Ballet Recordings” by Richard Bonynge is 028948507818. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 662 tracks, each with its own ISRC. Tracks include GBF076742601, GBF076742602, GBF076742603.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Diable à Quatre, Act 1 | — | ||
| 2 | Le Diable à Quatre, Act 2 - Scene 1 | — | ||
| 3 | Le Diable à Quatre, Act 2 - Scene 2 | — | ||
| 4 | Le Diable à Quatre, Act 2 - Scene 3 | — | ||
| 5 | The Prayer And The Sword: 1. The Cloister | — | ||
| 6 | The Prayer And The Sword: 2. The Angelus | — | ||
| 7 | The Prayer And The Sword: 3. The Storm | — | ||
| 8 | The Prayer And The Sword: 4. Mandolinade | — | ||
| 9 | The Prayer And The Sword: 5. Wedding March | — | ||
| 10 | The Prayer And The Sword: 6. The Lament | — | ||
| 2-1 | Giselle, Act I: Introduction | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-2 | Giselle, Act I: No. 1, Les Vendangeurs | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-3 | Giselle, Act I: No. 2, Entrée du Prince | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-4 | Giselle, Act I: No. 3, Entrée de Giselle | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-5 | Giselle, Act I: No. 4, Retour des Vendangeurs - No. 4(bis) Valse | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-6 | Giselle, Act I: No. 5b, La Chasse | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-7 | Giselle, Act I: No. 6, Scène d’Hilarion | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-8 | Giselle, Act I: No. 7, Marche des vignerons | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-9 | Giselle, Act I: Pas seul | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-10 | Giselle, Act I: Pas de deux des jeunes paysans, Pollaca | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-11 | Giselle, Act I: Pas de deux des jeunes paysans, Andante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-12 | Giselle, Act I: Pas de deux des jeunes paysans, Pesante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-13 | Giselle, Act I: Pas de deux des jeunes paysans, Allegretto | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-14 | Giselle, Act I: Pas de deux des jeunes paysans, Allegretto pesante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-15 | Giselle, Act I: Pas de deux des jeunes paysans, Valse | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-16 | Giselle, Act I: Pas des vendanges, Andante | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-17 | Giselle, Act I: Pas des vendanges, Moderato | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-18 | Giselle, Act I: Pas des vendanges, Allegro moderato | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-19 | Giselle, Act I: Pas des vendanges, Allegro un peu louré | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-20 | Giselle, Act I: No. 8, Galop Général | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-21 | Giselle, Act I: No. 8(bis), Final | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-1 | Giselle, Act II: No. 9, Introduction (La halte des chasseurs) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-2 | Giselle, Act II: Apparition de Myrthe et évocation magique | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-3 | Giselle, Act II: Pas des premières Wilis (Entrée d’Hilarion) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-4 | Giselle, Act II: No. 11, Apparition de Giselle | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-5 | Giselle, Act II: Entrée des paysans | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-6 | Giselle, Act II: No. 13, Entrée du Prince | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-7 | Giselle, Act II: No. 14, Scène des Wilis (Entrée d’Hilarion) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-8 | Giselle, Act II: Grand pas de deux, Adage | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-9 | Giselle, Act II: Grand pas de deux, Andantino | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-10 | Giselle, Act II: Grand pas de deux, Andante | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-11 | Giselle, Act II: Grand pas de deux, Valse (interpolated) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-12 | Giselle, Act II: No. 16, Final | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 4-1 | Giselle, Act I: Introduction | — | ||
| 4-2 | Giselle, Act I: Les Vendangeurs | — | ||
| 4-3 | Giselle, Act I: Entrée de Loys | — | ||
| 4-4 | Giselle, Act I: Entrée de Giselle | — | ||
| 4-5 | Giselle, Act I: Retour de la vendange et valse | — | ||
| 4-6 | Giselle, Act I: La Chasse | — | ||
| 4-7 | Giselle, Act I: Scène d'Hilarion | — | ||
| 4-8 | Giselle, Act I: Marche des Vignerons | — | ||
| 4-9 | Giselle, Act I: Pas seul | — | ||
| 4-10 | Giselle, Act I: Pas de deux des jeunes paysans: a. Polacca | — | ||
| 4-11 | Giselle, Act I: Pas de deux des jeunes paysans: b. Andante | — | ||
| 4-12 | Giselle, Act I: Pas de deux des jeunes paysans: c. Pesante | — | ||
| 4-13 | Giselle, Act I: Pas de deux des jeunes paysans: d. Allegretto | — | ||
| 4-14 | Giselle, Act I: Pas de deux des jeunes paysans: e. Allegretto pesante | — | ||
| 4-15 | Giselle, Act I: Pas de deux des jeunes paysans: f. Valse | — | ||
| 4-16 | Giselle, Act I: Pas des vendanges: a. Andante | — | ||
| 4-17 | Giselle, Act I: Pas des vendanges: b. Moderato | — | ||
| 4-18 | Giselle, Act I: Pas des vendanges: c. Allegro moderato | — | ||
| 4-19 | Giselle, Act I: Pas des vendanges: d. Allegro un peu louré | — | ||
| 4-20 | Giselle, Act I: Galop général | — | ||
| 4-21 | Giselle, Act I: Finale du premier acte et scène de folie | — | ||
| 5-1 | Giselle, Act II: Introduction, halte des chausseurs et apparition des feux follets | — | ||
| 5-2 | Giselle, Act II: Apparitions de Myrthe et évocation magique | — | ||
| 5-3 | Giselle, Act II: Pas des premières Wilis | — | ||
| 5-4 | Giselle, Act II: Apparition de Giselle | — | ||
| 5-5 | Giselle, Act II: Entrée des paysans | — | ||
| 5-6 | Giselle, Act II: Entrée du Prince et apparition de Giselle | — | ||
| 5-7 | Giselle, Act II: Entrée d'Hilarion, scène et fugue des Wilis | — | ||
| 5-8 | Giselle, Act II: Grand pas de deux: a. Adage | — | ||
| 5-9 | Giselle, Act II: Grand pas de deux: b. Andantino | — | ||
| 5-10 | Giselle, Act II: Grand pas de deux: c. Andante | — | ||
| 5-11 | Giselle, Act II: Grand pas de deux: d. Valse (interpolated) | — | ||
| 5-12 | Giselle, Act II: Finale | — | ||
| 5-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | — | ||
| 6-1 | Le Corsaire: Act I. Overture and opening of Scene I | — | ||
| 6-2 | Le Corsaire: Act I. Introduction | — | ||
| 6-3 | Le Corsaire: Act I. Tarantella | — | ||
| 6-4 | Le Corsaire: Act I. Mazuetta | — | ||
| 6-5 | Le Corsaire: Act I. La Française | — | ||
| 6-6 | Le Corsaire: Act I. Boléro | — | ||
| 6-7 | Le Corsaire: Act I. Ecossaise | — | ||
| 6-8 | Le Corsaire: Act I. Coda | — | ||
| 6-9 | Le Corsaire: Act I. Action | — | ||
| 6-10 | Le Corsaire: Act I. Corsairs' bacchanal | — | ||
| 6-11 | Le Corsaire: Act I, Scene II. Action | — | ||
| 6-12 | Le Corsaire: Act I. Pas des éventails | — | ||
| 6-13 | Le Corsaire: Act I. Action | — | ||
| 6-14 | Le Corsaire: Act I. Variation for Mlle Grantzow (1867) | — | ||
| 6-15 | Le Corsaire: Act I. Action | — | ||
| 7-1 | Le Corsaire: Act II, Scene I. Pas des odalisques | — | ||
| 7-2 | Le Corsaire: Act II. Entrance of Gulnare | — | ||
| 7-3 | Le Corsaire: Act II. Gulnarés dance | — | ||
| 7-4 | Le Corsaire: Act II. Action | — | ||
| 7-5 | Le Corsaire: Act III, Scene I. Action | — | ||
| 7-6 | Le Corsaire: Act III. Valse de Naïla (for Mlle Grantzow) | — | ||
| 7-7 | Le Corsaire: Act III. Andante | — | ||
| 7-8 | Le Corsaire: Act III. 1st variation (for Gulnare, Mlle Fioretti) | — | ||
| 7-9 | Le Corsaire: Act III. 2nd variation (for Medora, Mlle Grantzow) | — | ||
| 7-10 | Le Corsaire: Act III. Finale | — | ||
| 7-11 | Le Corsaire: Act III. Action | — | ||
| 7-12 | Le Corsaire: Act III, Scene II | — | ||
| 7-13 | Le Corsaire: Act III, Scene III. Storm and shipwreck | — | ||
| 8-1 | Marco Spada, Act 1: Scene 1 | John Georgiadis, London Symphony Orchestra, Richard Bonynge | — | |
| 8-2 | Marco Spada, Act 1: Scene 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 8-3 | Marco Spada: Act 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 8-4 | Marco Spada: Act 3 | London Symphony Orchestra, Richard Bonynge | — | |
| 9-1 | Gustave III. Allemande | — | ||
| 9-2 | Gustave III. Pas des folies | — | ||
| 9-3 | Gustave III. Pas des paysans | — | ||
| 9-4 | Gustave III. Menuet | — | ||
| 9-5 | Gustave III. 1re marche | — | ||
| 9-6 | Gustave III. 2e marche | — | ||
| 9-7 | Gustave III. Galop | — | ||
| 9-8 | Gustave III. Overture | — | ||
| 9-9 | Cello Concerto no. 1 In A Minor, S.166: 1. Allegro Ma Non Troppo | — | ||
| 9-10 | Cello Concerto no. 1 In A Minor, S.166: 2. Adagio - Quasi Andante | — | ||
| 9-11 | Cello Concerto no. 1 In A Minor, S.166: 3. Rondo: Vivace | — | ||
| 10-1 | La Péri: Romantic ballet in 2 Acts, Act 1: Overture | London Symphony Orchestra, Richard Bonynge | — | |
| 10-2 | La Péri: Romantic ballet in 2 Acts, Act 1: The Harem. Pas des Nations. Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 10-3 | La Péri: Romantic ballet in 2 Acts, Act 1: Achmet's Melancholy. Pas de Six. Grand Pas de Deux | London Symphony Orchestra, Richard Bonynge | — | |
| 10-4 | La Péri: Romantic ballet in 2 Acts, Act 1: Awakening of Achmet. Pleading of Nourmahal. Finale | London Symphony Orchestra, Richard Bonynge | — | |
| 10-5 | La Péri: Romantic ballet in 2 Acts, Act 2: The Palace Garden. Léila. Pas de Trois. Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 10-6 | La Péri: Romantic ballet in 2 Acts, Act 2: Pas de l'abeille. The Magic Bouquet | London Symphony Orchestra, Richard Bonynge | — | |
| 10-7 | La Péri: Romantic ballet in 2 Acts, Act 2: The Prison. Transformation & Apotheosis | London Symphony Orchestra, Richard Bonynge | — | |
| 11-1 | Les Sylphides : 1. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-2 | Les Sylphides : 2. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-3 | Les Sylphides : 3. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-4 | Les Sylphides : 4. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-5 | Les Sylphides : 5. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-6 | Les Sylphides : 6. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-7 | Les Sylphides : 7. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-8 | Les Sylphides : 8. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-9 | Hamlet : Ballet Music From Act IV | — | ||
| 11-10 | Ballet music from Il trovatore: Pas des bohémiens | — | ||
| 11-11 | Ballet music from Il trovatore: Sevillana | — | ||
| 11-12 | Ballet music from Il trovatore: La Bohémienne | — | ||
| 11-13 | Ballet music from Il trovatore: Galop | — | ||
| 12-1 | Coppélia : Acte 1, no. 1a. Prélude et Mazurka | — | ||
| 12-2 | Coppelia: Valse lente | [unknown] | T-306.310.844-7 | |
| 12-3 | Coppélia : Acte 1, no. 2. Scène | — | ||
| 12-4 | Coppélia : Acte 1, no. 3. Mazurka | — | ||
| 12-5 | Coppélia : Acte 1, no. 4. Scène | — | ||
| 12-6 | Coppélia : Acte 1, no. 5. Ballade de l'épi | — | ||
| 12-7 | Coppélia : Acte 1, no. 6. Thème slave varié | — | ||
| 12-8 | Coppélia : Acte 1, no. 7a. Danse hongroise / no.7b. Sortie | — | ||
| 12-9 | Coppélia : Acte 1, no. 8. Finale | — | ||
| 12-10 | Coppelia: Entr'acte et valse | — | ||
| 12-11 | Coppélia : Acte 2, no. 9. Scène | — | ||
| 12-12 | Coppélia : Acte 2, no. 10. Scène | — | ||
| 12-13 | Coppélia : Acte 2, no. 11a. Musique des automates / no.11b. Scène | — | ||
| 12-14 | Coppélia : Acte 2, no. 12. Scène | — | ||
| 12-15 | Coppélia : Acte 2, no. 13. Chanson à boire; Scène | — | ||
| 12-16 | Coppélia : Acte 2, no. 14. Scène; Valse de la poupée | — | ||
| 12-17 | Coppélia : Acte 2, no. 15. Scène | — | ||
| 12-18 | Coppélia : Acte 2, no. 16. Bolero | — | ||
| 12-19 | Coppélia : Acte 2, no. 17. Gigue | — | ||
| 12-20 | Coppélia : Acte 2, no. 18. Finale | — | ||
| 13-1 | Coppélia : Acte 3, No. 19. Marche | — | ||
| 13-2 | Coppélia : Acte 3, No. 20a. Valse des Heures | — | ||
| 13-3 | Coppélia : Acte 3, No. 20b. L'Aurore | — | ||
| 13-4 | Coppélia : Acte 3, No. 20c. La Prière | — | ||
| 13-5 | Coppélia : Acte 3, No. 20d. Le Travail (La Fileuse) | — | ||
| 13-6 | Coppélia : Acte 3, No. 20e. L'Hymen (Noces villageoises) | — | ||
| 13-7 | Coppélia : Acte 3, No. 20f. La Discorde et la guerre | — | ||
| 13-8 | Coppélia : Acte 3, No. 20g. La Paix | Ron Golan, L’Orchestre de la Suisse Romande, Richard Bonynge | T-010.433.701-0 | |
| 13-9 | Coppélia : Acte 3, No. 20h. Danse de fête (Pas seul de Swanilda) | — | ||
| 13-10 | Coppélia : Acte 3, No. 20i. Galop final | — | ||
| 13-11 | Roberto Devereux | — | ||
| 13-12 | Torvaldo e Dorliska | — | ||
| 13-13 | Les Dragons de Villars | — | ||
| 13-14 | La Fille du tambour‐major | — | ||
| 13-15 | Giovanna d’Arco | — | ||
| 13-16 | Zampa | — | ||
| 13-17 | Maritana | — | ||
| 14-1 | Coppélia : Acte I. Prélude et Mazurka | — | ||
| 14-2 | Coppélia : Acte I. Valse lente | — | ||
| 14-3 | Coppélia : Acte I. Scène | — | ||
| 14-4 | Coppélia : Acte I. Mazurka | — | ||
| 14-5 | Coppélia : Acte I. Scène | — | ||
| 14-6 | Coppélia : Acte I. Ballade de l'épi | — | ||
| 14-7 | Coppélia : Acte I. Thème slave varié | — | ||
| 14-8 | Coppélia : Acte I. Czárdás: Danse hongroise / Sortie | — | ||
| 14-9 | Coppélia : Acte I. Finale | — | ||
| 14-10 | Coppélia : Acte II, scène 1. Entr'acte et valse | — | ||
