UPC · Release
Eduard van Beinum
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028948513871 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Decca & Philips” by Eduard van Beinum, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 516 tracks, each with its own ISRC. Tracks include GBF075211360, GBF075211370, NLA505700167.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite no. 1 in C major BWV 1066: I. Ouverture | — | ||
| 2 | Suite no. 1 in C major BWV 1066: II. Courante | — | ||
| 3 | Suite no. 1 in C major BWV 1066: III. Gavottes I & II | — | ||
| 4 | Suite no. 1 in C major BWV 1066: IV. Forlane | — | ||
| 5 | Suite no. 1 in C major BWV 1066: V. Menuets I & II | — | ||
| 6 | Suite no. 1 in C major BWV 1066: VI. Bourrees I & II | — | ||
| 7 | Suite no. 1 in C major BWV 1066: VII. Passepieds I & II | — | ||
| 8 | Suite no. 2 in B minor BWV 1067: I. Ouverture | — | ||
| 9 | Suite no. 2 in B minor BWV 1067: II. Rondeau | — | ||
| 10 | Suite no. 2 in B minor BWV 1067: III. Sarabande | — | ||
| 11 | Suite no. 2 in B minor BWV 1067: IV. Bourree I-II | — | ||
| 12 | Suite no. 2 in B minor BWV 1067: V. Polonaise | — | ||
| 13 | Suite no. 2 in B minor BWV 1067: VI. Menuet | — | ||
| 14 | Suite no. 2 in B minor BWV 1067: VII. Badinerie | — | ||
| 15 | Suite no. 3 in D major BWV 1068: I. Ouverture | — | ||
| 16 | Suite no. 3 in D major BWV 1068: II. Air | — | ||
| 17 | Suite no. 3 in D major BWV 1068: III. Gavottes I & II | — | ||
| 18 | Suite no. 3 in D major BWV 1068: IV. Bourree | — | ||
| 19 | Suite no. 3 in D major BWV 1068: V. Gigue | — | ||
| 20 | Suite no. 4 in D major BWV 1069: I. Ouverture | — | ||
| 21 | Suite no. 4 in D major BWV 1069: II. Bourrees I & II | — | ||
| 22 | Suite no. 4 in D major BWV 1069: III. Gavotte | — | ||
| 23 | Suite no. 4 in D major BWV 1069: IV. Menuets I & II | — | ||
| 24 | Suite no. 4 in D major BWV 1069: V. Rejouissance | — | ||
| 2-1 | Trumpet Voluntary | — | ||
| 2-2 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 1. Overture | — | ||
| 2-3 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 2. Alla Siciliana | — | ||
| 2-4 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 3. Bourrée | — | ||
| 2-5 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 4. Menuetto | — | ||
| 2-6 | Water Music Suite - Arr. Sir Hamilton Harty: 1. Allegro | — | ||
| 2-7 | Water Music Suite - Arr. Sir Hamilton Harty: 2. Air | — | ||
| 2-8 | Water Music Suite - Arr. Sir Hamilton Harty: 3. Bourrée | — | ||
| 2-9 | Water Music Suite - Arr. Sir Hamilton Harty: 4. Hornpipe | — | ||
| 2-10 | Water Music Suite - Arr. Sir Hamilton Harty: 5. Andante | — | ||
| 2-11 | Water Music Suite - Arr. Sir Hamilton Harty: 6. Allegro deciso | — | ||
| 2-12 | Symphony in B-flat, op. 18, no. 2: 1. Allegro assai | — | ||
| 2-13 | Symphony in B-flat, op. 18, no. 2: 2. Andante | — | ||
| 2-14 | Symphony in B-flat, op. 18, no. 2: 3. Presto | — | ||
| 2-15 | Symphony in D, op. 18, no. 4: 1. Allegro con spirito | — | ||
| 2-16 | Symphony in D, op. 18, no. 4: 2. Andante | — | ||
| 2-17 | Symphony in D, op. 18, no. 4: 3. Rondo (Presto) | — | ||
| 3-1 | Water Music: I. Overture. Grave - Allegro | — | ||
| 3-2 | Water Music: II. Adagio e staccato | — | ||
| 3-3 | Water Music: III. Allegro - Andante - Allegro | — | ||
| 3-4 | Water Music: IV. A tempo di minuetto | — | ||
| 3-5 | Water Music: V. Air. Andante | — | ||
| 3-6 | Water Music: VI. Menuet. Pomposo | — | ||
| 3-7 | Water Music: VII. Bourrée. Allegro | — | ||
| 3-8 | Water Music: VIII. Hornpipe. Allegro | — | ||
| 3-9 | Water Music: IX. Allegro moderato | — | ||
| 3-10 | Water Music: X. Andante - Allegro | — | ||
| 3-11 | Water Music: XI. Alla hornpipe | — | ||
| 3-12 | Water Music: XII. Menuet. Moderato | — | ||
| 3-13 | Water Music: XIII. Aria. Allegro | — | ||
| 3-14 | Water Music: XIV. Loure. Lentement | — | ||
| 3-15 | Water Music: XV. Air. Allegro | — | ||
| 3-16 | Water Music: XVI. Menuet. Moderato | — | ||
| 3-17 | Water Music: XVII. Menuet. Allegretto | — | ||
| 3-18 | Water Music: XVIII. Affettuoso - Cantabile | — | ||
| 3-19 | Water Music: XIX. Coro. Pomposo | — | ||
| 4-1 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: I. Allegro | — | ||
| 4-2 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: II. Andantino | — | ||
| 4-3 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: III. Rondo (Allegro) | — | ||
| 4-4 | Symphony no. 29 in A, K. 201: I. Allegro moderato | — | ||
| 4-5 | Symphony no. 29 in A, K. 201: II. Andante | — | ||
| 4-6 | Symphony no. 29 in A, K. 201: III. Menuetto | — | ||
| 4-7 | Symphony no. 29 in A, K. 201: IV. Allegro con spirito | — | ||
| 4-8 | Symphony no. 33 in B-flat, K. 319: I. Allegro assai | — | ||
| 4-9 | Symphony no. 33 in B-flat, K. 319: II. Andante moderato | — | ||
| 4-10 | Symphony no. 33 in B-flat, K. 319: III. Menuetto | — | ||
| 4-11 | Symphony no. 33 in B-flat, K. 319: IV. Finale (Allegro assai) | — | ||
| 5-1 | Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | — | ||
| 5-2 | Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante | — | ||
| 5-3 | Symphony no. 35 in D major, K. 385 “Haffner”: III. Menuetto | — | ||
| 5-4 | Symphony no. 35 in D major, K. 385 “Haffner”: IV. Finale (Presto) | — | ||
| 5-5 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 5-6 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 5-7 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 5-8 | Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro | — | ||
| 5-9 | Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | — | ||
| 5-10 | Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo (Allegro) | — | ||
| 6-1 | Serenade in D, K. 320 “Posthorn”: I. Adagio maestoso - Allegro con spirito | — | ||
| 6-2 | Serenade in D, K. 320 “Posthorn”: II. Minuetto | — | ||
| 6-3 | Serenade in D, K. 320 “Posthorn”: III. Concertante (Andante grazioso) | — | ||
| 6-4 | Serenade in D, K. 320 “Posthorn”: IV. Rondeau (Allegro ma non troppo) | — | ||
| 6-5 | Serenade in D, K. 320 “Posthorn”: V. Andantino | — | ||
| 6-6 | Serenade in D, K. 320 “Posthorn”: VI. Minuetto | — | ||
| 6-7 | Serenade in D, K. 320 “Posthorn”: VII. Finale (Presto) | — | ||
| 6-8 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Theme | — | ||
| 6-9 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation I | — | ||
| 6-10 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation II | — | ||
| 6-11 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation III | — | ||
| 6-12 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation IV | — | ||
| 6-13 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation V | — | ||
| 6-14 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VI | — | ||
| 6-15 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VII | — | ||
| 6-16 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VIII | — | ||
| 6-17 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Fugue | — | ||
| 7-1 | Symphony no. 94 in G, Hob. I:94 “Surprise”: I. Adagio Cantabile – Vivace Assai | — | ||
| 7-2 | Symphony no. 94 in G, Hob. I:94 “Surprise”: II. Andante | — | ||
| 7-3 | Symphony no. 94 in G, Hob. I:94 “Surprise”: III. Menuet: Allegro Molto | — | ||
| 7-4 | Symphony no. 94 in G, Hob. I:94 “Surprise”: IV. Finale: Allegro Di Molto | — | ||
| 7-5 | Symphony no. 96 in D, Hob. I:96 “Miracle”: I. Adagio – Allegro | — | ||
| 7-6 | Symphony no. 96 in D, Hob. I:96 “Miracle”: II. Andante | — | ||
| 7-7 | Symphony no. 96 in D, Hob. I:96 “Miracle”: III. Menuetto: Allegretto | — | ||
| 7-8 | Symphony no. 96 in D, Hob. I:96 “Miracle”: IV. Finale: Vivace | — | ||
| 7-9 | Symphony no. 97 in C, Hob. I:97: I. Adagio – Vivace | — | ||
| 7-10 | Symphony no. 97 in C, Hob. I:97: II. Adagio Ma Non Troppo | — | ||
| 7-11 | Symphony no. 97 in C, Hob. I:97: III. Menuetto: Allegretto | — | ||
| 7-12 | Symphony no. 97 in C, Hob. I:97: IV. Finale: Presto Assai | — | ||
| 8-1 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio - Allegro | — | ||
| 8-2 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante | — | ||
| 8-3 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto | — | ||
| 8-4 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale. Vivace | — | ||
| 8-5 | Symphony no. 100 in G major, Hob. I:100 “Military”: I. Adagio - Allegro | — | ||
| 8-6 | Symphony no. 100 in G major, Hob. I:100 “Military”: II. Allegretto | — | ||
| 8-7 | Symphony no. 100 in G major, Hob. I:100 “Military”: III. Menuet. Moderato | — | ||
| 8-8 | Symphony no. 100 in G major, Hob. I:100 “Military”: IV. Finale. Presto | — | ||
| 8-9 | The Creatures of Prometheus, op. 43: I. Overture. Adagio – Allegro molto con brio | — | ||
| 8-10 | The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio | — | ||
| 8-11 | The Creatures of Prometheus, op. 43: III. Allegro vivace | — | ||
| 8-12 | The Creatures of Prometheus, op. 43: V. Adagio – Andante quasi allegretto | — | ||
| 8-13 | The Creatures of Prometheus, op. 43: IX. Adagio | — | ||
| 8-14 | The Creatures of Prometheus, op. 43: XI. Andante | — | ||
| 8-15 | The Creatures of Prometheus, op. 43: XV. Andantino – Adagio – Allegro | — | ||
| 8-16 | The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto | — | ||
| 9-1 | The Creatures of Prometheus, op. 43: I. Overture (1946 Recording) | — | ||
| 9-2 | Overture “Leonore no. 1”, op. 138 | — | ||
| 9-3 | Overture “Leonore no. 3”, op. 72b | — | ||
| 9-4 | Overture “Fidelio”, op. 72c | — | ||
| 9-5 | Overture “Egmont”, op. 84 | — | ||
