UPC · Release
Reinhard Goebel, Musica Antiqua Köln
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The UPC for “Complete Recordings on Archiv Produktion” by Reinhard Goebel, Musica Antiqua Köln is 028948620630. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Archiv Produktion. This release contains 999 tracks, each with its own ISRC. Tracks include DEF058603560, DEF058603560, DEF058603560.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 11 | Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 12 | Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | Musica Antiqua Köln, Reinhard Goebel | T-902.717.414-7 | |
| 13 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 14 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | Reinhard Goebel, Musica Antiqua Köln | T-307.292.927-8 | |
| 15 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-070.160.313-5 | |
| 2-1 | Brandenburg Concerto No. 6 in B flat major, BWV 1051: I. [without tempo indication] | Musica Antiqua Köln, Reinhard Goebel | T-800.184.797-9 | |
| 2-2 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Brandenburg Concerto No. 6 in B flat major, BWV 1051: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 1. Allegro | — | ||
| 2-5 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 2. Adagio ma non tanto e dolce | — | ||
| 2-6 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 3. Tempo di allabreve | — | ||
| 2-7 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-8 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-9 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-10 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-12 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-13 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 2-15 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-16 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-17 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-18 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-19 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-20 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 3-1 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 1. Ouverture - Vite | — | ||
| 3-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 3-3 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 3. Gavotte I alternativement / 4. [Gavotte] II | — | ||
| 3-4 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 5. Bourrée | — | ||
| 3-5 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 6. Gigue | — | ||
| 3-6 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 1. Ouverture | — | ||
| 3-7 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 2. Bourrée I alternativement / 3. Bourrée II | — | ||
| 3-8 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 4. Gavotte | — | ||
| 3-9 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 5. Menuet I alternativement / 6. Menuet II | — | ||
| 3-10 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 7. Réjouissance | — | ||
| 3-11 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 1. Ouverture. Larghetto - Un poco allegro | — | ||
| 3-12 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 2. Torneo [Allegretto] | — | ||
| 3-13 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 3. Aria. Adagio | — | ||
| 3-14 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 4. Menuetto alternativo - Trio | — | ||
| 3-15 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 5. Capriccio [Vivace] | — | ||
| 4-1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-10 | Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4i. Canon a 2 | — | ||
| 4-11 | Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4k. Canon a 4 | — | ||
| 4-12 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 1. Largo | — | ||
| 4-13 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 2. Allegro | — | ||
| 4-14 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 3. Andante | — | ||
| 4-15 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 4. Allegro | — | ||
| 4-16 | Musikalisches Opfer, BWV 1079: 2. Ricercar a 6 | — | ||
| 5-1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-1 | Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-2 | Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-3 | Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-4 | Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-5 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-6 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-7 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-8 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 6-9 | Canon Trias Harmonica, a 8, BWV 1072 | — | ||
| 6-10 | Canon a 4 perpetuus, BWV 1073 | — | ||
| 6-11 | Canon a 4, BWV 1074 | — | ||
| 6-12 | Canon a 2, perpetuus, BWV 1075 | — | ||
| 6-13 | Canon triplex, a 6, BWV 1076 | — | ||
| 6-14 | Canone doppio sopr'il Soggetto, a 4, BWV 1077 | — | ||
| 6-15 | Canon Concordia discors, a 2, BWV 1086 | — | ||
| 6-16 | Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 | — | ||
| 6-17 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 1. Canon simplex | — | ||
| 6-18 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 2. All'rovescio | — | ||
| 6-19 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich. Motu recto e contrario | — | ||
| 6-20 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 4. Motu contrario e recto | — | ||
| 6-21 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 5. Canon duplex, a 4 | — | ||
| 6-22 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 6. Canon simplex, a 3 | — | ||
| 6-23 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 7. Idem, a 3 | — | ||
| 6-24 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 8. Canon simplex, a 3 | — | ||
| 6-25 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 9. Canon in unisono, a 3 | — | ||
| 6-26 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 10a. Alio modo, a 2 / 10b. Evolutio | — | ||
| 6-27 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 11. Canon duplex, a 5 | — | ||
| 6-28 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 12. Canon duplex, a 5 | — | ||
| 6-29 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 13. Canon triplex, a 6 | — | ||
| 6-30 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 14. Canon a 4 | — | ||
| 7-1 | Trio Sonata in G major, BWV 1038: 1. Largo | — | ||
| 7-2 | Trio Sonata in G major, BWV 1038: 2. Vivace | — | ||
| 7-3 | Trio Sonata in G major, BWV 1038: 3. Adagio | — | ||
| 7-4 | Trio Sonata in G major, BWV 1038: 4. Presto | — | ||
| 7-5 | Trio Sonata in C major, BWV 1037 (App. D): 1. Adagio | — | ||
| 7-6 | Trio Sonata in C major, BWV 1037 (App. D): 2. Alla breve | — | ||
| 7-7 | Trio Sonata in C major, BWV 1037 (App. D): 3. Largo | — | ||
| 7-8 | Trio Sonata in C major, BWV 1037 (App. D): 4. Gigue. Presto | — | ||
| 7-9 | Trio Sonata in G major, BWV 1039: 1. Adagio | — | ||
| 7-10 | Trio Sonata in G major, BWV 1039: 2. Allegro ma non presto | — | ||
| 7-11 | Trio Sonata in G major, BWV 1039: 3. Adagio e piano | — | ||
| 7-12 | Trio Sonata in G major, BWV 1039: 4. Presto | — | ||
| 7-13 | Trio Sonata in D minor, BWV 1036 (App. D): 1. Adagio | — | ||
| 7-14 | Trio Sonata in D minor, BWV 1036 (App. D): 2. Allegro | — | ||
| 7-15 | Trio Sonata in D minor, BWV 1036 (App. D): 3. Largo | — | ||
| 7-16 | Trio Sonata in D minor, BWV 1036 (App. D): 4. Vivace | — | ||
| 8-1 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-2 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-3 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T-801.724.839-5 | |
| 8-4 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-5 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T-800.184.797-9 | |
| 8-6 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — | |
| 8-7 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — | |
| 8-8 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-9 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-10 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-11 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 8-12 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-13 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — | |
| 8-14 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-15 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 8-16 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-17 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T-070.160.313-5 | |
| 8-18 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-19 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-20 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — | |
| 9-1 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 1. Allegro | — | ||
| 9-2 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 2. Largo | — | ||
| 9-3 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 3. Allegro | — | ||
| 9-4 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 4. Adagio | — | ||
| 9-5 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 5. Allegro | — | ||
| 9-6 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 1. [Allegro] | — | ||
| 9-7 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 2. Adagio | — | ||
| 9-8 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 3. Allegro | — | ||
| 9-9 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 1. [no tempo indication] | — | ||
| 9-10 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 2. Allegro ee presto | — | ||
| 9-11 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 3. Adagio | — | ||
| 9-12 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 4. Presto | — | ||
| 9-13 | Fugue for Violin and Basso continuo in G minor, BWV 1026 | — | ||
| 9-14 | Suite for Violin and Harpsichord in A major, BWV 1025: 1. Fantasia | — | ||
| 9-15 | Suite for Violin and Harpsichord in A major, BWV 1025: 2. Courante | — | ||
| 9-16 | Suite for Violin and Harpsichord in A major, BWV 1025: 3. Entrée | — | ||
| 9-17 | Suite for Violin and Harpsichord in A major, BWV 1025: 4. Rondeau | — | ||
| 9-18 | Suite for Violin and Harpsichord in A major, BWV 1025: 5. Sarabande | — | ||
| 9-19 | Suite for Violin and Harpsichord in A major, BWV 1025: 6. Menuett | — | ||
| 9-20 | Suite for Violin and Harpsichord in A major, BWV 1025: 7. Allegro | — | ||
| 9-21 | Sonata for Violin and Basso continuo in G major, BWV 1021: 1. Adagio | — | ||
| 9-22 | Sonata for Violin and Basso continuo in G major, BWV 1021: 2. Vivace | — | ||
| 9-23 | Sonata for Violin and Basso continuo in G major, BWV 1021: 3. Largo | — | ||
| 9-24 | Sonata for violin & continuo in G major, BWV 1021: IV. Presto | Hendrik Bouman, Reinhard Goebel, Jaap ter Linden | T-318.676.528-2 | |
| 10-1 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 1. [no tempo indication] / 2. Adagio ma non tanto | — | ||
| 10-2 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 3. Allemanda | — | ||
| 10-3 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 4. Gigue | — | ||
| 10-4 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 1. Adagio | — | ||
| 10-5 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 2. Presto | — | ||
| 10-6 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 3. Affettuoso | — | ||
| 10-7 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 4. Vivace | — | ||
| 10-8 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 1. Allegro | — | ||
| 10-9 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 2. [Largo] | — | ||
| 10-10 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 3. [Allegro assai] | — | ||
| 10-11 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 4. [Adagio] | — | ||
| 10-12 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 5. [Allegro] | — | ||
| 10-13 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 1. Adagio | — | ||
| 10-14 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 2. Allegro ma non tanto | — | ||
| 10-15 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 3. Andante | — | ||
| 10-16 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 4. Allegro moderato | — | ||
| 10-17 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 1. Adagio | — | ||
| 10-18 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 2. Allegro | — | ||
| 10-19 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 3. Andante | — | ||
| 10-20 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 4. Allegro | — | ||
| 11-1 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 1. Vivace | — | ||
| 11-2 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 2. Adagio | — | ||
| 11-3 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 3. Allegro | — | ||
| 11-4 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 1. Presto | — | ||
| 11-5 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 2. Largo | — | ||
| 11-6 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 3. Cantabile, ma un poco adagio | — | ||
| 11-7 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 4. Adagio | — | ||
| 11-8 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 5. Presto | — | ||
| 11-9 | Sonata for Flute and Basso continuo in C major, BWV 1033: 1. Andante - Presto | — | ||
| 11-10 | Sonata for Flute and Basso continuo in C major, BWV 1033: 2. Allegro | — | ||
| 11-11 | Sonata for Flute and Basso continuo in C major, BWV 1033: 3. Adagio | — | ||
| 11-12 | Sonata for Flute and Basso continuo in C major, BWV 1033: 4. Menuetto I - Menuetto II | — | ||
| 11-13 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 1. Adagio ma non tanto | — | ||
| 11-14 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 2. Allegro | — | ||
| 11-15 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 3. Andante | — | ||
| 11-16 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 4. Allegro | — | ||
| 11-17 | Sonata for Flute and Basso continuo in E major, BWV 1035: 1. Adagio ma non tanto | — | ||
| 11-18 | Sonata for Flute and Basso continuo in E major, BWV 1035: 2. Allegro | — | ||
| 11-19 | Sonata for Flute and Basso continuo in E major, BWV 1035: 3. Siciliano | — | ||
| 11-20 | Sonata for Flute and Basso continuo in E major, BWV 1035: 4. Allegro assai | — | ||
| 12-1 | Partita for Solo Flute in A minor, BWV 1013: 1. Allemande | — | ||
| 12-2 | Partita for Solo Flute in A minor, BWV 1013: 2. Corrente | — | ||
| 12-3 | Partita for Solo Flute in A minor, BWV 1013: 3. Sarabande | — | ||
| 12-4 | Partita for Solo Flute in A minor, BWV 1013: 4. Bourrée anglaise | — | ||
| 12-5 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 1. Andante | — | ||
| 12-6 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 2. Largo e dolce | — | ||
| 12-7 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 3. Presto - [Allegro] | — | ||
| 12-8 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 1. Allegro moderato | — | ||
| 12-9 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 2. Siciliano | — | ||
| 12-10 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 3. Allegro | — | ||
| 12-11 | Sonata for Harpsichord and Flute in A major, BWV 1032: 1. Vivace | — | ||
| 12-12 | Sonata for Harpsichord and Flute in A major, BWV 1032: 2. Largo e dolce | — | ||
| 12-13 | Sonata for Harpsichord and Flute in A major, BWV 1032: 3. Allegro | — | ||
| 13-2 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 1. Chorus: “Vereinigte Zwietracht der wechselnden Saiten” | — | ||
| 13-3 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 2. Recitative: “Wen treibt ein edler Trieb” | — | ||
| 13-4 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 3. Aria: “Zieht euren Fuß nur nicht zurücke” | — | ||
| 13-5 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 4. Recitative: “Dem nur allein soll meine Wohnung offen sein” | — | ||
| 13-6 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5. Aria (Duet): “Den soll mein Lorbeer schützend decken” | — | ||
| 13-7 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5a. Ritornello | — | ||
| 13-8 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 6. Recitative: “Es ist kein leeres Wort” | — | ||
| 13-9 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 7. Aria: “Ätzet dieses Angedenken” | — | ||
| 13-10 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 8. Recitative: “Ihr Schläfrigen, herbei” | — | ||
| 13-11 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 9. Chorus: “Korte lebe, Korte blühe” | — | ||
| 13-12 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 1. Chorus: “Schleicht, spielende Wellen, und murmelt gelinde” | — | ||
| 13-13 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 2. Recitative: “O glückliche Veränderung!” | — | ||
| 13-14 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 3. Aria: “Schleuß des Janustempels Türen” | — | ||
| 13-15 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 4. Recitative & Arioso: “So recht, beglückter Weichselstrom” | — | ||
| 13-16 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 5. Aria: “Jede Woge meiner Wellen” | — | ||
| 13-17 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 6. Recitative: “Ich nehm zugleich an deiner Freude teil” | — | ||
| 13-18 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 7. Aria: “Reis von Habsburgs hohem Stamme” | — | ||
| 13-19 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 8. Recitative: “Verzeiht, bemooste Häupter starker Ströme” | — | ||
| 13-20 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 9. Aria: “Hört doch! Der sanften Flöten Chor” | — | ||
| 13-21 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 10. Recitative: “Ich muss, ich will gehorsam sein” | — | ||
| 13-22 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 11. Chorus: “Die himmlische Vorsicht der ewigen Güte” | — | ||
| 14-1 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 1. Chorus: “Geschwinde, ihr wirbelnden Winde” | — | ||
| 14-2 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 2. Recitative: “Und du bist doch so unverschämt und frei” | — | ||
| 14-3 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 3. Aria: “Patron, das macht der Wind” | — | ||
| 14-4 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 4. Recitative: “Was braucht ihr euch zu zanken” | — | ||
| 14-5 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 5. Aria: “Mit Verlangen drück ich deine zarten Wangen” | — | ||
| 14-6 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 6. Recitative: “Pan, rücke deine Kehle nun” | — | ||
| 14-7 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 7. Aria: “Zu Tanze, zu Sprunge, so wackelt das Herz” | — | ||
| 14-8 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 8. Recitative: “Nunmehro Richter her!” | — | ||
| 14-9 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 9. Aria: “ Phoebus, deine Melodei hat die Anmut selbst” | — | ||
| 14-10 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 10. Recitative: “Komm, Midas, sage du nun an” | — | ||
| 14-11 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 11. Aria: “Pan ist Meister, lasst ihn gehn” | — | ||
| 14-12 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 12. Recitative: “Wie, Midas, bist du toll” | — | ||
| 14-13 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 13. Aria: “Aufgeblasne Hitze, aber wenig Grütze” | — | ||
| 14-14 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 14. Recitative: “Du guter Midas, geh nun hin” | — | ||
| 14-15 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 15. Chorus: “Labt das Herz, ihr holden Saiten” | — | ||
| 14-16 | “Schwingt freudig euch empor”, BWV 36c: 1. [Chorus:] “Schwingt freudig euch empor” | — | ||
| 14-17 | “Schwingt freudig euch empor”, BWV 36c: 2. Recitative: “Ein Herz, in zärtlichem Empfinden” | — | ||
| 14-18 | “Schwingt freudig euch empor”, BWV 36c: 3. Aria: “Die Liebe führt mit sanften Schritten” | — | ||
| 14-19 | “Schwingt freudig euch empor”, BWV 36c: 4. Recitative: “Du bist es ja, o hochverdienter Mann” | — | ||
| 14-20 | “Schwingt freudig euch empor”, BWV 36c: 5. Aria: “Der Tag, der dich vordem gebar” | — | ||
| 14-21 | “Schwingt freudig euch empor”, BWV 36c: 6. Recitative: “Nur dieses Einz'ge sorgen wir” | — | ||
| 14-22 | “Schwingt freudig euch empor”, BWV 36c: 7. Aria: “Auch mit gedämpften, schwachen Stimmen” | — | ||
| 14-23 | “Schwingt freudig euch empor”, BWV 36c: 8. Recitative: “Bei solchen freudenvollen Stunden” | — | ||
| 14-24 | “Schwingt freudig euch empor”, BWV 36c: 9. Chorus & Recitative: “Wie die Jahre sich verneuen” | — | ||
| 14-25 | Quodlibet, BWV 524 (Fragment) | — | ||
| 15-1 | “O holder Tag, erwünschte Zeit”, BWV 210: 1. Recitative: “O holder Tag, erwünschte Zeit” | — | ||
| 15-2 | “O holder Tag, erwünschte Zeit”, BWV 210: 2. Aria: “Spielet, ihr beseelten Lieder” | — | ||
| 15-3 | “O holder Tag, erwünschte Zeit”, BWV 210: 3. Recitative: “Doch, haltet ein” | — | ||
| 15-4 | “O holder Tag, erwünschte Zeit”, BWV 210: 4. Aria: “Ruhet hie, matte Töne” | — | ||
| 15-5 | “O holder Tag, erwünschte Zeit”, BWV 210: 5. Recitative: “Si glaubt man denn, dass die Musik verführe” | — | ||
| 15-6 | “O holder Tag, erwünschte Zeit”, BWV 210: 6. Aria: “Schweigt, ihr Flöten, schweigt, ihr Töne” | — | ||
| 15-7 | “O holder Tag, erwünschte Zeit”, BWV 210: 7. Recitative: “Was Luft? Was Grab?” | — | ||
| 15-8 | “O holder Tag, erwünschte Zeit”, BWV 210: 8. Aria: “Großer Gönner, dein Vergnügen” | — | ||
| 15-9 | “O holder Tag, erwünschte Zeit”, BWV 210: 9. Recitative: “Hochteurer Mann, so fahre ferner fort” | — | ||
| 15-10 | “O holder Tag, erwünschte Zeit”, BWV 210: 10. Aria: “Seid beglückt, edle beide” | — | ||
| 15-11 | “Weichet nur, betrübte Schatten”, BWV 202: 1. Adagio - Andante - Adagio da capo: “Weichet nur, betrübte Schatten” | — | ||
| 15-12 | “Weichet nur, betrübte Schatten”, BWV 202: 2. Recitative: “Die Welt wird wieder neu” | — | ||
| 15-13 | “Weichet nur, betrübte Schatten”, BWV 202: 3. Aria: “Phoebus eilt mit schnellen Pferden” | — | ||
| 15-14 | “Weichet nur, betrübte Schatten”, BWV 202: 4. Recitative: “Drum sucht auch Amor sein Vergnügen” | — | ||
| 15-15 | “Weichet nur, betrübte Schatten”, BWV 202: 5. Aria: “Wenn die Frühlingslüfte streichen” | — | ||
| 15-16 | “Weichet nur, betrübte Schatten”, BWV 202: 6. Recitative: “Und dieses ist das Glücke” | — | ||
| 15-17 | “Weichet nur, betrübte Schatten”, BWV 202: 7. Aria: “Sich üben im Lieben” | — | ||
| 15-18 | “Weichet nur, betrübte Schatten”, BWV 202: 8. Recitative: “So sei das Band der keuschen Liebe” | — | ||
| 15-19 | “Weichet nur, betrübte Schatten”, BWV 202: 9. Aria (Gavotte): “Sehet in Zufriedenheit” | — | ||
| 15-20 | “Jauchzet Gott in allen Landen”, BWV 51: 1. Aria: “Jauchzet Gott in allen Landen” | — | ||
| 15-21 | “Jauchzet Gott in allen Landen”, BWV 51: 2. Recitative: “Wir beten zu dem Tempel an” | — | ||
| 15-22 | “Jauchzet Gott in allen Landen”, BWV 51: 3. Aria: “Höchster, mache deine Güte” | — | ||
| 15-23 | “Jauchzet Gott in allen Landen”, BWV 51: 4. Chorale: “Sei Lob und Preis mit Ehren” - | — | ||
| 15-24 | “Jauchzet Gott in allen Landen”, BWV 51: “Alleluja” | — | ||
| 16-1 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 1. Allegro | — | ||
| 16-2 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 2. Largo e con sordino | — | ||
| 16-3 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 3. Allegro assai | — | ||
| 16-4 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 1. [Allegro moderato] | — | ||
| 16-5 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 2. Andante | — | ||
| 16-6 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 3. Presto | — | ||
| 16-7 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 1. Un poco allegro | — | ||
| 16-8 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 2. Cantabile senza accompagnamento | — | ||
| 16-9 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 3. Vivace | — | ||
| 17-1 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 1. Ouverture | — | ||
| 17-2 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 2. Air I | — | ||
| 17-3 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 3. Menuet | — | ||
| 17-4 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 4. Gavotte | — | ||
| 17-5 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 5. Air II | — | ||
| 17-6 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 6. Bourrée | — | ||
| 17-7 | Sonata no. 1 “a cinque” for 2 Violins, 2 Violas and Basso continuo in C major | — | ||
| 17-8 | Sonata no. 2 “a cinque” for 2 Violins, 2 Violas and Basso continuo in F major | — | ||
| 17-9 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 1. Allegro | — | ||
| 17-10 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 2. 2 Adagio | — | ||
| 17-11 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 3. Allegro | — | ||
| 17-12 | “Aria Eberliniana pro dormente Camillo” for Harpsichord solo: Theme - Var. 1-15 | — | ||
| 17-13 | “Battaglia - anno 1659 composita” for 2 Violins, 2 Violas and Basso continuo | — | ||
| 17-14 | Sonata and Capriccio for Violin, 2 Violas and Basso continuo in G minor | — | ||
| 17-15 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 1. Sinfonia | — | ||
| 17-16 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 2. Adagio | — | ||
| 17-17 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 3. Allegro | — | ||
| 18-1 | Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 1. Andante di molto | — | ||
| 18-2 | Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 2. Rondeau. Allegro assai | — | ||
| 18-3 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 1. Un poco allegro | — | ||
| 18-4 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 2. Largo | — | ||
| 18-5 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 3. Vivace | — | ||
| 18-6 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 1. Allegro con brio | — | ||
| 18-7 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 2. Larghetto Cantabile | — | ||
| 18-8 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 3. Allegretto | — | ||
| 18-9 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 1. Allegro molto | — | ||
| 18-10 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 2. Larghetto | — | ||
| 18-11 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 3. Presto | — | ||
| 19-1 | “Ach, bleib bei uns, Herr Jesu Christ” | — | ||
| 19-2 | “Auf, lasst uns den Herren loben” | — | ||
| 19-3 | “Es ist ein großer Gewinn” | — | ||
| 19-4 | “Liebster Jesu, hör mein Fiehen” | — | ||
| 19-5 | “Ach, wie sehnlich wart' ich der Zeit” | — | ||
| 19-6 | “Siehe, wie fein und lieblich” | — | ||
| 19-7 | “Meine Freundin, du bist schön” | — | ||
| 20-1 | “Es erhub sich ein Streit” | — | ||
| 20-2 | “Ach, dass ich Wassers g'nug hätte” | — | ||
| 20-3 | “Herr, wende dich und sei mir gnädig” | — | ||
| 20-4 | “Wie bist du denn, o Gott, in Zorn auf mich entbrannt” | — | ||
| 20-5 | “Die Furcht des Herren” | — | ||
| 20-6 | “Ich danke dir, Gott” | — | ||
| 21-1 | Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-2 | Languet anima mea: I. Recitativo: Languet anima mea amore tuo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-3 | Languet anima mea: II. Aria: O vulnera, vita coelestis | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-4 | Languet anima mea: III. Recitativo: Amoris tui jaculo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-5 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-6 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-7 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-8 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-9 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-10 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-11 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-12 | Bekennen will ich seinen Namen, BWV 200 | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-13 | Selma, H 739 (Wq. 236) | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-14 | Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-15 | Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-16 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-17 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 22-1 | Mensa sonara: Pars I in D major. 1. Sonata. Grave - Allegro | — | ||
| 22-2 | Mensa sonara: Pars I in D major. 2. Allamanda | — | ||
| 22-3 | Mensa sonara: Pars I in D major. 3. Courante | — | ||
| 22-4 | Mensa sonara: Pars I in D major. 4. Sarabanda | — | ||
| 22-5 | Mensa sonara: Pars I in D major. 5. Gavotte | — | ||
| 22-6 | Mensa sonara: Pars I in D major. 6. Gigue - Sonatina. Adagio | — | ||
| 22-7 | Mensa sonara: Pars II in F major. 1. Intrada. Alla breve | — | ||
| 22-8 | Mensa sonara: Pars II in F major. 2. Balletto. Alla breve | — | ||
| 22-9 | Mensa sonara: Pars II in F major. 3. Sarabanda | — | ||
| 22-10 | Mensa sonara: Pars II in F major. 4. Balletto. Alla breve | — | ||
| 22-11 | Mensa sonara: Pars II in F major. 5. Sarabanda | — | ||
| 22-12 | Mensa sonara: Pars II in F major. 6. Balletto. Alla breve | — | ||
| 22-13 | Mensa sonara: Pars III in A minor. 1. Gagliarda. Allegro | — | ||
| 22-14 | Mensa sonara: Pars III in A minor. 2. Sarabanda | — | ||
| 22-15 | Mensa sonara: Pars III in A minor. 3. Aria | — | ||
| 22-16 | Mensa sonara: Pars III in A minor. 4. Ciacona | — | ||
| 22-17 | Mensa sonara: Pars III in A minor. 5. Sonatina | — | ||
| 22-18 | Mensa sonara: Sonata violino solo representativa in A major. 1. Sonata. Allegro | — | ||
| 22-19 | Mensa sonara: Sonata violino solo representativa in A major. 2. Die Nachtigall | — | ||
| 22-20 | Mensa sonara: Sonata violino solo representativa in A major. 3. Cucu | — | ||
| 22-21 | Mensa sonara: Sonata violino solo representativa in A major. 4. Der Frosch - Adagio | — | ||
| 22-22 | Mensa sonara: Sonata violino solo representativa in A major. 5. Allegro. Die Henne und der Hahn - Presto | — | ||
| 22-23 | Mensa sonara: Sonata violino solo representativa in A major. 6. Adagio. Die Wachtel | — | ||
| 22-24 | Mensa sonara: Sonata violino solo representativa in A major. 7. Die Katz | — | ||
| 22-25 | Mensa sonara: Sonata violino solo representativa in A major. 8. Musketier-Marsch | — | ||
| 22-26 | Mensa sonara: Sonata violino solo representativa in A major. 9. Allemande | — | ||
| 22-27 | Mensa sonara: Pars IV in B-flat major. 1. Sonata. Grave - Allegro - Adagio | — | ||
| 22-28 | Mensa sonara: Pars IV in B-flat major. 2. Allamanda | — | ||
| 22-29 | Mensa sonara: Pars IV in B-flat major. 3. Courante | — | ||
| 22-30 | Mensa sonara: Pars IV in B-flat major. 4. Balletto | — | ||
| 22-31 | Mensa sonara: Pars IV in B-flat major. 5. Sarabanda | — | ||
| 22-32 | Mensa sonara: Pars IV in B-flat major. 6. Gigue. Presto | — | ||
| 22-33 | Mensa sonara: Pars IV in B-flat major. 7. Sonatina. Adagio | — | ||
| 22-34 | Mensa sonara: Pars V in E major. 1. Intrada. Allegro | — | ||
| 22-35 | Mensa sonara: Pars V in E major. 2. Balletto | — | ||
| 22-36 | Mensa sonara: Pars V in E major. 3. Trezza | — | ||
| 22-37 | Mensa sonara: Pars V in E major. 4. Gigue | — | ||
| 22-38 | Mensa sonara: Pars V in E major. 5. Gavotte. Alla breve | — | ||
| 22-39 | Mensa sonara: Pars V in E major. 6. Gigue | — | ||
| 22-40 | Mensa sonara: Pars V in E major. 7. Retirada | — | ||
| 22-41 | Mensa sonara: Pars VI in G minor. 1. Sonata. Adagio - Presto | — | ||
| 22-42 | Mensa sonara: Pars VI in G minor. 2. Aria | — | ||
| 22-43 | Mensa sonara: Pars VI in G minor. 3. Canario. Presto | — | ||
| 22-44 | Mensa sonara: Pars VI in G minor. 4. Amener | — | ||
| 22-45 | Mensa sonara: Pars VI in G minor. 5. Trezza | — | ||
| 22-46 | Mensa sonara: Pars VI in G minor. 6. Ciacona | — | ||
| 22-47 | Mensa sonara: Pars VI in G minor. 7. Sonatina. Adagio - Presto | — | ||
| 23-1 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 1. Sonata. Adagio - Presto - Adagio | — | ||
| 23-2 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 2. Allamande | — | ||
| 23-3 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 3. Gigue - Variatio I/II | — | ||
| 23-4 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 4. Aria | — | ||
| 23-5 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 5. Sarabande - Variatio I/II - Finale. Presto | — | ||
| 23-6 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 1. Praeludium | — | ||
| 23-7 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 2. Allamande - Variatio | — | ||
| 23-8 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 3. Balletto. Allegro | — | ||
| 23-9 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 4. Aria. Presto | — | ||
| 23-10 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 5. Gigue. Presto | — | ||
| 23-11 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 1. Praeludium. Allegro | — | ||
| 23-12 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 2. Allamanda | — | ||
| 23-13 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 3. Amener. Presto | — | ||
| 23-14 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 4. Balletto | — | ||
| 23-15 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 5. Gigue | — | ||
| 23-16 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 6. Ciacona (Canon in unisono) | — | ||
| 23-17 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 1. Sonata. Adagio - Allegro - Adagio | — | ||
| 23-18 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 2. Allamande | — | ||
| 23-19 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 3. Trezza. Presto | — | ||
| 23-20 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 4. Aria | — | ||
| 23-21 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 5. Canario | — | ||
| 23-22 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 6. Gigue. Presto | — | ||
| 23-23 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 7. Polichinello. Presto | — | ||
| 24-1 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 1. Intrada. Alla breve | — | ||
| 24-2 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 2. Aria. Adagio | — | ||
| 24-3 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 3. Balletto. Presto | — | ||
| 24-4 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 4. Gigue | — | ||
| 24-5 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 5. Passacaglia [Adagio] - Allegro - Adagio | — | ||
| 24-6 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 1. Praeludium. Adagio - Allegro | — | ||
| 24-7 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 2. Aria - Variatio I-XIII | — | ||
| 24-8 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 3. Finale. Adagio - Allegro | — | ||
| 24-9 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 1. Praeludium. Grave - Presto | — | ||
| 24-10 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 2. Allamande | — | ||
| 24-11 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 3. Sarabande | — | ||
| 24-12 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 4. Gigue. Presto | — | ||
| 24-13 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 5. Aria | — | ||
| 24-14 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 6. Trezza | — | ||
| 24-15 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 7. Arietta variata | — | ||
| 25-1 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata I: Die Verkündigung d-Moll: Praeludium - Variatio - Aria allegro - Variatio - Adagio - Finale | — | ||
| 25-2 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata II: Mariä Besuch bei Elisabeth A-Dur: Sonata - Presto - Allemande - Presto | — | ||
| 25-3 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata III: Christi Geburt h-Moll: Sonata - Presto - Adagio - Courante - Double - Adagio | — | ||
| 25-4 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata IV: Christi Darstellung im Tempel d-Moll: Ciacona (with 12 Variations) | — | ||
| 25-5 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata V: Der zwölfjährige Jesus im Tempel A-Dur: Praeludium - Presto - Allemande - Gigue - Sarabande - Double | — | ||
| 25-6 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VI: Christi Leiden am Ölberg c-Moll: Lamento - Adagio - Presto - Adagio I-III | — | ||
| 25-7 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VII: Die Geißelung F-Dur: Allemande - Variatio - Sarabande - Variatio | — | ||
| 25-8 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VIII: Due Dornenkrönung B-Dur: Sonata. Adagio - Presto - Gigue - Double I. Presto - Double II | — | ||
| 26-1 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata IX: Die Kreuztragung a-Moll: Sonata - Courante - Double - Finale | — | ||
| 26-2 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata X: Die Kreuzigung g-Moll: Praeludium - Aria (with 5 Variations) | — | ||
| 26-3 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XI: Die Auferstehung G-Dur: Sonata - Adagio | — | ||
| 26-4 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XII: Christi Himmelfahrt C-Dur: Intrada - Aria Tubicinum - Allemande - Courante - Double | — | ||
| 26-5 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIII: Ausgießung des Helligen Geistes d-Moll: Sonata - Gavotte - Gigue - Sarabande | — | ||
| 26-6 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIV: Mariä Himmelfahrt D-Dur: [Sonata] - Grave - Adagio - Aria I - Aria II - Gigue | — | ||
| 26-7 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XV: Die Krönung der Jungfrau Maria C-Dur: Sonata - Aria (with 3 Variations) - Canzone - Sarabande | — | ||
| 26-8 | Passacaglia for Solo Violin in G minor: [no tempo indication] - Adagio - Allegro - Adagio | — | ||
| 27-1 | Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner) | Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-2 | Missa Salisburgensis: Kyrie | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 27-3 | Missa Salisburgensis: Gloria | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-010.475.500-1 | |
| 27-4 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-5 | Missa Salisburgensis: Credo | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 27-6 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-7 | Missa Salisburgensis - Sanctus - Benedictus | Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-8 | Missa Salisburgensis: Agnus Dei | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-037.336.913-1 | |
| 27-9 | Missa Salisburgensis: Sonata Sancti Polycarpi | Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-10 | Missa Salisburgensis: Motet "Plaudite tympana" | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 28-1 | Marche de triomphe pour les violins, trompettes, timbales, flûtes et hautbois, H 547/1 | — | ||
| 28-2 | Messe pour plusiers instruments au lieu des orgues, H 513: 1. Kyrie pour tous les instruments / 2. Kyrie pour les prêtres / 3. Kyrie pour les hautbois / 4. Kyrie pour les prêtres / 5. Kyrie pour les violons du petit chœur / 6. Kyrie pour les prêtres / 7. Kyrie pour les flûtes douces et les flûtes allemandes / 8. Kyrie pour les prêtres / 9. Kyrie pour tous les instruments | — | ||
| 28-3 | Messe pour plusiers instruments au lieu des orgues, H 513: 10. Gloria in excelsis Deo (célébrant) / 11. Et in terra pour tous les instruments / 12. Laudamus te pour les prêtres / 13. Benedicimus te pour les hautbois / 14. Adoramus te pour les prêtres / 15. Glorificamus te pour les violons / 16. Gratias pour les prêtres / 17. Domine Deus pour les flûtes douces / 18. Domine Fili pour les prêtres / 19. Domine Deus pour tous les instruments / 20. Qui tollis pour les prêtres / 21. Qui tollis pour tous les instruments / 22. Qui sedes pour les prêtres / 23. Quoniam pour les cromornes / 24. Tu solus Dominus pour les prêtres / 25. Tu solus altissimus pour un dessus de hautbois et un cromorne / 26. Cum sanctus spiritus pour les prêtres / 27. In Gloria pour tous les instruments | — | ||
| 28-4 | Messe pour plusiers instruments au lieu des orgues, H 513: 28. Offerte à deux chœurs (chœurs des instruments à vent / chœurs des violons) | — | ||
| 28-5 | Messe pour plusiers instruments au lieu des orgues, H 513: 29. Sanctus pour tous les instruments | — | ||
| 28-6 | Fanfare à 2 trompettes, H. deest | — | ||
| 28-7 | Offerte pour l'orgue et pour les violons, flûtes et hautbois, H 514 | — | ||
| 28-8 | [Symphonies] pour un reposoir, H 508: 1. Ouverture | — | ||
| 28-9 | [Symphonies] pour un reposoir, H 508: 2. Tantum ergo | — | ||
| 28-10 | [Symphonies] pour un reposoir, H 508: 3. Quand les prêtres avront chanté Tantum ergo | — | ||
| 28-11 | [Symphonies] pour un reposoir, H 508: 4. Quand les prêtres avront chanté Genitori amen | — | ||
| 28-12 | [Symphonies] pour un reposoir, H 508: 5. Allemande grave | — | ||
| 28-13 | Ouverture pour l'église, H 524 | — | ||
| 28-14 | Symphonies pour un reposoir, H 515: 1. Ouverture dès qu'on voit la bannière | — | ||
| 28-15 | Symphonies pour un reposoir, H 515: 2. Pange lingua à 4 parties de violons | — | ||
| 28-16 | Symphonies pour un reposoir, H 515: 3. In supremae pour le petit chœur | — | ||
| 28-17 | Symphonies pour un reposoir, H 515: 4. Tantum ergo pour les violons - Amen pour les violons | — | ||
| 28-18 | Offerte non encore exécutée, H 522 | — | ||
| 28-19 | Concert pour quatre parties de violes, H 545: 1. Prélude | — | ||
| 28-20 | Concert pour quatre parties de violes, H 545: 2. [Allemande] | — | ||
| 28-21 | Concert pour quatre parties de violes, H 545: 3. [Sarabande en rondeau] | — | ||
| 28-22 | Concert pour quatre parties de violes, H 545: 4. Gigue anglaise | — | ||
| 28-23 | Concert pour quatre parties de violes, H 545: 5. Gigue française | — | ||
| 28-24 | Concert pour quatre parties de violes, H 545: 6. Passecaille | — | ||
| 28-25 | Pour en reposoir: Ouverture dès que la procession paraît, H 523 | — | ||
| 28-26 | Second air de trompettes, violons, flûtes et heautbois et timbales, H 547/2 | — | ||
| 29-1 | Orphée: Recitative: “La fameux chantre de la Thrace” / Aria: “Fidèles Echos” | — | ||
| 29-2 | Orphée: Recitative: “Mais que sert à mon désespoir” / Aria: “Allez Orphée” | — | ||
| 29-3 | Orphée: Recitative: “Cependant le héros arrive” / Aria: “Monarque redouté” | — | ||
| 29-4 | Orphée: Recitative: “Pluton surpris” / Aria: “Chantex la victoire” | — | ||
| 29-5 | Médée: Recitative: “L'amante de Jason” / Prelude: “Non, non, n'écoutons plus” / Aria: “Courons à la vengeance” | — | ||
| 29-6 | Médée: Recitative: “Que dis-je” / Aria: “L'Amour dans ses fers” | — | ||
| 29-7 | Médée: Recitative: “Mais quelle est mon erreur” / Invocation: “Cruelle fille des enfers” | — | ||
| 29-8 | Médée: Recitative: “Le charme est fait” / Aria: “Volez démons” | — | ||
| 30-1 | Les Nations : Premier Ordre « La Françoise ». 1. Sonata. Gravement - Gayement - Gravement - Gayement - Gravement - Vivement - Air. Gracieusement - Gayement | — | ||
| 30-2 | Les Nations : Premier Ordre « La Françoise ». 2. Allemande. Sans lenteur | — | ||
| 30-3 | Les Nations : Premier Ordre « La Françoise ». 3. Première Courante. Noblement | — | ||
| 30-4 | Les Nations : Premier Ordre « La Françoise ». 4. Seconde Courante. Un peu plus viste | — | ||
| 30-5 | Les Nations : Premier Ordre « La Françoise ». 5. Sarabande. Gravement | — | ||
| 30-6 | Les Nations : Premier Ordre « La Françoise ». 6. Gigue. Gayement | — | ||
| 30-7 | Les Nations : Premier Ordre « La Françoise ». 7. Chaconne ou Passecaille. Modérément | — | ||
| 30-8 | Les Nations : Premier Ordre « La Françoise ». 8. Gavotte | — | ||
| 30-9 | Les Nations : Premier Ordre « La Françoise ». 9. Menuet | — | ||
| 30-10 | Les Nations : Second Ordre « L'Espagnole ». 1. Sonata. Gravement et mesuré - Vivement - Affectueusement - Légèrement - Gayement - Air tendre - Vivement et marqué | — | ||
| 30-11 | Les Nations : Second Ordre « L'Espagnole ». 2. Allemande. Gracieusement | — | ||
| 30-12 | Les Nations : Second Ordre « L'Espagnole ». 3. Courante. Noblement | — | ||
| 30-13 | Les Nations : Second Ordre « L'Espagnole ». 4. Seconde Courante. Un peu plus vivement | — | ||
| 30-14 | Les Nations : Second Ordre « L'Espagnole ». 5. Sarabande. Gravement | — | ||
| 30-15 | Les Nations : Second Ordre « L'Espagnole ». 6. Gigue Lourée. Modérément | — | ||
| 30-16 | Les Nations : Second Ordre « L'Espagnole ». 7. Gavotte. Tendrement, sans lenteur | — | ||
| 30-17 | Les Nations : Second Ordre « L'Espagnole ». 8. Rondeau. Affectueusement | — | ||
| 30-18 | Les Nations : Second Ordre « L'Espagnole ». 9. Bourrée. Gayement | — | ||
| 30-19 | Les Nations : Second Ordre « L'Espagnole ». 10. Double de la Bourrée précédente | — | ||
| 30-20 | Les Nations : Second Ordre « L'Espagnole ». 11. Passecaille. Noblement et marqué | — | ||
| 31-1 | Les Nations : Troisème Ordre « L'Impériale ». 1. Sonata. Gravement - Vivement - Gravement et marqué - Rondeau. Légèrement - Rondement - Vivement | — | ||
| 31-2 | Les Nations : Troisème Ordre « L'Impériale ». 2. Allemande. Sans lenteur | — | ||
| 31-3 | Les Nations : Troisème Ordre « L'Impériale ». 3. Courante | — | ||
| 31-4 | Les Nations : Troisème Ordre « L'Impériale ». 4. Second Courante. Plus marquée | — | ||
| 31-5 | Les Nations : Troisème Ordre « L'Impériale ». 5. Sarabande. Tendrement | — | ||
| 31-6 | Les Nations : Troisème Ordre « L'Impériale ». 6. Bourrée. Gayement | — | ||
| 31-7 | Les Nations : Troisème Ordre « L'Impériale ». 7. Gigue. D'une légèreté modérée | — | ||
| 31-8 | Les Nations : Troisème Ordre « L'Impériale ». 8. Rondeau. Gayement | — | ||
| 31-9 | Les Nations : Troisème Ordre « L'Impériale ». 9. Chaconne | — | ||
| 31-10 | Les Nations : Troisème Ordre « L'Impériale ». 10. Menuet | — | ||
| 31-11 | Les Nations : Quatrième Ordre « La Piémontoise ». 1. Sonata. Gravement - Vivement - Gravement - Vivement et marqué - Air. Gracieusement - Second air - Gravement et marqué - Légèrement | — | ||
| 31-12 | Les Nations : Quatrième Ordre « La Piémontoise ». 2. Allemande. Noblement et sans lenteur | — | ||
| 31-13 | Les Nations : Quatrième Ordre « La Piémontoise ». 3. Courante | — | ||
| 31-14 | Les Nations : Quatrième Ordre « La Piémontoise ». 4. Second Courante. Un peu plus gayement | — | ||
| 31-15 | Les Nations : Quatrième Ordre « La Piémontoise ». 5. Sarabande. Tendrement | — | ||
| 31-16 | Les Nations : Quatrième Ordre « La Piémontoise ». 6. Rondeau. Gayement | — | ||
| 31-17 | Les Nations : Quatrième Ordre « La Piémontoise ». 7. Gigue. Affectueusement, quoy que légèrement | — | ||
| 32-1 | Messe des Morts (Requiem): Introitus. Requiem aeternam (tenor) / Et lux perpetua (bass, choir) / Te decet hymnus (soprano) / Et tibi reddetur votum in Jerusalem (soprano, bass) / Exaudi orationem meam (choir) / Requiem aeternam (tenor) / Et lux perpetua (soprano, bass, choir) | — | ||
| 32-2 | Messe des Morts (Requiem): Kyrie. Kyrie eleison (tenor) / Christe eleison (alto, tenor) / Kyrie eleison (choir) | — | ||
| 32-3 | Messe des Morts (Requiem): Graduale. Requiem aeternam (bass) / Et lux perpetua (bass) / In memoria aeterna erit justus (choir) / Ab auditione mala non timebit (bass, choir) | — | ||
| 32-4 | Messe des Morts (Requiem): Offertorium. Domine Jesu Christe (bass, choir) / Sed signifer sanctus Michael (choir) / Hostias et preces tibi, Domine (tenor) / Fac eas, Domine, de morte transire (bass) | — | ||
| 32-5 | Messe des Morts (Requiem): Sanctus. Sanctus - Hosanna in excelsis (bass I, bass II, choir) / Benedictus - Hosanna in excelsis (alto, tenor, bass, choir) | — | ||
| 32-6 | Messe des Morts (Requiem): Agnus dei (bass, choir) | — | ||
| 32-7 | Messe des Morts (Requiem): Communio. Lux aeterna luceat eis (bass) / Requiem aeternam - Et lux perpetua (bass, choir) | — | ||
| 32-8 | Carillon des morts | — | ||
| 33-1 | Haec est Regina virginum, HWV 235 | — | ||
| 33-2 | “Ah! che troppo ineguali”, HWV 230: Recitative: “Ah! che troppo inequali” | — | ||
| 33-3 | “Ah! che troppo ineguali”, HWV 230: [Aria] Adagio: “O del ciel Maria regina” | — | ||
| 33-4 | “Donna che in ciel di tanta luce splendi”, HWV 233: Introduzione | — | ||
| 33-5 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Donna che in ciel di tanta luce splendi” | — | ||
| 33-6 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria:] “Vacillò, per terror del primo errore” | — | ||
| 33-7 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Accompanied Recitative:] “Torna immobile in grembo” | — | ||
| 33-8 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria.] Adagio: “Tu sei la bella serena stella” | — | ||
| 33-9 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Pur nella via che resta” | — | ||
| 33-10 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria.] Allegro: “Sorga pure dall'orrido averno” | — | ||
| 33-11 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Dunque a te diamo lodi” | — | ||
| 33-12 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria con coro:] “Maria, salute e speme” | — | ||
| 33-13 | Il pianto di Maria: “Giunta l'ora fatal”: [Recitative:] “Giunta l'ora fatal dal ciel prescritta” | — | ||
| 33-14 | Il pianto di Maria: “Giunta l'ora fatal”: Cavatina: “Se d'un Dio fui fatta Madre -” | — | ||
| 33-15 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Ah me infelice!” - Cavatina da capo | — | ||
| 33-16 | Il pianto di Maria: “Giunta l'ora fatal”: [Recitative:] “Ahimè ch'Egli già esclama ad alta voce” | — | ||
| 33-17 | Il pianto di Maria: “Giunta l'ora fatal”: [Aria:] “Sventurati miel sospiri” | — | ||
| 33-18 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Si disse la gran Madre” | — | ||
| 33-19 | Il pianto di Maria: “Giunta l'ora fatal”: [Aria:] “Pari all'amor immenso” | — | ||
| 33-20 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Or se per grande orror tremò la terra” | — | ||
| 34-1 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 1. Allegro assai | — | ||
| 34-2 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 2. Andante, sempre piano | — | ||
| 34-3 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 3. Menuet - Presto - Menuet | — | ||
| 34-4 | Salve Regina in A major: 1. A tempo giusto: Salve Regina | — | ||
| 34-5 | Salve Regina in A major: 2. Adagio: Ad te clamamus | — | ||
| 34-6 | Salve Regina in A major: 3. Adagio - Allegro: Eja ergo | — | ||
| 34-7 | Salve Regina in A major: 4. Andante - Adagio: Et Jesum benedictum | — | ||
| 34-8 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 1. Allegro assai | — | ||
| 34-9 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 2. Andante ma sempre piano | — | ||
| 34-10 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 3. Allegro e con spirito | — | ||
| 34-11 | Motet “Chori angelici laetantes” in C major: [1. Aria.] Allegro ma non troppo: Chori angelici laetantes | — | ||
| 34-12 | Motet “Chori angelici laetantes” in C major: [2. Recitative.] Moderato assai - Allegro: Mundi neglecta pompa et vanitate | — | ||
| 34-13 | Motet “Chori angelici laetantes” in C major: [3. Aria.] Moderato assai - Andante: Bone Jesu, te quaerendo | — | ||
| 34-14 | Motet “Chori angelici laetantes” in C major: [4. Aria.] Allegro: Alleuja | — | ||
| 34-15 | Fuga & Grave in G minor: Fuga. A la breve | — | ||
| 34-16 | Fuga & Grave in G minor: Grave - Fuga | — | ||
| 34-17 | Salve Regina in E-flat major: 1. Andantino: Salve Regina (soprano, alto) | — | ||
| 34-18 | Salve Regina in E-flat major: 2. Largo: Ad te clamamus (alto) | — | ||
| 34-19 | Salve Regina in E-flat major: 3. Allegretto: Eja ergo (soprano) | — | ||
| 34-20 | Salve Regina in E-flat major: 4. Andante, ma non troppo: Et Jesus benedictum (soprano, alto) | — | ||
| 35-1 | Concertino in C major, Hob. XIV:12: 1. Allegro | — | ||
| 35-2 | Concertino in C major, Hob. XIV:12: 2. Adagio | — | ||
| 35-3 | Concertino in C major, Hob. XIV:12: 3. Finale. Allegro | — | ||
| 35-4 | Divertimento in C major, Hob. XIV:3: 1. Allegro moderato | — | ||
| 35-5 | Divertimento in C major, Hob. XIV:3: 2. Menuetto - Trio | — | ||
| 35-6 | Divertimento in C major, Hob. XIV:3: 3. Allegro di molto | — | ||
| 35-7 | Concertino in F major, Hob. XVIII:F2: 1. Moderato | — | ||
| 35-8 | Concertino in F major, Hob. XVIII:F2: 2. Adagio | — | ||
| 35-9 | Concertino in F major, Hob. XVIII:F2: 3. Allegro assai | — | ||
| 35-10 | Divertimento in C major, Hob. XIV:8: 1. Allegro moderato | — | ||
| 35-11 | Divertimento in C major, Hob. XIV:8: 2. Menuetto - Trio | — | ||
| 35-12 | Divertimento in C major, Hob. XIV:8: 3. Finale | — | ||
| 35-13 | Divertimento in F major, Hob. XIV:9: 1. Allegro | — | ||
| 35-14 | Divertimento in F major, Hob. XIV:9: 2. Menuet - Trio | — | ||
| 35-15 | Divertimento in F major, Hob. XIV:9: 3. Finale. Allegro molto | — | ||
| 35-16 | Divertimento in C major, Hob. XIV:4: 1. [Allegro moderato] | — | ||
| 35-17 | Divertimento in C major, Hob. XIV:4: 2. Menuet - Trio | — | ||
| 35-18 | Divertimento in C major, Hob. XIV:4: 3. Finale | — | ||
| 36-1 | Divertimento in E-flat major, Hob. XIV:1: 1. Moderato | — | ||
| 36-2 | Divertimento in E-flat major, Hob. XIV:1: 2. Menuet - Trio | — | ||
| 36-3 | Divertimento in E-flat major, Hob. XIV:1: 3. Finale. Allegro | — | ||
| 36-4 | Concertino in C major, Hob. XIV:11: 1. Moderato | — | ||
| 36-5 | Concertino in C major, Hob. XIV:11: 2. Adagio | — | ||
| 36-6 | Concertino in C major, Hob. XIV:11: 3. Allegro | — | ||
| 36-7 | Divertimento in C major, Hob. XIV:7: 1. Allegro moderato | — | ||
| 36-8 | Divertimento in C major, Hob. XIV:7: 2. Menuet - Trio | — | ||
| 36-9 | Divertimento in C major, Hob. XIV:7: 3. Finale. Presto | — | ||
| 36-10 | Divertimento in C major, Hob. XIV:C2: 1. Allegro moderato | — | ||
| 36-11 | Divertimento in C major, Hob. XIV:C2: 2. Menuet | — | ||
| 36-12 | Concerto (Concertino) in G major, Hob. XIV:13: 1. Allegro | — | ||
| 36-13 | Concerto (Concertino) in G major, Hob. XIV:13: 2. Adagio | — | ||
| 36-14 | Concerto (Concertino) in G major, Hob. XIV:13: 3. Finale. Presto | — | ||
| 37-1 | Dresden Concerto in F major (S. 234) - I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-2 | Dresden Concerto in F major (S. 234) - II. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-3 | Dresden Concerto in F major (S. 234) - III. Un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-4 | Dresden Concerto in F major (S. 234) - IV. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 37-5 | Dresden Concerto in F major, S. 235: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-6 | Dresden Concerto in F major, S. 235: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-7 | Dresden Concerto in F major, S. 235: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-8 | Dresden Concerto in F major, S. 235: IV. Alla breve | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-9 | Dresden Concerto in F major, S. 235: V. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-10 | Concerto in G major, Seibel 215: 1. Andante e staccato | — | ||
| 37-11 | Concerto in G major, Seibel 215: 2. Vivace | — | ||
| 37-12 | Concerto in G major, Seibel 215: 3. Largo | — | ||
| 37-13 | Concerto in G major, Seibel 215: 4. Allegro - 2/4 | — | ||
| 37-14 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 1. Vivace | — | ||
| 37-15 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 2. Largo | — | ||
| 37-16 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 3. Allegro | — | ||
| 37-17 | Concerto in D major, Seibel 226: 1. Allegro molto | — | ||
| 37-18 | Concerto in D major, Seibel 226: 2. Adagio | — | ||
| 37-19 | Concerto in D major, Seibel 226: 3. Allegro | — | ||
| 37-20 | Dresden Concerto in G major, S. 213: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-21 | Dresden Concerto in G major, S. 213: II. Larghetto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-22 | Dresden Concerto in G major, S. 213: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-23 | Dresden Concerto in G major, S. 213: IV. Entrée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-24 | Dresden Concerto in G major, S. 213: V. Loure: Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-25 | Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-1 | Dresden Concerto in F major, S. 233: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-2 | Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-3 | Dresden Concerto in F major, S. 233: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-4 | Concerto in C major, Seibel 211: 1. Allegro | — | ||
| 38-5 | Concerto in C major, Seibel 211: 2. Pastorell | — | ||
| 38-6 | Concerto in C major, Seibel 211: 3. Adagio | — | ||
| 38-7 | Concerto in C major, Seibel 211: 4. Allegro assai | — | ||
| 38-8 | Dresden Concerto in F major, S. 231: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-9 | Dresden Concerto in F major, S. 231: II. Arioso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-10 | Dresden Concerto in F major, S. 231: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-11 | Concerto in F major, Seibel 232: 1. Allegro | — | ||
| 38-12 | Concerto in F major, Seibel 232: 2. Andante | — | ||
| 38-13 | Concerto in F major, Seibel 232: 3. [Allegro] | — | ||
| 38-14 | Concerto in G major, Seibel 217: 1. Allegro | — | ||
| 38-15 | Concerto in G major, Seibel 217: 2. Largo e staccato | — | ||
| 38-16 | Concerto in G major, Seibel 217: 3. Grave | — | ||
| 38-17 | Concerto in G major, Seibel 217: 4. Allegro | — | ||
| 38-18 | Concerto in G major, Seibel 214 (Venice, 1715): 1. Vivace | — | ||
| 38-19 | Concerto in G major, Seibel 214 (Venice, 1715): 2. Andante et staccato | — | ||
| 38-20 | Concerto in G major, Seibel 214 (Venice, 1715): 3. Vivace | — | ||
| 38-21 | Serenata di Moritzburg in F major, Seibel 204: Allegro - Adagio - Allegro | — | ||
| 38-22 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-23 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-24 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-25 | Concert Movement for oboe, violin & strings in C minor, S. 240 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 39-1 | Lamentationes Jeremiae Prophetae: Lamentatio I: Incipit lamentatio Jeremiae (Seibel 71) | — | ||
| 39-2 | Lamentationes Jeremiae Prophetae: Lamentatio II: Vau. Et egressus est (Seibel 72) | — | ||
| 39-3 | Lamentationes Jeremiae Prophetae: Lamentatio III: Jod. Manum suum misit hostis (Seibel 73) | — | ||
| 39-4 | Beatus vir, Seibel 26 | — | ||
| 39-5 | Alma mater redemptoris, Seibel 22 | — | ||
| 39-6 | Nisi Dominus aedificaverit, Seibel 99 | — | ||
| 39-7 | De profundis (Seibel 35) | — | ||
| 40-1 | “Nicht das Band, das dich bestricket”, Seibel 20: 1. Aria: “Nicht das Band, das dich bestricket” (alto) | — | ||
| 40-2 | “Nicht das Band, das dich bestricket”, Seibel 20: 2. Recitative: “So schleppt man dich zum Richthaus fort” (alto) | — | ||
| 40-3 | “Nicht das Band, das dich bestricket”, Seibel 20: 3. Chorus: “Kommt, schauet Petrus' Tränen an” (soprano, alto, tenor) | — | ||
| 40-4 | “Nicht das Band, das dich bestricket”, Seibel 20: 4. Recitative: “Ruchbarer Geist, verräterischer Sinn” (bass) | — | ||
| 40-5 | “Nicht das Band, das dich bestricket”, Seibel 20: 5. Aria: “Ach mein Mund, ach meine Zunge” (bass) | — | ||
| 40-6 | “Nicht das Band, das dich bestricket”, Seibel 20: 6. Recitative: “Was nützt mir's nun, dass ich so rein an Füßen” (bass) | — | ||
| 40-7 | “Nicht das Band, das dich bestricket”, Seibel 20: 7. Aria: “Mein Herze, quille Blut” (bass) | — | ||
| 40-8 | “Nicht das Band, das dich bestricket”, Seibel 20: 8. Recitative: “O weh! Die ganze Schar schnaubt voller Grimm” (soprano) | — | ||
| 40-9 | “Nicht das Band, das dich bestricket”, Seibel 20: 9. Aria: “Die Sporne, die meinen Erlöser durchstechen” (soprano) | — | ||
| 40-10 | “Nicht das Band, das dich bestricket”, Seibel 20: 10. Recitative: “Jetzt lösen sie dich auf” (soprano, tenor) | — | ||
| 40-11 | “Nicht das Band, das dich bestricket”, Seibel 20: 11. Aria: “Der Abgrund muss erzittern” (tenor) | — | ||
| 40-12 | “Nicht das Band, das dich bestricket”, Seibel 20: 12. Recitative: “So leidet selbst die Unschuld so viel Qualen” (soprano, alto) | — | ||
| 40-13 | “Nicht das Band, das dich bestricket”, Seibel 20: 13. Chorus: “Ich wünsche mir, Jesu, dir einzig zum Ruhme” (soprano, alto, tenor, bass) | — | ||
| 40-14 | Warum toben die Heiden, Seibel 39 | — | ||
| 40-15 | Pastorale in A major, Seibel 242 | — | ||
| 41-1 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 1. Grave - Allegro | — | ||
| 41-2 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 2. Andante | — | ||
| 41-3 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 3. Allegro | — | ||
| 41-4 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 1. Allegro | — | ||
| 41-5 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 2. Aria graziosa. Andante - Un poco più allegro | — | ||
| 41-6 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 3. Allegro assai | — | ||
| 41-7 | Trio (Overture) in A major for 2 Violins and Basso continuo, op. 14 | — | ||
| 41-8 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 1. Allegro | — | ||
| 41-9 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 2. Allegro moderato | — | ||
| 41-10 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 3. Dolce andante | — | ||
| 41-11 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 4. Allegro non presto | — | ||
| 42-1 | Te Deum | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-2 | La Bocanne primitive | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-3 | La Bocanne compliquée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-4 | Phaéton: Troupe d'Astrée dansante (prologue) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-5 | Ballet de la Nuit: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 42-6 | Ballet des Plaisirs: Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-7 | Ballet de la Nuit: Le Roi représentant le soleil levant | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-8 | Xerxès: Air pour les matelots jouant des trompettes marines | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-9 | Xerxès: Air pour les esclaves et singes dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-10 | Xerxès: Air pour les postures de Scaramouche | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-11 | Xerxès: Air pour les docteurs, Frivelins et Polichinelles | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-12 | Xerxès: Air pour les esclaves dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-13 | Idylle sur la paix: Air pour Madame la Dauphine | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-14 | Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-15 | Ballet d'Alcidiane: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 42-16 | Le Triomphe de l'amour: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 42-17 | Persée: Entrée des divinités infernales (Acte III, Scène 10) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-18 | Le Bourgeois Gentilhomme: Marche pour la cérémonie des Turcs | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-19 | Le Bourgeois Gentilhomme: Giourdina | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-20 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-21 | Ombre de mon amant (Air de court) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-22 | Le Triomphe de l'amour: Prélude de la nuit | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-23 | Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-24 | Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-25 | Armide: Plus j'observe ces lieux (Acte II, Scène 3) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-26 | Atys 'Le Sommeil': Dormons, dormons tous (Acte III, Scène 4) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-27 | Armide: Passacaille (Acte V) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-28 | Armide: Prelude (Acte II, Scène 5) | Musica Antiqua Köln, Reinhard Goebel | T-011.355.807-8 | |
| 42-29 | Les Folies d'Espagne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-30 | Les Amants magnifiques: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-31 | Le Triomphe de l'amour: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-32 | Le Triomphe de l'amour: Deuxième air (Acte IV, Scène 2) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-33 | Isis: C'est lui dont les dieux ont fait choix / Publions en tous lieux (Prologue, Scène 1) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-34 | Armide: Que l'éclat de son nom (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-35 | Amadis: Esprits empressés à nous plaire / Que le ciel annonce a la terre (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 43-1 | Combattimento di Tancredi e Clorinda | — | ||
| 43-2 | Lamento d'Arianna | Anne Sofie von Otter, Jakob Lindberg | T-205.000.091-1 | |
| 43-3 | Sonata “La Desperata” in G minor | — | ||
| 43-4 | Lamento d'Olimpia | — | ||
| 44-1 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 1. Ouverture. Lentement - Vite - Lentement | — | ||
| 44-2 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 2. Réjouissance | — | ||
| 44-3 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 3. Rondeau | — | ||
| 44-4 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 4. Loure | — | ||
| 44-5 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 5. Passepied | — | ||
| 44-6 | Tafelmusik: Production I: I. Ouverture-Suite in E minor: VI. Air. Un peu vivement | Musica Antiqua Köln, Reinhard Goebel | — | |
| 44-7 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 7. Gigue | — | ||
| 44-8 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 1. Largo - Allegro - Largo | — | ||
| 44-9 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 2. Vivace - Moderato - Vivace D.C. | — | ||
| 44-10 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 3. Grave | — | ||
| 44-11 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 4. Vivace | — | ||
| 44-12 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 1. Largo | — | ||
| 44-13 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 2. Allegro | — | ||
| 44-14 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 3. Gratioso | — | ||
| 44-15 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 4. Allegro | — | ||
| 45-1 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 1. Affettuoso - attacca | — | ||
| 45-2 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 2. Vivace | — | ||
| 45-3 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 3. Grave | — | ||
| 45-4 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 4. Allegro | — | ||
| 45-5 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 1. Cantabile | — | ||
| 45-6 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 2. Allegro | — | ||
| 45-7 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 3. Dolce | — | ||
| 45-8 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 4. Allegro | — | ||
| 45-9 | Tafelmusik: Production I: 6. Conclusion in E minor, TWV 50:5: Allegro - Largo - Allegro D.C. | — | ||
| 45-10 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 1. Ouverture. Lentement - Vite - Lentement | — | ||
| 45-11 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 2. Air. Tempo giusto | — | ||
| 45-12 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 3. Air. Vivace | — | ||
| 45-13 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 4. Air. Presto | — | ||
| 45-14 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 5. Air. Allegro | — | ||
| 46-1 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 1. Andante | — | ||
| 46-2 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 2. Vivace | — | ||
| 46-3 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 3. Largo | — | ||
| 46-4 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 4. Allegro | — | ||
| 46-5 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 1. Allegro | — | ||
| 46-6 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 2. Largo | — | ||
| 46-7 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 3. Vivace | — | ||
| 46-8 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 1. Affettuoso | — | ||
| 46-9 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 2. Allegro | — | ||
| 46-10 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 3. Dolce | — | ||
| 46-11 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 4. Vivace | — | ||
| 46-12 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 1. Andante | — | ||
| 46-13 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 2. Vivace | — | ||
| 46-14 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 3. Cantabile | — | ||
| 46-15 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 4. Allegro - Adagio - Allegro - Adagio | — | ||
| 46-16 | Tafelmusik: Production II: 6. Conclusion in D major, TWV 50:9: Allegro - Adagio - Allegro D.C. | — | ||
| 47-1 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 1. Ouverture. Lentement - Presto - Lentement | — | ||
| 47-2 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 2. Bergerie. Un peu vivement | — | ||
| 47-3 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 3. Allégresse. Vite - Meno mosso - Vite D.C. | — | ||
| 47-4 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 4. Postillons | — | ||
| 47-5 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 5. Flaterie | — | ||
| 47-6 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 6. Badinage. Très vite | — | ||
| 47-7 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 7. Menuet | — | ||
| 47-8 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 1. Adagio | — | ||
| 47-9 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 2. Allegro | — | ||
| 47-10 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 3. Dolce | — | ||
| 47-11 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 4. Allegro | — | ||
| 47-12 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 1. Maestoso | — | ||
| 47-13 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 2. Allegro | — | ||
| 47-14 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 3. Grave | — | ||
| 47-15 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 4. Vivace | — | ||
| 47-16 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 1. Andante | — | ||
| 47-17 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 2. Allegro | — | ||
| 47-18 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 3. Grave - Largo - Grave | — | ||
| 47-19 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 4. Vivace | — | ||
| 47-20 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 1. Largo | — | ||
| 47-21 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 2. Presto | — | ||
| 47-22 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 3. Tempo giusto | — | ||
| 47-23 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 4. Andante | — | ||
| 47-24 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 5. Allegro | — | ||
| 47-25 | Tafelmusik: Production III: 6. Conclusion in B-flat major, TWV 50:10: Furioso | — | ||
| 48-1 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 1. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 48-2 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 2. Sarabande. Die schlafende Thetis | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-3 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 3. Bourrée. Die erwachende Thetis | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-4 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 4. Loure. Der verliebte Neptunus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-5 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 5. Gavotte. Die spielenden Najaden | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-6 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 6. Harlequinade. Der scherzende Tritonus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-7 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 7. Der stürmende Aeolus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-8 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 8. Menuet. Der angenehme Zephir | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-9 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 9. Gigue. Ebbe und Flut | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-10 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 10. Canarie. Die lustigen Bootsleute | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-11 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 1. Andante | Musica Antiqua Köln, Reinhard Goebel | T-011.422.353-8 | |
| 48-12 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 2. Presto | Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 48-13 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 3. Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-14 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 48-15 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 1. Grave | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-16 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 2. Vivace - attacca: | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-17 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 3. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-18 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 48-19 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 1. Adagio | Musica Antiqua Köln, Reinhard Goebel | T-011.422.353-8 | |
| 48-20 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 2. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 48-21 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 3. Affettuoso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-22 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 49-1 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 1. Moderato | — | ||
| 49-2 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 2. Allegro | — | ||
| 49-3 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 3. Largo | — | ||
| 49-4 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 4. Vivace | — | ||
| 49-5 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-911.640.004-5 | |
| 49-6 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-7 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 49-8 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 1. Largo | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-9 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 2. Allegro | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 49-10 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 3. Adagio | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-11 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 4. (Vivace) | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 49-12 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 1. Adagio | — | ||
| 49-13 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 2. Allegro | — | ||
| 49-14 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 3. Grave | — | ||
| 49-15 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 4. Allegro | — | ||
| 49-16 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 1. Largo | — | ||
| 49-17 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 2. Allegro | — | ||
| 49-18 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 3. Largo | — | ||
| 49-19 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 4. Presto | — | ||
| 49-20 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 1. Vivace | — | ||
| 49-21 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 2. Adagio | — | ||
| 49-22 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 3. Allegro | — | ||
| 50-1 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 1. Dolce | — | ||
| 50-2 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 2. Allegro | — | ||
| 50-3 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 3. Largo | — | ||
| 50-4 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 4. Allegro | — | ||
| 50-5 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 1. Polonaise | — | ||
| 50-6 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 2. Allegro | — | ||
| 50-7 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 3. Largo | — | ||
| 50-8 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 4. Allegro | — | ||
| 50-9 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 1. Presto | — | ||
| 50-10 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 2. Scherzo I. Gaglierdamente | — | ||
| 50-11 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 3. Scherzo II. Poco grave / Scherzo III. Poco vivace / Scherzo IV. Allegro di molto / Scherzo II. Poco grave | — | ||
| 50-12 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 4. Scherzo V. Lieto / Scherzo VI. Tempo precedente (senza Violin) / Scherzo V. Lieto | — | ||
| 50-13 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 1. Allegro assai | — | ||
| 50-14 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 2. Scherzo I. Vivace (Tempo di minuetto tedesco) / Scherzo II. Alternamento col précedente. Moderato (Tempo di minuetto francese) / Scherzo I. Vivace | — | ||
| 50-15 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 3. Scherzo III. Veloce / Scherzo IV. Alternat. / Scherzo III. Veloce | — | ||
| 50-16 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 4. Scherzo V. Con giubilo | — | ||
| 50-17 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 5. Scherzo VI. Arlechinoso | — | ||
| 50-18 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 1. Largo | — | ||
| 50-19 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 2. Allegro | — | ||
| 50-20 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 3. Andante | — | ||
| 50-21 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 4. Presto | — | ||
| 50-22 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 1. Grave | — | ||
| 50-23 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 2. Allegro | — | ||
| 50-24 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 3. Largo | — | ||
| 50-25 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 4. Presto | — | ||
| 50-26 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 1. [Lent] | — | ||
| 50-27 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 2. Gai | — | ||
| 50-28 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 3. Large | — | ||
| 50-29 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 4. Vif | — | ||
| 51-1 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 1. Sinfonia spirituosa | — | ||
| 51-2 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 2. Largo | — | ||
| 51-3 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 3. Vivace | — | ||
| 51-4 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 1. Ouverture | — | ||
| 51-5 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 2. La Trompette | — | ||
| 51-6 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 3. Sarabande | — | ||
| 51-7 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 4. Rondeau | — | ||
| 51-8 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 5. Bourrée | — | ||
| 51-9 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 6. Courante | — | ||
| 51-10 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 7. Gigue. Presto | — | ||
| 51-11 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 1. Grave | — | ||
| 51-12 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 2. Allegro | — | ||
| 51-13 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 3. Largo e staccato | — | ||
| 51-14 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 4. Allegro | — | ||
| 51-15 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 1. Affettuoso | — | ||
| 51-16 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 2. Allegro | — | ||
| 51-17 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 3. Adagio | — | ||
| 51-18 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 4. Allegro | — | ||
| 51-19 | Concerto for 4 Solo Violins in G major, TWV 40:201: 1. Largo e staccato | — | ||
| 51-20 | Concerto for 4 Solo Violins in G major, TWV 40:201: 2. Allegro | — | ||
| 51-21 | Concerto for 4 Solo Violins in G major, TWV 40:201: 3. Adagio | — | ||
| 51-22 | Concerto for 4 Solo Violins in G major, TWV 40:201: 4. Vivace | — | ||
| 51-23 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 1. Allegro | — | ||
| 51-24 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 2. Adagio | — | ||
| 51-25 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 3. Menuet | — | ||
| 51-26 | Concerto for 4 Solo Violins in D major, TWV 40:202: 1. Adagio | — | ||
| 51-27 | Concerto for 4 Solo Violins in D major, TWV 40:202: 2. Allegro | — | ||
| 51-28 | Concerto for 4 Solo Violins in D major, TWV 40:202: 3. Grave | — | ||
| 51-29 | Concerto for 4 Solo Violins in D major, TWV 40:202: 4. Allegro | — | ||
| 51-30 | Symphony in D major, TWV Anh. 50:1: 1. Die alte Welt. Altdeutsch - Ernsthaft - Munter | — | ||
| 51-31 | Symphony in D major, TWV Anh. 50:1: 2. Die mittiere Welt. Capellmäßig | — | ||
| 51-32 | Symphony in D major, TWV Anh. 50:1: 3. Die jüngere Welt. Lustig | — | ||
| 52-1 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 1. Affettuoso | — | ||
| 52-2 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 2. Vivace | — | ||
| 52-3 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 3. Aria | — | ||
| 52-4 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 4. Bourrée | — | ||
| 52-5 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 1. Adagio | — | ||
| 52-6 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 2. Allegro | — | ||
| 52-7 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 3. Grave | — | ||
| 52-8 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 4. Allegro | — | ||
| 52-9 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 1. [Grave] | — | ||
| 52-10 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 2. Allegro | — | ||
| 52-11 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 3. Dolce | — | ||
| 52-12 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 4. Allegro | — | ||
| 52-13 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 1. [Allegro] | — | ||
| 52-14 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 2. Siciliana | — | ||
| 52-15 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 3. Bourrée | — | ||
| 52-16 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 4. Menuett - Trio | — | ||
| 52-17 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 1. Grave | — | ||
| 52-18 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 2. Allegro | — | ||
| 52-19 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 3. Largo e staccato | — | ||
| 52-20 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 4. Allegro | — | ||
| 53-1 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 1. Allegro | — | ||
| 53-2 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 2. Adagio | — | ||
| 53-3 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 3. Allegro | — | ||
| 53-4 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 1. Allegro | — | ||
| 53-5 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 2. Grave | — | ||
| 53-6 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 3. Allegro | — | ||
| 53-7 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 1. Adagio | — | ||
| 53-8 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 2. Allegro | — | ||
| 53-9 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 3. Largo | — | ||
| 53-10 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 4. Allegro | — | ||
| 53-11 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 1. Affettuoso | — | ||
| 53-12 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 2. Allegro | — | ||
| 53-13 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 3. Adagio | — | ||
| 53-14 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 4. Allegro assai | — | ||
| 53-15 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 1. Adagio | — | ||
| 53-16 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 2. Allegro | — | ||
| 53-17 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 3. Adagio | — | ||
| 53-18 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 4. Vivace | — | ||
| 53-19 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 1. Dolce | — | ||
| 53-20 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 2. Allegro | — | ||
| 53-21 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 3. Soave | — | ||
| 53-22 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 4. Vivace | — | ||
| 53-23 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 1. Spirituoso | — | ||
| 53-24 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 2. Grave | — | ||
| 53-25 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 3. Allegro | — | ||
| 53-26 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 1. Vivace | — | ||
| 53-27 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 2. Andante | — | ||
| 53-28 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 3. Vivace | — | ||
| 54-1 | Overture in D major, TWV 55:D21: 1. Ouverture. Maestoso - Allegro - Maestoso | — | ||
| 54-2 | Overture in D major, TWV 55:D21: 2. Plainte | — | ||
| 54-3 | Overture in D major, TWV 55:D21: 3. Réjouissance. Très vite | — | ||
| 54-4 | Overture in D major, TWV 55:D21: 4. Carillon. Gracieusement | — | ||
| 54-5 | Overture in D major, TWV 55:D21: 5. Tintamare. Légèrement | — | ||
| 54-6 | Overture in D major, TWV 55:D21: 6. Loure | — | ||
| 54-7 | Overture in D major, TWV 55:D21: 7. Menuet I - Menuet 2 (Trio) | — | ||
| 54-8 | Ino, TWV 20:41: Recitative: “Wohin, wo soll ich hin?” | — | ||
| 54-9 | Ino, TWV 20:41: Aria: “Ungöttliche Saturnia” | — | ||
| 54-10 | Ino, TWV 20:41: Recitative: “O all ihr Mächte des Olympus!” | — | ||
| 54-11 | Ino, TWV 20:41: [Arioso:] “Wo bin lich? O Himmel!” | — | ||
| 54-12 | Ino, TWV 20:41: Tanz der Tritonen | — | ||
| 54-13 | Ino, TWV 20:41: Recitative: “Ungewohnte Symphonien” | — | ||
| 54-14 | Ino, TWV 20:41: Aria: “Meint ihr mich, ihr Nereiden?” | — | ||
| 54-15 | Ino, TWV 20:41: Recitative: “Und nun? Ihr wendet euch so schnell zurück?” | — | ||
| 54-16 | Ino, TWV 20:41: Aria: “Tönt in meinen Lobgesang” | — | ||
| 55-1 | Overture no. 1 in B-flat major: 1. Largo - Allegro - Largo - Allegro | — | ||
| 55-2 | Overture no. 1 in B-flat major: 2. Menuett | — | ||
| 55-3 | Overture no. 1 in B-flat major: 3. Sarabande | — | ||
| 55-4 | Overture no. 1 in B-flat major: 4. Aire. Allegro | — | ||
| 55-5 | Overture no. 2 in F major: 1. Largo - Allegro - Largo - Allegro | — | ||
| 55-6 | Overture no. 2 in F major: 2. Gavotte | — | ||
| 55-7 | Overture no. 2 in F major: 3. Sarabande. Lento | — | ||
| 55-8 | Overture no. 2 in F major: 4. Menuett | — | ||
| 55-9 | Overture no. 2 in F major: 5. Gigue | — | ||
| 55-10 | Overture no. 2 in F major: 6. Menuett | — | ||
| 55-11 | Overture no. 3 in B-flat major: 1. Largo - Allegro | — | ||
| 55-12 | Overture no. 3 in B-flat major: 2. Aire. Allegro | — | ||
| 55-13 | Overture no. 3 in B-flat major: 3. Allegro | — | ||
| 55-14 | Overture no. 3 in B-flat major: 4. Sarabande | — | ||
| 55-15 | Overture no. 3 in B-flat major: 5. Gigue | — | ||
| 55-16 | Overture no. 4 in F major: 1. Largo - Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in G major, RV 102: 3. Vivace | Wilbert Hazelzet, Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata con tre violini (XXI from Canzoni et Sonate, 1615) | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata sopra l'aria di Ruggiero | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonate a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Passacaglio a 4 | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata sopra la Monica | Musica Antiqua Köln, Reinhard Goebel | — |
| Ecco a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Capriccio | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata detta la Polaca | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata B-dur, BuxWV 273: Gigue | Musica Antiqua Köln, Reinhard Goebel | — |
| Canon & Gigue in D major, P. 37 | Musica Antiqua Köln, Reinhard Goebel | T-920.151.760-4 |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 1. Allegro | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 2. A tempo ordinario - Allegro non presto | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 3. Passacaille | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 4. Gigue. Presto | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 5. Menue. Allegro moderato | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata for 2 Violins and Continuo "La Follia" op. 1 no. 12, RV 63 in D minor | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 1. Le cahos | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 2. Air pour les violons (La terre et l’eau | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 3. Chaconne (Le feu) | Musica Antiqua Köln, Reinhard Goebel | T-003.111.351-5 |
| Les Élémens, Suite for Orchestra: 4. Air. Ramage | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 5. Rossignols | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 9. Rondeau: Air pour l’Amour | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 6. Loure | Musica Antiqua Köln | — |
| Les Élémens, Suite for Orchestra: 8. Sicilienne | Musica Antiqua Köln | — |
| Les Élémens, Suite for Orchestra: 10. Caprice | Musica Antiqua Köln, Reinhard Goebel | T-900.904.564-1 |
| Les Élémens, Suite for Orchestra: 7. Tambourins I & II | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in E minor: 1. Gravement | Musica Antiqua Köln | — |
| Sonata in E minor: 2. Allabreve | Musica Antiqua Köln | — |
| Sonata in E minor: 3. Air | Musica Antiqua Köln | — |
| Sonata (Septet) in E minor: 4. Tendrement | Musica Antiqua Köln | — |
| Sonata in E minor: 5. Gay | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): Ballo. Sinfonia | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 1. Marche | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 2. Andantino | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 3. Allegretto | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 4. Moderato | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 5. Menuetto – (Trio) – Menuetto | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 6. Antipoisino | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 7. Chaconne | Musica Antiqua Köln | — |
| Con che soavità | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — |
| Lamento della Regina d'Inghilterra | Anne Sofie von Otter, Franz-Josef Selig, Musica Antiqua Köln, Reinhard Goebel | — |
| Il Ballo del Gran Duca, op. 16: Corrente Nona | Musica Antiqua Köln, Reinhard Goebel | — |
| Cantata, RV 684 "Cessate, omai cessate" | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — |
| Incassum, Lesbia, rogas, Z. 383 | Anne Sofie von Otter, Markus Möllenbeck, Christian Rieger | — |
| Ciaccona | Jakob Lindberg | — |
| Oh solitude!, Z. 406 | Anne Sofie von Otter, Jakob Lindberg | T-010.765.116-0 |
| Concerto for Oboe and Orchestra n C major, K. 314 (285d): III. Rondo: Allegretto | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | T-306.395.786-4 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
028948620630 is a Universal Product Code (UPC) assigned to Complete Recordings on Archiv Produktion by Reinhard Goebel, Musica Antiqua Köln. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 999 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Complete Recordings on Archiv Produktion” by Reinhard Goebel, Musica Antiqua Köln is 028948620630. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2022-01-01. Label: Archiv Produktion. This release contains 999 tracks, each with its own ISRC. Tracks include DEF058603560, DEF058603560, DEF058603560.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 3 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4 | Brandenburg Concerto No. 1 in F major, BWV 1046: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 7 | Brandenburg Concerto No. 2 in F major, BWV 1047: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 8 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 9 | Brandenburg Concerto No. 3 in G major, BWV 1048: II. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 10 | Brandenburg Concerto no. 4 in G major, BWV 1049: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 11 | Brandenburg Concerto No. 4 in G major, BWV 1049: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 12 | Brandenburg Concerto No. 4 in G major, BWV 1049: III. Presto | Musica Antiqua Köln, Reinhard Goebel | T-902.717.414-7 | |
| 13 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-914.323.771-2 | |
| 14 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: II. Affettuoso | Reinhard Goebel, Musica Antiqua Köln | T-307.292.927-8 | |
| 15 | Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-070.160.313-5 | |
| 2-1 | Brandenburg Concerto No. 6 in B flat major, BWV 1051: I. [without tempo indication] | Musica Antiqua Köln, Reinhard Goebel | T-800.184.797-9 | |
| 2-2 | Brandenburg Concerto no. 6 in B flat major, BWV 1051: II. Adagio ma non tanto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-3 | Brandenburg Concerto No. 6 in B flat major, BWV 1051: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-4 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 1. Allegro | — | ||
| 2-5 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 2. Adagio ma non tanto e dolce | — | ||
| 2-6 | Concerto for Flute, Violin, Harpsichord, Strings and Basso continuo in A minor, BWV 1044: 3. Tempo di allabreve | — | ||
| 2-7 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-8 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-9 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-10 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-11 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-12 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-13 | Orchestral Suite No. 1 in C major, BWV 1066: II. Courante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-14 | Orchestral Suite no. 2 in B minor, BWV 1067: I. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-009.030.807-8 | |
| 2-15 | Orchestral Suite no. 2 in B minor, BWV 1067: II. Rondeau | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-16 | Orchestral Suite no. 2 in B minor, BWV 1067: III. Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-17 | Orchestral Suite no. 2 in B minor, BWV 1067: IV. Bourée I/II | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-18 | Orchestral Suite no. 2 in B minor, BWV 1067: V. Polonaise - Double | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-19 | Orchestral Suite No. 2 in B minor, BWV 1067: VI. Menuet | Musica Antiqua Köln, Reinhard Goebel | — | |
| 2-20 | Orchestral Suite No. 2 in B minor, BWV 1067: VII. Badinerie | Musica Antiqua Köln, Reinhard Goebel | T-011.654.484-3 | |
| 3-1 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 1. Ouverture - Vite | — | ||
| 3-2 | Orchestral Suite no. 3 in D major, BWV 1068: II. Air | Musica Antiqua Köln, Reinhard Goebel | T-914.248.874-2 | |
| 3-3 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 3. Gavotte I alternativement / 4. [Gavotte] II | — | ||
| 3-4 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 5. Bourrée | — | ||
| 3-5 | Orchestral Suite (Overture) no. 3 in D major, BWV 1068: 6. Gigue | — | ||
| 3-6 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 1. Ouverture | — | ||
| 3-7 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 2. Bourrée I alternativement / 3. Bourrée II | — | ||
| 3-8 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 4. Gavotte | — | ||
| 3-9 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 5. Menuet I alternativement / 6. Menuet II | — | ||
| 3-10 | Orchestral Suite (Overture) no. 4 in D major, BWV 1069: 7. Réjouissance | — | ||
| 3-11 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 1. Ouverture. Larghetto - Un poco allegro | — | ||
| 3-12 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 2. Torneo [Allegretto] | — | ||
| 3-13 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 3. Aria. Adagio | — | ||
| 3-14 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 4. Menuetto alternativo - Trio | — | ||
| 3-15 | Orchestral Suite in G minor, BWV 1070 (App. B, not attributed to Bach): 5. Capriccio [Vivace] | — | ||
| 4-1 | Musical Offering, BWV 1079: I. Ricercar a 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-2 | Musical Offering, BWV 1079: II. Canon perpetuus a 2 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-3 | Musical Offering, BWV 1079: III. Canon a 2 violini in unisono | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-4 | Musical Offering, BWV 1079: IV. Canon a 2 per motum contrarium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-5 | Musical Offering, BWV 1079: V. Canon a 2 per augmentationem, contrario motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-6 | Musical Offering, BWV 1079: VI. Canon a 2 per tonos | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-7 | Musical Offering, BWV 1079: VII. Fuga canonica in epidiapente | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-8 | Musical Offering, BWV 1079: VIII. Canon perpetuus super thema regium | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-9 | Musical Offering, BWV 1079: IX. Canon perpetuus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 4-10 | Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4i. Canon a 2 | — | ||
| 4-11 | Musikalisches Opfer, BWV 1079: Quaerendo invenietis: 4k. Canon a 4 | — | ||
| 4-12 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 1. Largo | — | ||
| 4-13 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 2. Allegro | — | ||
| 4-14 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 3. Andante | — | ||
| 4-15 | Musikalisches Opfer, BWV 1079: 3. Sonata sopr' Il Soggetto Reale a Traversa, Violino e Continuo: 4. Allegro | — | ||
| 4-16 | Musikalisches Opfer, BWV 1079: 2. Ricercar a 6 | — | ||
| 5-1 | Die Kunst der Fuge, BWV 1080/1: Contrapunctus 1 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-2 | Die Kunst der Fuge, BWV 1080/2: Contrapunctus 2 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-3 | Die Kunst der Fuge, BWV 1080/3: Contrapunctus 3 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-4 | Die Kunst der Fuge, BWV 1080/4: Contrapunctus 4 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-5 | Die Kunst der Fuge, BWV 1080/15: Canon alla Ottava | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-6 | Die Kunst der Fuge, BWV 1080/5: Contrapunctus 5 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-7 | Die Kunst der Fuge, BWV 1080/6: Contrapunctus 6 à 4 in Stylo Francese | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-8 | Die Kunst der Fuge, BWV 1080/7: Contrapunctus 7 à 4, per Augmentationem et Diminutionem | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-9 | Die Kunst der Fuge, BWV 1080/16: Canon alla Decima in Contrapunto alla Terza | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-10 | Die Kunst der Fuge, BWV 1080/9: Contrapunctus 9 à 4, alla Duodecima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-11 | Die Kunst der Fuge, BWV 1080/10: Contrapunctus 10 à 4, alla Decima | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-12 | Die Kunst der Fuge, BWV 1080/8: Contrapunctus 8 à 3 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-13 | Die Kunst der Fuge, BWV 1080/11: Contrapunctus 11 à 4 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 5-14 | Die Kunst der Fuge, BWV 1080/17: Canon alla Duodecima in Contrapunto alla Quinta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-1 | Die Kunst der Fuge, BWV 1080/12,1: Contrapunctus 12 à 4 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-2 | Die Kunst der Fuge, BWV 1080/12,2: Contrapunctus 12 à 4 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-3 | Die Kunst der Fuge, BWV 1080/13,1: Contrapunctus 13 à 3 in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-4 | Die Kunst der Fuge, BWV 1080/13,2: Contrapunctus 13 à 3 in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-5 | Die Kunst der Fuge, BWV 1080/18,1: Fuga à 2 Claviere in forma inversa | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-6 | Die Kunst der Fuge, BWV 1080/18,2: Alio modo. Fuga à 2 Claviere in forma recta | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-7 | Die Kunst der Fuge, BWV 1080/14: Canon per Augmentationem in Contrario Motu | Musica Antiqua Köln, Reinhard Goebel | — | |
| 6-8 | Die Kunst der Fuge, BWV 1080/19: Fuga à 3 Soggetti | Musica Antiqua Köln, Reinhard Goebel | T-031.552.490-3 | |
| 6-9 | Canon Trias Harmonica, a 8, BWV 1072 | — | ||
| 6-10 | Canon a 4 perpetuus, BWV 1073 | — | ||
| 6-11 | Canon a 4, BWV 1074 | — | ||
| 6-12 | Canon a 2, perpetuus, BWV 1075 | — | ||
| 6-13 | Canon triplex, a 6, BWV 1076 | — | ||
| 6-14 | Canone doppio sopr'il Soggetto, a 4, BWV 1077 | — | ||
| 6-15 | Canon Concordia discors, a 2, BWV 1086 | — | ||
| 6-16 | Canon super Fa Mi, a 7, post Tempus Musicum, BWV 1078 | — | ||
| 6-17 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 1. Canon simplex | — | ||
| 6-18 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 2. All'rovescio | — | ||
| 6-19 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 3. Beede vorigen Canones zugleich. Motu recto e contrario | — | ||
| 6-20 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 4. Motu contrario e recto | — | ||
| 6-21 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 5. Canon duplex, a 4 | — | ||
| 6-22 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 6. Canon simplex, a 3 | — | ||
| 6-23 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 7. Idem, a 3 | — | ||
| 6-24 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 8. Canon simplex, a 3 | — | ||
| 6-25 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 9. Canon in unisono, a 3 | — | ||
| 6-26 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 10a. Alio modo, a 2 / 10b. Evolutio | — | ||
| 6-27 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 11. Canon duplex, a 5 | — | ||
| 6-28 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 12. Canon duplex, a 5 | — | ||
| 6-29 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 13. Canon triplex, a 6 | — | ||
| 6-30 | 14 Canons on the First Eight Notes of the Aria Ground from the Goldberg Variations, BWV 1087: 14. Canon a 4 | — | ||
| 7-1 | Trio Sonata in G major, BWV 1038: 1. Largo | — | ||
| 7-2 | Trio Sonata in G major, BWV 1038: 2. Vivace | — | ||
| 7-3 | Trio Sonata in G major, BWV 1038: 3. Adagio | — | ||
| 7-4 | Trio Sonata in G major, BWV 1038: 4. Presto | — | ||
| 7-5 | Trio Sonata in C major, BWV 1037 (App. D): 1. Adagio | — | ||
| 7-6 | Trio Sonata in C major, BWV 1037 (App. D): 2. Alla breve | — | ||
| 7-7 | Trio Sonata in C major, BWV 1037 (App. D): 3. Largo | — | ||
| 7-8 | Trio Sonata in C major, BWV 1037 (App. D): 4. Gigue. Presto | — | ||
| 7-9 | Trio Sonata in G major, BWV 1039: 1. Adagio | — | ||
| 7-10 | Trio Sonata in G major, BWV 1039: 2. Allegro ma non presto | — | ||
| 7-11 | Trio Sonata in G major, BWV 1039: 3. Adagio e piano | — | ||
| 7-12 | Trio Sonata in G major, BWV 1039: 4. Presto | — | ||
| 7-13 | Trio Sonata in D minor, BWV 1036 (App. D): 1. Adagio | — | ||
| 7-14 | Trio Sonata in D minor, BWV 1036 (App. D): 2. Allegro | — | ||
| 7-15 | Trio Sonata in D minor, BWV 1036 (App. D): 3. Largo | — | ||
| 7-16 | Trio Sonata in D minor, BWV 1036 (App. D): 4. Vivace | — | ||
| 8-1 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-2 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-3 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: III. Andante | Reinhard Goebel, Robert Hill | T-801.724.839-5 | |
| 8-4 | Sonata for Violin and Harpsichord no. 1 in B minor, BWV 1014: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-5 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: I. [without tempo indication] | Reinhard Goebel, Robert Hill | T-800.184.797-9 | |
| 8-6 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: II. Allegro assai | Reinhard Goebel, Robert Hill | — | |
| 8-7 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: III. Andante un poco | Reinhard Goebel, Robert Hill | — | |
| 8-8 | Sonata for Violin and Harpsichord no. 2 in A major, BWV 1015: IV. Presto | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-9 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: I. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-10 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-11 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 8-12 | Sonata for Violin and Harpsichord no. 3 in E major, BWV 1016: IV. Allegro | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-13 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: I. Siciliano (Largo) | Reinhard Goebel, Robert Hill | — | |
| 8-14 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-15 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: III. Adagio ma non tanto | Reinhard Goebel, Robert Hill | — | |
| 8-16 | Sonata for Violin and Harpsichord no. 4 in C minor, BWV 1017: IV. Allegro assai | Reinhard Goebel, Robert Hill | T-318.676.528-2 | |
| 8-17 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: I. Largo | Reinhard Goebel, Robert Hill | T-070.160.313-5 | |
| 8-18 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: II. Allegro | Reinhard Goebel, Robert Hill | — | |
| 8-19 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: III. Adagio | Reinhard Goebel, Robert Hill | — | |
| 8-20 | Sonata for Violin and Harpsichord no. 5 in F minor, BWV 1018: IV. Vivace | Reinhard Goebel, Robert Hill | — | |
| 9-1 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 1. Allegro | — | ||
| 9-2 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 2. Largo | — | ||
| 9-3 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 3. Allegro | — | ||
| 9-4 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 4. Adagio | — | ||
| 9-5 | Sonata for Violin and Harpsichord no. 6 in G major, BWV 1019: 5. Allegro | — | ||
| 9-6 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 1. [Allegro] | — | ||
| 9-7 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 2. Adagio | — | ||
| 9-8 | Sonata for Violin and Harpsichord in G minor, BWV 1020 (Anh. III 184): 3. Allegro | — | ||
| 9-9 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 1. [no tempo indication] | — | ||
| 9-10 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 2. Allegro ee presto | — | ||
| 9-11 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 3. Adagio | — | ||
| 9-12 | Sonata for Violin and Harpsichord in F major, BWV 1022 (App. B): 4. Presto | — | ||
| 9-13 | Fugue for Violin and Basso continuo in G minor, BWV 1026 | — | ||
| 9-14 | Suite for Violin and Harpsichord in A major, BWV 1025: 1. Fantasia | — | ||
| 9-15 | Suite for Violin and Harpsichord in A major, BWV 1025: 2. Courante | — | ||
| 9-16 | Suite for Violin and Harpsichord in A major, BWV 1025: 3. Entrée | — | ||
| 9-17 | Suite for Violin and Harpsichord in A major, BWV 1025: 4. Rondeau | — | ||
| 9-18 | Suite for Violin and Harpsichord in A major, BWV 1025: 5. Sarabande | — | ||
| 9-19 | Suite for Violin and Harpsichord in A major, BWV 1025: 6. Menuett | — | ||
| 9-20 | Suite for Violin and Harpsichord in A major, BWV 1025: 7. Allegro | — | ||
| 9-21 | Sonata for Violin and Basso continuo in G major, BWV 1021: 1. Adagio | — | ||
| 9-22 | Sonata for Violin and Basso continuo in G major, BWV 1021: 2. Vivace | — | ||
| 9-23 | Sonata for Violin and Basso continuo in G major, BWV 1021: 3. Largo | — | ||
| 9-24 | Sonata for violin & continuo in G major, BWV 1021: IV. Presto | Hendrik Bouman, Reinhard Goebel, Jaap ter Linden | T-318.676.528-2 | |
| 10-1 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 1. [no tempo indication] / 2. Adagio ma non tanto | — | ||
| 10-2 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 3. Allemanda | — | ||
| 10-3 | Sonata for Violin and Basso continuo in E minor, BWV 1023: 4. Gigue | — | ||
| 10-4 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 1. Adagio | — | ||
| 10-5 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 2. Presto | — | ||
| 10-6 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 3. Affettuoso | — | ||
| 10-7 | Sonata for Violin and Basso continuo in C minor, BWV 1024 (App. B): 4. Vivace | — | ||
| 10-8 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 1. Allegro | — | ||
| 10-9 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 2. [Largo] | — | ||
| 10-10 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 3. [Allegro assai] | — | ||
| 10-11 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 4. [Adagio] | — | ||
| 10-12 | [Sonata] for Violin and Basso continuo in A major, BWV Anh. 153: 5. [Allegro] | — | ||
| 10-13 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 1. Adagio | — | ||
| 10-14 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 2. Allegro ma non tanto | — | ||
| 10-15 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 3. Andante | — | ||
| 10-16 | Sonata for Harpsichord and Viola da gamba no. 1 in G major, BWV 1027: 4. Allegro moderato | — | ||
| 10-17 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 1. Adagio | — | ||
| 10-18 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 2. Allegro | — | ||
| 10-19 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 3. Andante | — | ||
| 10-20 | Sonata for Harpsichord and Viola da gamba no. 2 in D major, BWV 1028: 4. Allegro | — | ||
| 11-1 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 1. Vivace | — | ||
| 11-2 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 2. Adagio | — | ||
| 11-3 | Sonata for Harpsichord and Viola da gamba no. 3 in G minor, BWV 1029: 3. Allegro | — | ||
| 11-4 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 1. Presto | — | ||
| 11-5 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 2. Largo | — | ||
| 11-6 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 3. Cantabile, ma un poco adagio | — | ||
| 11-7 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 4. Adagio | — | ||
| 11-8 | Sonata for Violin and Harpsichord in G major, BWV 1029a: 5. Presto | — | ||
| 11-9 | Sonata for Flute and Basso continuo in C major, BWV 1033: 1. Andante - Presto | — | ||
| 11-10 | Sonata for Flute and Basso continuo in C major, BWV 1033: 2. Allegro | — | ||
| 11-11 | Sonata for Flute and Basso continuo in C major, BWV 1033: 3. Adagio | — | ||
| 11-12 | Sonata for Flute and Basso continuo in C major, BWV 1033: 4. Menuetto I - Menuetto II | — | ||
| 11-13 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 1. Adagio ma non tanto | — | ||
| 11-14 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 2. Allegro | — | ||
| 11-15 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 3. Andante | — | ||
| 11-16 | Sonata for Flute and Basso continuo in E minor, BWV 1034: 4. Allegro | — | ||
| 11-17 | Sonata for Flute and Basso continuo in E major, BWV 1035: 1. Adagio ma non tanto | — | ||
| 11-18 | Sonata for Flute and Basso continuo in E major, BWV 1035: 2. Allegro | — | ||
| 11-19 | Sonata for Flute and Basso continuo in E major, BWV 1035: 3. Siciliano | — | ||
| 11-20 | Sonata for Flute and Basso continuo in E major, BWV 1035: 4. Allegro assai | — | ||
| 12-1 | Partita for Solo Flute in A minor, BWV 1013: 1. Allemande | — | ||
| 12-2 | Partita for Solo Flute in A minor, BWV 1013: 2. Corrente | — | ||
| 12-3 | Partita for Solo Flute in A minor, BWV 1013: 3. Sarabande | — | ||
| 12-4 | Partita for Solo Flute in A minor, BWV 1013: 4. Bourrée anglaise | — | ||
| 12-5 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 1. Andante | — | ||
| 12-6 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 2. Largo e dolce | — | ||
| 12-7 | Sonata for Harpsichord and Flute in B minor, BWV 1030: 3. Presto - [Allegro] | — | ||
| 12-8 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 1. Allegro moderato | — | ||
| 12-9 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 2. Siciliano | — | ||
| 12-10 | Sonata for Harpsichord and Flute in E-flat major, BWV 1031: 3. Allegro | — | ||
| 12-11 | Sonata for Harpsichord and Flute in A major, BWV 1032: 1. Vivace | — | ||
| 12-12 | Sonata for Harpsichord and Flute in A major, BWV 1032: 2. Largo e dolce | — | ||
| 12-13 | Sonata for Harpsichord and Flute in A major, BWV 1032: 3. Allegro | — | ||
| 13-2 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 1. Chorus: “Vereinigte Zwietracht der wechselnden Saiten” | — | ||
| 13-3 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 2. Recitative: “Wen treibt ein edler Trieb” | — | ||
| 13-4 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 3. Aria: “Zieht euren Fuß nur nicht zurücke” | — | ||
| 13-5 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 4. Recitative: “Dem nur allein soll meine Wohnung offen sein” | — | ||
| 13-6 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5. Aria (Duet): “Den soll mein Lorbeer schützend decken” | — | ||
| 13-7 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 5a. Ritornello | — | ||
| 13-8 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 6. Recitative: “Es ist kein leeres Wort” | — | ||
| 13-9 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 7. Aria: “Ätzet dieses Angedenken” | — | ||
| 13-10 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 8. Recitative: “Ihr Schläfrigen, herbei” | — | ||
| 13-11 | “Vereinigte Zwietracht der wechselnden Saiten”, BWV 207: 9. Chorus: “Korte lebe, Korte blühe” | — | ||
| 13-12 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 1. Chorus: “Schleicht, spielende Wellen, und murmelt gelinde” | — | ||
| 13-13 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 2. Recitative: “O glückliche Veränderung!” | — | ||
| 13-14 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 3. Aria: “Schleuß des Janustempels Türen” | — | ||
| 13-15 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 4. Recitative & Arioso: “So recht, beglückter Weichselstrom” | — | ||
| 13-16 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 5. Aria: “Jede Woge meiner Wellen” | — | ||
| 13-17 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 6. Recitative: “Ich nehm zugleich an deiner Freude teil” | — | ||
| 13-18 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 7. Aria: “Reis von Habsburgs hohem Stamme” | — | ||
| 13-19 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 8. Recitative: “Verzeiht, bemooste Häupter starker Ströme” | — | ||
| 13-20 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 9. Aria: “Hört doch! Der sanften Flöten Chor” | — | ||
| 13-21 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 10. Recitative: “Ich muss, ich will gehorsam sein” | — | ||
| 13-22 | “Schleicht, spielende Wellen, und murmelt gelinde”, BWV 206: 11. Chorus: “Die himmlische Vorsicht der ewigen Güte” | — | ||
| 14-1 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 1. Chorus: “Geschwinde, ihr wirbelnden Winde” | — | ||
| 14-2 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 2. Recitative: “Und du bist doch so unverschämt und frei” | — | ||
| 14-3 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 3. Aria: “Patron, das macht der Wind” | — | ||
| 14-4 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 4. Recitative: “Was braucht ihr euch zu zanken” | — | ||
| 14-5 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 5. Aria: “Mit Verlangen drück ich deine zarten Wangen” | — | ||
| 14-6 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 6. Recitative: “Pan, rücke deine Kehle nun” | — | ||
| 14-7 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 7. Aria: “Zu Tanze, zu Sprunge, so wackelt das Herz” | — | ||
| 14-8 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 8. Recitative: “Nunmehro Richter her!” | — | ||
| 14-9 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 9. Aria: “ Phoebus, deine Melodei hat die Anmut selbst” | — | ||
| 14-10 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 10. Recitative: “Komm, Midas, sage du nun an” | — | ||
| 14-11 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 11. Aria: “Pan ist Meister, lasst ihn gehn” | — | ||
| 14-12 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 12. Recitative: “Wie, Midas, bist du toll” | — | ||
| 14-13 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 13. Aria: “Aufgeblasne Hitze, aber wenig Grütze” | — | ||
| 14-14 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 14. Recitative: “Du guter Midas, geh nun hin” | — | ||
| 14-15 | “Geschwinde, ihr wirbelnden Winde”, BWV 201: 15. Chorus: “Labt das Herz, ihr holden Saiten” | — | ||
| 14-16 | “Schwingt freudig euch empor”, BWV 36c: 1. [Chorus:] “Schwingt freudig euch empor” | — | ||
| 14-17 | “Schwingt freudig euch empor”, BWV 36c: 2. Recitative: “Ein Herz, in zärtlichem Empfinden” | — | ||
| 14-18 | “Schwingt freudig euch empor”, BWV 36c: 3. Aria: “Die Liebe führt mit sanften Schritten” | — | ||
| 14-19 | “Schwingt freudig euch empor”, BWV 36c: 4. Recitative: “Du bist es ja, o hochverdienter Mann” | — | ||
| 14-20 | “Schwingt freudig euch empor”, BWV 36c: 5. Aria: “Der Tag, der dich vordem gebar” | — | ||
| 14-21 | “Schwingt freudig euch empor”, BWV 36c: 6. Recitative: “Nur dieses Einz'ge sorgen wir” | — | ||
| 14-22 | “Schwingt freudig euch empor”, BWV 36c: 7. Aria: “Auch mit gedämpften, schwachen Stimmen” | — | ||
| 14-23 | “Schwingt freudig euch empor”, BWV 36c: 8. Recitative: “Bei solchen freudenvollen Stunden” | — | ||
| 14-24 | “Schwingt freudig euch empor”, BWV 36c: 9. Chorus & Recitative: “Wie die Jahre sich verneuen” | — | ||
| 14-25 | Quodlibet, BWV 524 (Fragment) | — | ||
| 15-1 | “O holder Tag, erwünschte Zeit”, BWV 210: 1. Recitative: “O holder Tag, erwünschte Zeit” | — | ||
| 15-2 | “O holder Tag, erwünschte Zeit”, BWV 210: 2. Aria: “Spielet, ihr beseelten Lieder” | — | ||
| 15-3 | “O holder Tag, erwünschte Zeit”, BWV 210: 3. Recitative: “Doch, haltet ein” | — | ||
| 15-4 | “O holder Tag, erwünschte Zeit”, BWV 210: 4. Aria: “Ruhet hie, matte Töne” | — | ||
| 15-5 | “O holder Tag, erwünschte Zeit”, BWV 210: 5. Recitative: “Si glaubt man denn, dass die Musik verführe” | — | ||
| 15-6 | “O holder Tag, erwünschte Zeit”, BWV 210: 6. Aria: “Schweigt, ihr Flöten, schweigt, ihr Töne” | — | ||
| 15-7 | “O holder Tag, erwünschte Zeit”, BWV 210: 7. Recitative: “Was Luft? Was Grab?” | — | ||
| 15-8 | “O holder Tag, erwünschte Zeit”, BWV 210: 8. Aria: “Großer Gönner, dein Vergnügen” | — | ||
| 15-9 | “O holder Tag, erwünschte Zeit”, BWV 210: 9. Recitative: “Hochteurer Mann, so fahre ferner fort” | — | ||
| 15-10 | “O holder Tag, erwünschte Zeit”, BWV 210: 10. Aria: “Seid beglückt, edle beide” | — | ||
| 15-11 | “Weichet nur, betrübte Schatten”, BWV 202: 1. Adagio - Andante - Adagio da capo: “Weichet nur, betrübte Schatten” | — | ||
| 15-12 | “Weichet nur, betrübte Schatten”, BWV 202: 2. Recitative: “Die Welt wird wieder neu” | — | ||
| 15-13 | “Weichet nur, betrübte Schatten”, BWV 202: 3. Aria: “Phoebus eilt mit schnellen Pferden” | — | ||
| 15-14 | “Weichet nur, betrübte Schatten”, BWV 202: 4. Recitative: “Drum sucht auch Amor sein Vergnügen” | — | ||
| 15-15 | “Weichet nur, betrübte Schatten”, BWV 202: 5. Aria: “Wenn die Frühlingslüfte streichen” | — | ||
| 15-16 | “Weichet nur, betrübte Schatten”, BWV 202: 6. Recitative: “Und dieses ist das Glücke” | — | ||
| 15-17 | “Weichet nur, betrübte Schatten”, BWV 202: 7. Aria: “Sich üben im Lieben” | — | ||
| 15-18 | “Weichet nur, betrübte Schatten”, BWV 202: 8. Recitative: “So sei das Band der keuschen Liebe” | — | ||
| 15-19 | “Weichet nur, betrübte Schatten”, BWV 202: 9. Aria (Gavotte): “Sehet in Zufriedenheit” | — | ||
| 15-20 | “Jauchzet Gott in allen Landen”, BWV 51: 1. Aria: “Jauchzet Gott in allen Landen” | — | ||
| 15-21 | “Jauchzet Gott in allen Landen”, BWV 51: 2. Recitative: “Wir beten zu dem Tempel an” | — | ||
| 15-22 | “Jauchzet Gott in allen Landen”, BWV 51: 3. Aria: “Höchster, mache deine Güte” | — | ||
| 15-23 | “Jauchzet Gott in allen Landen”, BWV 51: 4. Chorale: “Sei Lob und Preis mit Ehren” - | — | ||
| 15-24 | “Jauchzet Gott in allen Landen”, BWV 51: “Alleluja” | — | ||
| 16-1 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 1. Allegro | — | ||
| 16-2 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 2. Largo e con sordino | — | ||
| 16-3 | Concerto for 2 Harpsichords and Orchestra in F major, Wq. 46: 3. Allegro assai | — | ||
| 16-4 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 1. [Allegro moderato] | — | ||
| 16-5 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 2. Andante | — | ||
| 16-6 | Sonata for 2 Harpsichords in F major, F 10 (BWV Anh. 188): 3. Presto | — | ||
| 16-7 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 1. Un poco allegro | — | ||
| 16-8 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 2. Cantabile senza accompagnamento | — | ||
| 16-9 | Concerto for 2 Harpsichords and Orchestra in E-flat major, F 46: 3. Vivace | — | ||
| 17-1 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 1. Ouverture | — | ||
| 17-2 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 2. Air I | — | ||
| 17-3 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 3. Menuet | — | ||
| 17-4 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 4. Gavotte | — | ||
| 17-5 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 5. Air II | — | ||
| 17-6 | Overture (Suite) for Strings, 2 Oboes and Basso continuo in G major: 6. Bourrée | — | ||
| 17-7 | Sonata no. 1 “a cinque” for 2 Violins, 2 Violas and Basso continuo in C major | — | ||
| 17-8 | Sonata no. 2 “a cinque” for 2 Violins, 2 Violas and Basso continuo in F major | — | ||
| 17-9 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 1. Allegro | — | ||
| 17-10 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 2. 2 Adagio | — | ||
| 17-11 | Concerto for 2 Violins, 2 Oboes, Strings and Basso continuo in D major: 3. Allegro | — | ||
| 17-12 | “Aria Eberliniana pro dormente Camillo” for Harpsichord solo: Theme - Var. 1-15 | — | ||
| 17-13 | “Battaglia - anno 1659 composita” for 2 Violins, 2 Violas and Basso continuo | — | ||
| 17-14 | Sonata and Capriccio for Violin, 2 Violas and Basso continuo in G minor | — | ||
| 17-15 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 1. Sinfonia | — | ||
| 17-16 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 2. Adagio | — | ||
| 17-17 | Concerto for 3 Trumpets, Timpani, 2 Oboes, Bassoon, Strings and Basso continuo in D major (after BWV 249): 3. Allegro | — | ||
| 18-1 | Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 1. Andante di molto | — | ||
| 18-2 | Sinfonia concertante for Violin, Cello, 2 Oboes, Strings and Basso continuo in A major, W C 34 (T 284/4): 2. Rondeau. Allegro assai | — | ||
| 18-3 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 1. Un poco allegro | — | ||
| 18-4 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 2. Largo | — | ||
| 18-5 | Concerto for Flute, Strings and Basso continuo in D major, BR WFB C 15: 3. Vivace | — | ||
| 18-6 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 1. Allegro con brio | — | ||
| 18-7 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 2. Larghetto Cantabile | — | ||
| 18-8 | Concerto for Fortepiano and Viola, 2 Horns, 2 Oboes, Strings and Basso continuo in E-flat major, BR JCFB C 44: 3. Allegretto | — | ||
| 18-9 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 1. Allegro molto | — | ||
| 18-10 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 2. Larghetto | — | ||
| 18-11 | Concerto for Harpsichord and Fortepiano, 2 Flutes, 2 Horns, Strings and Basso continuo in E-flat major, H 479 (Wq. 47): 3. Presto | — | ||
| 19-1 | “Ach, bleib bei uns, Herr Jesu Christ” | — | ||
| 19-2 | “Auf, lasst uns den Herren loben” | — | ||
| 19-3 | “Es ist ein großer Gewinn” | — | ||
| 19-4 | “Liebster Jesu, hör mein Fiehen” | — | ||
| 19-5 | “Ach, wie sehnlich wart' ich der Zeit” | — | ||
| 19-6 | “Siehe, wie fein und lieblich” | — | ||
| 19-7 | “Meine Freundin, du bist schön” | — | ||
| 20-1 | “Es erhub sich ein Streit” | — | ||
| 20-2 | “Ach, dass ich Wassers g'nug hätte” | — | ||
| 20-3 | “Herr, wende dich und sei mir gnädig” | — | ||
| 20-4 | “Wie bist du denn, o Gott, in Zorn auf mich entbrannt” | — | ||
| 20-5 | “Die Furcht des Herren” | — | ||
| 20-6 | “Ich danke dir, Gott” | — | ||
| 21-1 | Ach, dass ich Wassers g'nug hätte | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-2 | Languet anima mea: I. Recitativo: Languet anima mea amore tuo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-3 | Languet anima mea: II. Aria: O vulnera, vita coelestis | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-4 | Languet anima mea: III. Recitativo: Amoris tui jaculo | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-5 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-6 | Languet anima mea: V. Alleluja | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-7 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: I. Aria: Vergnügte Ruh, beliebte Seelenlust | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-8 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: II. Recitative: Die welt, das Sündenhaus | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-9 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: III. Aria: Wie jammern mich doch die verkehrten Herzen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-10 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: IV. Recitative: Wer sollte sich demnach | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-11 | Vergnügte Ruh, beliebte Seelenlust, BWV 170: V. Aria: Mir ekelt mehr zu leben | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-12 | Bekennen will ich seinen Namen, BWV 200 | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-13 | Selma, H 739 (Wq. 236) | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-14 | Die Amerikanerin, BR JCFB G 47: I. Saide, komm, mein Wunsch, mein Lied! | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-15 | Die Amerikanerin, BR JCFB G 47: II. Schön ist mein Mädchen, wie die Traube | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-16 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 21-17 | Die Amerikanerin, BR JCFB G 47: IV. Mein Herz, mein Herz fleucht ihr entgegen | Magdalena Kožená, Musica Antiqua Köln, Reinhard Goebel | — | |
| 22-1 | Mensa sonara: Pars I in D major. 1. Sonata. Grave - Allegro | — | ||
| 22-2 | Mensa sonara: Pars I in D major. 2. Allamanda | — | ||
| 22-3 | Mensa sonara: Pars I in D major. 3. Courante | — | ||
| 22-4 | Mensa sonara: Pars I in D major. 4. Sarabanda | — | ||
| 22-5 | Mensa sonara: Pars I in D major. 5. Gavotte | — | ||
| 22-6 | Mensa sonara: Pars I in D major. 6. Gigue - Sonatina. Adagio | — | ||
| 22-7 | Mensa sonara: Pars II in F major. 1. Intrada. Alla breve | — | ||
| 22-8 | Mensa sonara: Pars II in F major. 2. Balletto. Alla breve | — | ||
| 22-9 | Mensa sonara: Pars II in F major. 3. Sarabanda | — | ||
| 22-10 | Mensa sonara: Pars II in F major. 4. Balletto. Alla breve | — | ||
| 22-11 | Mensa sonara: Pars II in F major. 5. Sarabanda | — | ||
| 22-12 | Mensa sonara: Pars II in F major. 6. Balletto. Alla breve | — | ||
| 22-13 | Mensa sonara: Pars III in A minor. 1. Gagliarda. Allegro | — | ||
| 22-14 | Mensa sonara: Pars III in A minor. 2. Sarabanda | — | ||
| 22-15 | Mensa sonara: Pars III in A minor. 3. Aria | — | ||
| 22-16 | Mensa sonara: Pars III in A minor. 4. Ciacona | — | ||
| 22-17 | Mensa sonara: Pars III in A minor. 5. Sonatina | — | ||
| 22-18 | Mensa sonara: Sonata violino solo representativa in A major. 1. Sonata. Allegro | — | ||
| 22-19 | Mensa sonara: Sonata violino solo representativa in A major. 2. Die Nachtigall | — | ||
| 22-20 | Mensa sonara: Sonata violino solo representativa in A major. 3. Cucu | — | ||
| 22-21 | Mensa sonara: Sonata violino solo representativa in A major. 4. Der Frosch - Adagio | — | ||
| 22-22 | Mensa sonara: Sonata violino solo representativa in A major. 5. Allegro. Die Henne und der Hahn - Presto | — | ||
| 22-23 | Mensa sonara: Sonata violino solo representativa in A major. 6. Adagio. Die Wachtel | — | ||
| 22-24 | Mensa sonara: Sonata violino solo representativa in A major. 7. Die Katz | — | ||
| 22-25 | Mensa sonara: Sonata violino solo representativa in A major. 8. Musketier-Marsch | — | ||
| 22-26 | Mensa sonara: Sonata violino solo representativa in A major. 9. Allemande | — | ||
| 22-27 | Mensa sonara: Pars IV in B-flat major. 1. Sonata. Grave - Allegro - Adagio | — | ||
| 22-28 | Mensa sonara: Pars IV in B-flat major. 2. Allamanda | — | ||
| 22-29 | Mensa sonara: Pars IV in B-flat major. 3. Courante | — | ||
| 22-30 | Mensa sonara: Pars IV in B-flat major. 4. Balletto | — | ||
| 22-31 | Mensa sonara: Pars IV in B-flat major. 5. Sarabanda | — | ||
| 22-32 | Mensa sonara: Pars IV in B-flat major. 6. Gigue. Presto | — | ||
| 22-33 | Mensa sonara: Pars IV in B-flat major. 7. Sonatina. Adagio | — | ||
| 22-34 | Mensa sonara: Pars V in E major. 1. Intrada. Allegro | — | ||
| 22-35 | Mensa sonara: Pars V in E major. 2. Balletto | — | ||
| 22-36 | Mensa sonara: Pars V in E major. 3. Trezza | — | ||
| 22-37 | Mensa sonara: Pars V in E major. 4. Gigue | — | ||
| 22-38 | Mensa sonara: Pars V in E major. 5. Gavotte. Alla breve | — | ||
| 22-39 | Mensa sonara: Pars V in E major. 6. Gigue | — | ||
| 22-40 | Mensa sonara: Pars V in E major. 7. Retirada | — | ||
| 22-41 | Mensa sonara: Pars VI in G minor. 1. Sonata. Adagio - Presto | — | ||
| 22-42 | Mensa sonara: Pars VI in G minor. 2. Aria | — | ||
| 22-43 | Mensa sonara: Pars VI in G minor. 3. Canario. Presto | — | ||
| 22-44 | Mensa sonara: Pars VI in G minor. 4. Amener | — | ||
| 22-45 | Mensa sonara: Pars VI in G minor. 5. Trezza | — | ||
| 22-46 | Mensa sonara: Pars VI in G minor. 6. Ciacona | — | ||
| 22-47 | Mensa sonara: Pars VI in G minor. 7. Sonatina. Adagio - Presto | — | ||
| 23-1 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 1. Sonata. Adagio - Presto - Adagio | — | ||
| 23-2 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 2. Allamande | — | ||
| 23-3 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 3. Gigue - Variatio I/II | — | ||
| 23-4 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 4. Aria | — | ||
| 23-5 | Harmonia artificiosa-arioso: diversi mode accordata: Partia I in D minor for 2 Violins and Basso continuo. 5. Sarabande - Variatio I/II - Finale. Presto | — | ||
| 23-6 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 1. Praeludium | — | ||
| 23-7 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 2. Allamande - Variatio | — | ||
| 23-8 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 3. Balletto. Allegro | — | ||
| 23-9 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 4. Aria. Presto | — | ||
| 23-10 | Harmonia artificiosa-arioso: diversi mode accordata: Partia II in B minor for 2 Violini piccoli and Basso continuo. 5. Gigue. Presto | — | ||
| 23-11 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 1. Praeludium. Allegro | — | ||
| 23-12 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 2. Allamanda | — | ||
| 23-13 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 3. Amener. Presto | — | ||
| 23-14 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 4. Balletto | — | ||
| 23-15 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 5. Gigue | — | ||
| 23-16 | Harmonia artificiosa-arioso: diversi mode accordata: Partia III in A major for 2 Violins and Basso continuo. 6. Ciacona (Canon in unisono) | — | ||
| 23-17 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 1. Sonata. Adagio - Allegro - Adagio | — | ||
| 23-18 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 2. Allamande | — | ||
| 23-19 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 3. Trezza. Presto | — | ||
| 23-20 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 4. Aria | — | ||
| 23-21 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 5. Canario | — | ||
| 23-22 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 6. Gigue. Presto | — | ||
| 23-23 | Harmonia artificiosa-arioso: diversi mode accordata: Partia IV in E-flat major for Violin, Viola and Basso continuo. 7. Polichinello. Presto | — | ||
| 24-1 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 1. Intrada. Alla breve | — | ||
| 24-2 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 2. Aria. Adagio | — | ||
| 24-3 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 3. Balletto. Presto | — | ||
| 24-4 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 4. Gigue | — | ||
| 24-5 | Harmonia artificiosa-arioso: diversi mode accordata: Partia V in G minor for 2 Violins and Basso continuo. 5. Passacaglia [Adagio] - Allegro - Adagio | — | ||
| 24-6 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 1. Praeludium. Adagio - Allegro | — | ||
| 24-7 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 2. Aria - Variatio I-XIII | — | ||
| 24-8 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VI in D major 2 Violins aand Basso continuo: 3. Finale. Adagio - Allegro | — | ||
| 24-9 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 1. Praeludium. Grave - Presto | — | ||
| 24-10 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 2. Allamande | — | ||
| 24-11 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 3. Sarabande | — | ||
| 24-12 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 4. Gigue. Presto | — | ||
| 24-13 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 5. Aria | — | ||
| 24-14 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 6. Trezza | — | ||
| 24-15 | Harmonia artificiosa-arioso: diversi mode accordata: Partia VII in C minor for 2 Viole d'amore and Basso continuo: 7. Arietta variata | — | ||
| 25-1 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata I: Die Verkündigung d-Moll: Praeludium - Variatio - Aria allegro - Variatio - Adagio - Finale | — | ||
| 25-2 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata II: Mariä Besuch bei Elisabeth A-Dur: Sonata - Presto - Allemande - Presto | — | ||
| 25-3 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata III: Christi Geburt h-Moll: Sonata - Presto - Adagio - Courante - Double - Adagio | — | ||
| 25-4 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata IV: Christi Darstellung im Tempel d-Moll: Ciacona (with 12 Variations) | — | ||
| 25-5 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf freudenhaften Mysterien. Sonata V: Der zwölfjährige Jesus im Tempel A-Dur: Praeludium - Presto - Allemande - Gigue - Sarabande - Double | — | ||
| 25-6 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VI: Christi Leiden am Ölberg c-Moll: Lamento - Adagio - Presto - Adagio I-III | — | ||
| 25-7 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VII: Die Geißelung F-Dur: Allemande - Variatio - Sarabande - Variatio | — | ||
| 25-8 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata VIII: Due Dornenkrönung B-Dur: Sonata. Adagio - Presto - Gigue - Double I. Presto - Double II | — | ||
| 26-1 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata IX: Die Kreuztragung a-Moll: Sonata - Courante - Double - Finale | — | ||
| 26-2 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf schmerzhaften Mysterien. Sonata X: Die Kreuzigung g-Moll: Praeludium - Aria (with 5 Variations) | — | ||
| 26-3 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XI: Die Auferstehung G-Dur: Sonata - Adagio | — | ||
| 26-4 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XII: Christi Himmelfahrt C-Dur: Intrada - Aria Tubicinum - Allemande - Courante - Double | — | ||
| 26-5 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIII: Ausgießung des Helligen Geistes d-Moll: Sonata - Gavotte - Gigue - Sarabande | — | ||
| 26-6 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XIV: Mariä Himmelfahrt D-Dur: [Sonata] - Grave - Adagio - Aria I - Aria II - Gigue | — | ||
| 26-7 | 15 Sonaten über Mysterien des Rosenkranzes für Violine und Basso continuo: Die fünf glorreichen Mysterien. Sonata XV: Die Krönung der Jungfrau Maria C-Dur: Sonata - Aria (with 3 Variations) - Canzone - Sarabande | — | ||
| 26-8 | Passacaglia for Solo Violin in G minor: [no tempo indication] - Adagio - Allegro - Adagio | — | ||
| 27-1 | Ein langer und schöner Aufzug (Ein schöner Aufzug by Pater Ignatius Augustiner): Fanfare I (Riedl) - Fanfare II (Augustiner) | Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-2 | Missa Salisburgensis: Kyrie | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 27-3 | Missa Salisburgensis: Gloria | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-010.475.500-1 | |
| 27-4 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata XII | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-5 | Missa Salisburgensis: Credo | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 27-6 | Missa Salisburgensis: Sonatae tam aris quam aulis servientes: Sonata V | Musica Antiqua Köln, Reinhard Goebel | — | |
| 27-7 | Missa Salisburgensis - Sanctus - Benedictus | Musica Antiqua Köln, Reinhard Goebel, Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-8 | Missa Salisburgensis: Agnus Dei | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | T-037.336.913-1 | |
| 27-9 | Missa Salisburgensis: Sonata Sancti Polycarpi | Gabrieli Consort & Players, Paul McCreesh | — | |
| 27-10 | Missa Salisburgensis: Motet "Plaudite tympana" | Gabrieli Consort & Players, Musica Antiqua Köln, Reinhard Goebel, Paul McCreesh | — | |
| 28-1 | Marche de triomphe pour les violins, trompettes, timbales, flûtes et hautbois, H 547/1 | — | ||
| 28-2 | Messe pour plusiers instruments au lieu des orgues, H 513: 1. Kyrie pour tous les instruments / 2. Kyrie pour les prêtres / 3. Kyrie pour les hautbois / 4. Kyrie pour les prêtres / 5. Kyrie pour les violons du petit chœur / 6. Kyrie pour les prêtres / 7. Kyrie pour les flûtes douces et les flûtes allemandes / 8. Kyrie pour les prêtres / 9. Kyrie pour tous les instruments | — | ||
| 28-3 | Messe pour plusiers instruments au lieu des orgues, H 513: 10. Gloria in excelsis Deo (célébrant) / 11. Et in terra pour tous les instruments / 12. Laudamus te pour les prêtres / 13. Benedicimus te pour les hautbois / 14. Adoramus te pour les prêtres / 15. Glorificamus te pour les violons / 16. Gratias pour les prêtres / 17. Domine Deus pour les flûtes douces / 18. Domine Fili pour les prêtres / 19. Domine Deus pour tous les instruments / 20. Qui tollis pour les prêtres / 21. Qui tollis pour tous les instruments / 22. Qui sedes pour les prêtres / 23. Quoniam pour les cromornes / 24. Tu solus Dominus pour les prêtres / 25. Tu solus altissimus pour un dessus de hautbois et un cromorne / 26. Cum sanctus spiritus pour les prêtres / 27. In Gloria pour tous les instruments | — | ||
| 28-4 | Messe pour plusiers instruments au lieu des orgues, H 513: 28. Offerte à deux chœurs (chœurs des instruments à vent / chœurs des violons) | — | ||
| 28-5 | Messe pour plusiers instruments au lieu des orgues, H 513: 29. Sanctus pour tous les instruments | — | ||
| 28-6 | Fanfare à 2 trompettes, H. deest | — | ||
| 28-7 | Offerte pour l'orgue et pour les violons, flûtes et hautbois, H 514 | — | ||
| 28-8 | [Symphonies] pour un reposoir, H 508: 1. Ouverture | — | ||
| 28-9 | [Symphonies] pour un reposoir, H 508: 2. Tantum ergo | — | ||
| 28-10 | [Symphonies] pour un reposoir, H 508: 3. Quand les prêtres avront chanté Tantum ergo | — | ||
| 28-11 | [Symphonies] pour un reposoir, H 508: 4. Quand les prêtres avront chanté Genitori amen | — | ||
| 28-12 | [Symphonies] pour un reposoir, H 508: 5. Allemande grave | — | ||
| 28-13 | Ouverture pour l'église, H 524 | — | ||
| 28-14 | Symphonies pour un reposoir, H 515: 1. Ouverture dès qu'on voit la bannière | — | ||
| 28-15 | Symphonies pour un reposoir, H 515: 2. Pange lingua à 4 parties de violons | — | ||
| 28-16 | Symphonies pour un reposoir, H 515: 3. In supremae pour le petit chœur | — | ||
| 28-17 | Symphonies pour un reposoir, H 515: 4. Tantum ergo pour les violons - Amen pour les violons | — | ||
| 28-18 | Offerte non encore exécutée, H 522 | — | ||
| 28-19 | Concert pour quatre parties de violes, H 545: 1. Prélude | — | ||
| 28-20 | Concert pour quatre parties de violes, H 545: 2. [Allemande] | — | ||
| 28-21 | Concert pour quatre parties de violes, H 545: 3. [Sarabande en rondeau] | — | ||
| 28-22 | Concert pour quatre parties de violes, H 545: 4. Gigue anglaise | — | ||
| 28-23 | Concert pour quatre parties de violes, H 545: 5. Gigue française | — | ||
| 28-24 | Concert pour quatre parties de violes, H 545: 6. Passecaille | — | ||
| 28-25 | Pour en reposoir: Ouverture dès que la procession paraît, H 523 | — | ||
| 28-26 | Second air de trompettes, violons, flûtes et heautbois et timbales, H 547/2 | — | ||
| 29-1 | Orphée: Recitative: “La fameux chantre de la Thrace” / Aria: “Fidèles Echos” | — | ||
| 29-2 | Orphée: Recitative: “Mais que sert à mon désespoir” / Aria: “Allez Orphée” | — | ||
| 29-3 | Orphée: Recitative: “Cependant le héros arrive” / Aria: “Monarque redouté” | — | ||
| 29-4 | Orphée: Recitative: “Pluton surpris” / Aria: “Chantex la victoire” | — | ||
| 29-5 | Médée: Recitative: “L'amante de Jason” / Prelude: “Non, non, n'écoutons plus” / Aria: “Courons à la vengeance” | — | ||
| 29-6 | Médée: Recitative: “Que dis-je” / Aria: “L'Amour dans ses fers” | — | ||
| 29-7 | Médée: Recitative: “Mais quelle est mon erreur” / Invocation: “Cruelle fille des enfers” | — | ||
| 29-8 | Médée: Recitative: “Le charme est fait” / Aria: “Volez démons” | — | ||
| 30-1 | Les Nations : Premier Ordre « La Françoise ». 1. Sonata. Gravement - Gayement - Gravement - Gayement - Gravement - Vivement - Air. Gracieusement - Gayement | — | ||
| 30-2 | Les Nations : Premier Ordre « La Françoise ». 2. Allemande. Sans lenteur | — | ||
| 30-3 | Les Nations : Premier Ordre « La Françoise ». 3. Première Courante. Noblement | — | ||
| 30-4 | Les Nations : Premier Ordre « La Françoise ». 4. Seconde Courante. Un peu plus viste | — | ||
| 30-5 | Les Nations : Premier Ordre « La Françoise ». 5. Sarabande. Gravement | — | ||
| 30-6 | Les Nations : Premier Ordre « La Françoise ». 6. Gigue. Gayement | — | ||
| 30-7 | Les Nations : Premier Ordre « La Françoise ». 7. Chaconne ou Passecaille. Modérément | — | ||
| 30-8 | Les Nations : Premier Ordre « La Françoise ». 8. Gavotte | — | ||
| 30-9 | Les Nations : Premier Ordre « La Françoise ». 9. Menuet | — | ||
| 30-10 | Les Nations : Second Ordre « L'Espagnole ». 1. Sonata. Gravement et mesuré - Vivement - Affectueusement - Légèrement - Gayement - Air tendre - Vivement et marqué | — | ||
| 30-11 | Les Nations : Second Ordre « L'Espagnole ». 2. Allemande. Gracieusement | — | ||
| 30-12 | Les Nations : Second Ordre « L'Espagnole ». 3. Courante. Noblement | — | ||
| 30-13 | Les Nations : Second Ordre « L'Espagnole ». 4. Seconde Courante. Un peu plus vivement | — | ||
| 30-14 | Les Nations : Second Ordre « L'Espagnole ». 5. Sarabande. Gravement | — | ||
| 30-15 | Les Nations : Second Ordre « L'Espagnole ». 6. Gigue Lourée. Modérément | — | ||
| 30-16 | Les Nations : Second Ordre « L'Espagnole ». 7. Gavotte. Tendrement, sans lenteur | — | ||
| 30-17 | Les Nations : Second Ordre « L'Espagnole ». 8. Rondeau. Affectueusement | — | ||
| 30-18 | Les Nations : Second Ordre « L'Espagnole ». 9. Bourrée. Gayement | — | ||
| 30-19 | Les Nations : Second Ordre « L'Espagnole ». 10. Double de la Bourrée précédente | — | ||
| 30-20 | Les Nations : Second Ordre « L'Espagnole ». 11. Passecaille. Noblement et marqué | — | ||
| 31-1 | Les Nations : Troisème Ordre « L'Impériale ». 1. Sonata. Gravement - Vivement - Gravement et marqué - Rondeau. Légèrement - Rondement - Vivement | — | ||
| 31-2 | Les Nations : Troisème Ordre « L'Impériale ». 2. Allemande. Sans lenteur | — | ||
| 31-3 | Les Nations : Troisème Ordre « L'Impériale ». 3. Courante | — | ||
| 31-4 | Les Nations : Troisème Ordre « L'Impériale ». 4. Second Courante. Plus marquée | — | ||
| 31-5 | Les Nations : Troisème Ordre « L'Impériale ». 5. Sarabande. Tendrement | — | ||
| 31-6 | Les Nations : Troisème Ordre « L'Impériale ». 6. Bourrée. Gayement | — | ||
| 31-7 | Les Nations : Troisème Ordre « L'Impériale ». 7. Gigue. D'une légèreté modérée | — | ||
| 31-8 | Les Nations : Troisème Ordre « L'Impériale ». 8. Rondeau. Gayement | — | ||
| 31-9 | Les Nations : Troisème Ordre « L'Impériale ». 9. Chaconne | — | ||
| 31-10 | Les Nations : Troisème Ordre « L'Impériale ». 10. Menuet | — | ||
| 31-11 | Les Nations : Quatrième Ordre « La Piémontoise ». 1. Sonata. Gravement - Vivement - Gravement - Vivement et marqué - Air. Gracieusement - Second air - Gravement et marqué - Légèrement | — | ||
| 31-12 | Les Nations : Quatrième Ordre « La Piémontoise ». 2. Allemande. Noblement et sans lenteur | — | ||
| 31-13 | Les Nations : Quatrième Ordre « La Piémontoise ». 3. Courante | — | ||
| 31-14 | Les Nations : Quatrième Ordre « La Piémontoise ». 4. Second Courante. Un peu plus gayement | — | ||
| 31-15 | Les Nations : Quatrième Ordre « La Piémontoise ». 5. Sarabande. Tendrement | — | ||
| 31-16 | Les Nations : Quatrième Ordre « La Piémontoise ». 6. Rondeau. Gayement | — | ||
| 31-17 | Les Nations : Quatrième Ordre « La Piémontoise ». 7. Gigue. Affectueusement, quoy que légèrement | — | ||
| 32-1 | Messe des Morts (Requiem): Introitus. Requiem aeternam (tenor) / Et lux perpetua (bass, choir) / Te decet hymnus (soprano) / Et tibi reddetur votum in Jerusalem (soprano, bass) / Exaudi orationem meam (choir) / Requiem aeternam (tenor) / Et lux perpetua (soprano, bass, choir) | — | ||
| 32-2 | Messe des Morts (Requiem): Kyrie. Kyrie eleison (tenor) / Christe eleison (alto, tenor) / Kyrie eleison (choir) | — | ||
| 32-3 | Messe des Morts (Requiem): Graduale. Requiem aeternam (bass) / Et lux perpetua (bass) / In memoria aeterna erit justus (choir) / Ab auditione mala non timebit (bass, choir) | — | ||
| 32-4 | Messe des Morts (Requiem): Offertorium. Domine Jesu Christe (bass, choir) / Sed signifer sanctus Michael (choir) / Hostias et preces tibi, Domine (tenor) / Fac eas, Domine, de morte transire (bass) | — | ||
| 32-5 | Messe des Morts (Requiem): Sanctus. Sanctus - Hosanna in excelsis (bass I, bass II, choir) / Benedictus - Hosanna in excelsis (alto, tenor, bass, choir) | — | ||
| 32-6 | Messe des Morts (Requiem): Agnus dei (bass, choir) | — | ||
| 32-7 | Messe des Morts (Requiem): Communio. Lux aeterna luceat eis (bass) / Requiem aeternam - Et lux perpetua (bass, choir) | — | ||
| 32-8 | Carillon des morts | — | ||
| 33-1 | Haec est Regina virginum, HWV 235 | — | ||
| 33-2 | “Ah! che troppo ineguali”, HWV 230: Recitative: “Ah! che troppo inequali” | — | ||
| 33-3 | “Ah! che troppo ineguali”, HWV 230: [Aria] Adagio: “O del ciel Maria regina” | — | ||
| 33-4 | “Donna che in ciel di tanta luce splendi”, HWV 233: Introduzione | — | ||
| 33-5 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Donna che in ciel di tanta luce splendi” | — | ||
| 33-6 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria:] “Vacillò, per terror del primo errore” | — | ||
| 33-7 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Accompanied Recitative:] “Torna immobile in grembo” | — | ||
| 33-8 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria.] Adagio: “Tu sei la bella serena stella” | — | ||
| 33-9 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Pur nella via che resta” | — | ||
| 33-10 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria.] Allegro: “Sorga pure dall'orrido averno” | — | ||
| 33-11 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Recitative:] “Dunque a te diamo lodi” | — | ||
| 33-12 | “Donna che in ciel di tanta luce splendi”, HWV 233: [Aria con coro:] “Maria, salute e speme” | — | ||
| 33-13 | Il pianto di Maria: “Giunta l'ora fatal”: [Recitative:] “Giunta l'ora fatal dal ciel prescritta” | — | ||
| 33-14 | Il pianto di Maria: “Giunta l'ora fatal”: Cavatina: “Se d'un Dio fui fatta Madre -” | — | ||
| 33-15 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Ah me infelice!” - Cavatina da capo | — | ||
| 33-16 | Il pianto di Maria: “Giunta l'ora fatal”: [Recitative:] “Ahimè ch'Egli già esclama ad alta voce” | — | ||
| 33-17 | Il pianto di Maria: “Giunta l'ora fatal”: [Aria:] “Sventurati miel sospiri” | — | ||
| 33-18 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Si disse la gran Madre” | — | ||
| 33-19 | Il pianto di Maria: “Giunta l'ora fatal”: [Aria:] “Pari all'amor immenso” | — | ||
| 33-20 | Il pianto di Maria: “Giunta l'ora fatal”: [Accompanied Recitative:] “Or se per grande orror tremò la terra” | — | ||
| 34-1 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 1. Allegro assai | — | ||
| 34-2 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 2. Andante, sempre piano | — | ||
| 34-3 | Sinfonia in D major, op. 3/3 (Overture to Cleofide): 3. Menuet - Presto - Menuet | — | ||
| 34-4 | Salve Regina in A major: 1. A tempo giusto: Salve Regina | — | ||
| 34-5 | Salve Regina in A major: 2. Adagio: Ad te clamamus | — | ||
| 34-6 | Salve Regina in A major: 3. Adagio - Allegro: Eja ergo | — | ||
| 34-7 | Salve Regina in A major: 4. Andante - Adagio: Et Jesum benedictum | — | ||
| 34-8 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 1. Allegro assai | — | ||
| 34-9 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 2. Andante ma sempre piano | — | ||
| 34-10 | Sinfonia in F major, op. 3/5 (Overture to Asteria): 3. Allegro e con spirito | — | ||
| 34-11 | Motet “Chori angelici laetantes” in C major: [1. Aria.] Allegro ma non troppo: Chori angelici laetantes | — | ||
| 34-12 | Motet “Chori angelici laetantes” in C major: [2. Recitative.] Moderato assai - Allegro: Mundi neglecta pompa et vanitate | — | ||
| 34-13 | Motet “Chori angelici laetantes” in C major: [3. Aria.] Moderato assai - Andante: Bone Jesu, te quaerendo | — | ||
| 34-14 | Motet “Chori angelici laetantes” in C major: [4. Aria.] Allegro: Alleuja | — | ||
| 34-15 | Fuga & Grave in G minor: Fuga. A la breve | — | ||
| 34-16 | Fuga & Grave in G minor: Grave - Fuga | — | ||
| 34-17 | Salve Regina in E-flat major: 1. Andantino: Salve Regina (soprano, alto) | — | ||
| 34-18 | Salve Regina in E-flat major: 2. Largo: Ad te clamamus (alto) | — | ||
| 34-19 | Salve Regina in E-flat major: 3. Allegretto: Eja ergo (soprano) | — | ||
| 34-20 | Salve Regina in E-flat major: 4. Andante, ma non troppo: Et Jesus benedictum (soprano, alto) | — | ||
| 35-1 | Concertino in C major, Hob. XIV:12: 1. Allegro | — | ||
| 35-2 | Concertino in C major, Hob. XIV:12: 2. Adagio | — | ||
| 35-3 | Concertino in C major, Hob. XIV:12: 3. Finale. Allegro | — | ||
| 35-4 | Divertimento in C major, Hob. XIV:3: 1. Allegro moderato | — | ||
| 35-5 | Divertimento in C major, Hob. XIV:3: 2. Menuetto - Trio | — | ||
| 35-6 | Divertimento in C major, Hob. XIV:3: 3. Allegro di molto | — | ||
| 35-7 | Concertino in F major, Hob. XVIII:F2: 1. Moderato | — | ||
| 35-8 | Concertino in F major, Hob. XVIII:F2: 2. Adagio | — | ||
| 35-9 | Concertino in F major, Hob. XVIII:F2: 3. Allegro assai | — | ||
| 35-10 | Divertimento in C major, Hob. XIV:8: 1. Allegro moderato | — | ||
| 35-11 | Divertimento in C major, Hob. XIV:8: 2. Menuetto - Trio | — | ||
| 35-12 | Divertimento in C major, Hob. XIV:8: 3. Finale | — | ||
| 35-13 | Divertimento in F major, Hob. XIV:9: 1. Allegro | — | ||
| 35-14 | Divertimento in F major, Hob. XIV:9: 2. Menuet - Trio | — | ||
| 35-15 | Divertimento in F major, Hob. XIV:9: 3. Finale. Allegro molto | — | ||
| 35-16 | Divertimento in C major, Hob. XIV:4: 1. [Allegro moderato] | — | ||
| 35-17 | Divertimento in C major, Hob. XIV:4: 2. Menuet - Trio | — | ||
| 35-18 | Divertimento in C major, Hob. XIV:4: 3. Finale | — | ||
| 36-1 | Divertimento in E-flat major, Hob. XIV:1: 1. Moderato | — | ||
| 36-2 | Divertimento in E-flat major, Hob. XIV:1: 2. Menuet - Trio | — | ||
| 36-3 | Divertimento in E-flat major, Hob. XIV:1: 3. Finale. Allegro | — | ||
| 36-4 | Concertino in C major, Hob. XIV:11: 1. Moderato | — | ||
| 36-5 | Concertino in C major, Hob. XIV:11: 2. Adagio | — | ||
| 36-6 | Concertino in C major, Hob. XIV:11: 3. Allegro | — | ||
| 36-7 | Divertimento in C major, Hob. XIV:7: 1. Allegro moderato | — | ||
| 36-8 | Divertimento in C major, Hob. XIV:7: 2. Menuet - Trio | — | ||
| 36-9 | Divertimento in C major, Hob. XIV:7: 3. Finale. Presto | — | ||
| 36-10 | Divertimento in C major, Hob. XIV:C2: 1. Allegro moderato | — | ||
| 36-11 | Divertimento in C major, Hob. XIV:C2: 2. Menuet | — | ||
| 36-12 | Concerto (Concertino) in G major, Hob. XIV:13: 1. Allegro | — | ||
| 36-13 | Concerto (Concertino) in G major, Hob. XIV:13: 2. Adagio | — | ||
| 36-14 | Concerto (Concertino) in G major, Hob. XIV:13: 3. Finale. Presto | — | ||
| 37-1 | Dresden Concerto in F major (S. 234) - I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-2 | Dresden Concerto in F major (S. 234) - II. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-3 | Dresden Concerto in F major (S. 234) - III. Un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-4 | Dresden Concerto in F major (S. 234) - IV. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 37-5 | Dresden Concerto in F major, S. 235: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-6 | Dresden Concerto in F major, S. 235: II. Andante | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-7 | Dresden Concerto in F major, S. 235: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-8 | Dresden Concerto in F major, S. 235: IV. Alla breve | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-9 | Dresden Concerto in F major, S. 235: V. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-10 | Concerto in G major, Seibel 215: 1. Andante e staccato | — | ||
| 37-11 | Concerto in G major, Seibel 215: 2. Vivace | — | ||
| 37-12 | Concerto in G major, Seibel 215: 3. Largo | — | ||
| 37-13 | Concerto in G major, Seibel 215: 4. Allegro - 2/4 | — | ||
| 37-14 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 1. Vivace | — | ||
| 37-15 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 2. Largo | — | ||
| 37-16 | Concerto in G major, Seibel 214 (Darmstadt, 1715): 3. Allegro | — | ||
| 37-17 | Concerto in D major, Seibel 226: 1. Allegro molto | — | ||
| 37-18 | Concerto in D major, Seibel 226: 2. Adagio | — | ||
| 37-19 | Concerto in D major, Seibel 226: 3. Allegro | — | ||
| 37-20 | Dresden Concerto in G major, S. 213: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-21 | Dresden Concerto in G major, S. 213: II. Larghetto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-22 | Dresden Concerto in G major, S. 213: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-23 | Dresden Concerto in G major, S. 213: IV. Entrée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-24 | Dresden Concerto in G major, S. 213: V. Loure: Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 37-25 | Dresden Concerto in G major, S. 213: VI. Tempo de Menuet - Air italienne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-1 | Dresden Concerto in F major, S. 233: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-2 | Dresden Concerto in F major, S. 233: II. Andante più tosto un poco allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-3 | Dresden Concerto in F major, S. 233: III. Presto | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-4 | Concerto in C major, Seibel 211: 1. Allegro | — | ||
| 38-5 | Concerto in C major, Seibel 211: 2. Pastorell | — | ||
| 38-6 | Concerto in C major, Seibel 211: 3. Adagio | — | ||
| 38-7 | Concerto in C major, Seibel 211: 4. Allegro assai | — | ||
| 38-8 | Dresden Concerto in F major, S. 231: I. Vivace | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-9 | Dresden Concerto in F major, S. 231: II. Arioso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-10 | Dresden Concerto in F major, S. 231: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-11 | Concerto in F major, Seibel 232: 1. Allegro | — | ||
| 38-12 | Concerto in F major, Seibel 232: 2. Andante | — | ||
| 38-13 | Concerto in F major, Seibel 232: 3. [Allegro] | — | ||
| 38-14 | Concerto in G major, Seibel 217: 1. Allegro | — | ||
| 38-15 | Concerto in G major, Seibel 217: 2. Largo e staccato | — | ||
| 38-16 | Concerto in G major, Seibel 217: 3. Grave | — | ||
| 38-17 | Concerto in G major, Seibel 217: 4. Allegro | — | ||
| 38-18 | Concerto in G major, Seibel 214 (Venice, 1715): 1. Vivace | — | ||
| 38-19 | Concerto in G major, Seibel 214 (Venice, 1715): 2. Andante et staccato | — | ||
| 38-20 | Concerto in G major, Seibel 214 (Venice, 1715): 3. Vivace | — | ||
| 38-21 | Serenata di Moritzburg in F major, Seibel 204: Allegro - Adagio - Allegro | — | ||
| 38-22 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: I. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-23 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: II. Adagio e staccato | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-24 | Sonata for 3 oboes, 2 flutes & strings in A major, S. 208: III. Allegro | Musica Antiqua Köln, Reinhard Goebel | — | |
| 38-25 | Concert Movement for oboe, violin & strings in C minor, S. 240 | Musica Antiqua Köln, Reinhard Goebel | — | |
| 39-1 | Lamentationes Jeremiae Prophetae: Lamentatio I: Incipit lamentatio Jeremiae (Seibel 71) | — | ||
| 39-2 | Lamentationes Jeremiae Prophetae: Lamentatio II: Vau. Et egressus est (Seibel 72) | — | ||
| 39-3 | Lamentationes Jeremiae Prophetae: Lamentatio III: Jod. Manum suum misit hostis (Seibel 73) | — | ||
| 39-4 | Beatus vir, Seibel 26 | — | ||
| 39-5 | Alma mater redemptoris, Seibel 22 | — | ||
| 39-6 | Nisi Dominus aedificaverit, Seibel 99 | — | ||
| 39-7 | De profundis (Seibel 35) | — | ||
| 40-1 | “Nicht das Band, das dich bestricket”, Seibel 20: 1. Aria: “Nicht das Band, das dich bestricket” (alto) | — | ||
| 40-2 | “Nicht das Band, das dich bestricket”, Seibel 20: 2. Recitative: “So schleppt man dich zum Richthaus fort” (alto) | — | ||
| 40-3 | “Nicht das Band, das dich bestricket”, Seibel 20: 3. Chorus: “Kommt, schauet Petrus' Tränen an” (soprano, alto, tenor) | — | ||
| 40-4 | “Nicht das Band, das dich bestricket”, Seibel 20: 4. Recitative: “Ruchbarer Geist, verräterischer Sinn” (bass) | — | ||
| 40-5 | “Nicht das Band, das dich bestricket”, Seibel 20: 5. Aria: “Ach mein Mund, ach meine Zunge” (bass) | — | ||
| 40-6 | “Nicht das Band, das dich bestricket”, Seibel 20: 6. Recitative: “Was nützt mir's nun, dass ich so rein an Füßen” (bass) | — | ||
| 40-7 | “Nicht das Band, das dich bestricket”, Seibel 20: 7. Aria: “Mein Herze, quille Blut” (bass) | — | ||
| 40-8 | “Nicht das Band, das dich bestricket”, Seibel 20: 8. Recitative: “O weh! Die ganze Schar schnaubt voller Grimm” (soprano) | — | ||
| 40-9 | “Nicht das Band, das dich bestricket”, Seibel 20: 9. Aria: “Die Sporne, die meinen Erlöser durchstechen” (soprano) | — | ||
| 40-10 | “Nicht das Band, das dich bestricket”, Seibel 20: 10. Recitative: “Jetzt lösen sie dich auf” (soprano, tenor) | — | ||
| 40-11 | “Nicht das Band, das dich bestricket”, Seibel 20: 11. Aria: “Der Abgrund muss erzittern” (tenor) | — | ||
| 40-12 | “Nicht das Band, das dich bestricket”, Seibel 20: 12. Recitative: “So leidet selbst die Unschuld so viel Qualen” (soprano, alto) | — | ||
| 40-13 | “Nicht das Band, das dich bestricket”, Seibel 20: 13. Chorus: “Ich wünsche mir, Jesu, dir einzig zum Ruhme” (soprano, alto, tenor, bass) | — | ||
| 40-14 | Warum toben die Heiden, Seibel 39 | — | ||
| 40-15 | Pastorale in A major, Seibel 242 | — | ||
| 41-1 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 1. Grave - Allegro | — | ||
| 41-2 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 2. Andante | — | ||
| 41-3 | Overture in D major for 2 Violins and Basso continuo, op. 13/2: 3. Allegro | — | ||
| 41-4 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 1. Allegro | — | ||
| 41-5 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 2. Aria graziosa. Andante - Un poco più allegro | — | ||
| 41-6 | Sonata (Duo) in G minor for 2 Violins, op. 12/5: 3. Allegro assai | — | ||
| 41-7 | Trio (Overture) in A major for 2 Violins and Basso continuo, op. 14 | — | ||
| 41-8 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 1. Allegro | — | ||
| 41-9 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 2. Allegro moderato | — | ||
| 41-10 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 3. Dolce andante | — | ||
| 41-11 | Sonata (Duo) in B-flat major for 2 Violins, op. 12/6: 4. Allegro non presto | — | ||
| 42-1 | Te Deum | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-2 | La Bocanne primitive | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-3 | La Bocanne compliquée | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-4 | Phaéton: Troupe d'Astrée dansante (prologue) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-5 | Ballet de la Nuit: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 42-6 | Ballet des Plaisirs: Sarabande | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-7 | Ballet de la Nuit: Le Roi représentant le soleil levant | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-8 | Xerxès: Air pour les matelots jouant des trompettes marines | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-9 | Xerxès: Air pour les esclaves et singes dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-10 | Xerxès: Air pour les postures de Scaramouche | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-11 | Xerxès: Air pour les docteurs, Frivelins et Polichinelles | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-12 | Xerxès: Air pour les esclaves dansants | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-13 | Idylle sur la paix: Air pour Madame la Dauphine | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-14 | Ballet d'Alcidiane: Ritournelle et air de Mademoiselle Hilaire | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-15 | Ballet d'Alcidiane: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 42-16 | Le Triomphe de l'amour: Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-702.819.800-9 | |
| 42-17 | Persée: Entrée des divinités infernales (Acte III, Scène 10) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-18 | Le Bourgeois Gentilhomme: Marche pour la cérémonie des Turcs | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-19 | Le Bourgeois Gentilhomme: Giourdina | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-20 | Le Bourgeois Gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-21 | Ombre de mon amant (Air de court) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-22 | Le Triomphe de l'amour: Prélude de la nuit | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-23 | Pomone: Passons nos jours dans ces vergers (Acte I, Scène 1) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-24 | Pomone: Que voyez-vous, mes yeux (Acte II, Scène 4) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-25 | Armide: Plus j'observe ces lieux (Acte II, Scène 3) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-26 | Atys 'Le Sommeil': Dormons, dormons tous (Acte III, Scène 4) | Florian Deuter, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-27 | Armide: Passacaille (Acte V) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-28 | Armide: Prelude (Acte II, Scène 5) | Musica Antiqua Köln, Reinhard Goebel | T-011.355.807-8 | |
| 42-29 | Les Folies d'Espagne | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-30 | Les Amants magnifiques: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-31 | Le Triomphe de l'amour: Entrée d'Apollon | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-32 | Le Triomphe de l'amour: Deuxième air (Acte IV, Scène 2) | Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-33 | Isis: C'est lui dont les dieux ont fait choix / Publions en tous lieux (Prologue, Scène 1) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-34 | Armide: Que l'éclat de son nom (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 42-35 | Amadis: Esprits empressés à nous plaire / Que le ciel annonce a la terre (Prologue) | Florian Heyerick, Ex Tempore, Goedele Heidbüchel, Céline Scheen, Musica Antiqua Köln, Reinhard Goebel | — | |
| 43-1 | Combattimento di Tancredi e Clorinda | — | ||
| 43-2 | Lamento d'Arianna | Anne Sofie von Otter, Jakob Lindberg | T-205.000.091-1 | |
| 43-3 | Sonata “La Desperata” in G minor | — | ||
| 43-4 | Lamento d'Olimpia | — | ||
| 44-1 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 1. Ouverture. Lentement - Vite - Lentement | — | ||
| 44-2 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 2. Réjouissance | — | ||
| 44-3 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 3. Rondeau | — | ||
| 44-4 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 4. Loure | — | ||
| 44-5 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 5. Passepied | — | ||
| 44-6 | Tafelmusik: Production I: I. Ouverture-Suite in E minor: VI. Air. Un peu vivement | Musica Antiqua Köln, Reinhard Goebel | — | |
| 44-7 | Tafelmusik: Production I: 1. Ouverture - Suite in E minor, TWV 55:e1: 7. Gigue | — | ||
| 44-8 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 1. Largo - Allegro - Largo | — | ||
| 44-9 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 2. Vivace - Moderato - Vivace D.C. | — | ||
| 44-10 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 3. Grave | — | ||
| 44-11 | Tafelmusik: Production I: 2. Quatuor in G major, TWV 43:G2: 4. Vivace | — | ||
| 44-12 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 1. Largo | — | ||
| 44-13 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 2. Allegro | — | ||
| 44-14 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 3. Gratioso | — | ||
| 44-15 | Tafelmusik: Production I: 3. Concert in A major, TWV 53:A2: 4. Allegro | — | ||
| 45-1 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 1. Affettuoso - attacca | — | ||
| 45-2 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 2. Vivace | — | ||
| 45-3 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 3. Grave | — | ||
| 45-4 | Tafelmusik: Production I: 4. Trio in E-flat major, TWV 42:Es1: 4. Allegro | — | ||
| 45-5 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 1. Cantabile | — | ||
| 45-6 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 2. Allegro | — | ||
| 45-7 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 3. Dolce | — | ||
| 45-8 | Tafelmusik: Production I: 5. Solo in B minor, TWV 41:h4: 4. Allegro | — | ||
| 45-9 | Tafelmusik: Production I: 6. Conclusion in E minor, TWV 50:5: Allegro - Largo - Allegro D.C. | — | ||
| 45-10 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 1. Ouverture. Lentement - Vite - Lentement | — | ||
| 45-11 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 2. Air. Tempo giusto | — | ||
| 45-12 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 3. Air. Vivace | — | ||
| 45-13 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 4. Air. Presto | — | ||
| 45-14 | Tafelmusik: Production II: 1. Ouverture - Suite in D major, TWV 51:D1: 5. Air. Allegro | — | ||
| 46-1 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 1. Andante | — | ||
| 46-2 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 2. Vivace | — | ||
| 46-3 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 3. Largo | — | ||
| 46-4 | Tafelmusik: Production II: 2. Quatuor in D minor, TWV 43:d1: 4. Allegro | — | ||
| 46-5 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 1. Allegro | — | ||
| 46-6 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 2. Largo | — | ||
| 46-7 | Tafelmusik: Production II: 3. Concert in F major, TWV 53:F1: 3. Vivace | — | ||
| 46-8 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 1. Affettuoso | — | ||
| 46-9 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 2. Allegro | — | ||
| 46-10 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 3. Dolce | — | ||
| 46-11 | Tafelmusik: Production II: 4. Trio in E minor, TWV 42:e2: 4. Vivace | — | ||
| 46-12 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 1. Andante | — | ||
| 46-13 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 2. Vivace | — | ||
| 46-14 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 3. Cantabile | — | ||
| 46-15 | Tafelmusik: Production II: 5. Solo in A major, TWV 41:A4: 4. Allegro - Adagio - Allegro - Adagio | — | ||
| 46-16 | Tafelmusik: Production II: 6. Conclusion in D major, TWV 50:9: Allegro - Adagio - Allegro D.C. | — | ||
| 47-1 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 1. Ouverture. Lentement - Presto - Lentement | — | ||
| 47-2 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 2. Bergerie. Un peu vivement | — | ||
| 47-3 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 3. Allégresse. Vite - Meno mosso - Vite D.C. | — | ||
| 47-4 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 4. Postillons | — | ||
| 47-5 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 5. Flaterie | — | ||
| 47-6 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 6. Badinage. Très vite | — | ||
| 47-7 | Tafelmusik: Production III: 1. Ouverture - Suite in B-flat major, TWV 55:B1: 7. Menuet | — | ||
| 47-8 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 1. Adagio | — | ||
| 47-9 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 2. Allegro | — | ||
| 47-10 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 3. Dolce | — | ||
| 47-11 | Tafelmusik: Production III: 2. Quatuor in E minor, TWV 43:e2: 4. Allegro | — | ||
| 47-12 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 1. Maestoso | — | ||
| 47-13 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 2. Allegro | — | ||
| 47-14 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 3. Grave | — | ||
| 47-15 | Tafelmusik: Production III: 3. Concert in E-flat major, TWV 54:Es1: 4. Vivace | — | ||
| 47-16 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 1. Andante | — | ||
| 47-17 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 2. Allegro | — | ||
| 47-18 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 3. Grave - Largo - Grave | — | ||
| 47-19 | Tafelmusik: Production III: 4. Trio in D major, TWV 42:D5: 4. Vivace | — | ||
| 47-20 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 1. Largo | — | ||
| 47-21 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 2. Presto | — | ||
| 47-22 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 3. Tempo giusto | — | ||
| 47-23 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 4. Andante | — | ||
| 47-24 | Tafelmusik: Production III: 5. Solo in G minor, TWV 41:g6: 5. Allegro | — | ||
| 47-25 | Tafelmusik: Production III: 6. Conclusion in B-flat major, TWV 50:10: Furioso | — | ||
| 48-1 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 1. Ouverture | Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 48-2 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 2. Sarabande. Die schlafende Thetis | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-3 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 3. Bourrée. Die erwachende Thetis | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-4 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 4. Loure. Der verliebte Neptunus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-5 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 5. Gavotte. Die spielenden Najaden | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-6 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 6. Harlequinade. Der scherzende Tritonus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-7 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 7. Der stürmende Aeolus | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-8 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 8. Menuet. Der angenehme Zephir | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-9 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 9. Gigue. Ebbe und Flut | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-10 | Ouvertüre in C major for 2 Recorders, 2 Flutes, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 55:C3 »Hamburger Ebb' und Flut« (Wassermusik): 10. Canarie. Die lustigen Bootsleute | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-11 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 1. Andante | Musica Antiqua Köln, Reinhard Goebel | T-011.422.353-8 | |
| 48-12 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 2. Presto | Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 48-13 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 3. Cantabile | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-14 | Concerto in B-flat major for 2 Recorders, 2 Oboes, Bassoon, Strings and Basso continuo, TWV 54:B2: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 48-15 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 1. Grave | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-16 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 2. Vivace - attacca: | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-17 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 3. Adagio | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-18 | Concerto à 7 in F major for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:41: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 48-19 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 1. Adagio | Musica Antiqua Köln, Reinhard Goebel | T-011.422.353-8 | |
| 48-20 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 2. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 48-21 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 3. Affettuoso | Musica Antiqua Köln, Reinhard Goebel | — | |
| 48-22 | Concerto in A minor for 2 Flutes, 2 Oboes, 2 Violins and Basso continuo, TWV 44:42: 4. Allegro | Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 49-1 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 1. Moderato | — | ||
| 49-2 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 2. Allegro | — | ||
| 49-3 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 3. Largo | — | ||
| 49-4 | Concerto for Transverse Flute, Strings and Basso continuo in D major, TWV 51:D2: 4. Vivace | — | ||
| 49-5 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 1. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-911.640.004-5 | |
| 49-6 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 2. Largo | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-7 | Concerto in B-flat major for 3 Oboes, 3 Violins and Basso continuo, TWV 44:43: 3. Allegro | Piet Dhont, Michael Niesemann, Peter Westermann, Musica Antiqua Köln, Reinhard Goebel | T-801.958.969-7 | |
| 49-8 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 1. Largo | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-9 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 2. Allegro | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-802.445.410-3 | |
| 49-10 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 3. Adagio | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | — | |
| 49-11 | Konzert für 2 Chalumeaux,Streicher und Basso continuo d-moll: 4. (Vivace) | Eric Hoeprich, Lisa Klewitt, Musica Antiqua Köln, Reinhard Goebel | T-318.676.528-2 | |
| 49-12 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 1. Adagio | — | ||
| 49-13 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 2. Allegro | — | ||
| 49-14 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 3. Grave | — | ||
| 49-15 | Concerto for Trumpet, Strings and Basso continuo in D major, TWV 51:D7: 4. Allegro | — | ||
| 49-16 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 1. Largo | — | ||
| 49-17 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 2. Allegro | — | ||
| 49-18 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 3. Largo | — | ||
| 49-19 | Concerto for Recorder, Transverse Flute, Strings and Basso continuo in E minor, TWV 52:e1: 4. Presto | — | ||
| 49-20 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 1. Vivace | — | ||
| 49-21 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 2. Adagio | — | ||
| 49-22 | Concerto for Violin, Trumpet, Cello obbligato, Strings and Basso continuo in D major, TWV 53:D5: 3. Allegro | — | ||
| 50-1 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 1. Dolce | — | ||
| 50-2 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 2. Allegro | — | ||
| 50-3 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 3. Largo | — | ||
| 50-4 | Concerto polonois for Strings and Basso continuo in G major, TWV 43:G7: 4. Allegro | — | ||
| 50-5 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 1. Polonaise | — | ||
| 50-6 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 2. Allegro | — | ||
| 50-7 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 3. Largo | — | ||
| 50-8 | Concerto polonois for Strings and Basso continuo in B-flat major, TWV 43:B3: 4. Allegro | — | ||
| 50-9 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 1. Presto | — | ||
| 50-10 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 2. Scherzo I. Gaglierdamente | — | ||
| 50-11 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 3. Scherzo II. Poco grave / Scherzo III. Poco vivace / Scherzo IV. Allegro di molto / Scherzo II. Poco grave | — | ||
| 50-12 | Divertimento for Strings and Basso continuo in A major, TWV 50:22: 4. Scherzo V. Lieto / Scherzo VI. Tempo precedente (senza Violin) / Scherzo V. Lieto | — | ||
| 50-13 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 1. Allegro assai | — | ||
| 50-14 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 2. Scherzo I. Vivace (Tempo di minuetto tedesco) / Scherzo II. Alternamento col précedente. Moderato (Tempo di minuetto francese) / Scherzo I. Vivace | — | ||
| 50-15 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 3. Scherzo III. Veloce / Scherzo IV. Alternat. / Scherzo III. Veloce | — | ||
| 50-16 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 4. Scherzo V. Con giubilo | — | ||
| 50-17 | Divertimento for Strings and Basso continuo in B-flat major, TWV 50:23: 5. Scherzo VI. Arlechinoso | — | ||
| 50-18 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 1. Largo | — | ||
| 50-19 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 2. Allegro | — | ||
| 50-20 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 3. Andante | — | ||
| 50-21 | Concerto for Viola, Strings and Basso continuo in G major, TWV 51:G9: 4. Presto | — | ||
| 50-22 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 1. Grave | — | ||
| 50-23 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 2. Allegro | — | ||
| 50-24 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 3. Largo | — | ||
| 50-25 | Concerto “a sei” for 2 Solo Violins, 2 Ripieno Violins, Viola and Basso continuo in G major, TWV 52:G2: 4. Presto | — | ||
| 50-26 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 1. [Lent] | — | ||
| 50-27 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 2. Gai | — | ||
| 50-28 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 3. Large | — | ||
| 50-29 | Concerto for 2 Violas, Strings and Basso continuo in G major, TWV 52:G3: 4. Vif | — | ||
| 51-1 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 1. Sinfonia spirituosa | — | ||
| 51-2 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 2. Largo | — | ||
| 51-3 | “Sinfonia spirituosa” for 2 Violins, Viola and Basso continuo in D major, TWV 44:1: 3. Vivace | — | ||
| 51-4 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 1. Ouverture | — | ||
| 51-5 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 2. La Trompette | — | ||
| 51-6 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 3. Sarabande | — | ||
| 51-7 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 4. Rondeau | — | ||
| 51-8 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 5. Bourrée | — | ||
| 51-9 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 6. Courante | — | ||
| 51-10 | Overture (Suite) for Viola da gamba concertata, Strings and Basso continuo in D major, TWV 55:D6: 7. Gigue. Presto | — | ||
| 51-11 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 1. Grave | — | ||
| 51-12 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 2. Allegro | — | ||
| 51-13 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 3. Largo e staccato | — | ||
| 51-14 | Sonata (Concerto) for 4 Solo Violins in C major, TWV 40:203: 4. Allegro | — | ||
| 51-15 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 1. Affettuoso | — | ||
| 51-16 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 2. Allegro | — | ||
| 51-17 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 3. Adagio | — | ||
| 51-18 | Concerto for 4 Violins, Strings and Basso continuo in A major, TWV 54:A1: 4. Allegro | — | ||
| 51-19 | Concerto for 4 Solo Violins in G major, TWV 40:201: 1. Largo e staccato | — | ||
| 51-20 | Concerto for 4 Solo Violins in G major, TWV 40:201: 2. Allegro | — | ||
| 51-21 | Concerto for 4 Solo Violins in G major, TWV 40:201: 3. Adagio | — | ||
| 51-22 | Concerto for 4 Solo Violins in G major, TWV 40:201: 4. Vivace | — | ||
| 51-23 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 1. Allegro | — | ||
| 51-24 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 2. Adagio | — | ||
| 51-25 | Concerto for Violino principale, 3 Violins, Viola and Basso continuo in A major “Die Relinge”, TWV 51:A4: 3. Menuet | — | ||
| 51-26 | Concerto for 4 Solo Violins in D major, TWV 40:202: 1. Adagio | — | ||
| 51-27 | Concerto for 4 Solo Violins in D major, TWV 40:202: 2. Allegro | — | ||
| 51-28 | Concerto for 4 Solo Violins in D major, TWV 40:202: 3. Grave | — | ||
| 51-29 | Concerto for 4 Solo Violins in D major, TWV 40:202: 4. Allegro | — | ||
| 51-30 | Symphony in D major, TWV Anh. 50:1: 1. Die alte Welt. Altdeutsch - Ernsthaft - Munter | — | ||
| 51-31 | Symphony in D major, TWV Anh. 50:1: 2. Die mittiere Welt. Capellmäßig | — | ||
| 51-32 | Symphony in D major, TWV Anh. 50:1: 3. Die jüngere Welt. Lustig | — | ||
| 52-1 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 1. Affettuoso | — | ||
| 52-2 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 2. Vivace | — | ||
| 52-3 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 3. Aria | — | ||
| 52-4 | Concerto for 2 Violins in scordatura and Basso continuo in A major, TWV 42:A A1: 4. Bourrée | — | ||
| 52-5 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 1. Adagio | — | ||
| 52-6 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 2. Allegro | — | ||
| 52-7 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 3. Grave | — | ||
| 52-8 | Concerto for 4 Violins without Basso continuo in D major, TWV 40:202: 4. Allegro | — | ||
| 52-9 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 1. [Grave] | — | ||
| 52-10 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 2. Allegro | — | ||
| 52-11 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 3. Dolce | — | ||
| 52-12 | Concerto for Recorder, Viola da gamba, Strings and Basso continuo in A minor, TWV 52:a1: 4. Allegro | — | ||
| 52-13 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 1. [Allegro] | — | ||
| 52-14 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 2. Siciliana | — | ||
| 52-15 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 3. Bourrée | — | ||
| 52-16 | Concerto for Recorder, 2 Violins and Basso continuo in G minor, TWV 43:g3: 4. Menuett - Trio | — | ||
| 52-17 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 1. Grave | — | ||
| 52-18 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 2. Allegro | — | ||
| 52-19 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 3. Largo e staccato | — | ||
| 52-20 | Concerto for 4 Violins without Basso continuo in C major, TWV 40:203: 4. Allegro | — | ||
| 53-1 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 1. Allegro | — | ||
| 53-2 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 2. Adagio | — | ||
| 53-3 | Quartet for Recorder, Violin, Viola and Basso continuo in G minor, TWV 43:g4: 3. Allegro | — | ||
| 53-4 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 1. Allegro | — | ||
| 53-5 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 2. Grave | — | ||
| 53-6 | Quartet for Recorder, Violin and Basso continuo in G major, TWV 43:G6: 3. Allegro | — | ||
| 53-7 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 1. Adagio | — | ||
| 53-8 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 2. Allegro | — | ||
| 53-9 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 3. Largo | — | ||
| 53-10 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in D minor, TWV 43:d3: 4. Allegro | — | ||
| 53-11 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 1. Affettuoso | — | ||
| 53-12 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 2. Allegro | — | ||
| 53-13 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 3. Adagio | — | ||
| 53-14 | Quartet for Transverse Flute, Violin, Cello and Basso continuo in G major, TWV 43:G11: 4. Allegro assai | — | ||
| 53-15 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 1. Adagio | — | ||
| 53-16 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 2. Allegro | — | ||
| 53-17 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 3. Adagio | — | ||
| 53-18 | Quartet for Recorder, Oboe, Violin and Basso continuo in A minor, TWV 43:a3: 4. Vivace | — | ||
| 53-19 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 1. Dolce | — | ||
| 53-20 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 2. Allegro | — | ||
| 53-21 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 3. Soave | — | ||
| 53-22 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43:G12: 4. Vivace | — | ||
| 53-23 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 1. Spirituoso | — | ||
| 53-24 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 2. Grave | — | ||
| 53-25 | Quartet for 2 Violins, Viola and Basso continuo in B-flat major, TWV 43 B2: 3. Allegro | — | ||
| 53-26 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 1. Vivace | — | ||
| 53-27 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 2. Andante | — | ||
| 53-28 | Quartet for Transverse Flute, 2 Violins and Basso continuo in G major, TWV 43 G10: 3. Vivace | — | ||
| 54-1 | Overture in D major, TWV 55:D21: 1. Ouverture. Maestoso - Allegro - Maestoso | — | ||
| 54-2 | Overture in D major, TWV 55:D21: 2. Plainte | — | ||
| 54-3 | Overture in D major, TWV 55:D21: 3. Réjouissance. Très vite | — | ||
| 54-4 | Overture in D major, TWV 55:D21: 4. Carillon. Gracieusement | — | ||
| 54-5 | Overture in D major, TWV 55:D21: 5. Tintamare. Légèrement | — | ||
| 54-6 | Overture in D major, TWV 55:D21: 6. Loure | — | ||
| 54-7 | Overture in D major, TWV 55:D21: 7. Menuet I - Menuet 2 (Trio) | — | ||
| 54-8 | Ino, TWV 20:41: Recitative: “Wohin, wo soll ich hin?” | — | ||
| 54-9 | Ino, TWV 20:41: Aria: “Ungöttliche Saturnia” | — | ||
| 54-10 | Ino, TWV 20:41: Recitative: “O all ihr Mächte des Olympus!” | — | ||
| 54-11 | Ino, TWV 20:41: [Arioso:] “Wo bin lich? O Himmel!” | — | ||
| 54-12 | Ino, TWV 20:41: Tanz der Tritonen | — | ||
| 54-13 | Ino, TWV 20:41: Recitative: “Ungewohnte Symphonien” | — | ||
| 54-14 | Ino, TWV 20:41: Aria: “Meint ihr mich, ihr Nereiden?” | — | ||
| 54-15 | Ino, TWV 20:41: Recitative: “Und nun? Ihr wendet euch so schnell zurück?” | — | ||
| 54-16 | Ino, TWV 20:41: Aria: “Tönt in meinen Lobgesang” | — | ||
| 55-1 | Overture no. 1 in B-flat major: 1. Largo - Allegro - Largo - Allegro | — | ||
| 55-2 | Overture no. 1 in B-flat major: 2. Menuett | — | ||
| 55-3 | Overture no. 1 in B-flat major: 3. Sarabande | — | ||
| 55-4 | Overture no. 1 in B-flat major: 4. Aire. Allegro | — | ||
| 55-5 | Overture no. 2 in F major: 1. Largo - Allegro - Largo - Allegro | — | ||
| 55-6 | Overture no. 2 in F major: 2. Gavotte | — | ||
| 55-7 | Overture no. 2 in F major: 3. Sarabande. Lento | — | ||
| 55-8 | Overture no. 2 in F major: 4. Menuett | — | ||
| 55-9 | Overture no. 2 in F major: 5. Gigue | — | ||
| 55-10 | Overture no. 2 in F major: 6. Menuett | — | ||
| 55-11 | Overture no. 3 in B-flat major: 1. Largo - Allegro | — | ||
| 55-12 | Overture no. 3 in B-flat major: 2. Aire. Allegro | — | ||
| 55-13 | Overture no. 3 in B-flat major: 3. Allegro | — | ||
| 55-14 | Overture no. 3 in B-flat major: 4. Sarabande | — | ||
| 55-15 | Overture no. 3 in B-flat major: 5. Gigue | — | ||
| 55-16 | Overture no. 4 in F major: 1. Largo - Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto in G major, RV 102: 3. Vivace | Wilbert Hazelzet, Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata con tre violini (XXI from Canzoni et Sonate, 1615) | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata sopra l'aria di Ruggiero | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonate a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Passacaglio a 4 | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata sopra la Monica | Musica Antiqua Köln, Reinhard Goebel | — |
| Ecco a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Capriccio | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata detta la Polaca | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata a tre violini | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata B-dur, BuxWV 273: Gigue | Musica Antiqua Köln, Reinhard Goebel | — |
| Canon & Gigue in D major, P. 37 | Musica Antiqua Köln, Reinhard Goebel | T-920.151.760-4 |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 1. Allegro | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 2. A tempo ordinario - Allegro non presto | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 3. Passacaille | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 4. Gigue. Presto | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in G major for 2 Violins and Continuo op. 5 no. 4, HWV 399: 5. Menue. Allegro moderato | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata for 2 Violins and Continuo "La Follia" op. 1 no. 12, RV 63 in D minor | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 1. Le cahos | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 2. Air pour les violons (La terre et l’eau | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 3. Chaconne (Le feu) | Musica Antiqua Köln, Reinhard Goebel | T-003.111.351-5 |
| Les Élémens, Suite for Orchestra: 4. Air. Ramage | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 5. Rossignols | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 9. Rondeau: Air pour l’Amour | Musica Antiqua Köln, Reinhard Goebel | — |
| Les Élémens, Suite for Orchestra: 6. Loure | Musica Antiqua Köln | — |
| Les Élémens, Suite for Orchestra: 8. Sicilienne | Musica Antiqua Köln | — |
| Les Élémens, Suite for Orchestra: 10. Caprice | Musica Antiqua Köln, Reinhard Goebel | T-900.904.564-1 |
| Les Élémens, Suite for Orchestra: 7. Tambourins I & II | Musica Antiqua Köln, Reinhard Goebel | — |
| Sonata in E minor: 1. Gravement | Musica Antiqua Köln | — |
| Sonata in E minor: 2. Allabreve | Musica Antiqua Köln | — |
| Sonata in E minor: 3. Air | Musica Antiqua Köln | — |
| Sonata (Septet) in E minor: 4. Tendrement | Musica Antiqua Köln | — |
| Sonata in E minor: 5. Gay | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): Ballo. Sinfonia | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 1. Marche | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 2. Andantino | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 3. Allegretto | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 4. Moderato | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 5. Menuetto – (Trio) – Menuetto | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 6. Antipoisino | Musica Antiqua Köln | — |
| Alessandro. (Les amours d’Alexandre et de Roxane): 7. Chaconne | Musica Antiqua Köln | — |
| Con che soavità | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — |
| Lamento della Regina d'Inghilterra | Anne Sofie von Otter, Franz-Josef Selig, Musica Antiqua Köln, Reinhard Goebel | — |
| Il Ballo del Gran Duca, op. 16: Corrente Nona | Musica Antiqua Köln, Reinhard Goebel | — |
| Cantata, RV 684 "Cessate, omai cessate" | Anne Sofie von Otter, Musica Antiqua Köln, Reinhard Goebel | — |
| Incassum, Lesbia, rogas, Z. 383 | Anne Sofie von Otter, Markus Möllenbeck, Christian Rieger | — |
| Ciaccona | Jakob Lindberg | — |
| Oh solitude!, Z. 406 | Anne Sofie von Otter, Jakob Lindberg | T-010.765.116-0 |
| Concerto for Oboe and Orchestra n C major, K. 314 (285d): III. Rondo: Allegretto | Heinz Holliger, Munich Chamber Orchestra, Hans Stadlmair | T-306.395.786-4 |
