UPC · Release
Peaceful Piano Moods
Various Artists
028948602889
100 tracksReleased 2022-01-01Deutsche Grammophon
Last verified:
028948602889 is the Universal Product Code (UPC barcode) for the release “Peaceful Piano Moods” by Various Artists, released 2022-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include GBF071900150, AUUM72100008, DEF058330101.
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0Number system
28948Manufacturer
60288Product
9Check digit
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Credit Chain
UPCPeaceful Piano Moods
ISRC98 recordings
ISWC30 works
IPI30 songwriters
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Before Dawn | Ola Gjeilo | T-929.964.614-3 | |
| 2 | Main Theme From ‘Missing’ | — | ||
| 3 | The Sound of Music: Something Good | Van-Anh Nguyen | T-900.306.968-9 | |
| 4 | Ave Verum Corpus KV 618 | — | ||
| 5 | Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — | |
| 6 | Intermezzo in E flat major Op. 117 No. 1 | Lilya Zilberstein | — | |
| 7 | Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T-306.229.968-3 | |
| 8 | The Arts and the Hours | Víkingur Ólafsson | T-311.091.001-1 | |
| 9 | As Ballad | Lambert | T-803.568.219-1 | |
| 10 | Earned It | Stephan Moccio | T-916.267.043-1 | |
| 11 | Sleeping Lotus | Joep Beving | T-926.221.981-8 | |
| 12 | Nocturne in G Minor | Ólafur Arnalds, Alice Sara Ott | T-931.601.679-2 | |
| 13 | For Jóhann | Christian Badzura, Víkingur Ólafsson | — | |
| 14 | …And at the Hour of Death | Christian Badzura, Víkingur Ólafsson | — | |
| 15 | Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: 1. Prelude | Pierre-Laurent Aimard | T-910.415.372-2 | |
| 16 | Cavatina From ‘The Deer Hunter’ | Stanley Myers | — | |
| 17 | Main Title Theme From ‘The English Patient’ | Gabriel Yared | T-900.788.553-2 | |
| 18 | Prélude | Katia Labèque | — | |
| 19 | Deux Arabesques: Andantino con moto | Tamás Vásáry | T-329.530.213-1 | |
| 20 | Prelude in G major Op. 32 No.5 | Lilya Zilberstein | — | |
| 21 | Frühlingsglaube | Franz Schubert | — | |
| 22 | Eroica Variations Op. 35: Variation 5 | Alfred Brendel | — | |
| 23 | Dolly, op. 56: Berceuse | Katia & Marielle Labèque | — | |
| 24 | Tröstevisa | Benny Andersson | — | |
| 2-1 | Prélude à l'après-midi d'une faune | Klavierduo Kontarsky | — | |
| 2-2 | My Father’s Favourite From ‘Sense and Sensibility’ | Patrick Doyle | — | |
| 2-3 | Prelude in D Major | Chad Lawson | — | |
| 2-4 | 24 Variations on ‘Venni Amore’ in D major: Variation 1 | Михаил Плетнёв | — | |
| 2-5 | Someone to Watch Over Me From Oh, Kay! | André Previn | T-070.158.293-5 | |
| 2-6 | Love Walked In | George Gershwin | T-011.143.770-7 | |
| 2-7 | Paganini Variations, Book I Op. 35: Variation 12 | 王羽佳 | T-917.142.790-0 | |
| 2-8 | Années de pèlerinage : Première année : Suisse, S.160, No. 3 : Pastorale | Lazar Berman | — | |
| 2-9 | Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007.303.107-8 | |
| 2-10 | 6 Minuets for Piano, WoO 10 no. 2 in G major | Mikhail Pletnev | — | |
| 2-11 | Sheep May Safely Graze From ‘Hunt’ Cantata Bwv 208 | Johann Sebastian Bach | — | |
