UPC · Release
Sir Georg Solti
Last verified:
028948530588 is the Universal Product Code (UPC barcode) for the release “Europe: The Orchestral Recordings” by Sir Georg Solti, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 387 tracks, each with its own ISRC. Tracks include GBF074710051, GBF074710052, GBF074710053.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Sonata no. 1 in G, op. 78: I. Vivace ma non troppo | Georg Kulenkampff, Sir Georg Solti | — | |
| 2 | Violin Sonata no. 1 in G, op. 78: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 3 | Violin Sonata no. 1 in G, op. 78: III. Allegro molto moderato | Georg Kulenkampff, Sir Georg Solti | — | |
| 4 | Violin Sonata no. 2 in A, op. 100: I. Allegro amabile | Georg Kulenkampff, Sir Georg Solti | — | |
| 5 | Violin Sonata no. 2 in A, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace | Georg Kulenkampff, Sir Georg Solti | — | |
| 6 | Violin Sonata no. 2 in A, op. 100: III. Allegro grazioso, quasi andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 7 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 8 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 9 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | Georg Kulenkampff, Sir Georg Solti | — | |
| 10 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-1 | Schwanengesang: VI. In der Ferne | — | ||
| 2-2 | Schwanengesang: VII. Abschied | — | ||
| 2-3 | Violin Sonata no. 32 in B-flat major, K. 454: I. Largo - Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-4 | Violin Sonata no. 32 in B-flat major, K. 454: II. Andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-5 | Violin Sonata no. 32 in B-flat major, K. 454: III. Allegretto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-6 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-7 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: II. Andante con variazioni | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-8 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: III. Finale: Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-9 | Egmont Overture, op. 84 | — | ||
| 3-1 | Guillaume Tell: Overture | — | ||
| 3-2 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 3-3 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie | — | ||
| 3-4 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 3-5 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 3-6 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 3-7 | Fidelio, op. 72: Act II Finale “Heil sei dem Tag” | — | ||
| 4-1 | Symphony no. 5: I. Trauermarsch | Tonhalle-Orchester Zürich, Sir Georg Solti | — | |
| 4-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | — | ||
| 4-3 | Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 4-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 4-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 5-1 | Cantata profane: A kilenc csodaszarvas, Sz. 94: I. Molto moderato | — | ||
| 5-2 | Cantata profane: A kilenc csodaszarvas, Sz. 94: II. Andante | — | ||
| 5-3 | Cantata profane: A kilenc csodaszarvas, Sz. 94: III. Moderato | — | ||
| 5-4 | Serenade for small orchestra, op. 3: I. Allegretto, quasi andantino | — | ||
| 5-5 | Serenade for small orchestra, op. 3: II. Lebhaft, sehr rhythmisch | — | ||
| 5-6 | Serenade for small orchestra, op. 3: III. Andantino | — | ||
| 5-7 | Serenade for small orchestra, op. 3: IV. Allegro molto | — | ||
| 5-8 | Psalmus hungaricus, op. 13: I. Andante molto appassionato | — | ||
| 5-9 | Psalmus hungaricus, op. 13: II. Keserusegem | — | ||
| 5-10 | Psalmus hungaricus, op. 13: III. Te azert lelkem | — | ||
| 6-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 8-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 8-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-1 | Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.345.747-7 | |
| 9-2 | Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.264.126-4 | |
| 9-3 | Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-4 | Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | T-915.715.285-7 | |
| 10-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 11-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 11-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 11-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 11-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 14-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-1 | Overture "Julius Caesar", op. 128 | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-2 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-3 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-4 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-5 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-1 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft – Schneller | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-7 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo & Trio: Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 17-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 17-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 17-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 17-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 17-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 18-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 18-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-5 | Symphony no. 5 in B-flat major, D. 485: III. Minuetto. Allegro molto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-6 | Symphony no. 5 in B-flat major, D. 485: IV. Finale. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Die Walküre, WWV 86B: Wotan's Farewell and Magic Fire Music | — | ||
| 21-4 | Siegfried, WWV 86C: Act II. Waldweben | — | ||
| 21-6 | Götterdämmerung, WWV 86D: Finale | — | ||
| 22-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro Non Troppo | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-4 | Variations on a Theme by Schumann, op. 23: Theme | — | ||
