UPC · Release
Ernest Ansermet
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The UPC for “The Mono Years” by Ernest Ansermet is 028948515844. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. Label: Decca. This release contains 351 tracks, each with its own ISRC. Tracks include GBF075311252, GBF075311254, GBF075510851.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto Grosso in F, op. 6/2, HWV 320: I. Andante larghetto | — | ||
| 2 | Concerto Grosso in F, op. 6/2, HWV 320: II. Allegro | — | ||
| 3 | Concerto Grosso in F, op. 6/2, HWV 320: III. Largo | — | ||
| 4 | Concerto Grosso in F, op. 6/2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 5 | Concerto Grosso in E minor, op. 6/3, HWV 321: I. Larghetto | — | ||
| 6 | Concerto Grosso in E minor, op. 6/3, HWV 321: II. Andante | — | ||
| 7 | Concerto Grosso in E minor, op. 6/3, HWV 321: III. Allegro | — | ||
| 8 | Concerto Grosso in E minor, op. 6/3, HWV 321: IV. Polonaise | — | ||
| 9 | Concerto Grosso in E minor, op. 6/3, HWV 321: V. Allegro, ma non troppo | — | ||
| 10 | Concerto Grosso in A minor, op. 6/4, HWV 322: I. Larghetto affetuoso | — | ||
| 11 | Concerto Grosso in A minor, op. 6/4, HWV 322: II. Allegro | — | ||
| 12 | Concerto Grosso in A minor, op. 6/4, HWV 322: III. Largo e piano | — | ||
| 13 | Concerto Grosso in A minor, op. 6/4, HWV 322: IV. Allegro | — | ||
| 14 | Concerto Grosso in G minor, op. 6/6, HWV 324: I. Largo affetuoso | — | ||
| 15 | Concerto Grosso in G minor, op. 6/6, HWV 324: II. A tempo giusto | — | ||
| 16 | Concerto Grosso in G minor, op. 6/6, HWV 324: III. Musette: Larghetto | — | ||
| 17 | Concerto Grosso in G minor, op. 6/6, HWV 324: IV. Allegro | — | ||
| 18 | Concerto Grosso in G minor, op. 6/6, HWV 324: V. Allegro | — | ||
| 19 | Concerto Grosso in D minor, op. 6/10, HWV 328: I. Ouverture | — | ||
| 20 | Concerto Grosso in D minor, op. 6/10, HWV 328: II. Allegro | — | ||
| 21 | Concerto Grosso in D minor, op. 6/10, HWV 328: III. Aria: Lento | — | ||
| 22 | Concerto Grosso in D minor, op. 6/10, HWV 328: IV. Allegro | — | ||
| 23 | Concerto Grosso in D minor, op. 6/10, HWV 328: V. Allegro moderato | — | ||
| 24 | Concerto Grosso in B minor, op. 6/12, HWV 330: I. Largo | — | ||
| 25 | Concerto Grosso in B minor, op. 6/12, HWV 330: II. Allegro | — | ||
| 26 | Concerto Grosso in B minor, op. 6/12, HWV 330: III. Larghetto e piano | — | ||
| 27 | Concerto Grosso in B minor, op. 6/12, HWV 330: IV. Largo | — | ||
| 28 | Concerto Grosso in B minor, op. 6/12, HWV 330: V. Allegro | — | ||
| 2-1 | Basson Concerto in D minor, RV 481: I. Allegro | — | ||
| 2-2 | Basson Concerto in D minor, RV 481: II. Larghetto | — | ||
| 2-3 | Basson Concerto in D minor, RV 481: III. Allegro molto | — | ||
| 2-7 | Organ Concerto in G minor, HWV 289: I. Larghetto e staccato | — | ||
| 2-8 | Organ Concerto in G minor, HWV 289: II. Allegro | — | ||
| 2-9 | Organ Concerto in G minor, HWV 289: III. Adagio - Andante | — | ||
| 2-10 | Organ Concerto in B-flat, HWV 290: I. A tempo ordinario e staccato - Allegro | — | ||
| 2-11 | Organ Concerto in B-flat, HWV 290: II. Adagio e staccato - Allegro, ma non presto | — | ||
| 3-1 | Symphony no. 38 in D, K. 504 “Prague”: I. Adagio - Allegro | — | ||
| 3-2 | Symphony no. 38 in D, K. 504 “Prague”: II. Andante | — | ||
| 3-3 | Symphony no. 38 in D, K. 504 “Prague”: III. Finale: Presto | — | ||
| 3-4 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | — | ||
| 3-5 | Exsultate, jubilate, K. 165: II. Fulget amica dies | — | ||
| 3-6 | Exsultate, jubilate, K. 165: III. Tu virginum corona | — | ||
| 3-7 | Exsultate, jubilate, K. 165: IV. Alleluja | — | ||
| 3-8 | Serenade no. 10 in B-flat, K. 361: I. Largo | — | ||
| 3-9 | Serenade no. 10 in B-flat, K. 361: II. Minuet | — | ||
| 3-10 | Serenade no. 10 in B-flat, K. 361: III. Adagio | — | ||
| 3-11 | Serenade no. 10 in B-flat, K. 361: IV. Minuet | — | ||
| 3-12 | Serenade no. 10 in B-flat, K. 361: V. Romanze: Adagio | — | ||
| 3-13 | Serenade no. 10 in B-flat, K. 361: VI. Tema con variazioni | — | ||
| 3-14 | Serenade no. 10 in B-flat, K. 361: VII. Finale: Molto allegro | — | ||
| 4-1 | Symphony no. 101 in D, Hob. I:101 “Clock”: I. Adagio - Presto | — | ||
| 4-2 | Symphony no. 101 in D, Hob. I:101 “Clock”: II. Andante | — | ||
| 4-3 | Symphony no. 101 in D, Hob. I:101 “Clock”: III. Minuetto & Trio: Allegretto | — | ||
| 4-4 | Symphony no. 101 in D, Hob. I:101 “Clock”: IV. Finale: Vivace | — | ||
| 4-5 | Genoveva, op. 81 Overture | — | ||
| 4-6 | Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 4-7 | Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto | — | ||
| 4-8 | Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace | — | ||
| 4-9 | Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso | — | ||
| 5-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 5-2 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso - | — | ||
| 5-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 5-4 | Cello Concerto in A minor, op. 128: I. Nicht zu schnell | — | ||
| 5-5 | Cello Concerto in A minor, op. 128: II. Langsam | — | ||
| 5-6 | Cello Concerto in A minor, op. 128: III. Sehr schnell | — | ||
| 5-7 | Variations on a Rococo Theme, op. 33 | — | ||
| 6-1 | Pictures at an Exhibition: Promenade I | — | ||
| 6-2 | Pictures at an Exhibition: I. Gnomus | — | ||
| 6-3 | Pictures at an Exhibition: Promenade II | — | ||
| 6-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 6-5 | Pictures at an Exhibition: Promenade III | — | ||
| 6-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 6-7 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 6-8 | Pictures at an Exhibition: Promenade IV | — | ||
| 6-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 6-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 6-11 | Pictures at an Exhibition: VII. The Marketplace at Limoges | — | ||
| 6-12 | Pictures at an Exhibition: VIII. The Catacombs (Sepulchrum romanum) | — | ||
| 6-13 | Pictures at an Exhibition: IX. The Hut of Fowl's Legs (Baba-Yaga) | — | ||
| 6-14 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 6-15 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 6-16 | Scheherazade, op. 35: II. The Story of the Kalendar Prince | — | ||
| 6-17 | Scheherazade, op. 35: III. The Young Prince and Princess | — | ||
| 6-18 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff Surmounted by a Bronze Horseman | — | ||