| 9-6 | Overture “Coriolan”, op. 62 | — | ||
| 9-7 | Overture “The Consecration of the House”, op. 124 | — | ||
| 10-1 | Violin Concerto in D, op. 61: I. Allegro Ma Non Troppo | — | ||
| 10-2 | Violin Concerto in D, op. 61: II. Larghetto | — | ||
| 10-3 | Violin Concerto in D, op. 61: III. Rondo | — | ||
| 10-4 | Symphony no. 2 in D, op. 36: I. Adagio Molto – Allegro Con Brio | — | ||
| 10-5 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 10-6 | Symphony no. 2 in D, op. 36: III. Scherzo: Allegro | — | ||
| 10-7 | Symphony no. 2 in D, op. 36: IV. Allegro Molto | — | ||
| 11-1 | Symphony no. 4 in C minor, D. 417 - “Tragic”: I. Adagio molto - Allegro vivace | — | ||
| 11-2 | Symphony no. 4 in C minor, D. 417 - “Tragic”: II. Andante | — | ||
| 11-3 | Symphony no. 4 in C minor, D. 417 - “Tragic”: III. Menuetto (Allegro vivace) | — | ||
| 11-4 | Symphony no. 4 in C minor, D. 417 - “Tragic”: IV. Allegro | — | ||
| 11-5 | Symphony no. 5 in B-Flat, D. 485: I. Allegro | — | ||
| 11-6 | Symphony no. 5 in B-Flat, D. 485: II. Andante con moto | — | ||
| 11-7 | Symphony no. 5 in B-Flat, D. 485: III. Menuetto (Allegro molto) | — | ||
| 11-8 | Symphony no. 5 in B-Flat, D. 485: IV. Allegro vivace | — | ||
| 11-9 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Overture (Die Zauberharfe, D.644) | — | ||
| 11-10 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Entr’acte no. 1 | — | ||
| 11-11 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 1 - Andante un poco assai | — | ||
| 12-1 | Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 12-2 | Symphony no. 3 in D major, D. 200: II. Allegretto | — | ||
| 12-3 | Symphony no. 3 in D major, D. 200: III. Menuetto (Vivace) | — | ||
| 12-4 | Symphony no. 3 in D major, D. 200: IV. Presto. Vivace | — | ||
| 12-5 | Symphony no. 6 in C major, D. 589 - “The Little”: I. Adagio - Allegro | — | ||
| 12-6 | Symphony no. 6 in C major, D. 589 - “The Little”: II. Andante | — | ||
| 12-7 | Symphony no. 6 in C major, D. 589 - “The Little”: III. Scherzo (Presto) | — | ||
| 12-8 | Symphony no. 6 in C major, D. 589 - “The Little”: IV. Allegro moderato | — | ||
| 12-9 | Symphony no. 8 in B minor, D. 759 - “Unfinished”: I. Allegro moderato | — | ||
| 12-10 | Symphony no. 8 in B minor, D. 759 - “Unfinished”: II. Andante con moto | — | ||
| 13-1 | The Hebrides Overture, op. 26 “Fingal’s Cave” | — | ||
| 13-2 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 13-3 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 13-4 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | — | ||
| 13-5 | A Midsummer Night’s Dream, Incidental Music, op. 61: I. Scherzo | — | ||
| 13-6 | A Midsummer Night’s Dream, Incidental Music, op. 61: V. Intermezzo. Allegro appassionato | — | ||
| 13-7 | A Midsummer Night’s Dream, Incidental Music, op. 61: VII. Notturno. Con moto tranquillo | — | ||
| 13-8 | Leonore Overture no. 2, op. 72a | — | ||
| 13-9 | La scala di seta: Overture | — | ||
| 14-1 | A Midsummer Night’s Dream Overture, op. 21 MWV P 3 | — | ||
| 14-2 | A Midsummer Night’s Dream, op. 61 MWV M 13 (excerpts): I. Scherzo: Allegro vivace | — | ||
| 14-3 | A Midsummer Night’s Dream, op. 61 MWV M 13 (excerpts): VII. Notturno: Con moto tranquillo | — | ||
| 14-4 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: I. Allegro vivace | — | ||
| 14-5 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: II. Andante con moto | — | ||
| 14-6 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: III. Con moto moderato | — | ||
| 14-7 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: IV. Saltarello: Presto | — | ||
| 14-8 | La gazza ladra: Overture | — | ||
| 14-9 | William Tell: Overture | — | ||
| 14-10 | Semiramide: Overture | — | ||
| 15-1 | Symphonie fantastique, H. 48: I. Rêveries – Passions | — | ||
| 15-2 | Symphonie fantastique, H. 48: II. Un bal. Valse | — | ||
| 15-3 | Symphonie fantastique, H. 48: III. Scène aux champs | — | ||
| 15-4 | Symphonie fantastique, H. 48: IV. Marche au supplice | — | ||
| 15-5 | Symphonie fantastique, H. 48: V. Songe d’une nuit du Sabbat | — | ||
| 15-6 | La damnation de Faust, H. 111, Pt. 1: Marche hongroise | — | ||
| 15-7 | La damnation de Faust, H. 111, Pt. 2: Ballet des Sylphes | — | ||
| 15-8 | La damnation de Faust, H. 111, Pt. 3: Menuet des Feux Follets | — | ||
| 15-9 | Les Troyens, H. 133: Marche troyenne | — | ||
| 15-10 | Le carnaval romain, Overture, H. 95 | — | ||
| 16-1 | Symphonie Fantastique, op. 14 H. 48: I. Rêveries – Passions: Largo – Allegro Appassionato Assai – Religiosamente | — | ||
| 16-2 | Symphonie Fantastique, op. 14 H. 48: II. Un Bal. Valse: Allegro Non Troppo | — | ||
| 16-3 | Symphonie Fantastique, op. 14 H. 48: III. Scène Aux Champs: Adagio | — | ||
| 16-4 | Symphonie Fantastique, op. 14 H. 48: IV. Marche Au Supplice: Allegretto Non Troppo | — | ||
| 16-5 | Symphonie Fantastique, op. 14 H. 48: V. Songe D’une Nuit De Sabbat: Larghetto – Allegro | — | ||
| 16-6 | Le Carnaval Romain Overture, op. 9 H. 95 | — | ||
| 16-7 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Marche Hongroise | — | ||
| 16-8 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Ballet Des Sylphes | — | ||
| 16-9 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Menuet Des Feux Follets | — | ||
| 16-10 | St. Anthony Variations, op. 56a: Theme: “Chorale St. Antoni” | — | ||
| 16-11 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animato | — | ||
| 16-12 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 16-13 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 16-14 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 16-15 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 16-16 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 16-17 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 16-18 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 16-19 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 17-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 17-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 17-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 17-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 17-5 | Variations on a Theme by Haydn, op. 56a: Theme. Chorale St Antoni | — | ||
| 17-6 | Variations on a Theme by Haydn, op. 56a: Var. 1. Poco più animato | — | ||
| 17-7 | Variations on a Theme by Haydn, op. 56a: Var. 2. Più vivace | — | ||
| 17-8 | Variations on a Theme by Haydn, op. 56a: Var. 3. Con moto | — | ||
| 17-9 | Variations on a Theme by Haydn, op. 56a: Var. 4. Andante con moto | — | ||
| 17-10 | Variations on a Theme by Haydn, op. 56a: Var. 5. Vivace | — | ||
| 17-11 | Variations on a Theme by Haydn, op. 56a: Var. 6. Vivace | — | ||
| 17-12 | Variations on a Theme by Haydn, op. 56a: Var. 7. Grazioso | — | ||
| 17-13 | Variations on a Theme by Haydn, op. 56a: Var. 8. Presto non troppo | — | ||
| 17-14 | Variations on a Theme by Haydn, op. 56a: Finale. Andante | — | ||
| 18-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro - Meno allegro | — | ||
| 18-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 18-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 18-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro | — | ||
| 18-5 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 18-6 | Symphony no. 3 in F major, op. 90: 2. Andante | — | ||
| 18-7 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | — | ||
| 18-8 | Symphony no. 3 in F major, op. 90: 4. Allegro | — | ||
| 19-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 19-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 19-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) | — | ||
| 19-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 19-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 19-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 19-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 19-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 20-1 | Symphony no. 1 in C minor, op. 68: I. Un Poco Sostenuto – Allegro – Meno Allegro | — | ||
| 20-2 | Symphony no. 1 in C minor, op. 68: II. Andante Sostenuto | — | ||
| 20-3 | Symphony no. 1 in C minor, op. 68: III. Un Poco Allegretto E Grazioso | — | ||
| 20-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più Andante – Allegro Non Troppo, Ma Con Brio | — | ||
| 20-5 | Symphony no. 3 in F, op. 90: I. Allegro Con Brio – Un Poco Sostenuto | — | ||
| 20-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 20-7 | Symphony no. 3 in F, op. 90: III. Poco Allegretto | — | ||
| 20-8 | Symphony no. 3 in F, op. 90: IV. Allegro | — | ||
| 21-1 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | — | ||
| 21-2 | Piano Concerto no. 1 in D minor, op. 15: 2. Adagio | — | ||
| 21-3 | Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo) | — | ||
| 21-4 | Tragic Overture, op. 81 | — | ||
| 21-5 | Academic Festival Overture, op. 80 | — | ||
| 21-6 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 22-1 | Violin Concerto in D, op. 77: I. Allegro Non Troppo | — | ||
| 22-2 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 22-3 | Violin Concerto in D, op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace | — | ||
| 22-4 | St. Anthony Variations, op. 56a: Theme: "St. Anthony Chorale" | — | ||
| 22-5 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animo | — | ||
