UPC · Release
Friedrich Gulda
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028948514519 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Friedrich Gulda, released 2021-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 500 tracks, each with its own ISRC. Tracks include GBBBA5450041, GBBBA5450042, GBBBA5450043.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Piano no. 1 in F minor, op. 2/1: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 2 | Sonata for Piano no. 1 in F minor, op. 2/1: II. Adagio | Friedrich Gulda | — | |
| 3 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto - Trio | Friedrich Gulda | — | |
| 4 | Sonata for Piano no. 1 in F minor, op. 2/1: IV. Prestissimo | Friedrich Gulda | — | |
| 5 | Sonata for Piano no. 2 in A major, op. 2/2: I. Allegro vivace | Friedrich Gulda | — | |
| 6 | Sonata for Piano no. 2 in A major, op. 2/2: II. Largo appassionato | Friedrich Gulda | — | |
| 7 | Sonata for Piano no. 2 in A major, op. 2/2: III. Scherzo. Allegretto | Friedrich Gulda | — | |
| 8 | Sonata for Piano no. 2 in A major, op. 2/2: IV. Rondo. Grazioso | Friedrich Gulda | — | |
| 9 | Sonata for Piano no. 3 in C major, op. 2/3: I. Allegro con brio | Friedrich Gulda | — | |
| 10 | Sonata for Piano no. 3 in C major, op. 2/3: II. Adagio | Friedrich Gulda | — | |
| 11 | Sonata for Piano no. 3 in C major, op. 2/3: III. Scherzo. Allegro | Friedrich Gulda | — | |
| 12 | Sonata for Piano no. 3 in C major, op. 2/3: IV. Allegro assai | Friedrich Gulda | T-306.395.786-4 | |
| 2-1 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Friedrich Gulda | — | |
| 2-2 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Friedrich Gulda | — | |
| 2-3 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | Friedrich Gulda | — | |
| 2-4 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Friedrich Gulda | — | |
| 2-5 | Sonata for Piano no. 5 in C minor, op. 10/1: I. Allegro molto e con brio | Friedrich Gulda | — | |
| 2-6 | Sonata for Piano no. 5 in C minor, op. 10/1: II. Adagio molto | Friedrich Gulda | — | |
| 2-7 | Sonata for Piano no. 5 in C minor, op. 10/1: III. Finale. Prestissimo | Friedrich Gulda | — | |
| 2-8 | Sonata for Piano no. 6 in F major, op. 10/2: I. Allegro | Friedrich Gulda | — | |
| 2-9 | Sonata for Piano no. 6 in F major, op. 10/2: II. Allegretto | Friedrich Gulda | — | |
| 2-10 | Sonata for Piano no. 6 in F major, op. 10/2: III. Presto | Friedrich Gulda | — | |
| 3-1 | Sonata for Piano no. 7 in D major, op. 10/3: I. Presto | Friedrich Gulda | T-011.422.353-8 | |
| 3-2 | Sonata for Piano no. 7 in D major, op. 10/3: II. Largo e mesto | Friedrich Gulda | — | |
| 3-3 | Sonata for Piano no. 7 in D major, op. 10/3: III. Menuetto. Allegro | Friedrich Gulda | — | |
| 3-4 | Sonata for Piano no. 7 in D major, op. 10/3: IV. Rondo. Allegro | Friedrich Gulda | — | |
| 3-5 | Sonata for Piano no. 8 in C minor, op. 13: I. Grave – Allegro di molto e con brio | Friedrich Gulda | T-915.723.669-6 | |
| 3-6 | Sonata for Piano no. 8 in C minor, op. 13: II. Adagio cantabile | Friedrich Gulda | T-001.397.158-8 | |
| 3-7 | Sonata for Piano no. 8 in C minor, op. 13: III. Rondo. Allegro | Friedrich Gulda | — | |
| 3-8 | Sonata for Piano no. 9 in E major, op. 14/1: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 3-9 | Sonata for Piano no. 9 in E major, op. 14/1: II. Allegretto | Friedrich Gulda | — | |
| 3-10 | Sonata for Piano no. 9 in E major, op. 14/1: III. Rondo. Allegro comodo | Friedrich Gulda | — | |
| 3-11 | Sonata for Piano no. 10 in G major, op. 14/2: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 3-12 | Sonata for Piano no. 10 in G major, op. 14/2: II. Andante | Friedrich Gulda | — | |
| 3-13 | Sonata for Piano no. 10 in G major, op. 14/2: III. Scherzo. Allegro assai | Friedrich Gulda | — | |
| 4-1 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | Friedrich Gulda | — | |
| 4-2 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Friedrich Gulda | — | |
| 4-3 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | Friedrich Gulda | — | |
| 4-4 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Friedrich Gulda | — | |
| 4-5 | Sonata for Piano no. 12 in A-flat major, op. 26: I. Andante con variazioni | Friedrich Gulda | — | |
| 4-6 | Sonata for Piano no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | Friedrich Gulda | — | |
| 4-7 | Sonata for Piano no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe | Friedrich Gulda | — | |
| 4-8 | Sonata for Piano no. 12 in A-flat major, op. 26: IV. Allegro | Friedrich Gulda | T-318.676.528-2 | |
| 4-9 | Sonata for Piano no. 13 in E-flat major, op. 27/1: I. Andante | Friedrich Gulda | — | |
| 4-10 | Sonata for Piano no. 13 in E-flat major, op. 27/1: II. Allegro molto e vivace – III. Adagio con espressione | Friedrich Gulda | — | |
| 4-11 | Sonata for Piano no. 13 in E-flat major, op. 27/1: IV. Allegro vivace | Friedrich Gulda | — | |
| 4-12 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: I. Adagio sostenuto | Friedrich Gulda | — | |
| 4-13 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: II. Allegretto | Friedrich Gulda | — | |
| 4-14 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: III. Presto agitato | Friedrich Gulda | — | |
| 5-1 | Sonata for Piano no. 15 in D major, op. 28: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 5-2 | Sonata for Piano no. 15 in D major, op. 28: II. Andante | Friedrich Gulda | — | |
| 5-3 | Sonata for Piano no. 15 in D major, op. 28: III. Scherzo. Allegro Vivace | Friedrich Gulda | — | |
| 5-4 | Sonata for Piano no. 15 in D major, op. 28: IV. Rondo. Allegro ma non troppo | Friedrich Gulda | — | |
| 5-5 | Sonata for Piano no. 16 in G major, op. 31/1: I. Allegro vivace | Friedrich Gulda | — | |
| 5-6 | Sonata for Piano no. 16 in G major, op. 31/1: II. Adagio grazioso | Friedrich Gulda | — | |
| 5-7 | Sonata for Piano no. 16 in G major, op. 31/1: III. Rondo. Allegretto | Friedrich Gulda | — | |
| 5-8 | Sonata for Piano no. 17 in D minor, op. 31/2: I. Largo – Allegro | Friedrich Gulda | — | |
| 5-9 | Sonata for Piano no. 17 in D minor, op. 31/2: II. Adagio | Friedrich Gulda | — | |
| 5-10 | Sonata for Piano no. 17 in D minor, op. 31/2: III. Allegretto | Friedrich Gulda | — | |
| 6-1 | Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | — | |
| 6-2 | Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — | |
| 6-3 | Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — | |
| 6-4 | Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — | |
| 6-5 | Sonata for Piano no. 19 in G minor, op. 49/1: I. Andante | Friedrich Gulda | T-011.422.353-8 | |
| 6-6 | Sonata for Piano no. 19 in G minor, op. 49/1: II. Rondo. Allegro | Friedrich Gulda | — | |
| 6-7 | Sonata for Piano no. 20 in G major, op. 49/2: I. Allegro, ma non troppo | Friedrich Gulda | — | |
| 6-8 | Sonata for Piano no. 20 in G major, op. 49/2: II. Tempo di Menuetto | Friedrich Gulda | — | |
| 6-9 | Sonata for Piano no. 21 in C major, op. 53: I. Allegro con brio | Friedrich Gulda | — | |
| 6-10 | Sonata for Piano no. 21 in C major, op. 53: II. Introduzione. Adagio molto | Friedrich Gulda | — | |
| 6-11 | Sonata for Piano no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | Friedrich Gulda | — | |
| 6-12 | Sonata for Piano no. 22 in F major, op. 54: I. In tempo d'un Menuetto | Friedrich Gulda | — | |
| 6-13 | Sonata for Piano no. 22 in F major, op. 54: II. Allegretto – Più allegro | Friedrich Gulda | — | |
| 7-1 | Sonata for Piano no. 23 in F minor, op. 57: I. Allegro assai | Friedrich Gulda | — | |
| 7-2 | Sonata for Piano no. 23 in F minor, op. 57: II. Andante con moto | Friedrich Gulda | — | |
| 7-3 | Sonata for Piano no. 23 in F minor, op. 57: III. Allegro ma non troppo – Presto | Friedrich Gulda | — | |
| 7-4 | Sonata for Piano no. 24 in F-sharp major, op. 78: I. Adagio cantabile ‒ Allegro ma non troppo | Friedrich Gulda | T-001.397.158-8 | |
| 7-5 | Sonata for Piano no. 24 in F-sharp major, op. 78: II. Allegro vivace | Friedrich Gulda | — | |
| 7-6 | Sonata for Piano no. 25 in G major, op. 79: I. Presto alla tedesca | Friedrich Gulda | — | |
| 7-7 | Sonata for Piano no. 25 in G major, op. 79: II. Andante | Friedrich Gulda | — | |
| 7-8 | Sonata for Piano no. 25 in G major, op. 79: III. Vivace | Friedrich Gulda | — | |
| 7-9 | Sonata for Piano no. 26 in E-flat major, op. 81a: I. Das Lebewohl (Les Adieux). Adagio ‒ Allegro | Friedrich Gulda | — | |
| 7-10 | Sonata for Piano no. 26 in E-flat major, op. 81a: II. Abwesenheit (L'Absence). Andante espressivo | Friedrich Gulda | — | |
| 7-11 | Sonata for Piano no. 26 in E-flat major, op. 81a: III. Das Wiedersehn (Le Retour). Vivacissimamente | Friedrich Gulda | — | |
| 7-12 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Friedrich Gulda | — | |
| 7-13 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Friedrich Gulda | — | |
| 8-1 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Friedrich Gulda | — | |
| 8-2 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla Marcia | Friedrich Gulda | — | |
| 8-3 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto – IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro | Friedrich Gulda | — | |
| 8-4 | Sonata for Piano no. 29 in B-flat major, op. 106: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 8-5 | Sonata for Piano no. 29 in B-flat major, op. 106: II. Scherzo. Assai vivace | Friedrich Gulda | — | |
| 8-6 | Sonata for Piano no. 29 in B-flat major, op. 106: III. Adagio sostenuto | Friedrich Gulda | — | |
| 8-7 | Sonata for Piano no. 29 in B-flat major, op. 106: IV. Largo – Allegro risoluto | Friedrich Gulda | — | |
| 9-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo | Friedrich Gulda | — | |
| 9-2 | Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | Friedrich Gulda | — | |
| 9-3 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Friedrich Gulda | — | |