| 14-11 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-12 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-13 | Coppélia : Acte II, scène 1. Musique des automates / Scène | — | ||
| 14-14 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-15 | Coppélia : Acte II, scène 1. Chanson à boire et scène | — | ||
| 14-16 | Coppélia : Acte II, scène 1. Scène et valse de la poupée | — | ||
| 14-17 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-18 | Coppélia : Acte II, scène 1. Boléro | — | ||
| 14-19 | Coppélia : Acte II, scène 1. Gigue | — | ||
| 14-20 | Coppélia : Acte II, scène 1. Scène | — | ||
| 15-1 | Coppélia : Acte II, scène 2. Marche de la cloche / Fête de la cloche: Divertissement | — | ||
| 15-2 | Coppélia : Acte II, scène 2. Introduction | — | ||
| 15-3 | Coppélia : Acte II, scène 2. Valse des heures | — | ||
| 15-4 | Coppélia : Acte II, scène 2. L'Aurore | — | ||
| 15-5 | Coppélia : Acte II, scène 2. La Prière | — | ||
| 15-6 | Coppélia : Acte II, scène 2. Le Travail (La Fileuse) | — | ||
| 15-7 | Coppélia : Acte II, scène 2. L'Hymen (Noce villageoise) | — | ||
| 15-8 | Coppélia : Acte II, scène 2. La Discorde et la guerre | — | ||
| 15-9 | Coppélia : Acte II, scène 2. La Paix | — | ||
| 15-10 | Coppélia : Acte II, scène 2. Danse de fête | — | ||
| 15-11 | Coppélia : Acte II, scène 2. Galop final | — | ||
| 15-12 | Marco Spada : Ouverture | — | ||
| 15-13 | Giralda : Ouverture | — | ||
| 15-14 | La Fille de Madame Angot : Ouverture | — | ||
| 15-15 | Mignon : Ouverture | — | ||
| 15-16 | Les Cloches de Corneville : Ouverture | — | ||
| 15-17 | Lestocq : Ouverture | — | ||
| 15-18 | La Poupée de Nuremberg : Ouverture | — | ||
| 15-19 | La Calife de Bagdad : Ouverture | — | ||
| 16-1 | Sylvia: Act I. Prelude | — | ||
| 16-2 | Sylvia: Act I. No. 1: Scherzo | — | ||
| 16-3 | Sylvia: Act I. No. 2: Le Berger (pastorale) | — | ||
| 16-4 | Sylvia: Act I. No. 3a: Les Chasseresses | — | ||
| 16-5 | Sylvia: Act I. No. 3b: Intermezzo | — | ||
| 16-6 | Sylvia: Act I. No. 4: Valse lente | — | ||
| 16-7 | Sylvia: Act I. No. 5: Scène | — | ||
| 16-8 | Sylvia: Act I. No. 6: Cortège rustique | — | ||
| 16-9 | Sylvia: Act I. No. 7: Scène | — | ||
| 16-10 | Sylvia: Act I. No. 8: Entrée du sorcier (Finale) | — | ||
| 16-11 | Sylvia: Act II. Entr’acte | — | ||
| 16-12 | Sylvia: Act II. No. 9: Orion (Scène) | — | ||
| 16-13 | Sylvia: Act II. No. 10: Pas des Éthiopiens | — | ||
| 16-14 | Sylvia: Act II. No. 11: Chant bacchique | — | ||
| 16-15 | Sylvia: Act II. No. 12: Scène et danse de la bacchante | — | ||
| 16-16 | Sylvia: Act II. No. 13: Scène finale | — | ||
| 17-1 | Sylvia: Act III. No. 14a: Marche et cortège de Bacchus | — | ||
| 17-2 | Sylvia: Act III. No. 14b: Scène | — | ||
| 17-3 | Sylvia: Act III. No. 15: Barcarolle | — | ||
| 17-4 | Sylvia: Act III. No. 16a: Pizzicati | — | ||
| 17-5 | Sylvia: Act III. No. 16b: Andante | — | ||
| 17-6 | Sylvia: Act III. No. 16c: Pas des esclaves | — | ||
| 17-7 | Sylvia: Act III. No. 16d: Variation. Valse | — | ||
| 17-8 | Sylvia: Act III. No. 16e: Strette. Galop | — | ||
| 17-9 | Sylvia: Act III. No. 17: Le Temple de Diane (Finale) | — | ||
| 17-10 | Sylvia: Act III. No. 18: Apparition d’Endymion (Apothéose) | — | ||
| 18-1 | Scènes Alsaciennes: Suite no. 7 for Orchestra: I. Dimanche matin | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-2 | Scènes Alsaciennes: Suite no. 7 for Orchestra: II. Au cabaret | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-3 | Scènes alsaciennes: III. Sous les tilleuls | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-4 | Scènes Alsaciennes: Suite no. 7 for Orchestra: IV. Dimanche soir | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-5 | Scènes Dramatiques: Suite no. 3 for Orchestra: I. Prelude et Divertissment - La Tempête | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-6 | Scènes Dramatiques: Suite no. 3 for Orchestra: II. Mélodrame - Le sommeil de Desdémone | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-7 | Scènes Dramatiques: Suite no. 3 for Orchestra: III. Scène Finale - Macbeth | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-8 | Cendrillon: opera in 4 acts, Act 4: Marche des Princesses | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-9 | Fantaisie For Cello And Orchestra, IJM 85: Animé - Modéré - Animé | — | ||
| 19-1 | Cigale - Ballet in 2 Acts: Act 1 | — | ||
| 19-2 | Cigale - Ballet in 2 Acts: Act 2 | — | ||
| 19-3 | Valse très lente | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-4 | Ballet Music from « Le Cid »: Castillane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-5 | Ballet Music from « Le Cid »: Andalouse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-6 | Ballet Music from « Le Cid »: Aragonaise | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-7 | Ballet Music from « Le Cid »: Aubade | National Philharmonic Orchestra, Richard Bonynge | T-900.754.419-6 | |
| 19-8 | Ballet Music from « Le Cid »: Catalane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-9 | Ballet Music from « Le Cid »: Madrilene | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-10 | Ballet Music from « Le Cid »: Navarraise | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-11 | Ariane: Lamento D'Ariane | — | ||
| 20-1 | Manon Ballet, Act 1, Scene 1, Premier Tableau | — | ||
| 20-2 | Manon Ballet, Act 1, Scene 2, Second Tableau | — | ||
| 20-3 | Manon Ballet, Act 2, Scene 1, Premier Tableau | — | ||
| 20-4 | Manon Ballet, Act 2, Scene 1, Premier Tableau | — | ||
| 20-5 | Manon Ballet, Act 2, Scene 2, Second Tableau | — | ||
| 21-1 | Manon Ballet, Act 3, Scene 1, Premier Tableau | — | ||
| 21-2 | Manon Ballet, Act 3, Scene 2, Deuxième Tableau | — | ||
| 21-3 | Manon Ballet, Act 3, Scene 3, Troisième Tableau | — | ||
| 21-4 | Le Carillon - Ballet: Scène | — | ||
| 21-5 | Le Carillon - Ballet: Dialogue sentimental | — | ||
| 21-6 | Le Carillon - Ballet: Danse Flamande | — | ||
| 22-1 | Thaïs: Méditation | John Georgiadis, London Symphony Orchestra, Richard Bonynge | T-306.705.438-6 | |
| 22-2 | Les Troyens à Carthage: Ballet Music | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-3 | Aufforderung Zum Tanz, Op. 65, J. 260 | — | ||
| 22-4 | Mam'zelle Angot, Arr. Jacob: Overture | National Philharmonic Orchestra, Richard Bonynge | T-010.322.689-6 | |
| 22-5 | Mam'zelle Angot, Arr. Jacob: I. Allegro | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-6 | Mam'zelle Angot, Arr. Jacob: II. Allegretto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-7 | Mam'zelle Angot, Arr. Jacob: III. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-8 | Mam'zelle Angot, Arr. Jacob: IV. Andantino: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-9 | Mam'zelle Angot, Arr. Jacob: V. Tempo di marcia: Gavotte | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-10 | Mam'zelle Angot, Arr. Jacob: VI. Allegro vivace | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-11 | Mam'zelle Angot, Arr. Jacob: VII. Allegretto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-12 | Mam'zelle Angot, Arr. Jacob: 8.Allegro-Gavotte | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-13 | Mam'zelle Angot, Arr. Jacob: IX. Allegretto-Galop | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-14 | Mam'zelle Angot, Arr. Jacob: X. Allegro-Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-15 | Mam'zelle Angot, Arr. Jacob: 1I. Allegro-Presto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-16 | Mam'zelle Angot, Arr. Jacob: 1II. Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-17 | Mam'zelle Angot, Arr. Jacob: 1III. Allegro moderato | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-18 | La Favorita: Act 2 Ballabille (Ballet) | — | ||
| 23-1 | Les Deux Pigeons : Acte I. Introduction | — | ||
| 23-2 | Les Deux Pigeons : Acte I. Scène 1 | — | ||
| 23-3 | Les Deux Pigeons : Acte I. Scène 2 – Entrée de Mikalia | — | ||
| 23-4 | Les Deux Pigeons : Acte I. Scène 3 – Entrée de Pepio – Pas des Deux Pigeons – Musique de scène | — | ||
| 23-5 | Les Deux Pigeons : Acte I. Scène 4 – Entrée des tziganes – Musique de scène – Thème et variations | — | ||
| 23-6 | Les Deux Pigeons : Acte II. Scène 5 – Musique de scène | — | ||
| 23-7 | Les Deux Pigeons : Acte II. Prélude | — | ||
| 23-8 | Les Deux Pigeons : Acte II. Scène 1 – Entrée de Pepio | — | ||
| 23-9 | Les Deux Pigeons : Acte II. Scène 2 – Entrée des soldats – Entrée de Gourouli – Entrée des jeunes filles – Entrée du syndic et des autorités | — | ||
| 23-10 | Les Deux Pigeons : Acte II. Divertissement – I. Entrée | — | ||
| 23-11 | Les Deux Pigeons : Acte II. Divertissement – II. Andante | — | ||
| 23-12 | Les Deux Pigeons : Acte II. Divertissement – III. Valse | — | ||
| 23-13 | Les Deux Pigeons : Acte II. Divertissement – IV. Variation: Gourouli Seule | — | ||
| 23-14 | Les Deux Pigeons : Acte II. Divertissement – V. Un Tzigane Seul | — | ||
| 23-15 | Les Deux Pigeons : Acte II. Divertissement – VI. Danse Hongroise | — | ||
| 23-16 | Les Deux Pigeons : Acte II. Divertissement – VII. Final | — | ||
| 23-17 | Les Deux Pigeons : Acte II. Acte II: Orage Et Final | — | ||
| 24-1 | La Source : Acte I (Minkus). Prélude | — | ||
| 24-2 | La Source : Acte I (Minkus). 1. Introduction fantastique | — | ||
| 24-3 | La Source : Acte I (Minkus). 2. L'Éphémère : Scène dansée | — | ||
| 24-4 | La Source : Acte I (Minkus). 3. Scène | — | ||
| 24-5 | La Source : Acte I (Minkus). 4. Marche de la caravane | — | ||
| 24-6 | La Source : Acte I (Minkus). 5. Berceuse | — | ||
| 24-7 | La Source : Acte I (Minkus). 6a. Pas de la guzla : Andantino | — | ||
| 24-8 | La Source : Acte I (Minkus). 6b. Pas de la guzla : Vivace | — | ||
| 24-9 | La Source : Acte I (Minkus). 7. Scène | — | ||
| 24-10 | La Source : Acte I (Minkus). 8. Scène dansée: Apparation de Naila | — | ||
| 24-11 | La Source : Acte I (Minkus). 9. Valse | — | ||
| 24-12 | La Source : Acte I (Minkus). 10. Scène et danse | — | ||
| 24-13 | La Source : Acte I (Minkus). 11. Danse des sylphes et des lutins | — | ||
| 24-14 | La Source : Acte I (Minkus). 12. Variation de Naila | — | ||
| 24-15 | La Source : Acte I (Minkus). 13. Scène et danse | — | ||
| 24-16 | La Source : Acte I (Minkus). 14. Galop | — | ||
| 24-17 | La Source : Acte I (Minkus). 15. Scène finale | — | ||
| 24-18 | La Source : Acte II (Delibes). Introduction | — | ||
| 24-19 | La Source : Acte II (Delibes). 16. Scène | — | ||
| 24-20 | La Source : Acte II (Delibes). 17. Scène: Arrivée de Nouredda | — | ||
| 24-21 | La Source : Acte II (Delibes). Divertissement: 18a. Pas de voiles | — | ||
| 24-22 | La Source : Acte II (Delibes). Divertissement: 18b. Andante | — | ||
| 24-23 | La Source : Acte II (Delibes). Divertissement: 18c. Variation | — | ||
| 24-24 | La Source : Acte II (Delibes). Divertissement: 18d. Danse circassienne | — | ||
| 24-25 | La Source : Acte II (Delibes). 19. Scène | — | ||
| 24-26 | La Source : Acte II (Delibes). 20. Pas de Naila: Scherzo-polka | — | ||
| 24-27 | La Source : Acte II (Delibes). 21. Scène et pas d'action | — | ||
| 24-28 | La Source : Acte II (Delibes). 22. Mazurka | — | ||
| 24-29 | La Source : Acte II (Delibes). 23. Scène | — | ||
| 24-30 | La Source : Acte II (Delibes). 24. Marche dansée et finale | — | ||
| 25-1 | La Source : Acte III, scène 1 (Delibes). Introduction | — | ||
| 25-2 | La Source : Acte III, scène 1 (Delibes). 25. Scène | — | ||
| 25-3 | La Source : Acte III, scène 1 (Delibes). 26. Romance | — | ||
| 25-4 | La Source : Acte III, scène 2 (Minkus). 28. Scène et danse | — | ||
| 25-5 | La Flûte magique: Prélude | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-6 | La Flûte magique: Scène I et danse villageoise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-7 | La Flûte magique: Scène II | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-8 | La Flûte magique: Scène III et pas d'action | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-9 | La Flûte magique: Scène IV, petite scène et variation de Lise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-10 | La Flûte magique: Farandole | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-11 | La Flûte magique: Scènes V-VII | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-12 | La Flûte magique: Scènes VIII-IX | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-13 | La Flûte magique: Scènes X-XII | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-14 | La Flûte magique: Grand Pas d'ensemble | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-15 | La Flûte magique: Variation pour quatre danseuses | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-16 | La Flûte magique: a. Variation pour Luc | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-17 | La Flûte magique: b. Variation pour Lise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-18 | La Flûte magique: Ballabile finale (Valse) | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 26-1 | La Bayadère: Act I. No. 1: Moderato | — | ||
| 26-2 | La Bayadère: Act I. No. 2: Maestoso | — | ||
| 26-3 | La Bayadère: Act I. No. 3: Andante delicato | — | ||
| 26-4 | La Bayadère: Act I. No. 4: Maestoso | — | ||
| 26-5 | La Bayadère: Act I. No. 5: Andante sostenuto | — | ||
| 26-6 | La Bayadère: Act I. No. 6: Moderato assai | — | ||
| 26-7 | La Bayadère: Act I. No. 7: Allegro molto | — | ||
| 26-8 | La Bayadère: Act I. No. 8: Moderato con moto | — | ||
| 26-9 | La Bayadère: Act I. No. 9: Allegro non troppo | — | ||
| 26-10 | La Bayadère: Act I. No. 10: Allegro appassionato | — | ||
