UPC · Release
Christoph von Dohnányi, The Cleveland Orchestra
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028948546831 is the Universal Product Code (UPC barcode) for the release “The Complete Decca Recordings” by Christoph von Dohnányi, The Cleveland Orchestra, released 2024-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 309 tracks, each with its own ISRC. Tracks include GBF079112162, GBF079411171, GBF079411172.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 35 in D major, K.385 “Haffner”: I. Allegro con spirito | — | ||
| 2 | Symphony no. 35 in D major, K.385 “Haffner”: II. Andante | — | ||
| 3 | Symphony no. 35 in D major, K.385 “Haffner”: III. Menuetto | — | ||
| 4 | Symphony no. 35 in D major, K.385 “Haffner”: IV. Finale: Presto | — | ||
| 5 | Symphony no. 36 in C major, K.425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 6 | Symphony no. 36 in C major, K.425 “Linz”: II. Andante | — | ||
| 7 | Symphony no. 36 in C major, K.425 “Linz”: III. Menuetto | — | ||
| 8 | Symphony no. 36 in C major, K.425 “Linz”: IV. Finale: Presto | — | ||
| 2-1 | Symphony no. 38 in D major, K.504 “Prague”: I. Adagio - Allegro | — | ||
| 2-2 | Symphony no. 38 in D major, K.504 “Prague”: II. Andante | — | ||
| 2-3 | Symphony no. 38 in D major, K.504 “Prague”: III. Finale: Presto | — | ||
| 2-4 | Symphony no. 39 in E-flat major, K.543: I. Adagio - Allegro | — | ||
| 2-5 | Symphony no. 39 in E-flat major, K.543: II. Andante con moto | — | ||
| 2-6 | Symphony no. 39 in E-flat major, K.543: III. Menuetto: Allegretto | — | ||
| 2-7 | Symphony no. 39 in E-flat major, K.543: IV. Finale: Allegro | — | ||
| 3-1 | Symphony no. 40 in G minor, K.550: I. Molto allegro | — | ||
| 3-2 | Symphony no. 40 in G minor, K.550: II. Andante | — | ||
| 3-3 | Symphony no. 40 in G minor, K.550: III. Menuetto: Allegretto | — | ||
| 3-4 | Symphony no. 40 in G minor, K.550: IV. Finale: Allegro assai | — | ||
| 3-5 | Symphony no. 41 in C major, K.551 “Jupiter”: I. Allegro vivace | — | ||
| 3-6 | Symphony no. 41 in C major, K.551 “Jupiter”: II. Andante cantabile | — | ||
| 3-7 | Symphony no. 41 in C major, K.551 “Jupiter”: III. Menuetto: Allegretto | — | ||
| 3-8 | Symphony no. 41 in C major, K.551 “Jupiter”: IV. Molto allegro | — | ||
| 4-1 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 4-2 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance: Andante | — | ||
| 4-3 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto: Allegretto | — | ||
| 4-4 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo: Allegro | — | ||
| 4-5 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: I. Allegro | — | ||
| 4-6 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: II. Andantino | — | ||
| 4-7 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: III. Rondeau: Allegro | — | ||
| 4-8 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | — | ||
| 4-9 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | — | ||
| 4-10 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | — | ||
| 5-1 | Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro | — | ||
| 5-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 5-3 | Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo: Allegro | — | ||
| 5-4 | Concerto for Oboe and Orchestra in C major, K. 314: I. Allegro aperto | — | ||
| 5-5 | Concerto for Oboe and Orchestra in C major, K. 314: II. Adagio non troppo | — | ||
| 5-6 | Concerto for Oboe and Orchestra in C major, K. 314: III. Rondo: Allegretto | — | ||
| 5-7 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: I. Allegro | — | ||
| 5-8 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: II. Andante ma Adagio | — | ||
| 5-9 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: III. Rondo: Tempo di Menuetto | — | ||
| 6-1 | Symphonie fantastique, op. 14 : I. Rêveries, passions | — | ||
| 6-2 | Symphonie fantastique, op. 14 : II. Un bal | — | ||
| 6-3 | Symphonie fantastique, op. 14 : III. Scène aux champs | — | ||
| 6-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice | — | ||
| 6-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit de sabbat | — | ||
| 6-6 | L’Invitation à la valse, op. 65 | — | ||
| 7-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 7-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 7-3 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace | — | ||
| 7-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 7-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 7-6 | Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace | — | ||
| 7-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 7-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 8-1 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": I. Lebhaft | — | ||
| 8-2 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig | — | ||
| 8-3 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 8-4 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": IV. Feierlich | — | ||
| 8-5 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": V. Lebhaft | — | ||
| 8-6 | Symphony no. 4 in D Minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 8-7 | Symphony no. 4 in D Minor, op. 120: II. Romanze: Ziemlich langsam | — | ||
| 8-8 | Symphony no. 4 in D Minor, op. 120: III. Scherzo: Lebhaft | — | ||
| 8-9 | Symphony no. 4 in D Minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 9-1 | Violin Concerto in D, op. 77 - I Allegro non troppo | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-2 | Violin Concerto in D major, Op. 77: 2. Adagio | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | T-070.050.551-6 | |
| 9-3 | Violin Concerto in D major, Op. 77: 3. Allegro giocoso, ma non troppo vivace | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-4 | Violin Concerto in D minor, WoO 1: I. In kräftigem, nicht zu schnellem tempo | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-5 | Violin Concerto in D minor, WoO 1: II. Langsam | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-6 | Violin Concerto in D minor, WoO 1: III. Lebhaft, doch nicht schnell | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 10-1 | Symphony no. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso | — | ||
| 10-2 | Symphony no. 3 in D minor: II. Andante. Bewegt, feierlich, quasi Adagio | — | ||
| 10-3 | Symphony no. 3 in D minor: III. Scherzo: Ziemlich schnell | — | ||
