UPC · Release
Henry Purcell, The King’s Consort, Robert King
Last verified:
The UPC for “The Complete Odes and Welcome Songs” by Henry Purcell, The King’s Consort, Robert King is 034571140315. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-11-01. Label: Hyperion. This release contains 201 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ode, Z 320 "Arise, My Muse": I. Symphony | — | ||
| 2 | Ode, Z 320 "Arise, My Muse": II. Aria (Alto) "Arise, my muse" | — | ||
| 3 | Ode, Z 320 "Arise, My Muse": III. Chorus - Ritornello "Ye sons of music" | — | ||
| 4 | Ode, Z 320 "Arise, My Muse": IV. Aria (Tenor, Bass) - Chorus "Then sound your instruments" | — | ||
| 5 | Ode, Z 320 "Arise, My Muse": V. Aria (Alto) "See how the glitt'ring ruler of the day" | — | ||
| 6 | Ode, Z 320 "Arise, My Muse": VI. Aria (Altos I-II) - Chorus - Ritornello "Hail, gracious Gloriana, hail" | — | ||
| 7 | Ode, Z 320 "Arise, My Muse": VII. Aria (Bass) "And since the time's distress to wars' alarms" | — | ||
| 8 | Ode, Z 320 "Arise, My Muse": VIII. Aria (Alto, Tenor, Bass) "To quell his country's foes" | — | ||
| 9 | Ode, Z 320 "Arise, My Muse": IX. Aria (Alto) "But, ah, I see Eusebia drown'd in tears" | — | ||
| 10 | Ode, Z 320 "Arise, My Muse": X. Aria (Bass) - Aria (Alto) - Chorus "But Glory cries" | — | ||
| 11 | Ode, Z 339 "Welcome to All the Pleasures": I. Symphony | — | ||
| 12 | Ode, Z 339 "Welcome to All the Pleasures": II. Aria (Alto, Tenor, Bass) - Chorus - Ritornello "Welcome to all the pleasures that delight" | — | ||
| 13 | Ode, Z 339 "Welcome to All the Pleasures": III. Aria (Alto) - Ritornello "Here the Deities approve" | — | ||
| 14 | Ode, Z 339 "Welcome to All the Pleasures": IV. Aria (Sopranos I-II, Bass) - Ritornello "While joys celestial" | — | ||
| 15 | Ode, Z 339 "Welcome to All the Pleasures": V. Aria (Alto, Tenor, Bass) - Chorus "Then lift up your voices" | — | ||
| 16 | Ode, Z 339 "Welcome to All the Pleasures": VI. Ritornello - Aria (Tenor) - Ritornello "Beauty, thou scene of love" | — | ||
| 17 | Ode, Z 339 "Welcome to All the Pleasures": VII. Aria (Tenor) - Chorus "In a consort of voices" | — | ||
| 18 | Ode, Z 332 "Now Does the Glorious Day Appear": I. Symphony | — | ||
| 19 | Ode, Z 332 "Now Does the Glorious Day Appear": II. Chorus - Ritornello "Now does the glorious day appear" | — | ||
| 20 | Ode, Z 332 "Now Does the Glorious Day Appear": III. Aria (Tenor, Bass) "Not any one such joy could bring" | — | ||
| 21 | Ode, Z 332 "Now Does the Glorious Day Appear": IV. Aria (Tenor) - Ritornello "Now does the glorious day appear" | — | ||
| 22 | Ode, Z 332 "Now Does the Glorious Day Appear": V. Chorus - Ritornello "Now does the glorious day appear" | — | ||
| 23 | Ode, Z 332 "Now Does the Glorious Day Appear": VI. Aria (Bass) "It was a work of full as great a weight" | — | ||
| 24 | Ode, Z 332 "Now Does the Glorious Day Appear": VII. Aria (Alto) "By beauteous softness mixed with majesty" | — | ||
| 25 | Ode, Z 332 "Now Does the Glorious Day Appear": VIII. Aria (Basses I-II) "Her hero too" | — | ||
| 26 | Ode, Z 332 "Now Does the Glorious Day Appear": IX. Aria (Soprano, Alto, Tenor) "Our dear religion" | — | ||
| 27 | Ode, Z 332 "Now Does the Glorious Day Appear": X. Aria (Tenor) - Ritornello "No more shall we the great Eliza boast" | — | ||
| 28 | Ode, Z 332 "Now Does the Glorious Day Appear": XI. Chorus "Now, now, with one united voice" | — | ||
| 2-1 | Ode, Z 328 "Hail! bright Cecilia": I. Symphony | — | ||
| 2-2 | Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia" | — | ||
| 2-3 | Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks" | — | ||
| 2-4 | Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice" | — | ||
| 2-5 | Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World" | — | ||
| 2-6 | Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below" | — | ||
| 2-7 | Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay" | — | ||
| 2-8 | Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!" | — | ||
| 2-9 | Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin" | — | ||
| 2-10 | Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute" | — | ||
| 2-11 | Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War" | — | ||
| 2-12 | Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest" | — | ||
| 2-13 | Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" | — | ||
| 2-14 | Ode, Z 342 "Who can from joy refrain": I. Overture | — | ||
| 2-15 | Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain" | — | ||
| 2-16 | Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race" | — | ||
| 2-17 | Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane" | — | ||
| 2-18 | Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine" | — | ||
| 2-19 | Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet" | — | ||
| 2-20 | Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame" | — | ||
| 3-1 | Ode, Z 324 "Fly, bold rebellion": I. Symphony | — | ||
| 3-2 | Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion" | — | ||
| 3-3 | Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned" | — | ||
| 3-4 | Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays" | — | ||
| 3-5 | Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears" | — | ||
| 3-6 | Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes" | — | ||
| 3-7 | Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir" | — | ||
| 3-8 | Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled" | — | ||
| 3-9 | Ode, Z 335 "Sound the trumpet, beat the drum": I. Symphony | — | ||
| 3-10 | Ode, Z 335 "Sound the trumpet, beat the drum": II. Aria (High Tenor, Bass) - Chorus "Sound the trumpet, beat the drum" | — | ||
| 3-11 | Ode, Z 335 "Sound the trumpet, beat the drum": III. Aria (High Tenor) - Chorus "Crown the year and crown the day" | — | ||
| 3-12 | Ode, Z 335 "Sound the trumpet, beat the drum": IV. Aria (Alto, High Tenor) - Ritornello "Let Caesar and Urania live" | — | ||
| 3-13 | Ode, Z 335 "Sound the trumpet, beat the drum": V. Aria (Tenor, Bass) - Chorus "What greater bliss can Fate bestow" | — | ||
| 3-14 | Ode, Z 335 "Sound the trumpet, beat the drum": VI. Chaconne | — | ||
| 3-15 | Ode, Z 335 "Sound the trumpet, beat the drum": VII. Aria (Bass) "While Caesar like the morning star" | — | ||
| 3-16 | Ode, Z 335 "Sound the trumpet, beat the drum": VIII. Aria (Alto, Tenor, Bass) - Sextet - Chorus "To Urania and Caesar delights without measure" | — | ||
| 3-17 | Ode, Z 321 "Celebrate this Festival": I. Symphony | — | ||
