UPC · Release
Henry Purcell, The King’s Consort, Barbara Bonney, Susan Gritton, James Bowman, Rogers Covey‐Crump, Charles Daniels, Michael George, Robert King
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The UPC for “The complete secular solo songs” by Henry Purcell, The King’s Consort, Barbara Bonney, Susan Gritton, James Bowman, Rogers Covey‐Crump, Charles Daniels, Michael George, Robert King is 034571141619. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 87 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Draw Near, You Lovers | — | ||
| 2 | While Thirsis, Wrapped in Downy Sleep | — | ||
| 3 | Love, Thou Canst Hear, Tho' Thou Art Blind | — | ||
| 4 | I Loved Fair Celia | — | ||
| 5 | What Hope Remains Now He Is Gone? | — | ||
| 6 | Pastora's Beauties When Unblown | — | ||
| 7 | A Thousand Sev'ral Ways I Tried | — | ||
| 8 | Urge Me No More | — | ||
| 9 | Farewell, All Joys | — | ||
| 10 | If Music Be the Food of Love | — | ||
| 11 | Admidst the Shades and Cool Refreshing Streams | — | ||
| 12 | They Say You're Angry | — | ||
| 13 | Let Each Gallant Heart | — | ||
| 14 | This Poet Sings to the Trojan War | — | ||
| 15 | Ah, How Pleasant 'tis to Love | — | ||
| 16 | My Heart, Whenever You Appear | — | ||
| 17 | On the Brow of Richmond Hill | — | ||
| 18 | Rashly I Swore I Would Disown | — | ||
| 19 | Since the Pox or the Plague | — | ||
| 20 | Beneath a Dark and Melancholy Grave | — | ||
| 21 | Musing on Cares of Human Fate | — | ||
| 22 | Whils Synthia Sun, All Angry Winds Lay Still | — | ||
| 23 | How I Sigh When I Think of the Charms of My Swain | — | ||
| 24 | Ye Happy Swains, Whose Nymphs Are Kind | — | ||
| 25 | Beware Poor Shepherds | — | ||
| 26 | See How the Fading Glories of the Year | — | ||
| 27 | Cease, Anxious World,, Your Fruitless Pain | — | ||
| 28 | O! Fair Cedaria, Hide Those Eyes | — | ||
| 2-1 | I Love and I Must | — | ||
| 2-2 | When Her Languishing Eyes Said "Love" | — | ||
| 2-3 | Not All My Torments Can Your Pity Move | — | ||
| 2-4 | Ah! Cruel Nymph | — | ||
| 2-5 | Sylvia, Now Your Scorn Give Over | — | ||
| 2-6 | Since One Poor View Has Drawn My Heart | — | ||
| 2-7 | I Resolve Against Cringing and Whining | — | ||
| 2-8 | Gentle Shepherds | — | ||
| 2-9 | If Grief Has Any Power to Kill | — | ||
| 2-10 | She That Would Gain a Faithful Lover | — | ||
| 2-11 | Fly Swift, Ye Hours | — | ||
| 2-12 | Hears Not My Phillis How the Birds | — | ||
| 2-13 | Phillis, Talk No More of Passion | — | ||
| 2-14 | Celia's Fond | — | ||
| 2-15 | In Vain We Dissemble | — | ||
| 2-16 | When My Amelia Smiles | — | ||
| 2-17 | Farewell, Ye Rocks | — | ||
| 2-18 | What a Sad Fate Is Mine | — | ||
| 2-19 | I Take No Pleasure | — | ||
| 2-20 | Love's Power in My Heart | — | ||
| 2-21 | How Delightful's the Life | — | ||
| 2-22 | She, Who My Poor Heart Possesses | — | ||
| 2-23 | Love Arms Himself in Celia's Eyes | — | ||
| 2-24 | When First My Shepherdess and I | — | ||
| 2-25 | Through Mornful Shades and Solitary Groves | — | ||
| 2-26 | If Music Be the Food of Love (2nd version) | — | ||
| 2-27 | Scarce Had the Rising Sun Appeared | — | ||
| 2-28 | Who but a Slave Can Well Express | — | ||
| 2-29 | High on a Throne | — | ||
| 2-30 | Incassum Lesbia | — | ||
| 3-1 | She Loves and She Confesses Too | — | ||
| 3-2 | Amintas, to My Grief I See | — | ||
| 3-3 | Corinna Is Divinely Fair | — | ||
| 3-4 | Amintor, Heedless of His Flocks | — | ||
| 3-5 | He Himself Courts His Own Ruin | — | ||
| 3-6 | No, to What Purpose Should I Speak | — | ||
| 3-7 | Sylvia, 'tis True You're Fair | — | ||
| 3-8 | Lovely Albina's Come Ashore | — | ||
| 3-9 | Spite of the Godhead Pow'rful Love | — | ||