| 7-1 | The Golden Cockerel: Introduction & Bridal procession: I. Introduction | — | ||
| 7-2 | The Golden Cockerel: Introduction & Bridal procession: II. Bridal procession | — | ||
| 7-3 | The Golden Cockerel Suite: I. King Dodon in his Palace | — | ||
| 7-4 | The Golden Cockerel Suite: II. King Dodon on the Battlefield | — | ||
| 7-5 | The Golden Cockerel Suite: III. King Dodon with Queen Chimaka | — | ||
| 7-6 | The Golden Cockerel Suite: IV. Marriage Feast and Lamentable End of King Dodon | — | ||
| 7-7 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 7-8 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 7-9 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 7-10 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 7-11 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 7-12 | Sorochyntsi Fair: Gopak (mono) | — | ||
| 7-13 | Sorochyntsi Fair: Gopak (stereo) | — | ||
| 8-1 | Piano Concerto no. 1: I. Allegro | — | ||
| 8-2 | Piano Concerto no. 1: II. Allegro (poco scherzando) | — | ||
| 8-3 | Piano Concerto no. 1: III. Andante (Cadenza) | — | ||
| 8-4 | Piano Concerto no. 1: IV. Allegro non troppo | — | ||
| 8-5 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 8-6 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 8-7 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 9-1 | Alborada del gracioso | — | ||
| 9-2 | La Valse, M. 72 | — | ||
| 9-3 | Shéhérazade, M. 41: I. Asie | — | ||
| 9-4 | Shéhérazade, M. 41: II. La Flûte enchantée | — | ||
| 9-5 | Shéhérazade, M. 41: III. L'Indifférent | — | ||
| 9-6 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 9-7 | La Mer, CD 111: II. Jeux de vagues | — | ||
| 9-8 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 9-9 | Petite Suite, CD 71b: I. En bateau | — | ||
| 9-10 | Petite Suite, CD 71b: II. Cortège | — | ||
| 9-11 | Petite Suite, CD 71b: III. Menuet | — | ||
| 9-12 | Petite Suite, CD 71b: IV. Ballet | — | ||
| 10-1 | La Boutique fantasque, P. 120: I. Overture & Scene | — | ||
| 10-2 | La Boutique fantasque, P. 120: II. Introduction & Tarantella | — | ||
| 10-3 | La Boutique fantasque, P. 120: III. Introduction, Mazurka & Scene | — | ||
| 10-4 | La Boutique fantasque, P. 120: IV. Danse cosaque & Valse brillante | — | ||
| 10-5 | La Boutique fantasque, P. 120: V. Can-can & Scene | — | ||
| 10-6 | La Boutique fantasque, P. 120: VI. Andantino mosso & Valse lente | — | ||
| 10-7 | La Boutique fantasque, P. 120: VII. Scene & Nocturne | — | ||
| 10-8 | La Boutique fantasque, P. 120: VIII. Galop & Finale (Fugue) | — | ||
| 10-9 | El sombrero de tres picos: Part I. Introducción | — | ||
| 10-10 | El sombrero de tres picos: Part I. La tarde | — | ||
| 10-11 | El sombrero de tres picos: Part I. Danza de la molinera | — | ||
| 10-12 | El sombrero de tres picos: Part I. Las uvas | — | ||
| 10-13 | El sombrero de tres picos: Part II. Danza de los vecinos | — | ||
| 10-14 | El sombrero de tres picos: Part II. Danza del molinero | — | ||
| 10-15 | El sombrero de tres picos: Part II. Danza del corregidor | — | ||
| 10-16 | El sombrero de tres picos: Part II. Danza final | — | ||
| 10-17 | 3 Poèmes de Stéphane Mallarmé, M. 64: I. Soupir | — | ||
| 10-18 | 3 Poèmes de Stéphane Mallarmé, M. 64: II. Placet futile | — | ||
| 10-19 | 3 Poèmes de Stéphane Mallarmé, M. 64: III. Surgi de la croupe et du bond | — | ||
| 11-1 | Images, Set 3, CD 118: I. Gigues | — | ||
| 11-2 | Images, Set 3, CD 118: II. Iberia: a. Par les rues et par les chemins | — | ||
| 11-3 | Images, Set 3, CD 118: II. Iberia: b. Les Parfums ed la nuit | — | ||
| 11-4 | Images, Set 3, CD 118: II. Iberia: c. Le Matin d'un jour de tête | — | ||
| 11-5 | Images, Set 3, CD 118: III. Rondes de printemps | — | ||
| 11-6 | L'Heure espagnole, M. 52: Scenes 1 & 2: “Señor Torquemada, horloger de Tolède?” | — | ||
| 11-7 | L'Heure espagnole, M. 52: Scenes 3-6: “Il reste, voilà bien ma chance!” | — | ||
| 11-8 | L'Heure espagnole, M. 52: Scenes 7-10: “Salut à la belle horlogère!” | — | ||
| 11-9 | L'Heure espagnole, M. 52: Scenes 11-16: “Monsieur! Ah! monsieur!” | — | ||
| 11-10 | L'Heure espagnole, M. 52: Scenes 17-19: “Oh! la pitoyable aventure!” | — | ||
| 11-11 | L'Heure espagnole, M. 52: Scenes 20 & 21: “Il n'est pour l'horloger” | — | ||
| 12-1 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Je ne pournais plus sortir de cette forêt!” | — | ||
| 12-2 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Pourquoi pleures-tu?” | — | ||
| 12-3 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Je suis perdu aussi” - Interlude | — | ||
| 12-4 | Pelléas et Mélisande, CD 93: Act I, Scene 2. “Voici qu'il écrit à son trère Pelléas” | — | ||
| 12-5 | Pelléas et Mélisande, CD 93: Act I, Scene 2. “Qu'en dites-vous?” | — | ||
| 12-6 | Pelléas et Mélisande, CD 93: Act I, Scene 3. Interlude - “Il fait sombre… Hoé! Hisse hoé” | — | ||
| 12-7 | Pelléas et Mélisande, CD 93: Act II, Scene 1. “Vous ne savez pas… c'est au bord d'une fontaine” | — | ||
| 12-8 | Pelléas et Mélisande, CD 93: Act II, Scene 1. Interlude | — | ||
| 12-9 | Pelléas et Mélisande, CD 93: Act II, Scene 2. “Ah! Ah! Tout va bien” | — | ||
| 12-10 | Pelléas et Mélisande, CD 93: Act II, Scene 2. “Voyons, donne-moi ta main” | — | ||
| 12-11 | Pelléas et Mélisande, CD 93: Act II, Scene 2. Interlude | — | ||
| 12-12 | Pelléas et Mélisande, CD 93: Act II, Scene 3. “Oui, c'est ici, nous y sommes” | — | ||
| 12-13 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Mes longs cheveux descendent” | — | ||
| 12-14 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Je les tiens dans les mains” | — | ||
| 12-15 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Que faites-vous ici?” | — | ||
| 12-16 | Pelléas et Mélisande, CD 93: Act III, Scene 2. Interlude - “Prenez garde, par ici, par ici” | — | ||
| 13-1 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Ah! Je respire enfin!” | — | ||
| 13-2 | Pelléas et Mélisande, CD 93: Act III, Scene 3. Interlude | — | ||
| 13-3 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Viens, nous allons nous asseoir ici” | — | ||
| 13-4 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Qu'ils s'embrassent, petit père?” | — | ||
| 13-5 | Pelléas et Mélisande, CD 93: Act IV, Scene 1. “Où vas-tu?” | — | ||
| 13-6 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Maintenant que te père de Pelléas” | — | ||
| 13-7 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Pelléas part ce soir” | — | ||