| 3-18 | Ode, Z 321 "Celebrate this Festival": II. (Soloists, Chorus) "Celebrate this Festival" | — | ||
| 3-19 | Ode, Z 321 "Celebrate this Festival": III. Aria (Sopranos I-II) - Chorus "Britain now thy cares beguile" | — | ||
| 3-20 | Ode, Z 321 "Celebrate this Festival": IV. Aria (Soprano, Trumpet) - Chorus "'Tis sacred, bid the trumpet cease" | — | ||
| 3-21 | Ode, Z 321 "Celebrate this Festival": V. Aria (Soprano) - Chorus "Let sullen Discord smile" | — | ||
| 3-22 | Ode, Z 321 "Celebrate this Festival": VI. Aria (Alto) "Crown the altar, deck the shrine" | — | ||
| 3-23 | Ode, Z 321 "Celebrate this Festival": VII. Aria (Bass) - Chorus "Expected Spring at last is come" | — | ||
| 3-24 | Ode, Z 321 "Celebrate this Festival": VIII. Aria (Alto) - Ritornello "April, who till now has mourned" | — | ||
| 3-25 | Ode, Z 321 "Celebrate this Festival": IX. Aria (High Tenor) Departing thus youæll hear him say" | — | ||
| 3-26 | Ode, Z 321 "Celebrate this Festival": X. Ritornello - Aria (Alto, Tenor, Bass) "Happy realm beyond expressing" | — | ||
| 3-27 | Ode, Z 321 "Celebrate this Festival": XI. Aria (Bass, Trumpet) "While, for a righteous cause he arms" | — | ||
| 3-28 | Ode, Z 321 "Celebrate this Festival": XII. Aria (High Tenor) - Eight-part Chorus "Return, fond Muse, the thoughts of war" | — | ||
| 3-29 | Ode, Z 321 "Celebrate this Festival": XIII. Aria (Soprano) - Chorus "Kindly treat Maria's day" | — | ||
| 4-1 | Ode, Z 344 "Ye tuneful muses": I. Symphony | — | ||
| 4-2 | Ode, Z 344 "Ye tuneful muses": II. Duet (Basses I-II) - Ritornello - Chorus "Ye tuneful muses" | — | ||
| 4-3 | Ode, Z 344 "Ye tuneful muses": III. Aria (High Tenor) - Chorus - Ritornello "Be lively then and gay" | — | ||
| 4-4 | Ode, Z 344 "Ye tuneful muses": IV. Aria (Bass) - Chorus "In his just praise" | — | ||
| 4-5 | Ode, Z 344 "Ye tuneful muses": V. Ritornell - Aria (Tenor) - Chorus "From the rattling of drums" | — | ||
| 4-6 | Ode, Z 344 "Ye tuneful muses": VI. Trio (Alto, High Tenor, Bass) "To music's softer but yet kind" | — | ||
| 4-7 | Ode, Z 344 "Ye tuneful muses": VII. Aria (Alto) - Ritornello "With him he brings the partner of his throne" | — | ||
| 4-8 | Ode, Z 344 "Ye tuneful muses": VIII. Duet (Sopranos I-II) "Happy in a mutual love" | — | ||
| 4-9 | Ode, Z 344 "Ye tuneful muses": IX. Aria (High Tenor) - Chorus "Whilst in music and verse our duty we show" | — | ||
| 4-10 | Ode, Z 322 "Celestial music did the gods inspire": I. Symphony | — | ||
| 4-11 | Ode, Z 322 "Celestial music did the gods inspire": II. Aria (Bass) - Chorus "Celestial music did the Gods inspire" | — | ||
| 4-12 | Ode, Z 322 "Celestial music did the gods inspire": III. Aria (Alto) "Her charming strains expel tormenting care" | — | ||
| 4-13 | Ode, Z 322 "Celestial music did the gods inspire": IV. Aria (Soprano) "Thus Virgil's Genius lov'd" | — | ||
| 4-14 | Ode, Z 322 "Celestial music did the gods inspire": V. Duet (High Tenor, Bass) - Ritornello "Whilst Music did improve Amphion's song" | — | ||
| 4-15 | Ode, Z 322 "Celestial music did the gods inspire": VI. Aria (Alto) "When Orpheus sang all Nature did rejoice" | — | ||
| 4-16 | Ode, Z 322 "Celestial music did the gods inspire": VII. Trio (Alto, Tenor, Bass) - Chorus "Let Phyllis by her voice" | — | ||
| 4-17 | Ode, Z 325 "From hardy climes": I. Symphony | — | ||
| 4-18 | Ode, Z 325 "From hardy climes": II. Aria (Bass) - Chorus - Ritornello "From hardy Climes and dangerous Toils of War" | — | ||
| 4-19 | Ode, Z 325 "From hardy climes": III. Aria (High Tenor) - Duet (Sopranos I-II) - Ritornello "As Fame, Great Sir, before you ran" | — | ||
| 4-20 | Ode, Z 325 "From hardy climes": IV. Aria (Bass) - Chorus - Ritornello "Wake then, my Muse" | — | ||
| 4-21 | Ode, Z 325 "From hardy climes": V. Aria (Tenor) - Ritornello "The Sparrow and the gentle Dove" | — | ||
| 4-22 | Ode, Z 325 "From hardy climes": VI. Trio (Alto, High Tenor, Bass) - Ritornello "So all the Boons indulgent" | — | ||
| 4-23 | Ode, Z 325 "From hardy climes": VII. Aria (Soprano) - Chorus "Hence without Scheme or Figure to descry" | — | ||
| 5-1 | Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony | — | ||
| 5-2 | Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn" | — | ||
| 5-3 | Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return" | — | ||
| 5-4 | Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove" | — | ||
| 5-5 | Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle" | — | ||
| 5-6 | Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight" | — | ||
| 5-7 | Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast" | — | ||
| 5-8 | Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard" | — | ||
| 5-9 | Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd" | — | ||
| 5-10 | Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns" | — | ||
| 5-11 | Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres" | — | ||
| 5-12 | Ode, Z 327 "Great parent, hail to thee": I. [Symphony] | — | ||
| 5-13 | Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!" | — | ||
| 5-14 | Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing" | — | ||
| 5-15 | Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated" | — | ||
| 5-16 | Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat" | — | ||
| 5-17 | Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire" | — | ||
| 5-18 | Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite" | — | ||
| 5-19 | Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame" | — | ||
| 5-20 | Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung" | — | ||
| 5-21 | Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these" | — | ||
| 5-22 | Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony | — | ||
| 5-23 | Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear" | — | ||
| 5-24 | Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne" | — | ||
| 5-25 | Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art" | — | ||
| 5-26 | Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled" | — | ||
| 5-27 | Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ" | — | ||
| 5-28 | Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage" | — | ||
| 5-29 | Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine" | — | ||
| 6-1 | Ode, Z 331 "Love's goddess sure was blind": I. Symphony | — | ||
| 6-2 | Ode, Z 331 "Love's goddess sure was blind": II. Aria (Alto) - Ritornello "Love's goddess sure was blind" | — | ||
| 6-3 | Ode, Z 331 "Love's goddess sure was blind": III. Aria (Bass) "Those eyes, that form" | — | ||