| 9-4 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Friedrich Gulda | — | |
| 9-5 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | Friedrich Gulda | — | |
| 9-6 | Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio ma non troppo – Klagender Gesang (Arioso dolente) – | Friedrich Gulda | — | |
| 9-7 | Sonata for Piano no. 31 in A-flat major, op. 110: Fuga. Allegro ma non troppo – L'istesso tempo di Arioso – L'istesso tempo della Fuga | Friedrich Gulda | — | |
| 9-8 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | Friedrich Gulda | — | |
| 9-9 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Friedrich Gulda | — | |
| 10-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 10-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 10-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto - Trio | — | ||
| 10-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 10-5 | Sonata no. 2 in A, op. 2 no. 2: I. Allegro vivace | — | ||
| 10-6 | Sonata no. 2 in A, op. 2 no. 2: II. Largo appassionato | — | ||
| 10-7 | Sonata no. 2 in A, op. 2 no. 2: III. Scherzo: Allegretto - Trio | — | ||
| 10-8 | Sonata no. 2 in A, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 10-9 | Sonata no. 3 in C, op. 2 no. 3: I. Allegro con brio | — | ||
| 10-10 | Sonata no. 3 in C, op. 2 no. 3: II. Adagio | — | ||
| 10-11 | Sonata no. 3 in C, op. 2 no. 3: III. Scherzo: Allegro - Trio | — | ||
| 10-12 | Sonata no. 3 in C, op. 2 no. 3: IV. Allegro assai | — | ||
| 11-1 | Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio | — | ||
| 11-2 | Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione | — | ||
| 11-3 | Sonata no. 4 in E-flat, op. 7: III. Allegro | — | ||
| 11-4 | Sonata no. 4 in E-flat, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 11-5 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 11-6 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 11-7 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 11-8 | Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 11-9 | Sonata no. 6 in F, op. 10 no. 2: II. Menuetto: Allegretto | — | ||
| 11-10 | Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 12-1 | Sonata no. 7 in D, op. 10 no. 3: I. Presto | — | ||
| 12-2 | Sonata no. 7 in D, op. 10 no. 3: II. Largo e mesto | — | ||
| 12-3 | Sonata no. 7 in D, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 12-4 | Sonata no. 7 in D, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 12-5 | Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 12-6 | Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 12-7 | Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro | — | ||
| 12-8 | Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 12-9 | Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 12-10 | Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 12-11 | Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 12-12 | Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 12-13 | Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 13-1 | Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 13-2 | Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 13-3 | Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 13-4 | Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto | — | ||
| 13-5 | Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni | — | ||
| 13-6 | Sonata no. 12 in A-flat, op. 26: II. Scherzo: Allegro molto - Trio | — | ||
| 13-7 | Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe. Maestoso andante | — | ||
| 13-8 | Sonata no. 12 in A-flat, op. 26: IV. Allegro | — | ||
| 13-9 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: I. Andante - Allegro - Andante | — | ||
| 13-10 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 13-11 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: III. Adagio con espressione | — | ||
| 13-12 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: IV. Allegro vivace | — | ||
| 13-13 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: I. Adagio sostenuto | — | ||
| 13-14 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: II. Allegretto | — | ||
| 13-15 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: III. Presto agitato | — | ||
| 14-1 | Sonata no. 15 in D, op. 28 “Pastoral”: I. Allegro | — | ||
| 14-2 | Sonata no. 15 in D, op. 28 “Pastoral”: II. Andante | — | ||
| 14-3 | Sonata no. 15 in D, op. 28 “Pastoral”: III. Scherzo: Allegro vivace | — | ||
| 14-4 | Sonata no. 15 in D, op. 28 “Pastoral”: IV. Rondo: Allegro ma non troppo | — | ||
| 14-5 | Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 14-6 | Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 14-7 | Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto - Presto | — | ||
| 14-8 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro | — | ||
| 14-9 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | — | ||
| 14-10 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | — | ||
| 15-1 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: I. Allegro | — | ||
| 15-2 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: II. Scherzo: Allegro vivace | — | ||
| 15-3 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: III. Menuetto: Moderato e grazioso | — | ||
| 15-4 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: IV. Presto con fuoco | — | ||
| 15-5 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 15-6 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 15-7 | Sonata no. 20 in G, op. 14 no. 2: I. Allegro ma non troppo | — | ||
| 15-8 | Sonata no. 20 in G, op. 14 no. 2: II. Tempo di menuetto | — | ||
| 15-9 | Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 15-10 | Sonata no. 21 in C, op. 53 “Waldstein”: II. Introduzione: Adagio molto | — | ||
| 15-11 | Sonata no. 21 in C, op. 53 “Waldstein”: III. Rondo: Allegretto moderato - Prestissimo | — | ||
| 15-12 | Sonata no. 22 in F, op. 54: I. In tempo d'un menuetto | — | ||
| 15-13 | Sonata no. 22 in F, op. 54: II. Allegretto - Più allegro | — | ||
| 16-1 | Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 16-2 | Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 16-3 | Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | — | ||
| 16-4 | Sonata no. 24 in F-sharp, op. 78 “À Thérèse”: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 16-5 | Sonata no. 24 in F-sharp, op. 78 “À Thérèse”: II. Allegro vivace | — | ||
| 16-6 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: I. Presto alla tedesca | — | ||
| 16-7 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: II. Andante | — | ||
| 16-8 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: III. Vivace | — | ||
| 16-9 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: I. Das Lebewohl: Adagio - Allegro | — | ||
| 16-10 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: II. Abwesenheit: Andante espressivo | — | ||
| 16-11 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: III. Das Wiedersehen: Vivacissimamente | — | ||
| 16-12 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 16-13 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 17-1 | Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 17-2 | Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 17-3 | Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto / IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 17-4 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 17-5 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 17-6 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto | — | ||
| 17-7 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: IV. Introduzione: Largo… - Allegro - Fuga: Allegro risoluto | — | ||
| 18-1 | Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - Adagio espressivo / II. Prestissimo | — | ||
| 18-2 | Sonata no. 30 in E, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile es espressivo | — | ||
| 18-3 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 18-4 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 18-5 | Sonata no. 31 in A-flat, op. 110: III. Adagio ma non troppo - Allegro ma non troppo | — | ||
| 18-6 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 18-7 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 19-1 | Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 19-2 | Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 19-3 | Concerto no. 1 in C, op. 15: III. Rondo: Allegro scherzando | — | ||
| 19-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 19-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 19-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 20-1 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-2 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-3 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-4 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-5 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-6 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 21-1 | Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro | — | ||
| 21-2 | Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 21-3 | Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo: Allegro | — | ||
| 22-1 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 22-2 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 22-3 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 22-4 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 22-5 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 22-6 | Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Recitativo - Arioso dolente | — | ||
| 22-7 | Sonata no. 31 in A-flat, op. 110: IV. Fuga - Allegro, ma non troppo - L'istesso tempo - Meno allegro | — | ||
| 23-1 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: I. Allegro con brio | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-2 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: II. Adagio cantabile | Ruggiero Ricci, Friedrich Gulda | T-001.397.158-8 | |
