Documenting the Sensation Recordings 1948-52

UPC · Release

Documenting the Sensation Recordings 1948-52

John Lee Hooker

029667097024
65 tracksReleased 2020-01-01Ace

Last verified:

029667097024 is the Universal Product Code (UPC barcode) for the release Documenting the Sensation Recordings 1948-52 by John Lee Hooker, released 2020-01-01 on Ace. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include DEU241008353, DEU240406674, DEU241502376.

Format

0Number system
29667Manufacturer
09702Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCDocumenting the Sensation Recordings 1948-52
ISRC15 recordings
ISWC17 works
IPI3 songwriters

Track List (65)

Sally Mae
Sally Mae
War Is Over (Goodbye California) (alt take)
War Is Over (Goodbye California) (alt take)
Henry’s Swing Club
Henry’s Swing Club
John Lee Hooker
Drifting From Door to Door
Drifting From Door to Door
John Lee Hooker
Hobo Blues
Hobo Blues
Numbers Blues (aka She Ain't Good for Nothin')
Numbers Blues (aka She Ain't Good for Nothin')
Alberta
Alberta
Alberta (alt take)
Alberta (alt take)
Hoogie Boogie
Hoogie Boogie
John Lee Hooker
Build Myself a Cave (take #1)
Build Myself a Cave (take #1)
Build Myself a Cave (take #2)
Build Myself a Cave (take #2)
Build Myself a Cave (take #3)
Build Myself a Cave (take #3)
Build Myself a Cave
Build Myself a Cave
Graveyard Blues
Graveyard Blues
Momma Poppa Boogie
Momma Poppa Boogie
Sailing Blues (aka Drifting Blues)
Sailing Blues (aka Drifting Blues)
Black Cat Blues
Black Cat Blues
Weeping Willow Boogie
Weeping Willow Boogie
John Lee Hooker
Miss Sadie Mae
Miss Sadie Mae
Sail on Little Girl
Sail on Little Girl
Alberta Part 2
Alberta Part 2
Wednesday Evening
Wednesday Evening
Canal Street Blues
Canal Street Blues
Huckle Up Baby
Huckle Up Baby
John Lee Hooker & His Guitar
Goin’ Down Highway 51
John Lee Hooker & His Guitar
My Baby's Got Somethin'
My Baby's Got Somethin'
Boogie Chillen' #2 (take 1)
Boogie Chillen' #2 (take 1)
Boogie Chillen' #2 (take 2)
Boogie Chillen' #2 (take 2)
Boogie Chillen' #2 (take 4)
Boogie Chillen' #2 (take 4)
Boogie Chillen' #2
Boogie Chillen' #2
Roll 'n' Roll (alt take)
Roll 'n' Roll (alt take)
Rollin' Blues
Rollin' Blues
Three Long Years Today
Three Long Years Today
Do My Baby Think of Me
Do My Baby Think of Me
Give Me Your Phone Number (alt take)
Give Me Your Phone Number (alt take)
The Story of a Married Woman (alt take)
The Story of a Married Woman (alt take)
Moon Is Rising (alt take)
Moon Is Rising (alt take)
John L's House Rent Boogie (aka House Rent Boogie)
John L's House Rent Boogie (aka House Rent Boogie)
John L's House Rent Boogie (fragment) (alt incomplete take)
John L's House Rent Boogie (fragment) (alt incomplete take)
Grinder Man
Grinder Man
Walkin' This Highway
Walkin' This Highway
Four Women in My Life
Four Women in My Life
John Lee Hooker
Tease Me Baby (aka Tease Me Over Baby)
Tease Me Baby (aka Tease Me Over Baby)
I Need Lovin' (aka Tease Me Over Baby)
I Need Lovin' (aka Tease Me Over Baby)
How Can You Do It
How Can You Do It
I'm in the Mood (harmonica overdub)
I'm in the Mood (harmonica overdub)
I'm in the Mood (alt - one voice)
I'm in the Mood (alt - one voice)
Turn Over a New Leaf
Turn Over a New Leaf
It Hurts Me So
It Hurts Me So
It Hurts Me So (alt take)
It Hurts Me So (alt take)
I Got Eyes for You
I Got Eyes for You
John Lee Hooker, "Little" Eddie Kirkland
I Got Eyes for You (take 2 or take 5)
I Got Eyes for You (take 2 or take 5)
Key to the Highway
Key to the Highway
I Got the Key (aka Key to the Highway)
I Got the Key (aka Key to the Highway)
Bluebird Blues
Bluebird Blues
That's All Right
That's All Right
It's Time for Lovin' to Be Done
It's Time for Lovin' to Be Done
That's All Right Boogie (under dub)
That's All Right Boogie (under dub)

Additional database matches (11)

Weeping Willow Boogie
John Lee Hooker
Hoogie Boogie
John Lee Hooker
Drifting From Door to Door
John Lee Hooker
Weeping Willow Boogie
John Lee Hooker
Drifting From Door to Door
John Lee Hooker
Hoogie Boogie
John Lee Hooker
Weeping Willow Boogie
John Lee Hooker
Queen Bee
John Lee Hooker
Four Women in My Life
John Lee Hooker
SourcesMLCMusicBrainzDiscogsMusicBrainz4 sources

Verified on

Identifier Graph

UPCDocumenting the…ISRCBoogie ChillenISRCHenry’s Swing C…ISRCDrifting From D…ISRCHowlin’ WolfISRCCrawling King S…

People also ask

What is UPC 029667097024?
UPC 029667097024 is the Universal Product Code (barcode) for "Documenting the Sensation Recordings 1948-52" by John Lee Hooker, released on Ace.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 029667097024?
UPC 029667097024 contains 65 tracks, each with its own ISRC.

What is UPC 029667097024?

029667097024 is a Universal Product Code (UPC) assigned to Documenting the Sensation Recordings 1948-52 by John Lee Hooker. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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