UPC · Release
Detroit Symphony Orchestra, Antal Doráti
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The UPC for “Doráti in Detroit: Complete Decca Recordings” by Detroit Symphony Orchestra, Antal Doráti is 028948531141. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 150 tracks, each with its own ISRC. Tracks include GBF077811290, GBF077811951, GBF077811952.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ouverture solennelle "1812", op. 49, TH 49 "1812" | — | ||
| 2 | Capriccio italien, op. 45, TH 47 | — | ||
| 3 | Marche slave, op. 31, TH 45 | — | ||
| 2-1 | Hungarian Rhapsody no. 2, S. 244/2 | — | ||
| 2-2 | Slavonic Rhapsody in A-flat, op. 45/3, B. 86/3 | — | ||
| 2-3 | Roumanian Rhapsody in A, op. 11, no. 1 | Detroit Symphony Orchestra, Antal Doráti | — | |
| 2-4 | Rapsodie Espagnole M.54: I. Prélude à la nuit | — | ||
| 2-5 | Rapsodie Espagnole M.54: II. Malagueña | — | ||
| 2-6 | Rapsodie Espagnole M.54: III. Habanera | — | ||
| 2-7 | Rapsodie Espagnole M.54: IV. Feria | — | ||
| 3-1 | Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-2 | Suite no. 1, op. 3, Sz. 31: 2. Poco adagio | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-3 | Suite no. 1, op. 3, Sz. 31: 3. Presto | Detroit Symphony Orchestra, Antal Doráti | T-007.183.934-3 | |
| 3-4 | Suite no. 1, op. 3, Sz. 31: 4. Moderato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-5 | Suite no. 1, op. 3, Sz. 31: 5. Molto vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Two Pictures, op. 10: I. In Full Flower | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-7 | Two Pictures, op. 10: II. Village Dance | Detroit Symphony Orchestra, Antal Doráti | — | |
| 4-1 | Die ägyptische Helena: Act I. Das Mahl ist gerichtet | — | ||
| 4-2 | Die ägyptische Helena: Act I. Ist es wirklich Helena? | — | ||
| 4-3 | Die ägyptische Helena: Act I. Wo bin ich? | — | ||
| 4-4 | Die ägyptische Helena: Act I. Bei jener Nacht, der keuschen einzig einen | — | ||
| 4-5 | Die ägyptische Helena: Act I. Ihr grünen Augen im weiẞen Gesicht | — | ||
| 4-6 | Die ägyptische Helena: Act I. Du bist durchnässt | — | ||
| 4-7 | Die ägyptische Helena: Act I. Ai!... Im weiẞen Gewand | — | ||
| 4-8 | Die ägyptische Helena: Act I. Zerspalten das Herz! | — | ||
| 4-9 | Die ägyptische Helena: Act I. Finale: O Engel! | — | ||
| 4-10 | Die ägyptische Helena: Act I. Das Nötigste nur in eine Truhe | — | ||
| 5-1 | Die ägyptische Helena: Act II. Zweite Brautnacht! | — | ||
| 5-2 | Die ägyptische Helena: Act II. Wo ist das Haus? | — | ||
| 5-3 | Die ägyptische Helena: Act II. Aus flirrender Stille was naht heran? | — | ||
| 5-4 | Die ägyptische Helena: Act II. Ich werde neben dir reiten! | — | ||
| 5-5 | Die ägyptische Helena: Act II. So schön bedient | — | ||
| 5-6 | Die ägyptische Helena: Act II. Aithra! Liebe Herrliche! | — | ||
| 5-7 | Die ägyptische Helena: Act II. O dreifache Törin! | — | ||
| 5-8 | Die ägyptische Helena: Act II. Mein Geliebter! Menelas! | — | ||
| 5-9 | Die ägyptische Helena: Act II. Unter geschlossenem Lid | — | ||
| 5-10 | Die ägyptische Helena: Act II. Helena, oder wie ich sonst dich nenne | — | ||
| 5-11 | Die ägyptische Helena: Act II. Bei jener Nacht, der keuschen einzig einen | — | ||
| 5-12 | Die ägyptische Helena: Act II. Ewig erwählt von diesem Blick! | — | ||
| 5-13 | Die ägyptische Helena: Act II. Wie du aufs neue die Nacht durchglänzest | — | ||
| 6-1 | Don Juan, op. 20, Trv 156 | — | ||
| 6-2 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 | — | ||
| 6-3 | Tod und Verklärung, op. 24, Trv 158: I. Largo | — | ||
| 6-4 | Tod und Verklärung, op. 24, Trv 158: II. Allegro molto agitato | — | ||
| 6-5 | Tod und Verklärung, op. 24, Trv 158: III. Meno mosso | — | ||
| 6-6 | Tod und Verklärung, op. 24, Trv 158: IV. Moderato | — | ||