| 23-3 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: III. Scherzo. Allegro | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: IV. Finale. Allegro | Ruggiero Ricci, Friedrich Gulda | T-318.676.528-2 | |
| 23-5 | Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-6 | Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-7 | Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-8 | Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco Allegretto | Ruggiero Ricci, Friedrich Gulda | — | |
| 24-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo, Allegro scherzando | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-4 | Variations and Fugue in E-flat major on an Original Theme for Piano, op. 35: Introduzione col Basso del Tema. Allegro vivace ‒ Theme ‒ Var. I-XV ‒ Finale. Alla Fuga. Allegro con brio | Friedrich Gulda | — | |
| 24-5 | Six Bagatelles for Piano, op. 126: 2. Bagatelle in G minor. Allegro | Friedrich Gulda | — | |
| 24-6 | Six Bagatelles for Piano, op. 126: 3. Bagatelle in E-flat major. Andante cantabile e grazioso | Friedrich Gulda | — | |
| 25-1 | Das Wolhtemperierte Clavier Book II: Prelude and Fugue no. 32 in D-sharp minor, BWV 877 | — | ||
| 25-2 | English Suite no. 3 in G minor, BWV 808: I. Prélude | — | ||
| 25-3 | English Suite no. 3 in G minor, BWV 808: II. Allemande | — | ||
| 25-4 | English Suite no. 3 in G minor, BWV 808: III. Courante | — | ||
| 25-5 | English Suite no. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 25-6 | English Suite no. 3 in G minor, BWV 808: V. Gavotte I - Gavotte II (ou “La musette”) | — | ||
| 25-7 | English Suite no. 3 in G minor, BWV 808: VI. Gigue | — | ||
| 25-8 | Sonata no. 8 in A minor, K. 310 (300d): I. Allegro maestoso | — | ||
| 25-9 | Sonata no. 8 in A minor, K. 310 (300d): II. Andante cantabile con espressione | — | ||
| 25-10 | Sonata no. 8 in A minor, K. 310 (300d): III. Presto | — | ||
| 25-11 | Rondo in D, K. 485 | — | ||
| 25-12 | Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 25-13 | Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 25-14 | Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 26-1 | Piano Concerto no. 14 in E-flat, K. 449: I. Allegro vivace | — | ||
| 26-2 | Piano Concerto no. 14 in E-flat, K. 449: II. Andantino | — | ||
| 26-3 | Piano Concerto no. 14 in E-flat, K. 449: III. Allegro ma non troppo | — | ||
| 26-4 | Piano Concerto no. 26 in D, K. 537 “Coronation”: I. Allegro | — | ||
| 26-5 | Piano Concerto no. 26 in D, K. 537 “Coronation”: II. (Larghetto) | — | ||
| 26-6 | Piano Concerto no. 26 in D, K. 537 “Coronation”: III. (Allegretto) | — | ||
| 26-7 | Piano Concerto no. 25 in C, K. 503: II. Allegro maestoso | — | ||
| 26-8 | Piano Concerto no. 25 in C, K. 503: III. Andante | — | ||
| 26-9 | Piano Concerto no. 25 in C, K. 503: IV. Allegretto | — | ||
| 27-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 27-2 | Ballade no. 2 in F, op. 38 | — | ||
| 27-3 | Ballade no. 3 in A-flat, op. 47 | — | ||
| 27-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 27-5 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 27-6 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 27-7 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 28-1 | 24 Préludes, op. 28: No. 1 in C | — | ||
| 28-2 | 24 Préludes, op. 28: No. 2 in A minor | — | ||
| 28-3 | 24 Préludes, op. 28: No. 3 in G | — | ||
| 28-4 | 24 Préludes, op. 28: No. 4 in E minor | — | ||
| 28-5 | 24 Préludes, op. 28: No. 5 in D | — | ||
| 28-6 | 24 Préludes, op. 28: No. 6 in B minor | — | ||
| 28-7 | 24 Préludes, op. 28: No. 7 in A | — | ||
| 28-8 | 24 Préludes, op. 28: No. 8 in F-sharp minor | — | ||
| 28-9 | 24 Préludes, op. 28: No. 9 in E | — | ||
| 28-10 | 24 Préludes, op. 28: No. 10 in C-sharp minor | — | ||
| 28-11 | 24 Préludes, op. 28: No. 11 in B | — | ||
| 28-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor | — | ||
| 28-13 | 24 Préludes, op. 28: No. 13 in F-sharp minor | — | ||
| 28-14 | 24 Préludes, op. 28: No. 14 in E-flat minor | — | ||
| 28-15 | 24 Préludes, op. 28: No. 15 in D-flat | — | ||
| 28-16 | 24 Préludes, op. 28: No. 16 in B-flat | — | ||
| 28-17 | 24 Préludes, op. 28: No. 17 in A-flat | — | ||
| 28-18 | 24 Préludes, op. 28: No. 18 in F minor | — | ||
| 28-19 | 24 Préludes, op. 28: No. 19 in E-flat | — | ||
| 28-20 | 24 Préludes, op. 28: No. 20 in C minor | — | ||
| 28-21 | 24 Préludes, op. 28: No. 21 in B-flat | — | ||
| 28-22 | 24 Préludes, op. 28: No. 22 in G minor | — | ||
| 28-23 | 24 Préludes, op. 28: No. 23 in F | — | ||
| 28-24 | 24 Préludes, op. 28: No. 24 in D minor | — | ||
| 28-25 | Konzertstück for piano and orchestra in F minor, op. 79 | — | ||
| 28-26 | Burleske for piano and orchestra in D minor, TrV 145 | — | ||
| 29-1 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 29-2 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 29-3 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 29-4 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 29-5 | 8 Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 29-6 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 29-7 | 8 Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 29-8 | 8 Fantasiestücke, op. 12: VIII. Erde vom Lied | — | ||
| 29-9 | Waldszenen, op. 82: I. Eintritt | — | ||
| 29-10 | Waldszenen, op. 82: II. Jäger auf der Lauer | — | ||
| 29-11 | Waldszenen, op. 82: III. Einsame Blumen | — | ||
| 29-12 | Waldszenen, op. 82: IV. Verrufene Stelle | — | ||
| 29-13 | Waldszenen, op. 82: V. Freundliche Landschaft | — | ||
| 29-14 | Waldszenen, op. 82: VI. Herberge | — | ||
| 29-15 | Waldszenen, op. 82: VII. Vogel als Prophet | — | ||
| 29-16 | Waldszenen, op. 82: VIII. Jagdlied | — | ||
| 29-17 | Waldszenen, op. 82: IX. Abschied | — | ||
| 29-18 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | T-909.264.262-1 | |
| 29-19 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | — | |
| 29-20 | Piano Concerto in A minor, op. 54: III. Allegro Vivace | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | T-909.264.262-1 | |
| 30-1 | Préludes, Premier Livre, CD 125: I. Danseuses de Delphes | — | ||
| 30-2 | Préludes, Premier Livre, CD 125: II. Voiles | — | ||
| 30-3 | Préludes, Premier Livre, CD 125: III. Le Vent dans la plaine | — | ||
| 30-4 | Préludes, Premier Livre, CD 125: IV. Les sons et les parfums trournent dans l'air du soir | — | ||
| 30-5 | Préludes, Premier Livre, CD 125: V. Les Collines d'Anacapri | — | ||
| 30-6 | Préludes, Premier Livre, CD 125: VI. Des Pas sur la neige | — | ||
| 30-7 | Préludes, Premier Livre, CD 125: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 30-8 | Préludes, Premier Livre, CD 125: VIII. La Fille aux cheveux de lin | — | ||
| 30-9 | Préludes, Premier Livre, CD 125: IX. La Sérénade interrompue | — | ||
| 30-10 | Préludes, Premier Livre, CD 125: X. La Cathédrake engloutie | — | ||
| 30-11 | Préludes, Premier Livre, CD 125: XI. La Danse de Puck | — | ||
| 30-12 | Préludes, Premier Livre, CD 125: XII. Minstrels | — | ||
| 30-13 | Préludes, Deuxième Livre, CD 131: I. Brouillards | — | ||
| 30-14 | Préludes, Deuxième Livre, CD 131: II. Feuilles mortes | — | ||
| 30-15 | Préludes, Deuxième Livre, CD 131: III. La puerta del vino | — | ||
| 30-16 | Préludes, Deuxième Livre, CD 131: IV. “Les fées sont d'exquises danseuses” | — | ||
| 30-17 | Préludes, Deuxième Livre, CD 131: V. Bruyères | — | ||
| 30-18 | Préludes, Deuxième Livre, CD 131: VI. “Général Lavine” - eccentric | — | ||
| 30-19 | Préludes, Deuxième Livre, CD 131: VII. La Terrasse des audiences du clair de lune | — | ||
| 30-20 | Préludes, Deuxième Livre, CD 131: VIII. Ondine | — | ||
| 30-21 | Préludes, Deuxième Livre, CD 131: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C | — | ||
| 30-22 | Préludes, Deuxième Livre, CD 131: X. Canope | — | ||
| 30-23 | Préludes, Deuxième Livre, CD 131: XI. Les Tierces alternées | — | ||
| 30-24 | Préludes, Deuxième Livre, CD 131: XII. Feux d'artifice | — | ||
| 30-25 | L'isle joyeuse, CD 109 | — | ||
| 31-1 | Images, 1ʳᵉ série, CD 105: Reflets dans l'eau | — | ||
| 31-2 | Estampes, CD 108: II. La Soirée dans Grenade | — | ||
| 31-3 | Suite bergamesque, CD 82: I. Prélude | — | ||
| 31-4 | Suite bergamesque, CD 82: II. Menuet | — | ||
| 31-5 | Suite bergamesque, CD 82: III. Clair de lune | — | ||
| 31-6 | Suite bergamesque, CD 82: IV. Passepied | Friedrich Gulda | — | |
| 31-7 | Pour le piano, CD 95: I. Prélude | — | ||
| 31-8 | Pour le piano, CD 95: II. Sarabande | — | ||
| 31-9 | Pour le piano, CD 95: III. Toccata | — | ||
| 31-10 | Sonatine, M. 40: I. Modéré | — | ||
| 31-11 | Sonatine, M. 40: II. Mouvement de menuet | — | ||
| 31-12 | Sonatine, M. 40: III. Animé | — | ||
| 31-13 | Valses nobles et sentimentales, M. 61: I. Modéré, très franc | — | ||
| 31-14 | Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense | — | ||
| 31-15 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 31-16 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 31-17 | Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | — | ||
| 31-18 | Valses nobles et sentimentales, M. 61: VI. Vif | — | ||
| 31-19 | Valses nobles et sentimentales, M. 61: VII. Mains vif | — | ||
| 31-20 | Valses nobles et sentimentales, M. 61: VIII. Épilogue: Lent | — | ||
| 31-21 | Gaspard de la buit, M. 55: Ondine: Lent | — | ||
| 31-22 | Gaspard de la buit, M. 55: Le Gibet: Très lent | — | ||
| 31-23 | Gaspard de la buit, M. 55: Scarbo: Modéré | — | ||
| 32-1 | 5 kleine Lieder, op. 69 TrV 237: No. 3 “Einerlei” | — | ||
| 32-2 | 6 Lieder, op. 68 TrV 235: No. 3 “Säus'le, liebe Myrthe” | — | ||
| 32-3 | 5 kleine Lieder, op. 69 TrV 237: No. 1 “Der Stern” | — | ||
| 32-4 | 5 kleine Lieder, op. 69 TrV 237: no. 5 “Schlechtes Wetter” | — | ||
| 32-5 | 6 Lieder, op. 68 TrV 235: No. 2 “Ich wolltein Sträußlein binden” | — | ||
| 32-6 | 6 Lieder, op. 68 TrV 235: No. 4 “Als mir dein Lied erklang” | — | ||
| 32-7 | 5 Lieder, op. 48 TrV 202: No. 1 “Freundliche Vision” | — | ||