| 13-8 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Ne mettez pas ainsi votre main à la gorge” | — | ||
| 13-9 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. Interlude | — | ||
| 13-10 | Pelléas et Mélisande, CD 93: Act IV, Scene 3. “Oh! cette pierre est lourde” | — | ||
| 13-11 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “C'est le dernier soir” | — | ||
| 13-12 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “Nous sommes venus ici il y a bien longtemps” | — | ||
| 13-13 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “On dirait que ta voix” | — | ||
| 13-14 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “Quel est ce bruit?” | — | ||
| 13-15 | Pelléas et Mélisande, CD 93: Act V. “Ce n'est pas de cette petite blessure” | — | ||
| 13-16 | Pelléas et Mélisande, CD 93: Act V. “Attention, je crois qu'elle s'éveille” | — | ||
| 13-17 | Pelléas et Mélisande, CD 93: Act V. “Mélisande, as-tu pitié de moi?” | — | ||
| 13-18 | Pelléas et Mélisande, CD 93: Act V. “Non, non, nous n'avons pas été coupables” | — | ||
| 13-19 | Pelléas et Mélisande, CD 93: Act V. “Qu'avez-vous fait?” | — | ||
| 13-20 | Pelléas et Mélisande, CD 93: Act V. “Qu'y a-t-il?” | — | ||
| 13-21 | Pelléas et Mélisande, CD 93: Act V. “Attention… attention” | — | ||
| 14-1 | Piano Concerto in D for the Left Hand, M. 82: I. Lento | — | ||
| 14-2 | Piano Concerto in D for the Left Hand, M. 82: II. Allegro | — | ||
| 14-3 | Piano Concerto in D for the Left Hand, M. 82: III. Tempo I | — | ||
| 14-4 | Piano Concerto in D for the Left Hand, M. 82: I. Lento | — | ||
| 14-5 | Piano Concerto in D for the Left Hand, M. 82: II. Allegro | — | ||
| 14-6 | Piano Concerto in D for the Left Hand, M. 82: III. Tempo I | — | ||
| 14-7 | Piano Concerto in G, M. 83: I. Allegramente | — | ||
| 14-8 | Piano Concerto in G, M. 83: II. Adagio assai | — | ||
| 14-9 | Piano Concerto in G, M. 83: III. Presto | — | ||
| 15-1 | Nocturnes, CD 98: I. Nuages | — | ||
| 15-2 | Nocturnes, CD 98: II. Fêtes | — | ||
| 15-3 | Nocturnes, CD 98: III. Sirènes | — | ||
| 15-4 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 15-5 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 15-6 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 15-7 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 15-8 | Valses nobles et sentimentales, M. 61a: 1. Modéré / 2. Assez lent | — | ||
| 15-9 | Valses nobles et sentimentales, M. 61a: 3. Modéré / 4. Assez animé | — | ||
| 15-10 | Valses nobles et sentimentales, M. 61a: 5. Presque lent / 6. Assez vif | — | ||
| 15-11 | Valses nobles et sentimentales, M. 61a: 7. Moins vif / 8. Épilogue | — | ||
| 15-12 | Le Tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 15-13 | Le Tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 15-14 | Le Tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 15-15 | Le Tombeau de Couperin, M. 68a: IV. Rigaudon | — | ||
| 16-1 | Daphnis et Chloé, M. 57: Part I. Introduction et danse religeuse | — | ||
| 16-2 | Daphnis et Chloé, M. 57: Part I. Scène - Danse générale | — | ||
| 16-3 | Daphnis et Chloé, M. 57: Part I. Scène - Danse grotesque de Dorcon | — | ||
| 16-4 | Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis | — | ||
| 16-5 | Daphnis et Chloé, M. 57: Part I. Scène - Danse de Lycéion - Scène (Les Pirates) | — | ||
| 16-6 | Daphnis et Chloé, M. 57: Part I. Nocturne - Danse lente et mystérieuse des Nymphes | — | ||
| 16-7 | Daphnis et Chloé, M. 57: Part II. Introduction | — | ||
| 16-8 | Daphnis et Chloé, M. 57: Part II. Danse guerrière | — | ||
| 16-9 | Daphnis et Chloé, M. 57: Part II. Danse suppliante de Chloé | — | ||
| 16-10 | Daphnis et Chloé, M. 57: Part III. Lever du jour | — | ||
| 16-11 | Daphnis et Chloé, M. 57: Part III. Pantomime | — | ||
| 16-12 | Daphnis et Chloé, M. 57: Part III. Danse générale | — | ||
| 17-1 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 17-2 | La Mer, CD 111: II. Jeux de vagues | — | ||
| 17-3 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 17-4 | Ma mère l'Oye Suite, M. 60a: I. Prélude et Danse du rouet | — | ||
| 17-5 | Ma mère l'Oye Suite, M. 60a: II. Pavane de la Belle au bois dormant | — | ||
| 17-6 | Ma mère l'Oye Suite, M. 60a: III. Petit Poucet | — | ||
| 17-7 | Ma mère l'Oye Suite, M. 60a: IV. Laideronnette, impératrice des pagodes | — | ||
| 17-8 | Ma mère l'Oye Suite, M. 60a: V. Les Entretiens de la Belle et de la Bête | — | ||
| 17-9 | Ma mère l'Oye Suite, M. 60a: VI. Le Jardin féerique | — | ||
| 17-10 | Prélude à l'après-midi d'un faune, CD 87a | — | ||
| 17-11 | Circus Polka | — | ||
| 17-12 | Alborada del gracioso, M. 43c | — | ||
| 17-13 | The Love for Three Oranges Suite, op. 33bis: March | — | ||
| 18-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 18-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 18-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 18-4 | Symphony in C: I. Allegro vivo | — | ||
| 18-5 | Symphony in C: II. Adagio | — | ||
| 18-6 | Symphony in C: III. Scherzo: Allegro vivace | — | ||
| 18-7 | Symphony in C: IV. Allegro vivace | — | ||
| 19-1 | Symphony no. 1 in D, op. 25 “Classical”: I. Allegro | — | ||
| 19-2 | Symphony no. 1 in D, op. 25 “Classical”: II. Larghetto | — | ||
| 19-3 | Symphony no. 1 in D, op. 25 “Classical”: III. Gavotta: Non troppo allegro | — | ||
| 19-4 | Symphony no. 1 in D, op. 25 “Classical”: IV. Finale: Vivace | — | ||
| 19-5 | Ruslan and Lyudmila: Overture | — | ||
| 19-6 | In the Steppes of Central Asia | — | ||
| 19-7 | Night on the Bare Mountain | — | ||
| 19-8 | Jeux, CD 133 | — | ||
| 19-9 | 6 Épigraphes antiques, CD 139: I. Pour invoquer Pan, deu du vent d'été | — | ||
| 19-10 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 19-11 | 6 Épigraphes antiques, CD 139: III. Pour que la nuit soit propice | — | ||
| 19-12 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 19-13 | 6 Épigraphes antiques, CD 139: V. Pour l'égyptienne | — | ||
| 19-14 | 6 Épigraphes antiques, CD 139: VI. Pour remercier la pluie du matin | — | ||
| 20-1 | Piano Concerto no. 3 in E, Sz. 119: I. Allegretto | — | ||
| 20-2 | Piano Concerto no. 3 in E, Sz. 119: II. Adagio religioso | — | ||
| 20-3 | Piano Concerto no. 3 in E, Sz. 119: III. Allegro vivace | — | ||
| 20-4 | Piano Concerto no. 3 in C, op. 26: I. Andante - Allegro | — | ||
| 20-5 | Piano Concerto no. 3 in C, op. 26: II. Theme and variations | — | ||
| 20-6 | Piano Concerto no. 3 in C, op. 26: III. Allegro ma non troppo | — | ||