| 8-1 | Symphony no. 2, op. 19: 1. Allegro moderato, grazioso | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Symphony no. 2, op. 19: 2. Tema, variazoni, fuga | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Symphony no. 3 “Chant de la nuit”, op. 27: Moderato assai… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Symphony no. 3 “Chant de la nuit”, op. 27: Vivace scherzando… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Symphony no. 3 “Chant de la nuit”, op. 27: Largo… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Czech Suite, op. 39, B. 93: I. Praeludium: Pastorale (Allegretto moderato) | — | ||
| 9-2 | Czech Suite, op. 39, B. 93: II. Polka (Allegretto grazioso) | — | ||
| 9-3 | Czech Suite, op. 39, B. 93: III. Sousedská (Allegro giusto) | — | ||
| 9-4 | Czech Suite, op. 39: 4. Romanza (Andante con moto) | Detroit Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Czech Suite, op. 39, B. 93: V. Finale: Furiant (Presto) | — | ||
| 9-6 | Prague Waltzes, B. 99 | — | ||
| 9-7 | Polonaise, B. 100 | — | ||
| 9-8 | Polka, op. 53a/1, B. 114 "For Prague Students" | — | ||
| 9-9 | Nocturne, op. 40, B. 47 | — | ||
| 10-1 | El salón México | Detroit Symphony Orchestra, Antal Doráti | T-070.133.985-6 | |
| 10-2 | Dance Symphony: I. Lento - Molto allegro - Adagio molto | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Dance Symphony: II. Andante moderato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Dance Symphony: III. Allegro vivo | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Fanfare for the Common Man | — | ||
| 10-6 | Four Dance Episodes From "Rodeo": I. Buckaroo Holiday | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Four Dance Episodes From "Rodeo": II. Corral Nocturne | Detroit Symphony Orchestra, Antal Doráti | T-070.026.038-3 | |
| 10-8 | Four Dance Episodes From "Rodeo": III. Saturday Night Waltz | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Four Dance Episodes From "Rodeo": IV. Hoe-Down | Detroit Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: I. Introduction | — | ||
| 11-2 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: II. Les Augures printaniers | — | ||
| 11-3 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: III. Jeu du rapt | — | ||
| 11-4 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: IV. Rondes printanières | — | ||
| 11-5 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: V. Jeux des cités rivales | — | ||
| 11-6 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VI. Cortège du sage | — | ||
| 11-7 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VII. Le Sage | — | ||
| 11-8 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VIII. Danse de la terre | — | ||
| 11-9 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: I. Introduction | — | ||
| 11-10 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: II. Cercles mystérieux des adolescentes | — | ||
| 11-11 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: III. Glorification de l'élue | — | ||
| 11-12 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: IV. Évocation des ancêtres | — | ||
| 11-13 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: V. Action rituelle des ancêtres | — | ||
| 11-14 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: VI. Danse sacrale | — | ||
| 12-1 | Also sprach Zarathustra, op. 30, TrV 176: Sonnenaufgang | — | ||
| 12-2 | Also sprach Zarathustra, op. 30, TrV 176: Von den Hinterweltlern | — | ||
| 12-3 | Also sprach Zarathustra, op. 30, TrV 176: Von der groẞen Sehnsucht | — | ||
| 12-4 | Also sprach Zarathustra, op. 30, TrV 176: Von den Frueden und Leidenschaften | — | ||
| 12-5 | Also sprach Zarathustra, op. 30, TrV 176: Das Grablied | — | ||
| 12-6 | Also sprach Zarathustra, op. 30, TrV 176: Von der Wissenschaft | — | ||
| 12-7 | Also sprach Zarathustra, op. 30, TrV 176: Der Genesende | — | ||
| 12-8 | Also sprach Zarathustra, op. 30, TrV 176: Das Tanzlied | — | ||