| 22-6 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 22-7 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 22-8 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 22-9 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 22-10 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 22-11 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 22-12 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 22-13 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 22-14 | Tragic Overture, op. 81 | — | ||
| 22-15 | Academic Festival Overture, op. 80 | — | ||
| 23-1 | Symphony no. 5 in B-flat major: I. Introduction. Adagio) — Allegro. Mäßig | — | ||
| 23-2 | Symphony no. 5 in B-flat major: II. Adagio. Sehr langsam | — | ||
| 23-3 | Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace, schnell – Trio. Im gleichen Tempo | — | ||
| 23-4 | Symphony no. 5 in B-flat major: IV. Finale. Adagio. — Allegro moderato | — | ||
| 24-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 24-2 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 24-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell | — | ||
| 24-4 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 25-1 | Symphony no. 7 in E major: I. Allegro moderato | — | ||
| 25-2 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 25-3 | Symphony no. 7 in E major: III. Scherzo. Sehr schnell – Trio. Etwas langsamer | — | ||
| 25-4 | Symphony no. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 26-1 | Symphony no. 8 in C minor: I. Allegro moderato | — | ||
| 26-2 | Symphony no. 8 in C minor: II. Scherzo. Allegro moderato | — | ||
| 26-3 | Symphony no. 8 in C minor: III. Adagio. Feierlich langsam, doch nicht schleppend | — | ||
| 26-4 | Symphony no. 8 in C minor: IV. Finale. Feierlich, nicht schnell | — | ||
| 27-1 | Symphony no. 9 in D minor: I. Feierlich. Misterioso | — | ||
| 27-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell – Scherzo da capo | — | ||
| 27-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 28-1 | Symphony no. 4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 28-2 | Symphony no. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast | — | ||
| 28-3 | Symphony no. 4 in G: 3. Ruhevoll (Poco adagio) | — | ||
| 28-4 | Symphony no. 4 in G: 4. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 28-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 28-6 | Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld | — | ||
| 28-7 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | — | ||
| 28-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 29-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | — | ||
| 29-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | — | ||
| 29-3 | Das Lied von der Erde: 3. Von der Jugend | — | ||
| 29-4 | Das Lied von der Erde: 4. Von der Schönheit | — | ||
| 29-5 | Das Lied von der Erde: 5. Der Trunkene im Frühling | — | ||
| 29-6 | Das Lied von der Erde: 6. Der Abschied | — | ||
| 29-7 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 29-8 | Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld | — | ||
| 29-9 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | — | ||
| 29-10 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 30-1 | Symphonie espagnole, op. 21: I. Allegro non troppo | — | ||
| 30-2 | Symphonie espagnole, op. 21: II. Scherzando. Allegro molto | — | ||
| 30-3 | Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo | — | ||
| 30-4 | Symphonie espagnole, op. 21: IV. Andante | — | ||
| 30-5 | Symphonie espagnole, op. 21: V. Rondo. Allegro | — | ||
| 30-6 | Serenade for Strings, op. 48: II. Waltz. Moderato | — | ||
| 30-7 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 30-8 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 30-9 | The Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 30-10 | The Nutcracker Suite, op. 71a: IIa. March | — | ||
| 30-11 | The Nutcracker Suite, op. 71a: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 30-12 | The Nutcracker Suite, op. 71a: IIc. Russian Dance (Trepak) | — | ||
| 30-13 | The Nutcracker Suite, op. 71a: IId. Arabian Dance (Coffee) | — | ||
| 30-14 | The Nutcracker Suite, op. 71a: IIe. Chinese Dance (Tea) | — | ||
| 30-15 | The Nutcracker Suite, op. 71a: IIf. Dance of the Reed‐Pipes | — | ||
| 30-16 | The Nutcracker Suite, op. 71a: III. Waltz of the Flowers | — | ||
| 31-1 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | — | ||
| 31-2 | Scheherazade, op. 35: II. The Story of the Kalender Prince | — | ||
| 31-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 31-4 | Scheherazade, op. 35: IV. Festival at Bagdad – The Sea – The Shipwreck Against a Rock Surmounted by a Bronze Warrior (The Shipwreck) | — | ||
| 31-5 | Polovtsian Dances from Prince Igor | — | ||
| 31-6 | L’Arlésienne Suite no. 1, WD 40: I. Prélude “La marche des Rois” | — | ||
| 31-7 | L’Arlésienne Suite no. 1, WD 40: II. Minuetto | — | ||
| 31-8 | L’Arlésienne Suite no. 1, WD 40: III. Adagietto | — | ||
| 31-9 | L’Arlésienne Suite no. 2, WD 28: III. Menuet | — | ||
| 31-10 | L’Arlésienne Suite no. 2, WD 28: IV. Farandole | — | ||
| 31-11 | Danse sacrée et Danse profane, CD 113: I. Danse sacrée | — | ||
| 31-12 | Danse sacrée et Danse profane, CD 113: II. Danse profane | — | ||
| 32-1 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: I. Introduction | — | ||
| 32-2 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: II. Les augures printaniers - Danses des adolescentes | — | ||
| 32-3 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: III. Jeu du rapt | — | ||
| 32-4 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: IV. Rondes printanières | — | ||
| 32-5 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: V. Jeux des cités | — | ||
| 32-6 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VI. Cortège du sage | — | ||
| 32-7 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VII. Le sage | — | ||
| 32-8 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VIII. Danse de la terre | — | ||
| 32-9 | Le sacre du printemps, Pt. 2 “Le sacrifice”: I. Introduction | — | ||
| 32-10 | Le sacre du printemps, Pt. 2 “Le sacrifice”: II. Cercles mysteriéux des adolescentes | — | ||
| 32-11 | Le sacre du printemps, Pt. 2 “Le sacrifice”: III. Glorification d’élue | — | ||
| 32-12 | Le sacre du printemps, Pt. 2 “Le sacrifice”: IV. Évocation des ancêtres | — | ||
| 32-13 | Le sacre du printemps, Pt. 2 “Le sacrifice”: V. Action rituelle des ancêtres | — | ||
| 32-14 | Le sacre du printemps, Pt. 2 “Le sacrifice”: VI. Danse sacrale: l’élue | — | ||
| 32-15 | Le chant du rossignol: I. Introduction - The Feast at the Emporer’s Palace | — | ||
| 32-16 | Le chant du rossignol: II. Marche chinoise | — | ||
| 32-17 | Le chant du rossignol: III. Chant du rossignol | — | ||
| 32-18 | Le chant du rossignol: IV. Jeu du rossignol mécanique | — | ||
| 32-19 | Hary Janos Suite: I. Prelude - The Fairy Tale Begins | — | ||
| 32-20 | Hary Janos Suite: II. Viennese Musical Clock | — | ||
| 32-21 | Hary Janos Suite: III. Song | — | ||
| 32-22 | Hary Janos Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 32-23 | Hary Janos Suite: V. Intermezzo | — | ||
| 32-24 | Hary Janos Suite: VI. Entrance of the Emperor and his Court | — | ||
| 33-1 | Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace) | — | ||
| 33-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | — | ||
| 33-3 | Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | — | ||
| 33-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | — | ||
| 33-5 | Concerto for Orchestra, Sz. 116: V. Finale (Pesante - Presto) | — | ||
| 33-6 | Music for Strings, Percussion and Celeste, Sz. 106: I. Andante tranquillo | — | ||
| 33-7 | Music for Strings, Percussion and Celeste, Sz. 106: II. Allegro | — | ||
| 33-8 | Music for Strings, Percussion and Celeste, Sz. 106: III. Adagio | — | ||
| 33-9 | Music for Strings, Percussion and Celeste, Sz. 106: IV. Allegro molto | — | ||
| 34-1 | En saga, op. 9 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-2 | Tapiola, op. 112 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-3 | Finlandia, op. 26 no. 7 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-4 | Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-5 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 34-6 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 34-7 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 35-1 | Psyché, FWV 47: I. Le sommeil de Psyché | — | ||
| 35-2 | Psyché, FWV 47: II. Psyché enlevée par les zéphyrs | — | ||
| 35-3 | Psyché, FWV 47: III. Les jardins d’Eros | — | ||
| 35-4 | Psyché, FWV 47: V. Psyché et Eros | — | ||
| 35-5 | Variations symphoniques | Géza Anda, Koninklijk Concertgebouworkest, Eduard van Beinum | T-911.781.420-7 | |
| 35-6 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 35-7 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 35-8 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 35-9 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 35-10 | Boléro, M. 81 | — | ||
| 35-11 | La Valse, M. 72 | — | ||
| 36-1 | Trois Nocturnes: I. Nuages | — | ||
| 36-2 | Trois Nocturnes: II. Fêtes | — | ||
| 36-3 | Trois Nocturnes: III. Sirènes | — | ||
| 36-4 | La Mer: I. De l’aube à midi sur la mer | — | ||
| 36-5 | La Mer: II. Jeux de vagues | — | ||
| 36-6 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 36-7 | Images pour orchestre: I. Gigues | — | ||
| 36-8 | Images pour orchestre: III. Rondes de printemps | — | ||
| 36-9 | Images pour orchestre: II. Ibéria - Par les rues et par les chemins | — | ||
| 36-10 | Images pour orchestre: II. Ibéria - Les parfums de la nuit | — | ||