| 22-5 | Variations on a Theme by Schumann, op. 23: Variation I | — | ||
| 22-6 | Variations on a Theme by Schumann, op. 23: Variation II | — | ||
| 22-7 | Variations on a Theme by Schumann, op. 23: Variation III | — | ||
| 22-8 | Variations on a Theme by Schumann, op. 23: Variation IV | — | ||
| 22-9 | Variations on a Theme by Schumann, op. 23: Variation V | — | ||
| 22-10 | Variations on a Theme by Schumann, op. 23: Variation VI | — | ||
| 22-11 | Variations on a Theme by Schumann, op. 23: Variation VII | — | ||
| 22-12 | Variations on a Theme by Schumann, op. 23: Variation VIII | — | ||
| 22-13 | Variations on a Theme by Schumann, op. 23: Variation IX | — | ||
| 22-14 | Variations on a Theme by Schumann, op. 23: Variation X | — | ||
| 23-1 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 23-3 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Malven, TrV 297 (Betty Wehril-Knobel) | — | ||
| 23-6 | Hat gesagt - bleibt's nicht dabei, op. 36 TrV 186 no. 3 (anon.) | — | ||
| 23-7 | Mutterändelei, op. 43 TrV 196 no. 2 (Gottfried August Bürger) | — | ||
| 23-8 | Madrigal, op. 15 TrV 148 no. 1 (Sophie Hasenclever) | — | ||
| 23-9 | Ständchen, op. 17 TrV 149 no. 2 (Adolf Friedrich von Schack) | — | ||
| 23-10 | Schlechtes Wetter, op. 69 TrV 237 no. 5 (Heinrich Heine) | — | ||
| 23-11 | Allerseelen, op. 10 TrV 141 no. 8 (Hermann von Gilm) | — | ||
| 23-12 | Die Nacht, op. 10 TrV 141 no. 3 (Hermann von Gilm) | — | ||
| 23-13 | Cäcilie, op. 27 TrV 170 no. 2 (Heinrich Hart) | — | ||
| 23-14 | All mein' Gedanken, op. 21 TrV 160 no. 1 (Felix Dahn) | — | ||
| 23-15 | Begegnung, TrV 90 (Otto Friedrich Gruppe) | — | ||
| 23-16 | Morgen!, op. 27 TrV 170 no. 4 (John Henry Mackay) | — | ||
| 23-17 | Zueignung, op. 10 TrV 141 no. 1 (Hermann von Gilm) | — | ||
| 24-1 | Große Messe, K. 427: I. Kyrie | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-2 | Große Messe, K. 427: II. Gloria: Gloria excelsis Deo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-3 | Große Messe, K. 427: II. Gloria: Laudamus te | Anne Sofie von Otter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-4 | Große Messe, K. 427: II. Gloria: Gratias | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-5 | Große Messe, K. 427: II. Gloria: Domine | Anne Sofie von Otter, Elizabeth Norberg-Schulz, Wiener Philharmoniker, Sir Georg Solti | T-926.494.374-0 | |
| 24-6 | Große Messe, K. 427: II. Gloria: Qui tollis | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-7 | Große Messe, K. 427: II. Gloria: Quoniam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-8 | Große Messe, K. 427: II. Gloria: Jesu Christe - Cum Sancto Spiritu | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-9 | Große Messe, K. 427: III. Credo: Credo in unum Deum | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-10 | Große Messe, K. 427: III. Credo: Et incarnatus est | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-11 | Große Messe, K. 427: IV. Sanctus: Sanctus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-12 | Große Messe, K. 427: IV. Sanctus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-13 | Große Messe, K. 427: V. Benedictus: Benedictus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-14 | Große Messe, K. 427: V. Benedictus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 25-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 25-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 25-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 25-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 25-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 25-11 | Prayer over the Gifts | [unknown] | — | |
| 25-12 | Preface | [unknown] | — | |
| 25-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 25-15 | Canon | [unknown] | — | |
| 25-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 25-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 26-1 | Symphony no. 9 in E-flat, op. 70: I. Allegro | — | ||
| 26-2 | Symphony no. 9 in E-flat, op. 70: II. Moderato | — | ||
| 26-3 | Symphony no. 9 in E-flat, op. 70: III. Presto | — | ||
| 26-4 | Symphony no. 9 in E-flat, op. 70: IV. Largo | — | ||
| 26-5 | Symphony no. 9 in E-flat, op. 70: V. Allegretto | — | ||
| 26-6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 26-7 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 26-8 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro - Trio | — | ||
| 26-9 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 27-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-5 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 27-6 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 27-7 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 27-8 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 28-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 28-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 29-1 | A Night on the Bare Mountain | — | ||
| 29-2 | Prince Igor: Overture | — | ||
| 29-3 | Ruslan and Lyudmila: Overture | — | ||
| 29-4 | Khovanshchina: Introduction | — | ||
| 29-5 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 30-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | — | ||
| 30-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | — | ||
| 30-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo: Allegro moderato | — | ||
| 30-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | — | ||
| 30-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | — | ||
| 30-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | — | ||
| 31-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-4 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Chamber Orchestra of Europe, Sir Georg Solti | T-306.395.786-4 | |