| 26-11 | La Bayadère: Act I. No. 11: Allegro moderato, No. 12: Moderato con moto, No$ | — | ||
| 26-12 | La Bayadère: Act I. No. 14: Molto moderato | — | ||
| 26-13 | La Bayadère: Act I. No. 14a: Vivo | — | ||
| 26-14 | La Bayadère: Act I. No. 15: Maestoso | — | ||
| 26-15 | La Bayadère: Act I. No. 16: Moderato, No. 17: Allegro vivo | — | ||
| 26-16 | La Bayadère: Act I. No. 18: Tempo di marcia giocosa | — | ||
| 26-17 | La Bayadère: Act I. No. 19: Allegro moderato e soave | — | ||
| 26-18 | La Bayadère: Act I. No. 20: Moderato | — | ||
| 26-19 | La Bayadère: Act I. No. 21: Allegretto | — | ||
| 26-20 | La Bayadère: Act I. No. 22: Andante | — | ||
| 26-21 | La Bayadère: Act I. No. 23: Allegretto delicato | — | ||
| 26-22 | La Bayadère: Act I. No. 24: Allegro pesante | — | ||
| 26-23 | La Bayadère: Act I. No. 25: Allegro | — | ||
| 26-24 | La Bayadère: Act I. No. 26: Tempo di valse brillante | — | ||
| 26-25 | La Bayadère: Act I. No. 27: Allegro | — | ||
| 27-1 | La Bayadère: Act II. No. 28: Maestoso, ma non troppo lento | — | ||
| 27-2 | La Bayadère: Act II. No. 29: (Andante) | — | ||
| 27-3 | La Bayadère: Act II. No. 30: Tempo di valse | — | ||
| 27-4 | La Bayadère: Act II. No. 31: Allegro | — | ||
| 27-5 | La Bayadère: Act II. No. 32: Andantino | — | ||
| 27-6 | La Bayadère: Act II. No. 33: Andante [No. 8] | — | ||
| 27-7 | La Bayadère: Act II. No. 34: Allegro [No. 9] | — | ||
| 27-8 | La Bayadère: Act II. No. 35: Allegro moderato [No. 10] | — | ||
| 27-9 | La Bayadère: Act II. No. 36: Moderato [No. 11] | — | ||
| 27-10 | La Bayadère: Act II. No. 37: Allegretto [No. 12] | — | ||
| 27-11 | La Bayadère: Act II. No. 38: Allegro con spirito [No. 13] | — | ||
| 27-12 | La Bayadère: Act II. No. 39: Vivace [No. 13] | — | ||
| 27-13 | La Bayadère: Act III. No. 41: Alla marcia, No. 42: Allegro vivo | — | ||
| 27-14 | La Bayadère: Act III. No. 42a Solenne | — | ||
| 27-15 | La Bayadère: Act III. No. 43: Moderato con moto | — | ||
| 27-16 | La Bayadère: Act III. No. 44: Allegro | — | ||
| 27-17 | La Bayadère: Act III. No. 45: Vivo assai, No. 46: Finale: vivo, agitato | — | ||
| 27-18 | Faust: Que Ton Ivresse, O Volupté! étouffe Les | — | ||
| 28-1 | Le Papillon Prelude and Act 1: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-2 | Le Papillon Prelude and Act 1: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-3 | Le Papillon Prelude and Act 1: Scene 2, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-4 | Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons | London Symphony Orchestra, Richard Bonynge | — | |
| 28-5 | Le Papillon Prelude and Act 1: Scene 2, Conclusion | London Symphony Orchestra, Richard Bonynge | — | |
| 28-6 | Le Papillon Act 2: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | T-800.243.948-8 | |
| 28-7 | Le Papillon Act 2: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-8 | Le Papillon Act 2: Scene 1, Part 3 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-9 | Le Papillon Act 2: Scene 2, Pas de deux | London Symphony Orchestra, Richard Bonynge | T-070.096.762-9 | |
| 28-10 | Le Papillon Act 2 Apotheosis | London Symphony Orchestra, Richard Bonynge | T-031.767.148-9 | |
| 28-11 | Concerto no.1 for cello & orchestra: 1. Allegro ma non troppo | — | ||
| 28-12 | Concerto no.1 for cello & orchestra: 2. Adagio - quasi andante | — | ||
| 28-13 | Concerto no.1 for cello & orchestra: 3. Vivace | — | ||
| 29-1 | Ritter Pásmán - Ballet Music, Allegretto - Tempo di Polka | — | ||
| 29-2 | Ritter Pásmán - Ballet Music, Andantino grazioso - Tempo di Valse | — | ||
| 29-3 | Ritter Pásmán - Ballet Music, Csárdás | — | ||
| 29-4 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-5 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro marcato: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-6 | Le Beau Danube, Orchestrated: Roger Desormière: Andantino: Tempo di Valse... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-7 | Le Beau Danube, Orchestrated: Roger Desormière: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-8 | Cinderella, Vorspiel | — | ||
| 29-9 | Cinderella, Act I, Allegro | — | ||
| 29-10 | Cinderella, Act I, Franz' Selbstporträt | — | ||
| 29-11 | Cinderella, Act I, Promenade-Abenteuer | — | ||
| 29-12 | Cinderella, Act I, Entrée des Piccolo. Liebesbotschaft | — | ||
| 29-13 | Cinderella, Act I, An der schönen blauen Danube | — | ||
| 29-14 | Cinderella, Act I, Tauben-Walzer | — | ||
| 30-1 | Cinderella, Act I, Zwischenspiel | — | ||
| 30-2 | Cinderella, Act II, Allegretto | — | ||
| 30-3 | Cinderella, Act II, Agyptischer Sklavinnentanz | — | ||
| 30-4 | Cinderella, Act II, Einzug Floras | — | ||
| 30-5 | Cinderella, Act II, Aschenbrödel-Walzer | — | ||
| 30-6 | Cinderella, Act II, Zwischenspiel | — | ||
| 30-7 | Cinderella, Act III, Allegretto | — | ||
| 30-8 | Cinderella, Act III, 1. Traumbild | — | ||
| 30-9 | Cinderella, Act III, 2. Traumbild | — | ||
| 30-10 | Cinderella, Act III, 3. Traumbild. Amorettenreigen | — | ||
| 30-11 | Cinderella, Act III, Moderato | — | ||
| 30-12 | Cinderella, Act III, Zwischenspiel | — | ||
| 30-13 | Cinderella, Act III, Allegretto. Trousseau-Divertissement | — | ||
| 30-14 | Cinderella, Act III, Monogramm-Tanz | — | ||
| 30-15 | Cinderella, Act III, Tarantella | — | ||
| 30-16 | Cinderella, Act III, Walzer-Tempo | — | ||
| 30-17 | Cinderella, Act III, Mazurka | — | ||
| 30-18 | Cinderella, Act III, Csárdás | — | ||
| 30-19 | Cinderella, Act III, Brautschatz-Walzer | — | ||
| 30-20 | Die Fledermaus, Bal de Vienne: Ballet Suite for Act 2 of “Die Fledermaus” | — | ||
| 30-21 | Die Fledermaus: Overture | — | ||
| 31-1 | The Nutcracker: Overture | National Philharmonic Orchestra, Richard Bonynge | T-312.199.363-9 | |
| 31-2 | The Nutcracker: Act 1, No. 1: The Christmas Tree | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-3 | The Nutcracker: Act 1, No. 2: March | National Philharmonic Orchestra, Richard Bonynge | T-312.207.757-6 | |
| 31-4 | The Nutcracker: Act 1, No. 3: Galop and Dance of the Parents | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-5 | The Nutcracker: Act 1, No. 4: Dance Scene - The Presents of Drosselmeyer | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-6 | The Nutcracker: Act 1, No. 5: Scene - Grandfather Dance | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-7 | The Nutcracker: Act 1, No. 6: Clara and the Nutcracker | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-8 | The Nutcracker: Act 1, No. 7: The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-9 | The Nutcracker: Act 1, No. 8a: A Pine Forest in Winter | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-10 | The Nutcracker: Act 1, No. 9: Scene and Waltz of the Snowflakes | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-11 | The Nutcracker: Act 2, No. 10: The Magic Castle on the Mountain of Sweets | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-12 | The Nutcracker: Act 2, No. 11: Clara and Prince Charming | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-13 | The Nutcracker: Act 2, No. 12a: Character Dances: Chocolate (Spanish Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-14 | The Nutcracker: Act 2, No. 12b: Character Dances: Coffee (Arabian Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-15 | The Nutcracker: Act 2, No. 12c: Character Dances: Tea (Chinese Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-16 | The Nutcracker: Act 2, No. 12d: Character Dances: Trépak (Russian Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-17 | The Nutcracker: Act 2, No. 12e: Character Dances: Dance of the Reed Pipes | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-18 | The Nutcracker: Act 2, No. 12f: Character Dances: Polchinelle (The Clown) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-19 | The Nutcracker, Op.71 / Act 2 - No. 13 Waltz of the Flowers | National Philharmonic Orchestra | T-918.336.772-8 | |
| 32-1 | The Nutcracker: Act 2, No.14: The Prince And The Sugar-Plum Fairy | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-2 | The Nutcracker: Act 2, Var.1: Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-3 | The Nutcracker: Act 2, Var.2: Dance Of The Sugar-Plum Fairy | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-4 | The Nutcracker: Act 2: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-5 | The Nutcracker: Act 2, No.15: Final Waltz And Apotheosis | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-6 | La boutique fantasque, P. 120: I. Overture | — | ||
| 32-7 | La boutique fantasque, P. 120: II. Tarantella | — | ||
| 32-8 | La boutique fantasque, P. 120: III. Mazurka | — | ||
| 32-9 | La boutique fantasque, P. 120: IV. Danse cosaque | — | ||
| 32-10 | La boutique fantasque, P. 120: V. Cancan | — | ||
| 32-11 | La boutique fantasque, P. 120: VI. Valse lente | — | ||
| 32-12 | La boutique fantasque, P. 120: VII. Nocturne | — | ||
| 32-13 | La boutique fantasque, P. 120: VIII. Galop | — | ||
| 32-14 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-15 | Soirées musicales, op. 9: II. Canzonetta | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-16 | Soirées musicales, op. 9: III. Tirolese | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-17 | Soirées musicales, op. 9: IV. Bolero | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-18 | Soirées musicales, op. 9: V. Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-19 | Matinées musicales, op. 24: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-20 | Matinées musicales, op. 24: II. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-21 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 32-22 | Matinées musicales, op. 24: IV. Pantomime | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-23 | Matinées musicales, op. 24: V. Moto perpetuo | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-1 | Swan Lake: Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-2 | Swan Lake: Act I: no. 1: Scène (Allegro giusto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-3 | Swan Lake: Act I: no. 2: Valse (Corps de Ballet) | National Philharmonic Orchestra, Richard Bonynge | T-312.426.938-7 | |
| 33-4 | Swan Lake: Act I: no. 3: Scène (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-5 | Swan Lake: Act I: no. 4a: Pas de trois: Intrada (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-6 | Swan Lake: Act I: no. 4b: Pas de trois: Andante sostenuto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-7 | Swan Lake: Act I: no. 4c: Pas de trois: Allegro semplice | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-8 | Swan Lake: Act I: no. 4d: Pas de trois: Moderato | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-9 | Swan Lake: Act I: no. 4e: Pas de trois: Allegro | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-10 | Swan Lake: Act I: no. 4f: Pas de trois: Coda (Allegro vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-11 | Swan Lake: Act I: no. 5a: Pas de deux: Intrada - Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-12 | Swan Lake: Act I: no. 5b: Pas de deux: Andante | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-13 | Swan Lake: Act I: no. 5c: Pas de deux: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-14 | Swan Lake: Act I: no. 5d: Pas de deux: Coda (Allegro molto vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-15 | Swan Lake: Act I: no. 6: Pas d'action (Andantino quasi moderato - Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-16 | Swan Lake: Act I: no. 7: Sujet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-17 | Swan Lake: Act I: no. 8: Danse des coupes (Tempo di polacca) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-18 | Swan Lake: Act I: no. 9: Finale (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-19 | Swan Lake: Act II: no. 10: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-20 | Swan Lake: Act II: no. 11: Scène (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-21 | Swan Lake: Act II: no. 12: Scène (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-22 | Swan Lake: Act II: no. 13a: Danse des cygnes: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-23 | Swan Lake: Act II: no. 13b: Danse des cygnes: Odette solo / Première danse de la reine des cygnes (Moderato assai) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-24 | Swan Lake: Act II: no. 13c: Danse des cygnes: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-25 | Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-26 | Swan Lake: Act II: no. 13e: Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-27 | Swan Lake: Act II: no. 13f: Danse des cygnes: Danse générale (Valse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-28 | Swan Lake: Act II: no. 13g: Danse des cygnes: Coda (Allegro vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-29 | Swan Lake: Act II: no. 10: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-1 | Swan Lake: Act III: no. 15: Danse de fançailles (Allegro giusto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-2 | Swan Lake: Act III: no. 16: Danses du corps de ballet et des nains (Moderato assai) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-3 | Swan Lake: Act III: no. 17: Scène: Entrée des invités (Fanfares) et la valse (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-4 | Swan Lake: Act III: no. 18: Scène (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-5 | Swan Lake: Act III: no. 19: Pas de six: Intrada (Moderato assai) - Variations I/V - Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-6 | Swan Lake: Act III. Pas de deux: Introduction (Moderato) / Variation I / Variation II / Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-7 | Swan Lake: Act III: no. 20: Danse hongroise (Czárdás) | National Philharmonic Orchestra, Richard Bonynge | T-900.160.317-4 | |