| 36-11 | Images pour orchestre: II. Ibéria - Le matin d’un jour de fête | — | ||
| 37-1 | Cockaigne Overture, op. 40 | — | ||
| 37-2 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | — | ||
| 37-3 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | — | ||
| 37-4 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 37-5 | Cello Concerto in E minor, op. 85: IV. Allegro | — | ||
| 37-6 | Elegy for Strings, op. 58 | — | ||
| 37-7 | The Wand of Youth Suite no. 1, op. 1a: I. Overture | — | ||
| 37-8 | The Wand of Youth Suite no. 1, op. 1a: II. Serenade | — | ||
| 37-9 | The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style) | — | ||
| 37-10 | The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance | — | ||
| 37-11 | The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers | — | ||
| 37-12 | The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene | — | ||
| 37-13 | The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants | — | ||
| 37-14 | The Wand of Youth Suite no. 2, op. 1b: I. March | — | ||
| 37-15 | The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells | — | ||
| 37-16 | The Wand of Youth Suite no. 2, op. 1b: III. Moths & Butterflies | — | ||
| 37-17 | The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance | — | ||
| 37-18 | The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear | — | ||
| 37-19 | The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears | — | ||
| 38-1 | Spring Symphony, op. 44: 1. Introduction: Shine Out | — | ||
| 38-2 | Spring Symphony, op. 44: 2. The Merry Cuckoo | — | ||
| 38-3 | Spring Symphony, op. 44: 3. Spring, the Sweet Spring | — | ||
| 38-4 | Spring Symphony, op. 44: 4. The Driving Boy | — | ||
| 38-5 | Spring Symphony, op. 44: 5. The Morning Star | — | ||
| 38-6 | Spring Symphony, op. 44: 6. Welcome Maids of Honour | — | ||
| 38-7 | Spring Symphony, op. 44: 7. Waters Above! | — | ||
| 38-8 | Spring Symphony, op. 44: 8. Out on the Lawn I Lie in Bed | — | ||
| 38-9 | Spring Symphony, op. 44: 9. When Will May Come | — | ||
| 38-10 | Spring Symphony, op. 44: 10. Fair and Fair | — | ||
| 38-11 | Spring Symphony, op. 44: 11. Sound the Flute! | — | ||
| 38-12 | Spring Symphony, op. 44: 12. Finale: London, to Thee I Do Present | — | ||
| 38-13 | 4 Sea Interludes From Peter Grimes, op. 33a - Dawn | — | ||
| 38-14 | 4 Sea Interludes From Peter Grimes, op. 33a - Sunday Morning | — | ||
| 38-15 | 4 Sea Interludes From Peter Grimes, op. 33a - Moonlight | — | ||
| 38-16 | 4 Sea Interludes From Peter Grimes, op. 33a - Storm | — | ||
| 38-17 | Passacaglia From Peter Grimes, op. 33b | — | ||
| 38-18 | Beckus the Dandipratt, op. 5 - Comedy Overture | — | ||
| 38-19 | Symphony no. 3 | — | ||
| 39-1 | 4 Sea Interludes from “Peter Grimes”, op. 33a: I. Dawn | — | ||
| 39-2 | 4 Sea Interludes from “Peter Grimes”, op. 33a: II. Sunday Morning | — | ||
| 39-3 | 4 Sea Interludes from “Peter Grimes”, op. 33a: III. Moonlight | — | ||
| 39-4 | 4 Sea Interludes from “Peter Grimes”, op. 33a: IV. Storm | — | ||
| 39-5 | Passacaglia, from “Peter Grimes”, op. 33b | — | ||
| 39-6 | The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente | — | ||
| 39-7 | The Young Person’s Guide to the Orchestra, op. 34: Var. A. Flutes & Piccolo. Presto | — | ||
| 39-8 | The Young Person’s Guide to the Orchestra, op. 34: Var. B. Oboes. Lento | — | ||
| 39-9 | The Young Person’s Guide to the Orchestra, op. 34: Var. C. Clarinets. Moderato | — | ||
| 39-10 | The Young Person’s Guide to the Orchestra, op. 34: Var. D. Bassoons. Allegro alla marcia | — | ||
| 39-11 | The Young Person’s Guide to the Orchestra, op. 34: Var. E. Violins. Brillante, alla polacca | — | ||
| 39-12 | The Young Person’s Guide to the Orchestra, op. 34: Var. F. Violas. Meno mosso | — | ||
| 39-13 | The Young Person’s Guide to the Orchestra, op. 34: Var. G. Cellos | — | ||
| 39-14 | The Young Person’s Guide to the Orchestra, op. 34: Var. H. Double Basses. Cominciando lento ma poco a poco accelerando | — | ||
| 39-15 | The Young Person’s Guide to the Orchestra, op. 34: Var. I. Harp. Maestoso | — | ||
| 39-16 | The Young Person’s Guide to the Orchestra, op. 34: Var. J. Horns. L’istesso tempo | — | ||
| 39-17 | The Young Person’s Guide to the Orchestra, op. 34: Var. K. Trumpets. Vivace | — | ||
| 39-18 | The Young Person’s Guide to the Orchestra, op. 34: Var. L. Trombones & Bass Tuba. Allegro pomposo | — | ||
| 39-19 | The Young Person’s Guide to the Orchestra, op. 34: Var. M. Percussion. Moderato | — | ||
| 39-20 | The Young Person’s Guide to the Orchestra, op. 34: Fugue. Tutti. Allegro molto | — | ||
| 39-21 | Berceuse héroïque | Royal Concertgebouw Orchestra, Eduard van Beinum | — | |
| 39-22 | Marche écossaise, CD 83 | — | ||
| 39-23 | Mignon: Overture | — | ||
| 39-24 | 2 Elegiac Melodies, op. 34: I. Heart‐Wounds | — | ||
| 39-25 | 2 Elegiac Melodies, op. 34: II. The Last Spring | — | ||
| 39-26 | Die lustigen Weiber von Windsor: Overture | — | ||
| 39-27 | The Stars & Stripes Forever | — | ||
| 40-1 | Six Epigrams: I. Grave | — | ||
| 40-2 | Six Epigrams: II. Grazioso | — | ||
| 40-3 | Six Epigrams: III. Molto tranquillo | — | ||
| 40-4 | Six Epigrams: IV. Allegro assai | — | ||
| 40-5 | Six Epigrams: V. Adagio molto | — | ||
| 40-6 | Six Epigrams: VI. Pesante maestoso | — | ||
| 40-7 | Piano Concerto | — | ||
| 40-8 | Violin Concerto: I. Allegretto moderato – Allegro agitato | — | ||
| 40-9 | Violin Concerto: II. Allegro marcato – Tempo di Habanera – Tempo 1 | — | ||
| 40-10 | Violin Concerto: III. Molto adagio | — | ||
| 40-11 | Violin Concerto: IV. Allegro | — | ||
| 40-12 | Marsyas: I. Prélude. Réveil au printemps de Marsyas | — | ||
| 40-13 | Marsyas: II. Entr’acte. Vagabondages à travers les forêts | — | ||
| 40-14 | Te Deum laudamus, RC 39 | — | ||
| 41-1 | St. Anthony Variations, op. 56a: Theme: “Chorale St. Antoni” | — | ||
| 41-2 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animato | — | ||
| 41-3 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 41-4 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 41-5 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 41-6 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 41-7 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 41-8 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 41-9 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 41-10 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 41-11 | L’Arlésienne Suite no. 1, WD 40, GB 121: I. Prélude: Allegro Deciso – Andantino – Andante Molto | — | ||
| 41-12 | L’Arlésienne Suite no. 1, WD 40, GB 121: II. Minuetto | — | ||
| 41-13 | L’Arlésienne Suite no. 1, WD 40, GB 121: III. Adagietto | — | ||
| 41-14 | L’Arlésienne Suite no. 1, WD 40, GB 121: IV. Carillon | — | ||
| 41-15 | L’Arlésienne Suite no. 2, WD 28, GB 121b (Arr. Ernest Guiraud): IV. Farandole | — | ||
| 41-16 | Ballet Suite, op. 130: V. Valse D’amour | — | ||
| 41-17 | 8 Slavonic Dances, op. 46 B. 83: no. 5 in A: Allegro Vivace | — | ||
| 41-18 | 8 Slavonic Dances, op. 46 B. 83: no. 8 in G minor: Presto | — | ||
| 41-19 | 8 Slavonic Dances, op. 46 B. 83: no. 3 in A-flat: Poco Allegro | — | ||
| 41-20 | Vltava, JB 1:112/2 (From Má Vlast) | — | ||
| 42-1 | Benvenuto Cellini Overture, op. 23 H. 76B | — | ||
| 42-2 | Lohengrin, WWV 75: Prelude to Act III | — | ||
| 42-3 | Egmont Overture, op. 84 | — | ||
| 42-4 | Suite no. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 42-5 | Suite no. 2 in B minor, BWV 1067. Badinerie | — | ||
| 42-6 | Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 42-7 | Suite no. 3 in D major, BWV 1068: II. Air | — | ||
| 42-8 | Suite no. 3 in D major, BWV 1068: III. Gavotte I – II | — | ||
| 42-9 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 42-10 | Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 42-11 | Don Juan, op. 20 TrV 156 | — | ||
| 42-12 | Finlandia, op. 26 | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro Moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 43-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 43-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 44-1 | Memories: Introduction: Background and Overview | — | ||
| 44-2 | Memories: The Concertgebouworkest | — | ||
| 44-3 | Memories: The London Philharmonic Orchestra | — | ||
| 44-4 | Memories: The City of Birmingham Symphony Orchestra and the Concertgebouworkest | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | T-000.769.449-6 |
Musical Works (ISWC)
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This release contains 516 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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028948513871 is the Universal Product Code (UPC barcode) for the release “Complete Recordings on Decca & Philips” by Eduard van Beinum, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 516 tracks, each with its own ISRC. Tracks include GBF075211360, GBF075211370, NLA505700167.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite no. 1 in C major BWV 1066: I. Ouverture | — | ||
| 2 | Suite no. 1 in C major BWV 1066: II. Courante | — | ||
| 3 | Suite no. 1 in C major BWV 1066: III. Gavottes I & II | — | ||
| 4 | Suite no. 1 in C major BWV 1066: IV. Forlane | — | ||
| 5 | Suite no. 1 in C major BWV 1066: V. Menuets I & II | — | ||
| 6 | Suite no. 1 in C major BWV 1066: VI. Bourrees I & II | — | ||
| 7 | Suite no. 1 in C major BWV 1066: VII. Passepieds I & II | — | ||
