UPC · Release
Sir Georg Solti
Last verified:
The UPC for “Europe: The Orchestral Recordings” by Sir Georg Solti is 028948530588. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 387 tracks, each with its own ISRC. Tracks include GBF074710051, GBF074710052, GBF074710053.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Sonata no. 1 in G, op. 78: I. Vivace ma non troppo | Georg Kulenkampff, Sir Georg Solti | — | |
| 2 | Violin Sonata no. 1 in G, op. 78: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 3 | Violin Sonata no. 1 in G, op. 78: III. Allegro molto moderato | Georg Kulenkampff, Sir Georg Solti | — | |
| 4 | Violin Sonata no. 2 in A, op. 100: I. Allegro amabile | Georg Kulenkampff, Sir Georg Solti | — | |
| 5 | Violin Sonata no. 2 in A, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace | Georg Kulenkampff, Sir Georg Solti | — | |
| 6 | Violin Sonata no. 2 in A, op. 100: III. Allegro grazioso, quasi andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 7 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 8 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 9 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | Georg Kulenkampff, Sir Georg Solti | — | |
| 10 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-1 | Schwanengesang: VI. In der Ferne | — | ||
| 2-2 | Schwanengesang: VII. Abschied | — | ||
| 2-3 | Violin Sonata no. 32 in B-flat major, K. 454: I. Largo - Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-4 | Violin Sonata no. 32 in B-flat major, K. 454: II. Andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-5 | Violin Sonata no. 32 in B-flat major, K. 454: III. Allegretto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-6 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-7 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: II. Andante con variazioni | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-8 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: III. Finale: Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-9 | Egmont Overture, op. 84 | — | ||
| 3-1 | Guillaume Tell: Overture | — | ||
| 3-2 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 3-3 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie | — | ||
| 3-4 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 3-5 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 3-6 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 3-7 | Fidelio, op. 72: Act II Finale “Heil sei dem Tag” | — | ||
| 4-1 | Symphony no. 5: I. Trauermarsch | Tonhalle-Orchester Zürich, Sir Georg Solti | — | |
| 4-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | — | ||
| 4-3 | Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 4-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 4-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 5-1 | Cantata profane: A kilenc csodaszarvas, Sz. 94: I. Molto moderato | — | ||
| 5-2 | Cantata profane: A kilenc csodaszarvas, Sz. 94: II. Andante | — | ||
| 5-3 | Cantata profane: A kilenc csodaszarvas, Sz. 94: III. Moderato | — | ||
| 5-4 | Serenade for small orchestra, op. 3: I. Allegretto, quasi andantino | — | ||
| 5-5 | Serenade for small orchestra, op. 3: II. Lebhaft, sehr rhythmisch | — | ||
| 5-6 | Serenade for small orchestra, op. 3: III. Andantino | — | ||
| 5-7 | Serenade for small orchestra, op. 3: IV. Allegro molto | — | ||
| 5-8 | Psalmus hungaricus, op. 13: I. Andante molto appassionato | — | ||
| 5-9 | Psalmus hungaricus, op. 13: II. Keserusegem | — | ||
| 5-10 | Psalmus hungaricus, op. 13: III. Te azert lelkem | — | ||
| 6-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 8-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 8-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-1 | Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.345.747-7 | |
| 9-2 | Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.264.126-4 | |
| 9-3 | Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-4 | Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | T-915.715.285-7 | |
| 10-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 11-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 11-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 11-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 11-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 14-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-1 | Overture "Julius Caesar", op. 128 | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-2 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-3 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-4 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-5 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-1 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft – Schneller | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-7 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo & Trio: Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 17-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 17-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 17-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 17-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 17-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 18-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 18-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-5 | Symphony no. 5 in B-flat major, D. 485: III. Minuetto. Allegro molto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-6 | Symphony no. 5 in B-flat major, D. 485: IV. Finale. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Die Walküre, WWV 86B: Wotan's Farewell and Magic Fire Music | — | ||
| 21-4 | Siegfried, WWV 86C: Act II. Waldweben | — | ||
| 21-6 | Götterdämmerung, WWV 86D: Finale | — | ||
| 22-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro Non Troppo | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-4 | Variations on a Theme by Schumann, op. 23: Theme | — | ||
| 22-5 | Variations on a Theme by Schumann, op. 23: Variation I | — | ||
| 22-6 | Variations on a Theme by Schumann, op. 23: Variation II | — | ||
| 22-7 | Variations on a Theme by Schumann, op. 23: Variation III | — | ||
| 22-8 | Variations on a Theme by Schumann, op. 23: Variation IV | — | ||
| 22-9 | Variations on a Theme by Schumann, op. 23: Variation V | — | ||
| 22-10 | Variations on a Theme by Schumann, op. 23: Variation VI | — | ||
| 22-11 | Variations on a Theme by Schumann, op. 23: Variation VII | — | ||
| 22-12 | Variations on a Theme by Schumann, op. 23: Variation VIII | — | ||
| 22-13 | Variations on a Theme by Schumann, op. 23: Variation IX | — | ||
| 22-14 | Variations on a Theme by Schumann, op. 23: Variation X | — | ||
| 23-1 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 23-3 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Malven, TrV 297 (Betty Wehril-Knobel) | — | ||
| 23-6 | Hat gesagt - bleibt's nicht dabei, op. 36 TrV 186 no. 3 (anon.) | — | ||
| 23-7 | Mutterändelei, op. 43 TrV 196 no. 2 (Gottfried August Bürger) | — | ||
| 23-8 | Madrigal, op. 15 TrV 148 no. 1 (Sophie Hasenclever) | — | ||
| 23-9 | Ständchen, op. 17 TrV 149 no. 2 (Adolf Friedrich von Schack) | — | ||
| 23-10 | Schlechtes Wetter, op. 69 TrV 237 no. 5 (Heinrich Heine) | — | ||
| 23-11 | Allerseelen, op. 10 TrV 141 no. 8 (Hermann von Gilm) | — | ||
| 23-12 | Die Nacht, op. 10 TrV 141 no. 3 (Hermann von Gilm) | — | ||
| 23-13 | Cäcilie, op. 27 TrV 170 no. 2 (Heinrich Hart) | — | ||
| 23-14 | All mein' Gedanken, op. 21 TrV 160 no. 1 (Felix Dahn) | — | ||
| 23-15 | Begegnung, TrV 90 (Otto Friedrich Gruppe) | — | ||
| 23-16 | Morgen!, op. 27 TrV 170 no. 4 (John Henry Mackay) | — | ||
| 23-17 | Zueignung, op. 10 TrV 141 no. 1 (Hermann von Gilm) | — | ||