| 34-8 | Swan Lake: Act III. Danse russe (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-9 | Swan Lake: Act III: no. 21: Danse espagnole (Allegro non troppo. Tempo di bolero) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-10 | Swan Lake: Act III: no. 22: Danse napolitaine | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-11 | Swan Lake: Act III: no. 23: Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-12 | Swan Lake: Act III: no. 24: Scène (Allegro - Valse - Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-13 | Swan Lake: Act IV: no. 25: Entr'acte (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-14 | Swan Lake: Act IV: no. 26: Scène (Allegro non troppo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-15 | Swan Lake: Act IV: no. 27: Danses des petits cygnes (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-16 | Swan Lake: Act IV: no. 28: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-17 | Swan Lake: Act IV: no. 29: Scène finale (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-1 | The Sleeping Beauty: Prologue: no. Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-2 | The Sleeping Beauty: Prologue: no. 1: Marche (Entrance of King and Court) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-3 | The Sleeping Beauty: Prologue: no. 2. Scène dansante (Entrance of Fairies) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-4 | The Sleeping Beauty: Prologue: no. 3: Pas de six: Intrada - Adagio (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-5 | The Sleeping Beauty: Prologue: no. 3c: Pas de six: Variation I (Candite) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-6 | The Sleeping Beauty: Prologue: no. 3d: Pas de six: Variation II (Coulante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-7 | The Sleeping Beauty: Prologue: no. 3e: Pas de six: Variation III (Falling crumbs) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-8 | The Sleeping Beauty: Prologue: no. 3f: Pas de six: Variation IV (Song-bird Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-9 | The Sleeping Beauty: Prologue: no. 3g: Pas de six: Variation V (Violente) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-10 | The Sleeping Beauty: Prologue: no. 3h: Pas de six: Variation VI (Lilac Fairy)(Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-11 | The Sleeping Beauty: Prologue: no. 3i: Pas de six: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-12 | The Sleeping Beauty: Prologue: no. 4: Final (La Fée des lilas sort) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-13 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-14 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 35-15 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-16 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 35-17 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-18 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-19 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-20 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-1 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-2 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 36-3 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-4 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 36-5 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-6 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-7 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-8 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-9 | The Sleeping Beauty: Act II: no. 16: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-10 | The Sleeping Beauty: Act II: no. 17: Panorama (Andantino) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-11 | The Sleeping Beauty: Act II: no. 18: Entr'acte (Andante sostenuto) | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-12 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-13 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-1 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-2 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-3 | The Sleeping Beauty: Act III: no. 23a: Pas de quatre: Intrada (Allegro non tanto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-4 | The Sleeping Beauty: Act III: no. 23b: Pas de quatre: Variation I (Valse) (Golden Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-5 | The Sleeping Beauty: Act III: no. 23c: Pas de quatre: Variation II (Polka) (Silver Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-6 | The Sleeping Beauty: Act III: no. 23d: Pas de quatre: Variation III (Saphir Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-7 | The Sleeping Beauty: Act III: no. 23e: Pas de quatre: Variation IV (Diamond Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-8 | The Sleeping Beauty: Act III: no. 23f: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-9 | The Sleeping Beauty: Act III: no. 24: Pas de caractère (Puss in Boots) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-10 | The Sleeping Beauty: Act III: no. 25a: Pas de quatre: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-11 | The Sleeping Beauty: Act III: no. 25b: Pas de quatre: Variation I (Cinderella and Prince) (Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-12 | The Sleeping Beauty: Act III: no. 25c: Pas de quatre: Variation II (Bluebird and Florisse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-13 | The Sleeping Beauty: Act III: no. 25d: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-14 | The Sleeping Beauty: Act III: no. 26: Pas de caractère (Red Riding Hood) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-15 | The Sleeping Beauty: Act III: Cendrillon et le prince Fortune (Allegro - Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-16 | The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-17 | The Sleeping Beauty: Act III: no. 28a: Pas de deux: Intrada | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-18 | The Sleeping Beauty: Act III: no. 28b: Pas de deux: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-19 | The Sleeping Beauty: Act III: no. 28c: Pas de deux: Variation I (Prince) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-20 | The Sleeping Beauty: Act III: no. 28d: Pas de deux: Variation II (Aurora) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-21 | The Sleeping Beauty: Act III: no. 28e: Pas de deux: Coda (Allegro vivace) (The Three Ivans) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-22 | The Sleeping Beauty: Act III: no. 29: Sarabande | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-23 | The Sleeping Beauty: Act III: no. 30a: Finale: Allegro brillante (Mazurka) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-24 | The Sleeping Beauty: Act III: no. 30b: Finale: Apothéose (Andante molto maestoso) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 38-1 | La Bayadère | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | T-922.063.457-1 | |
| 38-2 | Pas de Trois | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 38-3 | William Tell: Ballet music | London Symphony Orchestra, Richard Bonynge | T-915.716.653-5 | |
| 38-4 | Giselle, Act 1: Danse des vignerons..Pas seul..Peasant pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 38-5 | Giselle, Act 2: Grand pas de deux | Simon Streatfield, London Symphony Orchestra, Richard Bonynge | — | |
| 38-6 | La Sylphide: Pas de deux | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 39-1 | Swan Lake, op. 20, TH. 12, Act 3: Pas de deux: Introduction (Moderato): Variations I & II - Coda | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | T-906.884.636-6 | |
| 39-2 | La Favorita (Complete) | London Symphony Orchestra, Richard Bonynge | T-914.004.667-9 | |
| 39-3 | Don Quixote: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-900.017.125-5 | |
| 39-4 | Bolero: Traditional, arranged James O'Turner | London Symphony Orchestra, Richard Bonynge | T-003.006.377-4 | |
| 39-5 | Pas de quatre: Arr. for Mme Markova by William McDermott | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 39-6 | The Sleeping Beauty, op. 66, TH.13, Act 3: 2VIII. Pas de deux: Aurora and Prince Desire | London Symphony Orchestra, Richard Bonynge | — | |
| 39-7 | The Nutcracker, op. 71, TH 14, Act 2: no. 14 Pas de deux: Intrada: Variation I/II - Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 40-1 | Ballet égyptien, op. 12: Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 40-2 | Ballet égyptien, op. 12: Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 40-3 | Le carnaval des animaux, R. 125: Le Cygne | Jascha Silberstein, Marie Goossens | T-004.976.716-9 | |
| 40-4 | Thaïs: Méditation | John Georgiadis, London Symphony Orchestra, Richard Bonynge | T-306.705.438-6 | |
| 40-5 | The Seasons: 1II. December (Christmas) (Arr. Gamley) | London Symphony Orchestra, Richard Bonynge | T-010.194.886-0 | |
| 40-6 | Feramors: Opera in 3 Acts: Danses des fiancées de Cachemir | London Symphony Orchestra, Richard Bonynge | — | |
| 40-7 | Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 40-8 | Schön Rosmarin: Ballet "The Dragonfly" (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 41-1 | Le reveil de Flore: Part 1 | John Georgiadis, Osian Ellis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-2 | Le reveil de Flore: Part 2 | John Georgiadis, Osian Ellis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-3 | Souvenir d'un lieu cher, op. 42, TH. 116: III. Mélodie in E-flat | John Georgiadis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-4 | Papillons | London Symphony Orchestra, Richard Bonynge | — | |
| 41-5 | Glow-worm (Gavotte Pavlova) | London Symphony Orchestra, Richard Bonynge | — | |
| 41-6 | Naïla: Intermezzo | London Symphony Orchestra, Richard Bonynge | — | |
| 41-7 | Loreley, Act 2: Danza delle ondine | London Symphony Orchestra, Richard Bonynge | — | |
| 41-8 | Polish Wedding: Mazurka | London Symphony Orchestra, Richard Bonynge | — | |
| 42-1 | Paquita: Pas de deux | — | ||
| 42-2 | La Esmeralda: Pas de deux | — | ||
| 42-3 | Pas classique | — | ||
| 42-4 | Flower Festival in Genzano: Pas de deux | — | ||
| 42-5 | Le Corsaire: Pas de deux | — | ||
| 42-6 | Les Patineurs, arr. Lambert: Entrée | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-7 | Les Patineurs, arr. Lambert: Pas seul. Pas de deux | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-8 | Les Patineurs, arr. Lambert: Ensemble | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-9 | Les Patineurs, arr. Lambert: Pas de trois | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-10 | Les Patineurs, arr. Lambert: Duet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-11 | Les Patineurs, arr. Lambert: Pas des patineurs | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-12 | Les Patineurs, arr. Lambert: Finale | National Philharmonic Orchestra, Richard Bonynge | — | |
| 43-1 | La Prophète : Ouverture | — | ||
| 43-2 | La Navarraise : Acte I. Nocturne | — | ||
| 43-3 | La Reine de Saba : Ouverture | — | ||
| 43-4 | La Dame blanche : Ouverture | — | ||
| 43-5 | Chérubin : Acte III. Entr’acte | — | ||
| 43-6 | Don Procopio : Ouverture | — | ||
| 43-7 | Don César de Bazan | — | ||
| 43-8 | Le Tribut de Zamora | — | ||
| 43-9 | Henri VIII | — | ||
| 43-10 | Les Érinnyes | — | ||
| 43-11 | Le Roi l’a dit : Ouverture | — | ||
| 43-12 | La Neige | — | ||
| 43-13 | Les Erinnyes: Entr'acte to Act III | — | ||
| 43-14 | Kassya: Prelude | — | ||
| 43-15 | Le roi de Lahore: Entr'acte Act V & Adagio & Waltz, Ballet Act III | London Symphony Orchestra, Richard Bonynge | — | |
| 43-16 | Le Roi de Lahore : Overture | — | ||
| 43-17 | Le Roi de Lahore : Acte II. Entr'acte | — | ||
| 43-18 | Le Roi de Lahore : Acte III. Divertissement: Mélodie hindique | — | ||
| 44-1 | Paquita, Grand pas | — | ||
| 44-2 | Paquita, Pas de quatre - Arr. Peter March | — | ||
| 44-3 | Paquita, Le Papillon | — | ||
| 44-4 | Don Quixote, Act IV, Pas de deux | — | ||
| 44-5 | Le Corsaire, Pas de deux | — | ||
| 45-1 | Pas classique | — | ||
| 45-2 | Les Rendez-vous (arr. Constant Lambert) | — | ||
| 45-3 | Diana and Actaeon: Pas de deux | — | ||
| 45-4 | The Good-Humoured Ladies (arr. Vincenzo Tommasini) | — | ||
| 45-5 | Françoise de Rimini | — |
Identifier Graph
028948507818 is a Universal Product Code (UPC) assigned to The Complete Ballet Recordings by Richard Bonynge. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 662 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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Songwriters/Publishers (IPI)
The UPC for “The Complete Ballet Recordings” by Richard Bonynge is 028948507818. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 662 tracks, each with its own ISRC. Tracks include GBF076742601, GBF076742602, GBF076742603.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Diable à Quatre, Act 1 | — | ||
| 2 | Le Diable à Quatre, Act 2 - Scene 1 | — | ||
| 3 | Le Diable à Quatre, Act 2 - Scene 2 | — | ||
| 4 | Le Diable à Quatre, Act 2 - Scene 3 | — | ||
| 5 | The Prayer And The Sword: 1. The Cloister | — | ||
| 6 | The Prayer And The Sword: 2. The Angelus | — | ||
| 7 | The Prayer And The Sword: 3. The Storm | — | ||
| 8 | The Prayer And The Sword: 4. Mandolinade | — | ||
| 9 | The Prayer And The Sword: 5. Wedding March | — | ||