| 8 | Suite no. 2 in B minor BWV 1067: I. Ouverture | — | ||
| 9 | Suite no. 2 in B minor BWV 1067: II. Rondeau | — | ||
| 10 | Suite no. 2 in B minor BWV 1067: III. Sarabande | — | ||
| 11 | Suite no. 2 in B minor BWV 1067: IV. Bourree I-II | — | ||
| 12 | Suite no. 2 in B minor BWV 1067: V. Polonaise | — | ||
| 13 | Suite no. 2 in B minor BWV 1067: VI. Menuet | — | ||
| 14 | Suite no. 2 in B minor BWV 1067: VII. Badinerie | — | ||
| 15 | Suite no. 3 in D major BWV 1068: I. Ouverture | — | ||
| 16 | Suite no. 3 in D major BWV 1068: II. Air | — | ||
| 17 | Suite no. 3 in D major BWV 1068: III. Gavottes I & II | — | ||
| 18 | Suite no. 3 in D major BWV 1068: IV. Bourree | — | ||
| 19 | Suite no. 3 in D major BWV 1068: V. Gigue | — | ||
| 20 | Suite no. 4 in D major BWV 1069: I. Ouverture | — | ||
| 21 | Suite no. 4 in D major BWV 1069: II. Bourrees I & II | — | ||
| 22 | Suite no. 4 in D major BWV 1069: III. Gavotte | — | ||
| 23 | Suite no. 4 in D major BWV 1069: IV. Menuets I & II | — | ||
| 24 | Suite no. 4 in D major BWV 1069: V. Rejouissance | — | ||
| 2-1 | Trumpet Voluntary | — | ||
| 2-2 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 1. Overture | — | ||
| 2-3 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 2. Alla Siciliana | — | ||
| 2-4 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 3. Bourrée | — | ||
| 2-5 | Music for the Royal Fireworks: Suite HWV 351 - Arr. Sir Hamilton Harty: 4. Menuetto | — | ||
| 2-6 | Water Music Suite - Arr. Sir Hamilton Harty: 1. Allegro | — | ||
| 2-7 | Water Music Suite - Arr. Sir Hamilton Harty: 2. Air | — | ||
| 2-8 | Water Music Suite - Arr. Sir Hamilton Harty: 3. Bourrée | — | ||
| 2-9 | Water Music Suite - Arr. Sir Hamilton Harty: 4. Hornpipe | — | ||
| 2-10 | Water Music Suite - Arr. Sir Hamilton Harty: 5. Andante | — | ||
| 2-11 | Water Music Suite - Arr. Sir Hamilton Harty: 6. Allegro deciso | — | ||
| 2-12 | Symphony in B-flat, op. 18, no. 2: 1. Allegro assai | — | ||
| 2-13 | Symphony in B-flat, op. 18, no. 2: 2. Andante | — | ||
| 2-14 | Symphony in B-flat, op. 18, no. 2: 3. Presto | — | ||
| 2-15 | Symphony in D, op. 18, no. 4: 1. Allegro con spirito | — | ||
| 2-16 | Symphony in D, op. 18, no. 4: 2. Andante | — | ||
| 2-17 | Symphony in D, op. 18, no. 4: 3. Rondo (Presto) | — | ||
| 3-1 | Water Music: I. Overture. Grave - Allegro | — | ||
| 3-2 | Water Music: II. Adagio e staccato | — | ||
| 3-3 | Water Music: III. Allegro - Andante - Allegro | — | ||
| 3-4 | Water Music: IV. A tempo di minuetto | — | ||
| 3-5 | Water Music: V. Air. Andante | — | ||
| 3-6 | Water Music: VI. Menuet. Pomposo | — | ||
| 3-7 | Water Music: VII. Bourrée. Allegro | — | ||
| 3-8 | Water Music: VIII. Hornpipe. Allegro | — | ||
| 3-9 | Water Music: IX. Allegro moderato | — | ||
| 3-10 | Water Music: X. Andante - Allegro | — | ||
| 3-11 | Water Music: XI. Alla hornpipe | — | ||
| 3-12 | Water Music: XII. Menuet. Moderato | — | ||
| 3-13 | Water Music: XIII. Aria. Allegro | — | ||
| 3-14 | Water Music: XIV. Loure. Lentement | — | ||
| 3-15 | Water Music: XV. Air. Allegro | — | ||
| 3-16 | Water Music: XVI. Menuet. Moderato | — | ||
| 3-17 | Water Music: XVII. Menuet. Allegretto | — | ||
| 3-18 | Water Music: XVIII. Affettuoso - Cantabile | — | ||
| 3-19 | Water Music: XIX. Coro. Pomposo | — | ||
| 4-1 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: I. Allegro | — | ||
| 4-2 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: II. Andantino | — | ||
| 4-3 | Concerto for Flute, Harp, and Orchestra in C major, K. 299: III. Rondo (Allegro) | — | ||
| 4-4 | Symphony no. 29 in A, K. 201: I. Allegro moderato | — | ||
| 4-5 | Symphony no. 29 in A, K. 201: II. Andante | — | ||
| 4-6 | Symphony no. 29 in A, K. 201: III. Menuetto | — | ||
| 4-7 | Symphony no. 29 in A, K. 201: IV. Allegro con spirito | — | ||
| 4-8 | Symphony no. 33 in B-flat, K. 319: I. Allegro assai | — | ||
| 4-9 | Symphony no. 33 in B-flat, K. 319: II. Andante moderato | — | ||
| 4-10 | Symphony no. 33 in B-flat, K. 319: III. Menuetto | — | ||
| 4-11 | Symphony no. 33 in B-flat, K. 319: IV. Finale (Allegro assai) | — | ||
| 5-1 | Symphony no. 35 in D major, K. 385 “Haffner”: I. Allegro con spirito | — | ||
| 5-2 | Symphony no. 35 in D major, K. 385 “Haffner”: II. Andante | — | ||
| 5-3 | Symphony no. 35 in D major, K. 385 “Haffner”: III. Menuetto | — | ||
| 5-4 | Symphony no. 35 in D major, K. 385 “Haffner”: IV. Finale (Presto) | — | ||
| 5-5 | Piano Concerto no. 24 in C minor, K. 491: I. Allegro | — | ||
| 5-6 | Piano Concerto no. 24 in C minor, K. 491: II. Larghetto | — | ||
| 5-7 | Piano Concerto no. 24 in C minor, K. 491: III. Allegretto | — | ||
| 5-8 | Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro | — | ||
| 5-9 | Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio | — | ||
| 5-10 | Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo (Allegro) | — | ||
| 6-1 | Serenade in D, K. 320 “Posthorn”: I. Adagio maestoso - Allegro con spirito | — | ||
| 6-2 | Serenade in D, K. 320 “Posthorn”: II. Minuetto | — | ||
| 6-3 | Serenade in D, K. 320 “Posthorn”: III. Concertante (Andante grazioso) | — | ||
| 6-4 | Serenade in D, K. 320 “Posthorn”: IV. Rondeau (Allegro ma non troppo) | — | ||
| 6-5 | Serenade in D, K. 320 “Posthorn”: V. Andantino | — | ||
| 6-6 | Serenade in D, K. 320 “Posthorn”: VI. Minuetto | — | ||
| 6-7 | Serenade in D, K. 320 “Posthorn”: VII. Finale (Presto) | — | ||
| 6-8 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Theme | — | ||
| 6-9 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation I | — | ||
| 6-10 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation II | — | ||
| 6-11 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation III | — | ||
| 6-12 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation IV | — | ||
| 6-13 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation V | — | ||
| 6-14 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VI | — | ||
| 6-15 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VII | — | ||
| 6-16 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Variation VIII | — | ||
| 6-17 | Variations and Fugue on a Theme by Wolfgang Amadeus Mozart, op. 132: Fugue | — | ||
| 7-1 | Symphony no. 94 in G, Hob. I:94 “Surprise”: I. Adagio Cantabile – Vivace Assai | — | ||
| 7-2 | Symphony no. 94 in G, Hob. I:94 “Surprise”: II. Andante | — | ||
| 7-3 | Symphony no. 94 in G, Hob. I:94 “Surprise”: III. Menuet: Allegro Molto | — | ||
| 7-4 | Symphony no. 94 in G, Hob. I:94 “Surprise”: IV. Finale: Allegro Di Molto | — | ||
| 7-5 | Symphony no. 96 in D, Hob. I:96 “Miracle”: I. Adagio – Allegro | — | ||
| 7-6 | Symphony no. 96 in D, Hob. I:96 “Miracle”: II. Andante | — | ||
| 7-7 | Symphony no. 96 in D, Hob. I:96 “Miracle”: III. Menuetto: Allegretto | — | ||
| 7-8 | Symphony no. 96 in D, Hob. I:96 “Miracle”: IV. Finale: Vivace | — | ||
| 7-9 | Symphony no. 97 in C, Hob. I:97: I. Adagio – Vivace | — | ||
| 7-10 | Symphony no. 97 in C, Hob. I:97: II. Adagio Ma Non Troppo | — | ||
| 7-11 | Symphony no. 97 in C, Hob. I:97: III. Menuetto: Allegretto | — | ||
| 7-12 | Symphony no. 97 in C, Hob. I:97: IV. Finale: Presto Assai | — | ||
| 8-1 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: I. Adagio - Allegro | — | ||
| 8-2 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: II. Andante | — | ||
| 8-3 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: III. Menuetto. Allegretto | — | ||
| 8-4 | Symphony no. 96 in D major, Hob. I:96 “The Miracle”: IV. Finale. Vivace | — | ||
| 8-5 | Symphony no. 100 in G major, Hob. I:100 “Military”: I. Adagio - Allegro | — | ||
| 8-6 | Symphony no. 100 in G major, Hob. I:100 “Military”: II. Allegretto | — | ||
| 8-7 | Symphony no. 100 in G major, Hob. I:100 “Military”: III. Menuet. Moderato | — | ||
| 8-8 | Symphony no. 100 in G major, Hob. I:100 “Military”: IV. Finale. Presto | — | ||
| 8-9 | The Creatures of Prometheus, op. 43: I. Overture. Adagio – Allegro molto con brio | — | ||
| 8-10 | The Creatures of Prometheus, op. 43: II. Adagio - Allegro con brio | — | ||
| 8-11 | The Creatures of Prometheus, op. 43: III. Allegro vivace | — | ||
| 8-12 | The Creatures of Prometheus, op. 43: V. Adagio – Andante quasi allegretto | — | ||
| 8-13 | The Creatures of Prometheus, op. 43: IX. Adagio | — | ||
| 8-14 | The Creatures of Prometheus, op. 43: XI. Andante | — | ||
| 8-15 | The Creatures of Prometheus, op. 43: XV. Andantino – Adagio – Allegro | — | ||
| 8-16 | The Creatures of Prometheus, op. 43: XVI. Finale. Allegretto | — | ||
| 9-1 | The Creatures of Prometheus, op. 43: I. Overture (1946 Recording) | — | ||
| 9-2 | Overture “Leonore no. 1”, op. 138 | — | ||
| 9-3 | Overture “Leonore no. 3”, op. 72b | — | ||
| 9-4 | Overture “Fidelio”, op. 72c | — | ||
| 9-5 | Overture “Egmont”, op. 84 | — | ||
| 9-6 | Overture “Coriolan”, op. 62 | — | ||
| 9-7 | Overture “The Consecration of the House”, op. 124 | — | ||
| 10-1 | Violin Concerto in D, op. 61: I. Allegro Ma Non Troppo | — | ||
| 10-2 | Violin Concerto in D, op. 61: II. Larghetto | — | ||
| 10-3 | Violin Concerto in D, op. 61: III. Rondo | — | ||
| 10-4 | Symphony no. 2 in D, op. 36: I. Adagio Molto – Allegro Con Brio | — | ||
| 10-5 | Symphony no. 2 in D, op. 36: II. Larghetto | — | ||
| 10-6 | Symphony no. 2 in D, op. 36: III. Scherzo: Allegro | — | ||
| 10-7 | Symphony no. 2 in D, op. 36: IV. Allegro Molto | — | ||
| 11-1 | Symphony no. 4 in C minor, D. 417 - “Tragic”: I. Adagio molto - Allegro vivace | — | ||