| 24-1 | Große Messe, K. 427: I. Kyrie | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-2 | Große Messe, K. 427: II. Gloria: Gloria excelsis Deo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-3 | Große Messe, K. 427: II. Gloria: Laudamus te | Anne Sofie von Otter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-4 | Große Messe, K. 427: II. Gloria: Gratias | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-5 | Große Messe, K. 427: II. Gloria: Domine | Anne Sofie von Otter, Elizabeth Norberg-Schulz, Wiener Philharmoniker, Sir Georg Solti | T-926.494.374-0 | |
| 24-6 | Große Messe, K. 427: II. Gloria: Qui tollis | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-7 | Große Messe, K. 427: II. Gloria: Quoniam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-8 | Große Messe, K. 427: II. Gloria: Jesu Christe - Cum Sancto Spiritu | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-9 | Große Messe, K. 427: III. Credo: Credo in unum Deum | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-10 | Große Messe, K. 427: III. Credo: Et incarnatus est | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-11 | Große Messe, K. 427: IV. Sanctus: Sanctus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-12 | Große Messe, K. 427: IV. Sanctus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-13 | Große Messe, K. 427: V. Benedictus: Benedictus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-14 | Große Messe, K. 427: V. Benedictus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 25-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 25-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 25-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 25-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 25-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 25-11 | Prayer over the Gifts | [unknown] | — | |
| 25-12 | Preface | [unknown] | — | |
| 25-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 25-15 | Canon | [unknown] | — | |
| 25-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 25-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 26-1 | Symphony no. 9 in E-flat, op. 70: I. Allegro | — | ||
| 26-2 | Symphony no. 9 in E-flat, op. 70: II. Moderato | — | ||
| 26-3 | Symphony no. 9 in E-flat, op. 70: III. Presto | — | ||
| 26-4 | Symphony no. 9 in E-flat, op. 70: IV. Largo | — | ||
| 26-5 | Symphony no. 9 in E-flat, op. 70: V. Allegretto | — | ||
| 26-6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 26-7 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 26-8 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro - Trio | — | ||
| 26-9 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 27-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-5 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 27-6 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 27-7 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 27-8 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 28-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 28-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 29-1 | A Night on the Bare Mountain | — | ||
| 29-2 | Prince Igor: Overture | — | ||
| 29-3 | Ruslan and Lyudmila: Overture | — | ||
| 29-4 | Khovanshchina: Introduction | — | ||
| 29-5 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 30-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | — | ||
| 30-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | — | ||
| 30-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo: Allegro moderato | — | ||
| 30-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | — | ||
| 30-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | — | ||
| 30-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | — | ||
| 31-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-4 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Chamber Orchestra of Europe, Sir Georg Solti | T-306.395.786-4 | |
| 31-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto & Trio: Allegretto | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 32-1 | Eine Alpensinfonie, op. 64 TrV 233: I. Nacht | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-2 | Eine Alpensinfonie, op. 64 TrV 233: II. Sonnenaufgang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-3 | Eine Alpensinfonie, op. 64 TrV 233: III. Der Anstieg | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-4 | Eine Alpensinfonie, op. 64 TrV 233: IV. Eintritt in den Wald / V. Wanderung neben dem Bache | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-5 | Eine Alpensinfonie, op. 64 TrV 233: VI. Am Wasserfall | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-6 | Eine Alpensinfonie, op. 64 TrV 233: VII. Erscheinung | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-7 | Eine Alpensinfonie, op. 64 TrV 233: VIII. Auf blumigen Wiesen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-8 | Eine Alpensinfonie, op. 64 TrV 233: IX. Auf der Alm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-9 | Eine Alpensinfonie, op. 64 TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-10 | Eine Alpensinfonie, op. 64 TrV 233: XI. Auf dem Gletscher | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-11 | Eine Alpensinfonie, op. 64 TrV 233: XII. Gefahrvolle Augenblicke / XIII. Auf dem Gipfel | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-12 | Eine Alpensinfonie, op. 64 TrV 233: XIV. Vision | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-13 | Eine Alpensinfonie, op. 64 TrV 233: XV. Nebel steigen auf | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-14 | Eine Alpensinfonie, op. 64 TrV 233: XVI. Die Sonne verdüstert sich allmählich | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-15 | Eine Alpensinfonie, op. 64 TrV 233: XVII. Elegie | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-16 | Eine Alpensinfonie, op. 64 TrV 233: XVIII. Stille vor dem Sturm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-17 | Eine Alpensinfonie, op. 64 TrV 233: XIX. Gewitter und Sturm | — | ||
| 32-18 | Eine Alpensinfonie, op. 64 TrV 233: XX. Sonnenuntergang | — | ||
| 32-19 | Eine Alpensinfonie, op. 64 TrV 233: XXI. Ausklang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-20 | Eine Alpensinfonie, op. 64 TrV 233: XXII. Nacht | — | ||
| 33-1 | Also sprach Zarathustra, op. 30: I. Prelude: Sonnenaufgang | Berliner Philharmoniker, Sir Georg Solti | T-329.531.199-4 | |
| 33-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-10 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-11 | Salome, op. 54: Salome's Dance “Dance of the Seven Veils” | Berliner Philharmoniker, Sir Georg Solti | — | |
| 34-1 | Mass in D, op. 123 “Missa Solemnis”: I. Kyrie | — | ||
| 34-2 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. a. Gloria in excelsis Deo | — | ||
| 34-3 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. b. Qui tollis peccata mundi | — | ||
| 34-4 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. c. Quoniam tu solus Sanctus | — | ||
| 34-5 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. a. Credi un unum Deum | — | ||
| 34-6 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. b. Et incarnatus est | — | ||
| 34-7 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. c. Et resurrexit tertia die | — | ||
| 34-8 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. a. Sanctus, Sanctus, Sanctus | — | ||
| 34-9 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. b. Benedictus qui venit | — | ||
| 34-10 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. a. Agnus Dei, qui tollis peccata mundi | — | ||
| 34-11 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. b. Dona nobis pacem | — | ||
