UPC · Release
Igor Stravinsky, Riccardo Chailly
Last verified:
The UPC for “Stravinsky Edition” by Igor Stravinsky, Riccardo Chailly is 028948513673. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 204 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Faune et la Bergère, Op.2 - I. La Bergère | — | ||
| 2 | Le Faune et la Bergère, Op.2 - II. La Faune | — | ||
| 3 | Le Faune et la Bergère, Op.2 - III. La Torrent | — | ||
| 4 | Feu d'artifice (Fireworks), Op.4 | — | ||
| 5 | Chant funèbre, Op.5 | — | ||
| 6 | Scherzo fantastique, Op.3 | — | ||
| 7 | Le Roi des étoiles (The King of the Stars) | — | ||
| 8 | Feu d'artifice (Fireworks), Op.4 | — | ||
| 9 | Scherzo fantastique, Op.3 | — | ||
| 2-1 | Le Sacre du Printemps - Part 1. Adoration ofthe Earth. I. Introduction | — | ||
| 2-2 | Le Sacre du Printemps - II. The Augers of Spring. Dance of the Young Girls | — | ||
| 2-3 | Le Sacre du Printemps - III. Ritual Abduction | — | ||
| 2-4 | Le Sacre du Printemps - IV. Spring Rounds | — | ||
| 2-5 | Le Sacre du Printemps - V. Ritual of thee Rival Tribes | — | ||
| 2-6 | Le Sacre du Printemps - VI. Procession of the Sage | — | ||
| 2-7 | Le Sacre du Printemps - VII. The Sage | — | ||
| 2-8 | Le Sacre du Printemps - VIII. Dance of the Earth | — | ||
| 2-9 | Le Sacre du Printemps - Part 2. The Sacrifice. I. Introduction | — | ||
| 2-10 | Le Sacre du Printemps - II. Mystic Circles of the Young Girls | — | ||
| 2-11 | Le Sacre du Printemps - III. Glorification of the Chosen One | — | ||
| 2-12 | Le Sacre du Printemps - IV. Evocation of the Ancestors | — | ||
| 2-13 | Le Sacre du Printemps - V. Ritual Action of the Ancestors | — | ||
| 2-14 | Le Sacre du Printemps - VI. Sacrificial Dance | — | ||
| 2-15 | Renard (The Fox) | — | ||
| 2-16 | Le Chant du rossignol (The Song of the Nightingale) | — | ||
| 3-1 | Le Chant du rossignol (The Song of the Nightingale) | — | ||
| 3-2 | L'Histoire du soldat, Suite - I. Marche du soldat | — | ||
| 3-3 | L'Histoire du soldat, Suite - II. Musique de la première scène | — | ||
| 3-4 | L'Histoire du soldat, Suite - III. Musique de la deuxième scène | — | ||
| 3-5 | L'Histoire du soldat, Suite - IV. Marche royale | — | ||
| 3-6 | L'Histoire du soldat, Suite - V. Petit concert | — | ||
| 3-7 | L'Histoire du soldat, Suite - VI. Trois danses. Tango-Valse-Ragtime | — | ||
| 3-8 | L'Histoire du soldat, Suite - VII. Danse du diable | — | ||
| 3-9 | L'Histoire du soldat, Suite - VIII. Grand choral | — | ||
| 3-10 | L'Histoire du soldat, Suite - IX. Marche triomphale du diable | — | ||
| 3-11 | Octet for Wind Instruments - I. Sinfonia. Lento - Allegro moderato | — | ||
| 3-12 | Octet for Wind Instruments - II. Tema con variazioni | — | ||
| 3-13 | Octet for Wind Instruments - III. Finale | — | ||
| 3-14 | Suite No.1 for Small Orchestra | — | ||
| 3-15 | Suite No.2 for Small Orchestra | — | ||
| 4-1 | Concerto In E Flat Major 'Dumbarton Oaks' - I. Tempo giusto | — | ||
| 4-2 | Concerto In E Flat Major 'Dumbarton Oaks' - II. Allegretto | — | ||
| 4-3 | Concerto In E Flat Major 'Dumbarton Oaks' - III. Con Moto | — | ||
| 4-4 | Tango (orch. Stravinsky) | — | ||
| 4-5 | Ragtime for 11 instruments | — | ||
| 4-6 | Danses Concertantes for chamber orchestra - I. March. Introduction | — | ||
| 4-7 | Danses Concertantes for chamber orchestra - II. Pas d'action | — | ||
| 4-8 | Danses Concertantes for chamber orchestra - III. Thème varié | — | ||
| 4-9 | Danses Concertantes for chamber orchestra - IV. Pas de deux | — | ||
| 4-10 | Danses Concertantes for chamber orchestra - V. Marche - Conclusion | — | ||
| 4-11 | Divertimento (Suite from 'Le baiser de la fée') - I. Sinfonia | — | ||
| 4-12 | Divertimento (Suite from 'Le baiser de la fée') - II. Danses suisses | — | ||
