UPC · Release
The James Bowman Collection
James Bowman, The King’s Consort
034571100180
21 tracksReleased 1996-01-01Hyperion
Last verified:
034571100180 is the Universal Product Code (UPC barcode) for the release “The James Bowman Collection” by James Bowman, The King’s Consort, released 1996-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC.
Format
0Number system
34571Manufacturer
10018Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (21)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"] | — | ||
| 2 | Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon) | — | ||
| 3 | Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto) | — | ||
| 4 | The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules) | — | ||
| 5 | Come Tread the Paths of Pensive Pangs, song for voice & lute | — | ||
| 6 | Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto | — | ||
| 7 | O solitude, my sweetest choice, song, Z. 406 | — | ||
| 8 | Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto | — | ||
| 9 | Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak) | — | ||
| 10 | Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto) | — | ||
| 11 | O magnum mysterium, motet for 8 voices | — | ||
| 12 | Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite) | — | ||
| 13 | Since First I Saw Your Face, song for 4 voices & instruments | — | ||
| 14 | Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon) | — | ||
| 15 | Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193 | — | ||
| 16 | Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano | — | ||
| 17 | Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere | — | ||
| 18 | Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar | — | ||
| 19 | On the brow of Richmond Hill, song, Z. 405 | — | ||
| 20 | Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine! | — | ||
| 21 | Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto) | — |
St. Matthew Passion (Matthäuspassion), for soloists, double chorus & double orchestra, BWV 244 (BC D3b), No. 39, "Erbarme dich, meine Gott", Aria for alto ["Have mercy, Lord"]
—
Solomon, oratorio, HWV 67, Act I, "Almighty pow'r! who rul'st the earth and skies", Recitative (Solomon)
—
Why, why are all the muses mute? (Welcome Song for James II), for soloists, chorus & instruments, Z. 343, No. 5a, "Britain, thou now art great" (alto)
—
The Choice of Hercules, oratorio, HWV 69, No. 15, "Yet, can I hear that dulcet lay", Air (Hercules)
—
Come Tread the Paths of Pensive Pangs, song for voice & lute
—
Sono liete, fortunate, duet for soprano, alto & continuo, HWV 194, II. "Crudelta ne lontananza", Duet for soprano & alto
—
O solitude, my sweetest choice, song, Z. 406
—
Cantata No. 169, "Gott soll allein mein Herze haben," BWV 169 (BC A143), VI. "Stirb in mir, Welt und alle deine Liebe", Aria for alto
—
Deborah, oratorio, HWV 51, Act II, "Impious mortal, cease to brave us!", Air (Barak)
—
Now does the glorious day appear (Ode for Queen Mary's Birthday), for soloists, chorus, violins & continuo, Z. 332, No. 7a, "By beauteous softness" (alto)
—
O magnum mysterium, motet for 8 voices
—
Esther, oratorio, HWV 50b, Act I, "Tune your harps to cheerful strains", Air (Femme israelite)
—
Since First I Saw Your Face, song for 4 voices & instruments
—
Solomon, oratorio, HWV 67, Act I, "Welcome as the dawn of day to the pilgrim on his way", Duet (Reine, Solomon)
—
Now that the sun hath veiled his light, sacred song for soprano & continuo ("An Evening Hymn"), Z. 193
—
Occasional Oratorio, HWV 62, Act III, "Thou shalt bring them in", Air for soprano
—
Première Leçon de Ténèbres, for treble voice & continuo,VII. Jerusalem, convertere
—
Rinaldo, opera, HWV 7, Act 3. Scene 9. Aria. Or la tromba in suon festante mi richiama a trionfar
—
On the brow of Richmond Hill, song, Z. 405
—
Ode for the Birthday of Queen Anne (Eternal Source of Light Divine), HWV 74, I. Largo: Eternal source of light divine!
—
Te Deum and Jubilate Deo in D major, for soloists, chorus & instruments, Z. 232, No. 1, "Te Deum laudamus" (The Song of St. Ambroise): k, "Vouchsafe, O Lord, to keep us this day" (alto)
—
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What is UPC 034571100180?
034571100180 is a Universal Product Code (UPC) assigned to The James Bowman Collection by James Bowman, The King’s Consort. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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