| 31-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto & Trio: Allegretto | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 32-1 | Eine Alpensinfonie, op. 64 TrV 233: I. Nacht | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-2 | Eine Alpensinfonie, op. 64 TrV 233: II. Sonnenaufgang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-3 | Eine Alpensinfonie, op. 64 TrV 233: III. Der Anstieg | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-4 | Eine Alpensinfonie, op. 64 TrV 233: IV. Eintritt in den Wald / V. Wanderung neben dem Bache | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-5 | Eine Alpensinfonie, op. 64 TrV 233: VI. Am Wasserfall | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-6 | Eine Alpensinfonie, op. 64 TrV 233: VII. Erscheinung | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-7 | Eine Alpensinfonie, op. 64 TrV 233: VIII. Auf blumigen Wiesen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-8 | Eine Alpensinfonie, op. 64 TrV 233: IX. Auf der Alm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-9 | Eine Alpensinfonie, op. 64 TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-10 | Eine Alpensinfonie, op. 64 TrV 233: XI. Auf dem Gletscher | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-11 | Eine Alpensinfonie, op. 64 TrV 233: XII. Gefahrvolle Augenblicke / XIII. Auf dem Gipfel | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-12 | Eine Alpensinfonie, op. 64 TrV 233: XIV. Vision | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-13 | Eine Alpensinfonie, op. 64 TrV 233: XV. Nebel steigen auf | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-14 | Eine Alpensinfonie, op. 64 TrV 233: XVI. Die Sonne verdüstert sich allmählich | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-15 | Eine Alpensinfonie, op. 64 TrV 233: XVII. Elegie | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-16 | Eine Alpensinfonie, op. 64 TrV 233: XVIII. Stille vor dem Sturm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-17 | Eine Alpensinfonie, op. 64 TrV 233: XIX. Gewitter und Sturm | — | ||
| 32-18 | Eine Alpensinfonie, op. 64 TrV 233: XX. Sonnenuntergang | — | ||
| 32-19 | Eine Alpensinfonie, op. 64 TrV 233: XXI. Ausklang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-20 | Eine Alpensinfonie, op. 64 TrV 233: XXII. Nacht | — | ||
| 33-1 | Also sprach Zarathustra, op. 30: I. Prelude: Sonnenaufgang | Berliner Philharmoniker, Sir Georg Solti | T-329.531.199-4 | |
| 33-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-10 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-11 | Salome, op. 54: Salome's Dance “Dance of the Seven Veils” | Berliner Philharmoniker, Sir Georg Solti | — | |
| 34-1 | Mass in D, op. 123 “Missa Solemnis”: I. Kyrie | — | ||
| 34-2 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. a. Gloria in excelsis Deo | — | ||
| 34-3 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. b. Qui tollis peccata mundi | — | ||
| 34-4 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. c. Quoniam tu solus Sanctus | — | ||
| 34-5 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. a. Credi un unum Deum | — | ||
| 34-6 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. b. Et incarnatus est | — | ||
| 34-7 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. c. Et resurrexit tertia die | — | ||
| 34-8 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. a. Sanctus, Sanctus, Sanctus | — | ||
| 34-9 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. b. Benedictus qui venit | — | ||
| 34-10 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. a. Agnus Dei, qui tollis peccata mundi | — | ||
| 34-11 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. b. Dona nobis pacem | — | ||
| 35-1 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: I. Andante sostenuto - Allegro vivo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-2 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: II. Andantino marziale, quasi moderato | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-3 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: III. Scherzo: Allegro molto vivace - Trio: L'istesso tempo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-4 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: IV. Finale: Moderato assai - Allegro vivo - Presto | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 36-1 | Symphony no. 5 in E minor, op. 64 TH 29: I. Andante - Allegro con anima | — | ||
| 36-2 | Symphony no. 5 in E minor, op. 64 TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 36-3 | Symphony no. 5 in E minor, op. 64 TH 29: III. Valse: Allegro moderato | — | ||
| 36-4 | Symphony no. 5 in E minor, op. 64 TH 29: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 37-1 | Tasso: Lamento e trionfo, S. 96 | Orchestra de Paris, Sir Georg Solti | — | |
| 37-2 | 2 Episoden aus Lenaus Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto Waltz no. 1) | Orchestra de Paris, Sir Georg Solti | — | |
| 37-3 | Von der Wiege bis zum Grabe, S. 107 (Symphonic Poem no. 13) | Orchestra de Paris, Sir Georg Solti | — | |
| 38-1 | Symphony no. 4 in G: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 38-2 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 38-3 | Symphony no. 4 in G: III. Ruhevoll. Poco adagio | — | ||
| 38-4 | Symphony no. 4 in G: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 39-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | — | ||
| 39-2 | Das Lied von der Erde: II. Der Einsame im Herbst | — | ||
| 39-3 | Das Lied von der Erde: III. Von der Jugend | — | ||
| 39-4 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 39-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | — | ||
| 39-6 | Das Lied von der Erde: VI. Der Abschied | — | ||
| 40-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 40-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 40-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 40-4 | Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto | — | ||