| 10-4 | Symphony no. 3 in D minor: IV. Finale: Allegro | — | ||
| 11-1 | Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell | — | ||
| 11-2 | Symphony no. 4 in E-flat major: II. Andante, quasi allegretto | — | ||
| 11-3 | Symphony no. 4 in E-flat major: III. Scherzo: Bewegt - Trio: Nicht zu schnell | — | ||
| 11-4 | Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 12-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio – Allegro | — | ||
| 12-2 | Symphony no. 5 in B-flat major: II. Adagio: Sehr langsam | — | ||
| 12-3 | Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace – Trio | — | ||
| 12-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio – Allegro moderato | — | ||
| 13-1 | Symphony no. 6 In A major: I. Majestoso | — | ||
| 13-2 | Symphony no. 6 In A major: II. Adagio: Sehr feierlich | — | ||
| 13-3 | Symphony no. 6 In A major: III. Scherzo: Nicht schnell - Trio | — | ||
| 13-4 | Symphony no. 6 In A major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 14-1 | Symphony no. 7 in E major: I. Allegro moderato | — | ||
| 14-2 | Symphony no. 7 in E major: II. Adagio: sehr feierlich und sehr langsam | — | ||
| 14-3 | Symphony no. 7 in E major: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | — | ||
| 14-4 | Symphony no. 7 in E major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 15-1 | Symphony no. 8 in C minor: I. Allegro moderato | — | ||
| 15-2 | Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam | — | ||
| 15-3 | Symphony no. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend | — | ||
| 15-4 | Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell | — | ||
| 16-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 16-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft; Trio: Schnell | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 16-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 17-1 | Das Rheingold: Szene I. Vorspiel | — | ||
| 17-2 | Das Rheingold: Szene I. "Weia! Waga! Woge, du Welle!" | — | ||
| 17-3 | Das Rheingold: Szene I. "Garstig glatter glitschriger Glimmer!" | — | ||
| 17-4 | Das Rheingold: Szene I. "Wallala! Lalaleia! Leialalei!" | — | ||
| 17-5 | Das Rheingold: Szene I. "Lugt, Schwestern! Die Weckerin lacht in den Grund" | — | ||
| 17-6 | Das Rheingold: Szene I. "Der Welt Erbe gewänn' ich zu eigen durch dich?" | — | ||
| 17-7 | Das Rheingold: Szene II. "Wotan! Gemahl! Erwache!" | — | ||
| 17-8 | Das Rheingold: Szene II. "Sanft schloss Schlaf dein Aug'" | — | ||
| 17-9 | Das Rheingold: Szene II. "Zu mir, Freia!" | — | ||
| 17-10 | Das Rheingold: Szene II. "Endlich Loge!" | — | ||
| 17-11 | Das Rheingold: Szene II. "Immer ist Undank Loges Lohn!" | — | ||
| 17-12 | Das Rheingold: Szene II. "Ein Runenzauber zwingt das Gold zum Reif" | — | ||
| 17-13 | Das Rheingold: Szene II. "Hör', Wotan, der Harrenden Wort!" | — | ||
| 17-14 | Das Rheingold: Szene II. "Was sinnt nun Wotan so wild?" | — | ||
| 17-15 | Das Rheingold: Szene II. "Auf, Loge! hinab mit mir!" - Szene III. "Hehe! hehe! hieher!" | — | ||
| 18-1 | Das Rheingold: Szene III. "Schau, du Schelm!" | — | ||
| 18-2 | Das Rheingold: Szene III. "Nibelheim hier. Durch bleiche Nebel" | — | ||
| 18-3 | Das Rheingold: Szene III. "Nehmt euch in acht; Alberich naht / Sein' harren wir hier" | — | ||
| 18-4 | Das Rheingold: Szene III. "Vergeh', frevelnder Gauch! / Was sagt der? / Sei doch bei Sinnen!" | — | ||
| 18-5 | Das Rheingold: Szene III. "Ohe! Ohe! Schreckliche Schlange" | — | ||
| 18-6 | Das Rheingold: Szene IV. "Da, Vetter, sitze du fest!" | — | ||
| 18-7 | Das Rheingold: Szene IV. "Gezahlt hab' ich; nun lass' mich zieh'n!" | — | ||
| 18-8 | Das Rheingold: Szene IV. "Bin ich nun frei? Wirklich frei?" | — | ||
| 18-9 | Das Rheingold: Szene IV. "Fasolt und Fafner nahen von fern" | — | ||
| 18-10 | Das Rheingold: Szene IV. "Gepflanzt sind die Pfähle" | — | ||
| 18-11 | Das Rheingold: Szene IV. "Weiche, Wotan! weiche!" | — | ||
| 18-12 | Das Rheingold: Szene IV. "Hört, ihr Riesen! Zurück und harret!" | — | ||
| 18-13 | Das Rheingold: Szene IV. "Schwüles Gedünst" | — | ||
| 18-14 | Das Rheingold: Szene IV. "Abendlich strahlt der Sonne Auge" | — | ||
| 18-15 | Das Rheingold: Szene IV. "Rheingold! Rheingold! Reines Gold!" | — | ||
| 19-1 | Die Walküre: Akt I. Vorspiel | — | ||
| 19-2 | Die Walküre: Akt I. "Wess' Herd dies auch sei" | — | ||
| 19-3 | Die Walküre: Akt I. "Kühlende Labung gab mir der Quell" | — | ||
| 19-4 | Die Walküre: Akt I. "Müd' am Herd fand ich den Mann" | — | ||
| 19-5 | Die Walküre: Akt I. "Friedmund darf ich nicht heißen" | — | ||
| 19-6 | Die Walküre: Akt I. "Aus dem Wald trieb es mich fort" | — | ||
| 19-7 | Die Walküre: Akt I. "Ich weiß ein wildes Geschlecht" | — | ||
| 19-8 | Die Walküre: Akt I. "Ein Schwert verhieß mir der Vater" | — | ||
| 19-9 | Die Walküre: Akt I. "Schläfst du, Gast?" | — | ||
| 19-10 | Die Walküre: Akt I. "Winterstürme wichen dem Wonnemond" | — | ||
| 19-11 | Die Walküre: Akt I. "Du bist der Lenz nach dem ich verlangte" | — | ||
| 19-12 | Die Walküre: Akt I. "Wehwalt heißt du fürwahr?" - "Siegmund heiß' ich" | — | ||
| 20-1 | Die Walküre: Akt II. Vorspiel | — | ||
| 20-2 | Die Walküre: Akt II. "Nun zäume dein Ross, reisige Maid" | — | ||
| 20-3 | Die Walküre: Akt II. "Der alte Sturm, die alte Müh'!" | — | ||
| 20-4 | Die Walküre: Akt II. "So ist es denn aus mit den ewigen Göttern" | — | ||
| 20-5 | Die Walküre: Akt II. "Nichts lerntest du" | — | ||
| 20-6 | Die Walküre: Akt II. "Was verlangst du?" | — | ||
| 20-7 | Die Walküre: Akt II. "Schlimm, fürcht' ich, schloss der Streit" | — | ||
| 20-8 | Die Walküre: Akt II. "Was keinem in Worten ich künde" | — | ||
| 20-9 | Die Walküre: Akt II. "Ein andres ist 's: achte es wohl" | — | ||
| 20-10 | Die Walküre: Akt II. "O sag', künde, was soll nun dein Kind?" | — | ||
| 20-11 | Die Walküre: Akt II. "Raste nun hier, gönne dir Ruh'!" | — | ||
| 20-12 | Die Walküre: Akt II. "Hinweg! Hinweg! Flieh die Entweihte!" | — | ||
| 21-1 | Die Walküre: Akt II. "Siegmund! Sieh auf mich!" | — | ||
| 21-2 | Die Walküre: Akt II. "Hehr bist du: und heilig gewahr ich das Wotanskind" | — | ||
| 21-3 | Die Walküre: Akt II. "So wenig achtest du ewige Wonne?" | — | ||
| 21-4 | Die Walküre: Akt II. "Zauberfest bezähmt ein Schlaf der Holden Schmerz und Harm" | — | ||
| 21-5 | Die Walküre: Akt II. "Kehrte der Vater nur heim!" | — | ||