| 2-12 | 6 Moments musicaux, D. 780: No. 3 in F minor. Allegro moderato | Seong-Jin Cho | T-312.542.191-8 | |
| 2-13 | Dance of the Four Swans From Swan Lake | Piotr Ilitch Tchaïkovski | T-913.565.897-8 | |
| 2-14 | Vision Fugitive Op. 22 No. 6: Con Eleganza | Sergei Prokofiev | — | |
| 2-15 | Lyric Pieces: Book III, op. 43: I. Butterfly | Alice Sara Ott | — | |
| 2-16 | 12 Études, op. 25: No. 2 in F minor | Jan Lisiecki | T-329.456.945-8 | |
| 2-17 | Étude in A-flat major Op. Posth. (Trois Nouvelles Études) | Frédéric Chopin | — | |
| 2-18 | September Song | Agnes Obel | T-070.134.721-8 | |
| 2-19 | Étude no. 14 | Víkingur Ólafsson | T-923.059.400-0 | |
| 2-20 | Mendelssohn Bartholdy • Lieder Ohne Worte (Songs without Words) Op. 19b MWV SD 5 • 6. Andante Sostenuto in G Minor (MWV U 78) "Venetian Boat Song" | Jan Lisiecki | — | |
| 2-21 | La Valse D’Amélie | Yann Tiersen | T-004.974.381-8 | |
| 2-22 | Valsa | Rui Massena | T-041.961.091-5 | |
| 2-23 | A Small Kind of Revival | Sophie Hutchings | T-931.228.623-0 | |
| 2-24 | Winter Waltz | Stephan Moccio | T-303.496.901-8 | |
| 2-25 | Notturno (Lyric Pieces Book V Op. 54 No. 4) | Alice Sara Ott | — | |
| 2-26 | 12 Songs, Op. 21: V. Lilacs (Transcr. for Solo Piano) | Sergei Babayan | — | |
| 3-1 | Lyric Pieces: Summer's Eve, op. 71 no. 2 | Andrei Gavrilov | — | |
| 3-2 | 6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto | Lazar Berman | — | |
| 3-3 | Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante | Andrej Gavrilov | — | |
| 3-4 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304.254.199-7 | |
| 3-5 | Waltzes for piano four hands, op. 39, no. 15 in A-flat major | Klavierduo Kontarsky | T-306.229.926-3 | |
| 3-6 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 3-7 | Bagatelle in A major Op. 33 No. 4 | Михаил Плетнёв | T-915.717.846-6 | |
| 3-8 | Largo in E flat major, B. 109 | Anatol Ugorski | T-106.670.526-6 | |
| 3-9 | Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza | Ivo Pogorelich | — | |
| 3-10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 3-11 | Waltzes for piano four hands, op. 39, no. 9 in D minor | Klavierduo Kontarsky | — | |
| 3-12 | Sonata in D minor, K. 9: Allegro moderato | Ivo Pogorelich | — | |
| 3-13 | Page d'album (Pour l'ouverture du "Vêtement du Blessé") | Zoltán Kocsis | — | |
| 3-14 | Waldszenen (Op. 82), VII. Vogel Als Prophet. Langsam, Sehr Zart | Maria João Pires | — | |
| 3-15 | Tango, op. 165 no. 2 | Shura Cherkassky | — | |
| 3-16 | The Day Before You Came | Benny Andersson | T-010.819.608-2 | |
| 3-17 | River Flows in You | Music Lab Collective | T-910.977.518-0 | |
| 3-18 | Waltz in A minor, KK IVb no. 11: Allegretto | Alice Sara Ott | — | |
| 3-19 | Song From a Secret Garden | Secret Garden | T-000.535.171-2 | |
| 3-20 | In Metaphor, Solace | Luke Howard | — | |
| 3-21 | Sea Change | Stephan Moccio | T-300.065.455-3 | |
| 3-22 | ABC | Ludovico Einaudi | T-072.597.638-4 | |
| 3-23 | Dressing Up From ‘Personal Effects’ | Jóhann Jóhannsson | — | |
| 3-24 | H in New England | Max Richter | — | |
| 3-25 | Préludes / Book 2, L. 123: 5. Bruyères (home session) | Víkingur Ólafsson | — | |