| 4-13 | Divertimento (Suite from 'Le baiser de la fée') - III. Scherzo | — | ||
| 5-1 | Pulcinella, Ballet in one Act - 1. Ouverture. Allegro moderato | — | ||
| 5-2 | Pulcinella, Ballet in one Act - 2. Serenata (Larghetto). 'Mentre l'erbetta pasce l'agnella' | — | ||
| 5-3 | Pulcinella, Ballet in one Act - 3. Scherzino. Allegro | — | ||
| 5-4 | Pulcinella, Ballet in one Act - 4. Allegro | — | ||
| 5-5 | Pulcinella, Ballet in one Act - 5. Andantino | — | ||
| 5-6 | Pulcinella, Ballet in one Act - 6. Allegro | — | ||
| 5-7 | Pulcinella, Ballet in one Act - 7. Ancora poco meno. 'Contento forse vivere' | — | ||
| 5-8 | Pulcinella, Ballet in one Act - 8. Allegro assai | — | ||
| 5-9 | Pulcinella, Ballet in one Act - 9. Allegro - alla breve. 'Con queste paroline' | — | ||
| 5-10 | Pulcinella, Ballet in one Act - 10. Andante. 'Sento dire no'ncè pace' | — | ||
| 5-11 | Pulcinella, Ballet in one Act - 11. Allegro. 'Ncè sta quaccuna po' | — | ||
| 5-12 | Pulcinella, Ballet in one Act - 12. Presto. 'Una te fa la zemprece' | — | ||
| 5-13 | Pulcinella, Ballet in one Act - 13. Allegro - alla breve | — | ||
| 5-14 | Pulcinella, Ballet in one Act - 14. Tarantella | — | ||
| 5-15 | Pulcinella, Ballet in one Act - 15. Andantino. 'Se tu m'ami' | — | ||
| 5-16 | Pulcinella, Ballet in one Act - 16. Allegro | — | ||
| 5-17 | Pulcinella, Ballet in one Act - 17. Gavotta con due variazioni | — | ||
| 5-18 | Pulcinella, Ballet in one Act - 18 Vivo | — | ||
| 5-19 | Pulcinella, Ballet in one Act - 19. Tempo di minuetto. 'Pupillette, fiammette d'amore' | — | ||
| 5-20 | Pulcinella, Ballet in one Act - 20. Allegro assai | — | ||
| 5-21 | Symphony of Pslams - I. Exaudi orationem meam, Domine | — | ||
| 5-22 | Symphony of Pslams - II. Expectans expectavi Dominum | — | ||
| 5-23 | Symphony of Pslams - III. Alleluia, laudate Dominum | — | ||
| 5-24 | Jeu De Cartes (Card Game) - Premiére donne (First Deal) | — | ||
| 5-25 | Jeu De Cartes (Card Game) - Deuxiéme donne (Second Deal) | — | ||
| 5-26 | Jeu De Cartes (Card Game) - Troisiéme donne (Third Deal) | — | ||
| 6-1 | Oedipus rex - Prologue. 'Toeschouwers, zo dadelijk hoort...' (speaker) | — | ||
| 6-2 | Oedipus rex - Act I. 'Caedit nos pestis' (chorus) | — | ||
| 6-3 | Oedipus rex - 'Liberi, vos liberabo' (Oedipus, chorus) | — | ||
| 6-4 | Oedipus rex - 'lie daar, Creon, de zwager van Oedipus' (speaker) | — | ||
| 6-5 | Oedipus rex - 'Respondit deus' (Creon) | — | ||
| 6-6 | Oedipus rex - 'Non reperias vetus scelus' (Oedipus, chorus) | — | ||
| 6-7 | Oedipus rex - 'Oedipus ondervraagt de bran van waarheid' (speaker) | — | ||
| 6-8 | Oedipus rex - 'Delie, expectamus, Minerva, filia lovis' (chorus) | — | ||
| 6-9 | Oedipus rex - 'Dicere non possum, dicere non licet' (Tiresias, Oedipus) | — | ||
| 6-10 | Oedipus rex - 'lnvidia fortunam odit' (Oedipus) | — | ||
| 6-11 | Oedipus rex - 'Gloria, gloria, gloria!' (chorus) | — | ||
| 6-12 | Oedipus rex - Act II. 'Jocaste, aangetrokken door het geruzie van de prinsen' (speaker) | — | ||
| 6-13 | Oedipus rex - 'Gloria, gloria, gloria!' (chorus) | — | ||
| 6-14 | Oedipus rex - 'Nonn' erubescite, reges' (Jocasta) | — | ||
| 6-15 | Oedipus rex - 'Trivium, trivium, trivium! ... Pavesco subito, locasta' (chorus, Oedipus, Jocasta) | — | ||
| 6-16 | Oedipus rex - 'Oe getuige van de moord treedt uit de schaduw' (speaker) | — | ||
| 6-17 | Oedipus rex - 'Adest omniscius pastor' (chorus, Messenger, Shepherd, Oedipus) | — | ||
| 6-18 | Oedipus rex - 'In monte reppertus est' (Shepherd, Messenger, chorus, Oedipus) | — | ||
| 6-19 | Oedipus rex - 'En nu hoort u de beroemde monotoog' (speaker) | — | ||
| 6-20 | Oedipus rex - 'Divum locastae caput mortuum!' (Messenger, chorus) | — | ||
| 6-21 | Oedipus rex - 'Ecce! Regem Oedipoda. foedissimum monstrum monstrat' (chorus) | — | ||