| 11-2 | Symphony no. 4 in C minor, D. 417 - “Tragic”: II. Andante | — | ||
| 11-3 | Symphony no. 4 in C minor, D. 417 - “Tragic”: III. Menuetto (Allegro vivace) | — | ||
| 11-4 | Symphony no. 4 in C minor, D. 417 - “Tragic”: IV. Allegro | — | ||
| 11-5 | Symphony no. 5 in B-Flat, D. 485: I. Allegro | — | ||
| 11-6 | Symphony no. 5 in B-Flat, D. 485: II. Andante con moto | — | ||
| 11-7 | Symphony no. 5 in B-Flat, D. 485: III. Menuetto (Allegro molto) | — | ||
| 11-8 | Symphony no. 5 in B-Flat, D. 485: IV. Allegro vivace | — | ||
| 11-9 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Overture (Die Zauberharfe, D.644) | — | ||
| 11-10 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Entr’acte no. 1 | — | ||
| 11-11 | Rosamunde, D. 797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 1 - Andante un poco assai | — | ||
| 12-1 | Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 12-2 | Symphony no. 3 in D major, D. 200: II. Allegretto | — | ||
| 12-3 | Symphony no. 3 in D major, D. 200: III. Menuetto (Vivace) | — | ||
| 12-4 | Symphony no. 3 in D major, D. 200: IV. Presto. Vivace | — | ||
| 12-5 | Symphony no. 6 in C major, D. 589 - “The Little”: I. Adagio - Allegro | — | ||
| 12-6 | Symphony no. 6 in C major, D. 589 - “The Little”: II. Andante | — | ||
| 12-7 | Symphony no. 6 in C major, D. 589 - “The Little”: III. Scherzo (Presto) | — | ||
| 12-8 | Symphony no. 6 in C major, D. 589 - “The Little”: IV. Allegro moderato | — | ||
| 12-9 | Symphony no. 8 in B minor, D. 759 - “Unfinished”: I. Allegro moderato | — | ||
| 12-10 | Symphony no. 8 in B minor, D. 759 - “Unfinished”: II. Andante con moto | — | ||
| 13-1 | The Hebrides Overture, op. 26 “Fingal’s Cave” | — | ||
| 13-2 | Violin Concerto in E minor, op. 64: I. Allegro molto appassionato | — | ||
| 13-3 | Violin Concerto in E minor, op. 64: II. Andante | — | ||
| 13-4 | Violin Concerto in E minor, op. 64: III. Allegretto non troppo – Allegro molto vivace | — | ||
| 13-5 | A Midsummer Night’s Dream, Incidental Music, op. 61: I. Scherzo | — | ||
| 13-6 | A Midsummer Night’s Dream, Incidental Music, op. 61: V. Intermezzo. Allegro appassionato | — | ||
| 13-7 | A Midsummer Night’s Dream, Incidental Music, op. 61: VII. Notturno. Con moto tranquillo | — | ||
| 13-8 | Leonore Overture no. 2, op. 72a | — | ||
| 13-9 | La scala di seta: Overture | — | ||
| 14-1 | A Midsummer Night’s Dream Overture, op. 21 MWV P 3 | — | ||
| 14-2 | A Midsummer Night’s Dream, op. 61 MWV M 13 (excerpts): I. Scherzo: Allegro vivace | — | ||
| 14-3 | A Midsummer Night’s Dream, op. 61 MWV M 13 (excerpts): VII. Notturno: Con moto tranquillo | — | ||
| 14-4 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: I. Allegro vivace | — | ||
| 14-5 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: II. Andante con moto | — | ||
| 14-6 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: III. Con moto moderato | — | ||
| 14-7 | Symphony no. 4 in A, op. posth. 90 MWV N 16 “Italian”: IV. Saltarello: Presto | — | ||
| 14-8 | La gazza ladra: Overture | — | ||
| 14-9 | William Tell: Overture | — | ||
| 14-10 | Semiramide: Overture | — | ||
| 15-1 | Symphonie fantastique, H. 48: I. Rêveries – Passions | — | ||
| 15-2 | Symphonie fantastique, H. 48: II. Un bal. Valse | — | ||
| 15-3 | Symphonie fantastique, H. 48: III. Scène aux champs | — | ||
| 15-4 | Symphonie fantastique, H. 48: IV. Marche au supplice | — | ||
| 15-5 | Symphonie fantastique, H. 48: V. Songe d’une nuit du Sabbat | — | ||
| 15-6 | La damnation de Faust, H. 111, Pt. 1: Marche hongroise | — | ||
| 15-7 | La damnation de Faust, H. 111, Pt. 2: Ballet des Sylphes | — | ||
| 15-8 | La damnation de Faust, H. 111, Pt. 3: Menuet des Feux Follets | — | ||
| 15-9 | Les Troyens, H. 133: Marche troyenne | — | ||
| 15-10 | Le carnaval romain, Overture, H. 95 | — | ||
| 16-1 | Symphonie Fantastique, op. 14 H. 48: I. Rêveries – Passions: Largo – Allegro Appassionato Assai – Religiosamente | — | ||
| 16-2 | Symphonie Fantastique, op. 14 H. 48: II. Un Bal. Valse: Allegro Non Troppo | — | ||
| 16-3 | Symphonie Fantastique, op. 14 H. 48: III. Scène Aux Champs: Adagio | — | ||
| 16-4 | Symphonie Fantastique, op. 14 H. 48: IV. Marche Au Supplice: Allegretto Non Troppo | — | ||
| 16-5 | Symphonie Fantastique, op. 14 H. 48: V. Songe D’une Nuit De Sabbat: Larghetto – Allegro | — | ||
| 16-6 | Le Carnaval Romain Overture, op. 9 H. 95 | — | ||
| 16-7 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Marche Hongroise | — | ||
| 16-8 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Ballet Des Sylphes | — | ||
| 16-9 | La Damnation De Faust, op. 24 H. 111 (Excerpts): Menuet Des Feux Follets | — | ||
| 16-10 | St. Anthony Variations, op. 56a: Theme: “Chorale St. Antoni” | — | ||
| 16-11 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animato | — | ||
| 16-12 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 16-13 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 16-14 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 16-15 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 16-16 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 16-17 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 16-18 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 16-19 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 17-1 | Symphony no. 1 in C minor, op. 68: I. Un poco sostenuto – Allegro | — | ||
| 17-2 | Symphony no. 1 in C minor, op. 68: II. Andante sostenuto | — | ||
| 17-3 | Symphony no. 1 in C minor, op. 68: III. Un poco allegretto e grazioso | — | ||
| 17-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più andante – Allegro non troppo, ma con brio – Più allegro | — | ||
| 17-5 | Variations on a Theme by Haydn, op. 56a: Theme. Chorale St Antoni | — | ||
| 17-6 | Variations on a Theme by Haydn, op. 56a: Var. 1. Poco più animato | — | ||
| 17-7 | Variations on a Theme by Haydn, op. 56a: Var. 2. Più vivace | — | ||
| 17-8 | Variations on a Theme by Haydn, op. 56a: Var. 3. Con moto | — | ||
| 17-9 | Variations on a Theme by Haydn, op. 56a: Var. 4. Andante con moto | — | ||
| 17-10 | Variations on a Theme by Haydn, op. 56a: Var. 5. Vivace | — | ||
| 17-11 | Variations on a Theme by Haydn, op. 56a: Var. 6. Vivace | — | ||
| 17-12 | Variations on a Theme by Haydn, op. 56a: Var. 7. Grazioso | — | ||
| 17-13 | Variations on a Theme by Haydn, op. 56a: Var. 8. Presto non troppo | — | ||
| 17-14 | Variations on a Theme by Haydn, op. 56a: Finale. Andante | — | ||
| 18-1 | Symphony no. 1 in C minor, op. 68: 1. Un poco sostenuto - Allegro - Meno allegro | — | ||
| 18-2 | Symphony no. 1 in C minor, op. 68: 2. Andante sostenuto | — | ||
| 18-3 | Symphony no. 1 in C minor, op. 68: 3. Un poco allegretto e grazioso | — | ||
| 18-4 | Symphony no. 1 in C minor, op. 68: 4. Adagio - Piu andante - Allegro non troppo, ma con brio - Piu allegro | — | ||
| 18-5 | Symphony no. 3 in F major, op. 90: 1. Allegro con brio - Un poco sostenuto - Tempo I | — | ||
| 18-6 | Symphony no. 3 in F major, op. 90: 2. Andante | — | ||
| 18-7 | Symphony no. 3 in F major, op. 90: 3. Poco allegretto | — | ||
| 18-8 | Symphony no. 3 in F major, op. 90: 4. Allegro | — | ||
| 19-1 | Symphony no. 2 in D major, op. 73: I. Allegro non troppo | — | ||
| 19-2 | Symphony no. 2 in D major, op. 73: II. Adagio non troppo | — | ||
| 19-3 | Symphony no. 2 in D major, op. 73: III. Allegretto grazioso (quasi andantino) | — | ||
| 19-4 | Symphony no. 2 in D major, op. 73: IV. Allegro con spirito | — | ||
| 19-5 | Symphony no. 4 in E minor, op. 98: I. Allegro non troppo | — | ||
| 19-6 | Symphony no. 4 in E minor, op. 98: II. Andante moderato | — | ||
| 19-7 | Symphony no. 4 in E minor, op. 98: III. Allegro giocoso | — | ||
| 19-8 | Symphony no. 4 in E minor, op. 98: IV. Allegro energico e passionato | — | ||
| 20-1 | Symphony no. 1 in C minor, op. 68: I. Un Poco Sostenuto – Allegro – Meno Allegro | — | ||
| 20-2 | Symphony no. 1 in C minor, op. 68: II. Andante Sostenuto | — | ||
| 20-3 | Symphony no. 1 in C minor, op. 68: III. Un Poco Allegretto E Grazioso | — | ||
| 20-4 | Symphony no. 1 in C minor, op. 68: IV. Adagio – Più Andante – Allegro Non Troppo, Ma Con Brio | — | ||
| 20-5 | Symphony no. 3 in F, op. 90: I. Allegro Con Brio – Un Poco Sostenuto | — | ||
| 20-6 | Symphony no. 3 in F, op. 90: II. Andante | — | ||
| 20-7 | Symphony no. 3 in F, op. 90: III. Poco Allegretto | — | ||
| 20-8 | Symphony no. 3 in F, op. 90: IV. Allegro | — | ||
| 21-1 | Piano Concerto no. 1 in D minor, op. 15: 1. Maestoso - Poco più moderato | — | ||
| 21-2 | Piano Concerto no. 1 in D minor, op. 15: 2. Adagio | — | ||
| 21-3 | Piano Concerto no. 1 in D minor, op. 15: 3. Rondo (Allegro non troppo) | — | ||
| 21-4 | Tragic Overture, op. 81 | — | ||
| 21-5 | Academic Festival Overture, op. 80 | — | ||
| 21-6 | Rhapsody for Alto, Chorus, and Orchestra, op. 53 | — | ||
| 22-1 | Violin Concerto in D, op. 77: I. Allegro Non Troppo | — | ||
| 22-2 | Violin Concerto in D, op. 77: II. Adagio | — | ||
| 22-3 | Violin Concerto in D, op. 77: III. Allegro Giocoso, Ma Non Troppo Vivace | — | ||
| 22-4 | St. Anthony Variations, op. 56a: Theme: "St. Anthony Chorale" | — | ||
| 22-5 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animo | — | ||