| 35-1 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: I. Andante sostenuto - Allegro vivo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-2 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: II. Andantino marziale, quasi moderato | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-3 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: III. Scherzo: Allegro molto vivace - Trio: L'istesso tempo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-4 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: IV. Finale: Moderato assai - Allegro vivo - Presto | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 36-1 | Symphony no. 5 in E minor, op. 64 TH 29: I. Andante - Allegro con anima | — | ||
| 36-2 | Symphony no. 5 in E minor, op. 64 TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 36-3 | Symphony no. 5 in E minor, op. 64 TH 29: III. Valse: Allegro moderato | — | ||
| 36-4 | Symphony no. 5 in E minor, op. 64 TH 29: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 37-1 | Tasso: Lamento e trionfo, S. 96 | Orchestra de Paris, Sir Georg Solti | — | |
| 37-2 | 2 Episoden aus Lenaus Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto Waltz no. 1) | Orchestra de Paris, Sir Georg Solti | — | |
| 37-3 | Von der Wiege bis zum Grabe, S. 107 (Symphonic Poem no. 13) | Orchestra de Paris, Sir Georg Solti | — | |
| 38-1 | Symphony no. 4 in G: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 38-2 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 38-3 | Symphony no. 4 in G: III. Ruhevoll. Poco adagio | — | ||
| 38-4 | Symphony no. 4 in G: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 39-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | — | ||
| 39-2 | Das Lied von der Erde: II. Der Einsame im Herbst | — | ||
| 39-3 | Das Lied von der Erde: III. Von der Jugend | — | ||
| 39-4 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 39-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | — | ||
| 39-6 | Das Lied von der Erde: VI. Der Abschied | — | ||
| 40-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 40-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 40-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 40-4 | Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto | — | ||
| 40-5 | Le Sacre du printemps: Part I: Adoration of the Earth. I. Introduction | — | ||
| 40-6 | Le Sacre du printemps: Part I: Adoration of the Earth. II. The Augurs of Spring: Dances of the Young Girls | — | ||
| 40-7 | Le Sacre du printemps: Part I: Adoration of the Earth. III. Ritual of Abduction | — | ||
| 40-8 | Le Sacre du printemps: Part I: Adoration of the Earth. IV. Spring Rounds | — | ||
| 40-9 | Le Sacre du printemps: Part I: Adoration of the Earth. V. Ritual of the Rival Tribes | — | ||
| 40-10 | Le Sacre du printemps: Part I: Adoration of the Earth. VIa. Procession of the Sage | — | ||
| 40-11 | Le Sacre du printemps: Part I: Adoration of the Earth. VIb. The Sage | — | ||
| 40-12 | Le Sacre du printemps: Part I: Adoration of the Earth. VII. Dance of the Earth | — | ||
| 40-13 | Le Sacre du printemps: Part II: The Sacrifice. I. Introduction | — | ||
| 40-14 | Le Sacre du printemps: Part II: The Sacrifice. II. Mystic Circles of the Young Girls | — | ||
| 40-15 | Le Sacre du printemps: Part II: The Sacrifice. III. Glorification of the Chosen One | — | ||
| 40-16 | Le Sacre du printemps: Part II: The Sacrifice. IV. Evocation of the Ancestors | — | ||
| 40-17 | Le Sacre du printemps: Part II: The Sacrifice. V. Ritual Action of the Ancestors | — | ||
| 40-18 | Le Sacre du printemps: Part II: The Sacrifice. VI. Sacrificial Dance (The Chosen One) | — | ||
| 41-1 | La Boutique fantasque Suite: I. Overture | — | ||
| 41-2 | La Boutique fantasque Suite: II. Tarantella | — | ||
| 41-3 | La Boutique fantasque Suite: III. Mazurka | — | ||
| 41-4 | La Boutique fantasque Suite: IV. Cossack Dance | — | ||
| 41-5 | La Boutique fantasque Suite: V. Can-Can | — | ||
| 41-6 | La Boutique fantasque Suite: VI. Valse lente | — | ||
| 41-7 | La Boutique fantasque Suite: VII. Nocturne | — | ||
| 41-8 | La Boutique fantasque Suite: VIII. Galop | — | ||
| 41-9 | L'Apprenti sorcier | — | ||
| 42-1 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace | — | ||
| 42-2 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto | — | ||
| 42-3 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato | — | ||
| 42-4 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 42-5 | Symphony no. 5 in B-flat, D. 485: I. Allegro | — | ||
| 42-6 | Symphony no. 5 in B-flat, D. 485: II. Andante con moto | — | ||
| 42-7 | Symphony no. 5 in B-flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 42-8 | Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace | — | ||
| 43-1 | Serenade for String Orchestra, op. 48 TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | — | ||
| 43-2 | Serenade for String Orchestra, op. 48 TH 48: II. Valse: Moderato, Tempo di valse | — | ||
| 43-3 | Serenade for String Orchestra, op. 48 TH 48: III. Elegia: Larghetto elegiaco | — | ||
| 43-4 | Serenade for String Orchestra, op. 48 TH 48: IV. Finale (Tema russo ): Andante - Allegro con spirito | — | ||
| 43-5 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 43-6 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: II. Romance: Andante | — | ||
| 43-7 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: III. Menuetto: Allegretto | — | ||
| 43-8 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: IV. Rondo: Allegro | — | ||
| 44-1 | Introduction and Overview | — | ||
| 44-2 | 1930s and 1940s Europe | — | ||
| 44-3 | Vienna Philharmonic Orchestra: Part One (1950s and 1960s) | — | ||
| 44-4 | Solti's conducting maxims and artistic approach | — | ||
| 44-5 | Vienna Philharmonic Orchestra: Part Two (1970s to 1990s) | — | ||
| 44-6 | Berlin Philharmonic Orchestra | — | ||
| 44-7 | Solti and young musicians: Schleswig-Holstein Festival Orchestra and Chamber Orchestra of Europe | — | ||
| 44-8 | Solti and young opera singers | — | ||
| 44-9 | World Orchestra for Peace | — | ||
| 44-10 | Final months: Full circle to Budapest and Zürich | — | ||
| 45-1 | Titles - Processional - Introductory Rites | — | ||
| 45-2 | Requiem in D minor, K. 626: I. Introitus | — | ||
| 45-3 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 45-4 | Collect - First Reading | — | ||
| 45-5 | Requiem in D minor, K. 626: III. Sequentia. a. Dies irae | — | ||
| 45-6 | Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum | — | ||
| 45-7 | Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae | — | ||
| 45-8 | Requiem in D minor, K. 626: III. Sequentia. d. Recordare | — | ||
| 45-9 | Requiem in D minor, K. 626: III. Sequentia. e. Confutatis | — | ||
| 45-10 | Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa | — | ||
| 45-11 | Second Reading - Gospel - Prayer of the Faithful - Offertory | — | ||
| 45-12 | Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu | — | ||
| 45-13 | Requiem in D minor, K. 626: IV. Offertorium. b. Hostias | — | ||
| 45-14 | Prayer over the gifts - Preface | — | ||
| 45-15 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 45-16 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 45-17 | Canon - Pater noster | — | ||
| 45-18 | Requiem in D minor, K. 626: VII. Agnus Dei | — | ||
| 45-19 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 45-20 | Postcommunion - Blessing | — | ||
| 45-21 | The Story of the Requiem: Introductory film | — | ||
| 46-1 | Titles | — | ||
| 46-2 | Georg Solti in conversation and rehearsal | — | ||
| 46-3 | Guillaume Tell: Overture | — | ||
