UPC · Release
Samuel Barber, Ludwig van Beethoven, Leonard Bernstein
Last verified:
The UPC for “Bernstein: Barber – Beethoven” by Samuel Barber, Ludwig van Beethoven, Leonard Bernstein is 028948656844. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 138 tracks, each with its own ISRC. Tracks include DEF058202560, DEF057803270, DEF057803270.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings, op. 11/2 | Los Angeles Philharmonic Orchestra, Leonard Bernstein | T-070.000.199-5 | |
| 2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 16 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 17 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 18 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 20 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 21 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 22 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 23 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 24 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 25 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 27 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 28 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 29 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 30 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 31 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 35 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 37 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 38 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40 | Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 41 | Ouvertüre zu "Coriolan", Op. 62 | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42 | Ouvertüre zu "König Stephan", Op. 117 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 43 | Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 44 | Die Geschöpfe des Prometheus, Op. 43: No. 14, Solo della Casentini. Andante – Adagio - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 45 | Die Geschöpfe des Prometheus, Op. 43: No. 5, Adagio – Andante quasi allegretto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 46 | Die Geschöpfe des Prometheus, Op. 43: No. 16. Finale. Allegretto – Allegro molto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 47 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 48 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 49 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 50 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 51 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 52 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 53 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 54 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 55 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 56 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 57 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): II. Allegro molto vivace - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 58 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): III. Allegro moderato – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 59 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): IV. Andante, ma non troppo e molto cantabile - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 60 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): V. Presto – Molto poco adagio – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 61 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VI. Adagio quasi un poco andante – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 62 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VII. Allegro - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 63 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): I. Allegretto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 64 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): II. Vivace - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 65 | Quartet for Strings no. 16 in F major, op. 135: III. Lento assai e cantante tranquillo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 66 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto — Allegro - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 67 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 68 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 69 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 70 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 71 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 72 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 73 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 74 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 75 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 76 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | T-915.866.113-3 | |
| 77 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 78 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 79 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 80 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 81 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 82 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 83 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Herman Krebbers, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 84 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 85 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 86 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 87 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 88 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 89 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 90 | Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) | Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 91 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) | Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 92 | Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 93 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 94 | Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) | Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 95 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) | Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 96 | Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 97 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 98 | Fidelio, op. 72: Act I, Scene II, no. 6. March | Wiener Philharmoniker, Leonard Bernstein | T-001.200.274-2 | |
| 99 | Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 100 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) | Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 101 | Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 102 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 103 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 104 | Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 105 | Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” | Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein | — | |
| 106 | Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 107 | Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) | Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 108 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 109 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 110 | Fidelio, op. 72: Act II, Scene I. “Er erwacht” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 111 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 112 | Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 113 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 114 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 115 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 116 | Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” | Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 117 | Leonore Overture No. 3, Op. 72b - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 118 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 119 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 120 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 121 | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 122 | Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 123 | Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-318.567.058-6 | |
| 124 | Symphony No. 5 in C Minor, Op. 67: IV. Finale. Allegro - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-318.676.528-2 | |
| 125 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 126 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-909.876.841-3 | |
| 127 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-912.747.871-1 | |
| 128 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-306.395.786-4 | |
| 129 | Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Live | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 130 | Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live | Boston Symphony Orchestra, Leonard Bernstein | T-314.638.300-4 | |
| 131 | Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Live | Boston Symphony Orchestra, Leonard Bernstein | T-915.710.750-1 | |
| 132 | Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio - Live | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 133 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 134 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 135 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 136 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | T-318.676.528-2 | |
| 137 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) | [dialogue] | — | |
| 138 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) | [dialogue] | — | |
| 139 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) | [dialogue] | — | |
| 140 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | — | |
| 141 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | — |
Identifier Graph
028948656844 is a Universal Product Code (UPC) assigned to Bernstein: Barber – Beethoven by Samuel Barber, Ludwig van Beethoven, Leonard Bernstein. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 138 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | T-915.714.772-3 |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-300.456.250-5 |
| Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-314.638.300-4 |
| Symphony no. 7 in A major, op. 92: III. Presto | Wiener Philharmoniker, Leonard Bernstein | T-915.710.750-1 |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Leonard Bernstein | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-312.439.209-8 |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-900.167.504-3 |
Songwriters/Publishers (IPI)
The UPC for “Bernstein: Barber – Beethoven” by Samuel Barber, Ludwig van Beethoven, Leonard Bernstein is 028948656844. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 138 tracks, each with its own ISRC. Tracks include DEF058202560, DEF057803270, DEF057803270.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Adagio for Strings, op. 11/2 | Los Angeles Philharmonic Orchestra, Leonard Bernstein | T-070.000.199-5 | |
| 2 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 4 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 5 | Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 7 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 8 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 9 | Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 10 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 11 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 12 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 13 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 14 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 15 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 16 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 17 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 18 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 19 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 20 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 21 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — | |
| 22 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 23 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 24 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 25 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 26 | Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — | |
| 27 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 28 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 29 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 30 | Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | — | |
| 31 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 | |
| 35 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 36 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 37 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 38 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 39 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Wiener Philharmoniker, Leonard Bernstein | — | |
| 40 | Egmont, Op. 84: Ouvertüre. Sostenuto, ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 41 | Ouvertüre zu "Coriolan", Op. 62 | Wiener Philharmoniker, Leonard Bernstein | — | |
| 42 | Ouvertüre zu "König Stephan", Op. 117 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 43 | Ouvertüre zu "Die Geschöpfe des Prometheus" c-Moll, Op. 43 | Wiener Philharmoniker, Leonard Bernstein | T-909.574.378-5 | |
| 44 | Die Geschöpfe des Prometheus, Op. 43: No. 14, Solo della Casentini. Andante – Adagio - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 45 | Die Geschöpfe des Prometheus, Op. 43: No. 5, Adagio – Andante quasi allegretto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 46 | Die Geschöpfe des Prometheus, Op. 43: No. 16. Finale. Allegretto – Allegro molto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 47 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 48 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 49 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo. Allegro | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-800.132.125-2 | |
| 50 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 51 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | — | |
| 52 | Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace | Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | T-909.876.873-1 | |
| 53 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: I. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-007.303.107-8 | |
| 54 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco moto – attacca | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-928.635.608-9 | |
| 55 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: III. Rondo. Allegro | Wiener Philharmoniker, Leonard Bernstein, Krystian Zimerman | T-031.682.208-8 | |