| 20-7 | Violin Concerto: 1. Allegro tranquillo | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 20-8 | Violin Concerto: 2. Andante molto moderato | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 20-9 | Violin Concerto: 3. Presto | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-902.717.414-7 | |
| 21-1 | Petite Symphonie concertante: I. Adagio - Allegro con moto | — | ||
| 21-2 | Petite Symphonie concertante: II. Adagio | — | ||
| 21-3 | Petite Symphonie concertante: III. Allegretto alla marcia | — | ||
| 21-4 | Le Baiser de la fée: Divertimento: I. Sinfonia | — | ||
| 21-5 | Le Baiser de la fée: Divertimento: II. Danses suisses | — | ||
| 21-6 | Le Baiser de la fée: Divertimento: III. Scherzo (By the mill) | — | ||
| 21-7 | Le Baiser de la fée: Divertimento: IV. Pas de deux: a. Adagio | — | ||
| 21-8 | Le Baiser de la fée: Divertimento: IV. Pas de deux: b. Variation: Allegretto grazioso / c. Coda: Presto | — | ||
| 21-9 | Danse macabre, op. 40 R. 171 | — | ||
| 21-10 | Le Rouet d' Omphale, op. 31 R. 169 | — | ||
| 21-11 | Joyeuse marche | — | ||
| 21-12 | Pavane pour un infante défunte, M. 19a | — | ||
| 21-13 | España | — | ||
| 22-1 | Pictures at an Exhibition: Promenade I | — | ||
| 22-2 | Pictures at an Exhibition: I. Gnomus | — | ||
| 22-3 | Pictures at an Exhibition: Promenade II | — | ||
| 22-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 22-5 | Pictures at an Exhibition: Promenade III | — | ||
| 22-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 22-7 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 22-8 | Pictures at an Exhibition: Promenade IV | — | ||
| 22-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 22-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 22-11 | Pictures at an Exhibition: VII. The Marketplace at Limoges | — | ||
| 22-12 | Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum) | — | ||
| 22-13 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 22-14 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 22-15 | La Valse, M. 72 | — | ||
| 22-16 | Boléro, M. 81 | — | ||
| 22-17 | Pacific 231 | — | ||
| 22-18 | L'Apprenti sorcier | — | ||
| 23-1 | Voice in the Wilderness: I. Moderato | — | ||
| 23-2 | Voice in the Wilderness: II. Poco lento | — | ||
| 23-3 | Voice in the Wilderness: III. Moderato | — | ||
| 23-4 | Voice in the Wilderness: IV. Adagio, piacevole | — | ||
| 23-5 | Voice in the Wilderness: V. Poco agitato (Cadenza) | — | ||
| 23-6 | Voice in the Wilderness: VI. Allegro | — | ||
| 23-7 | Schelomo: Rhapsodie hébraïques | — | ||
| 23-8 | Antigone: I. Recitative | — | ||
| 23-9 | Antigone: II. Aria | — | ||
| 23-10 | Antigone: III. Elegy | — | ||
| 23-11 | Symphony no. 1 in D minor, op. 44: I. Energico e fermo | — | ||
| 23-12 | Symphony no. 1 in D minor, op. 44: II. Andantino (Variations on a French folk song) | — | ||
| 23-13 | Symphony no. 1 in D minor, op. 44: III. Vivace | — | ||
| 24-1 | Petrushka (1911): Tableau I: The Shrovetide Fair | — | ||
| 24-2 | Petrushka (1911): Tableau II: In Petrushka's Room | — | ||
| 24-3 | Petrushka (1911): Tableau III: In the Moor's Room | — | ||
| 24-4 | Petrushka (1911): Tableau IV: The Shrovetide Fair (Evening) | — | ||
| 24-5 | Firebird Suite (1910/1919): Introduction | — | ||
| 24-6 | Firebird Suite (1910/1919): Khorovod (Round Dance) of the Princesses | — | ||
| 24-7 | Firebird Suite (1910/1919): Infernal Dance of All Koschei's Subjects | — | ||
| 24-8 | Firebird Suite (1910/1919): Lullaby | — | ||
| 24-9 | Firebird Suite (1910/1919): Finale | — | ||
| 24-10 | Firebird Suite (1910/1919): The Princesses' Game with Golden Apples: Scherzo | — | ||
| 24-11 | Symphony of Psalms: I. Psalmus XXXVIII (Vulgate) vv. 13-14 | — | ||
| 24-12 | Symphony of Psalms: II. Psalmus XXXIX (Vulgate) vv. 2-4 | — | ||
| 24-13 | Symphony of Psalms: III. Psalmus XL (Vulgate) | — | ||
| 25-1 | Petrushka (1911): Tableau I: The Shrovetide Fair | — | ||
| 25-2 | Petrouchka (1911 version): Scene 2. Petrouchka's Room | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-3 | Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-4 | Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-5 | The Rite of Spring: Part I: The Adoration of the Earth | — | ||
| 25-6 | The Rite of Spring: Part II: The Sacrifice | — | ||
| 26-1 | Firebird Suite (1919): Introduction | — | ||
| 26-2 | Firebird Suite (1919): Dance of the Firebird | — | ||
| 26-3 | Firebird Suite (1919): Khorovod (Round Dance) of the Princesses | — | ||
| 26-4 | Firebird Suite (1919): Infernal Dance of All Koschei's Subjects | — | ||
| 26-5 | Firebird Suite (1919): Lullaby | — | ||
| 26-6 | Firebird Suite (1919): Finale | — | ||
| 26-7 | Oedipus Rex: Prologue | — | ||
| 26-8 | Oedipus Rex: Actus Primus. Caedit nos pestis | — | ||
| 26-9 | Oedipus Rex: Actus Primus. Liberi, vos liberabo | — | ||
| 26-10 | Oedipus Rex: Actus Primus. Voici Créon | — | ||
| 26-11 | Oedipus Rex: Actus Primus. Respondit deus | — | ||
| 26-12 | Oedipus Rex: Actus Primus. Non reperias vetus scelus | — | ||
| 26-13 | Oedipus Rex: Actus Primus. Œdipe interroge la fontaine de vérité | — | ||
| 26-14 | Oedipus Rex: Actus Primus. Delie exspectamus | — | ||
| 26-15 | Oedipus Rex: Actus Primus. Dicere non possum | — | ||
| 26-16 | Oedipus Rex: Actus Primus. Invidia fortunam odit | — | ||
| 26-17 | Oedipus Rex: Actus Primus. Gloria! | — | ||
| 26-18 | Oedipus Rex: Actus Secundus. La Dispute des princes | — | ||
| 26-19 | Oedipus Rex: Actus Secundus. Nonn'erubescite, reges | — | ||
| 26-20 | Oedipus Rex: Actus Secundus. Trivium, trivium… | — | ||
| 26-21 | Oedipus Rex: Actus Secundus. Le Témoin du meurtre sort de l'ombre | — | ||
| 26-22 | Oedipus Rex: Actus Secundus. Adest omniscius pastor | — | ||
| 26-23 | Oedipus Rex: Actus Secundus. In monte reppertus est | — | ||
| 26-24 | Oedipus Rex: Actus Secundus. Et maintenant, vous allez entendre | — | ||
| 26-25 | Oedipus Rex: Actus Secundus. Divum Jocastae caput mortuum | — | ||
| 26-26 | Oedipus Rex: Actus Secundus. Ecce! Regem Oedipoda | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
028948515844 is a Universal Product Code (UPC) assigned to The Mono Years by Ernest Ansermet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 351 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Mono Years” by Ernest Ansermet is 028948515844. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2024-01-01. Label: Decca. This release contains 351 tracks, each with its own ISRC. Tracks include GBF075311252, GBF075311254, GBF075510851.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Concerto Grosso in F, op. 6/2, HWV 320: I. Andante larghetto | — | ||