| 40-5 | Le Sacre du printemps: Part I: Adoration of the Earth. I. Introduction | — | ||
| 40-6 | Le Sacre du printemps: Part I: Adoration of the Earth. II. The Augurs of Spring: Dances of the Young Girls | — | ||
| 40-7 | Le Sacre du printemps: Part I: Adoration of the Earth. III. Ritual of Abduction | — | ||
| 40-8 | Le Sacre du printemps: Part I: Adoration of the Earth. IV. Spring Rounds | — | ||
| 40-9 | Le Sacre du printemps: Part I: Adoration of the Earth. V. Ritual of the Rival Tribes | — | ||
| 40-10 | Le Sacre du printemps: Part I: Adoration of the Earth. VIa. Procession of the Sage | — | ||
| 40-11 | Le Sacre du printemps: Part I: Adoration of the Earth. VIb. The Sage | — | ||
| 40-12 | Le Sacre du printemps: Part I: Adoration of the Earth. VII. Dance of the Earth | — | ||
| 40-13 | Le Sacre du printemps: Part II: The Sacrifice. I. Introduction | — | ||
| 40-14 | Le Sacre du printemps: Part II: The Sacrifice. II. Mystic Circles of the Young Girls | — | ||
| 40-15 | Le Sacre du printemps: Part II: The Sacrifice. III. Glorification of the Chosen One | — | ||
| 40-16 | Le Sacre du printemps: Part II: The Sacrifice. IV. Evocation of the Ancestors | — | ||
| 40-17 | Le Sacre du printemps: Part II: The Sacrifice. V. Ritual Action of the Ancestors | — | ||
| 40-18 | Le Sacre du printemps: Part II: The Sacrifice. VI. Sacrificial Dance (The Chosen One) | — | ||
| 41-1 | La Boutique fantasque Suite: I. Overture | — | ||
| 41-2 | La Boutique fantasque Suite: II. Tarantella | — | ||
| 41-3 | La Boutique fantasque Suite: III. Mazurka | — | ||
| 41-4 | La Boutique fantasque Suite: IV. Cossack Dance | — | ||
| 41-5 | La Boutique fantasque Suite: V. Can-Can | — | ||
| 41-6 | La Boutique fantasque Suite: VI. Valse lente | — | ||
| 41-7 | La Boutique fantasque Suite: VII. Nocturne | — | ||
| 41-8 | La Boutique fantasque Suite: VIII. Galop | — | ||
| 41-9 | L'Apprenti sorcier | — | ||
| 42-1 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace | — | ||
| 42-2 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto | — | ||
| 42-3 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato | — | ||
| 42-4 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 42-5 | Symphony no. 5 in B-flat, D. 485: I. Allegro | — | ||
| 42-6 | Symphony no. 5 in B-flat, D. 485: II. Andante con moto | — | ||
| 42-7 | Symphony no. 5 in B-flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 42-8 | Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace | — | ||
| 43-1 | Serenade for String Orchestra, op. 48 TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | — | ||
| 43-2 | Serenade for String Orchestra, op. 48 TH 48: II. Valse: Moderato, Tempo di valse | — | ||
| 43-3 | Serenade for String Orchestra, op. 48 TH 48: III. Elegia: Larghetto elegiaco | — | ||
| 43-4 | Serenade for String Orchestra, op. 48 TH 48: IV. Finale (Tema russo ): Andante - Allegro con spirito | — | ||
| 43-5 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 43-6 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: II. Romance: Andante | — | ||
| 43-7 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: III. Menuetto: Allegretto | — | ||
| 43-8 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: IV. Rondo: Allegro | — | ||
| 44-1 | Introduction and Overview | — | ||
| 44-2 | 1930s and 1940s Europe | — | ||
| 44-3 | Vienna Philharmonic Orchestra: Part One (1950s and 1960s) | — | ||
| 44-4 | Solti's conducting maxims and artistic approach | — | ||
| 44-5 | Vienna Philharmonic Orchestra: Part Two (1970s to 1990s) | — | ||
| 44-6 | Berlin Philharmonic Orchestra | — | ||
| 44-7 | Solti and young musicians: Schleswig-Holstein Festival Orchestra and Chamber Orchestra of Europe | — | ||
| 44-8 | Solti and young opera singers | — | ||
| 44-9 | World Orchestra for Peace | — | ||
| 44-10 | Final months: Full circle to Budapest and Zürich | — | ||
| 45-1 | Titles - Processional - Introductory Rites | — | ||
| 45-2 | Requiem in D minor, K. 626: I. Introitus | — | ||
| 45-3 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 45-4 | Collect - First Reading | — | ||
| 45-5 | Requiem in D minor, K. 626: III. Sequentia. a. Dies irae | — | ||
| 45-6 | Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum | — | ||
| 45-7 | Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae | — | ||
| 45-8 | Requiem in D minor, K. 626: III. Sequentia. d. Recordare | — | ||
| 45-9 | Requiem in D minor, K. 626: III. Sequentia. e. Confutatis | — | ||
| 45-10 | Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa | — | ||
| 45-11 | Second Reading - Gospel - Prayer of the Faithful - Offertory | — | ||
| 45-12 | Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu | — | ||
| 45-13 | Requiem in D minor, K. 626: IV. Offertorium. b. Hostias | — | ||
| 45-14 | Prayer over the gifts - Preface | — | ||
| 45-15 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 45-16 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 45-17 | Canon - Pater noster | — | ||
| 45-18 | Requiem in D minor, K. 626: VII. Agnus Dei | — | ||
| 45-19 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 45-20 | Postcommunion - Blessing | — | ||
| 45-21 | The Story of the Requiem: Introductory film | — | ||
| 46-1 | Titles | — | ||
| 46-2 | Georg Solti in conversation and rehearsal | — | ||
| 46-3 | Guillaume Tell: Overture | — | ||
| 46-4 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 46-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 46-6 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 46-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 46-8 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 46-9 | Fidelio, op. 72: Act II. Finale “Heil sei dem Tag” | — | ||
| 46-10 | Closing Credits | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 |
| Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