| 22-1 | Die Walküre: Akt III. Vorspiel - "Hojotoho! Hojotoho! Heiaha! Heiaha!" | — | ||
| 22-2 | Die Walküre: Akt III. "Schützt mich, und helft in höchster Not!" | — | ||
| 22-3 | Die Walküre: Akt III. "Nicht sehre dich Sorge um mich" | — | ||
| 22-4 | Die Walküre: Akt III. "Steh, Brünnhild'!" | — | ||
| 22-5 | Die Walküre: Akt III. "Wo ist Brünnhild', wo die Verbrecherin?" | — | ||
| 22-6 | Die Walküre: Akt III. "Hier bin ich, Vater: gebiete die Strafe!" | — | ||
| 22-7 | Die Walküre: Akt III. "Wehe! Weh! Schwester, ach Schwester!" | — | ||
| 22-8 | Die Walküre: Akt III. "War es so schmählich, was ich verbrach?" | — | ||
| 22-9 | Die Walküre: Akt III. "Nicht weise bin ich, doch wusst' ich das Eine" | — | ||
| 22-10 | Die Walküre: Akt III. "So tatest du, was so gern zu tun ich begehrt" | — | ||
| 22-11 | Die Walküre: Akt III. "Du zeugtest ein edles Geschlecht" | — | ||
| 22-12 | Die Walküre: Akt III. "Leb' wohl, du kühnes, herrliches Kind!" | — | ||
| 22-13 | Die Walküre: Akt III. "Denn einer nur freie die Braut" | — | ||
| 22-14 | Die Walküre: Akt III. "Loge, hör! Lausche hieher!" | — | ||
| 23-1 | Ein Heldenleben, op. 40: I. Der Held | — | ||
| 23-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | — | ||
| 23-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | — | ||
| 23-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | — | ||
| 23-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | — | ||
| 23-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | — | ||
| 23-7 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 24-1 | Symphony no. 1 in D major: I. Langsam, schleppend | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-2 | Symphony no. 1 in D major: II. Kräftig, bewegt | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Cleveland Orchestra, Christoph von Dohnányi | T-900.953.062-5 | |
| 25-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-3 | Symphony no. 4 in G major: III. Ruhevoll | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-4 | Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" | Dawn Upshaw, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-1 | Symphony no. 5: I. Trauermarsch | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-2 | Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-3 | Symphony no. 5: III. Scherzo. Kräftig, Nicht zu Schnell | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-4 | Symphony no. 5: IV. Adagietto. Sehr langsam | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-5 | Symphony no. 5: V. Rondo-Finale. Allegro | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 27-1 | Symphony no. 6 “Tragic”: I. Allegro energico, ma non troppo | — | ||
| 27-2 | Symphony no. 6 “Tragic”: II. Scherzo: Wuchtig (Pesante) | — | ||
| 27-3 | Symphony no. 6 “Tragic”: III. Andante moderato | — | ||
| 27-4 | Symphony no. 6 “Tragic”: IV. Finale: Allegro moderato | — | ||
| 28-1 | Symphony 9: I. Andante comodo | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-2 | Symphony 9: II. Im tempo eines gemächlichen ländlers. Etwas täppisch und sehr derb | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-3 | Symphony 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-4 | Symphony 9: IV. Adagio. Sehr langsam und noch zurückhaltend | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 29-1 | Vltava (The Moldau) JB 1:112/2 | — | ||
| 29-2 | Libuše JB 1:102: Overture | — | ||
| 29-3 | Dvě vdovy (The Two Widows) JB 1:108: Overture | — | ||
| 29-4 | Dvě vdovy (The Two Widows) JB 1:108: Polka | — | ||
| 29-5 | Hubička (The Kiss) JB 1:104: Overture | — | ||
| 29-6 | Prodaná nevěsta (The Bartered Bride) JB 1:100: Overture | — | ||
| 29-7 | Prodaná nevěsta (The Bartered Bride) JB 1:100: I. Polka "Pojd sem, holka" | — | ||
| 29-8 | Prodaná nevěsta (The Bartered Bride) JB 1:100: II. Furiant | — | ||
| 29-9 | Prodaná nevěsta (The Bartered Bride) JB 1:100: III. Skočná (Dance of the Comedians) | — | ||
| 30-1 | Symphony no. 6 in D major, op. 60: I. Allegro non tanto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-2 | Symphony no. 6 in D major, op. 60: II. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-3 | Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant): Presto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-4 | Symphony no. 6 in D major, op. 60: IV. Finale: Allegro con spirito | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-5 | Rhapsody for Orchestra "Taras Bulba": I. The Death of Andri | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-6 | Rhapsody for Orchestra "Taras Bulba": II. The Death of Ostap | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-7 | Rhapsody for Orchestra "Taras Bulba": III. The Prophesy and Death of Taras Bulba | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-4 | Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-6 | Symphony no. 8 in G major, op. 88: II. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-8 | Symphony no. 8 in G major, op. 88: IV. Allegro, ma non troppo | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-4 | Sinfonia No. 9 "Dal nuovo mondo" | The Cleveland Orchestra, Christoph von Dohnányi | T-905.029.737-5 | |
| 32-5 | Scherzo capriccioso, op. 66 | — | ||
| 33-1 | Slavonic Dances, op. 46: No. 1 in C major | Cleveland Orchestra, Christoph von Dohnányi | T-901.463.893-8 | |
| 33-2 | Slavonic Dances, op. 46: No. 2 in E minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-3 | Slavonic Dances, op. 46: No. 3 in A-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-4 | Slavonic Dances, op. 46: No. 4 in F major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-5 | Slavonic Dances, op. 46: No. 5 in A major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-6 | Slavonic Dances, op. 46: No. 6 in D major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-7 | Slavonic Dances, op. 46: No. 7 in C minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-8 | Slavonic Dances, op. 46: No. 8 in G minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-9 | Slavonic Dances, op. 72: No. 1 in B major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-10 | Slavonic Dances, op. 72: No. 2 in E minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-11 | Slavonic Dances, op. 72: No. 3 in F major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-12 | Slavonic Dances, op. 72: No. 4 in D-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-13 | Slavonic Dances, op. 72: No. 5 in B-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-14 | Slavonic Dances, op. 72: No. 6 in B-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-15 | Slavonic Dances, op. 72: No. 7 in C major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-16 | Slavonic Dances, op. 72: No. 8 in A-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-1 | Music for Strings, Percussion & Celesta: I. Andante tranquillo | The Cleveland Orchestra, Christoph von Dohnányi | T-061.693.281-0 | |