| 2 | Concerto Grosso in F, op. 6/2, HWV 320: II. Allegro | — | ||
| 3 | Concerto Grosso in F, op. 6/2, HWV 320: III. Largo | — | ||
| 4 | Concerto Grosso in F, op. 6/2, HWV 320: IV. Allegro, ma non troppo | — | ||
| 5 | Concerto Grosso in E minor, op. 6/3, HWV 321: I. Larghetto | — | ||
| 6 | Concerto Grosso in E minor, op. 6/3, HWV 321: II. Andante | — | ||
| 7 | Concerto Grosso in E minor, op. 6/3, HWV 321: III. Allegro | — | ||
| 8 | Concerto Grosso in E minor, op. 6/3, HWV 321: IV. Polonaise | — | ||
| 9 | Concerto Grosso in E minor, op. 6/3, HWV 321: V. Allegro, ma non troppo | — | ||
| 10 | Concerto Grosso in A minor, op. 6/4, HWV 322: I. Larghetto affetuoso | — | ||
| 11 | Concerto Grosso in A minor, op. 6/4, HWV 322: II. Allegro | — | ||
| 12 | Concerto Grosso in A minor, op. 6/4, HWV 322: III. Largo e piano | — | ||
| 13 | Concerto Grosso in A minor, op. 6/4, HWV 322: IV. Allegro | — | ||
| 14 | Concerto Grosso in G minor, op. 6/6, HWV 324: I. Largo affetuoso | — | ||
| 15 | Concerto Grosso in G minor, op. 6/6, HWV 324: II. A tempo giusto | — | ||
| 16 | Concerto Grosso in G minor, op. 6/6, HWV 324: III. Musette: Larghetto | — | ||
| 17 | Concerto Grosso in G minor, op. 6/6, HWV 324: IV. Allegro | — | ||
| 18 | Concerto Grosso in G minor, op. 6/6, HWV 324: V. Allegro | — | ||
| 19 | Concerto Grosso in D minor, op. 6/10, HWV 328: I. Ouverture | — | ||
| 20 | Concerto Grosso in D minor, op. 6/10, HWV 328: II. Allegro | — | ||
| 21 | Concerto Grosso in D minor, op. 6/10, HWV 328: III. Aria: Lento | — | ||
| 22 | Concerto Grosso in D minor, op. 6/10, HWV 328: IV. Allegro | — | ||
| 23 | Concerto Grosso in D minor, op. 6/10, HWV 328: V. Allegro moderato | — | ||
| 24 | Concerto Grosso in B minor, op. 6/12, HWV 330: I. Largo | — | ||
| 25 | Concerto Grosso in B minor, op. 6/12, HWV 330: II. Allegro | — | ||
| 26 | Concerto Grosso in B minor, op. 6/12, HWV 330: III. Larghetto e piano | — | ||
| 27 | Concerto Grosso in B minor, op. 6/12, HWV 330: IV. Largo | — | ||
| 28 | Concerto Grosso in B minor, op. 6/12, HWV 330: V. Allegro | — | ||
| 2-1 | Basson Concerto in D minor, RV 481: I. Allegro | — | ||
| 2-2 | Basson Concerto in D minor, RV 481: II. Larghetto | — | ||
| 2-3 | Basson Concerto in D minor, RV 481: III. Allegro molto | — | ||
| 2-7 | Organ Concerto in G minor, HWV 289: I. Larghetto e staccato | — | ||
| 2-8 | Organ Concerto in G minor, HWV 289: II. Allegro | — | ||
| 2-9 | Organ Concerto in G minor, HWV 289: III. Adagio - Andante | — | ||
| 2-10 | Organ Concerto in B-flat, HWV 290: I. A tempo ordinario e staccato - Allegro | — | ||
| 2-11 | Organ Concerto in B-flat, HWV 290: II. Adagio e staccato - Allegro, ma non presto | — | ||
| 3-1 | Symphony no. 38 in D, K. 504 “Prague”: I. Adagio - Allegro | — | ||
| 3-2 | Symphony no. 38 in D, K. 504 “Prague”: II. Andante | — | ||
| 3-3 | Symphony no. 38 in D, K. 504 “Prague”: III. Finale: Presto | — | ||
| 3-4 | Exsultate, jubilate, K. 165: I. Exsultate, jubilate | — | ||
| 3-5 | Exsultate, jubilate, K. 165: II. Fulget amica dies | — | ||
| 3-6 | Exsultate, jubilate, K. 165: III. Tu virginum corona | — | ||
| 3-7 | Exsultate, jubilate, K. 165: IV. Alleluja | — | ||
| 3-8 | Serenade no. 10 in B-flat, K. 361: I. Largo | — | ||
| 3-9 | Serenade no. 10 in B-flat, K. 361: II. Minuet | — | ||
| 3-10 | Serenade no. 10 in B-flat, K. 361: III. Adagio | — | ||
| 3-11 | Serenade no. 10 in B-flat, K. 361: IV. Minuet | — | ||
| 3-12 | Serenade no. 10 in B-flat, K. 361: V. Romanze: Adagio | — | ||
| 3-13 | Serenade no. 10 in B-flat, K. 361: VI. Tema con variazioni | — | ||
| 3-14 | Serenade no. 10 in B-flat, K. 361: VII. Finale: Molto allegro | — | ||
| 4-1 | Symphony no. 101 in D, Hob. I:101 “Clock”: I. Adagio - Presto | — | ||
| 4-2 | Symphony no. 101 in D, Hob. I:101 “Clock”: II. Andante | — | ||
| 4-3 | Symphony no. 101 in D, Hob. I:101 “Clock”: III. Minuetto & Trio: Allegretto | — | ||
| 4-4 | Symphony no. 101 in D, Hob. I:101 “Clock”: IV. Finale: Vivace | — | ||
| 4-5 | Genoveva, op. 81 Overture | — | ||
| 4-6 | Symphony no. 1 in B-flat, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 4-7 | Symphony no. 1 in B-flat, op. 38 “Spring”: II. Larghetto | — | ||
| 4-8 | Symphony no. 1 in B-flat, op. 38 “Spring”: III. Scherzo: Molto vivace | — | ||
| 4-9 | Symphony no. 1 in B-flat, op. 38 “Spring”: IV. Allegro animato e grazioso | — | ||
| 5-1 | Piano Concerto in A minor, op. 54: I. Allegro affettuoso | — | ||
| 5-2 | Piano Concerto in A minor, op. 54: II. Intermezzo: Andantino grazioso - | — | ||
| 5-3 | Piano Concerto in A minor, op. 54: III. Allegro vivace | — | ||
| 5-4 | Cello Concerto in A minor, op. 128: I. Nicht zu schnell | — | ||
| 5-5 | Cello Concerto in A minor, op. 128: II. Langsam | — | ||
| 5-6 | Cello Concerto in A minor, op. 128: III. Sehr schnell | — | ||
| 5-7 | Variations on a Rococo Theme, op. 33 | — | ||
| 6-1 | Pictures at an Exhibition: Promenade I | — | ||
| 6-2 | Pictures at an Exhibition: I. Gnomus | — | ||
| 6-3 | Pictures at an Exhibition: Promenade II | — | ||
| 6-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 6-5 | Pictures at an Exhibition: Promenade III | — | ||
| 6-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 6-7 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 6-8 | Pictures at an Exhibition: Promenade IV | — | ||
| 6-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 6-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 6-11 | Pictures at an Exhibition: VII. The Marketplace at Limoges | — | ||
| 6-12 | Pictures at an Exhibition: VIII. The Catacombs (Sepulchrum romanum) | — | ||
| 6-13 | Pictures at an Exhibition: IX. The Hut of Fowl's Legs (Baba-Yaga) | — | ||
| 6-14 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 6-15 | Scheherazade, op. 35: I. The Sea and Sinbad's Ship | — | ||
| 6-16 | Scheherazade, op. 35: II. The Story of the Kalendar Prince | — | ||
| 6-17 | Scheherazade, op. 35: III. The Young Prince and Princess | — | ||
| 6-18 | Scheherazade, op. 35: IV. Festival at Baghdad - The Sea - The Ship Breaks against a Cliff Surmounted by a Bronze Horseman | — | ||
| 7-1 | The Golden Cockerel: Introduction & Bridal procession: I. Introduction | — | ||