| 12-9 | Also sprach Zarathustra, op. 30, TrV 176: Nachtwandlerlied | — | ||
| 12-10 | Macbeth, op. 23, TrV 163 | — | ||
| 13-1 | L'Oiseau de feu: Introduction | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-2 | L'Oiseau de feu: Le jardin enchante de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | T-700.125.942-5 | |
| 13-3 | L'Oiseau de feu: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-4 | L'Oiseau de feu: Danse de l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-5 | L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-6 | L'Oiseau de feu: Supplications de l'Oiseau de feu - apparition des treize princesses enchantees | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-7 | L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-8 | L'Oiseau de feu: Brusque apparition d'Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-9 | L'Oiseau de feu: Khorovod (ronde) des princesses | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-10 | L'Oiseau de feu: Lever du jour - Ivan Tsarevitch penetre dans lepalais de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-11 | L'Oiseau de feu: Carillon feerique - apparition des monster-gardiens de Kachtchei - capture d'Ivan.. | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-12 | L'Oiseau de feu: Danse de la suite de Kachtchei enchantee par l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-13 | L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-14 | L'Oiseau de feu: Berceuse (l'Oiseau de feu) - reveil de Kachtchei - mort de Kachtchei - profonds... | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-15 | L'Oiseau de feu: Disparition du palais et des sortileges de Kachtchei - animation des chevaliers... | Detroit Symphony Orchestra, Antal Doráti | — | |
| 14-1 | Porgy and Bess: A Symphonic Picture | — | ||
| 14-2 | Grand Canyon Suite: I. Sunrise | — | ||
| 14-3 | Grand Canyon Suite: II. Painted Desert | — | ||
| 14-4 | Grand Canyon Suite: III. On the Trail | — | ||
| 14-5 | Grand Canyon Suite: IV. Sunset | — | ||
| 14-6 | Grand Canyon Suite: V. Cloudburst | — | ||
| 15-1 | Suite from "Der Rosenkavalier", op. 59, TrV 227: I. Introduction (Octavian and the Marschallin) | — | ||
| 15-2 | Suite from "Der Rosenkavalier", op. 59, TrV 227: II. The Silver Rose (Octavian and Sophie) | — | ||
| 15-3 | Suite from "Der Rosenkavalier", op. 59, TrV 227: III. The Intrigue | — | ||
| 15-4 | Suite from "Der Rosenkavalier", op. 59, TrV 227: IV. Baron Ochs auf Lerchenau | — | ||
| 15-5 | Suite from "Der Rosenkavalier", op. 59, TrV 227: V. Resumé - The Great Waltz | — | ||
| 15-6 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Langsam - | — | ||
| 15-7 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Langsam (3/4) - Sehr lebhaft (Fig. 8) - | — | ||
| 15-8 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig bewegt (6/8, Fig. 9) - | — | ||
| 15-9 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig bewegt (4/4, Fig. 15) - | — | ||
| 15-10 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig - Bewegt (Fig. 19) - Sehr bewegt (6/8) - | — | ||
| 15-11 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Etwas feierlich beginnend "Alla breve" - Etwas breit - Viel ruhiger (Fig. 32) | — | ||
| 16-1 | The Miraculous Mandarin, op. 19: Allegro / Curtain | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-2 | The Miraculous Mandarin, op. 19: 1st Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-3 | The Miraculous Mandarin, op. 19: 2nd Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-4 | The Miraculous Mandarin, op. 19: 3rd Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-5 | The Miraculous Mandarin, op. 19: Maestoso / Allegro | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-6 | The Miraculous Mandarin, op. 19: Sempre vivo / Adagio | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-7 | The Miraculous Mandarin, op. 19: Agitato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-8 | The Miraculous Mandarin, op. 19: Più Mosso | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 16-10 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | — | ||