| 34-2 | Music for Strings, Percussion & Celesta: II. Allegro | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-3 | Music for Strings, Percussion & Celesta: III. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-4 | Music for Strings, Percussion & Celesta: IV. Allegro molto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-5 | Concerto for String Quartet & Orchestra: I. Allegro vivo | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-6 | Concerto for String Quartet & Orchestra: II. Adagio | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-7 | Concerto for String Quartet & Orchestra: III. Tempo moderato | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | T-106.643.741-8 | |
| 34-8 | Capriccio for Piano and Chamber Ensemble: I. Allegro | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-9 | Capriccio for Piano and Chamber Ensemble: II. Adagio | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-10 | Capriccio for Piano and Chamber Ensemble: III. Allegretto | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-11 | Capriccio for Piano and Chamber Ensemble: IV. Andante | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 35-1 | Concerto for Orchestra, Sz. 116: I. Introduzione | — | ||
| 35-2 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 35-3 | Concerto for Orchestra, Sz. 116: III. Elegia | — | ||
| 35-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto | — | ||
| 35-5 | Concerto for Orchestra, Sz. 116: V. Finale | — | ||
| 35-6 | Concerto for Orchestra: I. Intrada | — | ||
| 35-7 | Concerto for Orchestra: II. Capriccio, notturno e arioso | — | ||
| 35-8 | Concerto for Orchestra: III. Passacaglia, toccata e corale | — | ||
| 36-1 | Symphony no. 10 in E minor, op. 93: 1. Moderato | — | ||
| 36-2 | Symphony no. 10 in E minor, op. 93: 2. Allegro | — | ||
| 36-3 | Symphony no. 10 in E minor, op. 93: 3. Allegretto | — | ||
| 36-4 | Symphony no. 10 in E minor, op. 93: 4. Andante - Allegro | — | ||
| 36-5 | Musique Funèbre (Prologue‐Metamorphoses‐Apogée‐Epilogue) | — | ||
| 37-1 | Passacaglia, op. 1 | — | ||
| 37-2 | Six Orchestral Pieces, op. 6a: I. Etwas bewegt | — | ||
| 37-3 | Six Orchestral Pieces, op. 6a: II. Bewegt | — | ||
| 37-4 | Six Orchestral Pieces, op. 6a: III. Zart bewegt | — | ||
| 37-5 | Six Orchestral Pieces, op. 6a: IV. Langsam | — | ||
| 37-6 | Six Orchestral Pieces, op. 6a: V. Sehr langsam | — | ||
| 37-7 | Six Orchestral Pieces, op. 6a: VI. Zart bewegt | — | ||
| 37-8 | Symphony, op. 21: I. Ruhig schreitend | — | ||
| 37-9 | Symphony, op. 21: II. Variationen | — | ||
| 37-10 | Five Orchestral Pieces, op. 10: I. Seh ruhig und zart | — | ||
| 37-11 | Five Orchestral Pieces, op. 10: II. Lebhaft und zart bewegt | — | ||
| 37-12 | Five Orchestral Pieces, op. 10: III. Sehr langsam und aüßert ruhig | — | ||
| 37-13 | Five Orchestral Pieces, op. 10: IV. Fließet, aüßerst zart | — | ||
| 37-14 | Five Orchestral Pieces, op. 10: V. Sehr fließend | — | ||
| 37-15 | Variations, op. 30 | — | ||
| 37-16 | Musikalischen Opfer, BWV 1079: V. Ricercar a 6 voci | — | ||
| 37-17 | Im Sommerwind | — | ||
| 38-1 | Ameriques | — | ||
| 38-2 | Symphony no. 4: I. Prelude: Maestoso | — | ||
| 38-3 | Symphony no. 4: II. Allegretto | — | ||
| 38-4 | Symphony no. 4: III. Fugue: Andante moderato | — | ||
| 38-5 | Symphony no. 4: IV. Very slowly - Largo maestoso | — | ||
| 38-6 | The Unanswered Question, S. 50 | — | ||
| 39-1 | Orchestral Set no. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common | — | ||
| 39-2 | Orchestral Set no. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut | — | ||
| 39-3 | Orchestral Set no. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge | — | ||
| 39-4 | Orchestral Set no. 2, S. 8: I. An Elegy to our Forefathers | — | ||
| 39-5 | Orchestral Set no. 2, S. 8: II. The Rockstrewn Hills Join in the People's Outdoor Meeting | — | ||
| 39-6 | Orchestral Set no. 2, S. 8: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose | — | ||
| 39-7 | Sun-treader | — | ||
| 39-8 | Men and Mountains: I. Men | — | ||
| 39-9 | Men and Mountains: II. Lilacs | — | ||
| 39-10 | Men and Mountains: III. Marching Mountains | — | ||
| 39-11 | Andante for Strings | — | ||
| 40-1 | Earth Dances | — | ||
| 40-2 | 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch | — | ||
| 40-3 | 5 Orchesterstücke, op. 16: II. Vergangenes: Mäßige Viertel | — | ||
| 40-4 | 5 Orchesterstücke, op. 16: III. Farben: Mäßige Viertel | — | ||
| 40-5 | 5 Orchesterstücke, op. 16: IV. Peripetie: Sehr rasch | — | ||
| 40-6 | 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | — | ||
| 40-7 | Adagio (Symphony no. 2) | Cleveland Orchestra, Christoph von Dohnányi | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948546831 is a Universal Product Code (UPC) assigned to The Complete Decca Recordings by Christoph von Dohnányi, The Cleveland Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 309 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
028948546831 is the Universal Product Code (UPC barcode) for the release “The Complete Decca Recordings” by Christoph von Dohnányi, The Cleveland Orchestra, released 2024-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 309 tracks, each with its own ISRC. Tracks include GBF079112162, GBF079411171, GBF079411172.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 35 in D major, K.385 “Haffner”: I. Allegro con spirito | — | ||
| 2 | Symphony no. 35 in D major, K.385 “Haffner”: II. Andante | — | ||
| 3 | Symphony no. 35 in D major, K.385 “Haffner”: III. Menuetto | — | ||
| 4 | Symphony no. 35 in D major, K.385 “Haffner”: IV. Finale: Presto | — | ||
| 5 | Symphony no. 36 in C major, K.425 “Linz”: I. Adagio - Allegro spiritoso | — | ||
| 6 | Symphony no. 36 in C major, K.425 “Linz”: II. Andante | — | ||
| 7 | Symphony no. 36 in C major, K.425 “Linz”: III. Menuetto | — | ||
| 8 | Symphony no. 36 in C major, K.425 “Linz”: IV. Finale: Presto | — | ||
| 2-1 | Symphony no. 38 in D major, K.504 “Prague”: I. Adagio - Allegro | — | ||
| 2-2 | Symphony no. 38 in D major, K.504 “Prague”: II. Andante | — | ||
| 2-3 | Symphony no. 38 in D major, K.504 “Prague”: III. Finale: Presto | — | ||
| 2-4 | Symphony no. 39 in E-flat major, K.543: I. Adagio - Allegro | — | ||
| 2-5 | Symphony no. 39 in E-flat major, K.543: II. Andante con moto | — | ||
| 2-6 | Symphony no. 39 in E-flat major, K.543: III. Menuetto: Allegretto | — | ||
| 2-7 | Symphony no. 39 in E-flat major, K.543: IV. Finale: Allegro | — | ||
| 3-1 | Symphony no. 40 in G minor, K.550: I. Molto allegro | — | ||
| 3-2 | Symphony no. 40 in G minor, K.550: II. Andante | — | ||
| 3-3 | Symphony no. 40 in G minor, K.550: III. Menuetto: Allegretto | — | ||
| 3-4 | Symphony no. 40 in G minor, K.550: IV. Finale: Allegro assai | — | ||
| 3-5 | Symphony no. 41 in C major, K.551 “Jupiter”: I. Allegro vivace | — | ||
| 3-6 | Symphony no. 41 in C major, K.551 “Jupiter”: II. Andante cantabile | — | ||
| 3-7 | Symphony no. 41 in C major, K.551 “Jupiter”: III. Menuetto: Allegretto | — | ||
| 3-8 | Symphony no. 41 in C major, K.551 “Jupiter”: IV. Molto allegro | — | ||
| 4-1 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": I. Allegro | — | ||
| 4-2 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": II. Romance: Andante | — | ||
| 4-3 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": III. Menuetto: Allegretto | — | ||
| 4-4 | Serenade no. 13 in G major, K. 525 "Eine kleine Nachtmusik": IV. Rondo: Allegro | — | ||
| 4-5 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: I. Allegro | — | ||
| 4-6 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: II. Andantino | — | ||
| 4-7 | Concerto for Flute, Harp and Orchestra in C major, K. 299/297c: III. Rondeau: Allegro | — | ||
| 4-8 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: I. Allegro maestoso | — | ||
| 4-9 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: II. Andante | — | ||
| 4-10 | Sinfonia concertante in E-flat for Violin, Viola and Orchestra, K. 364: III. Presto | — | ||
| 5-1 | Concerto for Clarinet and Orchestra in A major, K. 622: I. Allegro | — | ||
| 5-2 | Concerto for Clarinet in A major, K. 622: II. Adagio | Franklin Cohen, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 5-3 | Concerto for Clarinet and Orchestra in A major, K. 622: III. Rondo: Allegro | — | ||
| 5-4 | Concerto for Oboe and Orchestra in C major, K. 314: I. Allegro aperto | — | ||
| 5-5 | Concerto for Oboe and Orchestra in C major, K. 314: II. Adagio non troppo | — | ||
| 5-6 | Concerto for Oboe and Orchestra in C major, K. 314: III. Rondo: Allegretto | — | ||
| 5-7 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: I. Allegro | — | ||
| 5-8 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: II. Andante ma Adagio | — | ||
| 5-9 | Concerto for Bassoon and Orchestra in B-flat major, K. 191: III. Rondo: Tempo di Menuetto | — | ||
| 6-1 | Symphonie fantastique, op. 14 : I. Rêveries, passions | — | ||
| 6-2 | Symphonie fantastique, op. 14 : II. Un bal | — | ||
| 6-3 | Symphonie fantastique, op. 14 : III. Scène aux champs | — | ||
| 6-4 | Symphonie fantastique, op. 14 : IV. Marche au supplice | — | ||
| 6-5 | Symphonie fantastique, op. 14 : V. Songe d’une nuit de sabbat | — | ||
| 6-6 | L’Invitation à la valse, op. 65 | — | ||
| 7-1 | Symphony no. 1 in B-flat major, op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace | — | ||
| 7-2 | Symphony no. 1 in B-flat major, op. 38 "Spring": II. Larghetto | — | ||
| 7-3 | Symphony no. 1 in B-flat major, op. 38 "Spring": III. Scherzo: Molto vivace | — | ||
| 7-4 | Symphony no. 1 in B-flat major, op. 38 "Spring": IV. Allegro animato e grazioso | — | ||
| 7-5 | Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo | — | ||
| 7-6 | Symphony no. 2 in C major, op. 61: II. Scherzo: Allegro vivace | — | ||
| 7-7 | Symphony no. 2 in C major, op. 61: III. Adagio espressivo | — | ||
| 7-8 | Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace | — | ||
| 8-1 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": I. Lebhaft | — | ||
| 8-2 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": II. Scherzo: Sehr mäßig | — | ||
| 8-3 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": III. Nicht schnell | — | ||
| 8-4 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": IV. Feierlich | — | ||
| 8-5 | Symphony no. 3 in E-flat Major, op. 97 "Rhenish": V. Lebhaft | — | ||
| 8-6 | Symphony no. 4 in D Minor, op. 120: I. Ziemlich langsam - Lebhaft | — | ||
| 8-7 | Symphony no. 4 in D Minor, op. 120: II. Romanze: Ziemlich langsam | — | ||
| 8-8 | Symphony no. 4 in D Minor, op. 120: III. Scherzo: Lebhaft | — | ||
| 8-9 | Symphony no. 4 in D Minor, op. 120: IV. Langsam - Lebhaft | — | ||
| 9-1 | Violin Concerto in D, op. 77 - I Allegro non troppo | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-2 | Violin Concerto in D major, Op. 77: 2. Adagio | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | T-070.050.551-6 | |
| 9-3 | Violin Concerto in D major, Op. 77: 3. Allegro giocoso, ma non troppo vivace | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-4 | Violin Concerto in D minor, WoO 1: I. In kräftigem, nicht zu schnellem tempo | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-5 | Violin Concerto in D minor, WoO 1: II. Langsam | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 9-6 | Violin Concerto in D minor, WoO 1: III. Lebhaft, doch nicht schnell | Joshua Bell, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 10-1 | Symphony no. 3 in D minor: I. Gemäßigt, mehr bewegt, misterioso | — | ||
| 10-2 | Symphony no. 3 in D minor: II. Andante. Bewegt, feierlich, quasi Adagio | — | ||
| 10-3 | Symphony no. 3 in D minor: III. Scherzo: Ziemlich schnell | — | ||
| 10-4 | Symphony no. 3 in D minor: IV. Finale: Allegro | — | ||
| 11-1 | Symphony no. 4 in E-flat major: I. Bewegt, nicht zu schnell | — | ||
| 11-2 | Symphony no. 4 in E-flat major: II. Andante, quasi allegretto | — | ||
| 11-3 | Symphony no. 4 in E-flat major: III. Scherzo: Bewegt - Trio: Nicht zu schnell | — | ||
| 11-4 | Symphony no. 4 in E-flat major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 12-1 | Symphony no. 5 in B-flat major: I. Introduction: Adagio – Allegro | — | ||
| 12-2 | Symphony no. 5 in B-flat major: II. Adagio: Sehr langsam | — | ||
| 12-3 | Symphony no. 5 in B-flat major: III. Scherzo: Molto vivace – Trio | — | ||
| 12-4 | Symphony no. 5 in B-flat major: IV. Finale: Adagio – Allegro moderato | — | ||
| 13-1 | Symphony no. 6 In A major: I. Majestoso | — | ||
| 13-2 | Symphony no. 6 In A major: II. Adagio: Sehr feierlich | — | ||
| 13-3 | Symphony no. 6 In A major: III. Scherzo: Nicht schnell - Trio | — | ||
| 13-4 | Symphony no. 6 In A major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 14-1 | Symphony no. 7 in E major: I. Allegro moderato | — | ||
| 14-2 | Symphony no. 7 in E major: II. Adagio: sehr feierlich und sehr langsam | — | ||
| 14-3 | Symphony no. 7 in E major: III. Scherzo: Sehr schnell - Trio: Etwas langsamer | — | ||
| 14-4 | Symphony no. 7 in E major: IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 15-1 | Symphony no. 8 in C minor: I. Allegro moderato | — | ||
| 15-2 | Symphony no. 8 in C minor: II. Scherzo: Allegro moderato - Trio: Langsam | — | ||
| 15-3 | Symphony no. 8 in C minor: III. Adagio: Feierlich langsam, doch nicht schleppend | — | ||
| 15-4 | Symphony no. 8 in C minor: IV. Finale: Feierlich, nicht schnell | — | ||
| 16-1 | Symphony no. 9 in D minor: I. Feierlich, misterioso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 16-2 | Symphony no. 9 in D minor: II. Scherzo. Bewegt, lebhaft; Trio: Schnell | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 16-3 | Symphony no. 9 in D minor: III. Adagio. Langsam, feierlich | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 17-1 | Das Rheingold: Szene I. Vorspiel | — | ||
| 17-2 | Das Rheingold: Szene I. "Weia! Waga! Woge, du Welle!" | — | ||
| 17-3 | Das Rheingold: Szene I. "Garstig glatter glitschriger Glimmer!" | — | ||
| 17-4 | Das Rheingold: Szene I. "Wallala! Lalaleia! Leialalei!" | — | ||
| 17-5 | Das Rheingold: Szene I. "Lugt, Schwestern! Die Weckerin lacht in den Grund" | — | ||
| 17-6 | Das Rheingold: Szene I. "Der Welt Erbe gewänn' ich zu eigen durch dich?" | — | ||
| 17-7 | Das Rheingold: Szene II. "Wotan! Gemahl! Erwache!" | — | ||
| 17-8 | Das Rheingold: Szene II. "Sanft schloss Schlaf dein Aug'" | — | ||
| 17-9 | Das Rheingold: Szene II. "Zu mir, Freia!" | — | ||
| 17-10 | Das Rheingold: Szene II. "Endlich Loge!" | — | ||
| 17-11 | Das Rheingold: Szene II. "Immer ist Undank Loges Lohn!" | — | ||
| 17-12 | Das Rheingold: Szene II. "Ein Runenzauber zwingt das Gold zum Reif" | — | ||
| 17-13 | Das Rheingold: Szene II. "Hör', Wotan, der Harrenden Wort!" | — | ||
| 17-14 | Das Rheingold: Szene II. "Was sinnt nun Wotan so wild?" | — | ||
| 17-15 | Das Rheingold: Szene II. "Auf, Loge! hinab mit mir!" - Szene III. "Hehe! hehe! hieher!" | — | ||
| 18-1 | Das Rheingold: Szene III. "Schau, du Schelm!" | — | ||
| 18-2 | Das Rheingold: Szene III. "Nibelheim hier. Durch bleiche Nebel" | — | ||
| 18-3 | Das Rheingold: Szene III. "Nehmt euch in acht; Alberich naht / Sein' harren wir hier" | — | ||
| 18-4 | Das Rheingold: Szene III. "Vergeh', frevelnder Gauch! / Was sagt der? / Sei doch bei Sinnen!" | — | ||
| 18-5 | Das Rheingold: Szene III. "Ohe! Ohe! Schreckliche Schlange" | — | ||
| 18-6 | Das Rheingold: Szene IV. "Da, Vetter, sitze du fest!" | — | ||
| 18-7 | Das Rheingold: Szene IV. "Gezahlt hab' ich; nun lass' mich zieh'n!" | — | ||
| 18-8 | Das Rheingold: Szene IV. "Bin ich nun frei? Wirklich frei?" | — | ||
| 18-9 | Das Rheingold: Szene IV. "Fasolt und Fafner nahen von fern" | — | ||
| 18-10 | Das Rheingold: Szene IV. "Gepflanzt sind die Pfähle" | — | ||
| 18-11 | Das Rheingold: Szene IV. "Weiche, Wotan! weiche!" | — | ||
| 18-12 | Das Rheingold: Szene IV. "Hört, ihr Riesen! Zurück und harret!" | — | ||
| 18-13 | Das Rheingold: Szene IV. "Schwüles Gedünst" | — | ||
| 18-14 | Das Rheingold: Szene IV. "Abendlich strahlt der Sonne Auge" | — | ||
| 18-15 | Das Rheingold: Szene IV. "Rheingold! Rheingold! Reines Gold!" | — | ||
| 19-1 | Die Walküre: Akt I. Vorspiel | — | ||
| 19-2 | Die Walküre: Akt I. "Wess' Herd dies auch sei" | — | ||
| 19-3 | Die Walküre: Akt I. "Kühlende Labung gab mir der Quell" | — | ||
| 19-4 | Die Walküre: Akt I. "Müd' am Herd fand ich den Mann" | — | ||
| 19-5 | Die Walküre: Akt I. "Friedmund darf ich nicht heißen" | — | ||
| 19-6 | Die Walküre: Akt I. "Aus dem Wald trieb es mich fort" | — | ||
| 19-7 | Die Walküre: Akt I. "Ich weiß ein wildes Geschlecht" | — | ||
| 19-8 | Die Walküre: Akt I. "Ein Schwert verhieß mir der Vater" | — | ||
| 19-9 | Die Walküre: Akt I. "Schläfst du, Gast?" | — | ||
| 19-10 | Die Walküre: Akt I. "Winterstürme wichen dem Wonnemond" | — | ||
| 19-11 | Die Walküre: Akt I. "Du bist der Lenz nach dem ich verlangte" | — | ||
| 19-12 | Die Walküre: Akt I. "Wehwalt heißt du fürwahr?" - "Siegmund heiß' ich" | — | ||
| 20-1 | Die Walküre: Akt II. Vorspiel | — | ||
| 20-2 | Die Walküre: Akt II. "Nun zäume dein Ross, reisige Maid" | — | ||
| 20-3 | Die Walküre: Akt II. "Der alte Sturm, die alte Müh'!" | — | ||
| 20-4 | Die Walküre: Akt II. "So ist es denn aus mit den ewigen Göttern" | — | ||
| 20-5 | Die Walküre: Akt II. "Nichts lerntest du" | — | ||
| 20-6 | Die Walküre: Akt II. "Was verlangst du?" | — | ||
| 20-7 | Die Walküre: Akt II. "Schlimm, fürcht' ich, schloss der Streit" | — | ||
| 20-8 | Die Walküre: Akt II. "Was keinem in Worten ich künde" | — | ||
| 20-9 | Die Walküre: Akt II. "Ein andres ist 's: achte es wohl" | — | ||
| 20-10 | Die Walküre: Akt II. "O sag', künde, was soll nun dein Kind?" | — | ||
| 20-11 | Die Walküre: Akt II. "Raste nun hier, gönne dir Ruh'!" | — | ||
| 20-12 | Die Walküre: Akt II. "Hinweg! Hinweg! Flieh die Entweihte!" | — | ||
| 21-1 | Die Walküre: Akt II. "Siegmund! Sieh auf mich!" | — | ||
| 21-2 | Die Walküre: Akt II. "Hehr bist du: und heilig gewahr ich das Wotanskind" | — | ||
| 21-3 | Die Walküre: Akt II. "So wenig achtest du ewige Wonne?" | — | ||
| 21-4 | Die Walküre: Akt II. "Zauberfest bezähmt ein Schlaf der Holden Schmerz und Harm" | — | ||
| 21-5 | Die Walküre: Akt II. "Kehrte der Vater nur heim!" | — | ||
| 22-1 | Die Walküre: Akt III. Vorspiel - "Hojotoho! Hojotoho! Heiaha! Heiaha!" | — | ||
| 22-2 | Die Walküre: Akt III. "Schützt mich, und helft in höchster Not!" | — | ||
| 22-3 | Die Walküre: Akt III. "Nicht sehre dich Sorge um mich" | — | ||
| 22-4 | Die Walküre: Akt III. "Steh, Brünnhild'!" | — | ||