| 7-2 | The Golden Cockerel: Introduction & Bridal procession: II. Bridal procession | — | ||
| 7-3 | The Golden Cockerel Suite: I. King Dodon in his Palace | — | ||
| 7-4 | The Golden Cockerel Suite: II. King Dodon on the Battlefield | — | ||
| 7-5 | The Golden Cockerel Suite: III. King Dodon with Queen Chimaka | — | ||
| 7-6 | The Golden Cockerel Suite: IV. Marriage Feast and Lamentable End of King Dodon | — | ||
| 7-7 | Capriccio espagnol, op. 34: I. Alborada | — | ||
| 7-8 | Capriccio espagnol, op. 34: II. Variazioni | — | ||
| 7-9 | Capriccio espagnol, op. 34: III. Alborada | — | ||
| 7-10 | Capriccio espagnol, op. 34: IV. Scena e canto gitano | — | ||
| 7-11 | Capriccio espagnol, op. 34: V. Fandango asturiano | — | ||
| 7-12 | Sorochyntsi Fair: Gopak (mono) | — | ||
| 7-13 | Sorochyntsi Fair: Gopak (stereo) | — | ||
| 8-1 | Piano Concerto no. 1: I. Allegro | — | ||
| 8-2 | Piano Concerto no. 1: II. Allegro (poco scherzando) | — | ||
| 8-3 | Piano Concerto no. 1: III. Andante (Cadenza) | — | ||
| 8-4 | Piano Concerto no. 1: IV. Allegro non troppo | — | ||
| 8-5 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 8-6 | Piano Concerto no. 2 in F minor, op. 21: II. Larghetto | — | ||
| 8-7 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 9-1 | Alborada del gracioso | — | ||
| 9-2 | La Valse, M. 72 | — | ||
| 9-3 | Shéhérazade, M. 41: I. Asie | — | ||
| 9-4 | Shéhérazade, M. 41: II. La Flûte enchantée | — | ||
| 9-5 | Shéhérazade, M. 41: III. L'Indifférent | — | ||
| 9-6 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 9-7 | La Mer, CD 111: II. Jeux de vagues | — | ||
| 9-8 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 9-9 | Petite Suite, CD 71b: I. En bateau | — | ||
| 9-10 | Petite Suite, CD 71b: II. Cortège | — | ||
| 9-11 | Petite Suite, CD 71b: III. Menuet | — | ||
| 9-12 | Petite Suite, CD 71b: IV. Ballet | — | ||
| 10-1 | La Boutique fantasque, P. 120: I. Overture & Scene | — | ||
| 10-2 | La Boutique fantasque, P. 120: II. Introduction & Tarantella | — | ||
| 10-3 | La Boutique fantasque, P. 120: III. Introduction, Mazurka & Scene | — | ||
| 10-4 | La Boutique fantasque, P. 120: IV. Danse cosaque & Valse brillante | — | ||
| 10-5 | La Boutique fantasque, P. 120: V. Can-can & Scene | — | ||
| 10-6 | La Boutique fantasque, P. 120: VI. Andantino mosso & Valse lente | — | ||
| 10-7 | La Boutique fantasque, P. 120: VII. Scene & Nocturne | — | ||
| 10-8 | La Boutique fantasque, P. 120: VIII. Galop & Finale (Fugue) | — | ||
| 10-9 | El sombrero de tres picos: Part I. Introducción | — | ||
| 10-10 | El sombrero de tres picos: Part I. La tarde | — | ||
| 10-11 | El sombrero de tres picos: Part I. Danza de la molinera | — | ||
| 10-12 | El sombrero de tres picos: Part I. Las uvas | — | ||
| 10-13 | El sombrero de tres picos: Part II. Danza de los vecinos | — | ||
| 10-14 | El sombrero de tres picos: Part II. Danza del molinero | — | ||
| 10-15 | El sombrero de tres picos: Part II. Danza del corregidor | — | ||
| 10-16 | El sombrero de tres picos: Part II. Danza final | — | ||
| 10-17 | 3 Poèmes de Stéphane Mallarmé, M. 64: I. Soupir | — | ||
| 10-18 | 3 Poèmes de Stéphane Mallarmé, M. 64: II. Placet futile | — | ||
| 10-19 | 3 Poèmes de Stéphane Mallarmé, M. 64: III. Surgi de la croupe et du bond | — | ||
| 11-1 | Images, Set 3, CD 118: I. Gigues | — | ||
| 11-2 | Images, Set 3, CD 118: II. Iberia: a. Par les rues et par les chemins | — | ||
| 11-3 | Images, Set 3, CD 118: II. Iberia: b. Les Parfums ed la nuit | — | ||
| 11-4 | Images, Set 3, CD 118: II. Iberia: c. Le Matin d'un jour de tête | — | ||
| 11-5 | Images, Set 3, CD 118: III. Rondes de printemps | — | ||
| 11-6 | L'Heure espagnole, M. 52: Scenes 1 & 2: “Señor Torquemada, horloger de Tolède?” | — | ||
| 11-7 | L'Heure espagnole, M. 52: Scenes 3-6: “Il reste, voilà bien ma chance!” | — | ||
| 11-8 | L'Heure espagnole, M. 52: Scenes 7-10: “Salut à la belle horlogère!” | — | ||
| 11-9 | L'Heure espagnole, M. 52: Scenes 11-16: “Monsieur! Ah! monsieur!” | — | ||
| 11-10 | L'Heure espagnole, M. 52: Scenes 17-19: “Oh! la pitoyable aventure!” | — | ||
| 11-11 | L'Heure espagnole, M. 52: Scenes 20 & 21: “Il n'est pour l'horloger” | — | ||
| 12-1 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Je ne pournais plus sortir de cette forêt!” | — | ||
| 12-2 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Pourquoi pleures-tu?” | — | ||
| 12-3 | Pelléas et Mélisande, CD 93: Act I, Scene 1. “Je suis perdu aussi” - Interlude | — | ||
| 12-4 | Pelléas et Mélisande, CD 93: Act I, Scene 2. “Voici qu'il écrit à son trère Pelléas” | — | ||
| 12-5 | Pelléas et Mélisande, CD 93: Act I, Scene 2. “Qu'en dites-vous?” | — | ||
| 12-6 | Pelléas et Mélisande, CD 93: Act I, Scene 3. Interlude - “Il fait sombre… Hoé! Hisse hoé” | — | ||
| 12-7 | Pelléas et Mélisande, CD 93: Act II, Scene 1. “Vous ne savez pas… c'est au bord d'une fontaine” | — | ||
| 12-8 | Pelléas et Mélisande, CD 93: Act II, Scene 1. Interlude | — | ||
| 12-9 | Pelléas et Mélisande, CD 93: Act II, Scene 2. “Ah! Ah! Tout va bien” | — | ||
| 12-10 | Pelléas et Mélisande, CD 93: Act II, Scene 2. “Voyons, donne-moi ta main” | — | ||
| 12-11 | Pelléas et Mélisande, CD 93: Act II, Scene 2. Interlude | — | ||
| 12-12 | Pelléas et Mélisande, CD 93: Act II, Scene 3. “Oui, c'est ici, nous y sommes” | — | ||
| 12-13 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Mes longs cheveux descendent” | — | ||
| 12-14 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Je les tiens dans les mains” | — | ||
| 12-15 | Pelléas et Mélisande, CD 93: Act III, Scene 1. “Que faites-vous ici?” | — | ||
| 12-16 | Pelléas et Mélisande, CD 93: Act III, Scene 2. Interlude - “Prenez garde, par ici, par ici” | — | ||
| 13-1 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Ah! Je respire enfin!” | — | ||
| 13-2 | Pelléas et Mélisande, CD 93: Act III, Scene 3. Interlude | — | ||
| 13-3 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Viens, nous allons nous asseoir ici” | — | ||
| 13-4 | Pelléas et Mélisande, CD 93: Act III, Scene 3. “Qu'ils s'embrassent, petit père?” | — | ||
| 13-5 | Pelléas et Mélisande, CD 93: Act IV, Scene 1. “Où vas-tu?” | — | ||
| 13-6 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Maintenant que te père de Pelléas” | — | ||
| 13-7 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Pelléas part ce soir” | — | ||
| 13-8 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. “Ne mettez pas ainsi votre main à la gorge” | — | ||