| 6-4 | Ode, Z 331 "Love's goddess sure was blind": IV. Duet (Alto, High Tenor) "Sweetness of Nature and true wit" | — | ||
| 6-5 | Ode, Z 331 "Love's goddess sure was blind": V. Aria (Soprano) - Chorus "Long may she reign over this Isle" | — | ||
| 6-6 | Ode, Z 331 "Love's goddess sure was blind": VI. Aria (Soprano) - Ritornello "May her blest example chase" | — | ||
| 6-7 | Ode, Z 331 "Love's goddess sure was blind": VII. Duet (Alto, High Tenor) "Many such days may she behold" | — | ||
| 6-8 | Ode, Z 331 "Love's goddess sure was blind": VIII. Chorus - Quartet (Soprano, Alto, Tenor, Bass) - Chorus "May she to Heaven late return" | — | ||
| 6-9 | Ode, Z 334 "Raise raise the voice": I. Symphony | — | ||
| 6-10 | Ode, Z 334 "Raise raise the voice": II. Aria (Bass) - Chorus - Ritornello "Raise, raise the voice" | — | ||
| 6-11 | Ode, Z 334 "Raise raise the voice": III. Aria (Soprano) - Trio (Soprano, Tenor, Bass) "The God himself says he'll be present here" | — | ||
| 6-12 | Ode, Z 334 "Raise raise the voice": IV. Aria (Soprano) - Chorus - Ritornello - Chorus "Mark how readily each pliant string" | — | ||
| 6-13 | Ode, Z 329 "Laudate Ceciliam": I. Symphony - Trio (Alto, High Tenor, Bass) "Laudate Ceciliam" | — | ||
| 6-14 | Ode, Z 329 "Laudate Ceciliam": II. Trio (Alto, High Tenor, Bass) "Modulemni psalmum novum" | — | ||
| 6-15 | Ode, Z 329 "Laudate Ceciliam": III. Symphony | — | ||
| 6-16 | Ode, Z 329 "Laudate Ceciliam": IV. Duet (Alto, High Tenor) - Trio (Alto, High Tenor, Bass) "Dicite Virgini, canite Martyri" | — | ||
| 6-17 | Ode, Z 326 "From those serene and rapturous joys": I. [Symphony] | — | ||
| 6-18 | Ode, Z 326 "From those serene and rapturous joys": II. Aria (Alto) - Ritornello "From those serene and rapturous joys" | — | ||
| 6-19 | Ode, Z 326 "From those serene and rapturous joys": III. Aria (Bass) - Chorus "Behold th' indulgent Prince is come" | — | ||
| 6-20 | Ode, Z 326 "From those serene and rapturous joys": IV. Duet (Sopranos I-II) - Ritornello "Not with an Helmet or a glitt'ring Spear" | — | ||
| 6-21 | Ode, Z 326 "From those serene and rapturous joys": V. Aria (Bass) - Chorus "Welcome as soft refreshing show'rs" | — | ||
| 6-22 | Ode, Z 326 "From those serene and rapturous joys": VI. Aria (Tenor) - Ritornello "Welcome, more welcome does he come" | — | ||
| 6-23 | Ode, Z 326 "From those serene and rapturous joys": VII. Duet (Tenor, Bass) - Ritornello "Nor does the Sun more comfort bring" | — | ||
| 6-24 | Ode, Z 326 "From those serene and rapturous joys": VIII. Ritornello - Aria (Tenor) - Chorus "With trumpets and shouts we receive the World's Wonder" | — | ||
| 7-1 | Ode, Z 333 "Of old, when heroes thought it base": I. Symphony | — | ||
| 7-2 | Ode, Z 333 "Of old, when heroes thought it base": II. Aria (Bass) - Duet (High Tenor, Bass) " Of old, when heroes thought it base" | — | ||
| 7-3 | Ode, Z 333 "Of old, when heroes thought it base": III. Aria (Tenor) - Chorus "The bashful Thames, for beauto so renown'd" | — | ||
| 7-4 | Ode, Z 333 "Of old, when heroes thought it base": IV. Ritornello - Aria (Alto) "The pale and the purple rose" | — | ||
| 7-5 | Ode, Z 333 "Of old, when heroes thought it base": V. Duet (Tenor, Bass) - Chorus "And in each track of glory since" | — | ||
| 7-6 | Ode, Z 333 "Of old, when heroes thought it base": VI. Symphony | — | ||
| 7-7 | Ode, Z 333 "Of old, when heroes thought it base": VII. Duet (Tenor, Bass) "And now when the renown'd Nassau" | — | ||
| 7-8 | Ode, Z 333 "Of old, when heroes thought it base": VIII. Duet (Basses I-II) "They did no storms, nor threat'nings fear" | — | ||
| 7-9 | Ode, Z 333 "Of old, when heroes thought it base": IX. Aria (Tenor) "So when the glitt'ring Queen of Night" | — | ||
| 7-10 | Ode, Z 333 "Of old, when heroes thought it base": X. Chorus "Let music join" | — | ||
| 7-11 | Ode, Z 333 "Of old, when heroes thought it base": XI. Aria (Tenor) - Ritornello "Sound trumpets, sound!" | — | ||
| 7-12 | Ode, Z 333 "Of old, when heroes thought it base": XII. Aria (Bass) - Chorus "Sound all to him" | — | ||
| 7-13 | Ode, Z 336 "Swifter, Isis, swifter flow": I. Symphony - Aria (High Tenor) - Ritornello "Swifter, Isis, swifter flow" | — | ||
| 7-14 | Ode, Z 336 "Swifter, Isis, swifter flow": II. Aria (Bass) "Land him safely on her shore" | — | ||
| 7-15 | Ode, Z 336 "Swifter, Isis, swifter flow": III. Ritornello - Aria (Tenor) - Ritornello "Hark, hark! just now my listening ears" | — | ||
| 7-16 | Ode, Z 336 "Swifter, Isis, swifter flow": IV. Trio (Alto, High Tenor, Bass) - Chorus "Welcome, dread Sir, to town" | — | ||
| 7-17 | Ode, Z 336 "Swifter, Isis, swifter flow": V. Aria (Bass) - Aria (Tenor) - Chorus "But with so great devotion meet" | — | ||
| 7-18 | Ode, Z 336 "Swifter, Isis, swifter flow": VI. Duet (Soprano, Alto) "The King whose presence like the Spring" | — | ||
| 7-19 | Ode, Z 336 "Swifter, Isis, swifter flow": VII. Chorus "Then since, Sir, from you all our blessings do flow" | — | ||
| 7-20 | Ode, Z 341 "What, what shall be done in behalf of the man": I. Symphony | — | ||
| 7-21 | Ode, Z 341 "What, what shall be done in behalf of the man": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "What shall be done in behalf of the man" | — | ||
| 7-22 | Ode, Z 341 "What, what shall be done in behalf of the man": III. Aria (High Tenor) - Ritornelle - Chorus "All the grandeur he possesses" | — | ||
| 7-23 | Ode, Z 341 "What, what shall be done in behalf of the man": IV. Aria (Bass) - Chorus - Ritornello "Mighty Charles, though joined with thee" | — | ||
| 7-24 | Ode, Z 341 "What, what shall be done in behalf of the man": V. Duet (Sopranos I-II) - Chorus "May all factious troubles cease" | — | ||
| 8-1 | Ode, Z 323 "Come ye sons of Art, away": I. Symphony | — | ||
| 8-2 | Ode, Z 323 "Come ye sons of Art, away": II. Aria (Alto) - Chorus "Come ye sons of Art, away" | — | ||
| 8-3 | Ode, Z 323 "Come ye sons of Art, away": III. Duet (Altos I-II) - Chorus "Sound the trumpet" | — | ||
| 8-4 | Ode, Z 323 "Come ye sons of Art, away": IV. Aria (Alto) - Ritornello "Strike the viol, touch the lute" | — | ||
| 8-5 | Ode, Z 323 "Come ye sons of Art, away": V. Aria (Bass) - Chorus "The day that such a blessing gave" | — | ||
| 8-6 | Ode, Z 323 "Come ye sons of Art, away": VI. Aria (Soprano) "Bid the virtues, bid the Graces" | — | ||
| 8-7 | Ode, Z 323 "Come ye sons of Art, away": VII. Aria (Bass) "These are the sacred charms that shield" | — | ||
| 8-8 | Ode, Z 323 "Come ye sons of Art, away": VIII. Duet (Soprano, Bass) - Chorus "See Nature, rejoicing, has shown us the way" | — | ||