| 10 | The Prayer And The Sword: 6. The Lament | — | ||
| 2-1 | Giselle, Act I: Introduction | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-2 | Giselle, Act I: No. 1, Les Vendangeurs | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-3 | Giselle, Act I: No. 2, Entrée du Prince | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-4 | Giselle, Act I: No. 3, Entrée de Giselle | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-5 | Giselle, Act I: No. 4, Retour des Vendangeurs - No. 4(bis) Valse | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-6 | Giselle, Act I: No. 5b, La Chasse | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-7 | Giselle, Act I: No. 6, Scène d’Hilarion | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-8 | Giselle, Act I: No. 7, Marche des vignerons | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-9 | Giselle, Act I: Pas seul | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-10 | Giselle, Act I: Pas de deux des jeunes paysans, Pollaca | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-11 | Giselle, Act I: Pas de deux des jeunes paysans, Andante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-12 | Giselle, Act I: Pas de deux des jeunes paysans, Pesante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-13 | Giselle, Act I: Pas de deux des jeunes paysans, Allegretto | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-14 | Giselle, Act I: Pas de deux des jeunes paysans, Allegretto pesante | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-15 | Giselle, Act I: Pas de deux des jeunes paysans, Valse | Friedrich Burgmüller, Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-16 | Giselle, Act I: Pas des vendanges, Andante | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-17 | Giselle, Act I: Pas des vendanges, Moderato | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-18 | Giselle, Act I: Pas des vendanges, Allegro moderato | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-19 | Giselle, Act I: Pas des vendanges, Allegro un peu louré | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-20 | Giselle, Act I: No. 8, Galop Général | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 2-21 | Giselle, Act I: No. 8(bis), Final | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-1 | Giselle, Act II: No. 9, Introduction (La halte des chasseurs) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-2 | Giselle, Act II: Apparition de Myrthe et évocation magique | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-3 | Giselle, Act II: Pas des premières Wilis (Entrée d’Hilarion) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-4 | Giselle, Act II: No. 11, Apparition de Giselle | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-5 | Giselle, Act II: Entrée des paysans | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-6 | Giselle, Act II: No. 13, Entrée du Prince | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-7 | Giselle, Act II: No. 14, Scène des Wilis (Entrée d’Hilarion) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-8 | Giselle, Act II: Grand pas de deux, Adage | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-9 | Giselle, Act II: Grand pas de deux, Andantino | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-10 | Giselle, Act II: Grand pas de deux, Andante | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-11 | Giselle, Act II: Grand pas de deux, Valse (interpolated) | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-12 | Giselle, Act II: No. 16, Final | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 3-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | Monte-Carlo Philharmonic Orchestra, Richard Bonynge | — | |
| 4-1 | Giselle, Act I: Introduction | — | ||
| 4-2 | Giselle, Act I: Les Vendangeurs | — | ||
| 4-3 | Giselle, Act I: Entrée de Loys | — | ||
| 4-4 | Giselle, Act I: Entrée de Giselle | — | ||
| 4-5 | Giselle, Act I: Retour de la vendange et valse | — | ||
| 4-6 | Giselle, Act I: La Chasse | — | ||
| 4-7 | Giselle, Act I: Scène d'Hilarion | — | ||
| 4-8 | Giselle, Act I: Marche des Vignerons | — | ||
| 4-9 | Giselle, Act I: Pas seul | — | ||
| 4-10 | Giselle, Act I: Pas de deux des jeunes paysans: a. Polacca | — | ||
| 4-11 | Giselle, Act I: Pas de deux des jeunes paysans: b. Andante | — | ||
| 4-12 | Giselle, Act I: Pas de deux des jeunes paysans: c. Pesante | — | ||
| 4-13 | Giselle, Act I: Pas de deux des jeunes paysans: d. Allegretto | — | ||
| 4-14 | Giselle, Act I: Pas de deux des jeunes paysans: e. Allegretto pesante | — | ||
| 4-15 | Giselle, Act I: Pas de deux des jeunes paysans: f. Valse | — | ||
| 4-16 | Giselle, Act I: Pas des vendanges: a. Andante | — | ||
| 4-17 | Giselle, Act I: Pas des vendanges: b. Moderato | — | ||
| 4-18 | Giselle, Act I: Pas des vendanges: c. Allegro moderato | — | ||
| 4-19 | Giselle, Act I: Pas des vendanges: d. Allegro un peu louré | — | ||
| 4-20 | Giselle, Act I: Galop général | — | ||
| 4-21 | Giselle, Act I: Finale du premier acte et scène de folie | — | ||
| 5-1 | Giselle, Act II: Introduction, halte des chausseurs et apparition des feux follets | — | ||
| 5-2 | Giselle, Act II: Apparitions de Myrthe et évocation magique | — | ||
| 5-3 | Giselle, Act II: Pas des premières Wilis | — | ||
| 5-4 | Giselle, Act II: Apparition de Giselle | — | ||
| 5-5 | Giselle, Act II: Entrée des paysans | — | ||
| 5-6 | Giselle, Act II: Entrée du Prince et apparition de Giselle | — | ||
| 5-7 | Giselle, Act II: Entrée d'Hilarion, scène et fugue des Wilis | — | ||
| 5-8 | Giselle, Act II: Grand pas de deux: a. Adage | — | ||
| 5-9 | Giselle, Act II: Grand pas de deux: b. Andantino | — | ||
| 5-10 | Giselle, Act II: Grand pas de deux: c. Andante | — | ||
| 5-11 | Giselle, Act II: Grand pas de deux: d. Valse (interpolated) | — | ||
| 5-12 | Giselle, Act II: Finale | — | ||
| 5-13 | Giselle, Act II: Lever du soleil et arrivée de la cour | — | ||
| 6-1 | Le Corsaire: Act I. Overture and opening of Scene I | — | ||
| 6-2 | Le Corsaire: Act I. Introduction | — | ||
| 6-3 | Le Corsaire: Act I. Tarantella | — | ||
| 6-4 | Le Corsaire: Act I. Mazuetta | — | ||
| 6-5 | Le Corsaire: Act I. La Française | — | ||
| 6-6 | Le Corsaire: Act I. Boléro | — | ||
| 6-7 | Le Corsaire: Act I. Ecossaise | — | ||
| 6-8 | Le Corsaire: Act I. Coda | — | ||
| 6-9 | Le Corsaire: Act I. Action | — | ||
| 6-10 | Le Corsaire: Act I. Corsairs' bacchanal | — | ||
| 6-11 | Le Corsaire: Act I, Scene II. Action | — | ||
| 6-12 | Le Corsaire: Act I. Pas des éventails | — | ||
| 6-13 | Le Corsaire: Act I. Action | — | ||
| 6-14 | Le Corsaire: Act I. Variation for Mlle Grantzow (1867) | — | ||
| 6-15 | Le Corsaire: Act I. Action | — | ||
| 7-1 | Le Corsaire: Act II, Scene I. Pas des odalisques | — | ||
| 7-2 | Le Corsaire: Act II. Entrance of Gulnare | — | ||
| 7-3 | Le Corsaire: Act II. Gulnarés dance | — | ||
| 7-4 | Le Corsaire: Act II. Action | — | ||
| 7-5 | Le Corsaire: Act III, Scene I. Action | — | ||
| 7-6 | Le Corsaire: Act III. Valse de Naïla (for Mlle Grantzow) | — | ||
| 7-7 | Le Corsaire: Act III. Andante | — | ||
| 7-8 | Le Corsaire: Act III. 1st variation (for Gulnare, Mlle Fioretti) | — | ||
| 7-9 | Le Corsaire: Act III. 2nd variation (for Medora, Mlle Grantzow) | — | ||
| 7-10 | Le Corsaire: Act III. Finale | — | ||
| 7-11 | Le Corsaire: Act III. Action | — | ||
| 7-12 | Le Corsaire: Act III, Scene II | — | ||
| 7-13 | Le Corsaire: Act III, Scene III. Storm and shipwreck | — | ||
| 8-1 | Marco Spada, Act 1: Scene 1 | John Georgiadis, London Symphony Orchestra, Richard Bonynge | — | |
| 8-2 | Marco Spada, Act 1: Scene 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 8-3 | Marco Spada: Act 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 8-4 | Marco Spada: Act 3 | London Symphony Orchestra, Richard Bonynge | — | |
| 9-1 | Gustave III. Allemande | — | ||
| 9-2 | Gustave III. Pas des folies | — | ||
| 9-3 | Gustave III. Pas des paysans | — | ||
| 9-4 | Gustave III. Menuet | — | ||
| 9-5 | Gustave III. 1re marche | — | ||
| 9-6 | Gustave III. 2e marche | — | ||
| 9-7 | Gustave III. Galop | — | ||
| 9-8 | Gustave III. Overture | — | ||
| 9-9 | Cello Concerto no. 1 In A Minor, S.166: 1. Allegro Ma Non Troppo | — | ||
| 9-10 | Cello Concerto no. 1 In A Minor, S.166: 2. Adagio - Quasi Andante | — | ||
| 9-11 | Cello Concerto no. 1 In A Minor, S.166: 3. Rondo: Vivace | — | ||
| 10-1 | La Péri: Romantic ballet in 2 Acts, Act 1: Overture | London Symphony Orchestra, Richard Bonynge | — | |
| 10-2 | La Péri: Romantic ballet in 2 Acts, Act 1: The Harem. Pas des Nations. Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 10-3 | La Péri: Romantic ballet in 2 Acts, Act 1: Achmet's Melancholy. Pas de Six. Grand Pas de Deux | London Symphony Orchestra, Richard Bonynge | — | |
| 10-4 | La Péri: Romantic ballet in 2 Acts, Act 1: Awakening of Achmet. Pleading of Nourmahal. Finale | London Symphony Orchestra, Richard Bonynge | — | |
| 10-5 | La Péri: Romantic ballet in 2 Acts, Act 2: The Palace Garden. Léila. Pas de Trois. Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 10-6 | La Péri: Romantic ballet in 2 Acts, Act 2: Pas de l'abeille. The Magic Bouquet | London Symphony Orchestra, Richard Bonynge | — | |
| 10-7 | La Péri: Romantic ballet in 2 Acts, Act 2: The Prison. Transformation & Apotheosis | London Symphony Orchestra, Richard Bonynge | — | |
| 11-1 | Les Sylphides : 1. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-2 | Les Sylphides : 2. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-3 | Les Sylphides : 3. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-4 | Les Sylphides : 4. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-5 | Les Sylphides : 5. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-6 | Les Sylphides : 6. Prélude | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-7 | Les Sylphides : 7. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-8 | Les Sylphides : 8. Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 11-9 | Hamlet : Ballet Music From Act IV | — | ||
| 11-10 | Ballet music from Il trovatore: Pas des bohémiens | — | ||
| 11-11 | Ballet music from Il trovatore: Sevillana | — | ||
| 11-12 | Ballet music from Il trovatore: La Bohémienne | — | ||
| 11-13 | Ballet music from Il trovatore: Galop | — | ||
| 12-1 | Coppélia : Acte 1, no. 1a. Prélude et Mazurka | — | ||
| 12-2 | Coppelia: Valse lente | [unknown] | T-306.310.844-7 | |
| 12-3 | Coppélia : Acte 1, no. 2. Scène | — | ||
| 12-4 | Coppélia : Acte 1, no. 3. Mazurka | — | ||
| 12-5 | Coppélia : Acte 1, no. 4. Scène | — | ||
| 12-6 | Coppélia : Acte 1, no. 5. Ballade de l'épi | — | ||
| 12-7 | Coppélia : Acte 1, no. 6. Thème slave varié | — | ||
| 12-8 | Coppélia : Acte 1, no. 7a. Danse hongroise / no.7b. Sortie | — | ||
| 12-9 | Coppélia : Acte 1, no. 8. Finale | — | ||
| 12-10 | Coppelia: Entr'acte et valse | — | ||
| 12-11 | Coppélia : Acte 2, no. 9. Scène | — | ||
| 12-12 | Coppélia : Acte 2, no. 10. Scène | — | ||
| 12-13 | Coppélia : Acte 2, no. 11a. Musique des automates / no.11b. Scène | — | ||
| 12-14 | Coppélia : Acte 2, no. 12. Scène | — | ||
| 12-15 | Coppélia : Acte 2, no. 13. Chanson à boire; Scène | — | ||
| 12-16 | Coppélia : Acte 2, no. 14. Scène; Valse de la poupée | — | ||
| 12-17 | Coppélia : Acte 2, no. 15. Scène | — | ||
| 12-18 | Coppélia : Acte 2, no. 16. Bolero | — | ||
| 12-19 | Coppélia : Acte 2, no. 17. Gigue | — | ||
| 12-20 | Coppélia : Acte 2, no. 18. Finale | — | ||
| 13-1 | Coppélia : Acte 3, No. 19. Marche | — | ||
| 13-2 | Coppélia : Acte 3, No. 20a. Valse des Heures | — | ||
| 13-3 | Coppélia : Acte 3, No. 20b. L'Aurore | — | ||
| 13-4 | Coppélia : Acte 3, No. 20c. La Prière | — | ||
| 13-5 | Coppélia : Acte 3, No. 20d. Le Travail (La Fileuse) | — | ||
| 13-6 | Coppélia : Acte 3, No. 20e. L'Hymen (Noces villageoises) | — | ||
| 13-7 | Coppélia : Acte 3, No. 20f. La Discorde et la guerre | — | ||
| 13-8 | Coppélia : Acte 3, No. 20g. La Paix | Ron Golan, L’Orchestre de la Suisse Romande, Richard Bonynge | T-010.433.701-0 | |
| 13-9 | Coppélia : Acte 3, No. 20h. Danse de fête (Pas seul de Swanilda) | — | ||
| 13-10 | Coppélia : Acte 3, No. 20i. Galop final | — | ||
| 13-11 | Roberto Devereux | — | ||
| 13-12 | Torvaldo e Dorliska | — | ||
| 13-13 | Les Dragons de Villars | — | ||
| 13-14 | La Fille du tambour‐major | — | ||
| 13-15 | Giovanna d’Arco | — | ||
| 13-16 | Zampa | — | ||
| 13-17 | Maritana | — | ||
| 14-1 | Coppélia : Acte I. Prélude et Mazurka | — | ||
| 14-2 | Coppélia : Acte I. Valse lente | — | ||
| 14-3 | Coppélia : Acte I. Scène | — | ||
| 14-4 | Coppélia : Acte I. Mazurka | — | ||
| 14-5 | Coppélia : Acte I. Scène | — | ||
| 14-6 | Coppélia : Acte I. Ballade de l'épi | — | ||
| 14-7 | Coppélia : Acte I. Thème slave varié | — | ||
| 14-8 | Coppélia : Acte I. Czárdás: Danse hongroise / Sortie | — | ||
| 14-9 | Coppélia : Acte I. Finale | — | ||
| 14-10 | Coppélia : Acte II, scène 1. Entr'acte et valse | — | ||
| 14-11 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-12 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-13 | Coppélia : Acte II, scène 1. Musique des automates / Scène | — | ||
| 14-14 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-15 | Coppélia : Acte II, scène 1. Chanson à boire et scène | — | ||
| 14-16 | Coppélia : Acte II, scène 1. Scène et valse de la poupée | — | ||
| 14-17 | Coppélia : Acte II, scène 1. Scène | — | ||
| 14-18 | Coppélia : Acte II, scène 1. Boléro | — | ||