| 22-6 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 22-7 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 22-8 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 22-9 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 22-10 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 22-11 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 22-12 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 22-13 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 22-14 | Tragic Overture, op. 81 | — | ||
| 22-15 | Academic Festival Overture, op. 80 | — | ||
| 23-1 | Symphony no. 5 in B-flat major: I. Introduction. Adagio) — Allegro. Mäßig | — | ||
| 23-2 | Symphony no. 5 in B-flat major: II. Adagio. Sehr langsam | — | ||
| 23-3 | Symphony no. 5 in B-flat major: III. Scherzo. Molto vivace, schnell – Trio. Im gleichen Tempo | — | ||
| 23-4 | Symphony no. 5 in B-flat major: IV. Finale. Adagio. — Allegro moderato | — | ||
| 24-1 | Symphony no. 7 in E major, WAB 107: I. Allegro moderato | — | ||
| 24-2 | Symphony no. 7 in E major, WAB 107: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 24-3 | Symphony no. 7 in E major, WAB 107: III. Scherzo. Sehr schnell | — | ||
| 24-4 | Symphony no. 7 in E major, WAB 107: IV. Finale. Bewegt, doch nicht schnell | — | ||
| 25-1 | Symphony no. 7 in E major: I. Allegro moderato | — | ||
| 25-2 | Symphony no. 7 in E major: II. Adagio. Sehr feierlich und sehr langsam | — | ||
| 25-3 | Symphony no. 7 in E major: III. Scherzo. Sehr schnell – Trio. Etwas langsamer | — | ||
| 25-4 | Symphony no. 7 in E major: IV. Finale. Bewegt, doch nicht zu schnell | — | ||
| 26-1 | Symphony no. 8 in C minor: I. Allegro moderato | — | ||
| 26-2 | Symphony no. 8 in C minor: II. Scherzo. Allegro moderato | — | ||
| 26-3 | Symphony no. 8 in C minor: III. Adagio. Feierlich langsam, doch nicht schleppend | — | ||
| 26-4 | Symphony no. 8 in C minor: IV. Finale. Feierlich, nicht schnell | — | ||
| 27-1 | Symphony no. 9 in D minor: I. Feierlich. Misterioso | — | ||
| 27-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft - Trio. Schnell – Scherzo da capo | — | ||
| 27-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | — | ||
| 28-1 | Symphony no. 4 in G: 1. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 28-2 | Symphony no. 4 in G: 2. In gemächlicher Bewegung. Ohne Hast | — | ||
| 28-3 | Symphony no. 4 in G: 3. Ruhevoll (Poco adagio) | — | ||
| 28-4 | Symphony no. 4 in G: 4. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 28-5 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 28-6 | Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld | — | ||
| 28-7 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | — | ||
| 28-8 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 29-1 | Das Lied von der Erde: 1. Das Trinklied vom Jammer der Erde | — | ||
| 29-2 | Das Lied von der Erde: 2. Der Einsame im Herbst | — | ||
| 29-3 | Das Lied von der Erde: 3. Von der Jugend | — | ||
| 29-4 | Das Lied von der Erde: 4. Von der Schönheit | — | ||
| 29-5 | Das Lied von der Erde: 5. Der Trunkene im Frühling | — | ||
| 29-6 | Das Lied von der Erde: 6. Der Abschied | — | ||
| 29-7 | Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht | — | ||
| 29-8 | Lieder eines fahrenden Gesellen: Ging heut’ morgen übers Feld | — | ||
| 29-9 | Lieder eines fahrenden Gesellen: Ich hab’ ein glühend Messer | — | ||
| 29-10 | Lieder eines fahrenden Gesellen: Die zwei blauen Augen von meinem Schatz | — | ||
| 30-1 | Symphonie espagnole, op. 21: I. Allegro non troppo | — | ||
| 30-2 | Symphonie espagnole, op. 21: II. Scherzando. Allegro molto | — | ||
| 30-3 | Symphonie espagnole, op. 21: III. Intermezzo. Allegretto non troppo | — | ||
| 30-4 | Symphonie espagnole, op. 21: IV. Andante | — | ||
| 30-5 | Symphonie espagnole, op. 21: V. Rondo. Allegro | — | ||
| 30-6 | Serenade for Strings, op. 48: II. Waltz. Moderato | — | ||
| 30-7 | String Quartet no. 1 in D major, op. 11: II. Andante cantabile | — | ||
| 30-8 | Romeo and Juliet, Fantasy Overture, TH 42 | — | ||
| 30-9 | The Nutcracker Suite, op. 71a: I. Miniature Overture | — | ||
| 30-10 | The Nutcracker Suite, op. 71a: IIa. March | — | ||
| 30-11 | The Nutcracker Suite, op. 71a: IIb. Dance of the Sugar‐Plum Fairy | — | ||
| 30-12 | The Nutcracker Suite, op. 71a: IIc. Russian Dance (Trepak) | — | ||
| 30-13 | The Nutcracker Suite, op. 71a: IId. Arabian Dance (Coffee) | — | ||
| 30-14 | The Nutcracker Suite, op. 71a: IIe. Chinese Dance (Tea) | — | ||
| 30-15 | The Nutcracker Suite, op. 71a: IIf. Dance of the Reed‐Pipes | — | ||
| 30-16 | The Nutcracker Suite, op. 71a: III. Waltz of the Flowers | — | ||
| 31-1 | Scheherazade, op. 35: I. The Sea and Sinbad’s Ship | — | ||
| 31-2 | Scheherazade, op. 35: II. The Story of the Kalender Prince | — | ||
| 31-3 | Scheherazade, op. 35: III. The Young Prince and the Young Princess | — | ||
| 31-4 | Scheherazade, op. 35: IV. Festival at Bagdad – The Sea – The Shipwreck Against a Rock Surmounted by a Bronze Warrior (The Shipwreck) | — | ||
| 31-5 | Polovtsian Dances from Prince Igor | — | ||
| 31-6 | L’Arlésienne Suite no. 1, WD 40: I. Prélude “La marche des Rois” | — | ||
| 31-7 | L’Arlésienne Suite no. 1, WD 40: II. Minuetto | — | ||
| 31-8 | L’Arlésienne Suite no. 1, WD 40: III. Adagietto | — | ||
| 31-9 | L’Arlésienne Suite no. 2, WD 28: III. Menuet | — | ||
| 31-10 | L’Arlésienne Suite no. 2, WD 28: IV. Farandole | — | ||
| 31-11 | Danse sacrée et Danse profane, CD 113: I. Danse sacrée | — | ||
| 31-12 | Danse sacrée et Danse profane, CD 113: II. Danse profane | — | ||
| 32-1 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: I. Introduction | — | ||
| 32-2 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: II. Les augures printaniers - Danses des adolescentes | — | ||
| 32-3 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: III. Jeu du rapt | — | ||
| 32-4 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: IV. Rondes printanières | — | ||
| 32-5 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: V. Jeux des cités | — | ||
| 32-6 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VI. Cortège du sage | — | ||
| 32-7 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VII. Le sage | — | ||
| 32-8 | Le sacre du printemps, Pt. 1 “L’adoration de la terre”: VIII. Danse de la terre | — | ||
| 32-9 | Le sacre du printemps, Pt. 2 “Le sacrifice”: I. Introduction | — | ||
| 32-10 | Le sacre du printemps, Pt. 2 “Le sacrifice”: II. Cercles mysteriéux des adolescentes | — | ||
| 32-11 | Le sacre du printemps, Pt. 2 “Le sacrifice”: III. Glorification d’élue | — | ||
| 32-12 | Le sacre du printemps, Pt. 2 “Le sacrifice”: IV. Évocation des ancêtres | — | ||
| 32-13 | Le sacre du printemps, Pt. 2 “Le sacrifice”: V. Action rituelle des ancêtres | — | ||
| 32-14 | Le sacre du printemps, Pt. 2 “Le sacrifice”: VI. Danse sacrale: l’élue | — | ||
| 32-15 | Le chant du rossignol: I. Introduction - The Feast at the Emporer’s Palace | — | ||
| 32-16 | Le chant du rossignol: II. Marche chinoise | — | ||
| 32-17 | Le chant du rossignol: III. Chant du rossignol | — | ||
| 32-18 | Le chant du rossignol: IV. Jeu du rossignol mécanique | — | ||
| 32-19 | Hary Janos Suite: I. Prelude - The Fairy Tale Begins | — | ||
| 32-20 | Hary Janos Suite: II. Viennese Musical Clock | — | ||
| 32-21 | Hary Janos Suite: III. Song | — | ||
| 32-22 | Hary Janos Suite: IV. The Battle and Defeat of Napoleon | — | ||
| 32-23 | Hary Janos Suite: V. Intermezzo | — | ||
| 32-24 | Hary Janos Suite: VI. Entrance of the Emperor and his Court | — | ||
| 33-1 | Concerto for Orchestra, Sz. 116: 1. Introduzione (Andante non troppo - Allegro vivace) | — | ||
| 33-2 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie (Allegretto scherzando) | — | ||
| 33-3 | Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | — | ||
| 33-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | — | ||
| 33-5 | Concerto for Orchestra, Sz. 116: V. Finale (Pesante - Presto) | — | ||
| 33-6 | Music for Strings, Percussion and Celeste, Sz. 106: I. Andante tranquillo | — | ||
| 33-7 | Music for Strings, Percussion and Celeste, Sz. 106: II. Allegro | — | ||
| 33-8 | Music for Strings, Percussion and Celeste, Sz. 106: III. Adagio | — | ||
| 33-9 | Music for Strings, Percussion and Celeste, Sz. 106: IV. Allegro molto | — | ||
| 34-1 | En saga, op. 9 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-2 | Tapiola, op. 112 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-3 | Finlandia, op. 26 no. 7 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-4 | Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | — | |
| 34-5 | Violin Concerto in D minor, op. 47: I. Allegro moderato | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 34-6 | Violin Concerto in D minor, op. 47: II. Adagio di molto | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 34-7 | Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto | Jan Damen, London Philharmonic Orchestra, Eduard van Beinum | — | |
| 35-1 | Psyché, FWV 47: I. Le sommeil de Psyché | — | ||
| 35-2 | Psyché, FWV 47: II. Psyché enlevée par les zéphyrs | — | ||
| 35-3 | Psyché, FWV 47: III. Les jardins d’Eros | — | ||
| 35-4 | Psyché, FWV 47: V. Psyché et Eros | — | ||
| 35-5 | Variations symphoniques | Géza Anda, Koninklijk Concertgebouworkest, Eduard van Beinum | T-911.781.420-7 | |
| 35-6 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 35-7 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 35-8 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 35-9 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 35-10 | Boléro, M. 81 | — | ||
| 35-11 | La Valse, M. 72 | — | ||