| 46-4 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 46-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 46-6 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 46-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 46-8 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 46-9 | Fidelio, op. 72: Act II. Finale “Heil sei dem Tag” | — | ||
| 46-10 | Closing Credits | — |
Identifier Graph
028948530588 is a Universal Product Code (UPC) assigned to Europe: The Orchestral Recordings by Sir Georg Solti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 387 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 |
| Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — |
Creative Contributors (ISNI)
The UPC for “Europe: The Orchestral Recordings” by Sir Georg Solti is 028948530588. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 387 tracks, each with its own ISRC. Tracks include GBF074710051, GBF074710052, GBF074710053.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Violin Sonata no. 1 in G, op. 78: I. Vivace ma non troppo | Georg Kulenkampff, Sir Georg Solti | — | |
| 2 | Violin Sonata no. 1 in G, op. 78: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 3 | Violin Sonata no. 1 in G, op. 78: III. Allegro molto moderato | Georg Kulenkampff, Sir Georg Solti | — | |
| 4 | Violin Sonata no. 2 in A, op. 100: I. Allegro amabile | Georg Kulenkampff, Sir Georg Solti | — | |
| 5 | Violin Sonata no. 2 in A, op. 100: II. Andante tranquillo - Vivace - Andante - Vivace di più - Andante vivace | Georg Kulenkampff, Sir Georg Solti | — | |
| 6 | Violin Sonata no. 2 in A, op. 100: III. Allegro grazioso, quasi andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 7 | Violin Sonata no. 3 in D minor, op. 108: I. Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 8 | Violin Sonata no. 3 in D minor, op. 108: II. Adagio | Georg Kulenkampff, Sir Georg Solti | — | |
| 9 | Violin Sonata no. 3 in D minor, op. 108: III. Un poco presto e con sentimento | Georg Kulenkampff, Sir Georg Solti | — | |
| 10 | Violin Sonata no. 3 in D minor, op. 108: IV. Presto agitato | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-1 | Schwanengesang: VI. In der Ferne | — | ||
| 2-2 | Schwanengesang: VII. Abschied | — | ||
| 2-3 | Violin Sonata no. 32 in B-flat major, K. 454: I. Largo - Allegro | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-4 | Violin Sonata no. 32 in B-flat major, K. 454: II. Andante | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-5 | Violin Sonata no. 32 in B-flat major, K. 454: III. Allegretto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-6 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-7 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: II. Andante con variazioni | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-8 | Violin Sonata no. 9 in A, op. 47 “Kreutzer”: III. Finale: Presto | Georg Kulenkampff, Sir Georg Solti | — | |
| 2-9 | Egmont Overture, op. 84 | — | ||
| 3-1 | Guillaume Tell: Overture | — | ||
| 3-2 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 3-3 | Concerto for Orchestra, Sz. 116: II. Giuoco della coppie | — | ||
| 3-4 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 3-5 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 3-6 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 3-7 | Fidelio, op. 72: Act II Finale “Heil sei dem Tag” | — | ||
| 4-1 | Symphony no. 5: I. Trauermarsch | Tonhalle-Orchester Zürich, Sir Georg Solti | — | |
| 4-2 | Symphony no. 5 in C-sharp minor: II. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito | — | ||
| 4-3 | Symphony no. 5 in C-sharp minor: III. Scherzo: Kräftig, nicht zu schnell | — | ||
| 4-4 | Symphony no. 5 in C-sharp minor: IV. Adagietto: Sehr langsam | — | ||
| 4-5 | Symphony no. 5 in C-sharp minor: V. Rondo-Finale: Allegro | — | ||
| 5-1 | Cantata profane: A kilenc csodaszarvas, Sz. 94: I. Molto moderato | — | ||
| 5-2 | Cantata profane: A kilenc csodaszarvas, Sz. 94: II. Andante | — | ||
| 5-3 | Cantata profane: A kilenc csodaszarvas, Sz. 94: III. Moderato | — | ||
| 5-4 | Serenade for small orchestra, op. 3: I. Allegretto, quasi andantino | — | ||
| 5-5 | Serenade for small orchestra, op. 3: II. Lebhaft, sehr rhythmisch | — | ||
| 5-6 | Serenade for small orchestra, op. 3: III. Andantino | — | ||
| 5-7 | Serenade for small orchestra, op. 3: IV. Allegro molto | — | ||
| 5-8 | Psalmus hungaricus, op. 13: I. Andante molto appassionato | — | ||
| 5-9 | Psalmus hungaricus, op. 13: II. Keserusegem | — | ||
| 5-10 | Psalmus hungaricus, op. 13: III. Te azert lelkem | — | ||
| 6-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 6-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 | |
| 7-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-902.876.200-7 | |
| 7-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 7-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Sir Georg Solti | T-003.055.867-8 | |
| 8-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Sir Georg Solti | T-321.302.266-9 | |
| 8-3 | Symphony no. 7 in A major, op. 92: III. Presto - Assai meno presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 8-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-1 | Light Cavalry: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.345.747-7 | |
| 9-2 | Poet and Peasant: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.264.126-4 | |
| 9-3 | Morning, Noon and Night in Vienna: Overture | Wiener Philharmoniker, Sir Georg Solti | — | |
| 9-4 | Pique Dame: Overture | Wiener Philharmoniker, Sir Georg Solti | T-915.715.285-7 | |
| 10-1 | Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-2 | Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino simplice – Prestissimo – Tempo primo | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 10-3 | Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco | Wiener Philharmoniker, Georg Solti, Clifford Curzon | — | |
| 11-1 | Rienzi, WWV 49: Overture | Wiener Philharmoniker, Sir Georg Solti | T-929.533.363-0 | |
| 11-2 | Der fliegende Holländer, WWV 63: Overture | Wiener Philharmoniker, Sir Georg Solti | T-031.672.821-8 | |
| 11-3 | Tannhäuser, WWV 70: Overture | Wiener Philharmoniker, Sir Georg Solti | T-909.574.378-5 | |
| 11-4 | Tannhäuser, WWV 70: Act I. Bacchanale | Wiener Philharmoniker, Sir Georg Solti | — | |
| 12-5 | Siegfried Idyll | Members of the Wiener Philharmoniker, Sir Georg Solti | T-306.482.955-2 | |
| 14-1 | Overture, Scherzo, and Finale, op. 52: I. Overture: Andante con moto - Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-2 | Overture, Scherzo, and Finale, op. 52: II. Scherzo: Vivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-3 | Overture, Scherzo, and Finale, op. 52: III. Finale: Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-4 | Symphony no. 1 in B flat major, op. 38 “Spring”: I. Andante un poco maestoso - Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-5 | Symphony no. 1 in B flat major, op. 38 “Spring”: II. Larghetto - | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-6 | Symphony no. 1 in B flat major, op. 38 “Spring”: III. Scherzo: Molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 14-7 | Symphony no. 1 in B flat major, op. 38 “Spring”: IV. Allegro animato e grazioso | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-1 | Overture "Julius Caesar", op. 128 | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-2 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Un poco più vivace - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-3 | Symphony no. 2 in C major, op. 61: II. Scherzo, Trio I, Trio II & Coda: Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-4 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 15-5 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-1 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: I. Lebhaft | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-2 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: II. Scherzo: Sehr mäßig | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-3 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: III. Nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-4 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: IV. Feierlich | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-5 | Symphony no. 3 in E-flat major, op. 97 “Rhenish”: V. Lebhaft – Schneller | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-6 | Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam – Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-7 | Symphony no. 4 in D minor, op. 120: II. Romanze: Ziemlich langsam – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-8 | Symphony no. 4 in D minor, op. 120: III. Scherzo & Trio: Lebhaft – | Wiener Philharmoniker, Sir Georg Solti | — | |