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This release contains 387 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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028948530588 is the Universal Product Code (UPC barcode) for the release “Europe: The Orchestral Recordings” by Sir Georg Solti, released 2023-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 387 tracks, each with its own ISRC. Tracks include GBF074710051, GBF074710052, GBF074710053.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Sonata no. 1 in G, op. 78: I. Vivace ma non troppo | Georg Kulenkampff, Sir Georg Solti | — | |
| 2 | Violin Sonata no. 1 in G, op. 78: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 3 | Violin Sonata no. 1 in G, op. 78: III. Allegro molto moderato | Georg Kulenkampff, Sir Georg Solti | — | |
| 4 | Violin Sonata no. 2 in A, op. 100: I. Allegro amabile | Georg Kulenkampff, Sir Georg Solti | — | |
| 5 | Violin Sonata no. 2 in A, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace | Georg Kulenkampff, Sir Georg Solti | — | |
| 6 | Violin Sonata no. 2 in A, op. 100: III. Allegro grazioso, quasi andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 7 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 8 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 9 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | Georg Kulenkampff, Sir Georg Solti | — | |
| 10 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-1 | Schwanengesang: VI. In der Ferne | — | ||
| 2-2 | Schwanengesang: VII. Abschied | — | ||
| 2-3 | Violin Sonata no. 32 in B-flat major, K. 454: I. Largo - Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-4 | Violin Sonata no. 32 in B-flat major, K. 454: II. Andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-5 | Violin Sonata no. 32 in B-flat major, K. 454: III. Allegretto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-6 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-7 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: II. Andante con variazioni | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-8 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: III. Finale: Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-9 | Egmont Overture, op. 84 | — | ||
| 3-1 | Guillaume Tell: Overture | — | ||
| 3-2 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 3-3 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie | — | ||
| 3-4 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 3-5 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 3-6 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 3-7 | Fidelio, op. 72: Act II Finale “Heil sei dem Tag” | — | ||
| 4-1 | Symphony no. 5: I. Trauermarsch | Tonhalle-Orchester Zürich, Sir Georg Solti | — | |
| 4-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | — | ||
| 4-3 | Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 4-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 4-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 5-1 | Cantata profane: A kilenc csodaszarvas, Sz. 94: I. Molto moderato | — | ||
| 5-2 | Cantata profane: A kilenc csodaszarvas, Sz. 94: II. Andante | — | ||
| 5-3 | Cantata profane: A kilenc csodaszarvas, Sz. 94: III. Moderato | — | ||
| 5-4 | Serenade for small orchestra, op. 3: I. Allegretto, quasi andantino | — | ||
| 5-5 | Serenade for small orchestra, op. 3: II. Lebhaft, sehr rhythmisch | — | ||
| 5-6 | Serenade for small orchestra, op. 3: III. Andantino | — | ||
| 5-7 | Serenade for small orchestra, op. 3: IV. Allegro molto | — | ||
| 5-8 | Psalmus hungaricus, op. 13: I. Andante molto appassionato | — | ||
| 5-9 | Psalmus hungaricus, op. 13: II. Keserusegem | — | ||
| 5-10 | Psalmus hungaricus, op. 13: III. Te azert lelkem | — | ||
| 6-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 8-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 8-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-1 | Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.345.747-7 | |
| 9-2 | Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.264.126-4 | |
| 9-3 | Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-4 | Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | T-915.715.285-7 | |
| 10-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 11-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 11-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 11-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 11-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 14-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-1 | Overture "Julius Caesar", op. 128 | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-2 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-3 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-4 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-5 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-1 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft – Schneller | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-7 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo & Trio: Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 17-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 17-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 17-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 17-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 17-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 18-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 18-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-5 | Symphony no. 5 in B-flat major, D. 485: III. Minuetto. Allegro molto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-6 | Symphony no. 5 in B-flat major, D. 485: IV. Finale. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Die Walküre, WWV 86B: Wotan's Farewell and Magic Fire Music | — | ||
| 21-4 | Siegfried, WWV 86C: Act II. Waldweben | — | ||
| 21-6 | Götterdämmerung, WWV 86D: Finale | — | ||