| 32-8 | 3 Lieder, op. 29 TrV 172: No. 2 “Schlagende Herzen” | — | ||
| 32-9 | 5 Lieder, op. 39 TrV 148: No. 5 “Heimkehr” | — | ||
| 32-10 | 5 Lieder, op. 39 TrV 189: No. 4 “Befreit” | — | ||
| 32-11 | 8 Gedichte aus Letzte Blätter, op. 10 TrV 141: No. 3 “Die Nacht” | — | ||
| 32-12 | 6 Lieder aus Lotosblätter, op. 19 TWrV 152: No. 4 “Wie solten wir geheim sie halten” | — | ||
| 32-13 | 6 Lieder, op. 37 TrV 187: No. 3 “Meinem Kinde” | — | ||
| 32-14 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: I. Overture | — | ||
| 32-15 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: II. Minuet | — | ||
| 32-16 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: III. The Fencing Master | — | ||
| 32-17 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: IV. Entry and Dance of the Tailors | — | ||
| 32-18 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: V. Lully's Minuet | — | ||
| 32-19 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VI. Courante | — | ||
| 32-20 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VII. Entry of Cléonte (after Lully) | — | ||
| 32-21 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VIII. Intermezzo | — | ||
| 32-22 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: IX. The Dinner | — | ||
| 33-1 | Prelude & Fugue in G major(Well-Tempered Clavier, Book I, no. 15), BWV 860 | Friedrich Gulda | — | |
| 33-2 | Partita no. 1 in B-flat, BWV 825: Menuet I - Menuet II | — | ||
| 33-3 | Toccata, BWV 911: Fugue | — | ||
| 33-4 | Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 33-5 | 6 Écossaises, WoO 83 | — | ||
| 33-6 | Berceuse in D-flat, op. 57 | — | ||
| 33-7 | 12 Études, op. 25: Étude no. 1 in A-flat | — | ||
| 33-8 | 12 Études, op. 25: Étude no. 2 in F minor | — | ||
| 33-9 | Ballade no. 3 in A-flat, op. 47 | — | ||
| 33-10 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | — | ||
| 33-11 | Piano Sonata no. 7 in B-flat, op. 83: II. Andante caloroso - Poco più animato - Più largamente | — | ||
| 33-12 | Piano Sonata no. 7 in B-flat, op. 83: III. Precipitato | — | ||
| 33-13 | L'Isle joyeuse, CD 109 | Friedrich Gulda | T-306.231.690-5 | |
| 33-14 | Images, 1ʳᵉ série, CD 105: Reflets dans l'eau | — | ||
| 33-15 | Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 33-16 | Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 33-17 | Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 34-1 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 34-2 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 34-3 | Wintermeditation | — | ||
| 35-1 | Liederkreis, op. 39: I. “In der Fremde” | — | ||
| 35-2 | Liederkreis, op. 39: II. “Intermezzo” | — | ||
| 35-3 | Liederkreis, op. 39: III. “Waldesgespräch” | — | ||
| 35-4 | Liederkreis, op. 39: IV. “Die Stille” | — | ||
| 35-5 | Liederkreis, op. 39: V. “Mondnacht” | — | ||
| 35-6 | Liederkreis, op. 39: VI. “Schöne Fremde” | — | ||
| 35-7 | Liederkreis, op. 39: VII. “Auf einer Burg” | — | ||
| 35-8 | Liederkreis, op. 39: VIII. “In der Fremde” (“Ich hör die Bachlein rauschen”) | — | ||
| 35-9 | Liederkreis, op. 39: IX. “Wehmut” | — | ||
| 35-10 | Liederkreis, op. 39: X. “Zwielicht” | — | ||
| 35-11 | Liederkreis, op. 39: XI. “Im Walde” | — | ||
| 35-12 | Liederkreis, op. 39: XII. “Frühlingsnacht” | — | ||
| 35-13 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 35-14 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 35-15 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 35-16 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 35-17 | 8 Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 35-18 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 35-19 | 8 Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 35-20 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 36-1 | Variations | — | ||
| 36-2 | For Paul | — | ||
| 36-3 | Prelude and Fugue | — | ||
| 36-4 | Sonatina: I. Entrée | — | ||
| 36-5 | Sonatina: II. Ballad | — | ||
| 36-6 | Sonatina: III. Shuffle | — | ||
| 36-7 | Children's Song no. 19 | — | ||
| 36-8 | Children's Song no. 20 | — | ||
| 36-9 | For Rico (Baroque Rock) | — | ||
| 37-1 | Double Piano Improvisation Pt. 1 quoting “Someday My Prince Will Come” (Frank Churchill) | — | ||
| 37-2 | Double Piano Improvisation Pt. 2 quoting Put Your Little Foot Out (Fran-Dance) (Miles Davis) | — | ||
| 37-3 | Double Piano Improvisation Pt. 3 quoting Poem no. 3 (Fritz Pauer) / “Wiegenlied”, op. 49 no. 4 (Johannes Brahms) | — | ||
| 38-1 | Pee Wee Marquette introduces Friedrich Gulda & His Sextet | — | ||
| 38-2 | Quintet | — | ||
| 38-3 | Dark Glow | — | ||
| 38-4 | Introvert | — | ||
| 38-5 | Scruby | — | ||
| 38-6 | Teheran | — | ||
| 38-7 | Air from Other Planets | — | ||
| 38-8 | New Shoes | — | ||
| 38-9 | Cool Hill | — | ||
| 38-10 | Vienna Discussion | — | ||
| 38-11 | A Night in Tunisia | — | ||
| 38-12 | Out of Nowhere | — | ||
| 38-13 | Lullaby of Birdland | — | ||
| 38-14 | Dodo | — | ||
| 38-15 | All the Things You Are | — | ||
| 38-16 | Bernie's Tune | — | ||
| 39-1 | Concerto no. 17 in G, K. 453: I. Allegro | — | ||
| 39-2 | Concerto no. 17 in G, K. 453: II. Andante | — | ||
| 39-3 | Concerto no. 17 in G, K. 453: III. Allegretto | — | ||
| 39-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 39-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 39-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 39-7 | Variations, op. 66 for cello and piano on “Ein Mädchen oder Weibchen” from Mozart's Die Zauberflöte | — | ||
| 40-1 | Sonata no. 11 in A, K. 331 (300i): I. Andante grazioso | — | ||
| 40-2 | Sonata no. 11 in A, K. 331 (300i): II. Menuetto | — | ||
| 40-3 | Sonata no. 11 in A, K. 331 (300i): III. Alla turca: Allegretto | — | ||
| 40-4 | Sonata no. 13 in B-flat, K. 333 (315c): I. Allegro | — | ||
| 40-5 | Sonata no. 13 in B-flat, K. 333 (315c): II. Andante cantabile | — | ||
| 40-6 | Sonata no. 13 in B-flat, K. 333 (315c): III. Allegretto grazioso | — | ||
| 40-7 | Sonata no. 16 in C, K. 545 “Sonata facile”: I. Andante grazioso | — | ||
| 40-8 | Sonata no. 16 in C, K. 545 “Sonata facile”: II. Menuetto | — | ||
| 40-9 | Sonata no. 16 in C, K. 545 “Sonata facile”: III. Alla turca: Allegretto | — | ||
| 40-10 | Rondo in D, K. 485 | — | ||
| 41-1 | Italian Concerto, BWV 971: I. Allegro | — | ||
| 41-2 | Italian Concerto, BWV 971: II. Andante | — | ||
| 41-3 | Italian Concerto, BWV 971: III. Presto | — | ||
| 41-4 | Das Wolhtemperierte Clavier Book I, no. 3: Prelude & Fugue in C-sharp, BWV 848 | — | ||
| 41-5 | Suite in G minor, HWV 432: Passacaglia | — | ||
| 41-6 | Sonata no. 11 in A, K. 331 (300i): Alla turca: Allegretto | — | ||
| 41-7 | Andante favori, WoO 57 | — | ||
| 41-8 | Bagatelle no. 25 in A minor, WoO 59 “Für Elise” | — | ||
| 41-9 | 6 Écossaises, WoO 83 | — | ||
| 41-10 | 4 Impromptus, D. 899: Impromptu no. 4 in A-flat: Allegretto | — | ||
| 41-11 | 2 Scherzos, D. 593: No. 1 in B-flat: Allegretto | — | ||
| 41-12 | 2 Scherzos, D. 593: No. 2 in D-flat: Allegro moderato | — | ||
| 41-13 | Kinderszenen, op. 15: Träumerei | — | ||
| 41-14 | Waltz no. 14 in E minor, op. posth. | — | ||
| 41-15 | Waltz in D-flat, op. 64 no. 1 “Minute” | — | ||
| 41-16 | Preludes, Book I, CD 131 Feux d'artifice | — | ||
| 41-17 | Le Tombeau de Couperin, M. 68: Toccata | — | ||
| 42-1 | Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 42-2 | Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 42-3 | Concerto no. 1 in C, op. 15: III. Rondo: Allegro scherzando | — | ||
| 42-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 42-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 42-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 42-7 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-8 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-9 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-10 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-11 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-12 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-13 | Concerto no. 5 in E-flat, op. 75 “Emperor”: I. Allegro | — | ||
| 42-14 | Concerto no. 5 in E-flat, op. 75 “Emperor”: II. Adagio un poco moto | — | ||
| 42-15 | Concerto no. 5 in E-flat, op. 75 “Emperor”: III. Rondo: Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | T-011.422.353-8 |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028948514519 is a Universal Product Code (UPC) assigned to Complete Decca Recordings by Friedrich Gulda. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 500 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948514519 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Friedrich Gulda, released 2021-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 500 tracks, each with its own ISRC. Tracks include GBBBA5450041, GBBBA5450042, GBBBA5450043.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata for Piano no. 1 in F minor, op. 2/1: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 2 | Sonata for Piano no. 1 in F minor, op. 2/1: II. Adagio | Friedrich Gulda | — | |
| 3 | Piano Sonata No. 1 in F Minor, Op. 2 No. 1: III. Menuetto. Allegretto - Trio | Friedrich Gulda | — | |
| 4 | Sonata for Piano no. 1 in F minor, op. 2/1: IV. Prestissimo | Friedrich Gulda | — | |
| 5 | Sonata for Piano no. 2 in A major, op. 2/2: I. Allegro vivace | Friedrich Gulda | — | |
| 6 | Sonata for Piano no. 2 in A major, op. 2/2: II. Largo appassionato | Friedrich Gulda | — | |
| 7 | Sonata for Piano no. 2 in A major, op. 2/2: III. Scherzo. Allegretto | Friedrich Gulda | — | |
| 8 | Sonata for Piano no. 2 in A major, op. 2/2: IV. Rondo. Grazioso | Friedrich Gulda | — | |
| 9 | Sonata for Piano no. 3 in C major, op. 2/3: I. Allegro con brio | Friedrich Gulda | — | |
| 10 | Sonata for Piano no. 3 in C major, op. 2/3: II. Adagio | Friedrich Gulda | — | |
| 11 | Sonata for Piano no. 3 in C major, op. 2/3: III. Scherzo. Allegro | Friedrich Gulda | — | |