| 6-22 | Violin Concerto in D - I. Toccata | — | ||
| 6-23 | Violin Concerto in D - II. Aria I | — | ||
| 6-24 | Violin Concerto in D - III. Aria II | — | ||
| 6-25 | Violin Concerto in D - IV. Capriccio | — | ||
| 7-1 | L'oiseau de feu (The Firebird), Suite (1945) - I. Introduction | — | ||
| 7-2 | L'oiseau de feu (The Firebird), Suite (1945) - Prelude & Dance of the Firebird - Variations | — | ||
| 7-3 | L'oiseau de feu (The Firebird), Suite (1945) - II. Pantomime I | — | ||
| 7-4 | L'oiseau de feu (The Firebird), Suite (1945) - III. Pas de deux | — | ||
| 7-5 | L'oiseau de feu (The Firebird), Suite (1945) - IV. Pantomime II | — | ||
| 7-6 | L'oiseau de feu (The Firebird), Suite (1945) - V. Scherzo. Dance of the Princesses | — | ||
| 7-7 | L'oiseau de feu (The Firebird), Suite (1945) - VI. Pantomime III | — | ||
| 7-8 | L'oiseau de feu (The Firebird), Suite (1945) - VII. Rondo | — | ||
| 7-9 | L'oiseau de feu (The Firebird), Suite (1945) - VIII. Infernal Dance | — | ||
| 7-10 | L'oiseau de feu (The Firebird), Suite (1945) - IX. Lullaby | — | ||
| 7-11 | L'oiseau de feu (The Firebird), Suite (1945) - X. Final Hymn | — | ||
| 7-12 | Tango (Orch. Stravinsky) | — | ||
| 7-13 | Petrushka (1947) - Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick | — | ||
| 7-14 | Petrushka (1947) - Scene 1. Russian Dance | — | ||
| 7-15 | Petrushka (1947) - Scene 2. Petrouchka's Room | — | ||
| 7-16 | Petrushka (1947) - Scene 3. The Moor's Room - Dance of the Ballerina | — | ||
| 7-17 | Petrushka (1947) - Scene 3. Waltz (The Ballerina and the Moor) | — | ||
| 7-18 | Petrushka (1947) - Scene 4. The Shrovetide Fair (Evening) | — | ||
| 7-19 | Petrushka (1947) - Scene 4. Dance of the Wet-nurses | — | ||
| 7-20 | Petrushka (1947) - Scene 4. Dance of the Peasant and the Bear | — | ||
| 7-21 | Petrushka (1947) - Scene 4. The Merchant and the Gipsies | — | ||
| 7-22 | Petrushka (1947) - Scene 4. Dance of the Coachmen and the Grooms | — | ||
| 7-23 | Petrushka (1947) - Scene 4. The Masqueraders | — | ||
| 7-24 | Petrushka (1947) - Scene 4. The Scuffle | — | ||
| 7-25 | Petrushka (1947) - Scene 4. Death of Petrouchka | — | ||
| 7-26 | Petrushka (1947) - Scene 4. The Police and the Charlatan | — | ||
| 7-27 | Petrushka (1947) - Scene 4. Apparition of Petrouchka's Ghost | — | ||
| 8-1 | 4 Norwegian Moods - I. Intrada | — | ||
| 8-2 | 4 Norwegian Moods - II. Song | — | ||
| 8-3 | 4 Norwegian Moods - III. Wedding Dance | — | ||
| 8-4 | 4 Norwegian Moods - IV. Cortège | — | ||
| 8-5 | Le Sacre du Printemps - Part 1 L'adoration de la terre. I. Introduction | — | ||
| 8-6 | Le Sacre du Printemps - II. The Augurs of Spring. Dances of the Young Girls | — | ||
| 8-7 | Le Sacre du Printemps - III. Ritual of Abduction | — | ||
| 8-8 | Le Sacre du Printemps - IV. Spring Rounds | — | ||
| 8-9 | Le Sacre du Printemps - V. Ritual of the Rival Tribes | — | ||
| 8-10 | Le Sacre du Printemps - VIa. Procession of the Sage | — | ||
| 8-11 | Le Sacre du Printemps - VIb. The Sage | — | ||
| 8-12 | Le Sacre du Printemps - VII. Dance of the Earth | — | ||
| 8-13 | Le Sacre du Printemps - Part 2 Le Sacrifice. I. Introduction | — | ||
| 8-14 | Le Sacre du Printemps - II. Mystic Circles of the Young Girls | — | ||
| 8-15 | Le Sacre du Printemps - III. Glorification of the Chosen One | — | ||
| 8-16 | Le Sacre du Printemps - IV. Evocation of the Ancestors | — | ||
| 8-17 | Le Sacre du Printemps - V. Ritual Action of the Ancestors | — | ||
| 8-18 | Le Sacre du Printemps - VI. Sacrificial Dance (The Chosen One) | — | ||
| 9-1 | Apollon Musagète (1947) - First Tableau, I. Birth Of Apollo | — | ||
| 9-2 | Apollon Musagète (1947) - Second Tableau, II. Variation Of Apollo | — | ||