| 3-26 | Fracture | Stephan Moccio | T-300.065.576-1 | |
| 3-27 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T-321.904.265-2 | |
| 3-28 | Chess | Benny Andersson | T-900.045.564-1 | |
| 4-1 | Nocturne no. 20 in C-sharp minor, op. post: Lento con gran espressione | Maria João Pires | T-928.543.689-7 | |
| 4-2 | Mélodie de Gluck | Yuja Wang | — | |
| 4-3 | Gottes Zeit, Ist Die Allerbeste Zeit, BWV 106 I. Sonatina | Halla Oddný Magnúsdóttir, Víkingur Ólafsson | T-802.189.927-5 | |
| 4-4 | Vision Fugitive Op. 22 No. 7: Pittoresco. | Sergei Prokofiev | — | |
| 4-5 | Peer Gynt: suite no. 2, op. 55: IV. Solveig’s Song | Alice Sara Ott | — | |
| 4-6 | Ich ruf zu dir Herr Jesu Christ, Chorale Prelude, BWV 639 (transcr. by Ferruccio Busoni) | Víkingur Ólafsson | — | |
| 4-7 | Variations and Fugue on a Theme by Handel, op. 24: Variation V | Anatol Ugorski | — | |
| 4-8 | One of Them (From “darkest Hour” Soundtrack) | Dario Marianelli, Víkingur Ólafsson | T-924.407.553-4 | |
| 4-9 | Glassworks: Opening | Víkingur Ólafsson | T-316.902.801-3 | |
| 4-10 | The Departure | Lang Lang | T-010.151.647-5 | |
| 4-11 | Winter | Ola Gjeilo | T-301.373.500-3 | |
| 4-12 | Wrecking Ball | Stephan Moccio | T-900.913.381-7 | |
| 4-13 | Ab Ovo | Joep Beving | T-926.222.006-4 | |
| 4-14 | Roscian | Agnes Obel | T-929.952.161-2 | |
| 4-15 | Gymnopédie No. 2 (Vivian Roost rework) | Vivian Roost | T-315.303.699-4 | |
| 4-16 | Chariots of Fire | Vangelis | T-031.810.053-6 | |
| 4-17 | Linda and Walter | Jóhann Jóhannsson | — | |
| 4-18 | La Solitude From ‘Matthias and Maxime’ | Jean-Michel Blais | — | |
| 4-19 | In a Landscape | Francesco Tristano | T-070.908.485-4 | |
| 4-20 | Dream Solo | Max Richter | T-929.743.852-9 | |
| 4-21 | Sea Report Chorus - Music For Theatre | Jacob Mühlrad, Joel Lyssarides | T-301.139.803-7 | |
| 4-22 | Of Twilight Skies | Chad Lawson | T-308.864.945-6 |
Main Theme From ‘Missing’
—
Ave Verum Corpus KV 618
—
Kinderszenen, op. 15: VII. Träumerei
Martha Argerich
—
Intermezzo in E flat major Op. 117 No. 1
Lilya Zilberstein
—
For Jóhann
Christian Badzura, Víkingur Ólafsson
—
…And at the Hour of Death
Christian Badzura, Víkingur Ólafsson
—
Pierre-Laurent Aimard
Cavatina From ‘The Deer Hunter’
Stanley Myers
—
Prélude
Katia Labèque
—
Prelude in G major Op. 32 No.5
Lilya Zilberstein
—
Frühlingsglaube
Franz Schubert
—
Eroica Variations Op. 35: Variation 5
Alfred Brendel
—
Dolly, op. 56: Berceuse
Katia & Marielle Labèque
—
Tröstevisa
Benny Andersson
—
Prélude à l'après-midi d'une faune
Klavierduo Kontarsky
—
My Father’s Favourite From ‘Sense and Sensibility’
Patrick Doyle
—
Prelude in D Major
Chad Lawson
—
24 Variations on ‘Venni Amore’ in D major: Variation 1
Михаил Плетнёв
—
Années de pèlerinage : Première année : Suisse, S.160, No. 3 : Pastorale
Lazar Berman
—
6 Minuets for Piano, WoO 10 no. 2 in G major
Mikhail Pletnev
—
Sheep May Safely Graze From ‘Hunt’ Cantata Bwv 208
Johann Sebastian Bach
—
Vision Fugitive Op. 22 No. 6: Con Eleganza
Sergei Prokofiev
—
Lyric Pieces: Book III, op. 43: I. Butterfly
Alice Sara Ott
—
Étude in A-flat major Op. Posth. (Trois Nouvelles Études)
Frédéric Chopin
—
Mendelssohn Bartholdy • Lieder Ohne Worte (Songs without Words) Op. 19b MWV SD 5 • 6. Andante Sostenuto in G Minor (MWV U 78) "Venetian Boat Song"
Jan Lisiecki
—
Notturno (Lyric Pieces Book V Op. 54 No. 4)
Alice Sara Ott
—
12 Songs, Op. 21: V. Lilacs (Transcr. for Solo Piano)
Sergei Babayan
—
Lyric Pieces: Summer's Eve, op. 71 no. 2
Andrei Gavrilov
—
6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto
Lazar Berman
—
Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante
Andrej Gavrilov
—
Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto
Daniel Barenboim
—
Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza
Ivo Pogorelich
—
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo
Martha Argerich, Nicolas Economou
—
Waltzes for piano four hands, op. 39, no. 9 in D minor
Klavierduo Kontarsky
—
Sonata in D minor, K. 9: Allegro moderato
Ivo Pogorelich
—
Page d'album (Pour l'ouverture du "Vêtement du Blessé")
Zoltán Kocsis
—
Waldszenen (Op. 82), VII. Vogel Als Prophet. Langsam, Sehr Zart
Maria João Pires
—
Tango, op. 165 no. 2
Shura Cherkassky
—
Waltz in A minor, KK IVb no. 11: Allegretto
Alice Sara Ott
—
In Metaphor, Solace
Luke Howard
—
Dressing Up From ‘Personal Effects’
Jóhann Jóhannsson
—
H in New England
Max Richter
—
Préludes / Book 2, L. 123: 5. Bruyères (home session)
Víkingur Ólafsson
—
Mélodie de Gluck
Yuja Wang
—
Halla Oddný Magnúsdóttir, Víkingur Ólafsson
Vision Fugitive Op. 22 No. 7: Pittoresco.
Sergei Prokofiev
—
Peer Gynt: suite no. 2, op. 55: IV. Solveig’s Song
Alice Sara Ott
—
Ich ruf zu dir Herr Jesu Christ, Chorale Prelude, BWV 639 (transcr. by Ferruccio Busoni)
Víkingur Ólafsson
—
Variations and Fugue on a Theme by Handel, op. 24: Variation V
Anatol Ugorski
—
Linda and Walter
Jóhann Jóhannsson
—
La Solitude From ‘Matthias and Maxime’
Jean-Michel Blais
—
What other identifiers does this connect to?
Musical Works (ISWC)
T-000.535.171-2T-007.303.107-8T-010.819.608-2T-010.151.647-5T-010.819.608-2T-031.810.053-6T-041.961.091-5T-072.597.638-4T-300.065.455-3T-300.065.576-1
+20 more
T-301.139.803-7T-304.254.199-7T-311.091.001-1T-312.542.191-8T-316.902.801-3T-802.189.927-5T-803.568.219-1T-803.568.219-1T-900.306.968-9T-900.045.564-1T-900.306.968-9T-900.913.381-7T-910.415.372-2T-910.977.518-0T-910.415.372-2T-910.977.518-0T-916.267.043-1T-917.142.790-0T-917.212.952-1T-923.059.400-0
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000004496761000000004349873500000000630152860000000071408901000000007336776000000000785371590000000079842446000000008372375700000000841595020000000096073028
+20 more
00000001088234480000000108854615000000010905136300000001090949020000000109160981000000010921799200000001092193650000000109350136000000010937431400000001100624810000000110326977000000011042598300000001105920010000000114408080000000011450637700000001145065450000000114506895000000011471231400000001147859860000000114891973
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What is UPC 028948602889?
028948602889 is a Universal Product Code (UPC) assigned to Peaceful Piano Moods by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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