| 14-19 | Coppélia : Acte II, scène 1. Gigue | — | ||
| 14-20 | Coppélia : Acte II, scène 1. Scène | — | ||
| 15-1 | Coppélia : Acte II, scène 2. Marche de la cloche / Fête de la cloche: Divertissement | — | ||
| 15-2 | Coppélia : Acte II, scène 2. Introduction | — | ||
| 15-3 | Coppélia : Acte II, scène 2. Valse des heures | — | ||
| 15-4 | Coppélia : Acte II, scène 2. L'Aurore | — | ||
| 15-5 | Coppélia : Acte II, scène 2. La Prière | — | ||
| 15-6 | Coppélia : Acte II, scène 2. Le Travail (La Fileuse) | — | ||
| 15-7 | Coppélia : Acte II, scène 2. L'Hymen (Noce villageoise) | — | ||
| 15-8 | Coppélia : Acte II, scène 2. La Discorde et la guerre | — | ||
| 15-9 | Coppélia : Acte II, scène 2. La Paix | — | ||
| 15-10 | Coppélia : Acte II, scène 2. Danse de fête | — | ||
| 15-11 | Coppélia : Acte II, scène 2. Galop final | — | ||
| 15-12 | Marco Spada : Ouverture | — | ||
| 15-13 | Giralda : Ouverture | — | ||
| 15-14 | La Fille de Madame Angot : Ouverture | — | ||
| 15-15 | Mignon : Ouverture | — | ||
| 15-16 | Les Cloches de Corneville : Ouverture | — | ||
| 15-17 | Lestocq : Ouverture | — | ||
| 15-18 | La Poupée de Nuremberg : Ouverture | — | ||
| 15-19 | La Calife de Bagdad : Ouverture | — | ||
| 16-1 | Sylvia: Act I. Prelude | — | ||
| 16-2 | Sylvia: Act I. No. 1: Scherzo | — | ||
| 16-3 | Sylvia: Act I. No. 2: Le Berger (pastorale) | — | ||
| 16-4 | Sylvia: Act I. No. 3a: Les Chasseresses | — | ||
| 16-5 | Sylvia: Act I. No. 3b: Intermezzo | — | ||
| 16-6 | Sylvia: Act I. No. 4: Valse lente | — | ||
| 16-7 | Sylvia: Act I. No. 5: Scène | — | ||
| 16-8 | Sylvia: Act I. No. 6: Cortège rustique | — | ||
| 16-9 | Sylvia: Act I. No. 7: Scène | — | ||
| 16-10 | Sylvia: Act I. No. 8: Entrée du sorcier (Finale) | — | ||
| 16-11 | Sylvia: Act II. Entr’acte | — | ||
| 16-12 | Sylvia: Act II. No. 9: Orion (Scène) | — | ||
| 16-13 | Sylvia: Act II. No. 10: Pas des Éthiopiens | — | ||
| 16-14 | Sylvia: Act II. No. 11: Chant bacchique | — | ||
| 16-15 | Sylvia: Act II. No. 12: Scène et danse de la bacchante | — | ||
| 16-16 | Sylvia: Act II. No. 13: Scène finale | — | ||
| 17-1 | Sylvia: Act III. No. 14a: Marche et cortège de Bacchus | — | ||
| 17-2 | Sylvia: Act III. No. 14b: Scène | — | ||
| 17-3 | Sylvia: Act III. No. 15: Barcarolle | — | ||
| 17-4 | Sylvia: Act III. No. 16a: Pizzicati | — | ||
| 17-5 | Sylvia: Act III. No. 16b: Andante | — | ||
| 17-6 | Sylvia: Act III. No. 16c: Pas des esclaves | — | ||
| 17-7 | Sylvia: Act III. No. 16d: Variation. Valse | — | ||
| 17-8 | Sylvia: Act III. No. 16e: Strette. Galop | — | ||
| 17-9 | Sylvia: Act III. No. 17: Le Temple de Diane (Finale) | — | ||
| 17-10 | Sylvia: Act III. No. 18: Apparition d’Endymion (Apothéose) | — | ||
| 18-1 | Scènes Alsaciennes: Suite no. 7 for Orchestra: I. Dimanche matin | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-2 | Scènes Alsaciennes: Suite no. 7 for Orchestra: II. Au cabaret | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-3 | Scènes alsaciennes: III. Sous les tilleuls | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-4 | Scènes Alsaciennes: Suite no. 7 for Orchestra: IV. Dimanche soir | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-5 | Scènes Dramatiques: Suite no. 3 for Orchestra: I. Prelude et Divertissment - La Tempête | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-6 | Scènes Dramatiques: Suite no. 3 for Orchestra: II. Mélodrame - Le sommeil de Desdémone | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-7 | Scènes Dramatiques: Suite no. 3 for Orchestra: III. Scène Finale - Macbeth | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-8 | Cendrillon: opera in 4 acts, Act 4: Marche des Princesses | National Philharmonic Orchestra, Richard Bonynge | — | |
| 18-9 | Fantaisie For Cello And Orchestra, IJM 85: Animé - Modéré - Animé | — | ||
| 19-1 | Cigale - Ballet in 2 Acts: Act 1 | — | ||
| 19-2 | Cigale - Ballet in 2 Acts: Act 2 | — | ||
| 19-3 | Valse très lente | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-4 | Ballet Music from « Le Cid »: Castillane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-5 | Ballet Music from « Le Cid »: Andalouse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-6 | Ballet Music from « Le Cid »: Aragonaise | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-7 | Ballet Music from « Le Cid »: Aubade | National Philharmonic Orchestra, Richard Bonynge | T-900.754.419-6 | |
| 19-8 | Ballet Music from « Le Cid »: Catalane | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-9 | Ballet Music from « Le Cid »: Madrilene | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-10 | Ballet Music from « Le Cid »: Navarraise | National Philharmonic Orchestra, Richard Bonynge | — | |
| 19-11 | Ariane: Lamento D'Ariane | — | ||
| 20-1 | Manon Ballet, Act 1, Scene 1, Premier Tableau | — | ||
| 20-2 | Manon Ballet, Act 1, Scene 2, Second Tableau | — | ||
| 20-3 | Manon Ballet, Act 2, Scene 1, Premier Tableau | — | ||
| 20-4 | Manon Ballet, Act 2, Scene 1, Premier Tableau | — | ||
| 20-5 | Manon Ballet, Act 2, Scene 2, Second Tableau | — | ||
| 21-1 | Manon Ballet, Act 3, Scene 1, Premier Tableau | — | ||
| 21-2 | Manon Ballet, Act 3, Scene 2, Deuxième Tableau | — | ||
| 21-3 | Manon Ballet, Act 3, Scene 3, Troisième Tableau | — | ||
| 21-4 | Le Carillon - Ballet: Scène | — | ||
| 21-5 | Le Carillon - Ballet: Dialogue sentimental | — | ||
| 21-6 | Le Carillon - Ballet: Danse Flamande | — | ||
| 22-1 | Thaïs: Méditation | John Georgiadis, London Symphony Orchestra, Richard Bonynge | T-306.705.438-6 | |
| 22-2 | Les Troyens à Carthage: Ballet Music | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-3 | Aufforderung Zum Tanz, Op. 65, J. 260 | — | ||
| 22-4 | Mam'zelle Angot, Arr. Jacob: Overture | National Philharmonic Orchestra, Richard Bonynge | T-010.322.689-6 | |
| 22-5 | Mam'zelle Angot, Arr. Jacob: I. Allegro | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-6 | Mam'zelle Angot, Arr. Jacob: II. Allegretto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-7 | Mam'zelle Angot, Arr. Jacob: III. Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-8 | Mam'zelle Angot, Arr. Jacob: IV. Andantino: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-9 | Mam'zelle Angot, Arr. Jacob: V. Tempo di marcia: Gavotte | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-10 | Mam'zelle Angot, Arr. Jacob: VI. Allegro vivace | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-11 | Mam'zelle Angot, Arr. Jacob: VII. Allegretto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-12 | Mam'zelle Angot, Arr. Jacob: 8.Allegro-Gavotte | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-13 | Mam'zelle Angot, Arr. Jacob: IX. Allegretto-Galop | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-14 | Mam'zelle Angot, Arr. Jacob: X. Allegro-Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-15 | Mam'zelle Angot, Arr. Jacob: 1I. Allegro-Presto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-16 | Mam'zelle Angot, Arr. Jacob: 1II. Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-17 | Mam'zelle Angot, Arr. Jacob: 1III. Allegro moderato | National Philharmonic Orchestra, Richard Bonynge | — | |
| 22-18 | La Favorita: Act 2 Ballabille (Ballet) | — | ||
| 23-1 | Les Deux Pigeons : Acte I. Introduction | — | ||
| 23-2 | Les Deux Pigeons : Acte I. Scène 1 | — | ||
| 23-3 | Les Deux Pigeons : Acte I. Scène 2 – Entrée de Mikalia | — | ||
| 23-4 | Les Deux Pigeons : Acte I. Scène 3 – Entrée de Pepio – Pas des Deux Pigeons – Musique de scène | — | ||
| 23-5 | Les Deux Pigeons : Acte I. Scène 4 – Entrée des tziganes – Musique de scène – Thème et variations | — | ||
| 23-6 | Les Deux Pigeons : Acte II. Scène 5 – Musique de scène | — | ||
| 23-7 | Les Deux Pigeons : Acte II. Prélude | — | ||
| 23-8 | Les Deux Pigeons : Acte II. Scène 1 – Entrée de Pepio | — | ||
| 23-9 | Les Deux Pigeons : Acte II. Scène 2 – Entrée des soldats – Entrée de Gourouli – Entrée des jeunes filles – Entrée du syndic et des autorités | — | ||
| 23-10 | Les Deux Pigeons : Acte II. Divertissement – I. Entrée | — | ||
| 23-11 | Les Deux Pigeons : Acte II. Divertissement – II. Andante | — | ||
| 23-12 | Les Deux Pigeons : Acte II. Divertissement – III. Valse | — | ||
| 23-13 | Les Deux Pigeons : Acte II. Divertissement – IV. Variation: Gourouli Seule | — | ||
| 23-14 | Les Deux Pigeons : Acte II. Divertissement – V. Un Tzigane Seul | — | ||
| 23-15 | Les Deux Pigeons : Acte II. Divertissement – VI. Danse Hongroise | — | ||
| 23-16 | Les Deux Pigeons : Acte II. Divertissement – VII. Final | — | ||
| 23-17 | Les Deux Pigeons : Acte II. Acte II: Orage Et Final | — | ||
| 24-1 | La Source : Acte I (Minkus). Prélude | — | ||
| 24-2 | La Source : Acte I (Minkus). 1. Introduction fantastique | — | ||
| 24-3 | La Source : Acte I (Minkus). 2. L'Éphémère : Scène dansée | — | ||
| 24-4 | La Source : Acte I (Minkus). 3. Scène | — | ||
| 24-5 | La Source : Acte I (Minkus). 4. Marche de la caravane | — | ||
| 24-6 | La Source : Acte I (Minkus). 5. Berceuse | — | ||
| 24-7 | La Source : Acte I (Minkus). 6a. Pas de la guzla : Andantino | — | ||
| 24-8 | La Source : Acte I (Minkus). 6b. Pas de la guzla : Vivace | — | ||
| 24-9 | La Source : Acte I (Minkus). 7. Scène | — | ||
| 24-10 | La Source : Acte I (Minkus). 8. Scène dansée: Apparation de Naila | — | ||
| 24-11 | La Source : Acte I (Minkus). 9. Valse | — | ||
| 24-12 | La Source : Acte I (Minkus). 10. Scène et danse | — | ||
| 24-13 | La Source : Acte I (Minkus). 11. Danse des sylphes et des lutins | — | ||
| 24-14 | La Source : Acte I (Minkus). 12. Variation de Naila | — | ||
| 24-15 | La Source : Acte I (Minkus). 13. Scène et danse | — | ||
| 24-16 | La Source : Acte I (Minkus). 14. Galop | — | ||
| 24-17 | La Source : Acte I (Minkus). 15. Scène finale | — | ||
| 24-18 | La Source : Acte II (Delibes). Introduction | — | ||
| 24-19 | La Source : Acte II (Delibes). 16. Scène | — | ||
| 24-20 | La Source : Acte II (Delibes). 17. Scène: Arrivée de Nouredda | — | ||
| 24-21 | La Source : Acte II (Delibes). Divertissement: 18a. Pas de voiles | — | ||
| 24-22 | La Source : Acte II (Delibes). Divertissement: 18b. Andante | — | ||
| 24-23 | La Source : Acte II (Delibes). Divertissement: 18c. Variation | — | ||
| 24-24 | La Source : Acte II (Delibes). Divertissement: 18d. Danse circassienne | — | ||
| 24-25 | La Source : Acte II (Delibes). 19. Scène | — | ||
| 24-26 | La Source : Acte II (Delibes). 20. Pas de Naila: Scherzo-polka | — | ||
| 24-27 | La Source : Acte II (Delibes). 21. Scène et pas d'action | — | ||
| 24-28 | La Source : Acte II (Delibes). 22. Mazurka | — | ||
| 24-29 | La Source : Acte II (Delibes). 23. Scène | — | ||
| 24-30 | La Source : Acte II (Delibes). 24. Marche dansée et finale | — | ||
| 25-1 | La Source : Acte III, scène 1 (Delibes). Introduction | — | ||
| 25-2 | La Source : Acte III, scène 1 (Delibes). 25. Scène | — | ||
| 25-3 | La Source : Acte III, scène 1 (Delibes). 26. Romance | — | ||
| 25-4 | La Source : Acte III, scène 2 (Minkus). 28. Scène et danse | — | ||
| 25-5 | La Flûte magique: Prélude | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-6 | La Flûte magique: Scène I et danse villageoise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-7 | La Flûte magique: Scène II | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-8 | La Flûte magique: Scène III et pas d'action | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-9 | La Flûte magique: Scène IV, petite scène et variation de Lise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-10 | La Flûte magique: Farandole | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-11 | La Flûte magique: Scènes V-VII | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-12 | La Flûte magique: Scènes VIII-IX | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-13 | La Flûte magique: Scènes X-XII | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-14 | La Flûte magique: Grand Pas d'ensemble | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-15 | La Flûte magique: Variation pour quatre danseuses | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-16 | La Flûte magique: a. Variation pour Luc | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-17 | La Flûte magique: b. Variation pour Lise | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 25-18 | La Flûte magique: Ballabile finale (Valse) | Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | — | |
| 26-1 | La Bayadère: Act I. No. 1: Moderato | — | ||
| 26-2 | La Bayadère: Act I. No. 2: Maestoso | — | ||
| 26-3 | La Bayadère: Act I. No. 3: Andante delicato | — | ||
| 26-4 | La Bayadère: Act I. No. 4: Maestoso | — | ||
| 26-5 | La Bayadère: Act I. No. 5: Andante sostenuto | — | ||
| 26-6 | La Bayadère: Act I. No. 6: Moderato assai | — | ||
| 26-7 | La Bayadère: Act I. No. 7: Allegro molto | — | ||
| 26-8 | La Bayadère: Act I. No. 8: Moderato con moto | — | ||
| 26-9 | La Bayadère: Act I. No. 9: Allegro non troppo | — | ||
| 26-10 | La Bayadère: Act I. No. 10: Allegro appassionato | — | ||
| 26-11 | La Bayadère: Act I. No. 11: Allegro moderato, No. 12: Moderato con moto, No$ | — | ||
| 26-12 | La Bayadère: Act I. No. 14: Molto moderato | — | ||
| 26-13 | La Bayadère: Act I. No. 14a: Vivo | — | ||
| 26-14 | La Bayadère: Act I. No. 15: Maestoso | — | ||
| 26-15 | La Bayadère: Act I. No. 16: Moderato, No. 17: Allegro vivo | — | ||
| 26-16 | La Bayadère: Act I. No. 18: Tempo di marcia giocosa | — | ||
| 26-17 | La Bayadère: Act I. No. 19: Allegro moderato e soave | — | ||