| 12 | Sonata for Piano no. 3 in C major, op. 2/3: IV. Allegro assai | Friedrich Gulda | T-306.395.786-4 | |
| 2-1 | Sonata for Piano no. 4 in E-flat major, op. 7: I. Allegro molto e con brio | Friedrich Gulda | — | |
| 2-2 | Sonata for Piano no. 4 in E-flat major, op. 7: II. Largo, con gran espressione | Friedrich Gulda | — | |
| 2-3 | Sonata for Piano no. 4 in E-flat major, op. 7: III. Allegro | Friedrich Gulda | — | |
| 2-4 | Sonata for Piano no. 4 in E-flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Friedrich Gulda | — | |
| 2-5 | Sonata for Piano no. 5 in C minor, op. 10/1: I. Allegro molto e con brio | Friedrich Gulda | — | |
| 2-6 | Sonata for Piano no. 5 in C minor, op. 10/1: II. Adagio molto | Friedrich Gulda | — | |
| 2-7 | Sonata for Piano no. 5 in C minor, op. 10/1: III. Finale. Prestissimo | Friedrich Gulda | — | |
| 2-8 | Sonata for Piano no. 6 in F major, op. 10/2: I. Allegro | Friedrich Gulda | — | |
| 2-9 | Sonata for Piano no. 6 in F major, op. 10/2: II. Allegretto | Friedrich Gulda | — | |
| 2-10 | Sonata for Piano no. 6 in F major, op. 10/2: III. Presto | Friedrich Gulda | — | |
| 3-1 | Sonata for Piano no. 7 in D major, op. 10/3: I. Presto | Friedrich Gulda | T-011.422.353-8 | |
| 3-2 | Sonata for Piano no. 7 in D major, op. 10/3: II. Largo e mesto | Friedrich Gulda | — | |
| 3-3 | Sonata for Piano no. 7 in D major, op. 10/3: III. Menuetto. Allegro | Friedrich Gulda | — | |
| 3-4 | Sonata for Piano no. 7 in D major, op. 10/3: IV. Rondo. Allegro | Friedrich Gulda | — | |
| 3-5 | Sonata for Piano no. 8 in C minor, op. 13: I. Grave – Allegro di molto e con brio | Friedrich Gulda | T-915.723.669-6 | |
| 3-6 | Sonata for Piano no. 8 in C minor, op. 13: II. Adagio cantabile | Friedrich Gulda | T-001.397.158-8 | |
| 3-7 | Sonata for Piano no. 8 in C minor, op. 13: III. Rondo. Allegro | Friedrich Gulda | — | |
| 3-8 | Sonata for Piano no. 9 in E major, op. 14/1: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 3-9 | Sonata for Piano no. 9 in E major, op. 14/1: II. Allegretto | Friedrich Gulda | — | |
| 3-10 | Sonata for Piano no. 9 in E major, op. 14/1: III. Rondo. Allegro comodo | Friedrich Gulda | — | |
| 3-11 | Sonata for Piano no. 10 in G major, op. 14/2: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 3-12 | Sonata for Piano no. 10 in G major, op. 14/2: II. Andante | Friedrich Gulda | — | |
| 3-13 | Sonata for Piano no. 10 in G major, op. 14/2: III. Scherzo. Allegro assai | Friedrich Gulda | — | |
| 4-1 | Sonata for Piano no. 11 in B-flat major, op. 22: I. Allegro con brio | Friedrich Gulda | — | |
| 4-2 | Sonata for Piano no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Friedrich Gulda | — | |
| 4-3 | Sonata for Piano no. 11 in B-flat major, op. 22: III. Menuetto | Friedrich Gulda | — | |
| 4-4 | Sonata for Piano no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Friedrich Gulda | — | |
| 4-5 | Sonata for Piano no. 12 in A-flat major, op. 26: I. Andante con variazioni | Friedrich Gulda | — | |
| 4-6 | Sonata for Piano no. 12 in A-flat major, op. 26: II. Scherzo. Allegro molto | Friedrich Gulda | — | |
| 4-7 | Sonata for Piano no. 12 in A-flat major, op. 26: III. Marcia funebre sulla morte d’un Eroe | Friedrich Gulda | — | |
| 4-8 | Sonata for Piano no. 12 in A-flat major, op. 26: IV. Allegro | Friedrich Gulda | T-318.676.528-2 | |
| 4-9 | Sonata for Piano no. 13 in E-flat major, op. 27/1: I. Andante | Friedrich Gulda | — | |
| 4-10 | Sonata for Piano no. 13 in E-flat major, op. 27/1: II. Allegro molto e vivace – III. Adagio con espressione | Friedrich Gulda | — | |
| 4-11 | Sonata for Piano no. 13 in E-flat major, op. 27/1: IV. Allegro vivace | Friedrich Gulda | — | |
| 4-12 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: I. Adagio sostenuto | Friedrich Gulda | — | |
| 4-13 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: II. Allegretto | Friedrich Gulda | — | |
| 4-14 | Sonata for Piano no. 14 in C-sharp minor, op. 27/2: III. Presto agitato | Friedrich Gulda | — | |
| 5-1 | Sonata for Piano no. 15 in D major, op. 28: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 5-2 | Sonata for Piano no. 15 in D major, op. 28: II. Andante | Friedrich Gulda | — | |
| 5-3 | Sonata for Piano no. 15 in D major, op. 28: III. Scherzo. Allegro Vivace | Friedrich Gulda | — | |
| 5-4 | Sonata for Piano no. 15 in D major, op. 28: IV. Rondo. Allegro ma non troppo | Friedrich Gulda | — | |
| 5-5 | Sonata for Piano no. 16 in G major, op. 31/1: I. Allegro vivace | Friedrich Gulda | — | |
| 5-6 | Sonata for Piano no. 16 in G major, op. 31/1: II. Adagio grazioso | Friedrich Gulda | — | |
| 5-7 | Sonata for Piano no. 16 in G major, op. 31/1: III. Rondo. Allegretto | Friedrich Gulda | — | |
| 5-8 | Sonata for Piano no. 17 in D minor, op. 31/2: I. Largo – Allegro | Friedrich Gulda | — | |
| 5-9 | Sonata for Piano no. 17 in D minor, op. 31/2: II. Adagio | Friedrich Gulda | — | |
| 5-10 | Sonata for Piano no. 17 in D minor, op. 31/2: III. Allegretto | Friedrich Gulda | — | |
| 6-1 | Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | — | |
| 6-2 | Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — | |
| 6-3 | Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — | |
| 6-4 | Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — | |
| 6-5 | Sonata for Piano no. 19 in G minor, op. 49/1: I. Andante | Friedrich Gulda | T-011.422.353-8 | |
| 6-6 | Sonata for Piano no. 19 in G minor, op. 49/1: II. Rondo. Allegro | Friedrich Gulda | — | |
| 6-7 | Sonata for Piano no. 20 in G major, op. 49/2: I. Allegro, ma non troppo | Friedrich Gulda | — | |
| 6-8 | Sonata for Piano no. 20 in G major, op. 49/2: II. Tempo di Menuetto | Friedrich Gulda | — | |
| 6-9 | Sonata for Piano no. 21 in C major, op. 53: I. Allegro con brio | Friedrich Gulda | — | |
| 6-10 | Sonata for Piano no. 21 in C major, op. 53: II. Introduzione. Adagio molto | Friedrich Gulda | — | |
| 6-11 | Sonata for Piano no. 21 in C major, op. 53: III. Rondo. Allegretto moderato | Friedrich Gulda | — | |
| 6-12 | Sonata for Piano no. 22 in F major, op. 54: I. In tempo d'un Menuetto | Friedrich Gulda | — | |
| 6-13 | Sonata for Piano no. 22 in F major, op. 54: II. Allegretto – Più allegro | Friedrich Gulda | — | |
| 7-1 | Sonata for Piano no. 23 in F minor, op. 57: I. Allegro assai | Friedrich Gulda | — | |
| 7-2 | Sonata for Piano no. 23 in F minor, op. 57: II. Andante con moto | Friedrich Gulda | — | |
| 7-3 | Sonata for Piano no. 23 in F minor, op. 57: III. Allegro ma non troppo – Presto | Friedrich Gulda | — | |
| 7-4 | Sonata for Piano no. 24 in F-sharp major, op. 78: I. Adagio cantabile ‒ Allegro ma non troppo | Friedrich Gulda | T-001.397.158-8 | |
| 7-5 | Sonata for Piano no. 24 in F-sharp major, op. 78: II. Allegro vivace | Friedrich Gulda | — | |
| 7-6 | Sonata for Piano no. 25 in G major, op. 79: I. Presto alla tedesca | Friedrich Gulda | — | |
| 7-7 | Sonata for Piano no. 25 in G major, op. 79: II. Andante | Friedrich Gulda | — | |
| 7-8 | Sonata for Piano no. 25 in G major, op. 79: III. Vivace | Friedrich Gulda | — | |
| 7-9 | Sonata for Piano no. 26 in E-flat major, op. 81a: I. Das Lebewohl (Les Adieux). Adagio ‒ Allegro | Friedrich Gulda | — | |
| 7-10 | Sonata for Piano no. 26 in E-flat major, op. 81a: II. Abwesenheit (L'Absence). Andante espressivo | Friedrich Gulda | — | |
| 7-11 | Sonata for Piano no. 26 in E-flat major, op. 81a: III. Das Wiedersehn (Le Retour). Vivacissimamente | Friedrich Gulda | — | |
| 7-12 | Sonata for Piano no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Friedrich Gulda | — | |
| 7-13 | Sonata for Piano no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Friedrich Gulda | — | |
| 8-1 | Sonata for Piano no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto ma non troppo | Friedrich Gulda | — | |
| 8-2 | Sonata for Piano no. 28 in A major, op. 101: II. Lebhaft, marschmäßig. Vivace alla Marcia | Friedrich Gulda | — | |
| 8-3 | Sonata for Piano no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll. Adagio ma non troppo, con affetto – IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro | Friedrich Gulda | — | |
| 8-4 | Sonata for Piano no. 29 in B-flat major, op. 106: I. Allegro | Friedrich Gulda | T-011.422.353-8 | |
| 8-5 | Sonata for Piano no. 29 in B-flat major, op. 106: II. Scherzo. Assai vivace | Friedrich Gulda | — | |
| 8-6 | Sonata for Piano no. 29 in B-flat major, op. 106: III. Adagio sostenuto | Friedrich Gulda | — | |
| 8-7 | Sonata for Piano no. 29 in B-flat major, op. 106: IV. Largo – Allegro risoluto | Friedrich Gulda | — | |
| 9-1 | Sonata for Piano no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo | Friedrich Gulda | — | |
| 9-2 | Sonata for Piano no. 30 in E major, op. 109: II. Prestissimo | Friedrich Gulda | — | |
| 9-3 | Sonata for Piano no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo | Friedrich Gulda | — | |
| 9-4 | Sonata for Piano no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo | Friedrich Gulda | — | |
| 9-5 | Sonata for Piano no. 31 in A-flat major, op. 110: II. Allegro molto | Friedrich Gulda | — | |
| 9-6 | Sonata for Piano no. 31 in A-flat major, op. 110: III. Adagio ma non troppo – Klagender Gesang (Arioso dolente) – | Friedrich Gulda | — | |
| 9-7 | Sonata for Piano no. 31 in A-flat major, op. 110: Fuga. Allegro ma non troppo – L'istesso tempo di Arioso – L'istesso tempo della Fuga | Friedrich Gulda | — | |
| 9-8 | Sonata for Piano no. 32 in C minor, op. 111: I. Maestoso – Allegro con brio ed appassionato | Friedrich Gulda | — | |
| 9-9 | Sonata for Piano no. 32 in C minor, op. 111: II. Arietta. Adagio molto semplice e cantabile | Friedrich Gulda | — | |
| 10-1 | Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | — | ||
| 10-2 | Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | — | ||
| 10-3 | Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto: Allegretto - Trio | — | ||