| 22-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro Non Troppo | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-4 | Variations on a Theme by Schumann, op. 23: Theme | — | ||
| 22-5 | Variations on a Theme by Schumann, op. 23: Variation I | — | ||
| 22-6 | Variations on a Theme by Schumann, op. 23: Variation II | — | ||
| 22-7 | Variations on a Theme by Schumann, op. 23: Variation III | — | ||
| 22-8 | Variations on a Theme by Schumann, op. 23: Variation IV | — | ||
| 22-9 | Variations on a Theme by Schumann, op. 23: Variation V | — | ||
| 22-10 | Variations on a Theme by Schumann, op. 23: Variation VI | — | ||
| 22-11 | Variations on a Theme by Schumann, op. 23: Variation VII | — | ||
| 22-12 | Variations on a Theme by Schumann, op. 23: Variation VIII | — | ||
| 22-13 | Variations on a Theme by Schumann, op. 23: Variation IX | — | ||
| 22-14 | Variations on a Theme by Schumann, op. 23: Variation X | — | ||
| 23-1 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 23-3 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Malven, TrV 297 (Betty Wehril-Knobel) | — | ||
| 23-6 | Hat gesagt - bleibt's nicht dabei, op. 36 TrV 186 no. 3 (anon.) | — | ||
| 23-7 | Mutterändelei, op. 43 TrV 196 no. 2 (Gottfried August Bürger) | — | ||
| 23-8 | Madrigal, op. 15 TrV 148 no. 1 (Sophie Hasenclever) | — | ||
| 23-9 | Ständchen, op. 17 TrV 149 no. 2 (Adolf Friedrich von Schack) | — | ||
| 23-10 | Schlechtes Wetter, op. 69 TrV 237 no. 5 (Heinrich Heine) | — | ||
| 23-11 | Allerseelen, op. 10 TrV 141 no. 8 (Hermann von Gilm) | — | ||
| 23-12 | Die Nacht, op. 10 TrV 141 no. 3 (Hermann von Gilm) | — | ||
| 23-13 | Cäcilie, op. 27 TrV 170 no. 2 (Heinrich Hart) | — | ||
| 23-14 | All mein' Gedanken, op. 21 TrV 160 no. 1 (Felix Dahn) | — | ||
| 23-15 | Begegnung, TrV 90 (Otto Friedrich Gruppe) | — | ||
| 23-16 | Morgen!, op. 27 TrV 170 no. 4 (John Henry Mackay) | — | ||
| 23-17 | Zueignung, op. 10 TrV 141 no. 1 (Hermann von Gilm) | — | ||
| 24-1 | Große Messe, K. 427: I. Kyrie | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-2 | Große Messe, K. 427: II. Gloria: Gloria excelsis Deo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-3 | Große Messe, K. 427: II. Gloria: Laudamus te | Anne Sofie von Otter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-4 | Große Messe, K. 427: II. Gloria: Gratias | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-5 | Große Messe, K. 427: II. Gloria: Domine | Anne Sofie von Otter, Elizabeth Norberg-Schulz, Wiener Philharmoniker, Sir Georg Solti | T-926.494.374-0 | |
| 24-6 | Große Messe, K. 427: II. Gloria: Qui tollis | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-7 | Große Messe, K. 427: II. Gloria: Quoniam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-8 | Große Messe, K. 427: II. Gloria: Jesu Christe - Cum Sancto Spiritu | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-9 | Große Messe, K. 427: III. Credo: Credo in unum Deum | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-10 | Große Messe, K. 427: III. Credo: Et incarnatus est | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-11 | Große Messe, K. 427: IV. Sanctus: Sanctus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-12 | Große Messe, K. 427: IV. Sanctus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-13 | Große Messe, K. 427: V. Benedictus: Benedictus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-14 | Große Messe, K. 427: V. Benedictus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 25-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 25-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 25-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 25-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 25-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 25-11 | Prayer over the Gifts | [unknown] | — | |
| 25-12 | Preface | [unknown] | — | |
| 25-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 25-15 | Canon | [unknown] | — | |
| 25-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 25-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 26-1 | Symphony no. 9 in E-flat, op. 70: I. Allegro | — | ||
| 26-2 | Symphony no. 9 in E-flat, op. 70: II. Moderato | — | ||
| 26-3 | Symphony no. 9 in E-flat, op. 70: III. Presto | — | ||
| 26-4 | Symphony no. 9 in E-flat, op. 70: IV. Largo | — | ||
| 26-5 | Symphony no. 9 in E-flat, op. 70: V. Allegretto | — | ||
| 26-6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 26-7 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 26-8 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro - Trio | — | ||
| 26-9 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 27-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-5 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 27-6 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 27-7 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 27-8 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 28-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 28-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 29-1 | A Night on the Bare Mountain | — | ||
| 29-2 | Prince Igor: Overture | — | ||
| 29-3 | Ruslan and Lyudmila: Overture | — | ||
| 29-4 | Khovanshchina: Introduction | — | ||
| 29-5 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 30-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | — | ||
| 30-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | — | ||
| 30-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo: Allegro moderato | — | ||
| 30-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | — | ||
| 30-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | — | ||
| 30-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | — | ||
| 31-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-4 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Chamber Orchestra of Europe, Sir Georg Solti | T-306.395.786-4 | |