| 26-18 | La Bayadère: Act I. No. 20: Moderato | — | ||
| 26-19 | La Bayadère: Act I. No. 21: Allegretto | — | ||
| 26-20 | La Bayadère: Act I. No. 22: Andante | — | ||
| 26-21 | La Bayadère: Act I. No. 23: Allegretto delicato | — | ||
| 26-22 | La Bayadère: Act I. No. 24: Allegro pesante | — | ||
| 26-23 | La Bayadère: Act I. No. 25: Allegro | — | ||
| 26-24 | La Bayadère: Act I. No. 26: Tempo di valse brillante | — | ||
| 26-25 | La Bayadère: Act I. No. 27: Allegro | — | ||
| 27-1 | La Bayadère: Act II. No. 28: Maestoso, ma non troppo lento | — | ||
| 27-2 | La Bayadère: Act II. No. 29: (Andante) | — | ||
| 27-3 | La Bayadère: Act II. No. 30: Tempo di valse | — | ||
| 27-4 | La Bayadère: Act II. No. 31: Allegro | — | ||
| 27-5 | La Bayadère: Act II. No. 32: Andantino | — | ||
| 27-6 | La Bayadère: Act II. No. 33: Andante [No. 8] | — | ||
| 27-7 | La Bayadère: Act II. No. 34: Allegro [No. 9] | — | ||
| 27-8 | La Bayadère: Act II. No. 35: Allegro moderato [No. 10] | — | ||
| 27-9 | La Bayadère: Act II. No. 36: Moderato [No. 11] | — | ||
| 27-10 | La Bayadère: Act II. No. 37: Allegretto [No. 12] | — | ||
| 27-11 | La Bayadère: Act II. No. 38: Allegro con spirito [No. 13] | — | ||
| 27-12 | La Bayadère: Act II. No. 39: Vivace [No. 13] | — | ||
| 27-13 | La Bayadère: Act III. No. 41: Alla marcia, No. 42: Allegro vivo | — | ||
| 27-14 | La Bayadère: Act III. No. 42a Solenne | — | ||
| 27-15 | La Bayadère: Act III. No. 43: Moderato con moto | — | ||
| 27-16 | La Bayadère: Act III. No. 44: Allegro | — | ||
| 27-17 | La Bayadère: Act III. No. 45: Vivo assai, No. 46: Finale: vivo, agitato | — | ||
| 27-18 | Faust: Que Ton Ivresse, O Volupté! étouffe Les | — | ||
| 28-1 | Le Papillon Prelude and Act 1: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-2 | Le Papillon Prelude and Act 1: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-3 | Le Papillon Prelude and Act 1: Scene 2, Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-4 | Le Papillon Prelude and Act 1: Scene 2, Valse des Rayons | London Symphony Orchestra, Richard Bonynge | — | |
| 28-5 | Le Papillon Prelude and Act 1: Scene 2, Conclusion | London Symphony Orchestra, Richard Bonynge | — | |
| 28-6 | Le Papillon Act 2: Scene 1, Part 1 | London Symphony Orchestra, Richard Bonynge | T-800.243.948-8 | |
| 28-7 | Le Papillon Act 2: Scene 1, Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-8 | Le Papillon Act 2: Scene 1, Part 3 | London Symphony Orchestra, Richard Bonynge | — | |
| 28-9 | Le Papillon Act 2: Scene 2, Pas de deux | London Symphony Orchestra, Richard Bonynge | T-070.096.762-9 | |
| 28-10 | Le Papillon Act 2 Apotheosis | London Symphony Orchestra, Richard Bonynge | T-031.767.148-9 | |
| 28-11 | Concerto no.1 for cello & orchestra: 1. Allegro ma non troppo | — | ||
| 28-12 | Concerto no.1 for cello & orchestra: 2. Adagio - quasi andante | — | ||
| 28-13 | Concerto no.1 for cello & orchestra: 3. Vivace | — | ||
| 29-1 | Ritter Pásmán - Ballet Music, Allegretto - Tempo di Polka | — | ||
| 29-2 | Ritter Pásmán - Ballet Music, Andantino grazioso - Tempo di Valse | — | ||
| 29-3 | Ritter Pásmán - Ballet Music, Csárdás | — | ||
| 29-4 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-5 | Le Beau Danube, Orchestrated: Roger Desormière: Allegro marcato: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-6 | Le Beau Danube, Orchestrated: Roger Desormière: Andantino: Tempo di Valse... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-7 | Le Beau Danube, Orchestrated: Roger Desormière: Mazurka... | National Philharmonic Orchestra, Richard Bonynge | — | |
| 29-8 | Cinderella, Vorspiel | — | ||
| 29-9 | Cinderella, Act I, Allegro | — | ||
| 29-10 | Cinderella, Act I, Franz' Selbstporträt | — | ||
| 29-11 | Cinderella, Act I, Promenade-Abenteuer | — | ||
| 29-12 | Cinderella, Act I, Entrée des Piccolo. Liebesbotschaft | — | ||
| 29-13 | Cinderella, Act I, An der schönen blauen Danube | — | ||
| 29-14 | Cinderella, Act I, Tauben-Walzer | — | ||
| 30-1 | Cinderella, Act I, Zwischenspiel | — | ||
| 30-2 | Cinderella, Act II, Allegretto | — | ||
| 30-3 | Cinderella, Act II, Agyptischer Sklavinnentanz | — | ||
| 30-4 | Cinderella, Act II, Einzug Floras | — | ||
| 30-5 | Cinderella, Act II, Aschenbrödel-Walzer | — | ||
| 30-6 | Cinderella, Act II, Zwischenspiel | — | ||
| 30-7 | Cinderella, Act III, Allegretto | — | ||
| 30-8 | Cinderella, Act III, 1. Traumbild | — | ||
| 30-9 | Cinderella, Act III, 2. Traumbild | — | ||
| 30-10 | Cinderella, Act III, 3. Traumbild. Amorettenreigen | — | ||
| 30-11 | Cinderella, Act III, Moderato | — | ||
| 30-12 | Cinderella, Act III, Zwischenspiel | — | ||
| 30-13 | Cinderella, Act III, Allegretto. Trousseau-Divertissement | — | ||
| 30-14 | Cinderella, Act III, Monogramm-Tanz | — | ||
| 30-15 | Cinderella, Act III, Tarantella | — | ||
| 30-16 | Cinderella, Act III, Walzer-Tempo | — | ||
| 30-17 | Cinderella, Act III, Mazurka | — | ||
| 30-18 | Cinderella, Act III, Csárdás | — | ||
| 30-19 | Cinderella, Act III, Brautschatz-Walzer | — | ||
| 30-20 | Die Fledermaus, Bal de Vienne: Ballet Suite for Act 2 of “Die Fledermaus” | — | ||
| 30-21 | Die Fledermaus: Overture | — | ||
| 31-1 | The Nutcracker: Overture | National Philharmonic Orchestra, Richard Bonynge | T-312.199.363-9 | |
| 31-2 | The Nutcracker: Act 1, No. 1: The Christmas Tree | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-3 | The Nutcracker: Act 1, No. 2: March | National Philharmonic Orchestra, Richard Bonynge | T-312.207.757-6 | |
| 31-4 | The Nutcracker: Act 1, No. 3: Galop and Dance of the Parents | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-5 | The Nutcracker: Act 1, No. 4: Dance Scene - The Presents of Drosselmeyer | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-6 | The Nutcracker: Act 1, No. 5: Scene - Grandfather Dance | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-7 | The Nutcracker: Act 1, No. 6: Clara and the Nutcracker | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-8 | The Nutcracker: Act 1, No. 7: The Nutcracker Battles the Army of the Mouse King - He Wins and Is Transformed into Prince Charming | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-9 | The Nutcracker: Act 1, No. 8a: A Pine Forest in Winter | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-10 | The Nutcracker: Act 1, No. 9: Scene and Waltz of the Snowflakes | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-11 | The Nutcracker: Act 2, No. 10: The Magic Castle on the Mountain of Sweets | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-12 | The Nutcracker: Act 2, No. 11: Clara and Prince Charming | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-13 | The Nutcracker: Act 2, No. 12a: Character Dances: Chocolate (Spanish Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-14 | The Nutcracker: Act 2, No. 12b: Character Dances: Coffee (Arabian Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-15 | The Nutcracker: Act 2, No. 12c: Character Dances: Tea (Chinese Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-16 | The Nutcracker: Act 2, No. 12d: Character Dances: Trépak (Russian Dance) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-17 | The Nutcracker: Act 2, No. 12e: Character Dances: Dance of the Reed Pipes | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-18 | The Nutcracker: Act 2, No. 12f: Character Dances: Polchinelle (The Clown) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 31-19 | The Nutcracker, Op.71 / Act 2 - No. 13 Waltz of the Flowers | National Philharmonic Orchestra | T-918.336.772-8 | |
| 32-1 | The Nutcracker: Act 2, No.14: The Prince And The Sugar-Plum Fairy | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-2 | The Nutcracker: Act 2, Var.1: Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-3 | The Nutcracker: Act 2, Var.2: Dance Of The Sugar-Plum Fairy | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-4 | The Nutcracker: Act 2: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-5 | The Nutcracker: Act 2, No.15: Final Waltz And Apotheosis | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-6 | La boutique fantasque, P. 120: I. Overture | — | ||
| 32-7 | La boutique fantasque, P. 120: II. Tarantella | — | ||
| 32-8 | La boutique fantasque, P. 120: III. Mazurka | — | ||
| 32-9 | La boutique fantasque, P. 120: IV. Danse cosaque | — | ||
| 32-10 | La boutique fantasque, P. 120: V. Cancan | — | ||
| 32-11 | La boutique fantasque, P. 120: VI. Valse lente | — | ||
| 32-12 | La boutique fantasque, P. 120: VII. Nocturne | — | ||
| 32-13 | La boutique fantasque, P. 120: VIII. Galop | — | ||
| 32-14 | Soirées musicales, op. 9: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-15 | Soirées musicales, op. 9: II. Canzonetta | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-16 | Soirées musicales, op. 9: III. Tirolese | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-17 | Soirées musicales, op. 9: IV. Bolero | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-18 | Soirées musicales, op. 9: V. Tarantella | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-19 | Matinées musicales, op. 24: I. March | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-20 | Matinées musicales, op. 24: II. Nocturne | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-21 | Matinées musicales, op. 24: III. Waltz | National Philharmonic Orchestra, Richard Bonynge | T-905.049.109-3 | |
| 32-22 | Matinées musicales, op. 24: IV. Pantomime | National Philharmonic Orchestra, Richard Bonynge | — | |
| 32-23 | Matinées musicales, op. 24: V. Moto perpetuo | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-1 | Swan Lake: Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-2 | Swan Lake: Act I: no. 1: Scène (Allegro giusto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-3 | Swan Lake: Act I: no. 2: Valse (Corps de Ballet) | National Philharmonic Orchestra, Richard Bonynge | T-312.426.938-7 | |
| 33-4 | Swan Lake: Act I: no. 3: Scène (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-5 | Swan Lake: Act I: no. 4a: Pas de trois: Intrada (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-6 | Swan Lake: Act I: no. 4b: Pas de trois: Andante sostenuto | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-7 | Swan Lake: Act I: no. 4c: Pas de trois: Allegro semplice | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-8 | Swan Lake: Act I: no. 4d: Pas de trois: Moderato | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-9 | Swan Lake: Act I: no. 4e: Pas de trois: Allegro | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-10 | Swan Lake: Act I: no. 4f: Pas de trois: Coda (Allegro vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-11 | Swan Lake: Act I: no. 5a: Pas de deux: Intrada - Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-12 | Swan Lake: Act I: no. 5b: Pas de deux: Andante | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-13 | Swan Lake: Act I: no. 5c: Pas de deux: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-14 | Swan Lake: Act I: no. 5d: Pas de deux: Coda (Allegro molto vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-15 | Swan Lake: Act I: no. 6: Pas d'action (Andantino quasi moderato - Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-16 | Swan Lake: Act I: no. 7: Sujet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-17 | Swan Lake: Act I: no. 8: Danse des coupes (Tempo di polacca) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-18 | Swan Lake: Act I: no. 9: Finale (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-19 | Swan Lake: Act II: no. 10: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-20 | Swan Lake: Act II: no. 11: Scène (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-21 | Swan Lake: Act II: no. 12: Scène (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-22 | Swan Lake: Act II: no. 13a: Danse des cygnes: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-23 | Swan Lake: Act II: no. 13b: Danse des cygnes: Odette solo / Première danse de la reine des cygnes (Moderato assai) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-24 | Swan Lake: Act II: no. 13c: Danse des cygnes: Valse | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-25 | Swan Lake: Act II: no. 13d: Danse des petits cygnes (Allegro moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-26 | Swan Lake: Act II: no. 13e: Danse des cygnes: Pas d'action: Odette et le prince / Deuxième danse de la reine des cygnes (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-27 | Swan Lake: Act II: no. 13f: Danse des cygnes: Danse générale (Valse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-28 | Swan Lake: Act II: no. 13g: Danse des cygnes: Coda (Allegro vivace) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 33-29 | Swan Lake: Act II: no. 10: Scène (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-1 | Swan Lake: Act III: no. 15: Danse de fançailles (Allegro giusto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-2 | Swan Lake: Act III: no. 16: Danses du corps de ballet et des nains (Moderato assai) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-3 | Swan Lake: Act III: no. 17: Scène: Entrée des invités (Fanfares) et la valse (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-4 | Swan Lake: Act III: no. 18: Scène (Allegro) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-5 | Swan Lake: Act III: no. 19: Pas de six: Intrada (Moderato assai) - Variations I/V - Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-6 | Swan Lake: Act III. Pas de deux: Introduction (Moderato) / Variation I / Variation II / Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-7 | Swan Lake: Act III: no. 20: Danse hongroise (Czárdás) | National Philharmonic Orchestra, Richard Bonynge | T-900.160.317-4 | |