| 16-9 | Symphony no. 4 in D minor, op. 120: IV. Langsam – Lebhaft – Schneller – Presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-1 | Messa da requiem: Requiem aeternam & Kyrie | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-2 | Messa da requiem: Dies Irae: Dies Irae | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.932.757-3 | |
| 17-3 | Messa da requiem: Dies Irae: Tuba mirum | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-4 | Messa da requiem: Dies Irae: Liber scriptus | Chor der Wiener Staatsoper, Marilyn Horne, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-5 | Messa da requiem: Dies Irae: Quid sum miser | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-6 | Messa da requiem: Dies Irae: Rex tremendae | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-7 | Messa da requiem: Dies Irae: Recordare | Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-8 | Messa da requiem: IIh. Dies irae: Ingemisco | Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | T-900.146.503-8 | |
| 17-9 | Messa da requiem: Dies Irae: Confutatis | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-10 | Messa da requiem: Dies Irae: Lacrimosa | Chor der Wiener Staatsoper, Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-11 | Messa da requiem: Offertorium: Domine, Jesu Christe | Marilyn Horne, Luciano Pavarotti, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-12 | Messa da requiem: Offertorium: Hostias | Chor der Wiener Staatsoper, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-13 | Messa da requiem: Sanctus | Martti Talvela, Chor der Wiener Staatsoper, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-14 | Messa da requiem: Agnus Dei | Chor der Wiener Staatsoper, Marilyn Horne, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | — | |
| 17-15 | Messa da requiem: Lux aeterna | Marilyn Horne, Luciano Pavarotti, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-910.952.061-8 | |
| 17-16 | Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 | |
| 17-17 | Messa da requiem: Libera Me: Dies irae | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 17-18 | Messa da requiem: Libera Me: Requiem aeternam | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-317.797.099-5 | |
| 18-1 | Ein Heldenleben, op. 40 TrV 190: I. Der Held | Wiener Philharmoniker, Sir Georg Solti | T-800.635.645-3 | |
| 18-2 | Ein Heldenleben, op. 40 TrV 190: II. Des Helden Widersacher | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-3 | Ein Heldenleben, op. 40 TrV 190: III. Des Helden Gefährtin | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-4 | Ein Heldenleben, op. 40 TrV 190: IV. Des Helden Walstatt | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-5 | Ein Heldenleben, op. 40 TrV 190: V. Des Helden Friedenswerke | Wiener Philharmoniker, Sir Georg Solti | — | |
| 18-6 | Ein Heldenleben, op. 40 TrV 190: VI. Des Helden Weltflucht und Vollendung | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-1 | Symphony no. 8 in B minor, D. 759 "Unfinished": I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-2 | Symphony no. 8 in B minor, D. 759 "Unfinished": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-3 | Symphony no. 5 in B-flat major, D. 485: I. Allegro | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-4 | Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-5 | Symphony no. 5 in B-flat major, D. 485: III. Minuetto. Allegro molto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 19-6 | Symphony no. 5 in B-flat major, D. 485: IV. Finale. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-1 | Symphony no. 9 in C major, D. 944 "Great": I. Andante - Allegro ma non troppo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-2 | Symphony no. 9 in C major, D. 944 "Great": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-3 | Symphony no. 9 in C major, D. 944 "Great": III. Scherzo. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 20-4 | Symphony no. 9 in C major, D. 944 "Great": IV. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-2 | Das Rheingold, WWV 86A: Scene 4. Entry of the Gods into Valhalla | Wiener Philharmoniker, Sir Georg Solti | — | |
| 21-3 | Die Walküre, WWV 86B: Wotan's Farewell and Magic Fire Music | — | ||
| 21-4 | Siegfried, WWV 86C: Act II. Waldweben | — | ||
| 21-6 | Götterdämmerung, WWV 86D: Finale | — | ||
| 22-1 | Piano Concerto no. 1 in D minor, op. 15: I. Maestoso | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-2 | Piano Concerto no. 1 in D minor, op. 15: II. Adagio | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-3 | Piano Concerto no. 1 in D minor, op. 15: III. Rondo: Allegro Non Troppo | András Schiff, Wiener Philharmoniker, Sir Georg Solti | — | |
| 22-4 | Variations on a Theme by Schumann, op. 23: Theme | — | ||
| 22-5 | Variations on a Theme by Schumann, op. 23: Variation I | — | ||
| 22-6 | Variations on a Theme by Schumann, op. 23: Variation II | — | ||
| 22-7 | Variations on a Theme by Schumann, op. 23: Variation III | — | ||
| 22-8 | Variations on a Theme by Schumann, op. 23: Variation IV | — | ||
| 22-9 | Variations on a Theme by Schumann, op. 23: Variation V | — | ||
| 22-10 | Variations on a Theme by Schumann, op. 23: Variation VI | — | ||
| 22-11 | Variations on a Theme by Schumann, op. 23: Variation VII | — | ||
| 22-12 | Variations on a Theme by Schumann, op. 23: Variation VIII | — | ||
| 22-13 | Variations on a Theme by Schumann, op. 23: Variation IX | — | ||
| 22-14 | Variations on a Theme by Schumann, op. 23: Variation X | — | ||
| 23-1 | Vier letzte Lieder, AV 150 TrV 296: Frühling | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-2 | Vier letzte Lieder, AV 150 TrV 296: September | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | T-800.001.493-8 | |
| 23-3 | Vier letzte Lieder, AV 150 TrV 296: Beim Schlafengehen | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-4 | Vier letzte Lieder, AV 150 TrV 296: Im Abendrot | Kiri Te Kanawa, Wiener Philharmoniker, Sir Georg Solti | — | |
| 23-5 | Malven, TrV 297 (Betty Wehril-Knobel) | — | ||
| 23-6 | Hat gesagt - bleibt's nicht dabei, op. 36 TrV 186 no. 3 (anon.) | — | ||
| 23-7 | Mutterändelei, op. 43 TrV 196 no. 2 (Gottfried August Bürger) | — | ||
| 23-8 | Madrigal, op. 15 TrV 148 no. 1 (Sophie Hasenclever) | — | ||
| 23-9 | Ständchen, op. 17 TrV 149 no. 2 (Adolf Friedrich von Schack) | — | ||
| 23-10 | Schlechtes Wetter, op. 69 TrV 237 no. 5 (Heinrich Heine) | — | ||
| 23-11 | Allerseelen, op. 10 TrV 141 no. 8 (Hermann von Gilm) | — | ||
| 23-12 | Die Nacht, op. 10 TrV 141 no. 3 (Hermann von Gilm) | — | ||
| 23-13 | Cäcilie, op. 27 TrV 170 no. 2 (Heinrich Hart) | — | ||
| 23-14 | All mein' Gedanken, op. 21 TrV 160 no. 1 (Felix Dahn) | — | ||
