UPC · Release
Peaceful Piano Moods
Various Artists
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028948602889 is the Universal Product Code (UPC barcode) for the release “Peaceful Piano Moods” by Various Artists, released 2022-01-01 on Deutsche Grammophon. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include DEF059302260, DEF057504235, DEF059103213.
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- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
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Credit Chain
Track List (28)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 3-1 | Lyric Pieces: Summer's Eve, op. 71 no. 2 | Andrei Gavrilov | — | |
| 3-2 | 6 Moments Musicaux, op. 16: No. 5 in D-flat. Adagio sostenuto | Lazar Berman | — | |
| 3-3 | Impromptu in G-flat major, op. 90 no. 3, D. 899 no. 3. Andante | Andrej Gavrilov | — | |
| 3-4 | Bagatelle in A minor, WoO 59 “Für Elise”: Poco moto | Anatol Ugorski | T-304254199-7 | |
| 3-5 | Waltzes for piano four hands, op. 39, no. 15 in A-flat major | Klavierduo Kontarsky | T3062299263 | |
| 3-6 | Consolations (Six Pensées poétiques), S. 172: No. 1 in E major. Andante con moto | Daniel Barenboim | — | |
| 3-7 | Bagatelle in A major Op. 33 No. 4 | Михаил Плетнёв | T9157178466 | |
| 3-8 | Largo in E flat major, B. 109 | Anatol Ugorski | T1066705266 | |
| 3-9 | Pictures at an Exhibition: Promenade. Moderato comodo e con delicatezza | Ivo Pogorelich | — | |
| 3-10 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: b) Danse de la Fée-Dragée. Andante ma non troppo | Martha Argerich, Nicolas Economou | — | |
| 3-11 | Waltzes for piano four hands, op. 39, no. 9 in D minor | Klavierduo Kontarsky | — | |
| 3-12 | Sonata in D minor, K. 9: Allegro moderato | Ivo Pogorelich | — | |
| 3-13 | Page d'album (Pour l'ouverture du "Vêtement du Blessé") | Zoltán Kocsis | — | |
| 3-14 | Waldszenen (Op. 82), VII. Vogel Als Prophet. Langsam, Sehr Zart | Maria João Pires | — | |
| 3-15 | Tango, op. 165 no. 2 | Shura Cherkassky | — | |
| 3-16 | The Day Before You Came | Benny Andersson | T-010819608-2 | |
| 3-17 | River Flows in You | Music Lab Collective | T-910.977.518-0 | |
| 3-18 | Waltz in A minor, KK IVb no. 11: Allegretto | Alice Sara Ott | — | |
| 3-19 | Song From a Secret Garden | Secret Garden | T-000535171-2 | |
| 3-20 | In Metaphor, Solace | Luke Howard | — | |
| 3-21 | Sea Change | Stephan Moccio | T-300065455-3 | |
| 3-22 | ABC | Ludovico Einaudi | T-072597638-4 | |
| 3-23 | Dressing Up From ‘Personal Effects’ | Jóhann Jóhannsson | — | |
| 3-24 | H in New England | Max Richter | — | |
| 3-25 | Préludes / Book 2, L. 123: 5. Bruyères (home session) | Víkingur Ólafsson | — | |
| 3-26 | Fracture | Stephan Moccio | T-300065576-1 | |
| 3-27 | Aria mit 30 Veränderungen, BWV 988 "Goldberg Variations": Aria | Andrei Gavrilov | T3219042652 | |
| 3-28 | Chess | Benny Andersson | T-900045564-1 |
Additional database matches (70)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Love Walked In | George Gershwin | T0111437707 |
| My Father’s Favourite From ‘Sense and Sensibility’ | Patrick Doyle | — |
| September Song | Agnes Obel | T0701347218 |
| The Sound of Music: Something Good | Van-Anh Nguyen | T-900306968-9 |
| Main Title Theme From ‘The English Patient’ | Gabriel Yared | T9007885532 |
| As Ballad | Lambert | T-803568219-1 |
| Deux Arabesques: Andantino con moto | Tamás Vásáry | T3295302131 |
| Prélude à l'après-midi d'une faune | Klavierduo Kontarsky | — |
| Années de pèlerinage : Première année : Suisse, S.160, No. 3 : Pastorale | Lazar Berman | — |
| Consolations (Six Pensées poétiques), S. 172: No. 3 in D-flat major. Lento placido | Daniel Barenboim | T3062299683 |
| Kinderszenen, op. 15: VII. Träumerei | Martha Argerich | — |
| Prelude in G major Op. 32 No.5 | Lilya Zilberstein | — |
| Sonata in C major, K. 545: I. Allegro | Maria João Pires | T-007303107-8 |
| Intermezzo in E flat major Op. 117 No. 1 | Lilya Zilberstein | — |
| Variations and Fugue on a Theme by Handel, op. 24: Variation V | Anatol Ugorski | — |
| Nocturne no. 20 in C-sharp minor, op. post: Lento con gran espressione | Maria João Pires | T-928543689-7 |
| 6 Minuets for Piano, WoO 10 no. 2 in G major | Mikhail Pletnev | — |
| Someone to Watch Over Me From Oh, Kay! | André Previn | T0701582935 |
| 24 Variations on ‘Venni Amore’ in D major: Variation 1 | Михаил Плетнёв | — |
| Linda and Walter | Jóhann Jóhannsson | — |
| 12 Songs, Op. 21: V. Lilacs (Transcr. for Solo Piano) | Sergei Babayan | — |
| Paganini Variations, Book I Op. 35: Variation 12 | 王羽佳 | T-917142790-0 |
| Mélodie de Gluck | Yuja Wang | — |
| 12 Études, op. 25: No. 2 in F minor | Jan Lisiecki | T3294569458 |
| Prelude & Fugue in C major (Well-Tempered Clavier, Book I, no. 1), BWV 846: 1. Prelude | Pierre-Laurent Aimard | T-910.415.372-2 |
| Dream Solo | Max Richter | T9297438529 |
| Lyric Pieces: Book III, op. 43: I. Butterfly | Alice Sara Ott | — |
| Peer Gynt: suite no. 2, op. 55: IV. Solveig’s Song | Alice Sara Ott | — |
| Notturno (Lyric Pieces Book V Op. 54 No. 4) | Alice Sara Ott | — |
| Glassworks: Opening | Víkingur Ólafsson | T-316902801-3 |
| Étude no. 14 | Víkingur Ólafsson | T-923059400-0 |
| One of Them (From “darkest Hour” Soundtrack) | Dario Marianelli, Víkingur Ólafsson | T-924407553-4 |
| For Jóhann | Christian Badzura, Víkingur Ólafsson | — |
| …And at the Hour of Death | Christian Badzura, Víkingur Ólafsson | — |
| The Departure | Lang Lang | T-010151647-5 |
| Mendelssohn Bartholdy • Lieder Ohne Worte (Songs without Words) Op. 19b MWV SD 5 • 6. Andante Sostenuto in G Minor (MWV U 78) "Venetian Boat Song" | Jan Lisiecki | — |
| Ich ruf zu dir Herr Jesu Christ, Chorale Prelude, BWV 639 (transcr. by Ferruccio Busoni) | Víkingur Ólafsson | — |
| Gottes Zeit, Ist Die Allerbeste Zeit, BWV 106 I. Sonatina | Halla Oddný Magnúsdóttir, Víkingur Ólafsson | T-802189927-5 |
| Roscian | Agnes Obel | T-929952161-2 |
| The Arts and the Hours | Víkingur Ólafsson | T-311091001-1 |
| 6 Moments musicaux, D. 780: No. 3 in F minor. Allegro moderato | Seong-Jin Cho | T-312542191-8 |
| Gymnopédie No. 2 (Vivian Roost rework) | Vivian Roost | T3153036994 |
| In a Landscape | Francesco Tristano | T0709084854 |
| Frühlingsglaube | Franz Schubert | — |
| Vision Fugitive Op. 22 No. 6: Con Eleganza | Sergei Prokofiev | — |
| Vision Fugitive Op. 22 No. 7: Pittoresco. | Sergei Prokofiev | — |
| Chariots of Fire | Vangelis | T-031810053-6 |
| Winter | Ola Gjeilo | T3013735003 |
| Dance of the Four Swans From Swan Lake | Piotr Ilitch Tchaïkovski | T9135658978 |
| Cavatina From ‘The Deer Hunter’ | Stanley Myers | — |
| Before Dawn | Ola Gjeilo | T-929964614-3 |
| Prélude | Katia Labèque | — |
| Nocturne in G Minor | Ólafur Arnalds, Alice Sara Ott | T-931601679-2 |
| A Small Kind of Revival | Sophie Hutchings | T9312286230 |
| La Solitude From ‘Matthias and Maxime’ | Jean-Michel Blais | — |
| Winter Waltz | Stephan Moccio | T3034969018 |
| Earned It | Stephan Moccio | T-916267043-1 |
| Wrecking Ball | Stephan Moccio | T-900913381-7 |
| Étude in A-flat major Op. Posth. (Trois Nouvelles Études) | Frédéric Chopin | — |
| Eroica Variations Op. 35: Variation 5 | Alfred Brendel | — |
| Dolly, op. 56: Berceuse | Katia & Marielle Labèque | — |
| Sleeping Lotus | Joep Beving | T-926221981-8 |
| Ab Ovo | Joep Beving | T-926222006-4 |
| Sheep May Safely Graze From ‘Hunt’ Cantata Bwv 208 | Johann Sebastian Bach | — |
| La Valse D’Amélie | Yann Tiersen | T0049743818 |
| Valsa | Rui Massena | T-041961091-5 |
| Tröstevisa | Benny Andersson | — |
| Sea Report Chorus - Music For Theatre | Jacob Mühlrad, Joel Lyssarides | T-301139803-7 |
| Prelude in D Major | Chad Lawson | — |
| Of Twilight Skies | Chad Lawson | T3088649456 |
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What is UPC 028948602889?
028948602889 is a Universal Product Code (UPC) assigned to Peaceful Piano Moods by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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