| 31-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto & Trio: Allegretto | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 32-1 | Eine Alpensinfonie, op. 64 TrV 233: I. Nacht | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-2 | Eine Alpensinfonie, op. 64 TrV 233: II. Sonnenaufgang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-3 | Eine Alpensinfonie, op. 64 TrV 233: III. Der Anstieg | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-4 | Eine Alpensinfonie, op. 64 TrV 233: IV. Eintritt in den Wald / V. Wanderung neben dem Bache | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-5 | Eine Alpensinfonie, op. 64 TrV 233: VI. Am Wasserfall | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-6 | Eine Alpensinfonie, op. 64 TrV 233: VII. Erscheinung | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-7 | Eine Alpensinfonie, op. 64 TrV 233: VIII. Auf blumigen Wiesen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-8 | Eine Alpensinfonie, op. 64 TrV 233: IX. Auf der Alm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-9 | Eine Alpensinfonie, op. 64 TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-10 | Eine Alpensinfonie, op. 64 TrV 233: XI. Auf dem Gletscher | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-11 | Eine Alpensinfonie, op. 64 TrV 233: XII. Gefahrvolle Augenblicke / XIII. Auf dem Gipfel | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-12 | Eine Alpensinfonie, op. 64 TrV 233: XIV. Vision | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-13 | Eine Alpensinfonie, op. 64 TrV 233: XV. Nebel steigen auf | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-14 | Eine Alpensinfonie, op. 64 TrV 233: XVI. Die Sonne verdüstert sich allmählich | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-15 | Eine Alpensinfonie, op. 64 TrV 233: XVII. Elegie | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-16 | Eine Alpensinfonie, op. 64 TrV 233: XVIII. Stille vor dem Sturm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-17 | Eine Alpensinfonie, op. 64 TrV 233: XIX. Gewitter und Sturm | — | ||
| 32-18 | Eine Alpensinfonie, op. 64 TrV 233: XX. Sonnenuntergang | — | ||
| 32-19 | Eine Alpensinfonie, op. 64 TrV 233: XXI. Ausklang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-20 | Eine Alpensinfonie, op. 64 TrV 233: XXII. Nacht | — | ||
| 33-1 | Also sprach Zarathustra, op. 30: I. Prelude: Sonnenaufgang | Berliner Philharmoniker, Sir Georg Solti | T-329.531.199-4 | |
| 33-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-10 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-11 | Salome, op. 54: Salome's Dance “Dance of the Seven Veils” | Berliner Philharmoniker, Sir Georg Solti | — | |
| 34-1 | Mass in D, op. 123 “Missa Solemnis”: I. Kyrie | — | ||
| 34-2 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. a. Gloria in excelsis Deo | — | ||
| 34-3 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. b. Qui tollis peccata mundi | — | ||
| 34-4 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. c. Quoniam tu solus Sanctus | — | ||
| 34-5 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. a. Credi un unum Deum | — | ||
| 34-6 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. b. Et incarnatus est | — | ||
| 34-7 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. c. Et resurrexit tertia die | — | ||
| 34-8 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. a. Sanctus, Sanctus, Sanctus | — | ||
| 34-9 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. b. Benedictus qui venit | — | ||
| 34-10 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. a. Agnus Dei, qui tollis peccata mundi | — | ||
| 34-11 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. b. Dona nobis pacem | — | ||
| 35-1 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: I. Andante sostenuto - Allegro vivo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-2 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: II. Andantino marziale, quasi moderato | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-3 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: III. Scherzo: Allegro molto vivace - Trio: L'istesso tempo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-4 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: IV. Finale: Moderato assai - Allegro vivo - Presto | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 36-1 | Symphony no. 5 in E minor, op. 64 TH 29: I. Andante - Allegro con anima | — | ||
| 36-2 | Symphony no. 5 in E minor, op. 64 TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 36-3 | Symphony no. 5 in E minor, op. 64 TH 29: III. Valse: Allegro moderato | — | ||
| 36-4 | Symphony no. 5 in E minor, op. 64 TH 29: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 37-1 | Tasso: Lamento e trionfo, S. 96 | Orchestra de Paris, Sir Georg Solti | — | |
| 37-2 | 2 Episoden aus Lenaus Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto Waltz no. 1) | Orchestra de Paris, Sir Georg Solti | — | |
| 37-3 | Von der Wiege bis zum Grabe, S. 107 (Symphonic Poem no. 13) | Orchestra de Paris, Sir Georg Solti | — | |
| 38-1 | Symphony no. 4 in G: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 38-2 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 38-3 | Symphony no. 4 in G: III. Ruhevoll. Poco adagio | — | ||
| 38-4 | Symphony no. 4 in G: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 39-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | — | ||
| 39-2 | Das Lied von der Erde: II. Der Einsame im Herbst | — | ||
| 39-3 | Das Lied von der Erde: III. Von der Jugend | — | ||
| 39-4 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 39-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | — | ||
| 39-6 | Das Lied von der Erde: VI. Der Abschied | — | ||
| 40-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 40-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 40-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 40-4 | Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto | — | ||