| 13-9 | Pelléas et Mélisande, CD 93: Act IV, Scene 2. Interlude | — | ||
| 13-10 | Pelléas et Mélisande, CD 93: Act IV, Scene 3. “Oh! cette pierre est lourde” | — | ||
| 13-11 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “C'est le dernier soir” | — | ||
| 13-12 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “Nous sommes venus ici il y a bien longtemps” | — | ||
| 13-13 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “On dirait que ta voix” | — | ||
| 13-14 | Pelléas et Mélisande, CD 93: Act IV, Scene 4. “Quel est ce bruit?” | — | ||
| 13-15 | Pelléas et Mélisande, CD 93: Act V. “Ce n'est pas de cette petite blessure” | — | ||
| 13-16 | Pelléas et Mélisande, CD 93: Act V. “Attention, je crois qu'elle s'éveille” | — | ||
| 13-17 | Pelléas et Mélisande, CD 93: Act V. “Mélisande, as-tu pitié de moi?” | — | ||
| 13-18 | Pelléas et Mélisande, CD 93: Act V. “Non, non, nous n'avons pas été coupables” | — | ||
| 13-19 | Pelléas et Mélisande, CD 93: Act V. “Qu'avez-vous fait?” | — | ||
| 13-20 | Pelléas et Mélisande, CD 93: Act V. “Qu'y a-t-il?” | — | ||
| 13-21 | Pelléas et Mélisande, CD 93: Act V. “Attention… attention” | — | ||
| 14-1 | Piano Concerto in D for the Left Hand, M. 82: I. Lento | — | ||
| 14-2 | Piano Concerto in D for the Left Hand, M. 82: II. Allegro | — | ||
| 14-3 | Piano Concerto in D for the Left Hand, M. 82: III. Tempo I | — | ||
| 14-4 | Piano Concerto in D for the Left Hand, M. 82: I. Lento | — | ||
| 14-5 | Piano Concerto in D for the Left Hand, M. 82: II. Allegro | — | ||
| 14-6 | Piano Concerto in D for the Left Hand, M. 82: III. Tempo I | — | ||
| 14-7 | Piano Concerto in G, M. 83: I. Allegramente | — | ||
| 14-8 | Piano Concerto in G, M. 83: II. Adagio assai | — | ||
| 14-9 | Piano Concerto in G, M. 83: III. Presto | — | ||
| 15-1 | Nocturnes, CD 98: I. Nuages | — | ||
| 15-2 | Nocturnes, CD 98: II. Fêtes | — | ||
| 15-3 | Nocturnes, CD 98: III. Sirènes | — | ||
| 15-4 | Rapsodie espagnole, M. 54: I. Prélude à la nuit | — | ||
| 15-5 | Rapsodie espagnole, M. 54: II. Malagueña | — | ||
| 15-6 | Rapsodie espagnole, M. 54: III. Habanera | — | ||
| 15-7 | Rapsodie espagnole, M. 54: IV. Feria | — | ||
| 15-8 | Valses nobles et sentimentales, M. 61a: 1. Modéré / 2. Assez lent | — | ||
| 15-9 | Valses nobles et sentimentales, M. 61a: 3. Modéré / 4. Assez animé | — | ||
| 15-10 | Valses nobles et sentimentales, M. 61a: 5. Presque lent / 6. Assez vif | — | ||
| 15-11 | Valses nobles et sentimentales, M. 61a: 7. Moins vif / 8. Épilogue | — | ||
| 15-12 | Le Tombeau de Couperin, M. 68a: I. Prélude | — | ||
| 15-13 | Le Tombeau de Couperin, M. 68a: II. Forlane | — | ||
| 15-14 | Le Tombeau de Couperin, M. 68a: III. Menuet | — | ||
| 15-15 | Le Tombeau de Couperin, M. 68a: IV. Rigaudon | — | ||
| 16-1 | Daphnis et Chloé, M. 57: Part I. Introduction et danse religeuse | — | ||
| 16-2 | Daphnis et Chloé, M. 57: Part I. Scène - Danse générale | — | ||
| 16-3 | Daphnis et Chloé, M. 57: Part I. Scène - Danse grotesque de Dorcon | — | ||
| 16-4 | Daphnis et Chloé, M. 57: Part I. Danse légère et gracieuse de Daphnis | — | ||
| 16-5 | Daphnis et Chloé, M. 57: Part I. Scène - Danse de Lycéion - Scène (Les Pirates) | — | ||
| 16-6 | Daphnis et Chloé, M. 57: Part I. Nocturne - Danse lente et mystérieuse des Nymphes | — | ||
| 16-7 | Daphnis et Chloé, M. 57: Part II. Introduction | — | ||
| 16-8 | Daphnis et Chloé, M. 57: Part II. Danse guerrière | — | ||
| 16-9 | Daphnis et Chloé, M. 57: Part II. Danse suppliante de Chloé | — | ||
| 16-10 | Daphnis et Chloé, M. 57: Part III. Lever du jour | — | ||
| 16-11 | Daphnis et Chloé, M. 57: Part III. Pantomime | — | ||
| 16-12 | Daphnis et Chloé, M. 57: Part III. Danse générale | — | ||
| 17-1 | La Mer, CD 111: I. De l'aube à midi sur la mer | — | ||
| 17-2 | La Mer, CD 111: II. Jeux de vagues | — | ||
| 17-3 | La Mer, CD 111: III. Dialogue du vent et de la mer | — | ||
| 17-4 | Ma mère l'Oye Suite, M. 60a: I. Prélude et Danse du rouet | — | ||
| 17-5 | Ma mère l'Oye Suite, M. 60a: II. Pavane de la Belle au bois dormant | — | ||
| 17-6 | Ma mère l'Oye Suite, M. 60a: III. Petit Poucet | — | ||
| 17-7 | Ma mère l'Oye Suite, M. 60a: IV. Laideronnette, impératrice des pagodes | — | ||
| 17-8 | Ma mère l'Oye Suite, M. 60a: V. Les Entretiens de la Belle et de la Bête | — | ||
| 17-9 | Ma mère l'Oye Suite, M. 60a: VI. Le Jardin féerique | — | ||
| 17-10 | Prélude à l'après-midi d'un faune, CD 87a | — | ||
| 17-11 | Circus Polka | — | ||
| 17-12 | Alborada del gracioso, M. 43c | — | ||
| 17-13 | The Love for Three Oranges Suite, op. 33bis: March | — | ||
| 18-1 | Symphony no. 6 in E-flat minor, op. 111: I. Allegro moderato | — | ||
| 18-2 | Symphony no. 6 in E-flat minor, op. 111: II. Largo | — | ||
| 18-3 | Symphony no. 6 in E-flat minor, op. 111: III. Vivace | — | ||
| 18-4 | Symphony in C: I. Allegro vivo | — | ||
| 18-5 | Symphony in C: II. Adagio | — | ||
| 18-6 | Symphony in C: III. Scherzo: Allegro vivace | — | ||
| 18-7 | Symphony in C: IV. Allegro vivace | — | ||
| 19-1 | Symphony no. 1 in D, op. 25 “Classical”: I. Allegro | — | ||
| 19-2 | Symphony no. 1 in D, op. 25 “Classical”: II. Larghetto | — | ||
| 19-3 | Symphony no. 1 in D, op. 25 “Classical”: III. Gavotta: Non troppo allegro | — | ||
| 19-4 | Symphony no. 1 in D, op. 25 “Classical”: IV. Finale: Vivace | — | ||
| 19-5 | Ruslan and Lyudmila: Overture | — | ||
| 19-6 | In the Steppes of Central Asia | — | ||
| 19-7 | Night on the Bare Mountain | — | ||
| 19-8 | Jeux, CD 133 | — | ||
| 19-9 | 6 Épigraphes antiques, CD 139: I. Pour invoquer Pan, deu du vent d'été | — | ||
| 19-10 | 6 Épigraphes antiques, L. 131: No. 2. Pour un tombeau sans nom | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 19-11 | 6 Épigraphes antiques, CD 139: III. Pour que la nuit soit propice | — | ||
| 19-12 | 6 Épigraphes antiques, L. 131: No. 4. Pour la danseuse aux crotales | Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 19-13 | 6 Épigraphes antiques, CD 139: V. Pour l'égyptienne | — | ||
| 19-14 | 6 Épigraphes antiques, CD 139: VI. Pour remercier la pluie du matin | — | ||
| 20-1 | Piano Concerto no. 3 in E, Sz. 119: I. Allegretto | — | ||
| 20-2 | Piano Concerto no. 3 in E, Sz. 119: II. Adagio religioso | — | ||
| 20-3 | Piano Concerto no. 3 in E, Sz. 119: III. Allegro vivace | — | ||
| 20-4 | Piano Concerto no. 3 in C, op. 26: I. Andante - Allegro | — | ||