| 23-15 | Begegnung, TrV 90 (Otto Friedrich Gruppe) | — | ||
| 23-16 | Morgen!, op. 27 TrV 170 no. 4 (John Henry Mackay) | — | ||
| 23-17 | Zueignung, op. 10 TrV 141 no. 1 (Hermann von Gilm) | — | ||
| 24-1 | Große Messe, K. 427: I. Kyrie | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-2 | Große Messe, K. 427: II. Gloria: Gloria excelsis Deo | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-3 | Große Messe, K. 427: II. Gloria: Laudamus te | Anne Sofie von Otter, Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-4 | Große Messe, K. 427: II. Gloria: Gratias | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-5 | Große Messe, K. 427: II. Gloria: Domine | Anne Sofie von Otter, Elizabeth Norberg-Schulz, Wiener Philharmoniker, Sir Georg Solti | T-926.494.374-0 | |
| 24-6 | Große Messe, K. 427: II. Gloria: Qui tollis | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-7 | Große Messe, K. 427: II. Gloria: Quoniam | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-8 | Große Messe, K. 427: II. Gloria: Jesu Christe - Cum Sancto Spiritu | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-9 | Große Messe, K. 427: III. Credo: Credo in unum Deum | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-10 | Große Messe, K. 427: III. Credo: Et incarnatus est | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-11 | Große Messe, K. 427: IV. Sanctus: Sanctus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-12 | Große Messe, K. 427: IV. Sanctus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-13 | Große Messe, K. 427: V. Benedictus: Benedictus | Wiener Philharmoniker, Sir Georg Solti | — | |
| 24-14 | Große Messe, K. 427: V. Benedictus: Osanna | Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-1 | Requiem, K. 626: I. Introitus: "Requiem aeternam" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-905.034.867-9 | |
| 25-2 | Requiem, K. 626: II. "Kyrie eleison" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.240.177-3 | |
| 25-3 | Requiem, K. 626: IIIa. Sequenz: "Dies irae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-923.239.846-8 | |
| 25-4 | Requiem, K. 626: IIIb. Sequenz: "Tuba mirum" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-5 | Requiem, K. 626: IIIc. Sequenz: "Rex tremendae" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-6 | Requiem, K. 626: IIId. Sequenz: "Recordare" | Arleen Augér, Cecilia Bartoli, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-316.209.461-9 | |
| 25-7 | Requiem, K. 626: IIIe. Sequenz: "Confutatis" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-8 | Requiem in D minor, K. 626 (edited by H.C. Robbins Landon): Lacrimosa | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-009.157.890-3 | |
| 25-9 | Requiem, K. 626: IVa. Offertorium: "Domine Jesu" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-10 | Requiem, K. 626: IVb. Offertorium: "Hostias" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-900.137.873-0 | |
| 25-11 | Prayer over the Gifts | [unknown] | — | |
| 25-12 | Preface | [unknown] | — | |
| 25-13 | Requiem, K. 626: V. "Sanctus" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-14 | Requiem, K. 626: VI. "Benedictus" | Arleen Augér, Cecilia Bartoli, Konzertvereinigung Wiener Staatsopernchor, Vinson Cole, René Pape, Wiener Philharmoniker, Sir Georg Solti | T-050.283.177-7 | |
| 25-15 | Canon | [unknown] | — | |
| 25-16 | Pater Noster. Ecce Agnus | [unknown] | — | |
| 25-17 | Requiem, K. 626: VII. "Agnus Dei" | Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | — | |
| 25-18 | Requiem, K. 626: VIII. Communio: "Lux aeterna" | Arleen Augér, Konzertvereinigung Wiener Staatsopernchor, Wiener Philharmoniker, Sir Georg Solti | T-903.580.012-5 | |
| 26-1 | Symphony no. 9 in E-flat, op. 70: I. Allegro | — | ||
| 26-2 | Symphony no. 9 in E-flat, op. 70: II. Moderato | — | ||
| 26-3 | Symphony no. 9 in E-flat, op. 70: III. Presto | — | ||
| 26-4 | Symphony no. 9 in E-flat, op. 70: IV. Largo | — | ||
| 26-5 | Symphony no. 9 in E-flat, op. 70: V. Allegretto | — | ||
| 26-6 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | — | ||
| 26-7 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | — | ||
| 26-8 | Symphony no. 5 in C minor, op. 67: III. Scherzo: Allegro - Trio | — | ||
| 26-9 | Symphony no. 5 in C minor, op. 67: IV. Allegro | — | ||
| 27-1 | Symphony no. 4 in A major, op. 90 "Italian": I. Allegro vivace | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-2 | Symphony no. 4 in A major, op. 90 "Italian": II. Andante con moto | Wiener Philharmoniker, Sir Georg Solti | T-303.792.628-2 | |
| 27-3 | Symphony no. 4 in A major, op. 90 "Italian": III. Con moto moderato | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-4 | Symphony no. 4 in A major, op. 90 "Italian": IV. Saltarello presto | Wiener Philharmoniker, Sir Georg Solti | — | |
| 27-5 | Symphony no. 5 in D minor, op. 47: I. Moderato | — | ||
| 27-6 | Symphony no. 5 in D minor, op. 47: II. Allegretto | — | ||
| 27-7 | Symphony no. 5 in D minor, op. 47: III. Largo | — | ||
| 27-8 | Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo | — | ||
| 28-1 | Variations on a Hungarian folk song “Fölszállott a páva” (“The Peacock Roared”) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-2 | Variations on a Theme of Paganini, op. 26 | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-3 | Variations on an Original Theme, op. 36 “Enigma”: Theme (Enigma: Andante) | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-4 | Variations on an Original Theme, op. 36 “Enigma”: Variation I (L'istesso tempo) “C.A.E.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-5 | Variations on an Original Theme, op. 36 “Enigma”: Variation II (Allegro) “H.D.S-P.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-6 | Variations on an Original Theme, op. 36 “Enigma”: Variation III (Allegretto) “R.B.T.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-7 | Variations on an Original Theme, op. 36 “Enigma”: Variation IV (Allegro di molto) “W.M.B” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-8 | Variations on an Original Theme, op. 36 “Enigma”: Variation V. (Moderato) “R.P.A.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-9 | Variations on an Original Theme, op. 36 “Enigma”: Variation VI (Andantino) “Ysobel” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-10 | Variations on an Original Theme, op. 36 “Enigma”: Variation VII (Presto) “Troyte” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-11 | Variations on an Original Theme, op. 36 “Enigma”: Variation VIII (Allegretto) “W.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-12 | Variations on an Original Theme, op. 36 “Enigma”: Variation IX (Adagio) “Nimrod” | Vienna Philharmonic Orchestra, Sir Georg Solti | T-010.115.427-1 | |
| 28-13 | Variations on an Original Theme, op. 36 “Enigma”: Variation X (Intermezzo: Allegretto) “Dorabella” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-14 | Variations on an Original Theme, op. 36 “Enigma”: Variation XI (Allegro di molto) “G.R.S.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-15 | Variations on an Original Theme, op. 36 “Enigma”: Variation XII (Andante) “B.G.N.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-16 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIII (Romanza: Moderato) “* * *” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 28-17 | Variations on an Original Theme, op. 36 “Enigma”: Variation XIV (Finale: Allegro) “E.D.U.” | Vienna Philharmonic Orchestra, Sir Georg Solti | — | |
| 29-1 | A Night on the Bare Mountain | — | ||
| 29-2 | Prince Igor: Overture | — | ||
| 29-3 | Ruslan and Lyudmila: Overture | — | ||
| 29-4 | Khovanshchina: Introduction | — | ||
| 29-5 | Khovanshchina: Dance of the Persian Slaves | — | ||
| 30-1 | Piano Quartet no. 1 in G minor, K. 478: I. Allegro | — | ||
| 30-2 | Piano Quartet no. 1 in G minor, K. 478: II. Andante | — | ||
| 30-3 | Piano Quartet no. 1 in G minor, K. 478: III. Rondo: Allegro moderato | — | ||
| 30-4 | Piano Quartet no. 2 in E-flat, K. 493: I. Allegro | — | ||
| 30-5 | Piano Quartet no. 2 in E-flat, K. 493: II. Larghetto | — | ||
| 30-6 | Piano Quartet no. 2 in E-flat, K. 493: III. Allegretto | — | ||
| 31-1 | Symphony no. 40 in G minor, K. 550: I. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-2 | Symphony no. 40 in G minor, K. 550: II. Andante | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-3 | Symphony no. 40 in G minor, K. 550: III. Menuetto: Allegretto – Trio | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-4 | Symphony no. 40 in G minor, K. 550: IV. Allegro assai | Chamber Orchestra of Europe, Sir Georg Solti | T-306.395.786-4 | |
| 31-5 | Symphony no. 41 in C major, K. 551 “Jupiter”: I. Allegro vivace | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-6 | Symphony no. 41 in C major, K. 551 “Jupiter”: II. Andante cantabile | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-7 | Symphony no. 41 in C major, K. 551 “Jupiter”: III. Menuetto & Trio: Allegretto | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 31-8 | Symphony no. 41 in C major, K. 551 “Jupiter”: IV. Molto allegro | Chamber Orchestra of Europe, Sir Georg Solti | — | |
| 32-1 | Eine Alpensinfonie, op. 64 TrV 233: I. Nacht | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-2 | Eine Alpensinfonie, op. 64 TrV 233: II. Sonnenaufgang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-3 | Eine Alpensinfonie, op. 64 TrV 233: III. Der Anstieg | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-4 | Eine Alpensinfonie, op. 64 TrV 233: IV. Eintritt in den Wald / V. Wanderung neben dem Bache | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-5 | Eine Alpensinfonie, op. 64 TrV 233: VI. Am Wasserfall | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-6 | Eine Alpensinfonie, op. 64 TrV 233: VII. Erscheinung | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-7 | Eine Alpensinfonie, op. 64 TrV 233: VIII. Auf blumigen Wiesen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-8 | Eine Alpensinfonie, op. 64 TrV 233: IX. Auf der Alm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-9 | Eine Alpensinfonie, op. 64 TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-10 | Eine Alpensinfonie, op. 64 TrV 233: XI. Auf dem Gletscher | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-11 | Eine Alpensinfonie, op. 64 TrV 233: XII. Gefahrvolle Augenblicke / XIII. Auf dem Gipfel | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-12 | Eine Alpensinfonie, op. 64 TrV 233: XIV. Vision | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-13 | Eine Alpensinfonie, op. 64 TrV 233: XV. Nebel steigen auf | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-14 | Eine Alpensinfonie, op. 64 TrV 233: XVI. Die Sonne verdüstert sich allmählich | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-15 | Eine Alpensinfonie, op. 64 TrV 233: XVII. Elegie | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-16 | Eine Alpensinfonie, op. 64 TrV 233: XVIII. Stille vor dem Sturm | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-17 | Eine Alpensinfonie, op. 64 TrV 233: XIX. Gewitter und Sturm | — | ||
| 32-18 | Eine Alpensinfonie, op. 64 TrV 233: XX. Sonnenuntergang | — | ||
| 32-19 | Eine Alpensinfonie, op. 64 TrV 233: XXI. Ausklang | Symphonieorchester des Bayerischen Rundfunks, Sir Georg Solti | — | |
| 32-20 | Eine Alpensinfonie, op. 64 TrV 233: XXII. Nacht | — | ||
| 33-1 | Also sprach Zarathustra, op. 30: I. Prelude: Sonnenaufgang | Berliner Philharmoniker, Sir Georg Solti | T-329.531.199-4 | |
| 33-2 | Also sprach Zarathustra, op. 30: II. Von den Hinterweltlern | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-3 | Also sprach Zarathustra, op. 30: III. Von der großen Sehnsucht | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-4 | Also sprach Zarathustra, op. 30: IV. Von den Freuden und Leidenschaften | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-5 | Also sprach Zarathustra, op. 30: V. Das Grablied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-6 | Also sprach Zarathustra, op. 30: VI. Von der Wissenschaft | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-7 | Also sprach Zarathustra, op. 30: VII. Der Genesende | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-8 | Also sprach Zarathustra, op. 30: VIII. Das Tanzlied - Das Nachtlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-9 | Also sprach Zarathustra, op. 30: IX. Das Nachtwandlerlied | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-10 | Till Eulenspiegels lustige Streiche, op. 28 | Berliner Philharmoniker, Sir Georg Solti | — | |
| 33-11 | Salome, op. 54: Salome's Dance “Dance of the Seven Veils” | Berliner Philharmoniker, Sir Georg Solti | — | |
| 34-1 | Mass in D, op. 123 “Missa Solemnis”: I. Kyrie | — | ||
| 34-2 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. a. Gloria in excelsis Deo | — | ||
| 34-3 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. b. Qui tollis peccata mundi | — | ||
| 34-4 | Mass in D, op. 123 “Missa Solemnis”: II. Gloria. c. Quoniam tu solus Sanctus | — | ||
| 34-5 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. a. Credi un unum Deum | — | ||
| 34-6 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. b. Et incarnatus est | — | ||
| 34-7 | Mass in D, op. 123 “Missa Solemnis”: III. Credo. c. Et resurrexit tertia die | — | ||
| 34-8 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. a. Sanctus, Sanctus, Sanctus | — | ||
| 34-9 | Mass in D, op. 123 “Missa Solemnis”: IV. Sanctus. b. Benedictus qui venit | — | ||
| 34-10 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. a. Agnus Dei, qui tollis peccata mundi | — | ||
| 34-11 | Mass in D, op. 123 “Missa Solemnis”: V. Agnus Dei. b. Dona nobis pacem | — | ||
| 35-1 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: I. Andante sostenuto - Allegro vivo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-2 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: II. Andantino marziale, quasi moderato | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-3 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: III. Scherzo: Allegro molto vivace - Trio: L'istesso tempo | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 35-4 | Symphony no. 2 in C minor, op. 17 TH 25 “Little Russian”: IV. Finale: Moderato assai - Allegro vivo - Presto | Paris Conservatoire Orchestra, Sir Georg Solti | — | |
| 36-1 | Symphony no. 5 in E minor, op. 64 TH 29: I. Andante - Allegro con anima | — | ||
| 36-2 | Symphony no. 5 in E minor, op. 64 TH 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | — | ||
| 36-3 | Symphony no. 5 in E minor, op. 64 TH 29: III. Valse: Allegro moderato | — | ||
| 36-4 | Symphony no. 5 in E minor, op. 64 TH 29: IV. Finale: Andante maestoso - Allegro vivace | — | ||
| 37-1 | Tasso: Lamento e trionfo, S. 96 | Orchestra de Paris, Sir Georg Solti | — | |
| 37-2 | 2 Episoden aus Lenaus Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto Waltz no. 1) | Orchestra de Paris, Sir Georg Solti | — | |
| 37-3 | Von der Wiege bis zum Grabe, S. 107 (Symphonic Poem no. 13) | Orchestra de Paris, Sir Georg Solti | — | |
| 38-1 | Symphony no. 4 in G: I. Bedächtig. Nicht eilen - Recht gemächlich | — | ||
| 38-2 | Symphony no. 4 in G: II. In gemächlicher Bewegung. Ohne Hast | — | ||
| 38-3 | Symphony no. 4 in G: III. Ruhevoll. Poco adagio | — | ||
| 38-4 | Symphony no. 4 in G: IV. Sehr behaglich: “Wir genießen die himmlischen Freuden” | — | ||