| 36-1 | Trois Nocturnes: I. Nuages | — | ||
| 36-2 | Trois Nocturnes: II. Fêtes | — | ||
| 36-3 | Trois Nocturnes: III. Sirènes | — | ||
| 36-4 | La Mer: I. De l’aube à midi sur la mer | — | ||
| 36-5 | La Mer: II. Jeux de vagues | — | ||
| 36-6 | La Mer: III. Dialogue du vent et de la mer | — | ||
| 36-7 | Images pour orchestre: I. Gigues | — | ||
| 36-8 | Images pour orchestre: III. Rondes de printemps | — | ||
| 36-9 | Images pour orchestre: II. Ibéria - Par les rues et par les chemins | — | ||
| 36-10 | Images pour orchestre: II. Ibéria - Les parfums de la nuit | — | ||
| 36-11 | Images pour orchestre: II. Ibéria - Le matin d’un jour de fête | — | ||
| 37-1 | Cockaigne Overture, op. 40 | — | ||
| 37-2 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | — | ||
| 37-3 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | — | ||
| 37-4 | Cello Concerto in E minor, op. 85: III. Adagio | — | ||
| 37-5 | Cello Concerto in E minor, op. 85: IV. Allegro | — | ||
| 37-6 | Elegy for Strings, op. 58 | — | ||
| 37-7 | The Wand of Youth Suite no. 1, op. 1a: I. Overture | — | ||
| 37-8 | The Wand of Youth Suite no. 1, op. 1a: II. Serenade | — | ||
| 37-9 | The Wand of Youth Suite no. 1, op. 1a: III. Minuet (Old Style) | — | ||
| 37-10 | The Wand of Youth Suite no. 1, op. 1a: IV. Sun Dance | — | ||
| 37-11 | The Wand of Youth Suite no. 1, op. 1a: V. Fairy Pipers | — | ||
| 37-12 | The Wand of Youth Suite no. 1, op. 1a: VI. Slumber Scene | — | ||
| 37-13 | The Wand of Youth Suite no. 1, op. 1a: VII. Fairies and Giants | — | ||
| 37-14 | The Wand of Youth Suite no. 2, op. 1b: I. March | — | ||
| 37-15 | The Wand of Youth Suite no. 2, op. 1b: II. The Little Bells | — | ||
| 37-16 | The Wand of Youth Suite no. 2, op. 1b: III. Moths & Butterflies | — | ||
| 37-17 | The Wand of Youth Suite no. 2, op. 1b: IV. Fountain Dance | — | ||
| 37-18 | The Wand of Youth Suite no. 2, op. 1b: V. The Tame Bear | — | ||
| 37-19 | The Wand of Youth Suite no. 2, op. 1b: VI. The Wild Bears | — | ||
| 38-1 | Spring Symphony, op. 44: 1. Introduction: Shine Out | — | ||
| 38-2 | Spring Symphony, op. 44: 2. The Merry Cuckoo | — | ||
| 38-3 | Spring Symphony, op. 44: 3. Spring, the Sweet Spring | — | ||
| 38-4 | Spring Symphony, op. 44: 4. The Driving Boy | — | ||
| 38-5 | Spring Symphony, op. 44: 5. The Morning Star | — | ||
| 38-6 | Spring Symphony, op. 44: 6. Welcome Maids of Honour | — | ||
| 38-7 | Spring Symphony, op. 44: 7. Waters Above! | — | ||
| 38-8 | Spring Symphony, op. 44: 8. Out on the Lawn I Lie in Bed | — | ||
| 38-9 | Spring Symphony, op. 44: 9. When Will May Come | — | ||
| 38-10 | Spring Symphony, op. 44: 10. Fair and Fair | — | ||
| 38-11 | Spring Symphony, op. 44: 11. Sound the Flute! | — | ||
| 38-12 | Spring Symphony, op. 44: 12. Finale: London, to Thee I Do Present | — | ||
| 38-13 | 4 Sea Interludes From Peter Grimes, op. 33a - Dawn | — | ||
| 38-14 | 4 Sea Interludes From Peter Grimes, op. 33a - Sunday Morning | — | ||
| 38-15 | 4 Sea Interludes From Peter Grimes, op. 33a - Moonlight | — | ||
| 38-16 | 4 Sea Interludes From Peter Grimes, op. 33a - Storm | — | ||
| 38-17 | Passacaglia From Peter Grimes, op. 33b | — | ||
| 38-18 | Beckus the Dandipratt, op. 5 - Comedy Overture | — | ||
| 38-19 | Symphony no. 3 | — | ||
| 39-1 | 4 Sea Interludes from “Peter Grimes”, op. 33a: I. Dawn | — | ||
| 39-2 | 4 Sea Interludes from “Peter Grimes”, op. 33a: II. Sunday Morning | — | ||
| 39-3 | 4 Sea Interludes from “Peter Grimes”, op. 33a: III. Moonlight | — | ||
| 39-4 | 4 Sea Interludes from “Peter Grimes”, op. 33a: IV. Storm | — | ||
| 39-5 | Passacaglia, from “Peter Grimes”, op. 33b | — | ||
| 39-6 | The Young Person’s Guide to the Orchestra, op. 34: Theme. Allegro maestoso e largamente | — | ||
| 39-7 | The Young Person’s Guide to the Orchestra, op. 34: Var. A. Flutes & Piccolo. Presto | — | ||
| 39-8 | The Young Person’s Guide to the Orchestra, op. 34: Var. B. Oboes. Lento | — | ||
| 39-9 | The Young Person’s Guide to the Orchestra, op. 34: Var. C. Clarinets. Moderato | — | ||
| 39-10 | The Young Person’s Guide to the Orchestra, op. 34: Var. D. Bassoons. Allegro alla marcia | — | ||
| 39-11 | The Young Person’s Guide to the Orchestra, op. 34: Var. E. Violins. Brillante, alla polacca | — | ||
| 39-12 | The Young Person’s Guide to the Orchestra, op. 34: Var. F. Violas. Meno mosso | — | ||
| 39-13 | The Young Person’s Guide to the Orchestra, op. 34: Var. G. Cellos | — | ||
| 39-14 | The Young Person’s Guide to the Orchestra, op. 34: Var. H. Double Basses. Cominciando lento ma poco a poco accelerando | — | ||
| 39-15 | The Young Person’s Guide to the Orchestra, op. 34: Var. I. Harp. Maestoso | — | ||
| 39-16 | The Young Person’s Guide to the Orchestra, op. 34: Var. J. Horns. L’istesso tempo | — | ||
| 39-17 | The Young Person’s Guide to the Orchestra, op. 34: Var. K. Trumpets. Vivace | — | ||
| 39-18 | The Young Person’s Guide to the Orchestra, op. 34: Var. L. Trombones & Bass Tuba. Allegro pomposo | — | ||
| 39-19 | The Young Person’s Guide to the Orchestra, op. 34: Var. M. Percussion. Moderato | — | ||
| 39-20 | The Young Person’s Guide to the Orchestra, op. 34: Fugue. Tutti. Allegro molto | — | ||
| 39-21 | Berceuse héroïque | Royal Concertgebouw Orchestra, Eduard van Beinum | — | |
| 39-22 | Marche écossaise, CD 83 | — | ||
| 39-23 | Mignon: Overture | — | ||
| 39-24 | 2 Elegiac Melodies, op. 34: I. Heart‐Wounds | — | ||
| 39-25 | 2 Elegiac Melodies, op. 34: II. The Last Spring | — | ||
| 39-26 | Die lustigen Weiber von Windsor: Overture | — | ||
| 39-27 | The Stars & Stripes Forever | — | ||
| 40-1 | Six Epigrams: I. Grave | — | ||
| 40-2 | Six Epigrams: II. Grazioso | — | ||
| 40-3 | Six Epigrams: III. Molto tranquillo | — | ||
| 40-4 | Six Epigrams: IV. Allegro assai | — | ||
| 40-5 | Six Epigrams: V. Adagio molto | — | ||
| 40-6 | Six Epigrams: VI. Pesante maestoso | — | ||
| 40-7 | Piano Concerto | — | ||
| 40-8 | Violin Concerto: I. Allegretto moderato – Allegro agitato | — | ||
| 40-9 | Violin Concerto: II. Allegro marcato – Tempo di Habanera – Tempo 1 | — | ||
| 40-10 | Violin Concerto: III. Molto adagio | — | ||
| 40-11 | Violin Concerto: IV. Allegro | — | ||
| 40-12 | Marsyas: I. Prélude. Réveil au printemps de Marsyas | — | ||
| 40-13 | Marsyas: II. Entr’acte. Vagabondages à travers les forêts | — | ||
| 40-14 | Te Deum laudamus, RC 39 | — | ||
| 41-1 | St. Anthony Variations, op. 56a: Theme: “Chorale St. Antoni” | — | ||
| 41-2 | St. Anthony Variations, op. 56a: Variation I: Poco Più Animato | — | ||
| 41-3 | St. Anthony Variations, op. 56a: Variation II: Più Vivace | — | ||
| 41-4 | St. Anthony Variations, op. 56a: Variation III: Con Moto | — | ||
| 41-5 | St. Anthony Variations, op. 56a: Variation IV: Andante Con Moto | — | ||
| 41-6 | St. Anthony Variations, op. 56a: Variation V: Vivace | — | ||
| 41-7 | St. Anthony Variations, op. 56a: Variation VI: Vivace | — | ||
| 41-8 | St. Anthony Variations, op. 56a: Variation VII: Grazioso | — | ||
| 41-9 | St. Anthony Variations, op. 56a: Variation VIII: Presto Non Troppo | — | ||
| 41-10 | St. Anthony Variations, op. 56a: Finale: Andante | — | ||
| 41-11 | L’Arlésienne Suite no. 1, WD 40, GB 121: I. Prélude: Allegro Deciso – Andantino – Andante Molto | — | ||
| 41-12 | L’Arlésienne Suite no. 1, WD 40, GB 121: II. Minuetto | — | ||
| 41-13 | L’Arlésienne Suite no. 1, WD 40, GB 121: III. Adagietto | — | ||
| 41-14 | L’Arlésienne Suite no. 1, WD 40, GB 121: IV. Carillon | — | ||
| 41-15 | L’Arlésienne Suite no. 2, WD 28, GB 121b (Arr. Ernest Guiraud): IV. Farandole | — | ||
| 41-16 | Ballet Suite, op. 130: V. Valse D’amour | — | ||
| 41-17 | 8 Slavonic Dances, op. 46 B. 83: no. 5 in A: Allegro Vivace | — | ||
| 41-18 | 8 Slavonic Dances, op. 46 B. 83: no. 8 in G minor: Presto | — | ||
| 41-19 | 8 Slavonic Dances, op. 46 B. 83: no. 3 in A-flat: Poco Allegro | — | ||
| 41-20 | Vltava, JB 1:112/2 (From Má Vlast) | — | ||
| 42-1 | Benvenuto Cellini Overture, op. 23 H. 76B | — | ||
| 42-2 | Lohengrin, WWV 75: Prelude to Act III | — | ||
| 42-3 | Egmont Overture, op. 84 | — | ||
| 42-4 | Suite no. 2 in B minor, BWV 1067: V. Polonaise | — | ||
| 42-5 | Suite no. 2 in B minor, BWV 1067. Badinerie | — | ||
| 42-6 | Suite no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 42-7 | Suite no. 3 in D major, BWV 1068: II. Air | — | ||
| 42-8 | Suite no. 3 in D major, BWV 1068: III. Gavotte I – II | — | ||
| 42-9 | Suite no. 3 in D major, BWV 1068: IV. Bourrée | — | ||
| 42-10 | Suite no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 42-11 | Don Juan, op. 20 TrV 156 | — | ||
| 42-12 | Finlandia, op. 26 | — | ||
| 43-1 | Piano Concerto no. 4 in G major, op. 58: I. Allegro Moderato | — | ||
| 43-2 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | — | ||
| 43-3 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | — | ||
| 43-4 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | — | ||
| 43-5 | Piano Concerto no. 1 in C major, op. 15: II. Largo | — | ||
| 43-6 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | — | ||
| 44-1 | Memories: Introduction: Background and Overview | — | ||
| 44-2 | Memories: The Concertgebouworkest | — | ||
| 44-3 | Memories: The London Philharmonic Orchestra | — | ||
| 44-4 | Memories: The City of Birmingham Symphony Orchestra and the Concertgebouworkest | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Valse triste, op. 44 no. 1 | Concertgebouw Orchestra of Amsterdam, Eduard van Beinum | T-000.769.449-6 |