| 16-11 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | — | ||
| 16-12 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | — | ||
| 17-1 | Symphony no. 1 in E-flat, op. 1: I. Allegro moderato | — | ||
| 17-2 | Symphony no. 1 in E-flat, op. 1: II. Scherzo: Allegretto | — | ||
| 17-3 | Symphony no. 1 in E-flat, op. 1: III. Largo | — | ||
| 17-4 | Symphony no. 1 in E-flat, op. 1: IV. Finale: Allegro molto | — | ||
| 17-5 | Scherzo fantastique, op. 3 | — | ||
| 18-1 | Appalachian Spring (1945 suite): I. Very slowly | — | ||
| 18-2 | Appalachian Spring (1945 suite): II. Allegro | — | ||
| 18-3 | Appalachian Spring (1945 suite): III. Moderato: Duo for the Bride and her Intended | — | ||
| 18-4 | Appalachian Spring (1945 suite): IV. Quite fast: The Revivalist and his flock | — | ||
| 18-5 | Appalachian Spring (1945 suite): V. Still faster - Subito allegro: Solo dance of the Bride | — | ||
| 18-6 | Appalachian Spring (1945 suite): VI. Very slowly | — | ||
| 18-7 | Appalachian Spring (1945 suite): VII. Doppio movimento: Variations on a Shaker hymn | — | ||
| 18-8 | Appalachian Spring (1945 suite): VIII. Moderate: Coda | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Four Dance Episodes From "Rodeo": III. Saturday Night Waltz | Detroit Symphony Orchestra, Antal Doráti | — |
Musical Works (ISWC)
Identifier Graph
028948531141 is a Universal Product Code (UPC) assigned to Doráti in Detroit: Complete Decca Recordings by Detroit Symphony Orchestra, Antal Doráti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 150 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Doráti in Detroit: Complete Decca Recordings” by Detroit Symphony Orchestra, Antal Doráti is 028948531141. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2023-01-01. Label: Decca. This release contains 150 tracks, each with its own ISRC. Tracks include GBF077811290, GBF077811951, GBF077811952.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ouverture solennelle "1812", op. 49, TH 49 "1812" | — | ||
| 2 | Capriccio italien, op. 45, TH 47 | — | ||
| 3 | Marche slave, op. 31, TH 45 | — | ||
| 2-1 | Hungarian Rhapsody no. 2, S. 244/2 | — | ||
| 2-2 | Slavonic Rhapsody in A-flat, op. 45/3, B. 86/3 | — | ||
| 2-3 | Roumanian Rhapsody in A, op. 11, no. 1 | Detroit Symphony Orchestra, Antal Doráti | — | |
| 2-4 | Rapsodie Espagnole M.54: I. Prélude à la nuit | — | ||
| 2-5 | Rapsodie Espagnole M.54: II. Malagueña | — | ||
| 2-6 | Rapsodie Espagnole M.54: III. Habanera | — | ||
| 2-7 | Rapsodie Espagnole M.54: IV. Feria | — | ||
| 3-1 | Suite no. 1, op. 3, Sz. 31: 1. Allegro vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-2 | Suite no. 1, op. 3, Sz. 31: 2. Poco adagio | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-3 | Suite no. 1, op. 3, Sz. 31: 3. Presto | Detroit Symphony Orchestra, Antal Doráti | T-007.183.934-3 | |
| 3-4 | Suite no. 1, op. 3, Sz. 31: 4. Moderato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-5 | Suite no. 1, op. 3, Sz. 31: 5. Molto vivace | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-6 | Two Pictures, op. 10: I. In Full Flower | Detroit Symphony Orchestra, Antal Doráti | — | |
| 3-7 | Two Pictures, op. 10: II. Village Dance | Detroit Symphony Orchestra, Antal Doráti | — | |
| 4-1 | Die ägyptische Helena: Act I. Das Mahl ist gerichtet | — | ||
| 4-2 | Die ägyptische Helena: Act I. Ist es wirklich Helena? | — | ||
| 4-3 | Die ägyptische Helena: Act I. Wo bin ich? | — | ||
| 4-4 | Die ägyptische Helena: Act I. Bei jener Nacht, der keuschen einzig einen | — | ||
| 4-5 | Die ägyptische Helena: Act I. Ihr grünen Augen im weiẞen Gesicht | — | ||