| 40-5 | Le Sacre du printemps: Part I: Adoration of the Earth. I. Introduction | — | ||
| 40-6 | Le Sacre du printemps: Part I: Adoration of the Earth. II. The Augurs of Spring: Dances of the Young Girls | — | ||
| 40-7 | Le Sacre du printemps: Part I: Adoration of the Earth. III. Ritual of Abduction | — | ||
| 40-8 | Le Sacre du printemps: Part I: Adoration of the Earth. IV. Spring Rounds | — | ||
| 40-9 | Le Sacre du printemps: Part I: Adoration of the Earth. V. Ritual of the Rival Tribes | — | ||
| 40-10 | Le Sacre du printemps: Part I: Adoration of the Earth. VIa. Procession of the Sage | — | ||
| 40-11 | Le Sacre du printemps: Part I: Adoration of the Earth. VIb. The Sage | — | ||
| 40-12 | Le Sacre du printemps: Part I: Adoration of the Earth. VII. Dance of the Earth | — | ||
| 40-13 | Le Sacre du printemps: Part II: The Sacrifice. I. Introduction | — | ||
| 40-14 | Le Sacre du printemps: Part II: The Sacrifice. II. Mystic Circles of the Young Girls | — | ||
| 40-15 | Le Sacre du printemps: Part II: The Sacrifice. III. Glorification of the Chosen One | — | ||
| 40-16 | Le Sacre du printemps: Part II: The Sacrifice. IV. Evocation of the Ancestors | — | ||
| 40-17 | Le Sacre du printemps: Part II: The Sacrifice. V. Ritual Action of the Ancestors | — | ||
| 40-18 | Le Sacre du printemps: Part II: The Sacrifice. VI. Sacrificial Dance (The Chosen One) | — | ||
| 41-1 | La Boutique fantasque Suite: I. Overture | — | ||
| 41-2 | La Boutique fantasque Suite: II. Tarantella | — | ||
| 41-3 | La Boutique fantasque Suite: III. Mazurka | — | ||
| 41-4 | La Boutique fantasque Suite: IV. Cossack Dance | — | ||
| 41-5 | La Boutique fantasque Suite: V. Can-Can | — | ||
| 41-6 | La Boutique fantasque Suite: VI. Valse lente | — | ||
| 41-7 | La Boutique fantasque Suite: VII. Nocturne | — | ||
| 41-8 | La Boutique fantasque Suite: VIII. Galop | — | ||
| 41-9 | L'Apprenti sorcier | — | ||
| 42-1 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace | — | ||
| 42-2 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto | — | ||
| 42-3 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato | — | ||
| 42-4 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 42-5 | Symphony no. 5 in B-flat, D. 485: I. Allegro | — | ||
| 42-6 | Symphony no. 5 in B-flat, D. 485: II. Andante con moto | — | ||
| 42-7 | Symphony no. 5 in B-flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 42-8 | Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace | — | ||
| 43-1 | Serenade for String Orchestra, op. 48 TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | — | ||
| 43-2 | Serenade for String Orchestra, op. 48 TH 48: II. Valse: Moderato, Tempo di valse | — | ||
| 43-3 | Serenade for String Orchestra, op. 48 TH 48: III. Elegia: Larghetto elegiaco | — | ||
| 43-4 | Serenade for String Orchestra, op. 48 TH 48: IV. Finale (Tema russo ): Andante - Allegro con spirito | — | ||
| 43-5 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 43-6 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: II. Romance: Andante | — | ||
| 43-7 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: III. Menuetto: Allegretto | — | ||
| 43-8 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: IV. Rondo: Allegro | — | ||
| 44-1 | Introduction and Overview | — | ||
| 44-2 | 1930s and 1940s Europe | — | ||
| 44-3 | Vienna Philharmonic Orchestra: Part One (1950s and 1960s) | — | ||
| 44-4 | Solti's conducting maxims and artistic approach | — | ||
| 44-5 | Vienna Philharmonic Orchestra: Part Two (1970s to 1990s) | — | ||
| 44-6 | Berlin Philharmonic Orchestra | — | ||
| 44-7 | Solti and young musicians: Schleswig-Holstein Festival Orchestra and Chamber Orchestra of Europe | — | ||
| 44-8 | Solti and young opera singers | — | ||
| 44-9 | World Orchestra for Peace | — | ||
| 44-10 | Final months: Full circle to Budapest and Zürich | — | ||
| 45-1 | Titles - Processional - Introductory Rites | — | ||
| 45-2 | Requiem in D minor, K. 626: I. Introitus | — | ||
| 45-3 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 45-4 | Collect - First Reading | — | ||
| 45-5 | Requiem in D minor, K. 626: III. Sequentia. a. Dies irae | — | ||
| 45-6 | Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum | — | ||
| 45-7 | Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae | — | ||
| 45-8 | Requiem in D minor, K. 626: III. Sequentia. d. Recordare | — | ||
| 45-9 | Requiem in D minor, K. 626: III. Sequentia. e. Confutatis | — | ||
| 45-10 | Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa | — | ||
| 45-11 | Second Reading - Gospel - Prayer of the Faithful - Offertory | — | ||
| 45-12 | Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu | — | ||
| 45-13 | Requiem in D minor, K. 626: IV. Offertorium. b. Hostias | — | ||
| 45-14 | Prayer over the gifts - Preface | — | ||
| 45-15 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 45-16 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 45-17 | Canon - Pater noster | — | ||
| 45-18 | Requiem in D minor, K. 626: VII. Agnus Dei | — | ||
| 45-19 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 45-20 | Postcommunion - Blessing | — | ||
| 45-21 | The Story of the Requiem: Introductory film | — | ||
| 46-1 | Titles | — | ||
| 46-2 | Georg Solti in conversation and rehearsal | — | ||
| 46-3 | Guillaume Tell: Overture | — | ||
| 46-4 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 46-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 46-6 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 46-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 46-8 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 46-9 | Fidelio, op. 72: Act II. Finale “Heil sei dem Tag” | — | ||
| 46-10 | Closing Credits | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 |
| Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — |
