UPC · Release
The Hyperion Schubert Edition, Volume 24: A Goethe Schubertiad
Franz Schubert, Christine Schäfer, John Mark Ainsley and 3 more
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034571130248 is the Universal Product Code (UPC barcode) for the release “The Hyperion Schubert Edition, Volume 24: A Goethe Schubertiad” by Franz Schubert, Christine Schäfer, John Mark Ainsley, Simon Keenlyside, Michael George, Graham Johnson, released 1995-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include GBAJY9402401, GBAJY9402402, GBAJY9402405.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (23)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Schäfers Klagelied, D. 121 | John Mark Ainsley, Graham Johnson | — | |
| 2 | An Mignon, D. 161 | Christine Schäfer, Graham Johnson | — | |
| 5 | Rastlose Liebe, D. 138 | John Mark Ainsley, Graham Johnson | — | |
| 6 | Der Gott und die Bajadere, D. 254 | Christine Schäfer, John Mark Ainsley, Michael George, Graham Johnson | — | |
| 7 | Tischlied, D. 234 | Simon Keenlyside, Graham Johnson | — | |
| 8 | Der Schatzgräber, D. 256 | Michael George, Graham Johnson | — | |
| 9 | Der Rattenfänger, D. 255 | Simon Keenlyside, Graham Johnson | — | |
| 10 | Bundeslied, D. 258 | John Mark Ainsley, Simon Keenlyside, Michael George, Graham Johnson | — | |
| 11 | Erlkönig, D. 328 | Christine Schäfer, John Mark Ainsley, Michael George, Graham Johnson | — | |
| 12 | Jägers Abendlied, D. 215 | Simon Keenlyside, Graham Johnson | — | |
| 13 | Jägers Abendlied, D. 368 | Simon Keenlyside, Graham Johnson | — | |
| 16 | Sehnsucht (Nur wer die Sehnsucht kennt), D. 359 | Christine Schäfer, Graham Johnson | — | |
| 17 | Mignon (So lasst mich scheinen), D. 469a | Christine Schäfer, Graham Johnson | — | |
| 18 | Mignon (So lasst mich scheinen), D. 469b | Christine Schäfer, Graham Johnson | — | |
| 19 | Sehnsucht, D. 481 | Christine Schäfer, Graham Johnson | — | |
| 20 | Sehnsucht, D. 656 | The London Schubert Chorale, Stephen Layton | — | |
| 21 | An Schwager Kronos, D. 369 | Simon Keenlyside, Graham Johnson | — | |
| 22 | Hoffnung, D. 295 | Michael George, Graham Johnson | — | |
| 23 | Mahomets Gesang, D. 549 | John Mark Ainsley, Graham Johnson | — | |
| 24 | Ganymed, D. 544 | Christine Schäfer, Graham Johnson | — | |
| 25 | Der Goldschmiedsgesell, D. 560 | Simon Keenlyside, Graham Johnson | — | |
| 26 | Gesang der Geister über den Wassern, D. 484 | Michael George, Graham Johnson | — | |
| 27 | Gesang der Geister über den Wassern, D. 705 | The London Schubert Chorale, Stephen Layton, Graham Johnson | — |
Additional database matches (4)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Geistes-Gruss, D. 142 (third version) | Michael George, Graham Johnson | — |
| Geistes-Gruss, D. 142 (sixth version) | Michael George, Graham Johnson | — |
| Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (first version) | John Mark Ainsley, Graham Johnson | — |
| Wer nie sein Brot mit Tränen ass, D. 478 no. 2 (second version) | John Mark Ainsley, Graham Johnson | — |
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What is UPC 034571130248?
034571130248 is a Universal Product Code (UPC) assigned to The Hyperion Schubert Edition, Volume 24: A Goethe Schubertiad by Franz Schubert, Christine Schäfer, John Mark Ainsley, Simon Keenlyside, Michael George, Graham Johnson. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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