UPC · Release
Jorge Bolet
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028948542833 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Jorge Bolet, released 2024-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 311 tracks, each with its own ISRC. Tracks include GBF077810240, GBF078140101, GBF078140102.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Studies on Chopin's Études no. 5 in D-flat after op. 10 no.3 (for left hand alone) | — | ||
| 5 | Studies on Chopin's Études no. 13 in E-flat minor after op. 10 no. 6 (for left hand alone) | — | ||
| 7 | Studies on Chopin's Études no. 25 in A-flat after op. 25 no. 1: 3rd version | — | ||
| 8 | Studies on Chopin's Études no. 44 in F minor after KK IIb/3 (3 Nouvelles Études) no.1 (for left hand alone) | — | ||
| 9 | Waltz in D flat op. 64 no. 1 | — | ||
| 10 | Waltz in A flat op. 64 no. 3 | — | ||
| 11 | Waltz in A flat op. 69 no. 1 | — | ||
| 12 | Waltz in F minor op. 70 no. 2 | — | ||
| 13 | Waltz in D flat op. 70 no. 3 | — | ||
| 14 | Concert-Paraphrase after Frédéric Chopin's Grande Valse brillante, op. 18 | — | ||
| 2-1 | 2 Konzertetüden S. 145: I. Waldesrauschen | — | ||
| 2-2 | 2 Konzertetüden S. 145: II. Gnomenreigen | — | ||
| 2-3 | 3 Études de concert S. 144: I. Il lamento | — | ||
| 2-4 | 3 Études de concert S. 144: II. La leggierezza | — | ||
| 2-5 | 3 Études de concert S. 144: III. Un sospiro | — | ||
| 2-6 | Consolations S. 172 no. 1: Andante con moto | — | ||
| 2-7 | Consolations S. 172 no. 2: Un poco più mosso | — | ||
| 2-8 | Consolations S. 172 no. 3: Lento placido | — | ||
| 2-9 | Consolations S. 172 no. 4: Quasi adagio | — | ||
| 2-10 | Consolations S. 172 no. 5: Andantino | — | ||
| 2-11 | Consolations S. 172 no. 6: Allegretto sempre cantabile | — | ||
| 2-12 | Réminiscences de Don Juan, S. 418 | Jorge Bolet | T-904.369.981-6 | |
| 3-1 | Variations & Fugue on a Theme by Handel op. 24: Aria | — | ||
| 3-2 | Variations & Fugue on a Theme by Handel op. 24: Var. 1 | — | ||
| 3-3 | Variations & Fugue on a Theme by Handel op. 24: Var. 2: Animato | — | ||
| 3-4 | Variations & Fugue on a Theme by Handel op. 24: Var. 3: Dolce | — | ||
| 3-5 | Variations & Fugue on a Theme by Handel op. 24: Var. 4: Risoluto | — | ||
| 3-6 | Variations & Fugue on a Theme by Handel op. 24: Var. 5: Espressivo | — | ||
| 3-7 | Variations & Fugue on a Theme by Handel op. 24: Var. 6 | — | ||
| 3-8 | Variations & Fugue on a Theme by Handel op. 24: Var. 7: Con vivacità | — | ||
| 3-9 | Variations & Fugue on a Theme by Handel op. 24: Var. 8 | — | ||
| 3-10 | Variations & Fugue on a Theme by Handel op. 24: Var. 9: Poco sostenuto | — | ||
| 3-11 | Variations & Fugue on a Theme by Handel op. 24: Var. 10: Energico | — | ||
| 3-12 | Variations & Fugue on a Theme by Handel op. 24: Var. 11: Dolce | — | ||
| 3-13 | Variations & Fugue on a Theme by Handel op. 24: Var. 12: Soave | — | ||
| 3-14 | Variations & Fugue on a Theme by Handel op. 24: Var. 13: Largamente, ma non più | — | ||
| 3-15 | Variations & Fugue on a Theme by Handel op. 24: Var. 14: Sciolto | — | ||
| 3-16 | Variations & Fugue on a Theme by Handel op. 24: Var. 15 | — | ||
| 3-17 | Variations & Fugue on a Theme by Handel op. 24: Var. 16: Ma marcato | — | ||
| 3-18 | Variations & Fugue on a Theme by Handel op. 24: Var. 17: Più mosso | — | ||
| 3-19 | Variations & Fugue on a Theme by Handel op. 24: Var. 18: Grazioso | — | ||
| 3-20 | Variations & Fugue on a Theme by Handel op. 24: Var. 19: Leggiero und vivace | — | ||
| 3-21 | Variations & Fugue on a Theme by Handel op. 24: Var. 20: Legato | — | ||
| 3-22 | Variations & Fugue on a Theme by Handel op. 24: Var. 21: Dolce | — | ||
| 3-23 | Variations & Fugue on a Theme by Handel op. 24: Var. 22 | — | ||
| 3-24 | Variations & Fugue on a Theme by Handel op. 24: Var. 23: Vivace e staccato | — | ||
| 3-25 | Variations & Fugue on a Theme by Handel op. 24: Var. 24 | — | ||
| 3-26 | Variations & Fugue on a Theme by Handel op. 24: Var. 25 | — | ||
| 3-27 | Variations & Fugue on a Theme by Handel op. 24: Fuga | — | ||
| 3-28 | Variations & Fugue on a Theme by Telemann op. 134: Thema: Tempo di minuetto | — | ||
| 3-29 | Variations & Fugue on a Theme by Telemann op. 134: Var. 1: L’istesso tempo | — | ||
| 3-30 | Variations & Fugue on a Theme by Telemann op. 134: Var. 2 | — | ||
| 3-31 | Variations & Fugue on a Theme by Telemann op. 134: Var. 3 | — | ||
| 3-32 | Variations & Fugue on a Theme by Telemann op. 134: Var. 4 | — | ||
| 3-33 | Variations & Fugue on a Theme by Telemann op. 134: Var. 5: Non troppo vivace | — | ||
| 3-34 | Variations & Fugue on a Theme by Telemann op. 134: Var. 6 | — | ||
| 3-35 | Variations & Fugue on a Theme by Telemann op. 134: Var. 7: Quasi tempo primo | — | ||
| 3-36 | Variations & Fugue on a Theme by Telemann op. 134: Var. 8: Tempo primo | — | ||
| 3-37 | Variations & Fugue on a Theme by Telemann op. 134: Var. 9: Non troppo vivace | — | ||
| 3-38 | Variations & Fugue on a Theme by Telemann op. 134: Var. 10: Quasi adagio | — | ||
| 3-39 | Variations & Fugue on a Theme by Telemann op. 134: Var. 11 | — | ||
| 3-40 | Variations & Fugue on a Theme by Telemann op. 134: Var. 12: Poco vivace | — | ||
| 3-41 | Variations & Fugue on a Theme by Telemann op. 134: Var. 13: Tempo primo | — | ||
| 3-42 | Variations & Fugue on a Theme by Telemann op. 134: Var. 14: Meno vivace | — | ||
| 3-43 | Variations & Fugue on a Theme by Telemann op. 134: Var. 15: Andante | — | ||
| 3-44 | Variations & Fugue on a Theme by Telemann op. 134: Var. 16: Adagio | — | ||
| 3-45 | Variations & Fugue on a Theme by Telemann op. 134: Var. 17: Poco andante | — | ||
| 3-46 | Variations & Fugue on a Theme by Telemann op. 134: Var. 18: Tempo primo | — | ||
| 3-47 | Variations & Fugue on a Theme by Telemann op. 134: Var. 19: Poco vivace | — | ||
| 3-48 | Variations & Fugue on a Theme by Telemann op. 134: Var. 20 | — | ||
| 3-49 | Variations & Fugue on a Theme by Telemann op. 134: Var. 21: Vivace | — | ||
| 3-50 | Variations & Fugue on a Theme by Telemann op. 134: Var. 22 | — | ||
| 3-51 | Variations & Fugue on a Theme by Telemann op. 134: Var. 23: Poco andante – Molto adagio | — | ||
| 3-52 | Variations & Fugue on a Theme by Telemann op. 134: Fugue: Vivace con spirito | — | ||
| 4-1 | Die Forelle, S. 564 | Jorge Bolet | — | |
| 4-2 | Der Müller und der Bach, S. 565 no. 2 | Jorge Bolet | — | |
| 4-3 | Wohin?, S. 545 no. 5 | Jorge Bolet | — | |
| 4-4 | Lebe Wohl!, S. 563 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 4-5 | Das Wandern, S. 565 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 4-6 | Der Lindenbaum, S. 246 no. 7 | Jorge Bolet | — | |
| 4-7 | Ständchen, S. 558 no. 9 "Horch, horch! Die Lerch" | Jorge Bolet | — | |
| 4-8 | Auf dem Wasser zu singen, S. 558 no. 2 | Jorge Bolet | — | |
| 4-9 | Die Post, S. 561 no. 4 | Jorge Bolet | — | |
| 4-10 | Aufenthalt, S. 560 no. 3 | Jorge Bolet | — | |
| 4-11 | Lob der Tränen S. 557 | Jorge Bolet | — | |
| 4-12 | Erlkonig (Schubert) | Jorge Bolet | — | |
| 5-1 | Hungarian Rhapsody no. 12 S. 244/12 | — | ||
| 5-2 | Liebestraum no. 3 in A-flat S. 541/3 | — | ||
| 5-3 | Mephisto Waltz no. 1 S. 514 | — | ||
| 5-4 | Harmonies poétiques et religieuses: No. 7 Funérailles S. 173/7 | — | ||
| 5-5 | Concert Paraphrase on Rigoletto, S. 434 | Jorge Bolet | — | |
| 5-6 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: No. 3. La Campanella | Jorge Bolet | T-060.294.330-5 | |
| 6-1 | Piano Sonata in B minor S. 178: I. Lento assai | — | ||
| 6-2 | Piano Sonata in B minor S. 178: II. Andante sostenuto | — | ||
| 6-3 | Piano Sonata in B minor S. 178: III. Fugato | — | ||
| 6-4 | Valse-impromptu S. 213 | — | ||
| 6-5 | Liebesträume S. 541: No. 1 in A-flat | — | ||
| 6-6 | Liebesträume no. 2 in E-flat major, S. 541 no. 2: "Seliger Tod" | Jorge Bolet | T-329.516.968-1 | |
| 6-7 | Grand Galop chromatique S. 219 | — | ||
| 7-1 | Années de pèlerinage II (Deuxième année: Italie) S. 161: I. Sposalizio | — | ||
| 7-2 | Années de pèlerinage II (Deuxième année: Italie) S. 161: II. Il Penseroso | — | ||
| 7-3 | Années de pèlerinage II (Deuxième année: Italie) S. 161: III. Canzonetta del Salvator Rosa | — | ||
| 7-4 | Années de pèlerinage II (Deuxième année: Italie) S. 161: IV. Sonetto 47 del Petrarca | — | ||
| 7-5 | Années de pèlerinage II (Deuxième année: Italie) S. 161: V. Sonetto 104 del Petrarca | — | ||
| 7-6 | Années de pèlerinage II (Deuxième année: Italie) S. 161: VI. Sonetto 123 del Petrarca | — | ||
| 7-7 | Années de pèlerinage II (Deuxième année: Italie) S. 161: VII. Après une lecture du Dante (Fantasia quasi sonata) | — | ||
| 8-1 | Piano Concerto no. 3 in D minor op. 30: I. Allegro ma non tanto | — | ||
| 8-2 | Piano Concerto no. 3 in D minor op. 30: II. Intermezzo: Adagio | — | ||
| 8-3 | Piano Concerto no. 3 in D minor op. 30: III. Finale: Alla breve | — | ||
| 9-1 | Années de pèlerinage I (Première année: Suisse) S. 160: I. Chapelle de Guillaume Tell | — | ||
| 9-2 | Années de pèlerinage I (Première année: Suisse) S. 160: II. Au lac de Wallenstadt | — | ||
| 9-3 | Années de pèlerinage I (Première année: Suisse) S. 160: III. Pastorale | — | ||
| 9-4 | Années de pèlerinage I (Première année: Suisse) S. 160: IV. Au bord d'une source | — | ||
| 9-5 | Années de pèlerinage I (Première année: Suisse) S. 160: V. Orage | — | ||
| 9-6 | Années de pèlerinage I (Première année: Suisse) S. 160: VI. Vallée d'Obermann | — | ||
| 9-7 | Années de pèlerinage I (Première année: Suisse) S. 160: VII. Églogue | — | ||
| 9-8 | Années de pèlerinage I (Première année: Suisse) S. 160: VIII. Le Mal du pays | — | ||
| 9-9 | Années de pèlerinage I (Première année: Suisse) S. 160: IX. Les Cloches de Genève | — | ||
| 10-1 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: I. Gondoliera: Canzone del Cavaliere Peruchini (“La biondina in gondoletta”) | — | ||
| 10-2 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: II. Canzone (“Nessun maggior dolore”) after Gioachino Rossini’s Otello | — | ||
| 10-3 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: III. Tarantella de Guillaume Louis Cottrau | — | ||
| 10-4 | Années de pèlerinage III: No. 4. Les Jeux d’eaux à la Villa d’Este S. 163/4 | — | ||
| 10-5 | Harmonies poétiques et religieuses: No. 3. Bénédiction de Dieu dans la solitude S. 173/3 | — | ||
| 10-6 | Ballade no. 2 in B minor S. 171 | — | ||
| 11-1 | Totentanz S. 126 | — | ||
| 11-2 | Malédiction S. 121 | — | ||
| 11-3 | Fantasie über ungarische Volksmelodien S. 123 | — | ||
| 11-4 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: I. Allegro con fuoco ma non troppo | — | ||
| 11-5 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: II. Adagio | — | ||
| 11-6 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: III. Presto | — | ||
| 11-7 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: IV. Allegro | — | ||
| 12-1 | Études d'exécution transcendante S.139 - No.1 Preludio: Presto | — | ||
| 12-2 | No.2 Molto vivace | — | ||
| 12-3 | No.3 Paysage: Poco adagio | — | ||
| 12-4 | No.4 Mazeppa: Allegro | — | ||
| 12-5 | No.5 Feux follets: Allegretto | — | ||
| 12-6 | No.6 Vision: Lento | — | ||
| 12-7 | No.7 Eroica: Allegro | — | ||
| 12-8 | No.8 Wilde Jagd: Presto furioso | — | ||
| 12-9 | No.9 Ricordanza: Andantino | — | ||
| 12-10 | No.10 Allegro agitato molto | — | ||
| 12-11 | No.11 Harmonies du soir: Andantino | — | ||
| 12-12 | No.12 Chasse-neige: Andante con moto | — | ||
| 13-1 | Rondo capriccioso in E op. 14 | — | ||
| 13-2 | Lieder ohne Worte: Jägerlied op. 19/3 | — | ||
| 13-3 | Nocturne in F-sharp op. 15/2 | — | ||
| 13-4 | Waltz in D-flat op. 64/1 | — | ||
| 13-5 | Waltz in E minor KK IVa/15 | — | ||
| 13-6 | Nocturne in E flat op. 9/2 | — | ||
| 13-7 | Études op. 25: No. 1 in A-flat | — | ||
| 13-8 | Études op. 25: No. 2 in F minor | — | ||
| 13-9 | Études op. 25: No. 11 in A minor | — | ||
| 13-10 | Préludes, Book 1: La Fille aux cheveux de lin CD 125/8 | — | ||
| 13-11 | Rosamunde D. 797: No. 9 Ballett II (arr. Godowsky) | — | ||
| 13-12 | España: Tango in D op. 165/2 (arr. Godowsky) | — | ||
| 13-13 | Elegy in B minor for the left hand | — | ||
| 13-14 | Ständchen TrV 149/2 (arr. Godowsky) | — | ||
| 13-15 | L'Arlésienne Suite no. 1: Adagietto WD 40/3 (arr. Godowsky) | — | ||
| 13-16 | En automne op. 36/4 | — | ||
| 13-17 | Die Jongleurin op. 52/4 | — | ||
| 13-18 | Étude in A-flat op. 1/2 | — | ||
| 14-1 | Piano Concerto in A minor op. 16: I. Allegro molto moderato | — | ||
| 14-2 | Piano Concerto in A minor op. 16: II. Adagio | — | ||
| 14-3 | Piano Concerto in A minor op. 16: III. Allegro moderato molto e marcato | — | ||
| 14-4 | Piano Concerto in A minor op. 54: I. Allegro affettuoso | — | ||
| 14-5 | Piano Concerto in A minor op. 54: II. Intermezzo: Andantino grazioso | — | ||
| 14-6 | Piano Concerto in A minor op. 54: III. Allegro vivace | — | ||
| 15-1 | Carnaval Op.9 - Preambule | — | ||
| 15-2 | Pierrot | — | ||
| 15-3 | Arlequin | — | ||
| 15-4 | Valse noble | — | ||
| 15-5 | Eusebius | — | ||
| 15-6 | Florestan | — | ||
| 15-7 | Coquette | — | ||
| 15-8 | Réplique | — | ||
| 15-9 | Papillons | — | ||
| 15-10 | ASCH-SCHA (Lettres dansantes) | — | ||
| 15-11 | Chiarina | — | ||
| 15-12 | Chopin | — | ||
| 15-13 | Estrella | — | ||
| 15-14 | Reconnaissance | — | ||
| 15-15 | Pantalon et Colombine | — | ||
| 15-16 | Valse allemande | — | ||
| 15-17 | Paganini | — | ||
| 15-18 | Aveu | — | ||
| 15-19 | Promenade | — | ||
| 15-20 | Pause | — | ||
| 15-21 | Marche des Davidsbündler contre les Philistins | — | ||
| 15-22 | Fantasie in C Op.17 - Durchaus fantasisch und leidenschaftlich vorzutragen | — | ||
| 15-23 | Mäßig | — | ||
| 15-24 | Langsam getragen | — | ||
| 16-1 | Variations on a Theme of Chopin op. 22: Theme: Largo | — | ||
| 16-2 | Variations on a Theme of Chopin op. 22: Var. 1 Moderatto | — | ||
| 16-3 | Variations on a Theme of Chopin op. 22: Var. 2 Allegro | — | ||
| 16-4 | Variations on a Theme of Chopin op. 22: Var. 3 (L'istesso tempo) | — | ||
| 16-5 | Variations on a Theme of Chopin op. 22: Var. 4 (L'istesso tempo) | — | ||
| 16-6 | Variations on a Theme of Chopin op. 22: Var. 5 Meno mosso | — | ||
| 16-7 | Variations on a Theme of Chopin op. 22: Var. 6 Meno mosso | — | ||
| 16-8 | Variations on a Theme of Chopin op. 22: Var. 7 Allegro | — | ||
| 16-9 | Variations on a Theme of Chopin op. 22: Var. 8 (L'istesso tempo) | — | ||
| 16-10 | Variations on a Theme of Chopin op. 22: Var. 9 (L'istesso tempo) | — | ||
| 16-11 | Variations on a Theme of Chopin op. 22: Var. 10 Più vivo | — | ||
| 16-12 | Variations on a Theme of Chopin op. 22: Var. 11 Lento | — | ||
| 16-13 | Variations on a Theme of Chopin op. 22: Var. 12 Moderatto | — | ||
| 16-14 | Variations on a Theme of Chopin op. 22: Var. 13 Largo [omitted: Var. 14 Moderato] | — | ||
| 16-15 | Variations on a Theme of Chopin op. 22: Var. 15 Allegro scherzando | — | ||
| 16-16 | Variations on a Theme of Chopin op. 22: Var. 16 Lento | — | ||
| 16-17 | Variations on a Theme of Chopin op. 22: Var. 17 Grave | — | ||
| 16-18 | Variations on a Theme of Chopin op. 22: Var. 18 Più mosso | — | ||
| 16-19 | Variations on a Theme of Chopin op. 22: Var. 19 Allegro vivace | — | ||
| 16-20 | Variations on a Theme of Chopin op. 22: Var. 20 Presto | — | ||
| 16-21 | Variations on a Theme of Chopin op. 22: Var. 21 Andante | — | ||
| 16-22 | Variations on a Theme of Chopin op. 22: Var. 22 Maestoso - Meno mosso - Presto | — | ||
| 16-23 | Prelude in C-sharp minor, op. 3, no. 2 | Jorge Bolet | T-922.054.556-2 | |
| 16-24 | Prelude in F, op. 32, no. 7 | Jorge Bolet | — | |
| 16-25 | Prelude in G-sharp minor, op. 32, no. 12 | Jorge Bolet | — | |
| 16-26 | Prelude in G minor, op. 23, no. 5 | Jorge Bolet | T-919.160.891-0 | |
| 16-27 | Prelude in G-flat, op. 23, no. 10 | Jorge Bolet | — | |
| 16-28 | Mélodie in E, op. 3, no. 3 | Jorge Bolet | — | |
| 16-29 | Liebesleid | Jorge Bolet | — | |
| 16-30 | Liebesfreud | Jorge Bolet | — | |
| 17-1 | Sympony in D minor M. 48: I. Lento - Allegro non troppo | — | ||
| 17-2 | Sympony in D minor M. 48: II. Allegretto | — | ||
| 17-3 | Sympony in D minor M. 48: III. Allegro non troppo | — | ||
| 17-4 | Variations symphoniques M. 46 | — | ||
| 18-1 | Ballade No.1 in G minor Op.23 | — | ||
| 18-2 | Ballade No.2 in F Op.38 | — | ||
| 18-3 | Ballade No.3 in A flat Op.47 | — | ||
| 18-4 | Ballade No.4 in F minor Op.52 | — | ||
| 18-5 | Barcarolle in F sharp Op.60 | — | ||
| 18-6 | Fantaisie in F minor Op.49 | — | ||
| 19-1 | Piano Concerto no. 2 in C minor op. 18: I. Moderato | — | ||
| 19-2 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuto | — | ||
| 19-3 | Piano Concerto no. 2 in C minor op. 18: III. Allegro scherzando | — | ||
| 19-4 | Piano Concerto no. 1 in B-flat minor op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 19-5 | Piano Concerto no. 1 in B-flat minor op. 23: II. Andantino semplice | — | ||
| 19-6 | Piano Concerto no. 1 in B-flat minor op. 23: III. Allegro con fuoco | — | ||
| 20-1 | Préludes Op.28 - No.1 in C: Agitato | — | ||
| 20-2 | No.2 in A minor: Lento | — | ||
| 20-3 | No.3 in G: Vivace | — | ||
| 20-4 | No.4 in E minor: Largo | — | ||
| 20-5 | No.5 in D: Molto allegro | — | ||
| 20-6 | No.6 in B minor: Lento assai | — | ||
| 20-7 | No.7 in A: Andantino | — | ||
| 20-8 | No.8 in F sharp minor: Molto agitato | — | ||
| 20-9 | No.9 in E: Largo | — | ||
| 20-10 | No.10 in C sharp minor: Molto allegro | — | ||
| 20-11 | No.11 in B: Vivace | — | ||
| 20-12 | No.12 in G sharp minor: Presto | — | ||
| 20-13 | No.13 in F sharp: Lento | — | ||
| 20-14 | No.14 in E flat minor: Allegro | — | ||
| 20-15 | No.15 in D flat: Sostenuto | — | ||
| 20-16 | No.16 in B flat minor: Presto con fuoco | — | ||
| 20-17 | No.17 in A flat: Allegretto | — | ||
| 20-18 | No.18 in F minor: Molto allegro | — | ||
| 20-19 | No.19 in E flat: Vivace | — | ||
| 20-20 | No.20 in C minor: Largo | — | ||
| 20-21 | No.21 in B flat: Cantabile | — | ||
| 20-22 | No.22 in G minor: Molto agitato | — | ||
| 20-23 | No.23 in F: Moderato | — | ||
| 20-24 | No.24 in D minor: Allegro appassionato | — | ||
| 20-25 | Nocturne in C sharp minor Op.27/1 | — | ||
| 20-26 | Nocturne in F minor Op.55/1 | — | ||
| 20-27 | Nocturne in D flat Op.27/2 | — | ||
| 20-28 | Nocturne in E Op.62/2 | — | ||
| 21-1 | Prélude, Choral & Fugue M. 21: I. Prélude: Moderato | — | ||
| 21-2 | Prélude, Choral & Fugue M. 21: II. Choral: Poco più lento - Poco allegro | — | ||
| 21-3 | Prélude, Choral & Fugue M. 21: III. Fugue: Tempo l | — | ||
| 21-4 | Prélude, Aria & Final M. 23: I. Prélude: Allegro moderato e maestoso | — | ||
| 21-5 | Prélude, Aria & Final M. 23: II. Aria: Lento | — | ||
| 21-6 | Prélude, Aria & Final M. 23: III. Final: Allegro molto ed agitato | — | ||
| 22-1 | Danseuses de Delphes | Jorge Bolet | — | |
| 22-2 | La Puerta del Vino | Jorge Bolet | — | |
| 22-3 | Des pas sur la neige | Jorge Bolet | — | |
| 22-4 | La Danse de Puck | Jorge Bolet | — | |
| 22-5 | La Sérénade interrompue | Jorge Bolet | — | |
| 22-6 | Le Vent dans la plaine | Jorge Bolet | — | |
| 22-7 | Buryères | Jorge Bolet | — | |
| 22-8 | General Lavine - eccentric | Jorge Bolet | — | |
| 22-9 | Canope | Jorge Bolet | — | |
| 22-10 | Ce qu'a vu le vent d'ouest | Jorge Bolet | — | |
| 22-11 | La Fille aux cheveux de lin | Jorge Bolet | — | |
| 22-12 | Minstrels | Jorge Bolet | — | |
| 22-13 | La Cathédrale engloutie | Jorge Bolet | — | |
| 22-14 | Ondine | Jorge Bolet | — | |
| 22-15 | La Terrasse des audiences du clair de lune | Jorge Bolet | — | |
| 22-16 | Feux d'artifice | Jorge Bolet | — | |
| 23-1 | Piano Sonata no.20 in A D.959 - I. Allegro | — | ||
| 23-2 | II. Andantino | — | ||
| 23-3 | III. Scherzo: Allegro vivace | — | ||
| 23-4 | IV. Rondo: Allegretto | — | ||
| 23-5 | Piano Sonata No.14 in A minor D.784 - I. Allegro diusto | — | ||
| 23-6 | II. Andante | — | ||
| 23-7 | III. Allegro vivace | — | ||
| 24-1 | Prélude & Fugue in E minor op. 35/1 | — | ||
| 24-2 | Prélude, Choral & Fugue M. 21 | — | ||
| 24-3 | Reminiscences de Norma S. 394 after Vincenzo Bellini's Norma | — | ||
| 25-1 | Piano Concerto No.1 in E minor Op.11 - I. Allegro maestoso | — | ||
| 25-2 | II. Romance | — | ||
| 25-3 | III. Rondo | — | ||
| 25-4 | Piano Concerto no.2 in F minor Op.21 - I. Maestoso | — | ||
| 25-5 | II. Larghetto | — | ||
| 25-6 | III. Allegro vivace | — | ||
| 26-1 | Nocturne No.1 in B flat minor Op.9/1 | — | ||
| 26-2 | Nocturne No.3 in B Op.9/3 | — | ||
| 26-3 | Nocturne No.4 in F Op.15/1 | — | ||
| 26-4 | Nocturne No.9 in B Op.32/1 | — | ||
| 26-5 | Nocturne No.10 in A flat Op.32/2 | — | ||
| 26-6 | Nocturne No.16 in E flat Op.55/2 | — | ||
| 26-7 | Nocturne No.19 in E minor Op.72/1 | — | ||
| 26-8 | Berceuse Op.57 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Réminiscences de Don Juan, S. 418 | Jorge Bolet | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Credits Graph
028948542833 is a Universal Product Code (UPC) assigned to Complete Decca Recordings by Jorge Bolet. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 311 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948542833 is the Universal Product Code (UPC barcode) for the release “Complete Decca Recordings” by Jorge Bolet, released 2024-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 311 tracks, each with its own ISRC. Tracks include GBF077810240, GBF078140101, GBF078140102.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2 | Studies on Chopin's Études no. 5 in D-flat after op. 10 no.3 (for left hand alone) | — | ||
| 5 | Studies on Chopin's Études no. 13 in E-flat minor after op. 10 no. 6 (for left hand alone) | — | ||
| 7 | Studies on Chopin's Études no. 25 in A-flat after op. 25 no. 1: 3rd version | — | ||
| 8 | Studies on Chopin's Études no. 44 in F minor after KK IIb/3 (3 Nouvelles Études) no.1 (for left hand alone) | — | ||
| 9 | Waltz in D flat op. 64 no. 1 | — | ||
| 10 | Waltz in A flat op. 64 no. 3 | — | ||
| 11 | Waltz in A flat op. 69 no. 1 | — | ||
| 12 | Waltz in F minor op. 70 no. 2 | — | ||
| 13 | Waltz in D flat op. 70 no. 3 | — | ||
| 14 | Concert-Paraphrase after Frédéric Chopin's Grande Valse brillante, op. 18 | — | ||
| 2-1 | 2 Konzertetüden S. 145: I. Waldesrauschen | — | ||
| 2-2 | 2 Konzertetüden S. 145: II. Gnomenreigen | — | ||
| 2-3 | 3 Études de concert S. 144: I. Il lamento | — | ||
| 2-4 | 3 Études de concert S. 144: II. La leggierezza | — | ||
| 2-5 | 3 Études de concert S. 144: III. Un sospiro | — | ||
| 2-6 | Consolations S. 172 no. 1: Andante con moto | — | ||
| 2-7 | Consolations S. 172 no. 2: Un poco più mosso | — | ||
| 2-8 | Consolations S. 172 no. 3: Lento placido | — | ||
| 2-9 | Consolations S. 172 no. 4: Quasi adagio | — | ||
| 2-10 | Consolations S. 172 no. 5: Andantino | — | ||
| 2-11 | Consolations S. 172 no. 6: Allegretto sempre cantabile | — | ||
| 2-12 | Réminiscences de Don Juan, S. 418 | Jorge Bolet | T-904.369.981-6 | |
| 3-1 | Variations & Fugue on a Theme by Handel op. 24: Aria | — | ||
| 3-2 | Variations & Fugue on a Theme by Handel op. 24: Var. 1 | — | ||
| 3-3 | Variations & Fugue on a Theme by Handel op. 24: Var. 2: Animato | — | ||
| 3-4 | Variations & Fugue on a Theme by Handel op. 24: Var. 3: Dolce | — | ||
| 3-5 | Variations & Fugue on a Theme by Handel op. 24: Var. 4: Risoluto | — | ||
| 3-6 | Variations & Fugue on a Theme by Handel op. 24: Var. 5: Espressivo | — | ||
| 3-7 | Variations & Fugue on a Theme by Handel op. 24: Var. 6 | — | ||
| 3-8 | Variations & Fugue on a Theme by Handel op. 24: Var. 7: Con vivacità | — | ||
| 3-9 | Variations & Fugue on a Theme by Handel op. 24: Var. 8 | — | ||
| 3-10 | Variations & Fugue on a Theme by Handel op. 24: Var. 9: Poco sostenuto | — | ||
| 3-11 | Variations & Fugue on a Theme by Handel op. 24: Var. 10: Energico | — | ||
| 3-12 | Variations & Fugue on a Theme by Handel op. 24: Var. 11: Dolce | — | ||
| 3-13 | Variations & Fugue on a Theme by Handel op. 24: Var. 12: Soave | — | ||
| 3-14 | Variations & Fugue on a Theme by Handel op. 24: Var. 13: Largamente, ma non più | — | ||
| 3-15 | Variations & Fugue on a Theme by Handel op. 24: Var. 14: Sciolto | — | ||
| 3-16 | Variations & Fugue on a Theme by Handel op. 24: Var. 15 | — | ||
| 3-17 | Variations & Fugue on a Theme by Handel op. 24: Var. 16: Ma marcato | — | ||
| 3-18 | Variations & Fugue on a Theme by Handel op. 24: Var. 17: Più mosso | — | ||
| 3-19 | Variations & Fugue on a Theme by Handel op. 24: Var. 18: Grazioso | — | ||
| 3-20 | Variations & Fugue on a Theme by Handel op. 24: Var. 19: Leggiero und vivace | — | ||
| 3-21 | Variations & Fugue on a Theme by Handel op. 24: Var. 20: Legato | — | ||
| 3-22 | Variations & Fugue on a Theme by Handel op. 24: Var. 21: Dolce | — | ||
| 3-23 | Variations & Fugue on a Theme by Handel op. 24: Var. 22 | — | ||
| 3-24 | Variations & Fugue on a Theme by Handel op. 24: Var. 23: Vivace e staccato | — | ||
| 3-25 | Variations & Fugue on a Theme by Handel op. 24: Var. 24 | — | ||
| 3-26 | Variations & Fugue on a Theme by Handel op. 24: Var. 25 | — | ||
| 3-27 | Variations & Fugue on a Theme by Handel op. 24: Fuga | — | ||
| 3-28 | Variations & Fugue on a Theme by Telemann op. 134: Thema: Tempo di minuetto | — | ||
| 3-29 | Variations & Fugue on a Theme by Telemann op. 134: Var. 1: L’istesso tempo | — | ||
| 3-30 | Variations & Fugue on a Theme by Telemann op. 134: Var. 2 | — | ||
| 3-31 | Variations & Fugue on a Theme by Telemann op. 134: Var. 3 | — | ||
| 3-32 | Variations & Fugue on a Theme by Telemann op. 134: Var. 4 | — | ||
| 3-33 | Variations & Fugue on a Theme by Telemann op. 134: Var. 5: Non troppo vivace | — | ||
| 3-34 | Variations & Fugue on a Theme by Telemann op. 134: Var. 6 | — | ||
| 3-35 | Variations & Fugue on a Theme by Telemann op. 134: Var. 7: Quasi tempo primo | — | ||
| 3-36 | Variations & Fugue on a Theme by Telemann op. 134: Var. 8: Tempo primo | — | ||
| 3-37 | Variations & Fugue on a Theme by Telemann op. 134: Var. 9: Non troppo vivace | — | ||
| 3-38 | Variations & Fugue on a Theme by Telemann op. 134: Var. 10: Quasi adagio | — | ||
| 3-39 | Variations & Fugue on a Theme by Telemann op. 134: Var. 11 | — | ||
| 3-40 | Variations & Fugue on a Theme by Telemann op. 134: Var. 12: Poco vivace | — | ||
| 3-41 | Variations & Fugue on a Theme by Telemann op. 134: Var. 13: Tempo primo | — | ||
| 3-42 | Variations & Fugue on a Theme by Telemann op. 134: Var. 14: Meno vivace | — | ||
| 3-43 | Variations & Fugue on a Theme by Telemann op. 134: Var. 15: Andante | — | ||
| 3-44 | Variations & Fugue on a Theme by Telemann op. 134: Var. 16: Adagio | — | ||
| 3-45 | Variations & Fugue on a Theme by Telemann op. 134: Var. 17: Poco andante | — | ||
| 3-46 | Variations & Fugue on a Theme by Telemann op. 134: Var. 18: Tempo primo | — | ||
| 3-47 | Variations & Fugue on a Theme by Telemann op. 134: Var. 19: Poco vivace | — | ||
| 3-48 | Variations & Fugue on a Theme by Telemann op. 134: Var. 20 | — | ||
| 3-49 | Variations & Fugue on a Theme by Telemann op. 134: Var. 21: Vivace | — | ||
| 3-50 | Variations & Fugue on a Theme by Telemann op. 134: Var. 22 | — | ||
| 3-51 | Variations & Fugue on a Theme by Telemann op. 134: Var. 23: Poco andante – Molto adagio | — | ||
| 3-52 | Variations & Fugue on a Theme by Telemann op. 134: Fugue: Vivace con spirito | — | ||
| 4-1 | Die Forelle, S. 564 | Jorge Bolet | — | |
| 4-2 | Der Müller und der Bach, S. 565 no. 2 | Jorge Bolet | — | |
| 4-3 | Wohin?, S. 545 no. 5 | Jorge Bolet | — | |
| 4-4 | Lebe Wohl!, S. 563 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 4-5 | Das Wandern, S. 565 no. 1 | Jorge Bolet | T-902.873.310-0 | |
| 4-6 | Der Lindenbaum, S. 246 no. 7 | Jorge Bolet | — | |
| 4-7 | Ständchen, S. 558 no. 9 "Horch, horch! Die Lerch" | Jorge Bolet | — | |
| 4-8 | Auf dem Wasser zu singen, S. 558 no. 2 | Jorge Bolet | — | |
| 4-9 | Die Post, S. 561 no. 4 | Jorge Bolet | — | |
| 4-10 | Aufenthalt, S. 560 no. 3 | Jorge Bolet | — | |
| 4-11 | Lob der Tränen S. 557 | Jorge Bolet | — | |
| 4-12 | Erlkonig (Schubert) | Jorge Bolet | — | |
| 5-1 | Hungarian Rhapsody no. 12 S. 244/12 | — | ||
| 5-2 | Liebestraum no. 3 in A-flat S. 541/3 | — | ||
| 5-3 | Mephisto Waltz no. 1 S. 514 | — | ||
| 5-4 | Harmonies poétiques et religieuses: No. 7 Funérailles S. 173/7 | — | ||
| 5-5 | Concert Paraphrase on Rigoletto, S. 434 | Jorge Bolet | — | |
| 5-6 | 6 Etudes d'exécution transcendante d'après Paganini, S. 140: No. 3. La Campanella | Jorge Bolet | T-060.294.330-5 | |
| 6-1 | Piano Sonata in B minor S. 178: I. Lento assai | — | ||
| 6-2 | Piano Sonata in B minor S. 178: II. Andante sostenuto | — | ||
| 6-3 | Piano Sonata in B minor S. 178: III. Fugato | — | ||
| 6-4 | Valse-impromptu S. 213 | — | ||
| 6-5 | Liebesträume S. 541: No. 1 in A-flat | — | ||
| 6-6 | Liebesträume no. 2 in E-flat major, S. 541 no. 2: "Seliger Tod" | Jorge Bolet | T-329.516.968-1 | |
| 6-7 | Grand Galop chromatique S. 219 | — | ||
| 7-1 | Années de pèlerinage II (Deuxième année: Italie) S. 161: I. Sposalizio | — | ||
| 7-2 | Années de pèlerinage II (Deuxième année: Italie) S. 161: II. Il Penseroso | — | ||
| 7-3 | Années de pèlerinage II (Deuxième année: Italie) S. 161: III. Canzonetta del Salvator Rosa | — | ||
| 7-4 | Années de pèlerinage II (Deuxième année: Italie) S. 161: IV. Sonetto 47 del Petrarca | — | ||
| 7-5 | Années de pèlerinage II (Deuxième année: Italie) S. 161: V. Sonetto 104 del Petrarca | — | ||
| 7-6 | Années de pèlerinage II (Deuxième année: Italie) S. 161: VI. Sonetto 123 del Petrarca | — | ||
| 7-7 | Années de pèlerinage II (Deuxième année: Italie) S. 161: VII. Après une lecture du Dante (Fantasia quasi sonata) | — | ||
| 8-1 | Piano Concerto no. 3 in D minor op. 30: I. Allegro ma non tanto | — | ||
| 8-2 | Piano Concerto no. 3 in D minor op. 30: II. Intermezzo: Adagio | — | ||
| 8-3 | Piano Concerto no. 3 in D minor op. 30: III. Finale: Alla breve | — | ||
| 9-1 | Années de pèlerinage I (Première année: Suisse) S. 160: I. Chapelle de Guillaume Tell | — | ||
| 9-2 | Années de pèlerinage I (Première année: Suisse) S. 160: II. Au lac de Wallenstadt | — | ||
| 9-3 | Années de pèlerinage I (Première année: Suisse) S. 160: III. Pastorale | — | ||
| 9-4 | Années de pèlerinage I (Première année: Suisse) S. 160: IV. Au bord d'une source | — | ||
| 9-5 | Années de pèlerinage I (Première année: Suisse) S. 160: V. Orage | — | ||
| 9-6 | Années de pèlerinage I (Première année: Suisse) S. 160: VI. Vallée d'Obermann | — | ||
| 9-7 | Années de pèlerinage I (Première année: Suisse) S. 160: VII. Églogue | — | ||
| 9-8 | Années de pèlerinage I (Première année: Suisse) S. 160: VIII. Le Mal du pays | — | ||
| 9-9 | Années de pèlerinage I (Première année: Suisse) S. 160: IX. Les Cloches de Genève | — | ||
| 10-1 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: I. Gondoliera: Canzone del Cavaliere Peruchini (“La biondina in gondoletta”) | — | ||
| 10-2 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: II. Canzone (“Nessun maggior dolore”) after Gioachino Rossini’s Otello | — | ||
| 10-3 | Années de pèlerinage II (Supplément: Venezia e Napoli) S. 162: III. Tarantella de Guillaume Louis Cottrau | — | ||
| 10-4 | Années de pèlerinage III: No. 4. Les Jeux d’eaux à la Villa d’Este S. 163/4 | — | ||
| 10-5 | Harmonies poétiques et religieuses: No. 3. Bénédiction de Dieu dans la solitude S. 173/3 | — | ||
| 10-6 | Ballade no. 2 in B minor S. 171 | — | ||
| 11-1 | Totentanz S. 126 | — | ||
| 11-2 | Malédiction S. 121 | — | ||
| 11-3 | Fantasie über ungarische Volksmelodien S. 123 | — | ||
| 11-4 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: I. Allegro con fuoco ma non troppo | — | ||
| 11-5 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: II. Adagio | — | ||
| 11-6 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: III. Presto | — | ||
| 11-7 | Franz Schuberts große Fantasie S. 366 after Franz Schubert’s “Wanderer” Fantasie in C D. 760: IV. Allegro | — | ||
| 12-1 | Études d'exécution transcendante S.139 - No.1 Preludio: Presto | — | ||
| 12-2 | No.2 Molto vivace | — | ||
| 12-3 | No.3 Paysage: Poco adagio | — | ||
| 12-4 | No.4 Mazeppa: Allegro | — | ||
| 12-5 | No.5 Feux follets: Allegretto | — | ||
| 12-6 | No.6 Vision: Lento | — | ||
| 12-7 | No.7 Eroica: Allegro | — | ||
| 12-8 | No.8 Wilde Jagd: Presto furioso | — | ||
| 12-9 | No.9 Ricordanza: Andantino | — | ||
| 12-10 | No.10 Allegro agitato molto | — | ||
| 12-11 | No.11 Harmonies du soir: Andantino | — | ||
| 12-12 | No.12 Chasse-neige: Andante con moto | — | ||
| 13-1 | Rondo capriccioso in E op. 14 | — | ||
| 13-2 | Lieder ohne Worte: Jägerlied op. 19/3 | — | ||
| 13-3 | Nocturne in F-sharp op. 15/2 | — | ||
| 13-4 | Waltz in D-flat op. 64/1 | — | ||
| 13-5 | Waltz in E minor KK IVa/15 | — | ||
| 13-6 | Nocturne in E flat op. 9/2 | — | ||
| 13-7 | Études op. 25: No. 1 in A-flat | — | ||
| 13-8 | Études op. 25: No. 2 in F minor | — | ||
| 13-9 | Études op. 25: No. 11 in A minor | — | ||
| 13-10 | Préludes, Book 1: La Fille aux cheveux de lin CD 125/8 | — | ||
| 13-11 | Rosamunde D. 797: No. 9 Ballett II (arr. Godowsky) | — | ||
| 13-12 | España: Tango in D op. 165/2 (arr. Godowsky) | — | ||
| 13-13 | Elegy in B minor for the left hand | — | ||
| 13-14 | Ständchen TrV 149/2 (arr. Godowsky) | — | ||
| 13-15 | L'Arlésienne Suite no. 1: Adagietto WD 40/3 (arr. Godowsky) | — | ||
| 13-16 | En automne op. 36/4 | — | ||
| 13-17 | Die Jongleurin op. 52/4 | — | ||
| 13-18 | Étude in A-flat op. 1/2 | — | ||
| 14-1 | Piano Concerto in A minor op. 16: I. Allegro molto moderato | — | ||
| 14-2 | Piano Concerto in A minor op. 16: II. Adagio | — | ||
| 14-3 | Piano Concerto in A minor op. 16: III. Allegro moderato molto e marcato | — | ||
| 14-4 | Piano Concerto in A minor op. 54: I. Allegro affettuoso | — | ||
| 14-5 | Piano Concerto in A minor op. 54: II. Intermezzo: Andantino grazioso | — | ||
| 14-6 | Piano Concerto in A minor op. 54: III. Allegro vivace | — | ||
| 15-1 | Carnaval Op.9 - Preambule | — | ||
| 15-2 | Pierrot | — | ||
| 15-3 | Arlequin | — | ||
| 15-4 | Valse noble | — | ||
| 15-5 | Eusebius | — | ||
| 15-6 | Florestan | — | ||
| 15-7 | Coquette | — | ||
| 15-8 | Réplique | — | ||
| 15-9 | Papillons | — | ||
| 15-10 | ASCH-SCHA (Lettres dansantes) | — | ||
| 15-11 | Chiarina | — | ||
| 15-12 | Chopin | — | ||
| 15-13 | Estrella | — | ||
| 15-14 | Reconnaissance | — | ||
| 15-15 | Pantalon et Colombine | — | ||
| 15-16 | Valse allemande | — | ||
| 15-17 | Paganini | — | ||
| 15-18 | Aveu | — | ||
| 15-19 | Promenade | — | ||
| 15-20 | Pause | — | ||
| 15-21 | Marche des Davidsbündler contre les Philistins | — | ||
| 15-22 | Fantasie in C Op.17 - Durchaus fantasisch und leidenschaftlich vorzutragen | — | ||
| 15-23 | Mäßig | — | ||
| 15-24 | Langsam getragen | — | ||
| 16-1 | Variations on a Theme of Chopin op. 22: Theme: Largo | — | ||
| 16-2 | Variations on a Theme of Chopin op. 22: Var. 1 Moderatto | — | ||
| 16-3 | Variations on a Theme of Chopin op. 22: Var. 2 Allegro | — | ||
| 16-4 | Variations on a Theme of Chopin op. 22: Var. 3 (L'istesso tempo) | — | ||
| 16-5 | Variations on a Theme of Chopin op. 22: Var. 4 (L'istesso tempo) | — | ||
| 16-6 | Variations on a Theme of Chopin op. 22: Var. 5 Meno mosso | — | ||
| 16-7 | Variations on a Theme of Chopin op. 22: Var. 6 Meno mosso | — | ||
| 16-8 | Variations on a Theme of Chopin op. 22: Var. 7 Allegro | — | ||
| 16-9 | Variations on a Theme of Chopin op. 22: Var. 8 (L'istesso tempo) | — | ||
| 16-10 | Variations on a Theme of Chopin op. 22: Var. 9 (L'istesso tempo) | — | ||
| 16-11 | Variations on a Theme of Chopin op. 22: Var. 10 Più vivo | — | ||
| 16-12 | Variations on a Theme of Chopin op. 22: Var. 11 Lento | — | ||
| 16-13 | Variations on a Theme of Chopin op. 22: Var. 12 Moderatto | — | ||
| 16-14 | Variations on a Theme of Chopin op. 22: Var. 13 Largo [omitted: Var. 14 Moderato] | — | ||
| 16-15 | Variations on a Theme of Chopin op. 22: Var. 15 Allegro scherzando | — | ||
| 16-16 | Variations on a Theme of Chopin op. 22: Var. 16 Lento | — | ||
| 16-17 | Variations on a Theme of Chopin op. 22: Var. 17 Grave | — | ||
| 16-18 | Variations on a Theme of Chopin op. 22: Var. 18 Più mosso | — | ||
| 16-19 | Variations on a Theme of Chopin op. 22: Var. 19 Allegro vivace | — | ||
| 16-20 | Variations on a Theme of Chopin op. 22: Var. 20 Presto | — | ||
| 16-21 | Variations on a Theme of Chopin op. 22: Var. 21 Andante | — | ||
| 16-22 | Variations on a Theme of Chopin op. 22: Var. 22 Maestoso - Meno mosso - Presto | — | ||
| 16-23 | Prelude in C-sharp minor, op. 3, no. 2 | Jorge Bolet | T-922.054.556-2 | |
| 16-24 | Prelude in F, op. 32, no. 7 | Jorge Bolet | — | |
| 16-25 | Prelude in G-sharp minor, op. 32, no. 12 | Jorge Bolet | — | |
| 16-26 | Prelude in G minor, op. 23, no. 5 | Jorge Bolet | T-919.160.891-0 | |
| 16-27 | Prelude in G-flat, op. 23, no. 10 | Jorge Bolet | — | |
| 16-28 | Mélodie in E, op. 3, no. 3 | Jorge Bolet | — | |
| 16-29 | Liebesleid | Jorge Bolet | — | |
| 16-30 | Liebesfreud | Jorge Bolet | — | |
| 17-1 | Sympony in D minor M. 48: I. Lento - Allegro non troppo | — | ||
| 17-2 | Sympony in D minor M. 48: II. Allegretto | — | ||
| 17-3 | Sympony in D minor M. 48: III. Allegro non troppo | — | ||
| 17-4 | Variations symphoniques M. 46 | — | ||
| 18-1 | Ballade No.1 in G minor Op.23 | — | ||
| 18-2 | Ballade No.2 in F Op.38 | — | ||
| 18-3 | Ballade No.3 in A flat Op.47 | — | ||
| 18-4 | Ballade No.4 in F minor Op.52 | — | ||
| 18-5 | Barcarolle in F sharp Op.60 | — | ||
| 18-6 | Fantaisie in F minor Op.49 | — | ||
| 19-1 | Piano Concerto no. 2 in C minor op. 18: I. Moderato | — | ||
| 19-2 | Piano Concerto no. 2 in C minor op. 18: II. Adagio sostenuto | — | ||
| 19-3 | Piano Concerto no. 2 in C minor op. 18: III. Allegro scherzando | — | ||
| 19-4 | Piano Concerto no. 1 in B-flat minor op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito | — | ||
| 19-5 | Piano Concerto no. 1 in B-flat minor op. 23: II. Andantino semplice | — | ||
| 19-6 | Piano Concerto no. 1 in B-flat minor op. 23: III. Allegro con fuoco | — | ||
| 20-1 | Préludes Op.28 - No.1 in C: Agitato | — | ||
| 20-2 | No.2 in A minor: Lento | — | ||
| 20-3 | No.3 in G: Vivace | — | ||
| 20-4 | No.4 in E minor: Largo | — | ||
| 20-5 | No.5 in D: Molto allegro | — | ||
| 20-6 | No.6 in B minor: Lento assai | — | ||
| 20-7 | No.7 in A: Andantino | — | ||
| 20-8 | No.8 in F sharp minor: Molto agitato | — | ||
| 20-9 | No.9 in E: Largo | — | ||
| 20-10 | No.10 in C sharp minor: Molto allegro | — | ||
| 20-11 | No.11 in B: Vivace | — | ||
| 20-12 | No.12 in G sharp minor: Presto | — | ||
| 20-13 | No.13 in F sharp: Lento | — | ||
| 20-14 | No.14 in E flat minor: Allegro | — | ||
| 20-15 | No.15 in D flat: Sostenuto | — | ||
| 20-16 | No.16 in B flat minor: Presto con fuoco | — | ||
| 20-17 | No.17 in A flat: Allegretto | — | ||
| 20-18 | No.18 in F minor: Molto allegro | — | ||
| 20-19 | No.19 in E flat: Vivace | — | ||
| 20-20 | No.20 in C minor: Largo | — | ||
| 20-21 | No.21 in B flat: Cantabile | — | ||
| 20-22 | No.22 in G minor: Molto agitato | — | ||
| 20-23 | No.23 in F: Moderato | — | ||
| 20-24 | No.24 in D minor: Allegro appassionato | — | ||
| 20-25 | Nocturne in C sharp minor Op.27/1 | — | ||
| 20-26 | Nocturne in F minor Op.55/1 | — | ||
| 20-27 | Nocturne in D flat Op.27/2 | — | ||
| 20-28 | Nocturne in E Op.62/2 | — | ||
| 21-1 | Prélude, Choral & Fugue M. 21: I. Prélude: Moderato | — | ||
| 21-2 | Prélude, Choral & Fugue M. 21: II. Choral: Poco più lento - Poco allegro | — | ||
| 21-3 | Prélude, Choral & Fugue M. 21: III. Fugue: Tempo l | — | ||
| 21-4 | Prélude, Aria & Final M. 23: I. Prélude: Allegro moderato e maestoso | — | ||
| 21-5 | Prélude, Aria & Final M. 23: II. Aria: Lento | — | ||
| 21-6 | Prélude, Aria & Final M. 23: III. Final: Allegro molto ed agitato | — | ||
| 22-1 | Danseuses de Delphes | Jorge Bolet | — | |
| 22-2 | La Puerta del Vino | Jorge Bolet | — | |
| 22-3 | Des pas sur la neige | Jorge Bolet | — | |
| 22-4 | La Danse de Puck | Jorge Bolet | — | |
| 22-5 | La Sérénade interrompue | Jorge Bolet | — | |
| 22-6 | Le Vent dans la plaine | Jorge Bolet | — | |
| 22-7 | Buryères | Jorge Bolet | — | |
| 22-8 | General Lavine - eccentric | Jorge Bolet | — | |
| 22-9 | Canope | Jorge Bolet | — | |
| 22-10 | Ce qu'a vu le vent d'ouest | Jorge Bolet | — | |
| 22-11 | La Fille aux cheveux de lin | Jorge Bolet | — | |
| 22-12 | Minstrels | Jorge Bolet | — | |
| 22-13 | La Cathédrale engloutie | Jorge Bolet | — | |
| 22-14 | Ondine | Jorge Bolet | — | |
| 22-15 | La Terrasse des audiences du clair de lune | Jorge Bolet | — | |
| 22-16 | Feux d'artifice | Jorge Bolet | — | |
| 23-1 | Piano Sonata no.20 in A D.959 - I. Allegro | — | ||
| 23-2 | II. Andantino | — | ||
| 23-3 | III. Scherzo: Allegro vivace | — | ||
| 23-4 | IV. Rondo: Allegretto | — | ||
| 23-5 | Piano Sonata No.14 in A minor D.784 - I. Allegro diusto | — | ||
| 23-6 | II. Andante | — | ||
| 23-7 | III. Allegro vivace | — | ||
| 24-1 | Prélude & Fugue in E minor op. 35/1 | — | ||
| 24-2 | Prélude, Choral & Fugue M. 21 | — | ||
| 24-3 | Reminiscences de Norma S. 394 after Vincenzo Bellini's Norma | — | ||
| 25-1 | Piano Concerto No.1 in E minor Op.11 - I. Allegro maestoso | — | ||
| 25-2 | II. Romance | — | ||
| 25-3 | III. Rondo | — | ||
| 25-4 | Piano Concerto no.2 in F minor Op.21 - I. Maestoso | — | ||
| 25-5 | II. Larghetto | — | ||
| 25-6 | III. Allegro vivace | — | ||
| 26-1 | Nocturne No.1 in B flat minor Op.9/1 | — | ||
| 26-2 | Nocturne No.3 in B Op.9/3 | — | ||
| 26-3 | Nocturne No.4 in F Op.15/1 | — | ||
| 26-4 | Nocturne No.9 in B Op.32/1 | — | ||
| 26-5 | Nocturne No.10 in A flat Op.32/2 | — | ||
| 26-6 | Nocturne No.16 in E flat Op.55/2 | — | ||
| 26-7 | Nocturne No.19 in E minor Op.72/1 | — | ||
| 26-8 | Berceuse Op.57 | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Réminiscences de Don Juan, S. 418 | Jorge Bolet | — |