| 10-4 | Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | — | ||
| 10-5 | Sonata no. 2 in A, op. 2 no. 2: I. Allegro vivace | — | ||
| 10-6 | Sonata no. 2 in A, op. 2 no. 2: II. Largo appassionato | — | ||
| 10-7 | Sonata no. 2 in A, op. 2 no. 2: III. Scherzo: Allegretto - Trio | — | ||
| 10-8 | Sonata no. 2 in A, op. 2 no. 2: IV. Rondo: Grazioso | — | ||
| 10-9 | Sonata no. 3 in C, op. 2 no. 3: I. Allegro con brio | — | ||
| 10-10 | Sonata no. 3 in C, op. 2 no. 3: II. Adagio | — | ||
| 10-11 | Sonata no. 3 in C, op. 2 no. 3: III. Scherzo: Allegro - Trio | — | ||
| 10-12 | Sonata no. 3 in C, op. 2 no. 3: IV. Allegro assai | — | ||
| 11-1 | Sonata no. 4 in E-flat, op. 7: I. Allegro molto e con brio | — | ||
| 11-2 | Sonata no. 4 in E-flat, op. 7: II. Largo, con gran espressione | — | ||
| 11-3 | Sonata no. 4 in E-flat, op. 7: III. Allegro | — | ||
| 11-4 | Sonata no. 4 in E-flat, op. 7: IV. Rondo: Poco allegretto e grazioso | — | ||
| 11-5 | Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | — | ||
| 11-6 | Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | — | ||
| 11-7 | Sonata no. 5 in C minor, op. 10 no. 1: III. Finale: Prestissimo | — | ||
| 11-8 | Sonata no. 6 in F, op. 10 no. 2: I. Allegro | — | ||
| 11-9 | Sonata no. 6 in F, op. 10 no. 2: II. Menuetto: Allegretto | — | ||
| 11-10 | Sonata no. 6 in F, op. 10 no. 2: III. Presto | — | ||
| 12-1 | Sonata no. 7 in D, op. 10 no. 3: I. Presto | — | ||
| 12-2 | Sonata no. 7 in D, op. 10 no. 3: II. Largo e mesto | — | ||
| 12-3 | Sonata no. 7 in D, op. 10 no. 3: III. Menuetto: Allegro | — | ||
| 12-4 | Sonata no. 7 in D, op. 10 no. 3: IV. Rondo: Allegro | — | ||
| 12-5 | Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | — | ||
| 12-6 | Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | — | ||
| 12-7 | Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo: Allegro | — | ||
| 12-8 | Sonata no. 9 in E, op. 14 no. 1: I. Allegro | — | ||
| 12-9 | Sonata no. 9 in E, op. 14 no. 1: II. Allegretto | — | ||
| 12-10 | Sonata no. 9 in E, op. 14 no. 1: III. Rondo: Allegro commodo | — | ||
| 12-11 | Sonata no. 10 in G, op. 14 no. 2: I. Allegro | — | ||
| 12-12 | Sonata no. 10 in G, op. 14 no. 2: II. Andante | — | ||
| 12-13 | Sonata no. 10 in G, op. 14 no. 2: III. Scherzo: Allegro assai | — | ||
| 13-1 | Sonata no. 11 in B-flat, op. 22: I. Allegro con brio | — | ||
| 13-2 | Sonata no. 11 in B-flat, op. 22: II. Adagio con molto espressione | — | ||
| 13-3 | Sonata no. 11 in B-flat, op. 22: III. Menuetto | — | ||
| 13-4 | Sonata no. 11 in B-flat, op. 22: IV. Rondo: Allegretto | — | ||
| 13-5 | Sonata no. 12 in A-flat, op. 26: I. Andante con variazioni | — | ||
| 13-6 | Sonata no. 12 in A-flat, op. 26: II. Scherzo: Allegro molto - Trio | — | ||
| 13-7 | Sonata no. 12 in A-flat, op. 26: III. Marcia funebre sulla morte d'un eroe. Maestoso andante | — | ||
| 13-8 | Sonata no. 12 in A-flat, op. 26: IV. Allegro | — | ||
| 13-9 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: I. Andante - Allegro - Andante | — | ||
| 13-10 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: II. Allegro molto e vivace | — | ||
| 13-11 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: III. Adagio con espressione | — | ||
| 13-12 | Sonata no. 13 in E-flat, quasi una fantasia, op. 27 no. 1: IV. Allegro vivace | — | ||
| 13-13 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: I. Adagio sostenuto | — | ||
| 13-14 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: II. Allegretto | — | ||
| 13-15 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 3 “Moonlight”: III. Presto agitato | — | ||
| 14-1 | Sonata no. 15 in D, op. 28 “Pastoral”: I. Allegro | — | ||
| 14-2 | Sonata no. 15 in D, op. 28 “Pastoral”: II. Andante | — | ||
| 14-3 | Sonata no. 15 in D, op. 28 “Pastoral”: III. Scherzo: Allegro vivace | — | ||
| 14-4 | Sonata no. 15 in D, op. 28 “Pastoral”: IV. Rondo: Allegro ma non troppo | — | ||
| 14-5 | Sonata no. 16 in G, op. 31 no. 1: I. Allegro vivace | — | ||
| 14-6 | Sonata no. 16 in G, op. 31 no. 1: II. Adagio grazioso | — | ||
| 14-7 | Sonata no. 16 in G, op. 31 no. 1: III. Rondo: Allegretto - Presto | — | ||
| 14-8 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: I. Largo - Allegro | — | ||
| 14-9 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: II. Adagio | — | ||
| 14-10 | Sonata no. 17 in D minor, op. 31 no. 2 “The Tempest”: III. Allegretto | — | ||
| 15-1 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: I. Allegro | — | ||
| 15-2 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: II. Scherzo: Allegro vivace | — | ||
| 15-3 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: III. Menuetto: Moderato e grazioso | — | ||
| 15-4 | Sonata no. 18 in E-flat, op. 31 no. 3 “The Hunt”: IV. Presto con fuoco | — | ||
| 15-5 | Sonata no. 19 in G minor, op. 49 no. 1: I. Andante | — | ||
| 15-6 | Sonata no. 19 in G minor, op. 49 no. 1: II. Rondo: Allegro | — | ||
| 15-7 | Sonata no. 20 in G, op. 14 no. 2: I. Allegro ma non troppo | — | ||
| 15-8 | Sonata no. 20 in G, op. 14 no. 2: II. Tempo di menuetto | — | ||
| 15-9 | Sonata no. 21 in C, op. 53 “Waldstein”: I. Allegro con brio | — | ||
| 15-10 | Sonata no. 21 in C, op. 53 “Waldstein”: II. Introduzione: Adagio molto | — | ||
| 15-11 | Sonata no. 21 in C, op. 53 “Waldstein”: III. Rondo: Allegretto moderato - Prestissimo | — | ||
| 15-12 | Sonata no. 22 in F, op. 54: I. In tempo d'un menuetto | — | ||
| 15-13 | Sonata no. 22 in F, op. 54: II. Allegretto - Più allegro | — | ||
| 16-1 | Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | — | ||
| 16-2 | Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | — | ||
| 16-3 | Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | — | ||
| 16-4 | Sonata no. 24 in F-sharp, op. 78 “À Thérèse”: I. Adagio cantabile - Allegro ma non troppo | — | ||
| 16-5 | Sonata no. 24 in F-sharp, op. 78 “À Thérèse”: II. Allegro vivace | — | ||
| 16-6 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: I. Presto alla tedesca | — | ||
| 16-7 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: II. Andante | — | ||
| 16-8 | Sonata no. 25 in G, op. 79 “Cuckoo”/“Sonatina”: III. Vivace | — | ||
| 16-9 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: I. Das Lebewohl: Adagio - Allegro | — | ||
| 16-10 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: II. Abwesenheit: Andante espressivo | — | ||
| 16-11 | Sonata no. 26 in E-flat, op. 81a “Les Adieux”: III. Das Wiedersehen: Vivacissimamente | — | ||
| 16-12 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | — | ||
| 16-13 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | — | ||
| 17-1 | Sonata no. 28 in A, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung. Allegretto, ma non troppo | — | ||
| 17-2 | Sonata no. 28 in A, op. 101: II. Lebhaft, marschmäßig. Vivace alla marcia | — | ||
| 17-3 | Sonata no. 28 in A, op. 101: III. Langsam und sehnsuchtsvoll. Adagio, ma non troppo, con affetto / IV. Geschwind, doch nicht zu sehr, und mit Entschlossenheit. Allegro | — | ||
| 17-4 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: I. Allegro | — | ||
| 17-5 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: II. Scherzo: Assai vivace | — | ||
| 17-6 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: III. Adagio sostenuto | — | ||
| 17-7 | Sonata no. 28 in B-flat, op. 106 “Hammerklavier”: IV. Introduzione: Largo… - Allegro - Fuga: Allegro risoluto | — | ||
| 18-1 | Sonata no. 30 in E, op. 109: I. Vivace ma non troppo - Adagio espressivo / II. Prestissimo | — | ||
| 18-2 | Sonata no. 30 in E, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile es espressivo | — | ||
| 18-3 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 18-4 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 18-5 | Sonata no. 31 in A-flat, op. 110: III. Adagio ma non troppo - Allegro ma non troppo | — | ||
| 18-6 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 18-7 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 19-1 | Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 19-2 | Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 19-3 | Concerto no. 1 in C, op. 15: III. Rondo: Allegro scherzando | — | ||
| 19-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 19-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 19-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 20-1 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-2 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-3 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-4 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-5 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 20-6 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 21-1 | Concerto no. 5 in E-flat, op. 73 “Emperor”: I. Allegro | — | ||
| 21-2 | Concerto no. 5 in E-flat, op. 73 “Emperor”: II. Adagio un poco moto | — | ||
| 21-3 | Concerto no. 5 in E-flat, op. 73 “Emperor”: III. Rondo: Allegro | — | ||
| 22-1 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | — | ||
| 22-2 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: II. Allegretto | — | ||
| 22-3 | Sonata no. 14 in C-sharp minor, quasi una fantasia, op. 27 no. 2 “Moonlight”: III. Presto agitato | — | ||
| 22-4 | Sonata no. 31 in A-flat, op. 110: I. Moderato cantabile molto espressivo | — | ||
| 22-5 | Sonata no. 31 in A-flat, op. 110: II. Allegro molto | — | ||
| 22-6 | Sonata no. 31 in A-flat, op. 110: III. Adagio, ma non troppo - Recitativo - Arioso dolente | — | ||
| 22-7 | Sonata no. 31 in A-flat, op. 110: IV. Fuga - Allegro, ma non troppo - L'istesso tempo - Meno allegro | — | ||
| 23-1 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: I. Allegro con brio | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-2 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: II. Adagio cantabile | Ruggiero Ricci, Friedrich Gulda | T-001.397.158-8 | |