| 20-5 | Piano Concerto no. 3 in C, op. 26: II. Theme and variations | — | ||
| 20-6 | Piano Concerto no. 3 in C, op. 26: III. Allegro ma non troppo | — | ||
| 20-7 | Violin Concerto: 1. Allegro tranquillo | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 20-8 | Violin Concerto: 2. Andante molto moderato | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 20-9 | Violin Concerto: 3. Presto | Wolfgang Schneiderhan, L’Orchestre de la Suisse Romande, Ernest Ansermet | T-902.717.414-7 | |
| 21-1 | Petite Symphonie concertante: I. Adagio - Allegro con moto | — | ||
| 21-2 | Petite Symphonie concertante: II. Adagio | — | ||
| 21-3 | Petite Symphonie concertante: III. Allegretto alla marcia | — | ||
| 21-4 | Le Baiser de la fée: Divertimento: I. Sinfonia | — | ||
| 21-5 | Le Baiser de la fée: Divertimento: II. Danses suisses | — | ||
| 21-6 | Le Baiser de la fée: Divertimento: III. Scherzo (By the mill) | — | ||
| 21-7 | Le Baiser de la fée: Divertimento: IV. Pas de deux: a. Adagio | — | ||
| 21-8 | Le Baiser de la fée: Divertimento: IV. Pas de deux: b. Variation: Allegretto grazioso / c. Coda: Presto | — | ||
| 21-9 | Danse macabre, op. 40 R. 171 | — | ||
| 21-10 | Le Rouet d' Omphale, op. 31 R. 169 | — | ||
| 21-11 | Joyeuse marche | — | ||
| 21-12 | Pavane pour un infante défunte, M. 19a | — | ||
| 21-13 | España | — | ||
| 22-1 | Pictures at an Exhibition: Promenade I | — | ||
| 22-2 | Pictures at an Exhibition: I. Gnomus | — | ||
| 22-3 | Pictures at an Exhibition: Promenade II | — | ||
| 22-4 | Pictures at an Exhibition: II. Il vecchio castello | — | ||
| 22-5 | Pictures at an Exhibition: Promenade III | — | ||
| 22-6 | Pictures at an Exhibition: III. Tuileries | — | ||
| 22-7 | Pictures at an Exhibition: IV. Bydlo | — | ||
| 22-8 | Pictures at an Exhibition: Promenade IV | — | ||
| 22-9 | Pictures at an Exhibition: V. Ballet of the Unhatched Chicks | — | ||
| 22-10 | Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle | — | ||
| 22-11 | Pictures at an Exhibition: VII. The Marketplace at Limoges | — | ||
| 22-12 | Pictures at an Exhibition: VIII. Catacombae (Sepulchrum romanum) | — | ||
| 22-13 | Pictures at an Exhibition: IX. The Hut on Fowl's Legs (Baba-Yaga) | — | ||
| 22-14 | Pictures at an Exhibition: X. The Great Gate of Kiev | — | ||
| 22-15 | La Valse, M. 72 | — | ||
| 22-16 | Boléro, M. 81 | — | ||
| 22-17 | Pacific 231 | — | ||
| 22-18 | L'Apprenti sorcier | — | ||
| 23-1 | Voice in the Wilderness: I. Moderato | — | ||
| 23-2 | Voice in the Wilderness: II. Poco lento | — | ||
| 23-3 | Voice in the Wilderness: III. Moderato | — | ||
| 23-4 | Voice in the Wilderness: IV. Adagio, piacevole | — | ||
| 23-5 | Voice in the Wilderness: V. Poco agitato (Cadenza) | — | ||
| 23-6 | Voice in the Wilderness: VI. Allegro | — | ||
| 23-7 | Schelomo: Rhapsodie hébraïques | — | ||
| 23-8 | Antigone: I. Recitative | — | ||
| 23-9 | Antigone: II. Aria | — | ||
| 23-10 | Antigone: III. Elegy | — | ||
| 23-11 | Symphony no. 1 in D minor, op. 44: I. Energico e fermo | — | ||
| 23-12 | Symphony no. 1 in D minor, op. 44: II. Andantino (Variations on a French folk song) | — | ||
| 23-13 | Symphony no. 1 in D minor, op. 44: III. Vivace | — | ||
| 24-1 | Petrushka (1911): Tableau I: The Shrovetide Fair | — | ||
| 24-2 | Petrushka (1911): Tableau II: In Petrushka's Room | — | ||
| 24-3 | Petrushka (1911): Tableau III: In the Moor's Room | — | ||
| 24-4 | Petrushka (1911): Tableau IV: The Shrovetide Fair (Evening) | — | ||
| 24-5 | Firebird Suite (1910/1919): Introduction | — | ||
| 24-6 | Firebird Suite (1910/1919): Khorovod (Round Dance) of the Princesses | — | ||
| 24-7 | Firebird Suite (1910/1919): Infernal Dance of All Koschei's Subjects | — | ||
| 24-8 | Firebird Suite (1910/1919): Lullaby | — | ||
| 24-9 | Firebird Suite (1910/1919): Finale | — | ||
| 24-10 | Firebird Suite (1910/1919): The Princesses' Game with Golden Apples: Scherzo | — | ||
| 24-11 | Symphony of Psalms: I. Psalmus XXXVIII (Vulgate) vv. 13-14 | — | ||
| 24-12 | Symphony of Psalms: II. Psalmus XXXIX (Vulgate) vv. 2-4 | — | ||
| 24-13 | Symphony of Psalms: III. Psalmus XL (Vulgate) | — | ||
| 25-1 | Petrushka (1911): Tableau I: The Shrovetide Fair | — | ||
| 25-2 | Petrouchka (1911 version): Scene 2. Petrouchka's Room | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-3 | Petrouchka (1911 version): Scene 3. The Moor's Room - Dance of the Ballerina | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-4 | Petrouchka (1911 version): Scene 4. The Shrovetide Fair (Evening) | L’Orchestre de la Suisse Romande, Ernest Ansermet | — | |
| 25-5 | The Rite of Spring: Part I: The Adoration of the Earth | — | ||
| 25-6 | The Rite of Spring: Part II: The Sacrifice | — | ||
| 26-1 | Firebird Suite (1919): Introduction | — | ||
| 26-2 | Firebird Suite (1919): Dance of the Firebird | — | ||
| 26-3 | Firebird Suite (1919): Khorovod (Round Dance) of the Princesses | — | ||
| 26-4 | Firebird Suite (1919): Infernal Dance of All Koschei's Subjects | — | ||
| 26-5 | Firebird Suite (1919): Lullaby | — | ||
| 26-6 | Firebird Suite (1919): Finale | — | ||
| 26-7 | Oedipus Rex: Prologue | — | ||
| 26-8 | Oedipus Rex: Actus Primus. Caedit nos pestis | — | ||
| 26-9 | Oedipus Rex: Actus Primus. Liberi, vos liberabo | — | ||
| 26-10 | Oedipus Rex: Actus Primus. Voici Créon | — | ||
| 26-11 | Oedipus Rex: Actus Primus. Respondit deus | — | ||
| 26-12 | Oedipus Rex: Actus Primus. Non reperias vetus scelus | — | ||
| 26-13 | Oedipus Rex: Actus Primus. Œdipe interroge la fontaine de vérité | — | ||
| 26-14 | Oedipus Rex: Actus Primus. Delie exspectamus | — | ||
| 26-15 | Oedipus Rex: Actus Primus. Dicere non possum | — | ||
| 26-16 | Oedipus Rex: Actus Primus. Invidia fortunam odit | — | ||
| 26-17 | Oedipus Rex: Actus Primus. Gloria! | — | ||
| 26-18 | Oedipus Rex: Actus Secundus. La Dispute des princes | — | ||
| 26-19 | Oedipus Rex: Actus Secundus. Nonn'erubescite, reges | — | ||
| 26-20 | Oedipus Rex: Actus Secundus. Trivium, trivium… | — | ||
| 26-21 | Oedipus Rex: Actus Secundus. Le Témoin du meurtre sort de l'ombre | — | ||
| 26-22 | Oedipus Rex: Actus Secundus. Adest omniscius pastor | — | ||
| 26-23 | Oedipus Rex: Actus Secundus. In monte reppertus est | — | ||
| 26-24 | Oedipus Rex: Actus Secundus. Et maintenant, vous allez entendre | — | ||
| 26-25 | Oedipus Rex: Actus Secundus. Divum Jocastae caput mortuum | — | ||
| 26-26 | Oedipus Rex: Actus Secundus. Ecce! Regem Oedipoda | — |