| 56 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): I. Adagio, ma non troppo e molto espressivo - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 57 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): II. Allegro molto vivace - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 58 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): III. Allegro moderato – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 59 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): IV. Andante, ma non troppo e molto cantabile - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 60 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): V. Presto – Molto poco adagio – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 61 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VI. Adagio quasi un poco andante – - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 62 | String Quartet No. 14 in C‐Sharp Minor, Op. 131 (Arr. Mitropoulos for String Orchestra): VII. Allegro - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 63 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): I. Allegretto - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 64 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): II. Vivace - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 65 | Quartet for Strings no. 16 in F major, op. 135: III. Lento assai e cantante tranquillo | Wiener Philharmoniker, Leonard Bernstein | — | |
| 66 | String Quartet No. 16 in F Major, Op. 135 (Arr. Bernstein for String Orchestra): IV. Der schwer gefasste Entschluss. Grave, ma non troppo tratto — Allegro - Live | Wiener Philharmoniker, Leonard Bernstein | — | |
| 67 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ia. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 68 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ib. Kyrie. Christe eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 69 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Ic. Kyrie. Kyrie eleison | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 70 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIa. Gloria. Gloria in excelsis Deo | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 71 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIc. Gloria. Qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 72 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IId. Gloria. Quoniam tu solus Sanctus | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 73 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIe. Gloria. In gloria Dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 74 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIf. Gloria. Amen, in gloria dei Patris | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 75 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIa. Credo. Credo in unum Deum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 76 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIb. Credo. Et incarnatus est | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | T-915.866.113-3 | |
| 77 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIc. Credo. Et resurrexit - Et ascendit in coelum | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 78 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIId. Credo. Et vitam venturi sauculi | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 79 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IIIe. Credo. Amen, et vitam venturi sauculi. Amen | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 80 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVa. Sanctus. Sanctus, Sanctus, Sanctus Dominus, Desu Sabaoth | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 81 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVb. Sanctus. Pleni sunt coeli et terra - Osanna in excelsis | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 82 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVc. Sanctus. Praeludium | Netherlands Broadcasting Foundation Chorus, Hilverstein, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 83 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: IVd. Sanctus. Benedictus qui venit in nomine Domini | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Herman Krebbers, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 84 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Va. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 85 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vb. Agnus Dei. Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 86 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vc. Agnus Dei. Agnus Dei, qui tollis peccata mundi | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 87 | Missa solemnis for 4 Solo Voices, Chorus, Orchestra, and Organ in D major, Op. 123: Vd. Agnus Dei. Agnus Dei - Dona nobis pacem | Netherlands Broadcasting Foundation Chorus, Hilverstein, René Kollo, Kurt Moll, Edda Moser, Hanna Schwarz, Bernard Bartelink, Koninklijk Concertgebouworkest, Leonard Bernstein | — | |
| 88 | Fidelio, op. 72: Overture | Wiener Philharmoniker, Leonard Bernstein | T-801.974.499-2 | |
| 89 | Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) | Adolf Dallapozza, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 90 | Fidelio, op. 72: Act I, Scene I. “Armer Jaquino, ich war ihm sonst recht gut” (Marzelline) | Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 91 | Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) | Lucia Popp, Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 92 | Fidelio, op. 72: Act I, Scene I. “Jaquino!” – “Ja, Meister Rocco?” (Rocco, Jaquino, Marzelline, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 93 | Fidelio, op. 72: Act I, Scene I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 94 | Fidelio, op. 72: Act I, Scene I. “Höre, Fidelio!” (Rocco, Marzelline) | Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 95 | Fidelio, op. 72: Act I, Scene I, no. 4. Aria “Hat man nicht auch Gold beineben” (Rocco) | Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 96 | Fidelio, op. 72: Act I, Scene I. “Ihr habt recht, Vater Rocco” (Leonore, Rocco, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 97 | Fidelio, op. 72: Act I, Scene I, no. 5. Trio “Gut, Söhnchen, gut” (Rocco, Leonore, Marzelline) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 98 | Fidelio, op. 72: Act I, Scene II, no. 6. March | Wiener Philharmoniker, Leonard Bernstein | T-001.200.274-2 | |
| 99 | Fidelio, op. 72: Act I, Scene II. “Drei Mann Schildwachen auf den Wall” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 100 | Fidelio, op. 72: Act I, Scene II, no. 7. Aria “Ha! Welch ein Augenblick!” (Pizarro, Chorus) | Chor der Wiener Staatsoper, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 101 | Fidelio, op. 72: Act I, Scene II. “Hauptmann! Besteigen Sie mit einem Trompeter sogleich den Turm” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 102 | Fidelio, op. 72: Act I, Scene II, no. 8. Duet “Jetzt, Alter, hat es Eile!” (Pizarro, Rocco) | Manfred Jungwirth, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 103 | Fidelio, op. 72: Act I, Scene II, no. 9. Recitative “Abscheulicher!” - Aria “Komm, Hoffnung” (Leonore) | Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 104 | Fidelio, op. 72: Act I, Scene II. “Marzelline!” – “Nein, ich will nicht …” (Jaquino, Marzelline, Rocco, Leonore) | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Wiener Philharmoniker, Leonard Bernstein | — | |
| 105 | Fidelio, op. 72: Act I, Scene II, no. 10a. Prisoner’s Chorus “O welche Lust” | Chor der Wiener Staatsoper, Karl Terkal, Alfred Šramek, Wiener Philharmoniker, Leonard Bernstein | — | |
| 106 | Fidelio, op. 72: Act I, Scene II, no. 10b. Recitative “Nun sprecht, wie ging’s?” (Leonore, Rocco) / no. 10c. Duet “Noch heute! Noch heute!” (Leonore, Rocco) / no. 10d. Duet “Wir müssen gleich zu Werke schreiten” (Rocco, Leonore) / no. 10e. / no. 10f. | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 107 | Fidelio, op. 72: Act I, Scene II, no. 10g. “Leb wohl, du warmes Sonnenlicht” (Soloists & Chorus) | Chor der Wiener Staatsoper, Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 108 | Fidelio, op. 72: Act II, Scene I, no. 11. Introduction “Gott! Welch Dunkel hier!” - Aria “In des Lebens Frühlingstagen” | René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 109 | Fidelio, op. 72: Act II, Scene I, no. 12. Melodrama “Wie kalt ist es in diesem unterirdischen Gewölbe!” – Duet “Nur hurtig fort, nur frisch gegraben” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 110 | Fidelio, op. 72: Act II, Scene I. “Er erwacht” | Gundula Janowitz, Manfred Jungwirth, Wiener Philharmoniker, Leonard Bernstein | — | |
| 111 | Fidelio, op. 72: Act II, Scene I, no. 13. Trio “Euch werde Lohn in bessem Welten” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 112 | Fidelio, op. 72: Act II, Scene I. “Alles ist bereit” | Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 113 | Fidelio, op. 72: Act II, Scene I, no. 14. Quartet “Er sterbe! Doch er soll erst wissen” - “Vater Rocco! Der Herr Minister ist angekommen” - “Es schlägt der Rache Stunder” | Adolf Dallapozza, Gundula Janowitz, Manfred Jungwirth, René Kollo, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 114 | Fidelio, op. 72: Act II, Scene I, no. 15. Duet “O namenlose Freude!” | Gundula Janowitz, René Kollo, Wiener Philharmoniker, Leonard Bernstein | — | |
| 115 | Ouvertüre "Leonore III", Op. 72a | Wiener Philharmoniker, Leonard Bernstein | — | |
| 116 | Fidelio, op. 72: Act II, Scene II, no. 16. Finale “Heil sei dem Tag” – “Bestrafet sei der Bösewicht” – “O Gott! Welch ein Augenblick!” – “Wer ein holdes Weib errungen” | Chor der Wiener Staatsoper, Adolf Dallapozza, Dietrich Fischer-Dieskau, Gundula Janowitz, Manfred Jungwirth, René Kollo, Lucia Popp, Hans Sotin, Wiener Philharmoniker, Leonard Bernstein | — | |
| 117 | Leonore Overture No. 3, Op. 72b - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 118 | Piano Concerto no. 4 in G major, op. 58: 1. Allegro moderato | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 119 | Piano Concerto no. 4 in G major, op. 58: 2. Andante con moto | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 120 | Piano Concerto no. 4 in G major, op. 58: 3. Rondo (Vivace) | Claudio Arrau, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 121 | Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 122 | Symphony No. 5 in C Minor, Op. 67: II. Andante con moto - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 123 | Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-318.567.058-6 | |
| 124 | Symphony No. 5 in C Minor, Op. 67: IV. Finale. Allegro - Live | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-318.676.528-2 | |
| 125 | Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo, un poco maestoso | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | — | |
| 126 | Symphony no. 9 in D minor, op. 125: II. Molto vivace | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-909.876.841-3 | |
| 127 | Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-912.747.871-1 | |
| 128 | Symphony no. 9 in D minor, op. 125: IV. Presto - Allegro assai | Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | T-306.395.786-4 | |
| 129 | Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto – Vivace - Live | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 130 | Symphony No. 7 in A Major, Op. 92: II. Allegretto - Live | Boston Symphony Orchestra, Leonard Bernstein | T-314.638.300-4 | |
| 131 | Symphony No. 7 in A Major, Op. 92: III. Presto – Assai meno presto - Live | Boston Symphony Orchestra, Leonard Bernstein | T-915.710.750-1 | |
| 132 | Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio - Live | Boston Symphony Orchestra, Leonard Bernstein | — | |
| 133 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": I. Allegro con brio | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 134 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 135 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": III. Scherzo. Allegro vivace | New York Stadium Symphony Orchestra, Leonard Bernstein | — | |
| 136 | Symphony No. 3 in E-flat major, Op. 55 "Eroica": IV. Finale. Allegro molto | New York Stadium Symphony Orchestra, Leonard Bernstein | T-318.676.528-2 | |
| 137 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "Simplicity itself..." (1st movement) | [dialogue] | — | |
| 138 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "I always feel this gigantism..." (2nd movement) | [dialogue] | — | |
| 139 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "We have just been examining..." (3rd movement) | [dialogue] | — | |
| 140 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | — | |
| 141 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: I. Adagio molto – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | T-915.714.772-3 |
| Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 1 in C major, op. 21: III. Menuetto. Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-300.456.250-5 |
| Symphony no. 1 in C major, op. 21: IV. Adagio – Allegro molto e vivace | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 2 in D major, op. 36: I. Adagio – Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: II. Larghetto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 2 in D major, op. 36: IV. Allegro molto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Adagio assai | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo: Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Wiener Philharmoniker, Leonard Bernstein | T-318.676.528-2 |
| Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: II. Adagio | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | T-001.444.317-4 |
| Symphony No. 6 in F major, Op. 68 "Pastorale": I. Awakening of Cheerful Feelings upon Arrival in the Country: Allegro ma non troppo | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": II. Scene by the Brook: Andante molto mosso | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": III. Merry Gathering of Country Folk: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": IV. Storm: Allegro | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony No. 6 in F major, Op. 68 "Pastorale": V. Shepherd's Song: Happy and Thankful Feelings after the Storm: Allegretto | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 7 in A major, op. 92: II. Allegretto | Wiener Philharmoniker, Leonard Bernstein | T-314.638.300-4 |
| Symphony no. 7 in A major, op. 92: III. Presto | Wiener Philharmoniker, Leonard Bernstein | T-915.710.750-1 |
| Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Wiener Philharmoniker, Leonard Bernstein | — |
| Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Wiener Philharmoniker, Leonard Bernstein | T-909.821.799-3 |
| Symphony no. 8 in F major, op. 93: III. Tempo di Menuetto | Wiener Philharmoniker, Leonard Bernstein | T-312.439.209-8 |
| Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Wiener Philharmoniker, Leonard Bernstein | T-900.167.504-3 |