| 23-3 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: III. Scherzo. Allegro | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-4 | Sonata for Violin and Piano no. 7 in C minor, op. 30/2: IV. Finale. Allegro | Ruggiero Ricci, Friedrich Gulda | T-318.676.528-2 | |
| 23-5 | Sonata for Violin and Piano no. 10 in G major, op. 96: I. Allegro moderato | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-6 | Sonata for Violin and Piano no. 10 in G major, op. 96: II. Adagio espressivo | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-7 | Sonata for Violin and Piano no. 10 in G major, op. 96: III. Scherzo. Allegro | Ruggiero Ricci, Friedrich Gulda | — | |
| 23-8 | Sonata for Violin and Piano no. 10 in G major, op. 96: IV. Poco Allegretto | Ruggiero Ricci, Friedrich Gulda | — | |
| 24-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo, Allegro scherzando | Friedrich Gulda, Wiener Philharmoniker, Karl Böhm | — | |
| 24-4 | Variations and Fugue in E-flat major on an Original Theme for Piano, op. 35: Introduzione col Basso del Tema. Allegro vivace ‒ Theme ‒ Var. I-XV ‒ Finale. Alla Fuga. Allegro con brio | Friedrich Gulda | — | |
| 24-5 | Six Bagatelles for Piano, op. 126: 2. Bagatelle in G minor. Allegro | Friedrich Gulda | — | |
| 24-6 | Six Bagatelles for Piano, op. 126: 3. Bagatelle in E-flat major. Andante cantabile e grazioso | Friedrich Gulda | — | |
| 25-1 | Das Wolhtemperierte Clavier Book II: Prelude and Fugue no. 32 in D-sharp minor, BWV 877 | — | ||
| 25-2 | English Suite no. 3 in G minor, BWV 808: I. Prélude | — | ||
| 25-3 | English Suite no. 3 in G minor, BWV 808: II. Allemande | — | ||
| 25-4 | English Suite no. 3 in G minor, BWV 808: III. Courante | — | ||
| 25-5 | English Suite no. 3 in G minor, BWV 808: IV. Sarabande | — | ||
| 25-6 | English Suite no. 3 in G minor, BWV 808: V. Gavotte I - Gavotte II (ou “La musette”) | — | ||
| 25-7 | English Suite no. 3 in G minor, BWV 808: VI. Gigue | — | ||
| 25-8 | Sonata no. 8 in A minor, K. 310 (300d): I. Allegro maestoso | — | ||
| 25-9 | Sonata no. 8 in A minor, K. 310 (300d): II. Andante cantabile con espressione | — | ||
| 25-10 | Sonata no. 8 in A minor, K. 310 (300d): III. Presto | — | ||
| 25-11 | Rondo in D, K. 485 | — | ||
| 25-12 | Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 25-13 | Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 25-14 | Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 26-1 | Piano Concerto no. 14 in E-flat, K. 449: I. Allegro vivace | — | ||
| 26-2 | Piano Concerto no. 14 in E-flat, K. 449: II. Andantino | — | ||
| 26-3 | Piano Concerto no. 14 in E-flat, K. 449: III. Allegro ma non troppo | — | ||
| 26-4 | Piano Concerto no. 26 in D, K. 537 “Coronation”: I. Allegro | — | ||
| 26-5 | Piano Concerto no. 26 in D, K. 537 “Coronation”: II. (Larghetto) | — | ||
| 26-6 | Piano Concerto no. 26 in D, K. 537 “Coronation”: III. (Allegretto) | — | ||
| 26-7 | Piano Concerto no. 25 in C, K. 503: II. Allegro maestoso | — | ||
| 26-8 | Piano Concerto no. 25 in C, K. 503: III. Andante | — | ||
| 26-9 | Piano Concerto no. 25 in C, K. 503: IV. Allegretto | — | ||
| 27-1 | Ballade no. 1 in G minor, op. 23 | — | ||
| 27-2 | Ballade no. 2 in F, op. 38 | — | ||
| 27-3 | Ballade no. 3 in A-flat, op. 47 | — | ||
| 27-4 | Ballade no. 4 in F minor, op. 52 | — | ||
| 27-5 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 27-6 | Piano Concerto no. 1 in E minor, op. 11: II. Romance. Larghetto (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 27-7 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace (Arr. Balakirev) | Friedrich Gulda, London Philharmonic Orchestra, Sir Adrian Boult | — | |
| 28-1 | 24 Préludes, op. 28: No. 1 in C | — | ||
| 28-2 | 24 Préludes, op. 28: No. 2 in A minor | — | ||
| 28-3 | 24 Préludes, op. 28: No. 3 in G | — | ||
| 28-4 | 24 Préludes, op. 28: No. 4 in E minor | — | ||
| 28-5 | 24 Préludes, op. 28: No. 5 in D | — | ||
| 28-6 | 24 Préludes, op. 28: No. 6 in B minor | — | ||
| 28-7 | 24 Préludes, op. 28: No. 7 in A | — | ||
| 28-8 | 24 Préludes, op. 28: No. 8 in F-sharp minor | — | ||
| 28-9 | 24 Préludes, op. 28: No. 9 in E | — | ||
| 28-10 | 24 Préludes, op. 28: No. 10 in C-sharp minor | — | ||
| 28-11 | 24 Préludes, op. 28: No. 11 in B | — | ||
| 28-12 | 24 Préludes, op. 28: No. 12 in G-sharp minor | — | ||
| 28-13 | 24 Préludes, op. 28: No. 13 in F-sharp minor | — | ||
| 28-14 | 24 Préludes, op. 28: No. 14 in E-flat minor | — | ||
| 28-15 | 24 Préludes, op. 28: No. 15 in D-flat | — | ||
| 28-16 | 24 Préludes, op. 28: No. 16 in B-flat | — | ||
| 28-17 | 24 Préludes, op. 28: No. 17 in A-flat | — | ||
| 28-18 | 24 Préludes, op. 28: No. 18 in F minor | — | ||
| 28-19 | 24 Préludes, op. 28: No. 19 in E-flat | — | ||
| 28-20 | 24 Préludes, op. 28: No. 20 in C minor | — | ||
| 28-21 | 24 Préludes, op. 28: No. 21 in B-flat | — | ||
| 28-22 | 24 Préludes, op. 28: No. 22 in G minor | — | ||
| 28-23 | 24 Préludes, op. 28: No. 23 in F | — | ||
| 28-24 | 24 Préludes, op. 28: No. 24 in D minor | — | ||
| 28-25 | Konzertstück for piano and orchestra in F minor, op. 79 | — | ||
| 28-26 | Burleske for piano and orchestra in D minor, TrV 145 | — | ||
| 29-1 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 29-2 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 29-3 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 29-4 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 29-5 | 8 Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 29-6 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 29-7 | 8 Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 29-8 | 8 Fantasiestücke, op. 12: VIII. Erde vom Lied | — | ||
| 29-9 | Waldszenen, op. 82: I. Eintritt | — | ||
| 29-10 | Waldszenen, op. 82: II. Jäger auf der Lauer | — | ||
| 29-11 | Waldszenen, op. 82: III. Einsame Blumen | — | ||
| 29-12 | Waldszenen, op. 82: IV. Verrufene Stelle | — | ||
| 29-13 | Waldszenen, op. 82: V. Freundliche Landschaft | — | ||
| 29-14 | Waldszenen, op. 82: VI. Herberge | — | ||
| 29-15 | Waldszenen, op. 82: VII. Vogel als Prophet | — | ||
| 29-16 | Waldszenen, op. 82: VIII. Jagdlied | — | ||
| 29-17 | Waldszenen, op. 82: IX. Abschied | — | ||
| 29-18 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | T-909.264.262-1 | |
| 29-19 | Piano Concerto in A minor, op. 54: II. Intermezzo (Andantino grazioso) | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | — | |
| 29-20 | Piano Concerto in A minor, op. 54: III. Allegro Vivace | Friedrich Gulda, Vienna Philharmonic, Volkmar Andreae | T-909.264.262-1 | |
| 30-1 | Préludes, Premier Livre, CD 125: I. Danseuses de Delphes | — | ||
| 30-2 | Préludes, Premier Livre, CD 125: II. Voiles | — | ||
| 30-3 | Préludes, Premier Livre, CD 125: III. Le Vent dans la plaine | — | ||
| 30-4 | Préludes, Premier Livre, CD 125: IV. Les sons et les parfums trournent dans l'air du soir | — | ||
| 30-5 | Préludes, Premier Livre, CD 125: V. Les Collines d'Anacapri | — | ||
| 30-6 | Préludes, Premier Livre, CD 125: VI. Des Pas sur la neige | — | ||
| 30-7 | Préludes, Premier Livre, CD 125: VII. Ce qu'a vu le vent d'Ouest | — | ||
| 30-8 | Préludes, Premier Livre, CD 125: VIII. La Fille aux cheveux de lin | — | ||
| 30-9 | Préludes, Premier Livre, CD 125: IX. La Sérénade interrompue | — | ||
| 30-10 | Préludes, Premier Livre, CD 125: X. La Cathédrake engloutie | — | ||
| 30-11 | Préludes, Premier Livre, CD 125: XI. La Danse de Puck | — | ||
| 30-12 | Préludes, Premier Livre, CD 125: XII. Minstrels | — | ||
| 30-13 | Préludes, Deuxième Livre, CD 131: I. Brouillards | — | ||
| 30-14 | Préludes, Deuxième Livre, CD 131: II. Feuilles mortes | — | ||
| 30-15 | Préludes, Deuxième Livre, CD 131: III. La puerta del vino | — | ||
| 30-16 | Préludes, Deuxième Livre, CD 131: IV. “Les fées sont d'exquises danseuses” | — | ||
| 30-17 | Préludes, Deuxième Livre, CD 131: V. Bruyères | — | ||
| 30-18 | Préludes, Deuxième Livre, CD 131: VI. “Général Lavine” - eccentric | — | ||
| 30-19 | Préludes, Deuxième Livre, CD 131: VII. La Terrasse des audiences du clair de lune | — | ||
| 30-20 | Préludes, Deuxième Livre, CD 131: VIII. Ondine | — | ||
| 30-21 | Préludes, Deuxième Livre, CD 131: IX. Hommage à S. Pickwick, Esq., P.P.M.P.C | — | ||
| 30-22 | Préludes, Deuxième Livre, CD 131: X. Canope | — | ||
| 30-23 | Préludes, Deuxième Livre, CD 131: XI. Les Tierces alternées | — | ||
| 30-24 | Préludes, Deuxième Livre, CD 131: XII. Feux d'artifice | — | ||
| 30-25 | L'isle joyeuse, CD 109 | — | ||
| 31-1 | Images, 1ʳᵉ série, CD 105: Reflets dans l'eau | — | ||
| 31-2 | Estampes, CD 108: II. La Soirée dans Grenade | — | ||
| 31-3 | Suite bergamesque, CD 82: I. Prélude | — | ||
| 31-4 | Suite bergamesque, CD 82: II. Menuet | — | ||
| 31-5 | Suite bergamesque, CD 82: III. Clair de lune | — | ||
| 31-6 | Suite bergamesque, CD 82: IV. Passepied | Friedrich Gulda | — | |
| 31-7 | Pour le piano, CD 95: I. Prélude | — | ||
| 31-8 | Pour le piano, CD 95: II. Sarabande | — | ||
| 31-9 | Pour le piano, CD 95: III. Toccata | — | ||
| 31-10 | Sonatine, M. 40: I. Modéré | — | ||
| 31-11 | Sonatine, M. 40: II. Mouvement de menuet | — | ||
| 31-12 | Sonatine, M. 40: III. Animé | — | ||
| 31-13 | Valses nobles et sentimentales, M. 61: I. Modéré, très franc | — | ||
| 31-14 | Valses nobles et sentimentales, M. 61: II. Assez lent, avec une expression intense | — | ||
| 31-15 | Valses nobles et sentimentales, M. 61: III. Modéré | — | ||
| 31-16 | Valses nobles et sentimentales, M. 61: IV. Assez animé | — | ||
| 31-17 | Valses nobles et sentimentales, M. 61: V. Presque lent, dans un sentiment intime | — | ||
| 31-18 | Valses nobles et sentimentales, M. 61: VI. Vif | — | ||
| 31-19 | Valses nobles et sentimentales, M. 61: VII. Mains vif | — | ||
| 31-20 | Valses nobles et sentimentales, M. 61: VIII. Épilogue: Lent | — | ||
| 31-21 | Gaspard de la buit, M. 55: Ondine: Lent | — | ||
