UPC · Release
The Immortal Hour
Rutland Boughton, Anne Dawson, Patricia Taylor, Maldwyn Davies, David Wilson‐Johnson, Roger Bryson, Roderick Kennedy, Geoffrey Mitchell Choir, English Chamber Orchestra, Alan G. Melville
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034571120409 is the Universal Product Code (UPC barcode) for the release “The Immortal Hour” by Rutland Boughton, Anne Dawson, Patricia Taylor, Maldwyn Davies, David Wilson‐Johnson, Roger Bryson, Roderick Kennedy, Geoffrey Mitchell Choir, English Chamber Orchestra, Alan G. Melville, released 1998-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Immortal Hour: Act 1 Scene 1 no. 1: Prelude | — | ||
| 2 | The Immortal Hour: Act 1 Scene 1 no. 2: By dim moon-glimmering coasts and sad sea wastes (Dalua) | — | ||
| 3 | The Immortal Hour: Act 1 Scene 1 no. 3: Though you have travelled from one darkness to another (Voices in the Wood/Dalua) | — | ||
| 4 | The Immortal Hour: Act 1 Scene 1 no. 4: And if I tread the long, continuous way (Dalua/Voices in the Wood) | — | ||
| 5 | The Immortal Hour: Act 1 Scene 1 no. 5: I have come hither, led by dreams and visions (Dalua/Voices in the Wood) | — | ||
| 6 | The Immortal Hour: Act 1 Scene 1 no. 6: Hail, Son of Shadow! (Spirit Voice) | — | ||
| 7 | The Immortal Hour: Act 1 Scene 1 no. 7: I am old; more old, more ancient than the gods (Dalua) | — | ||
| 8 | The Immortal Hour: Act 1 Scene 1 no. 8: Brother and kin to all the twilit gods (Spirit Voice) | — | ||
| 9 | The Immortal Hour: Act 1 Scene 1 no. 9: [The sound of mocking laughter is heard from the wood] | — | ||
| 10 | The Immortal Hour: Act 1 Scene 1 no. 10: For Lu and Œngus laugh not (Dalua) | — | ||
| 11 | The Immortal Hour: Act 1 Scene 1 no. 11: Fair is the moonlight (Etain) | — | ||
| 12 | The Immortal Hour: Act 1 Scene 1 no. 12: Hail, daughter of kings (Dalua/Etain) | — | ||
| 13 | The Immortal Hour: Act 1 Scene 1 no. 13: Have you forgot the delicate smiling land (Dalua) | — | ||
| 14 | The Immortal Hour: Act 1 Scene 1 no. 14: I have forgotton all (Etain/Dalua) | — | ||
| 15 | The Immortal Hour: Act 1 Scene 1 no. 15: A king of men has wooed the Immortal Hour (Dalua/Etain) | — | ||
| 16 | The Immortal Hour: Act 1 Scene 1 no. 16: Led here by dreams (Dalua/Etain) | — | ||
| 17 | The Immortal Hour: Act 1 Scene 1 no. 17: I will go back to the country of the young (Etain) | — | ||
| 18 | The Immortal Hour: Act 1 Scene 1 no. 18: Sir, I am glad. I had not thought to see one here (Eochaidh/Dalua) | — | ||
| 19 | The Immortal Hour: Act 1 Scene 1 no. 19: I have come to this lone wood (Dalua/Eochaidh) | — | ||
| 20 | The Immortal Hour: Act 1 Scene 1 no. 20: Look, O king … I see a fountain (Dalua/Eochaidh) | — | ||
| 21 | The Immortal Hour: Act 1 Scene 1 no. 21: There is no backward way for such as I (Eochaidh/Dalua) | — | ||
| 22 | The Immortal Hour: Act 1 Scene 1 no. 22: I have heard you calling, Dalua (Eochaidh/Dalua) | — | ||
| 23 | The Immortal Hour: Act 1 Scene 2 no. 1: I've seen that man before who came tonight (Manus/Maive) | — | ||
| 24 | The Immortal Hour: Act 1 Scene 2 no. 2: Yes woman, yes, I know (Manus/Etain/Maive) | — | ||
| 25 | The Immortal Hour: Act 1 Scene 2 no. 3: But sometimes. Tell me, have you heard (Etain/Manus/Maive/Eochaidh) | — | ||
| 26 | The Immortal Hour: Act 1 Scene 2 no. 4: Good folk, I give you greeting (Eochaidh/Etain/Manus) | — | ||
| 27 | The Immortal Hour: Act 1 Scene 2 no. 5: Good sir, brave Lord! (Maive/Manus/Eochaidh/Etain) | — | ||
| 28 | The Immortal Hour: Act 1 Scene 2 no. 6: At last I know why dreams have led me hither (Eochaidh) | — | ||
| 29 | The Immortal Hour: Act 1 Scene 2 no. 7: And your name, fair lord? (Etain/Eochaidh) | — | ||
| 30 | The Immortal Hour: Act 1 Scene 2 no. 8: Truly, I now know full well (Eochaidh) | — | ||
| 31 | The Immortal Hour: Act 1 Scene 2 no. 9: I, too, am lifted with the breath (Etain/Eochaidh) | — | ||
| 32 | The Immortal Hour: Act 1 Scene 2 no. 10: Who laughed? (Eochaidh/Manus/Maive/Etain) | — | ||
| 33 | The Immortal Hour: Act 1 Scene 2 no. 11: Dear lord, sit here (Etain/Eochaidh) | — | ||
| 34 | The Immortal Hour: Act 1 Scene 2 no. 12: How beautiful they are (Spirit Voices) | — | ||
| 2-1 | The Immortal Hour: Act 2 no. 1: By the voice in the corries (Druids) | — | ||
| 2-2 | The Immortal Hour: Act 2 no. 2: The bells of youth are ringing (Maidens) | — | ||
| 2-3 | The Immortal Hour: Act 2 no. 3: But this was in the old, far-off days (Warriors) | — | ||
| 2-4 | The Immortal Hour: Act 2 no. 4: Hail, Eochaidh, high king of Eiré, hail! (Bards/Maidens/Warriors) | — | ||
| 2-5 | The Immortal Hour: Act 2 no. 5: Green fire of joy, green fire of life | — | ||
| 2-6 | The Immortal Hour: Act 2 no. 6: Etain, speak, my queen (Eochaidh/Etain) | — | ||
| 2-7 | The Immortal Hour: Act 2 no. 7: No, no my queen (Eochaidh) | — | ||
| 2-8 | The Immortal Hour: Act 2 no. 8: I, too, have heard strange delicate music (Etain) | — | ||
| 2-9 | The Immortal Hour: Act 2 no. 9: The queen! (Warriors/Maidens/Druids) | — | ||
| 2-10 | The Immortal Hour: Act 2 no. 10: Hail, Eochaidh, King of Eiré! (Midir/Eochaidh) | — | ||
| 2-11 | The Immortal Hour: Act 2 no. 11: I am a king's first son (Midir) | — | ||
| 2-12 | The Immortal Hour: Act 2 no. 12: Dagda, lord of thunder and silence (Druids) | — | ||
| 2-13 | The Immortal Hour: Act 2 no. 13: Fair lord, my thanks I give (Eochaidh/Midir) | — | ||
| 2-14 | The Immortal Hour: Act 2 no. 14: Have not great poets sung (Midir/Eochaidh) | — | ||
| 2-15 | The Immortal Hour: Act 2 no. 15: in the days of the Great Fires (Midir) | — | ||
| 2-16 | The Immortal Hour: Act 2 no. 16: Hear us, Œngus, beautiful, terrible, sun-lord (Eochaidh) | — | ||
| 2-17 | The Immortal Hour: Act 2 no. 17: But now, fair lord, tell me the boon you crave (Eochaidh/Midir) | — | ||
| 2-18 | The Immortal Hour: Act 2 no. 18: I have seen all things pass and all things go (Old Bard) | — | ||
| 2-19 | The Immortal Hour: Act 2 no. 19: Welcome my queen (Eochaidh/Etain) | — | ||
| 2-20 | The Immortal Hour: Act 2 no. 20: This nameless lord (Eochaidh/Etain) | — | ||
| 2-21 | The Immortal Hour: Act 2 no. 21: How beautiful they are (Midir) | — | ||
| 2-22 | The Immortal Hour: Act 2 no. 22: I have heard, I have dreamed that song (Etain) | — | ||
| 2-23 | The Immortal Hour: Act 2 no. 23: I am a song in the land of the young (Midir) | — | ||
| 2-24 | The Immortal Hour: Act 2 no. 24: I am a small green leaf in a great wood (Etain/Eochaidh/Midir) | — | ||
| 2-25 | The Immortal Hour: Act 2 no. 25: O do not leave me, Star of my Desire! (Eochaidh) | — | ||
| 2-26 | The Immortal Hour: Act 2 no. 26: Hasten, lost love, found love! (Midir/Etain) | — | ||
| 2-27 | The Immortal Hour: Act 2 no. 27: in the land of youth there are pleasant places (Spirit Voices) | — | ||
| 2-28 | The Immortal Hour: Act 2 no. 28: My dreams! My dreams! (Eochaidh/Spirit Voices) | — |
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What is UPC 034571120409?
034571120409 is a Universal Product Code (UPC) assigned to The Immortal Hour by Rutland Boughton, Anne Dawson, Patricia Taylor, Maldwyn Davies, David Wilson‐Johnson, Roger Bryson, Roderick Kennedy, Geoffrey Mitchell Choir, English Chamber Orchestra, Alan G. Melville. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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