| 39-1 | Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | — | ||
| 39-2 | Das Lied von der Erde: II. Der Einsame im Herbst | — | ||
| 39-3 | Das Lied von der Erde: III. Von der Jugend | — | ||
| 39-4 | Das Lied von der Erde: IV. Von der Schönheit | — | ||
| 39-5 | Das Lied von der Erde: V. Der Trunkene im Frühling | — | ||
| 39-6 | Das Lied von der Erde: VI. Der Abschied | — | ||
| 40-1 | Symphony no. 1 in F minor, op. 10: I. Allegretto - Allegro non troppo | — | ||
| 40-2 | Symphony no. 1 in F minor, op. 10: II. Allegro | — | ||
| 40-3 | Symphony no. 1 in F minor, op. 10: III. Lento | — | ||
| 40-4 | Symphony no. 1 in F minor, op. 10: IV. Lento - Allegro molto | — | ||
| 40-5 | Le Sacre du printemps: Part I: Adoration of the Earth. I. Introduction | — | ||
| 40-6 | Le Sacre du printemps: Part I: Adoration of the Earth. II. The Augurs of Spring: Dances of the Young Girls | — | ||
| 40-7 | Le Sacre du printemps: Part I: Adoration of the Earth. III. Ritual of Abduction | — | ||
| 40-8 | Le Sacre du printemps: Part I: Adoration of the Earth. IV. Spring Rounds | — | ||
| 40-9 | Le Sacre du printemps: Part I: Adoration of the Earth. V. Ritual of the Rival Tribes | — | ||
| 40-10 | Le Sacre du printemps: Part I: Adoration of the Earth. VIa. Procession of the Sage | — | ||
| 40-11 | Le Sacre du printemps: Part I: Adoration of the Earth. VIb. The Sage | — | ||
| 40-12 | Le Sacre du printemps: Part I: Adoration of the Earth. VII. Dance of the Earth | — | ||
| 40-13 | Le Sacre du printemps: Part II: The Sacrifice. I. Introduction | — | ||
| 40-14 | Le Sacre du printemps: Part II: The Sacrifice. II. Mystic Circles of the Young Girls | — | ||
| 40-15 | Le Sacre du printemps: Part II: The Sacrifice. III. Glorification of the Chosen One | — | ||
| 40-16 | Le Sacre du printemps: Part II: The Sacrifice. IV. Evocation of the Ancestors | — | ||
| 40-17 | Le Sacre du printemps: Part II: The Sacrifice. V. Ritual Action of the Ancestors | — | ||
| 40-18 | Le Sacre du printemps: Part II: The Sacrifice. VI. Sacrificial Dance (The Chosen One) | — | ||
| 41-1 | La Boutique fantasque Suite: I. Overture | — | ||
| 41-2 | La Boutique fantasque Suite: II. Tarantella | — | ||
| 41-3 | La Boutique fantasque Suite: III. Mazurka | — | ||
| 41-4 | La Boutique fantasque Suite: IV. Cossack Dance | — | ||
| 41-5 | La Boutique fantasque Suite: V. Can-Can | — | ||
| 41-6 | La Boutique fantasque Suite: VI. Valse lente | — | ||
| 41-7 | La Boutique fantasque Suite: VII. Nocturne | — | ||
| 41-8 | La Boutique fantasque Suite: VIII. Galop | — | ||
| 41-9 | L'Apprenti sorcier | — | ||
| 42-1 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: I. Allegro vivace | — | ||
| 42-2 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: II. Andante con moto | — | ||
| 42-3 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: III. Con moto moderato | — | ||
| 42-4 | Symphony no. 4 in A, op. 90 MWV N16 “Italian”: IV. Saltarello: Presto | — | ||
| 42-5 | Symphony no. 5 in B-flat, D. 485: I. Allegro | — | ||
| 42-6 | Symphony no. 5 in B-flat, D. 485: II. Andante con moto | — | ||
| 42-7 | Symphony no. 5 in B-flat, D. 485: III. Menuetto: Allegro molto | — | ||
| 42-8 | Symphony no. 5 in B-flat, D. 485: IV. Allegro vivace | — | ||
| 43-1 | Serenade for String Orchestra, op. 48 TH 48: I. Pezzo in forma di sonatina: Andante non troppo - Allegro moderato | — | ||
| 43-2 | Serenade for String Orchestra, op. 48 TH 48: II. Valse: Moderato, Tempo di valse | — | ||
| 43-3 | Serenade for String Orchestra, op. 48 TH 48: III. Elegia: Larghetto elegiaco | — | ||
| 43-4 | Serenade for String Orchestra, op. 48 TH 48: IV. Finale (Tema russo ): Andante - Allegro con spirito | — | ||
| 43-5 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: I. Allegro | — | ||
| 43-6 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: II. Romance: Andante | — | ||
| 43-7 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: III. Menuetto: Allegretto | — | ||
| 43-8 | Serenade no. 13 in G, K. 525 “Eine kleine Nachtmusik”: IV. Rondo: Allegro | — | ||
| 44-1 | Introduction and Overview | — | ||
| 44-2 | 1930s and 1940s Europe | — | ||
| 44-3 | Vienna Philharmonic Orchestra: Part One (1950s and 1960s) | — | ||
| 44-4 | Solti's conducting maxims and artistic approach | — | ||
| 44-5 | Vienna Philharmonic Orchestra: Part Two (1970s to 1990s) | — | ||
| 44-6 | Berlin Philharmonic Orchestra | — | ||
| 44-7 | Solti and young musicians: Schleswig-Holstein Festival Orchestra and Chamber Orchestra of Europe | — | ||
| 44-8 | Solti and young opera singers | — | ||
| 44-9 | World Orchestra for Peace | — | ||
| 44-10 | Final months: Full circle to Budapest and Zürich | — | ||
| 45-1 | Titles - Processional - Introductory Rites | — | ||
| 45-2 | Requiem in D minor, K. 626: I. Introitus | — | ||
| 45-3 | Requiem in D minor, K. 626: II. Kyrie | — | ||
| 45-4 | Collect - First Reading | — | ||
| 45-5 | Requiem in D minor, K. 626: III. Sequentia. a. Dies irae | — | ||
| 45-6 | Requiem in D minor, K. 626: III. Sequentia. b. Tuba mirum | — | ||
| 45-7 | Requiem in D minor, K. 626: III. Sequentia. c. Rex tremendae | — | ||
| 45-8 | Requiem in D minor, K. 626: III. Sequentia. d. Recordare | — | ||
| 45-9 | Requiem in D minor, K. 626: III. Sequentia. e. Confutatis | — | ||
| 45-10 | Requiem in D minor, K. 626: III. Sequentia. f. Lacrimosa | — | ||
| 45-11 | Second Reading - Gospel - Prayer of the Faithful - Offertory | — | ||
| 45-12 | Requiem in D minor, K. 626: IV. Offertorium. a. Domine Jesu | — | ||
| 45-13 | Requiem in D minor, K. 626: IV. Offertorium. b. Hostias | — | ||
| 45-14 | Prayer over the gifts - Preface | — | ||
| 45-15 | Requiem in D minor, K. 626: V. Sanctus | — | ||
| 45-16 | Requiem in D minor, K. 626: VI. Benedictus | — | ||
| 45-17 | Canon - Pater noster | — | ||
| 45-18 | Requiem in D minor, K. 626: VII. Agnus Dei | — | ||
| 45-19 | Requiem in D minor, K. 626: VIII. Communio | — | ||
| 45-20 | Postcommunion - Blessing | — | ||
| 45-21 | The Story of the Requiem: Introductory film | — | ||
| 46-1 | Titles | — | ||
| 46-2 | Georg Solti in conversation and rehearsal | — | ||
| 46-3 | Guillaume Tell: Overture | — | ||
| 46-4 | Concerto for Orchestra, Sz. 116: I. Introduzione: Andante non troppo - Allegro vivace | — | ||
| 46-5 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 46-6 | Concerto for Orchestra, Sz. 116: III. Elegia: Andante, non troppo | — | ||
| 46-7 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto: Allegretto | — | ||
| 46-8 | Concerto for Orchestra, Sz. 116: V. Finale: Pesante - Presto | — | ||
| 46-9 | Fidelio, op. 72: Act II. Finale “Heil sei dem Tag” | — | ||
| 46-10 | Closing Credits | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Messa da requiem: Libera Me: Libera me | Chor der Wiener Staatsoper, Joan Sutherland, Martti Talvela, Wiener Philharmoniker, Sir Georg Solti | T-329.460.025-8 |
| Symphony no. 7 in E major, WAB 107: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: II. Adagio: Sehr feierlich und sehr langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: III. Scherzo: Sehr schnell | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 7 in E major, WAB 107: IV. Finale: Bewegt, doch nicht schnell | Wiener Philharmoniker, Sir Georg Solti | T-318.676.528-2 |
| Symphony no. 8 in C minor, WAB 108: I. Allegro moderato | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: II. Scherzo. Allegro moderato - Trio. Langsam | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend | Wiener Philharmoniker, Sir Georg Solti | — |
| Symphony no. 8 in C minor, WAB 108: IV. Finale. Feierlich, nicht schnell | Wiener Philharmoniker, Sir Georg Solti | — |