| 9-3 | Apollon Musagète (1947) - III. Pas d'action (Apollo And The 3 Muses) | — | ||
| 9-4 | Apollon Musagète (1947) - IV. Variation Of Calliope (The Alexandrine) | — | ||
| 9-5 | Apollon Musagète (1947) - V. Variation Of Polyhymnia | — | ||
| 9-6 | Apollon Musagète (1947) - VI. Variation Of Terpsichore | — | ||
| 9-7 | Apollon Musagète (1947) - VII. Second Variation Of Apollo | — | ||
| 9-8 | Apollon Musagète (1947) - VIII. Pas de deux (Apollo And Terpsichore) | — | ||
| 9-9 | Apollon Musagète (1947) - IX. Coda | — | ||
| 9-10 | Apollon Musagète (1947) - X. Apotheosis | — | ||
| 9-11 | Agon - I. Pas-de-Quatre | — | ||
| 9-12 | Agon - Double Pas-de-Quatre | — | ||
| 9-13 | Agon - Triple Pas-de-Quatre | — | ||
| 9-14 | Agon - Prelude | — | ||
| 9-15 | Agon - II. Saraband-Step (First Pas-de-Trois) | — | ||
| 9-16 | Agon - Gailliarde | — | ||
| 9-17 | Agon - Coda | — | ||
| 9-18 | Agon - Interlude | — | ||
| 9-19 | Agon - III. Bransle Simple (Second Pas-de-Trois) | — | ||
| 9-20 | Agon - Bransle Gay | — | ||
| 9-21 | Agon - Bransle Double ('de Poitou') | — | ||
| 9-22 | Agon - Interlude | — | ||
| 9-23 | Agon - IV. Pas-de-Deux | — | ||
| 9-24 | Agon - Coda | — | ||
| 9-25 | Agon - Four Duos | — | ||
| 9-26 | Agon - Four Trios | — | ||
| 10-1 | The Rake's Progress: Act 1: Prelude | — | ||
| 10-2 | The Rake's Progress: Act 1: Scene 1: "The woods are green" | — | ||
| 10-3 | The Rake's Progress: Act 1: Scene 1: "The old fool!" | — | ||
| 10-4 | The Rake's Progress: Act 1: Scene 1: "I wish I had money" | — | ||
| 10-5 | The Rake's Progress: Act 1: Scene 1: "I'll call the coachman, sir" | — | ||
| 10-6 | The Rake's Progress: Act 1: Scene 2: "With air commanding and weapon handy" | — | ||
| 10-7 | The Rake's Progress: Act 1: Scene 2: "Come, Tom" | — | ||
| 10-8 | The Rake's Progress: Act 1: Scene 2: "Love, too frequently betrayed" | — | ||
| 10-9 | The Rake's Progress: Act 1: Scene 2: "The sun is bright, the grass is green" | — | ||
| 10-10 | The Rake's Progress: Act 1: Scene 3: "No word from Tom" | — | ||
| 10-11 | The Rake's Progress: Act 2: Scene 1: "Vary the song, O London, change!" | — | ||
| 10-12 | The Rake's Progress: Act 2: Scene 1: "I wish I were happy" - "Master, are you alone?" | — | ||
| 10-13 | The Rake's Progress: Act 2: Scene 2: Introduction - "How strange! Although..." | — | ||
| 10-14 | The Rake's Progress: Act 2: Scene 2: "Anne! here!" | — | ||
| 10-15 | The Rake's Progress: Act 2: Scene 2: "My love, am I to remain in here for ever?" | — | ||
| 11-1 | The Rake's Progress: Act 2: Scene 3: "As I was saying, both brothers.." | — | ||
| 11-2 | The Rake's Progress: Act 2: Scene 3: "My heart is cold, I cannot weep" | — | ||
| 11-3 | The Rake's Progress: Act 3: Scene 1: "Ruin, Disaster, Shame" | — | ||
| 11-4 | The Rake's Progress: Act 3: Scene 1: "Aha!"... "He's here! The auctioneer" | — | ||
| 11-5 | The Rake's Progress: Act 3: Scene 1: "...ever - Sold! Annoyed!" | — | ||
| 11-6 | The Rake's Progress: Act 3: Scene 2: Prelude | — | ||
| 11-7 | The Rake's Progress: Act 3: Scene 2: "How dark and dreadful is this place" | — | ||
| 11-8 | The Rake's Progress: Act 3: Scene 2: "Very well, then, my dear and good Tom" | — | ||
| 11-9 | The Rake's Progress: Act 3: Scene 2: "I burn! I burn! I freeze!" | — | ||
| 11-10 | The Rake's Progress: Act 3: Scene 3: "Prepare yourselves, heroic shades" | — | ||
| 11-11 | The Rake's Progress: Act 3: Scene 3: "There he is. Have no fear" | — | ||
| 11-12 | The Rake's Progress: Act 3: Scene 3: "Gently, little boat" | — | ||
| 11-13 | The Rake's Progress: Act 3: Scene 3: "Where art thou Venus?" | — | ||
| 11-14 | The Rake's Progress: Act 3: Epilogue: "Good people, just a moment" | — |
Credits Graph
028948513673 is a Universal Product Code (UPC) assigned to Stravinsky Edition by Igor Stravinsky, Riccardo Chailly. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 204 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Stravinsky Edition” by Igor Stravinsky, Riccardo Chailly is 028948513673. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2021-01-01. Label: Decca. This release contains 204 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Faune et la Bergère, Op.2 - I. La Bergère | — | ||
| 2 | Le Faune et la Bergère, Op.2 - II. La Faune | — | ||
| 3 | Le Faune et la Bergère, Op.2 - III. La Torrent | — | ||
| 4 | Feu d'artifice (Fireworks), Op.4 | — | ||
| 5 | Chant funèbre, Op.5 | — | ||
| 6 | Scherzo fantastique, Op.3 | — | ||
| 7 | Le Roi des étoiles (The King of the Stars) | — | ||
| 8 | Feu d'artifice (Fireworks), Op.4 | — | ||
| 9 | Scherzo fantastique, Op.3 | — | ||
| 2-1 | Le Sacre du Printemps - Part 1. Adoration ofthe Earth. I. Introduction | — | ||
| 2-2 | Le Sacre du Printemps - II. The Augers of Spring. Dance of the Young Girls | — | ||
| 2-3 | Le Sacre du Printemps - III. Ritual Abduction | — | ||
| 2-4 | Le Sacre du Printemps - IV. Spring Rounds | — | ||
| 2-5 | Le Sacre du Printemps - V. Ritual of thee Rival Tribes | — | ||
| 2-6 | Le Sacre du Printemps - VI. Procession of the Sage | — | ||
| 2-7 | Le Sacre du Printemps - VII. The Sage | — | ||
| 2-8 | Le Sacre du Printemps - VIII. Dance of the Earth | — | ||
| 2-9 | Le Sacre du Printemps - Part 2. The Sacrifice. I. Introduction | — | ||
| 2-10 | Le Sacre du Printemps - II. Mystic Circles of the Young Girls | — | ||
| 2-11 | Le Sacre du Printemps - III. Glorification of the Chosen One | — | ||
| 2-12 | Le Sacre du Printemps - IV. Evocation of the Ancestors | — | ||
| 2-13 | Le Sacre du Printemps - V. Ritual Action of the Ancestors | — | ||
| 2-14 | Le Sacre du Printemps - VI. Sacrificial Dance | — | ||
| 2-15 | Renard (The Fox) | — | ||
| 2-16 | Le Chant du rossignol (The Song of the Nightingale) | — | ||
| 3-1 | Le Chant du rossignol (The Song of the Nightingale) | — | ||
| 3-2 | L'Histoire du soldat, Suite - I. Marche du soldat | — | ||
| 3-3 | L'Histoire du soldat, Suite - II. Musique de la première scène | — | ||
| 3-4 | L'Histoire du soldat, Suite - III. Musique de la deuxième scène | — | ||
| 3-5 | L'Histoire du soldat, Suite - IV. Marche royale | — | ||
| 3-6 | L'Histoire du soldat, Suite - V. Petit concert | — | ||
| 3-7 | L'Histoire du soldat, Suite - VI. Trois danses. Tango-Valse-Ragtime | — | ||
| 3-8 | L'Histoire du soldat, Suite - VII. Danse du diable | — | ||
| 3-9 | L'Histoire du soldat, Suite - VIII. Grand choral | — | ||
| 3-10 | L'Histoire du soldat, Suite - IX. Marche triomphale du diable | — | ||
| 3-11 | Octet for Wind Instruments - I. Sinfonia. Lento - Allegro moderato | — | ||
| 3-12 | Octet for Wind Instruments - II. Tema con variazioni | — | ||
| 3-13 | Octet for Wind Instruments - III. Finale | — | ||
| 3-14 | Suite No.1 for Small Orchestra | — | ||
| 3-15 | Suite No.2 for Small Orchestra | — | ||
| 4-1 | Concerto In E Flat Major 'Dumbarton Oaks' - I. Tempo giusto | — | ||
| 4-2 | Concerto In E Flat Major 'Dumbarton Oaks' - II. Allegretto | — | ||
| 4-3 | Concerto In E Flat Major 'Dumbarton Oaks' - III. Con Moto | — | ||
| 4-4 | Tango (orch. Stravinsky) | — | ||
| 4-5 | Ragtime for 11 instruments | — | ||
| 4-6 | Danses Concertantes for chamber orchestra - I. March. Introduction | — | ||
| 4-7 | Danses Concertantes for chamber orchestra - II. Pas d'action | — | ||
| 4-8 | Danses Concertantes for chamber orchestra - III. Thème varié | — | ||
| 4-9 | Danses Concertantes for chamber orchestra - IV. Pas de deux | — | ||
| 4-10 | Danses Concertantes for chamber orchestra - V. Marche - Conclusion | — | ||
| 4-11 | Divertimento (Suite from 'Le baiser de la fée') - I. Sinfonia | — | ||
| 4-12 | Divertimento (Suite from 'Le baiser de la fée') - II. Danses suisses | — | ||
| 4-13 | Divertimento (Suite from 'Le baiser de la fée') - III. Scherzo | — | ||
| 5-1 | Pulcinella, Ballet in one Act - 1. Ouverture. Allegro moderato | — | ||
| 5-2 | Pulcinella, Ballet in one Act - 2. Serenata (Larghetto). 'Mentre l'erbetta pasce l'agnella' | — | ||
| 5-3 | Pulcinella, Ballet in one Act - 3. Scherzino. Allegro | — | ||
| 5-4 | Pulcinella, Ballet in one Act - 4. Allegro | — | ||
| 5-5 | Pulcinella, Ballet in one Act - 5. Andantino | — | ||
| 5-6 | Pulcinella, Ballet in one Act - 6. Allegro | — | ||
| 5-7 | Pulcinella, Ballet in one Act - 7. Ancora poco meno. 'Contento forse vivere' | — | ||
| 5-8 | Pulcinella, Ballet in one Act - 8. Allegro assai | — | ||
| 5-9 | Pulcinella, Ballet in one Act - 9. Allegro - alla breve. 'Con queste paroline' | — | ||
| 5-10 | Pulcinella, Ballet in one Act - 10. Andante. 'Sento dire no'ncè pace' | — | ||
| 5-11 | Pulcinella, Ballet in one Act - 11. Allegro. 'Ncè sta quaccuna po' | — | ||
| 5-12 | Pulcinella, Ballet in one Act - 12. Presto. 'Una te fa la zemprece' | — | ||
| 5-13 | Pulcinella, Ballet in one Act - 13. Allegro - alla breve | — | ||
| 5-14 | Pulcinella, Ballet in one Act - 14. Tarantella | — | ||
| 5-15 | Pulcinella, Ballet in one Act - 15. Andantino. 'Se tu m'ami' | — | ||
| 5-16 | Pulcinella, Ballet in one Act - 16. Allegro | — | ||
| 5-17 | Pulcinella, Ballet in one Act - 17. Gavotta con due variazioni | — | ||
| 5-18 | Pulcinella, Ballet in one Act - 18 Vivo | — | ||
| 5-19 | Pulcinella, Ballet in one Act - 19. Tempo di minuetto. 'Pupillette, fiammette d'amore' | — | ||
| 5-20 | Pulcinella, Ballet in one Act - 20. Allegro assai | — | ||
| 5-21 | Symphony of Pslams - I. Exaudi orationem meam, Domine | — | ||
| 5-22 | Symphony of Pslams - II. Expectans expectavi Dominum | — | ||
| 5-23 | Symphony of Pslams - III. Alleluia, laudate Dominum | — | ||
| 5-24 | Jeu De Cartes (Card Game) - Premiére donne (First Deal) | — | ||
| 5-25 | Jeu De Cartes (Card Game) - Deuxiéme donne (Second Deal) | — | ||
| 5-26 | Jeu De Cartes (Card Game) - Troisiéme donne (Third Deal) | — | ||
| 6-1 | Oedipus rex - Prologue. 'Toeschouwers, zo dadelijk hoort...' (speaker) | — | ||
| 6-2 | Oedipus rex - Act I. 'Caedit nos pestis' (chorus) | — | ||
| 6-3 | Oedipus rex - 'Liberi, vos liberabo' (Oedipus, chorus) | — | ||
| 6-4 | Oedipus rex - 'lie daar, Creon, de zwager van Oedipus' (speaker) | — | ||
| 6-5 | Oedipus rex - 'Respondit deus' (Creon) | — | ||
| 6-6 | Oedipus rex - 'Non reperias vetus scelus' (Oedipus, chorus) | — | ||
| 6-7 | Oedipus rex - 'Oedipus ondervraagt de bran van waarheid' (speaker) | — | ||
| 6-8 | Oedipus rex - 'Delie, expectamus, Minerva, filia lovis' (chorus) | — | ||
| 6-9 | Oedipus rex - 'Dicere non possum, dicere non licet' (Tiresias, Oedipus) | — | ||
| 6-10 | Oedipus rex - 'lnvidia fortunam odit' (Oedipus) | — | ||
| 6-11 | Oedipus rex - 'Gloria, gloria, gloria!' (chorus) | — | ||
| 6-12 | Oedipus rex - Act II. 'Jocaste, aangetrokken door het geruzie van de prinsen' (speaker) | — | ||
| 6-13 | Oedipus rex - 'Gloria, gloria, gloria!' (chorus) | — | ||
| 6-14 | Oedipus rex - 'Nonn' erubescite, reges' (Jocasta) | — | ||
| 6-15 | Oedipus rex - 'Trivium, trivium, trivium! ... Pavesco subito, locasta' (chorus, Oedipus, Jocasta) | — | ||
| 6-16 | Oedipus rex - 'Oe getuige van de moord treedt uit de schaduw' (speaker) | — | ||
| 6-17 | Oedipus rex - 'Adest omniscius pastor' (chorus, Messenger, Shepherd, Oedipus) | — | ||
| 6-18 | Oedipus rex - 'In monte reppertus est' (Shepherd, Messenger, chorus, Oedipus) | — | ||
| 6-19 | Oedipus rex - 'En nu hoort u de beroemde monotoog' (speaker) | — | ||
| 6-20 | Oedipus rex - 'Divum locastae caput mortuum!' (Messenger, chorus) | — | ||
| 6-21 | Oedipus rex - 'Ecce! Regem Oedipoda. foedissimum monstrum monstrat' (chorus) | — | ||
| 6-22 | Violin Concerto in D - I. Toccata | — | ||
| 6-23 | Violin Concerto in D - II. Aria I | — | ||
| 6-24 | Violin Concerto in D - III. Aria II | — | ||
| 6-25 | Violin Concerto in D - IV. Capriccio | — | ||
| 7-1 | L'oiseau de feu (The Firebird), Suite (1945) - I. Introduction | — | ||
| 7-2 | L'oiseau de feu (The Firebird), Suite (1945) - Prelude & Dance of the Firebird - Variations | — | ||
| 7-3 | L'oiseau de feu (The Firebird), Suite (1945) - II. Pantomime I | — | ||
| 7-4 | L'oiseau de feu (The Firebird), Suite (1945) - III. Pas de deux | — | ||
| 7-5 | L'oiseau de feu (The Firebird), Suite (1945) - IV. Pantomime II | — | ||
| 7-6 | L'oiseau de feu (The Firebird), Suite (1945) - V. Scherzo. Dance of the Princesses | — | ||
| 7-7 | L'oiseau de feu (The Firebird), Suite (1945) - VI. Pantomime III | — | ||
| 7-8 | L'oiseau de feu (The Firebird), Suite (1945) - VII. Rondo | — | ||
| 7-9 | L'oiseau de feu (The Firebird), Suite (1945) - VIII. Infernal Dance | — | ||
| 7-10 | L'oiseau de feu (The Firebird), Suite (1945) - IX. Lullaby | — | ||
| 7-11 | L'oiseau de feu (The Firebird), Suite (1945) - X. Final Hymn | — | ||
| 7-12 | Tango (Orch. Stravinsky) | — | ||
| 7-13 | Petrushka (1947) - Scene 1. The Shrovetide Fair - The Crowds - The Conjuring-trick | — | ||
| 7-14 | Petrushka (1947) - Scene 1. Russian Dance | — | ||
| 7-15 | Petrushka (1947) - Scene 2. Petrouchka's Room | — | ||
| 7-16 | Petrushka (1947) - Scene 3. The Moor's Room - Dance of the Ballerina | — | ||
| 7-17 | Petrushka (1947) - Scene 3. Waltz (The Ballerina and the Moor) | — | ||
| 7-18 | Petrushka (1947) - Scene 4. The Shrovetide Fair (Evening) | — | ||
| 7-19 | Petrushka (1947) - Scene 4. Dance of the Wet-nurses | — | ||
| 7-20 | Petrushka (1947) - Scene 4. Dance of the Peasant and the Bear | — | ||
| 7-21 | Petrushka (1947) - Scene 4. The Merchant and the Gipsies | — | ||
| 7-22 | Petrushka (1947) - Scene 4. Dance of the Coachmen and the Grooms | — | ||
| 7-23 | Petrushka (1947) - Scene 4. The Masqueraders | — | ||
| 7-24 | Petrushka (1947) - Scene 4. The Scuffle | — | ||
| 7-25 | Petrushka (1947) - Scene 4. Death of Petrouchka | — | ||
| 7-26 | Petrushka (1947) - Scene 4. The Police and the Charlatan | — | ||
| 7-27 | Petrushka (1947) - Scene 4. Apparition of Petrouchka's Ghost | — | ||
| 8-1 | 4 Norwegian Moods - I. Intrada | — | ||
| 8-2 | 4 Norwegian Moods - II. Song | — | ||
| 8-3 | 4 Norwegian Moods - III. Wedding Dance | — | ||
| 8-4 | 4 Norwegian Moods - IV. Cortège | — | ||
| 8-5 | Le Sacre du Printemps - Part 1 L'adoration de la terre. I. Introduction | — | ||
| 8-6 | Le Sacre du Printemps - II. The Augurs of Spring. Dances of the Young Girls | — | ||
| 8-7 | Le Sacre du Printemps - III. Ritual of Abduction | — | ||
| 8-8 | Le Sacre du Printemps - IV. Spring Rounds | — | ||
| 8-9 | Le Sacre du Printemps - V. Ritual of the Rival Tribes | — | ||
| 8-10 | Le Sacre du Printemps - VIa. Procession of the Sage | — | ||
| 8-11 | Le Sacre du Printemps - VIb. The Sage | — | ||
| 8-12 | Le Sacre du Printemps - VII. Dance of the Earth | — | ||
| 8-13 | Le Sacre du Printemps - Part 2 Le Sacrifice. I. Introduction | — | ||
| 8-14 | Le Sacre du Printemps - II. Mystic Circles of the Young Girls | — | ||
| 8-15 | Le Sacre du Printemps - III. Glorification of the Chosen One | — | ||
| 8-16 | Le Sacre du Printemps - IV. Evocation of the Ancestors | — | ||
| 8-17 | Le Sacre du Printemps - V. Ritual Action of the Ancestors | — | ||
| 8-18 | Le Sacre du Printemps - VI. Sacrificial Dance (The Chosen One) | — | ||
| 9-1 | Apollon Musagète (1947) - First Tableau, I. Birth Of Apollo | — | ||