| 4-6 | Die ägyptische Helena: Act I. Du bist durchnässt | — | ||
| 4-7 | Die ägyptische Helena: Act I. Ai!... Im weiẞen Gewand | — | ||
| 4-8 | Die ägyptische Helena: Act I. Zerspalten das Herz! | — | ||
| 4-9 | Die ägyptische Helena: Act I. Finale: O Engel! | — | ||
| 4-10 | Die ägyptische Helena: Act I. Das Nötigste nur in eine Truhe | — | ||
| 5-1 | Die ägyptische Helena: Act II. Zweite Brautnacht! | — | ||
| 5-2 | Die ägyptische Helena: Act II. Wo ist das Haus? | — | ||
| 5-3 | Die ägyptische Helena: Act II. Aus flirrender Stille was naht heran? | — | ||
| 5-4 | Die ägyptische Helena: Act II. Ich werde neben dir reiten! | — | ||
| 5-5 | Die ägyptische Helena: Act II. So schön bedient | — | ||
| 5-6 | Die ägyptische Helena: Act II. Aithra! Liebe Herrliche! | — | ||
| 5-7 | Die ägyptische Helena: Act II. O dreifache Törin! | — | ||
| 5-8 | Die ägyptische Helena: Act II. Mein Geliebter! Menelas! | — | ||
| 5-9 | Die ägyptische Helena: Act II. Unter geschlossenem Lid | — | ||
| 5-10 | Die ägyptische Helena: Act II. Helena, oder wie ich sonst dich nenne | — | ||
| 5-11 | Die ägyptische Helena: Act II. Bei jener Nacht, der keuschen einzig einen | — | ||
| 5-12 | Die ägyptische Helena: Act II. Ewig erwählt von diesem Blick! | — | ||
| 5-13 | Die ägyptische Helena: Act II. Wie du aufs neue die Nacht durchglänzest | — | ||
| 6-1 | Don Juan, op. 20, Trv 156 | — | ||
| 6-2 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 | — | ||
| 6-3 | Tod und Verklärung, op. 24, Trv 158: I. Largo | — | ||
| 6-4 | Tod und Verklärung, op. 24, Trv 158: II. Allegro molto agitato | — | ||
| 6-5 | Tod und Verklärung, op. 24, Trv 158: III. Meno mosso | — | ||
| 6-6 | Tod und Verklärung, op. 24, Trv 158: IV. Moderato | — | ||
| 8-1 | Symphony no. 2, op. 19: 1. Allegro moderato, grazioso | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-2 | Symphony no. 2, op. 19: 2. Tema, variazoni, fuga | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-3 | Symphony no. 3 “Chant de la nuit”, op. 27: Moderato assai… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-4 | Symphony no. 3 “Chant de la nuit”, op. 27: Vivace scherzando… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 8-5 | Symphony no. 3 “Chant de la nuit”, op. 27: Largo… | Detroit Symphony Orchestra, Antal Doráti | — | |
| 9-1 | Czech Suite, op. 39, B. 93: I. Praeludium: Pastorale (Allegretto moderato) | — | ||
| 9-2 | Czech Suite, op. 39, B. 93: II. Polka (Allegretto grazioso) | — | ||
| 9-3 | Czech Suite, op. 39, B. 93: III. Sousedská (Allegro giusto) | — | ||
| 9-4 | Czech Suite, op. 39: 4. Romanza (Andante con moto) | Detroit Symphony Orchestra, Antal Doráti | — | |
| 9-5 | Czech Suite, op. 39, B. 93: V. Finale: Furiant (Presto) | — | ||
| 9-6 | Prague Waltzes, B. 99 | — | ||
| 9-7 | Polonaise, B. 100 | — | ||
| 9-8 | Polka, op. 53a/1, B. 114 "For Prague Students" | — | ||
| 9-9 | Nocturne, op. 40, B. 47 | — | ||
| 10-1 | El salón México | Detroit Symphony Orchestra, Antal Doráti | T-070.133.985-6 | |
| 10-2 | Dance Symphony: I. Lento - Molto allegro - Adagio molto | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-3 | Dance Symphony: II. Andante moderato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-4 | Dance Symphony: III. Allegro vivo | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-5 | Fanfare for the Common Man | — | ||
| 10-6 | Four Dance Episodes From "Rodeo": I. Buckaroo Holiday | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-7 | Four Dance Episodes From "Rodeo": II. Corral Nocturne | Detroit Symphony Orchestra, Antal Doráti | T-070.026.038-3 | |
| 10-8 | Four Dance Episodes From "Rodeo": III. Saturday Night Waltz | Detroit Symphony Orchestra, Antal Doráti | — | |
| 10-9 | Four Dance Episodes From "Rodeo": IV. Hoe-Down | Detroit Symphony Orchestra, Antal Doráti | — | |
| 11-1 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: I. Introduction | — | ||
| 11-2 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: II. Les Augures printaniers | — | ||
| 11-3 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: III. Jeu du rapt | — | ||
| 11-4 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: IV. Rondes printanières | — | ||
| 11-5 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: V. Jeux des cités rivales | — | ||
| 11-6 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VI. Cortège du sage | — | ||
| 11-7 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VII. Le Sage | — | ||
| 11-8 | Le Sacre du Printemps (The Rite of Spring): Part I: L'Adoration de la Terre: VIII. Danse de la terre | — | ||
| 11-9 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: I. Introduction | — | ||
| 11-10 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: II. Cercles mystérieux des adolescentes | — | ||
| 11-11 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: III. Glorification de l'élue | — | ||
| 11-12 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: IV. Évocation des ancêtres | — | ||
| 11-13 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: V. Action rituelle des ancêtres | — | ||
| 11-14 | Le Sacre du Printemps (The Rite of Spring): Part II: Le Sacrifice: VI. Danse sacrale | — | ||
| 12-1 | Also sprach Zarathustra, op. 30, TrV 176: Sonnenaufgang | — | ||
| 12-2 | Also sprach Zarathustra, op. 30, TrV 176: Von den Hinterweltlern | — | ||
| 12-3 | Also sprach Zarathustra, op. 30, TrV 176: Von der groẞen Sehnsucht | — | ||
| 12-4 | Also sprach Zarathustra, op. 30, TrV 176: Von den Frueden und Leidenschaften | — | ||
| 12-5 | Also sprach Zarathustra, op. 30, TrV 176: Das Grablied | — | ||
| 12-6 | Also sprach Zarathustra, op. 30, TrV 176: Von der Wissenschaft | — | ||
| 12-7 | Also sprach Zarathustra, op. 30, TrV 176: Der Genesende | — | ||
| 12-8 | Also sprach Zarathustra, op. 30, TrV 176: Das Tanzlied | — | ||
| 12-9 | Also sprach Zarathustra, op. 30, TrV 176: Nachtwandlerlied | — | ||
| 12-10 | Macbeth, op. 23, TrV 163 | — | ||
| 13-1 | L'Oiseau de feu: Introduction | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-2 | L'Oiseau de feu: Le jardin enchante de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | T-700.125.942-5 | |
| 13-3 | L'Oiseau de feu: Apparition de l'Oiseau de feu poursuivi par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-4 | L'Oiseau de feu: Danse de l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-5 | L'Oiseau de feu: Capture de l'Oiseau de feu par Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-6 | L'Oiseau de feu: Supplications de l'Oiseau de feu - apparition des treize princesses enchantees | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-7 | L'Oiseau de feu: Jeu des princesses avec les pommes d'or (Scherzo) | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-8 | L'Oiseau de feu: Brusque apparition d'Ivan Tsarevitch | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-9 | L'Oiseau de feu: Khorovod (ronde) des princesses | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-10 | L'Oiseau de feu: Lever du jour - Ivan Tsarevitch penetre dans lepalais de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-11 | L'Oiseau de feu: Carillon feerique - apparition des monster-gardiens de Kachtchei - capture d'Ivan.. | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-12 | L'Oiseau de feu: Danse de la suite de Kachtchei enchantee par l'Oiseau de feu | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-13 | L'Oiseau de feu: Danse infernale de tous les sujets de Kachtchei | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-14 | L'Oiseau de feu: Berceuse (l'Oiseau de feu) - reveil de Kachtchei - mort de Kachtchei - profonds... | Detroit Symphony Orchestra, Antal Doráti | — | |
| 13-15 | L'Oiseau de feu: Disparition du palais et des sortileges de Kachtchei - animation des chevaliers... | Detroit Symphony Orchestra, Antal Doráti | — | |
| 14-1 | Porgy and Bess: A Symphonic Picture | — | ||
| 14-2 | Grand Canyon Suite: I. Sunrise | — | ||
| 14-3 | Grand Canyon Suite: II. Painted Desert | — | ||
| 14-4 | Grand Canyon Suite: III. On the Trail | — | ||
| 14-5 | Grand Canyon Suite: IV. Sunset | — | ||
| 14-6 | Grand Canyon Suite: V. Cloudburst | — | ||
| 15-1 | Suite from "Der Rosenkavalier", op. 59, TrV 227: I. Introduction (Octavian and the Marschallin) | — | ||
| 15-2 | Suite from "Der Rosenkavalier", op. 59, TrV 227: II. The Silver Rose (Octavian and Sophie) | — | ||
| 15-3 | Suite from "Der Rosenkavalier", op. 59, TrV 227: III. The Intrigue | — | ||
| 15-4 | Suite from "Der Rosenkavalier", op. 59, TrV 227: IV. Baron Ochs auf Lerchenau | — | ||
| 15-5 | Suite from "Der Rosenkavalier", op. 59, TrV 227: V. Resumé - The Great Waltz | — | ||
| 15-6 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Langsam - | — | ||
| 15-7 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Langsam (3/4) - Sehr lebhaft (Fig. 8) - | — | ||
| 15-8 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig bewegt (6/8, Fig. 9) - | — | ||
| 15-9 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig bewegt (4/4, Fig. 15) - | — | ||
| 15-10 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Mäẞig - Bewegt (Fig. 19) - Sehr bewegt (6/8) - | — | ||
| 15-11 | Symphonic Fantasy from "Die Frau ohne Schatten", TrV 234a: Etwas feierlich beginnend "Alla breve" - Etwas breit - Viel ruhiger (Fig. 32) | — | ||
| 16-1 | The Miraculous Mandarin, op. 19: Allegro / Curtain | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-2 | The Miraculous Mandarin, op. 19: 1st Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-3 | The Miraculous Mandarin, op. 19: 2nd Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-4 | The Miraculous Mandarin, op. 19: 3rd Decoy Game | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-5 | The Miraculous Mandarin, op. 19: Maestoso / Allegro | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-6 | The Miraculous Mandarin, op. 19: Sempre vivo / Adagio | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-7 | The Miraculous Mandarin, op. 19: Agitato | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-8 | The Miraculous Mandarin, op. 19: Più Mosso | Detroit Symphony Orchestra, Antal Doráti | — | |
| 16-9 | Music for Strings, Percussion and Celesta, Sz. 106: I. Andante tranquillo | — | ||
| 16-10 | Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | — | ||
| 16-11 | Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | — | ||
| 16-12 | Music for Strings, Percussion and Celesta, Sz. 106: IV. Allegro molto | — | ||
| 17-1 | Symphony no. 1 in E-flat, op. 1: I. Allegro moderato | — | ||
| 17-2 | Symphony no. 1 in E-flat, op. 1: II. Scherzo: Allegretto | — | ||
| 17-3 | Symphony no. 1 in E-flat, op. 1: III. Largo | — | ||
| 17-4 | Symphony no. 1 in E-flat, op. 1: IV. Finale: Allegro molto | — | ||
| 17-5 | Scherzo fantastique, op. 3 | — | ||
| 18-1 | Appalachian Spring (1945 suite): I. Very slowly | — | ||
| 18-2 | Appalachian Spring (1945 suite): II. Allegro | — | ||
| 18-3 | Appalachian Spring (1945 suite): III. Moderato: Duo for the Bride and her Intended | — | ||
| 18-4 | Appalachian Spring (1945 suite): IV. Quite fast: The Revivalist and his flock | — | ||
| 18-5 | Appalachian Spring (1945 suite): V. Still faster - Subito allegro: Solo dance of the Bride | — | ||
| 18-6 | Appalachian Spring (1945 suite): VI. Very slowly | — | ||
| 18-7 | Appalachian Spring (1945 suite): VII. Doppio movimento: Variations on a Shaker hymn | — | ||
| 18-8 | Appalachian Spring (1945 suite): VIII. Moderate: Coda | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Four Dance Episodes From "Rodeo": III. Saturday Night Waltz | Detroit Symphony Orchestra, Antal Doráti | — |