| 34-8 | Swan Lake: Act III. Danse russe (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-9 | Swan Lake: Act III: no. 21: Danse espagnole (Allegro non troppo. Tempo di bolero) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-10 | Swan Lake: Act III: no. 22: Danse napolitaine | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-11 | Swan Lake: Act III: no. 23: Mazurka | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-12 | Swan Lake: Act III: no. 24: Scène (Allegro - Valse - Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-13 | Swan Lake: Act IV: no. 25: Entr'acte (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-14 | Swan Lake: Act IV: no. 26: Scène (Allegro non troppo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-15 | Swan Lake: Act IV: no. 27: Danses des petits cygnes (Moderato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-16 | Swan Lake: Act IV: no. 28: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 34-17 | Swan Lake: Act IV: no. 29: Scène finale (Andante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-1 | The Sleeping Beauty: Prologue: no. Introduction | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-2 | The Sleeping Beauty: Prologue: no. 1: Marche (Entrance of King and Court) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-3 | The Sleeping Beauty: Prologue: no. 2. Scène dansante (Entrance of Fairies) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-4 | The Sleeping Beauty: Prologue: no. 3: Pas de six: Intrada - Adagio (Allegro vivo) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-5 | The Sleeping Beauty: Prologue: no. 3c: Pas de six: Variation I (Candite) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-6 | The Sleeping Beauty: Prologue: no. 3d: Pas de six: Variation II (Coulante) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-7 | The Sleeping Beauty: Prologue: no. 3e: Pas de six: Variation III (Falling crumbs) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-8 | The Sleeping Beauty: Prologue: no. 3f: Pas de six: Variation IV (Song-bird Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-9 | The Sleeping Beauty: Prologue: no. 3g: Pas de six: Variation V (Violente) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-10 | The Sleeping Beauty: Prologue: no. 3h: Pas de six: Variation VI (Lilac Fairy)(Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-11 | The Sleeping Beauty: Prologue: no. 3i: Pas de six: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-12 | The Sleeping Beauty: Prologue: no. 4: Final (La Fée des lilas sort) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-13 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-14 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 35-15 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-16 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 35-17 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-18 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-19 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 35-20 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-1 | The Sleeping Beauty: Act I: no. 5: Scène (The Palace Garden) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-2 | The Sleeping Beauty: Act I: no. 6: Valse | National Philharmonic Orchestra, Richard Bonynge | T-913.706.049-2 | |
| 36-3 | The Sleeping Beauty: Act I: no. 7: Scène (The Four Princes) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-4 | The Sleeping Beauty | National Philharmonic Orchestra, Richard Bonynge | T-072.814.484-0 | |
| 36-5 | The Sleeping Beauty: Act I: no. 8b: Pas d'action: Danse des demoiselles d'honneur et des pages | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-6 | The Sleeping Beauty: Act I: no. 8c: Pas d'action: Variation d'Aurore | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-7 | The Sleeping Beauty: Act I: no. 8d: Pas d'action: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-8 | The Sleeping Beauty: Act I: no. 9: Final (La Fée des lilas paraît) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-9 | The Sleeping Beauty: Act II: no. 16: Scène (Allegro agitato) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-10 | The Sleeping Beauty: Act II: no. 17: Panorama (Andantino) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-11 | The Sleeping Beauty: Act II: no. 18: Entr'acte (Andante sostenuto) | Mincho Minchev, National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-12 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 36-13 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-1 | The Sleeping Beauty: Act II: no. 19: Entr'acte symphonique - Scène (Aurora's sleep) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-2 | The Sleeping Beauty: Act II: no. 20: Final (Allegro agitato) (Breaking of spell) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-3 | The Sleeping Beauty: Act III: no. 23a: Pas de quatre: Intrada (Allegro non tanto) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-4 | The Sleeping Beauty: Act III: no. 23b: Pas de quatre: Variation I (Valse) (Golden Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-5 | The Sleeping Beauty: Act III: no. 23c: Pas de quatre: Variation II (Polka) (Silver Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-6 | The Sleeping Beauty: Act III: no. 23d: Pas de quatre: Variation III (Saphir Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-7 | The Sleeping Beauty: Act III: no. 23e: Pas de quatre: Variation IV (Diamond Fairy) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-8 | The Sleeping Beauty: Act III: no. 23f: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-9 | The Sleeping Beauty: Act III: no. 24: Pas de caractère (Puss in Boots) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-10 | The Sleeping Beauty: Act III: no. 25a: Pas de quatre: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-11 | The Sleeping Beauty: Act III: no. 25b: Pas de quatre: Variation I (Cinderella and Prince) (Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-12 | The Sleeping Beauty: Act III: no. 25c: Pas de quatre: Variation II (Bluebird and Florisse) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-13 | The Sleeping Beauty: Act III: no. 25d: Pas de quatre: Coda | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-14 | The Sleeping Beauty: Act III: no. 26: Pas de caractère (Red Riding Hood) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-15 | The Sleeping Beauty: Act III: Cendrillon et le prince Fortune (Allegro - Waltz) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-16 | The Sleeping Beauty: Act III: no. 27: Pas berrichon (Hop 'o my Thumb) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-17 | The Sleeping Beauty: Act III: no. 28a: Pas de deux: Intrada | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-18 | The Sleeping Beauty: Act III: no. 28b: Pas de deux: Adagio | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-19 | The Sleeping Beauty: Act III: no. 28c: Pas de deux: Variation I (Prince) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-20 | The Sleeping Beauty: Act III: no. 28d: Pas de deux: Variation II (Aurora) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-21 | The Sleeping Beauty: Act III: no. 28e: Pas de deux: Coda (Allegro vivace) (The Three Ivans) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-22 | The Sleeping Beauty: Act III: no. 29: Sarabande | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-23 | The Sleeping Beauty: Act III: no. 30a: Finale: Allegro brillante (Mazurka) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 37-24 | The Sleeping Beauty: Act III: no. 30b: Finale: Apothéose (Andante molto maestoso) | National Philharmonic Orchestra, Richard Bonynge | — | |
| 38-1 | La Bayadère | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | T-922.063.457-1 | |
| 38-2 | Pas de Trois | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 38-3 | William Tell: Ballet music | London Symphony Orchestra, Richard Bonynge | T-915.716.653-5 | |
| 38-4 | Giselle, Act 1: Danse des vignerons..Pas seul..Peasant pas de deux | London Symphony Orchestra, Richard Bonynge | — | |
| 38-5 | Giselle, Act 2: Grand pas de deux | Simon Streatfield, London Symphony Orchestra, Richard Bonynge | — | |
| 38-6 | La Sylphide: Pas de deux | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 39-1 | Swan Lake, op. 20, TH. 12, Act 3: Pas de deux: Introduction (Moderato): Variations I & II - Coda | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | T-906.884.636-6 | |
| 39-2 | La Favorita (Complete) | London Symphony Orchestra, Richard Bonynge | T-914.004.667-9 | |
| 39-3 | Don Quixote: Pas de deux | London Symphony Orchestra, Richard Bonynge | T-900.017.125-5 | |
| 39-4 | Bolero: Traditional, arranged James O'Turner | London Symphony Orchestra, Richard Bonynge | T-003.006.377-4 | |
| 39-5 | Pas de quatre: Arr. for Mme Markova by William McDermott | London Symphony Orchestra, Erich Gruenberg, Richard Bonynge | — | |
| 39-6 | The Sleeping Beauty, op. 66, TH.13, Act 3: 2VIII. Pas de deux: Aurora and Prince Desire | London Symphony Orchestra, Richard Bonynge | — | |
| 39-7 | The Nutcracker, op. 71, TH 14, Act 2: no. 14 Pas de deux: Intrada: Variation I/II - Coda | London Symphony Orchestra, Richard Bonynge | — | |
| 40-1 | Ballet égyptien, op. 12: Part 1 | London Symphony Orchestra, Richard Bonynge | — | |
| 40-2 | Ballet égyptien, op. 12: Part 2 | London Symphony Orchestra, Richard Bonynge | — | |
| 40-3 | Le carnaval des animaux, R. 125: Le Cygne | Jascha Silberstein, Marie Goossens | T-004.976.716-9 | |
| 40-4 | Thaïs: Méditation | John Georgiadis, London Symphony Orchestra, Richard Bonynge | T-306.705.438-6 | |
| 40-5 | The Seasons: 1II. December (Christmas) (Arr. Gamley) | London Symphony Orchestra, Richard Bonynge | T-010.194.886-0 | |
| 40-6 | Feramors: Opera in 3 Acts: Danses des fiancées de Cachemir | London Symphony Orchestra, Richard Bonynge | — | |
| 40-7 | Love's Dream After the Ball (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 40-8 | Schön Rosmarin: Ballet "The Dragonfly" (arr. Gamley) | London Symphony Orchestra, Richard Bonynge | — | |
| 41-1 | Le reveil de Flore: Part 1 | John Georgiadis, Osian Ellis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-2 | Le reveil de Flore: Part 2 | John Georgiadis, Osian Ellis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-3 | Souvenir d'un lieu cher, op. 42, TH. 116: III. Mélodie in E-flat | John Georgiadis, London Symphony Orchestra, Richard Bonynge | — | |
| 41-4 | Papillons | London Symphony Orchestra, Richard Bonynge | — | |
| 41-5 | Glow-worm (Gavotte Pavlova) | London Symphony Orchestra, Richard Bonynge | — | |
| 41-6 | Naïla: Intermezzo | London Symphony Orchestra, Richard Bonynge | — | |
| 41-7 | Loreley, Act 2: Danza delle ondine | London Symphony Orchestra, Richard Bonynge | — | |
| 41-8 | Polish Wedding: Mazurka | London Symphony Orchestra, Richard Bonynge | — | |
| 42-1 | Paquita: Pas de deux | — | ||
| 42-2 | La Esmeralda: Pas de deux | — | ||
| 42-3 | Pas classique | — | ||
| 42-4 | Flower Festival in Genzano: Pas de deux | — | ||
| 42-5 | Le Corsaire: Pas de deux | — | ||
| 42-6 | Les Patineurs, arr. Lambert: Entrée | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-7 | Les Patineurs, arr. Lambert: Pas seul. Pas de deux | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-8 | Les Patineurs, arr. Lambert: Ensemble | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-9 | Les Patineurs, arr. Lambert: Pas de trois | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-10 | Les Patineurs, arr. Lambert: Duet | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-11 | Les Patineurs, arr. Lambert: Pas des patineurs | National Philharmonic Orchestra, Richard Bonynge | — | |
| 42-12 | Les Patineurs, arr. Lambert: Finale | National Philharmonic Orchestra, Richard Bonynge | — | |
| 43-1 | La Prophète : Ouverture | — | ||
| 43-2 | La Navarraise : Acte I. Nocturne | — | ||
| 43-3 | La Reine de Saba : Ouverture | — | ||
| 43-4 | La Dame blanche : Ouverture | — | ||
| 43-5 | Chérubin : Acte III. Entr’acte | — | ||
| 43-6 | Don Procopio : Ouverture | — | ||
| 43-7 | Don César de Bazan | — | ||
| 43-8 | Le Tribut de Zamora | — | ||
| 43-9 | Henri VIII | — | ||
| 43-10 | Les Érinnyes | — | ||
| 43-11 | Le Roi l’a dit : Ouverture | — | ||
| 43-12 | La Neige | — | ||
| 43-13 | Les Erinnyes: Entr'acte to Act III | — | ||
| 43-14 | Kassya: Prelude | — | ||
| 43-15 | Le roi de Lahore: Entr'acte Act V & Adagio & Waltz, Ballet Act III | London Symphony Orchestra, Richard Bonynge | — | |
| 43-16 | Le Roi de Lahore : Overture | — | ||
| 43-17 | Le Roi de Lahore : Acte II. Entr'acte | — | ||
| 43-18 | Le Roi de Lahore : Acte III. Divertissement: Mélodie hindique | — | ||
| 44-1 | Paquita, Grand pas | — | ||
| 44-2 | Paquita, Pas de quatre - Arr. Peter March | — | ||
| 44-3 | Paquita, Le Papillon | — | ||
| 44-4 | Don Quixote, Act IV, Pas de deux | — | ||
| 44-5 | Le Corsaire, Pas de deux | — | ||
| 45-1 | Pas classique | — | ||
| 45-2 | Les Rendez-vous (arr. Constant Lambert) | — | ||
| 45-3 | Diana and Actaeon: Pas de deux | — | ||
| 45-4 | The Good-Humoured Ladies (arr. Vincenzo Tommasini) | — | ||
| 45-5 | Françoise de Rimini | — |