| 9-2 | Apollon Musagète (1947) - Second Tableau, II. Variation Of Apollo | — | ||
| 9-3 | Apollon Musagète (1947) - III. Pas d'action (Apollo And The 3 Muses) | — | ||
| 9-4 | Apollon Musagète (1947) - IV. Variation Of Calliope (The Alexandrine) | — | ||
| 9-5 | Apollon Musagète (1947) - V. Variation Of Polyhymnia | — | ||
| 9-6 | Apollon Musagète (1947) - VI. Variation Of Terpsichore | — | ||
| 9-7 | Apollon Musagète (1947) - VII. Second Variation Of Apollo | — | ||
| 9-8 | Apollon Musagète (1947) - VIII. Pas de deux (Apollo And Terpsichore) | — | ||
| 9-9 | Apollon Musagète (1947) - IX. Coda | — | ||
| 9-10 | Apollon Musagète (1947) - X. Apotheosis | — | ||
| 9-11 | Agon - I. Pas-de-Quatre | — | ||
| 9-12 | Agon - Double Pas-de-Quatre | — | ||
| 9-13 | Agon - Triple Pas-de-Quatre | — | ||
| 9-14 | Agon - Prelude | — | ||
| 9-15 | Agon - II. Saraband-Step (First Pas-de-Trois) | — | ||
| 9-16 | Agon - Gailliarde | — | ||
| 9-17 | Agon - Coda | — | ||
| 9-18 | Agon - Interlude | — | ||
| 9-19 | Agon - III. Bransle Simple (Second Pas-de-Trois) | — | ||
| 9-20 | Agon - Bransle Gay | — | ||
| 9-21 | Agon - Bransle Double ('de Poitou') | — | ||
| 9-22 | Agon - Interlude | — | ||
| 9-23 | Agon - IV. Pas-de-Deux | — | ||
| 9-24 | Agon - Coda | — | ||
| 9-25 | Agon - Four Duos | — | ||
| 9-26 | Agon - Four Trios | — | ||
| 10-1 | The Rake's Progress: Act 1: Prelude | — | ||
| 10-2 | The Rake's Progress: Act 1: Scene 1: "The woods are green" | — | ||
| 10-3 | The Rake's Progress: Act 1: Scene 1: "The old fool!" | — | ||
| 10-4 | The Rake's Progress: Act 1: Scene 1: "I wish I had money" | — | ||
| 10-5 | The Rake's Progress: Act 1: Scene 1: "I'll call the coachman, sir" | — | ||
| 10-6 | The Rake's Progress: Act 1: Scene 2: "With air commanding and weapon handy" | — | ||
| 10-7 | The Rake's Progress: Act 1: Scene 2: "Come, Tom" | — | ||
| 10-8 | The Rake's Progress: Act 1: Scene 2: "Love, too frequently betrayed" | — | ||
| 10-9 | The Rake's Progress: Act 1: Scene 2: "The sun is bright, the grass is green" | — | ||
| 10-10 | The Rake's Progress: Act 1: Scene 3: "No word from Tom" | — | ||
| 10-11 | The Rake's Progress: Act 2: Scene 1: "Vary the song, O London, change!" | — | ||
| 10-12 | The Rake's Progress: Act 2: Scene 1: "I wish I were happy" - "Master, are you alone?" | — | ||
| 10-13 | The Rake's Progress: Act 2: Scene 2: Introduction - "How strange! Although..." | — | ||
| 10-14 | The Rake's Progress: Act 2: Scene 2: "Anne! here!" | — | ||
| 10-15 | The Rake's Progress: Act 2: Scene 2: "My love, am I to remain in here for ever?" | — | ||
| 11-1 | The Rake's Progress: Act 2: Scene 3: "As I was saying, both brothers.." | — | ||
| 11-2 | The Rake's Progress: Act 2: Scene 3: "My heart is cold, I cannot weep" | — | ||
| 11-3 | The Rake's Progress: Act 3: Scene 1: "Ruin, Disaster, Shame" | — | ||
| 11-4 | The Rake's Progress: Act 3: Scene 1: "Aha!"... "He's here! The auctioneer" | — | ||
| 11-5 | The Rake's Progress: Act 3: Scene 1: "...ever - Sold! Annoyed!" | — | ||
| 11-6 | The Rake's Progress: Act 3: Scene 2: Prelude | — | ||
| 11-7 | The Rake's Progress: Act 3: Scene 2: "How dark and dreadful is this place" | — | ||
| 11-8 | The Rake's Progress: Act 3: Scene 2: "Very well, then, my dear and good Tom" | — | ||
| 11-9 | The Rake's Progress: Act 3: Scene 2: "I burn! I burn! I freeze!" | — | ||
| 11-10 | The Rake's Progress: Act 3: Scene 3: "Prepare yourselves, heroic shades" | — | ||
| 11-11 | The Rake's Progress: Act 3: Scene 3: "There he is. Have no fear" | — | ||
| 11-12 | The Rake's Progress: Act 3: Scene 3: "Gently, little boat" | — | ||
| 11-13 | The Rake's Progress: Act 3: Scene 3: "Where art thou Venus?" | — | ||
| 11-14 | The Rake's Progress: Act 3: Epilogue: "Good people, just a moment" | — |