| 8-9 | Ode, Z 340 "Welcome, viceregent of the mighty king": I. Symphony - Chorus "Welcome, Viceregent of the mighty king" | — | ||
| 8-10 | Ode, Z 340 "Welcome, viceregent of the mighty king": II. Duet (Alto, Bass) - Ritornello "Ah! Mighty Sir, if you to such long absence are inclined" | — | ||
| 8-11 | Ode, Z 340 "Welcome, viceregent of the mighty king": III. Chorus - Ritornello "But your blest presence now" | — | ||
| 8-12 | Ode, Z 340 "Welcome, viceregent of the mighty king": IV. Aria (Tenor) - Chorus "Your influous approach" | — | ||
| 8-13 | Ode, Z 340 "Welcome, viceregent of the mighty king": V. Duet (Sopranos I-II) "When the Summer, in his glory" | — | ||
| 8-14 | Ode, Z 340 "Welcome, viceregent of the mighty king": VI. Chorus "All loyalty and honour be" | — | ||
| 8-15 | Ode, Z 340 "Welcome, viceregent of the mighty king": VII. Aria (Tenor) - Chorus - Ritornello - Chorus "Music the food of love" | — | ||
| 8-16 | Ode, Z 343 "Why, why are all the Muses mute?": I. Aria (Tenor) - Chorus - Symphony "Why, why are all the Muses mute?" | — | ||
| 8-17 | Ode, Z 343 "Why, why are all the Muses mute?": II. Aria (Tenor) - Chorus "When should each soul exalted be" | — | ||
| 8-18 | Ode, Z 343 "Why, why are all the Muses mute?": III. Aria (Alto) - Ritornello "Britain, thou now art great" | — | ||
| 8-19 | Ode, Z 343 "Why, why are all the Muses mute?": IV. Trio (Alto, Tenor, Bass) - Chorus "Look up, and to our Isle returning see" | — | ||
| 8-20 | Ode, Z 343 "Why, why are all the Muses mute?": V. Aria (Bass) - Duet (Sopranos I-II) "Accurs'd rebellion reared his head" | — | ||
| 8-21 | Ode, Z 343 "Why, why are all the Muses mute?": VI. Ritornello - Duet (High Tenor, Bass) "Caesar for milder virtues honour'd more" | — | ||
| 8-22 | Ode, Z 343 "Why, why are all the Muses mute?": VII. Aria (Tenor) - Chorus "The many-headed beast is quelled at home" | — | ||
| 8-23 | Ode, Z 343 "Why, why are all the Muses mute?": VIII. Duet (Basses I-II) "In the equal balance laid" | — | ||
| 8-24 | Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| ARISE, MY MUSE, Z. 320: I. SYMPHONY | — | |
| ARISE, MY MUSE, Z. 320: II. ARISE, MY MUSE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME TO ALL THE PLEASURES, Z. 339: I. SYMPHONY | — | |
| WELCOME TO ALL THE PLEASURES, Z. 339: II. WELCOME TO ALL THE PLEASURES THAT DELIGHT | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: I. SYMPHONY | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: II. NOW DOES THE GLORIOUS DAY APPEAR | — | |
| Unknown | — | |
| Unknown | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: V. NOW DOES THE GLORIOUS DAY APPEAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| HAIL! BRIGHT CECILIA, Z. 328: I. SYMPHONY | — | |
| HAIL! BRIGHT CECILIA, Z. 328: II. HAIL! BRIGHT CECILIA, HAIL! | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| HAIL! BRIGHT CECILIA, Z. 328: XIII. HAIL! BRIGHT CECILIA, HAIL TO THEE! | — | |
| WHO CAN FROM JOY REFRAIN?, Z. 342: I. OVERTURE | — | |
| WHO CAN FROM JOY REFRAIN?, Z. 342: II. WHO CAN FROM JOY REFRAIN? | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| FLY, BOLD REBELLION, Z. 324: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z. 335: I. SYMPHONY | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z. 335: II. SOUND THE TRUMPET, BEAT THE DRUM | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z335: MOVEMENT 6: CHACONNE | — | |
| Unknown | — | |
| Unknown | — | |
| CELEBRATE THIS FESTIVAL, Z. 321: I. SYMPHONY | — | |
| CELEBRATE THIS FESTIVAL, Z. 321: II. CELEBRATE THIS FESTIVAL | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| YE TUNEFUL MUSES, Z. 344: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| CELESTIAL MUSIC DID THE GODS INSPIRE, Z. 322: I. SYMPHONY | — | |
| CELESTIAL MUSIC DID THE GODS INSPIRE, Z. 322: II. CELESTIAL MUSIC DID THE GODS INSPIRE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR, Z. 325: I. SYMPHONY | — | |
| FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR, Z. 325: II. FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME, WELCOME, GLORIOUS MORN, Z. 338: I. SYMPHONY | — | |
| WELCOME, WELCOME, GLORIOUS MORN, Z. 338: II. WELCOME, WELCOME, GLORIOUS MORN | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| THE SUMMER'S ABSENCE UNCONCERNED WE BEAR, Z. 337: I. SYMPHONY | — | |
| THE SUMMER'S ABSENCE UNCONCERNED WE BEAR, Z. 337: II. THE SUMMER'S ABSENCE UNCONCERNED WE BEAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LOVE'S GODDESS SURE WAS BLIND, Z. 331: II. LOVE'S GODDESS SURE WAS BLIND THIS DAY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| RAISE, RAISE THE VOICE, Z. 334: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LAUDATE CECILIAM, Z. 329: III. SYMPHONY | — | |
| Unknown | — | |
| FROM THOSE SERENE AND RAPTUROUS JOYS, Z. 326: I. SYMPHONY | — | |
| FROM THOSE SERENE AND RAPTUROUS JOYS, Z. 326: II. FROM THOSE SERENE AND RAPTUROUS JOYS | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| OF OLD, WHEN HEROES THOUGHT IT BASE 'THE YORKSHIRE FEAST SONG', Z. 333: II. OF OLD, WHEN HEROES THOUGHT IT BASE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SWIFTER, ISIS, SWIFTER FLOW, Z. 336: I. SYMPHONY – SWIFTER, ISIS, SWIFTER FLOW | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WHAT SHALL BE DONE IN BEHALF OF THE MAN?, Z. 341: I. SYMPHONY | — | |
| WHAT SHALL BE DONE IN BEHALF OF THE MAN?, Z. 341: II. WHAT SHALL BE DONE IN BEHALF OF THE MAN? | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME, VICEGERENT OF THE MIGHTY KING, Z. 340: I. SYMPHONY – WELCOME, VICEGERENT OF THE MIGHTY KING | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WHY, WHY ARE ALL THE MUSES MUTE?, Z. 343: I. WHY, WHY ARE ALL THE MUSES MUTE? | T-301.698.654-8 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
034571140315 is a Universal Product Code (UPC) assigned to The Complete Odes and Welcome Songs by Henry Purcell, The King’s Consort, Robert King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 201 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Odes and Welcome Songs” by Henry Purcell, The King’s Consort, Robert King is 034571140315. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1992-11-01. Label: Hyperion. This release contains 201 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ode, Z 320 "Arise, My Muse": I. Symphony | — | ||
| 2 | Ode, Z 320 "Arise, My Muse": II. Aria (Alto) "Arise, my muse" | — | ||
| 3 | Ode, Z 320 "Arise, My Muse": III. Chorus - Ritornello "Ye sons of music" | — | ||
| 4 | Ode, Z 320 "Arise, My Muse": IV. Aria (Tenor, Bass) - Chorus "Then sound your instruments" | — | ||
| 5 | Ode, Z 320 "Arise, My Muse": V. Aria (Alto) "See how the glitt'ring ruler of the day" | — | ||
| 6 | Ode, Z 320 "Arise, My Muse": VI. Aria (Altos I-II) - Chorus - Ritornello "Hail, gracious Gloriana, hail" | — | ||
| 7 | Ode, Z 320 "Arise, My Muse": VII. Aria (Bass) "And since the time's distress to wars' alarms" | — | ||
| 8 | Ode, Z 320 "Arise, My Muse": VIII. Aria (Alto, Tenor, Bass) "To quell his country's foes" | — | ||
| 9 | Ode, Z 320 "Arise, My Muse": IX. Aria (Alto) "But, ah, I see Eusebia drown'd in tears" | — | ||
| 10 | Ode, Z 320 "Arise, My Muse": X. Aria (Bass) - Aria (Alto) - Chorus "But Glory cries" | — | ||
| 11 | Ode, Z 339 "Welcome to All the Pleasures": I. Symphony | — | ||
| 12 | Ode, Z 339 "Welcome to All the Pleasures": II. Aria (Alto, Tenor, Bass) - Chorus - Ritornello "Welcome to all the pleasures that delight" | — | ||
| 13 | Ode, Z 339 "Welcome to All the Pleasures": III. Aria (Alto) - Ritornello "Here the Deities approve" | — | ||
| 14 | Ode, Z 339 "Welcome to All the Pleasures": IV. Aria (Sopranos I-II, Bass) - Ritornello "While joys celestial" | — | ||
| 15 | Ode, Z 339 "Welcome to All the Pleasures": V. Aria (Alto, Tenor, Bass) - Chorus "Then lift up your voices" | — | ||
| 16 | Ode, Z 339 "Welcome to All the Pleasures": VI. Ritornello - Aria (Tenor) - Ritornello "Beauty, thou scene of love" | — | ||
| 17 | Ode, Z 339 "Welcome to All the Pleasures": VII. Aria (Tenor) - Chorus "In a consort of voices" | — | ||
| 18 | Ode, Z 332 "Now Does the Glorious Day Appear": I. Symphony | — | ||
| 19 | Ode, Z 332 "Now Does the Glorious Day Appear": II. Chorus - Ritornello "Now does the glorious day appear" | — | ||
| 20 | Ode, Z 332 "Now Does the Glorious Day Appear": III. Aria (Tenor, Bass) "Not any one such joy could bring" | — | ||
| 21 | Ode, Z 332 "Now Does the Glorious Day Appear": IV. Aria (Tenor) - Ritornello "Now does the glorious day appear" | — | ||
| 22 | Ode, Z 332 "Now Does the Glorious Day Appear": V. Chorus - Ritornello "Now does the glorious day appear" | — | ||
| 23 | Ode, Z 332 "Now Does the Glorious Day Appear": VI. Aria (Bass) "It was a work of full as great a weight" | — | ||
| 24 | Ode, Z 332 "Now Does the Glorious Day Appear": VII. Aria (Alto) "By beauteous softness mixed with majesty" | — | ||
| 25 | Ode, Z 332 "Now Does the Glorious Day Appear": VIII. Aria (Basses I-II) "Her hero too" | — | ||
| 26 | Ode, Z 332 "Now Does the Glorious Day Appear": IX. Aria (Soprano, Alto, Tenor) "Our dear religion" | — | ||
| 27 | Ode, Z 332 "Now Does the Glorious Day Appear": X. Aria (Tenor) - Ritornello "No more shall we the great Eliza boast" | — | ||
| 28 | Ode, Z 332 "Now Does the Glorious Day Appear": XI. Chorus "Now, now, with one united voice" | — | ||
| 2-1 | Ode, Z 328 "Hail! bright Cecilia": I. Symphony | — | ||
| 2-2 | Ode, Z 328 "Hail! bright Cecilia": II. (Soloists and Chorus) "Hail! bright Cecilia" | — | ||
| 2-3 | Ode, Z 328 "Hail! bright Cecilia": III. Aria (Alto, Bass) "Hark, each Tree its silence breaks" | — | ||
| 2-4 | Ode, Z 328 "Hail! bright Cecilia": IV. Aria (Alto) "'Tis Nature's Voice" | — | ||
| 2-5 | Ode, Z 328 "Hail! bright Cecilia": V. Chorus "Soul of the World" | — | ||
| 2-6 | Ode, Z 328 "Hail! bright Cecilia": VI. Aria (Soprano) "Thou tun'st this World below" | — | ||
| 2-7 | Ode, Z 328 "Hail! bright Cecilia": VII. Aria (Alto, Tenor, Bass) "With that sublime Celestial Lay" | — | ||
| 2-8 | Ode, Z 328 "Hail! bright Cecilia": VIII. Aria (Bass) "Wond'rous Machine!" | — | ||
| 2-9 | Ode, Z 328 "Hail! bright Cecilia": IX. Aria (High Tenor) "The Airy Violin" | — | ||
| 2-10 | Ode, Z 328 "Hail! bright Cecilia": X. Aria (Alto, Tenor) "In vain the Am'rous Flute" | — | ||
| 2-11 | Ode, Z 328 "Hail! bright Cecilia": XI. Aria (Tenor) "The Fife and all the Harmony of War" | — | ||
| 2-12 | Ode, Z 328 "Hail! bright Cecilia": XII. Aria (Basses I-II) "Let these amongst themselves contest" | — | ||
| 2-13 | Ode, Z 328 "Hail! bright Cecilia": XIII. (Soloists and Chorus) "Hail! bright Cecilia" | — | ||
| 2-14 | Ode, Z 342 "Who can from joy refrain": I. Overture | — | ||
| 2-15 | Ode, Z 342 "Who can from joy refrain": II. Aria (Alto) "Who can from joy refrain" | — | ||
| 2-16 | Ode, Z 342 "Who can from joy refrain": III. Aria (High Tenor) "A Prince of glorious race" | — | ||
| 2-17 | Ode, Z 342 "Who can from joy refrain": IV. Aria (Bass) "The Father brave as e'er was Dane" | — | ||
| 2-18 | Ode, Z 342 "Who can from joy refrain": V. Aria (Soprano) "The Graces in his Mother shine" | — | ||
| 2-19 | Ode, Z 342 "Who can from joy refrain": VI. Aria (Tenor) "Sound the Trumpet" | — | ||
| 2-20 | Ode, Z 342 "Who can from joy refrain": VII. Aria (Sopranos I-II) "If now he burns with noble flame" | — | ||
| 3-1 | Ode, Z 324 "Fly, bold rebellion": I. Symphony | — | ||
| 3-2 | Ode, Z 324 "Fly, bold rebellion": II. Quintet - Ritornello - Aria (Bass) - Chorus "Fly, bold rebellion" | — | ||
| 3-3 | Ode, Z 324 "Fly, bold rebellion": III. Aria (High Tenor) - Ritornello - Chorus "Rivers from their channels turned" | — | ||
| 3-4 | Ode, Z 324 "Fly, bold rebellion": IV. Aria (Bass, Tenor) - Ritornello "If then we've found the want of his rays" | — | ||
| 3-5 | Ode, Z 324 "Fly, bold rebellion": V. Trio (Sopranos I-II, Tenor) - Ritornello "But Heaven has now dispelled those fears" | — | ||
| 3-6 | Ode, Z 324 "Fly, bold rebellion": VI. Aria (Alto, Tenor, Bass) - Chorus "Come then, change your notes" | — | ||
| 3-7 | Ode, Z 324 "Fly, bold rebellion": VII. Aria (Alto) - Ritornello " Be welcome then, great Sir" | — | ||
| 3-8 | Ode, Z 324 "Fly, bold rebellion": VIII. Septet - Chorus "Welcome to all those wishes fulfilled" | — | ||
| 3-9 | Ode, Z 335 "Sound the trumpet, beat the drum": I. Symphony | — | ||
| 3-10 | Ode, Z 335 "Sound the trumpet, beat the drum": II. Aria (High Tenor, Bass) - Chorus "Sound the trumpet, beat the drum" | — | ||
| 3-11 | Ode, Z 335 "Sound the trumpet, beat the drum": III. Aria (High Tenor) - Chorus "Crown the year and crown the day" | — | ||
| 3-12 | Ode, Z 335 "Sound the trumpet, beat the drum": IV. Aria (Alto, High Tenor) - Ritornello "Let Caesar and Urania live" | — | ||
| 3-13 | Ode, Z 335 "Sound the trumpet, beat the drum": V. Aria (Tenor, Bass) - Chorus "What greater bliss can Fate bestow" | — | ||
| 3-14 | Ode, Z 335 "Sound the trumpet, beat the drum": VI. Chaconne | — | ||
| 3-15 | Ode, Z 335 "Sound the trumpet, beat the drum": VII. Aria (Bass) "While Caesar like the morning star" | — | ||
| 3-16 | Ode, Z 335 "Sound the trumpet, beat the drum": VIII. Aria (Alto, Tenor, Bass) - Sextet - Chorus "To Urania and Caesar delights without measure" | — | ||
| 3-17 | Ode, Z 321 "Celebrate this Festival": I. Symphony | — | ||
| 3-18 | Ode, Z 321 "Celebrate this Festival": II. (Soloists, Chorus) "Celebrate this Festival" | — | ||
| 3-19 | Ode, Z 321 "Celebrate this Festival": III. Aria (Sopranos I-II) - Chorus "Britain now thy cares beguile" | — | ||
| 3-20 | Ode, Z 321 "Celebrate this Festival": IV. Aria (Soprano, Trumpet) - Chorus "'Tis sacred, bid the trumpet cease" | — | ||
| 3-21 | Ode, Z 321 "Celebrate this Festival": V. Aria (Soprano) - Chorus "Let sullen Discord smile" | — | ||
| 3-22 | Ode, Z 321 "Celebrate this Festival": VI. Aria (Alto) "Crown the altar, deck the shrine" | — | ||
| 3-23 | Ode, Z 321 "Celebrate this Festival": VII. Aria (Bass) - Chorus "Expected Spring at last is come" | — | ||
| 3-24 | Ode, Z 321 "Celebrate this Festival": VIII. Aria (Alto) - Ritornello "April, who till now has mourned" | — | ||
| 3-25 | Ode, Z 321 "Celebrate this Festival": IX. Aria (High Tenor) Departing thus youæll hear him say" | — | ||
| 3-26 | Ode, Z 321 "Celebrate this Festival": X. Ritornello - Aria (Alto, Tenor, Bass) "Happy realm beyond expressing" | — | ||
| 3-27 | Ode, Z 321 "Celebrate this Festival": XI. Aria (Bass, Trumpet) "While, for a righteous cause he arms" | — | ||
| 3-28 | Ode, Z 321 "Celebrate this Festival": XII. Aria (High Tenor) - Eight-part Chorus "Return, fond Muse, the thoughts of war" | — | ||
| 3-29 | Ode, Z 321 "Celebrate this Festival": XIII. Aria (Soprano) - Chorus "Kindly treat Maria's day" | — | ||
| 4-1 | Ode, Z 344 "Ye tuneful muses": I. Symphony | — | ||
| 4-2 | Ode, Z 344 "Ye tuneful muses": II. Duet (Basses I-II) - Ritornello - Chorus "Ye tuneful muses" | — | ||
| 4-3 | Ode, Z 344 "Ye tuneful muses": III. Aria (High Tenor) - Chorus - Ritornello "Be lively then and gay" | — | ||
| 4-4 | Ode, Z 344 "Ye tuneful muses": IV. Aria (Bass) - Chorus "In his just praise" | — | ||
| 4-5 | Ode, Z 344 "Ye tuneful muses": V. Ritornell - Aria (Tenor) - Chorus "From the rattling of drums" | — | ||
| 4-6 | Ode, Z 344 "Ye tuneful muses": VI. Trio (Alto, High Tenor, Bass) "To music's softer but yet kind" | — | ||
| 4-7 | Ode, Z 344 "Ye tuneful muses": VII. Aria (Alto) - Ritornello "With him he brings the partner of his throne" | — | ||
| 4-8 | Ode, Z 344 "Ye tuneful muses": VIII. Duet (Sopranos I-II) "Happy in a mutual love" | — | ||
| 4-9 | Ode, Z 344 "Ye tuneful muses": IX. Aria (High Tenor) - Chorus "Whilst in music and verse our duty we show" | — | ||
| 4-10 | Ode, Z 322 "Celestial music did the gods inspire": I. Symphony | — | ||
| 4-11 | Ode, Z 322 "Celestial music did the gods inspire": II. Aria (Bass) - Chorus "Celestial music did the Gods inspire" | — | ||
| 4-12 | Ode, Z 322 "Celestial music did the gods inspire": III. Aria (Alto) "Her charming strains expel tormenting care" | — | ||
| 4-13 | Ode, Z 322 "Celestial music did the gods inspire": IV. Aria (Soprano) "Thus Virgil's Genius lov'd" | — | ||
| 4-14 | Ode, Z 322 "Celestial music did the gods inspire": V. Duet (High Tenor, Bass) - Ritornello "Whilst Music did improve Amphion's song" | — | ||
| 4-15 | Ode, Z 322 "Celestial music did the gods inspire": VI. Aria (Alto) "When Orpheus sang all Nature did rejoice" | — | ||
| 4-16 | Ode, Z 322 "Celestial music did the gods inspire": VII. Trio (Alto, Tenor, Bass) - Chorus "Let Phyllis by her voice" | — | ||
| 4-17 | Ode, Z 325 "From hardy climes": I. Symphony | — | ||
| 4-18 | Ode, Z 325 "From hardy climes": II. Aria (Bass) - Chorus - Ritornello "From hardy Climes and dangerous Toils of War" | — | ||
| 4-19 | Ode, Z 325 "From hardy climes": III. Aria (High Tenor) - Duet (Sopranos I-II) - Ritornello "As Fame, Great Sir, before you ran" | — | ||
| 4-20 | Ode, Z 325 "From hardy climes": IV. Aria (Bass) - Chorus - Ritornello "Wake then, my Muse" | — | ||
| 4-21 | Ode, Z 325 "From hardy climes": V. Aria (Tenor) - Ritornello "The Sparrow and the gentle Dove" | — | ||
| 4-22 | Ode, Z 325 "From hardy climes": VI. Trio (Alto, High Tenor, Bass) - Ritornello "So all the Boons indulgent" | — | ||
| 4-23 | Ode, Z 325 "From hardy climes": VII. Aria (Soprano) - Chorus "Hence without Scheme or Figure to descry" | — | ||
| 5-1 | Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony | — | ||
| 5-2 | Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn" | — | ||
| 5-3 | Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return" | — | ||
| 5-4 | Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove" | — | ||
| 5-5 | Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle" | — | ||
| 5-6 | Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight" | — | ||
| 5-7 | Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast" | — | ||
| 5-8 | Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard" | — | ||
| 5-9 | Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd" | — | ||
| 5-10 | Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns" | — | ||
| 5-11 | Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres" | — | ||
| 5-12 | Ode, Z 327 "Great parent, hail to thee": I. [Symphony] | — | ||
| 5-13 | Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!" | — | ||
| 5-14 | Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing" | — | ||
| 5-15 | Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated" | — | ||
| 5-16 | Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat" | — | ||
| 5-17 | Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire" | — | ||
| 5-18 | Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite" | — | ||
| 5-19 | Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame" | — | ||
| 5-20 | Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung" | — | ||
| 5-21 | Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these" | — | ||
| 5-22 | Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony | — | ||
| 5-23 | Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear" | — | ||
| 5-24 | Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne" | — | ||
| 5-25 | Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art" | — | ||
| 5-26 | Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled" | — | ||
| 5-27 | Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ" | — | ||
| 5-28 | Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage" | — | ||
| 5-29 | Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine" | — | ||
| 6-1 | Ode, Z 331 "Love's goddess sure was blind": I. Symphony | — | ||
| 6-2 | Ode, Z 331 "Love's goddess sure was blind": II. Aria (Alto) - Ritornello "Love's goddess sure was blind" | — | ||
| 6-3 | Ode, Z 331 "Love's goddess sure was blind": III. Aria (Bass) "Those eyes, that form" | — | ||
| 6-4 | Ode, Z 331 "Love's goddess sure was blind": IV. Duet (Alto, High Tenor) "Sweetness of Nature and true wit" | — | ||
| 6-5 | Ode, Z 331 "Love's goddess sure was blind": V. Aria (Soprano) - Chorus "Long may she reign over this Isle" | — | ||
| 6-6 | Ode, Z 331 "Love's goddess sure was blind": VI. Aria (Soprano) - Ritornello "May her blest example chase" | — | ||
| 6-7 | Ode, Z 331 "Love's goddess sure was blind": VII. Duet (Alto, High Tenor) "Many such days may she behold" | — | ||
| 6-8 | Ode, Z 331 "Love's goddess sure was blind": VIII. Chorus - Quartet (Soprano, Alto, Tenor, Bass) - Chorus "May she to Heaven late return" | — | ||
| 6-9 | Ode, Z 334 "Raise raise the voice": I. Symphony | — | ||
| 6-10 | Ode, Z 334 "Raise raise the voice": II. Aria (Bass) - Chorus - Ritornello "Raise, raise the voice" | — | ||
| 6-11 | Ode, Z 334 "Raise raise the voice": III. Aria (Soprano) - Trio (Soprano, Tenor, Bass) "The God himself says he'll be present here" | — | ||
| 6-12 | Ode, Z 334 "Raise raise the voice": IV. Aria (Soprano) - Chorus - Ritornello - Chorus "Mark how readily each pliant string" | — | ||
| 6-13 | Ode, Z 329 "Laudate Ceciliam": I. Symphony - Trio (Alto, High Tenor, Bass) "Laudate Ceciliam" | — | ||
| 6-14 | Ode, Z 329 "Laudate Ceciliam": II. Trio (Alto, High Tenor, Bass) "Modulemni psalmum novum" | — | ||
| 6-15 | Ode, Z 329 "Laudate Ceciliam": III. Symphony | — | ||
| 6-16 | Ode, Z 329 "Laudate Ceciliam": IV. Duet (Alto, High Tenor) - Trio (Alto, High Tenor, Bass) "Dicite Virgini, canite Martyri" | — | ||
| 6-17 | Ode, Z 326 "From those serene and rapturous joys": I. [Symphony] | — | ||
| 6-18 | Ode, Z 326 "From those serene and rapturous joys": II. Aria (Alto) - Ritornello "From those serene and rapturous joys" | — | ||
| 6-19 | Ode, Z 326 "From those serene and rapturous joys": III. Aria (Bass) - Chorus "Behold th' indulgent Prince is come" | — | ||
| 6-20 | Ode, Z 326 "From those serene and rapturous joys": IV. Duet (Sopranos I-II) - Ritornello "Not with an Helmet or a glitt'ring Spear" | — | ||
| 6-21 | Ode, Z 326 "From those serene and rapturous joys": V. Aria (Bass) - Chorus "Welcome as soft refreshing show'rs" | — | ||
| 6-22 | Ode, Z 326 "From those serene and rapturous joys": VI. Aria (Tenor) - Ritornello "Welcome, more welcome does he come" | — | ||
| 6-23 | Ode, Z 326 "From those serene and rapturous joys": VII. Duet (Tenor, Bass) - Ritornello "Nor does the Sun more comfort bring" | — | ||
| 6-24 | Ode, Z 326 "From those serene and rapturous joys": VIII. Ritornello - Aria (Tenor) - Chorus "With trumpets and shouts we receive the World's Wonder" | — | ||
| 7-1 | Ode, Z 333 "Of old, when heroes thought it base": I. Symphony | — | ||
| 7-2 | Ode, Z 333 "Of old, when heroes thought it base": II. Aria (Bass) - Duet (High Tenor, Bass) " Of old, when heroes thought it base" | — | ||
| 7-3 | Ode, Z 333 "Of old, when heroes thought it base": III. Aria (Tenor) - Chorus "The bashful Thames, for beauto so renown'd" | — | ||
| 7-4 | Ode, Z 333 "Of old, when heroes thought it base": IV. Ritornello - Aria (Alto) "The pale and the purple rose" | — | ||
| 7-5 | Ode, Z 333 "Of old, when heroes thought it base": V. Duet (Tenor, Bass) - Chorus "And in each track of glory since" | — | ||
| 7-6 | Ode, Z 333 "Of old, when heroes thought it base": VI. Symphony | — | ||
| 7-7 | Ode, Z 333 "Of old, when heroes thought it base": VII. Duet (Tenor, Bass) "And now when the renown'd Nassau" | — | ||
| 7-8 | Ode, Z 333 "Of old, when heroes thought it base": VIII. Duet (Basses I-II) "They did no storms, nor threat'nings fear" | — | ||
| 7-9 | Ode, Z 333 "Of old, when heroes thought it base": IX. Aria (Tenor) "So when the glitt'ring Queen of Night" | — | ||
| 7-10 | Ode, Z 333 "Of old, when heroes thought it base": X. Chorus "Let music join" | — | ||
| 7-11 | Ode, Z 333 "Of old, when heroes thought it base": XI. Aria (Tenor) - Ritornello "Sound trumpets, sound!" | — | ||
| 7-12 | Ode, Z 333 "Of old, when heroes thought it base": XII. Aria (Bass) - Chorus "Sound all to him" | — | ||
| 7-13 | Ode, Z 336 "Swifter, Isis, swifter flow": I. Symphony - Aria (High Tenor) - Ritornello "Swifter, Isis, swifter flow" | — | ||
| 7-14 | Ode, Z 336 "Swifter, Isis, swifter flow": II. Aria (Bass) "Land him safely on her shore" | — | ||
| 7-15 | Ode, Z 336 "Swifter, Isis, swifter flow": III. Ritornello - Aria (Tenor) - Ritornello "Hark, hark! just now my listening ears" | — | ||
| 7-16 | Ode, Z 336 "Swifter, Isis, swifter flow": IV. Trio (Alto, High Tenor, Bass) - Chorus "Welcome, dread Sir, to town" | — | ||
| 7-17 | Ode, Z 336 "Swifter, Isis, swifter flow": V. Aria (Bass) - Aria (Tenor) - Chorus "But with so great devotion meet" | — | ||
| 7-18 | Ode, Z 336 "Swifter, Isis, swifter flow": VI. Duet (Soprano, Alto) "The King whose presence like the Spring" | — | ||
| 7-19 | Ode, Z 336 "Swifter, Isis, swifter flow": VII. Chorus "Then since, Sir, from you all our blessings do flow" | — | ||
| 7-20 | Ode, Z 341 "What, what shall be done in behalf of the man": I. Symphony | — | ||
| 7-21 | Ode, Z 341 "What, what shall be done in behalf of the man": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "What shall be done in behalf of the man" | — | ||
| 7-22 | Ode, Z 341 "What, what shall be done in behalf of the man": III. Aria (High Tenor) - Ritornelle - Chorus "All the grandeur he possesses" | — | ||
| 7-23 | Ode, Z 341 "What, what shall be done in behalf of the man": IV. Aria (Bass) - Chorus - Ritornello "Mighty Charles, though joined with thee" | — | ||
| 7-24 | Ode, Z 341 "What, what shall be done in behalf of the man": V. Duet (Sopranos I-II) - Chorus "May all factious troubles cease" | — | ||
| 8-1 | Ode, Z 323 "Come ye sons of Art, away": I. Symphony | — | ||
| 8-2 | Ode, Z 323 "Come ye sons of Art, away": II. Aria (Alto) - Chorus "Come ye sons of Art, away" | — | ||
| 8-3 | Ode, Z 323 "Come ye sons of Art, away": III. Duet (Altos I-II) - Chorus "Sound the trumpet" | — | ||
| 8-4 | Ode, Z 323 "Come ye sons of Art, away": IV. Aria (Alto) - Ritornello "Strike the viol, touch the lute" | — | ||
| 8-5 | Ode, Z 323 "Come ye sons of Art, away": V. Aria (Bass) - Chorus "The day that such a blessing gave" | — | ||