| 22-5 | Die Walküre: Akt III. "Wo ist Brünnhild', wo die Verbrecherin?" | — | ||
| 22-6 | Die Walküre: Akt III. "Hier bin ich, Vater: gebiete die Strafe!" | — | ||
| 22-7 | Die Walküre: Akt III. "Wehe! Weh! Schwester, ach Schwester!" | — | ||
| 22-8 | Die Walküre: Akt III. "War es so schmählich, was ich verbrach?" | — | ||
| 22-9 | Die Walküre: Akt III. "Nicht weise bin ich, doch wusst' ich das Eine" | — | ||
| 22-10 | Die Walküre: Akt III. "So tatest du, was so gern zu tun ich begehrt" | — | ||
| 22-11 | Die Walküre: Akt III. "Du zeugtest ein edles Geschlecht" | — | ||
| 22-12 | Die Walküre: Akt III. "Leb' wohl, du kühnes, herrliches Kind!" | — | ||
| 22-13 | Die Walküre: Akt III. "Denn einer nur freie die Braut" | — | ||
| 22-14 | Die Walküre: Akt III. "Loge, hör! Lausche hieher!" | — | ||
| 23-1 | Ein Heldenleben, op. 40: I. Der Held | — | ||
| 23-2 | Ein Heldenleben, op. 40: II. Des Helden Widersacher | — | ||
| 23-3 | Ein Heldenleben, op. 40: III. Des Helden Gefährtin | — | ||
| 23-4 | Ein Heldenleben, op. 40: IV. Des Helden Walstatt | — | ||
| 23-5 | Ein Heldenleben, op. 40: V. Des Helden Friedenswerke | — | ||
| 23-6 | Ein Heldenleben, op. 40: VI. Des Helden Weltflucht und Vollendung | — | ||
| 23-7 | Till Eulenspiegels lustige Streiche, op. 28 | — | ||
| 24-1 | Symphony no. 1 in D major: I. Langsam, schleppend | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-2 | Symphony no. 1 in D major: II. Kräftig, bewegt | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-3 | Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 24-4 | Symphony no. 1 in D major: IV. Stürmisch bewegt | Cleveland Orchestra, Christoph von Dohnányi | T-900.953.062-5 | |
| 25-1 | Symphony no. 4 in G major: I. Bedächtig. Nicht eilen | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-2 | Symphony no. 4 in G major: II. In gemächlicher Bewegung. Ohne Hast | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-3 | Symphony no. 4 in G major: III. Ruhevoll | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 25-4 | Symphony no. 4 in G major: IV. Sehr behaglich "Wir genießen die himmlischen Freuden" | Dawn Upshaw, Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-1 | Symphony no. 5: I. Trauermarsch | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-2 | Symphony no. 5: II. Stürmisch bewegt, mit größter Vehemenz | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-3 | Symphony no. 5: III. Scherzo. Kräftig, Nicht zu Schnell | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-4 | Symphony no. 5: IV. Adagietto. Sehr langsam | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 26-5 | Symphony no. 5: V. Rondo-Finale. Allegro | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 27-1 | Symphony no. 6 “Tragic”: I. Allegro energico, ma non troppo | — | ||
| 27-2 | Symphony no. 6 “Tragic”: II. Scherzo: Wuchtig (Pesante) | — | ||
| 27-3 | Symphony no. 6 “Tragic”: III. Andante moderato | — | ||
| 27-4 | Symphony no. 6 “Tragic”: IV. Finale: Allegro moderato | — | ||
| 28-1 | Symphony 9: I. Andante comodo | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-2 | Symphony 9: II. Im tempo eines gemächlichen ländlers. Etwas täppisch und sehr derb | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-3 | Symphony 9: III. Rondo-Burleske. Allegro assai. Sehr trotzig | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 28-4 | Symphony 9: IV. Adagio. Sehr langsam und noch zurückhaltend | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 29-1 | Vltava (The Moldau) JB 1:112/2 | — | ||
| 29-2 | Libuše JB 1:102: Overture | — | ||
| 29-3 | Dvě vdovy (The Two Widows) JB 1:108: Overture | — | ||
| 29-4 | Dvě vdovy (The Two Widows) JB 1:108: Polka | — | ||
| 29-5 | Hubička (The Kiss) JB 1:104: Overture | — | ||
| 29-6 | Prodaná nevěsta (The Bartered Bride) JB 1:100: Overture | — | ||
| 29-7 | Prodaná nevěsta (The Bartered Bride) JB 1:100: I. Polka "Pojd sem, holka" | — | ||
| 29-8 | Prodaná nevěsta (The Bartered Bride) JB 1:100: II. Furiant | — | ||
| 29-9 | Prodaná nevěsta (The Bartered Bride) JB 1:100: III. Skočná (Dance of the Comedians) | — | ||
| 30-1 | Symphony no. 6 in D major, op. 60: I. Allegro non tanto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-2 | Symphony no. 6 in D major, op. 60: II. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-3 | Symphony no. 6 in D major, op. 60: III. Scherzo (Furiant): Presto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-4 | Symphony no. 6 in D major, op. 60: IV. Finale: Allegro con spirito | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-5 | Rhapsody for Orchestra "Taras Bulba": I. The Death of Andri | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-6 | Rhapsody for Orchestra "Taras Bulba": II. The Death of Ostap | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 30-7 | Rhapsody for Orchestra "Taras Bulba": III. The Prophesy and Death of Taras Bulba | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-1 | Symphony no. 7 in D minor, op. 70: I. Allegro maestoso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-2 | Symphony no. 7 in D minor, op. 70: II. Poco adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-3 | Symphony no. 7 in D minor, op. 70: III. Scherzo: Vivace | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-4 | Symphony no. 7 in D minor, op. 70: IV. Finale: Allegro | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-5 | Symphony no. 8 in G major, op. 88: I. Allegro con brio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-6 | Symphony no. 8 in G major, op. 88: II. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-7 | Symphony no. 8 in G major, op. 88: III. Allegretto grazioso | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 31-8 | Symphony no. 8 in G major, op. 88: IV. Allegro, ma non troppo | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo: Molto vivace | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 32-4 | Sinfonia No. 9 "Dal nuovo mondo" | The Cleveland Orchestra, Christoph von Dohnányi | T-905.029.737-5 | |
| 32-5 | Scherzo capriccioso, op. 66 | — | ||
| 33-1 | Slavonic Dances, op. 46: No. 1 in C major | Cleveland Orchestra, Christoph von Dohnányi | T-901.463.893-8 | |
| 33-2 | Slavonic Dances, op. 46: No. 2 in E minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-3 | Slavonic Dances, op. 46: No. 3 in A-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-4 | Slavonic Dances, op. 46: No. 4 in F major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-5 | Slavonic Dances, op. 46: No. 5 in A major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-6 | Slavonic Dances, op. 46: No. 6 in D major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-7 | Slavonic Dances, op. 46: No. 7 in C minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-8 | Slavonic Dances, op. 46: No. 8 in G minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-9 | Slavonic Dances, op. 72: No. 1 in B major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-10 | Slavonic Dances, op. 72: No. 2 in E minor | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-11 | Slavonic Dances, op. 72: No. 3 in F major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-12 | Slavonic Dances, op. 72: No. 4 in D-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-13 | Slavonic Dances, op. 72: No. 5 in B-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-14 | Slavonic Dances, op. 72: No. 6 in B-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-15 | Slavonic Dances, op. 72: No. 7 in C major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 33-16 | Slavonic Dances, op. 72: No. 8 in A-flat major | Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-1 | Music for Strings, Percussion & Celesta: I. Andante tranquillo | The Cleveland Orchestra, Christoph von Dohnányi | T-061.693.281-0 | |
| 34-2 | Music for Strings, Percussion & Celesta: II. Allegro | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-3 | Music for Strings, Percussion & Celesta: III. Adagio | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-4 | Music for Strings, Percussion & Celesta: IV. Allegro molto | The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-5 | Concerto for String Quartet & Orchestra: I. Allegro vivo | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-6 | Concerto for String Quartet & Orchestra: II. Adagio | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-7 | Concerto for String Quartet & Orchestra: III. Tempo moderato | Stephen Geber, Berthold Goldschmidt, Daniel Majeske, Robert Vernon, The Cleveland Orchestra, Christoph von Dohnányi | T-106.643.741-8 | |
| 34-8 | Capriccio for Piano and Chamber Ensemble: I. Allegro | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-9 | Capriccio for Piano and Chamber Ensemble: II. Adagio | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-10 | Capriccio for Piano and Chamber Ensemble: III. Allegretto | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 34-11 | Capriccio for Piano and Chamber Ensemble: IV. Andante | Members of the Cleveland Orchestra, Christoph von Dohnányi | — | |
| 35-1 | Concerto for Orchestra, Sz. 116: I. Introduzione | — | ||
| 35-2 | Concerto for Orchestra, Sz. 116: II. Giuoco delle coppie | — | ||
| 35-3 | Concerto for Orchestra, Sz. 116: III. Elegia | — | ||
| 35-4 | Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto | — | ||
| 35-5 | Concerto for Orchestra, Sz. 116: V. Finale | — | ||
| 35-6 | Concerto for Orchestra: I. Intrada | — | ||
| 35-7 | Concerto for Orchestra: II. Capriccio, notturno e arioso | — | ||
| 35-8 | Concerto for Orchestra: III. Passacaglia, toccata e corale | — | ||
| 36-1 | Symphony no. 10 in E minor, op. 93: 1. Moderato | — | ||
| 36-2 | Symphony no. 10 in E minor, op. 93: 2. Allegro | — | ||
| 36-3 | Symphony no. 10 in E minor, op. 93: 3. Allegretto | — | ||
| 36-4 | Symphony no. 10 in E minor, op. 93: 4. Andante - Allegro | — | ||
| 36-5 | Musique Funèbre (Prologue‐Metamorphoses‐Apogée‐Epilogue) | — | ||
| 37-1 | Passacaglia, op. 1 | — | ||
| 37-2 | Six Orchestral Pieces, op. 6a: I. Etwas bewegt | — | ||
| 37-3 | Six Orchestral Pieces, op. 6a: II. Bewegt | — | ||
| 37-4 | Six Orchestral Pieces, op. 6a: III. Zart bewegt | — | ||
| 37-5 | Six Orchestral Pieces, op. 6a: IV. Langsam | — | ||
| 37-6 | Six Orchestral Pieces, op. 6a: V. Sehr langsam | — | ||
| 37-7 | Six Orchestral Pieces, op. 6a: VI. Zart bewegt | — | ||
| 37-8 | Symphony, op. 21: I. Ruhig schreitend | — | ||
| 37-9 | Symphony, op. 21: II. Variationen | — | ||
| 37-10 | Five Orchestral Pieces, op. 10: I. Seh ruhig und zart | — | ||
| 37-11 | Five Orchestral Pieces, op. 10: II. Lebhaft und zart bewegt | — | ||
| 37-12 | Five Orchestral Pieces, op. 10: III. Sehr langsam und aüßert ruhig | — | ||
| 37-13 | Five Orchestral Pieces, op. 10: IV. Fließet, aüßerst zart | — | ||
| 37-14 | Five Orchestral Pieces, op. 10: V. Sehr fließend | — | ||
| 37-15 | Variations, op. 30 | — | ||
| 37-16 | Musikalischen Opfer, BWV 1079: V. Ricercar a 6 voci | — | ||
| 37-17 | Im Sommerwind | — | ||
| 38-1 | Ameriques | — | ||
| 38-2 | Symphony no. 4: I. Prelude: Maestoso | — | ||
| 38-3 | Symphony no. 4: II. Allegretto | — | ||
| 38-4 | Symphony no. 4: III. Fugue: Andante moderato | — | ||
| 38-5 | Symphony no. 4: IV. Very slowly - Largo maestoso | — | ||
| 38-6 | The Unanswered Question, S. 50 | — | ||
| 39-1 | Orchestral Set no. 1, S. 7 "Three Places in New England": I. The "St. Gaudens" in Boston Common | — | ||
| 39-2 | Orchestral Set no. 1, S. 7 "Three Places in New England": II. Putnam's Camp, Redding, Connecticut | — | ||
| 39-3 | Orchestral Set no. 1, S. 7 "Three Places in New England": III. The Housatonic at Stockbridge | — | ||
| 39-4 | Orchestral Set no. 2, S. 8: I. An Elegy to our Forefathers | — | ||
| 39-5 | Orchestral Set no. 2, S. 8: II. The Rockstrewn Hills Join in the People's Outdoor Meeting | — | ||
| 39-6 | Orchestral Set no. 2, S. 8: III. From Hanover Square North, at the End of a Tragic Day, the Voices of the People Again Arose | — | ||
| 39-7 | Sun-treader | — | ||
| 39-8 | Men and Mountains: I. Men | — | ||
| 39-9 | Men and Mountains: II. Lilacs | — | ||
| 39-10 | Men and Mountains: III. Marching Mountains | — | ||
| 39-11 | Andante for Strings | — | ||
| 40-1 | Earth Dances | — | ||
| 40-2 | 5 Orchesterstücke, op. 16: I. Vorgefühle: Sehr rasch | — | ||
| 40-3 | 5 Orchesterstücke, op. 16: II. Vergangenes: Mäßige Viertel | — | ||
| 40-4 | 5 Orchesterstücke, op. 16: III. Farben: Mäßige Viertel | — | ||
| 40-5 | 5 Orchesterstücke, op. 16: IV. Peripetie: Sehr rasch | — | ||
| 40-6 | 5 Orchesterstücke, op. 16: V. Das obligate Rezitativ: Bewegte Achtel | — | ||
| 40-7 | Adagio (Symphony no. 2) | Cleveland Orchestra, Christoph von Dohnányi | — |
