UPC · Release
Chicago Pro Musica
Last verified:
The UPC for “Medinah Sessions” by Chicago Pro Musica is 030911210229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-03-01. This release contains 48 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Façade (Arr. for Chamber Ensemble): Fanfare - Scotch Rhapsody | — | ||
| 2 | Façade (Arr. for Chamber Ensemble): Tango‐Pasodoble | — | ||
| 3 | Façade (Arr. for Chamber Ensemble): Swiss Jodelling Song | — | ||
| 4 | Façade (Arr. for Chamber Ensemble): Country Dance | — | ||
| 5 | Façade (Arr. for Chamber Ensemble): Polka | — | ||
| 6 | Façade (Arr. for Chamber Ensemble): Valse | — | ||
| 7 | Façade (Arr. for Chamber Ensemble): Mariner Man | — | ||
| 8 | Façade (Arr. for Chamber Ensemble): Long Steel Grass | — | ||
| 9 | Façade (Arr. for Chamber Ensemble): Popular Song | — | ||
| 10 | Façade (Arr. for Chamber Ensemble): Old Sir Faulk | — | ||
| 11 | Façade (Arr. for Chamber Ensemble): Something Lies Beyond the Scene | — | ||
| 12 | Façade (Arr. for Chamber Ensemble): Tarantella‐Sevillana | — | ||
| 13 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 (Arr. F. Hasenohrl) | — | ||
| 14 | Valse in A‐Flat Major, op. 38 (Arr. W. Elliot) | — | ||
| 15 | Serenata in vano, FS 68 | — | ||
| 16 | L’histoire du soldat (Instrumental Version): I. The Soldier’s March | — | ||
| 17 | L’histoire du soldat (Instrumental Version): II. The Soldier’s Violin | — | ||
| 18 | L’histoire du soldat (Instrumental Version): III. Pastorale | — | ||
| 19 | L’histoire du soldat (Instrumental Version): IV. The Royal March “Pasodoble” | — | ||
| 20 | L’histoire du soldat (Instrumental Version): V. The Little Concert | — | ||
| 21 | L’histoire du soldat (Instrumental Version): VI. 3 Dances. Tango - Waltz - Ragtime | — | ||
| 22 | L’histoire du soldat (Instrumental Version): VII. The Devil’s Dance | — | ||
| 23 | L’histoire du soldat (Instrumental Version): VIII. Little Chorale - Grand Chorale | — | ||
| 24 | L’histoire du soldat (Instrumental Version): IX. Triumphal March of the Devil | — | ||
| 2-1 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Overture. Maestoso | — | ||
| 2-2 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): The Ballad of Mack the Knife. Moderato assai | — | ||
| 2-3 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Instead‐of Song. Moderato | — | ||
| 2-4 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): The Ballad of Pleasant Living. Foxtrot | — | ||
| 2-5 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Polly’s Song. Andante con moto | — | ||
| 2-6 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Tango‐Ballade | — | ||
| 2-7 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Cannon Song. Charleston‐Tempo | — | ||
| 2-8 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Threepenny Finale | — | ||
| 2-9 | Music for a Farce: I. Allegro rigoroso | — | ||
| 2-10 | Music for a Farce: II. Presto | — | ||
| 2-11 | Music for a Farce: III. Allegretto | — | ||
| 2-12 | Music for a Farce: IV. Allegro | — | ||
| 2-13 | Music for a Farce: V. Lento | — | ||
| 2-14 | Music for a Farce: VI. Allegro | — | ||
| 2-15 | Music for a Farce: VII. Presto | — | ||
| 2-16 | Music for a Farce: VIII. Allegretto | — | ||
| 2-17 | La revue de cuisine Suite, H. 161a: I. Prologue. Allegretto | — | ||
| 2-18 | La revue de cuisine Suite, H. 161a: II. Tango. Lento - Andante - Lento | — | ||
| 2-19 | La revue de cuisine Suite, H. 161a: III. Charleston. Poco a poco allegro | — | ||
| 2-20 | La revue de cuisine Suite, H. 161a: IV. Final. Tempo di marcia - Allegretto | — | ||
| 2-21 | Octandre: I. Assez lent | — | ||
| 2-22 | Octandre: II. Très vif et nerveux | — | ||
| 2-23 | Octandre: III. Grave - Animé et jubilatoire | — | ||
| 2-24 | Capriccio Espagnol, op. 34 (Arr. for Chamber Ensemble) | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
Explore this code's connections on the live Credits Graph.
030911210229 is a Universal Product Code (UPC) assigned to Medinah Sessions by Chicago Pro Musica. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 48 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Medinah Sessions” by Chicago Pro Musica is 030911210229. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2012-03-01. This release contains 48 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Façade (Arr. for Chamber Ensemble): Fanfare - Scotch Rhapsody | — | ||
| 2 | Façade (Arr. for Chamber Ensemble): Tango‐Pasodoble | — | ||
| 3 | Façade (Arr. for Chamber Ensemble): Swiss Jodelling Song | — | ||
| 4 | Façade (Arr. for Chamber Ensemble): Country Dance | — | ||
| 5 | Façade (Arr. for Chamber Ensemble): Polka | — | ||
| 6 | Façade (Arr. for Chamber Ensemble): Valse | — | ||
| 7 | Façade (Arr. for Chamber Ensemble): Mariner Man | — | ||
| 8 | Façade (Arr. for Chamber Ensemble): Long Steel Grass | — | ||
| 9 | Façade (Arr. for Chamber Ensemble): Popular Song | — | ||
| 10 | Façade (Arr. for Chamber Ensemble): Old Sir Faulk | — | ||
| 11 | Façade (Arr. for Chamber Ensemble): Something Lies Beyond the Scene | — | ||
| 12 | Façade (Arr. for Chamber Ensemble): Tarantella‐Sevillana | — | ||
| 13 | Till Eulenspiegels lustige Streiche, op. 28, TrV 171 (Arr. F. Hasenohrl) | — | ||
| 14 | Valse in A‐Flat Major, op. 38 (Arr. W. Elliot) | — | ||
| 15 | Serenata in vano, FS 68 | — | ||
| 16 | L’histoire du soldat (Instrumental Version): I. The Soldier’s March | — | ||
| 17 | L’histoire du soldat (Instrumental Version): II. The Soldier’s Violin | — | ||
| 18 | L’histoire du soldat (Instrumental Version): III. Pastorale | — | ||
| 19 | L’histoire du soldat (Instrumental Version): IV. The Royal March “Pasodoble” | — | ||
| 20 | L’histoire du soldat (Instrumental Version): V. The Little Concert | — | ||
| 21 | L’histoire du soldat (Instrumental Version): VI. 3 Dances. Tango - Waltz - Ragtime | — | ||
| 22 | L’histoire du soldat (Instrumental Version): VII. The Devil’s Dance | — | ||
| 23 | L’histoire du soldat (Instrumental Version): VIII. Little Chorale - Grand Chorale | — | ||
| 24 | L’histoire du soldat (Instrumental Version): IX. Triumphal March of the Devil | — | ||
| 2-1 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Overture. Maestoso | — | ||
| 2-2 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): The Ballad of Mack the Knife. Moderato assai | — | ||
| 2-3 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Instead‐of Song. Moderato | — | ||
| 2-4 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): The Ballad of Pleasant Living. Foxtrot | — | ||
| 2-5 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Polly’s Song. Andante con moto | — | ||
| 2-6 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Tango‐Ballade | — | ||
| 2-7 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Cannon Song. Charleston‐Tempo | — | ||
| 2-8 | Kleine Dreigroschenmusik (Arr. for Chamber Ensemble): Threepenny Finale | — | ||
| 2-9 | Music for a Farce: I. Allegro rigoroso | — | ||
| 2-10 | Music for a Farce: II. Presto | — | ||
| 2-11 | Music for a Farce: III. Allegretto | — | ||
| 2-12 | Music for a Farce: IV. Allegro | — | ||
| 2-13 | Music for a Farce: V. Lento | — | ||
| 2-14 | Music for a Farce: VI. Allegro | — | ||
| 2-15 | Music for a Farce: VII. Presto | — | ||
| 2-16 | Music for a Farce: VIII. Allegretto | — | ||
| 2-17 | La revue de cuisine Suite, H. 161a: I. Prologue. Allegretto | — | ||
| 2-18 | La revue de cuisine Suite, H. 161a: II. Tango. Lento - Andante - Lento | — | ||
| 2-19 | La revue de cuisine Suite, H. 161a: III. Charleston. Poco a poco allegro | — | ||
| 2-20 | La revue de cuisine Suite, H. 161a: IV. Final. Tempo di marcia - Allegretto | — | ||
| 2-21 | Octandre: I. Assez lent | — | ||
| 2-22 | Octandre: II. Très vif et nerveux | — | ||
| 2-23 | Octandre: III. Grave - Animé et jubilatoire | — | ||
| 2-24 | Capriccio Espagnol, op. 34 (Arr. for Chamber Ensemble) | — |