| 8-6 | Ode, Z 323 "Come ye sons of Art, away": VI. Aria (Soprano) "Bid the virtues, bid the Graces" | — | ||
| 8-7 | Ode, Z 323 "Come ye sons of Art, away": VII. Aria (Bass) "These are the sacred charms that shield" | — | ||
| 8-8 | Ode, Z 323 "Come ye sons of Art, away": VIII. Duet (Soprano, Bass) - Chorus "See Nature, rejoicing, has shown us the way" | — | ||
| 8-9 | Ode, Z 340 "Welcome, viceregent of the mighty king": I. Symphony - Chorus "Welcome, Viceregent of the mighty king" | — | ||
| 8-10 | Ode, Z 340 "Welcome, viceregent of the mighty king": II. Duet (Alto, Bass) - Ritornello "Ah! Mighty Sir, if you to such long absence are inclined" | — | ||
| 8-11 | Ode, Z 340 "Welcome, viceregent of the mighty king": III. Chorus - Ritornello "But your blest presence now" | — | ||
| 8-12 | Ode, Z 340 "Welcome, viceregent of the mighty king": IV. Aria (Tenor) - Chorus "Your influous approach" | — | ||
| 8-13 | Ode, Z 340 "Welcome, viceregent of the mighty king": V. Duet (Sopranos I-II) "When the Summer, in his glory" | — | ||
| 8-14 | Ode, Z 340 "Welcome, viceregent of the mighty king": VI. Chorus "All loyalty and honour be" | — | ||
| 8-15 | Ode, Z 340 "Welcome, viceregent of the mighty king": VII. Aria (Tenor) - Chorus - Ritornello - Chorus "Music the food of love" | — | ||
| 8-16 | Ode, Z 343 "Why, why are all the Muses mute?": I. Aria (Tenor) - Chorus - Symphony "Why, why are all the Muses mute?" | — | ||
| 8-17 | Ode, Z 343 "Why, why are all the Muses mute?": II. Aria (Tenor) - Chorus "When should each soul exalted be" | — | ||
| 8-18 | Ode, Z 343 "Why, why are all the Muses mute?": III. Aria (Alto) - Ritornello "Britain, thou now art great" | — | ||
| 8-19 | Ode, Z 343 "Why, why are all the Muses mute?": IV. Trio (Alto, Tenor, Bass) - Chorus "Look up, and to our Isle returning see" | — | ||
| 8-20 | Ode, Z 343 "Why, why are all the Muses mute?": V. Aria (Bass) - Duet (Sopranos I-II) "Accurs'd rebellion reared his head" | — | ||
| 8-21 | Ode, Z 343 "Why, why are all the Muses mute?": VI. Ritornello - Duet (High Tenor, Bass) "Caesar for milder virtues honour'd more" | — | ||
| 8-22 | Ode, Z 343 "Why, why are all the Muses mute?": VII. Aria (Tenor) - Chorus "The many-headed beast is quelled at home" | — | ||
| 8-23 | Ode, Z 343 "Why, why are all the Muses mute?": VIII. Duet (Basses I-II) "In the equal balance laid" | — | ||
| 8-24 | Ode, Z 343 "Why, why are all the Muses mute?": IX. Aria (Tenor) - Ritornello - Chorus "O how blest is the Isle to which Caesar is given" | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| ARISE, MY MUSE, Z. 320: I. SYMPHONY | — | |
| ARISE, MY MUSE, Z. 320: II. ARISE, MY MUSE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME TO ALL THE PLEASURES, Z. 339: I. SYMPHONY | — | |
| WELCOME TO ALL THE PLEASURES, Z. 339: II. WELCOME TO ALL THE PLEASURES THAT DELIGHT | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: I. SYMPHONY | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: II. NOW DOES THE GLORIOUS DAY APPEAR | — | |
| Unknown | — | |
| Unknown | — | |
| NOW DOES THE GLORIOUS DAY APPEAR, Z. 332: V. NOW DOES THE GLORIOUS DAY APPEAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| HAIL! BRIGHT CECILIA, Z. 328: I. SYMPHONY | — | |
| HAIL! BRIGHT CECILIA, Z. 328: II. HAIL! BRIGHT CECILIA, HAIL! | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| HAIL! BRIGHT CECILIA, Z. 328: XIII. HAIL! BRIGHT CECILIA, HAIL TO THEE! | — | |
| WHO CAN FROM JOY REFRAIN?, Z. 342: I. OVERTURE | — | |
| WHO CAN FROM JOY REFRAIN?, Z. 342: II. WHO CAN FROM JOY REFRAIN? | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| FLY, BOLD REBELLION, Z. 324: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z. 335: I. SYMPHONY | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z. 335: II. SOUND THE TRUMPET, BEAT THE DRUM | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SOUND THE TRUMPET, BEAT THE DRUM, Z335: MOVEMENT 6: CHACONNE | — | |
| Unknown | — | |
| Unknown | — | |
| CELEBRATE THIS FESTIVAL, Z. 321: I. SYMPHONY | — | |
| CELEBRATE THIS FESTIVAL, Z. 321: II. CELEBRATE THIS FESTIVAL | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| YE TUNEFUL MUSES, Z. 344: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| CELESTIAL MUSIC DID THE GODS INSPIRE, Z. 322: I. SYMPHONY | — | |
| CELESTIAL MUSIC DID THE GODS INSPIRE, Z. 322: II. CELESTIAL MUSIC DID THE GODS INSPIRE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR, Z. 325: I. SYMPHONY | — | |
| FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR, Z. 325: II. FROM HARDY CLIMES AND DANGEROUS TOILS OF WAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME, WELCOME, GLORIOUS MORN, Z. 338: I. SYMPHONY | — | |
| WELCOME, WELCOME, GLORIOUS MORN, Z. 338: II. WELCOME, WELCOME, GLORIOUS MORN | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| THE SUMMER'S ABSENCE UNCONCERNED WE BEAR, Z. 337: I. SYMPHONY | — | |
| THE SUMMER'S ABSENCE UNCONCERNED WE BEAR, Z. 337: II. THE SUMMER'S ABSENCE UNCONCERNED WE BEAR | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LOVE'S GODDESS SURE WAS BLIND, Z. 331: II. LOVE'S GODDESS SURE WAS BLIND THIS DAY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| RAISE, RAISE THE VOICE, Z. 334: I. SYMPHONY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| LAUDATE CECILIAM, Z. 329: III. SYMPHONY | — | |
| Unknown | — | |
| FROM THOSE SERENE AND RAPTUROUS JOYS, Z. 326: I. SYMPHONY | — | |
| FROM THOSE SERENE AND RAPTUROUS JOYS, Z. 326: II. FROM THOSE SERENE AND RAPTUROUS JOYS | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| OF OLD, WHEN HEROES THOUGHT IT BASE 'THE YORKSHIRE FEAST SONG', Z. 333: II. OF OLD, WHEN HEROES THOUGHT IT BASE | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| SWIFTER, ISIS, SWIFTER FLOW, Z. 336: I. SYMPHONY – SWIFTER, ISIS, SWIFTER FLOW | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WHAT SHALL BE DONE IN BEHALF OF THE MAN?, Z. 341: I. SYMPHONY | — | |
| WHAT SHALL BE DONE IN BEHALF OF THE MAN?, Z. 341: II. WHAT SHALL BE DONE IN BEHALF OF THE MAN? | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| COME YE SONS OF ART, AWAY, Z. 323: II. COME YE SONS OF ART, AWAY | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WELCOME, VICEGERENT OF THE MIGHTY KING, Z. 340: I. SYMPHONY – WELCOME, VICEGERENT OF THE MIGHTY KING | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| WHY, WHY ARE ALL THE MUSES MUTE?, Z. 343: I. WHY, WHY ARE ALL THE MUSES MUTE? | T-301.698.654-8 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — |
