UPC · Release
The Fame Studios Story – 1961–1973
Various Artists
Last verified:
029667010009 is the Universal Product Code (UPC barcode) for the release “The Fame Studios Story – 1961–1973” by Various Artists, released 2011-01-01 on Kent Soul. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include USAT20001064, DELJ81808922, USAT20704856.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | You Left the Water Running | — | ||
| 2-2 | A Shot of Rhythm & Blues | — | ||
| 2-3 | Slippin’ Around With You | — | ||
| 2-4 | Without a Woman | — | ||
| 2-5 | Sweet Soul Music | Arthur Conley | T-070244122-2 | |
| 2-6 | Thread the Needle | — | ||
| 2-7 | I Never Loved a Man (the Way I Love You) | Aretha Franklin | T-070242458-5 | |
| 2-8 | Miss You So | — | ||
| 2-9 | You Put Something on Me | — | ||
| 2-10 | Tell Mama | — | ||
| 2-11 | Keep Your Cool | — | ||
| 2-12 | Cheater Man | — | ||
| 2-13 | Don’t Make Me Hate Loving You | — | ||
| 2-14 | Everytime | — | ||
| 2-15 | I Stayed Away Too Long | — | ||
| 2-16 | As Long as I Got You | — | ||
| 2-17 | Don’t Lose Your Good Thing | — | ||
| 2-18 | Slip Away | — | ||
| 2-19 | Do Right Woman, Do Right Man | — | ||
| 2-20 | Once in a While (Is Better Than Never at All) | — | ||
| 2-21 | Thief in the Night | — | ||
| 2-22 | Take Me Just as I Am | — | ||
| 2-23 | Why Don’t You Try Me | — | ||
| 2-24 | Search Your Heart | — | ||
| 2-25 | Ten Miles High | — | ||
| 3-1 | Lady in the Rain | — | ||
| 3-2 | Hey Jude | Wilson Pickett | T-010.433.495-3 | |
| 3-3 | Another Man’s Woman, Another Woman’s Man | — | ||
| 3-4 | Snatchin’ It Back | — | ||
| 3-5 | I Got You Babe | — | ||
| 3-6 | Wanted: Lover (No Experience Necessary) | — | ||
| 3-7 | Find ’Em, Fool ’Em and Forget ’Em | — | ||
| 3-8 | I’m Just a Prisoner (of Your Good Lovin’) | — | ||
| 3-9 | Grits and Gravy | — | ||
| 3-10 | One Bad Apple | — | ||
| 3-11 | I’d Rather Go Blind | — | ||
| 3-12 | Take Me Back | — | ||
| 3-13 | Walk a Mile in My Shoes | — | ||
| 3-14 | Patches | — | ||
| 3-15 | Fancy | Bobbie Gentry | T-070.056.600-2 | |
| 3-16 | Double Lovin’ | — | ||
| 3-17 | Greenwood, Mississipp | — | ||
| 3-18 | What Color Is Love | — | ||
| 3-19 | Bring It On Home to Me | — | ||
| 3-20 | I Can’t Let You Break My Heart | — | ||
| 3-21 | Back Road Into Town | — | ||
| 3-22 | The Thanks I Get for Lovin’ You | — | ||
| 3-23 | Get Involved | — | ||
| 3-24 | Put On Your Shoes and Walk | — | ||
| 3-25 | You Better Move On | — |
Additional database matches (6)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
| Land of 1000 Dances | Wilson Pickett | T-071000664-6 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+21 more
Credits Graph
People also ask
Verified on
What is UPC 029667010009?
029667010009 is a Universal Product Code (UPC) assigned to The Fame Studios Story – 1961–1973 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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