| 31-22 | Gaspard de la buit, M. 55: Le Gibet: Très lent | — | ||
| 31-23 | Gaspard de la buit, M. 55: Scarbo: Modéré | — | ||
| 32-1 | 5 kleine Lieder, op. 69 TrV 237: No. 3 “Einerlei” | — | ||
| 32-2 | 6 Lieder, op. 68 TrV 235: No. 3 “Säus'le, liebe Myrthe” | — | ||
| 32-3 | 5 kleine Lieder, op. 69 TrV 237: No. 1 “Der Stern” | — | ||
| 32-4 | 5 kleine Lieder, op. 69 TrV 237: no. 5 “Schlechtes Wetter” | — | ||
| 32-5 | 6 Lieder, op. 68 TrV 235: No. 2 “Ich wolltein Sträußlein binden” | — | ||
| 32-6 | 6 Lieder, op. 68 TrV 235: No. 4 “Als mir dein Lied erklang” | — | ||
| 32-7 | 5 Lieder, op. 48 TrV 202: No. 1 “Freundliche Vision” | — | ||
| 32-8 | 3 Lieder, op. 29 TrV 172: No. 2 “Schlagende Herzen” | — | ||
| 32-9 | 5 Lieder, op. 39 TrV 148: No. 5 “Heimkehr” | — | ||
| 32-10 | 5 Lieder, op. 39 TrV 189: No. 4 “Befreit” | — | ||
| 32-11 | 8 Gedichte aus Letzte Blätter, op. 10 TrV 141: No. 3 “Die Nacht” | — | ||
| 32-12 | 6 Lieder aus Lotosblätter, op. 19 TWrV 152: No. 4 “Wie solten wir geheim sie halten” | — | ||
| 32-13 | 6 Lieder, op. 37 TrV 187: No. 3 “Meinem Kinde” | — | ||
| 32-14 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: I. Overture | — | ||
| 32-15 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: II. Minuet | — | ||
| 32-16 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: III. The Fencing Master | — | ||
| 32-17 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: IV. Entry and Dance of the Tailors | — | ||
| 32-18 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: V. Lully's Minuet | — | ||
| 32-19 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VI. Courante | — | ||
| 32-20 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VII. Entry of Cléonte (after Lully) | — | ||
| 32-21 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: VIII. Intermezzo | — | ||
| 32-22 | Le Bourgeois Gentilhomme (Der Bürger als Edelmann) Suite, op. 60b-IIIa TrV 228c: IX. The Dinner | — | ||
| 33-1 | Prelude & Fugue in G major(Well-Tempered Clavier, Book I, no. 15), BWV 860 | Friedrich Gulda | — | |
| 33-2 | Partita no. 1 in B-flat, BWV 825: Menuet I - Menuet II | — | ||
| 33-3 | Toccata, BWV 911: Fugue | — | ||
| 33-4 | Bagatelles, op. 119: No. 11 Andante, ma non troppo | — | ||
| 33-5 | 6 Écossaises, WoO 83 | — | ||
| 33-6 | Berceuse in D-flat, op. 57 | — | ||
| 33-7 | 12 Études, op. 25: Étude no. 1 in A-flat | — | ||
| 33-8 | 12 Études, op. 25: Étude no. 2 in F minor | — | ||
| 33-9 | Ballade no. 3 in A-flat, op. 47 | — | ||
| 33-10 | Piano Sonata no. 7 in B-flat, op. 83: I. Allegro inquieto - Andantino - Allegro inquieto - Andantino - Allegro inquieto | — | ||
| 33-11 | Piano Sonata no. 7 in B-flat, op. 83: II. Andante caloroso - Poco più animato - Più largamente | — | ||
| 33-12 | Piano Sonata no. 7 in B-flat, op. 83: III. Precipitato | — | ||
| 33-13 | L'Isle joyeuse, CD 109 | Friedrich Gulda | T-306.231.690-5 | |
| 33-14 | Images, 1ʳᵉ série, CD 105: Reflets dans l'eau | — | ||
| 33-15 | Sonata no. 18 in D, K. 576: I. Allegro | — | ||
| 33-16 | Sonata no. 18 in D, K. 576: II. Adagio | — | ||
| 33-17 | Sonata no. 18 in D, K. 576: III. Allegretto | — | ||
| 34-1 | Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | — | ||
| 34-2 | Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | — | ||
| 34-3 | Wintermeditation | — | ||
| 35-1 | Liederkreis, op. 39: I. “In der Fremde” | — | ||
| 35-2 | Liederkreis, op. 39: II. “Intermezzo” | — | ||
| 35-3 | Liederkreis, op. 39: III. “Waldesgespräch” | — | ||
| 35-4 | Liederkreis, op. 39: IV. “Die Stille” | — | ||
| 35-5 | Liederkreis, op. 39: V. “Mondnacht” | — | ||
| 35-6 | Liederkreis, op. 39: VI. “Schöne Fremde” | — | ||
| 35-7 | Liederkreis, op. 39: VII. “Auf einer Burg” | — | ||
| 35-8 | Liederkreis, op. 39: VIII. “In der Fremde” (“Ich hör die Bachlein rauschen”) | — | ||
| 35-9 | Liederkreis, op. 39: IX. “Wehmut” | — | ||
| 35-10 | Liederkreis, op. 39: X. “Zwielicht” | — | ||
| 35-11 | Liederkreis, op. 39: XI. “Im Walde” | — | ||
| 35-12 | Liederkreis, op. 39: XII. “Frühlingsnacht” | — | ||
| 35-13 | 8 Fantasiestücke, op. 12: I. Des Abends | — | ||
| 35-14 | 8 Fantasiestücke, op. 12: II. Aufschwung | — | ||
| 35-15 | 8 Fantasiestücke, op. 12: III. Warum? | — | ||
| 35-16 | 8 Fantasiestücke, op. 12: IV. Grillen | — | ||
| 35-17 | 8 Fantasiestücke, op. 12: V. In der Nacht | — | ||
| 35-18 | 8 Fantasiestücke, op. 12: VI. Fabel | — | ||
| 35-19 | 8 Fantasiestücke, op. 12: VII. Traumeswirren | — | ||
| 35-20 | 8 Fantasiestücke, op. 12: VIII. Ende vom Lied | — | ||
| 36-1 | Variations | — | ||
| 36-2 | For Paul | — | ||
| 36-3 | Prelude and Fugue | — | ||
| 36-4 | Sonatina: I. Entrée | — | ||
| 36-5 | Sonatina: II. Ballad | — | ||
| 36-6 | Sonatina: III. Shuffle | — | ||
| 36-7 | Children's Song no. 19 | — | ||
| 36-8 | Children's Song no. 20 | — | ||
| 36-9 | For Rico (Baroque Rock) | — | ||
| 37-1 | Double Piano Improvisation Pt. 1 quoting “Someday My Prince Will Come” (Frank Churchill) | — | ||
| 37-2 | Double Piano Improvisation Pt. 2 quoting Put Your Little Foot Out (Fran-Dance) (Miles Davis) | — | ||
| 37-3 | Double Piano Improvisation Pt. 3 quoting Poem no. 3 (Fritz Pauer) / “Wiegenlied”, op. 49 no. 4 (Johannes Brahms) | — | ||
| 38-1 | Pee Wee Marquette introduces Friedrich Gulda & His Sextet | — | ||
| 38-2 | Quintet | — | ||
| 38-3 | Dark Glow | — | ||
| 38-4 | Introvert | — | ||
| 38-5 | Scruby | — | ||
| 38-6 | Teheran | — | ||
| 38-7 | Air from Other Planets | — | ||
| 38-8 | New Shoes | — | ||
| 38-9 | Cool Hill | — | ||
| 38-10 | Vienna Discussion | — | ||
| 38-11 | A Night in Tunisia | — | ||
| 38-12 | Out of Nowhere | — | ||
| 38-13 | Lullaby of Birdland | — | ||
| 38-14 | Dodo | — | ||
| 38-15 | All the Things You Are | — | ||
| 38-16 | Bernie's Tune | — | ||
| 39-1 | Concerto no. 17 in G, K. 453: I. Allegro | — | ||
| 39-2 | Concerto no. 17 in G, K. 453: II. Andante | — | ||
| 39-3 | Concerto no. 17 in G, K. 453: III. Allegretto | — | ||
| 39-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 39-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 39-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 39-7 | Variations, op. 66 for cello and piano on “Ein Mädchen oder Weibchen” from Mozart's Die Zauberflöte | — | ||
| 40-1 | Sonata no. 11 in A, K. 331 (300i): I. Andante grazioso | — | ||
| 40-2 | Sonata no. 11 in A, K. 331 (300i): II. Menuetto | — | ||
| 40-3 | Sonata no. 11 in A, K. 331 (300i): III. Alla turca: Allegretto | — | ||
| 40-4 | Sonata no. 13 in B-flat, K. 333 (315c): I. Allegro | — | ||
| 40-5 | Sonata no. 13 in B-flat, K. 333 (315c): II. Andante cantabile | — | ||
| 40-6 | Sonata no. 13 in B-flat, K. 333 (315c): III. Allegretto grazioso | — | ||
| 40-7 | Sonata no. 16 in C, K. 545 “Sonata facile”: I. Andante grazioso | — | ||
| 40-8 | Sonata no. 16 in C, K. 545 “Sonata facile”: II. Menuetto | — | ||
| 40-9 | Sonata no. 16 in C, K. 545 “Sonata facile”: III. Alla turca: Allegretto | — | ||
| 40-10 | Rondo in D, K. 485 | — | ||
| 41-1 | Italian Concerto, BWV 971: I. Allegro | — | ||
| 41-2 | Italian Concerto, BWV 971: II. Andante | — | ||
| 41-3 | Italian Concerto, BWV 971: III. Presto | — | ||
| 41-4 | Das Wolhtemperierte Clavier Book I, no. 3: Prelude & Fugue in C-sharp, BWV 848 | — | ||
| 41-5 | Suite in G minor, HWV 432: Passacaglia | — | ||
| 41-6 | Sonata no. 11 in A, K. 331 (300i): Alla turca: Allegretto | — | ||
| 41-7 | Andante favori, WoO 57 | — | ||
| 41-8 | Bagatelle no. 25 in A minor, WoO 59 “Für Elise” | — | ||
| 41-9 | 6 Écossaises, WoO 83 | — | ||
| 41-10 | 4 Impromptus, D. 899: Impromptu no. 4 in A-flat: Allegretto | — | ||
| 41-11 | 2 Scherzos, D. 593: No. 1 in B-flat: Allegretto | — | ||
| 41-12 | 2 Scherzos, D. 593: No. 2 in D-flat: Allegro moderato | — | ||
| 41-13 | Kinderszenen, op. 15: Träumerei | — | ||
| 41-14 | Waltz no. 14 in E minor, op. posth. | — | ||
| 41-15 | Waltz in D-flat, op. 64 no. 1 “Minute” | — | ||
| 41-16 | Preludes, Book I, CD 131 Feux d'artifice | — | ||
| 41-17 | Le Tombeau de Couperin, M. 68: Toccata | — | ||
| 42-1 | Concerto no. 1 in C, op. 15: I. Allegro con brio | — | ||
| 42-2 | Concerto no. 1 in C, op. 15: II. Largo | — | ||
| 42-3 | Concerto no. 1 in C, op. 15: III. Rondo: Allegro scherzando | — | ||
| 42-4 | Concerto no. 2 in B-flat, op. 19: I. Allegro con brio | — | ||
| 42-5 | Concerto no. 2 in B-flat, op. 19: II. Adagio | — | ||
| 42-6 | Concerto no. 2 in B-flat, op. 19: III. Rondo: Molto allegro | — | ||
| 42-7 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: I. Allegro con brio | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-8 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: II. Largo | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-9 | Konzert für Klavier und Orchester Nr. 3 c-moll, op. 37: III. Rondo. Allegro | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-10 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Allegro moderato | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-11 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Andante con moto | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-12 | Konzert für Klavier und Orchester Nr. 4 G-dur, op. 58: Rondo. Vivace | Friedrich Gulda, Wiener Philharmoniker, Horst Stein | — | |
| 42-13 | Concerto no. 5 in E-flat, op. 75 “Emperor”: I. Allegro | — | ||
| 42-14 | Concerto no. 5 in E-flat, op. 75 “Emperor”: II. Adagio un poco moto | — | ||
| 42-15 | Concerto no. 5 in E-flat, op. 75 “Emperor”: III. Rondo: Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Sonata for Piano no. 18 in E-flat major, op. 31/3: I. Allegro | Friedrich Gulda | T-011.422.353-8 |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: II. Scherzo. Allegretto vivace | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: III. Menuetto. Moderato e grazioso | Friedrich Gulda | — |
| Sonata for Piano no. 18 in E-flat major, op. 31/3: IV. Presto con fuoco | Friedrich Gulda | — |