| 3-10 | If Music Be the Food of Love | — | ||
| 3-11 | Phillis, I Can Ne'er Forgive It | — | ||
| 3-12 | Bacchus Is a Pow'r Divine | — | ||
| 3-13 | From Silent Shades | — | ||
| 3-14 | Let Formal Lovers Still Pursue | — | ||
| 3-15 | I Came, I Saw, and Was Undone | — | ||
| 3-16 | Who Can Behold Florella's Charms | — | ||
| 3-17 | Cupid, the Slyest Rogue Alive | — | ||
| 3-18 | If Pray'rs and Tears | — | ||
| 3-19 | In Cloris All Soft Charms Agree | — | ||
| 3-20 | Let Us, Kind Lesbia, Give Away | — | ||
| 3-21 | Love Is Now Become a Trade | — | ||
| 3-22 | Ask Me to Love No More | — | ||
| 3-23 | O Solitude, My Sweetest Choice | — | ||
| 3-24 | Olinda in the Shades Unseen | — | ||
| 3-25 | Pious Celinda Goes to Prayers | — | ||
| 3-26 | When Strephon Found His Passion Vain | — | ||
| 3-27 | The Fatal Hour Comes On Apace | — | ||
| 3-28 | Sawney Is a Bonny Lad | — | ||
| 3-29 | Toung Thirsis' Fate | — |
Credits Graph
034571141619 is a Universal Product Code (UPC) assigned to The complete secular solo songs by Henry Purcell, The King’s Consort, Barbara Bonney, Susan Gritton, James Bowman, Rogers Covey‐Crump, Charles Daniels, Michael George, Robert King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 87 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The complete secular solo songs” by Henry Purcell, The King’s Consort, Barbara Bonney, Susan Gritton, James Bowman, Rogers Covey‐Crump, Charles Daniels, Michael George, Robert King is 034571141619. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2003-01-01. This release contains 87 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Draw Near, You Lovers | — | ||
| 2 | While Thirsis, Wrapped in Downy Sleep | — | ||
| 3 | Love, Thou Canst Hear, Tho' Thou Art Blind | — | ||
| 4 | I Loved Fair Celia | — | ||
| 5 | What Hope Remains Now He Is Gone? | — | ||
| 6 | Pastora's Beauties When Unblown | — | ||
| 7 | A Thousand Sev'ral Ways I Tried | — | ||
| 8 | Urge Me No More | — | ||
| 9 | Farewell, All Joys | — | ||
| 10 | If Music Be the Food of Love | — | ||
| 11 | Admidst the Shades and Cool Refreshing Streams | — | ||
| 12 | They Say You're Angry | — | ||
| 13 | Let Each Gallant Heart | — | ||
| 14 | This Poet Sings to the Trojan War | — | ||
| 15 | Ah, How Pleasant 'tis to Love | — | ||
| 16 | My Heart, Whenever You Appear | — | ||
| 17 | On the Brow of Richmond Hill | — | ||
| 18 | Rashly I Swore I Would Disown | — | ||
| 19 | Since the Pox or the Plague | — | ||
| 20 | Beneath a Dark and Melancholy Grave | — | ||
| 21 | Musing on Cares of Human Fate | — | ||
| 22 | Whils Synthia Sun, All Angry Winds Lay Still | — | ||
| 23 | How I Sigh When I Think of the Charms of My Swain | — | ||
| 24 | Ye Happy Swains, Whose Nymphs Are Kind | — | ||
| 25 | Beware Poor Shepherds | — | ||
| 26 | See How the Fading Glories of the Year | — | ||
| 27 | Cease, Anxious World,, Your Fruitless Pain | — | ||
| 28 | O! Fair Cedaria, Hide Those Eyes | — | ||
| 2-1 | I Love and I Must | — | ||
| 2-2 | When Her Languishing Eyes Said "Love" | — | ||
| 2-3 | Not All My Torments Can Your Pity Move | — | ||
| 2-4 | Ah! Cruel Nymph | — | ||
| 2-5 | Sylvia, Now Your Scorn Give Over | — | ||
| 2-6 | Since One Poor View Has Drawn My Heart | — | ||
| 2-7 | I Resolve Against Cringing and Whining | — | ||
| 2-8 | Gentle Shepherds | — | ||
| 2-9 | If Grief Has Any Power to Kill | — | ||
| 2-10 | She That Would Gain a Faithful Lover | — | ||
| 2-11 | Fly Swift, Ye Hours | — | ||
| 2-12 | Hears Not My Phillis How the Birds | — | ||
| 2-13 | Phillis, Talk No More of Passion | — | ||
| 2-14 | Celia's Fond | — | ||
| 2-15 | In Vain We Dissemble | — | ||
| 2-16 | When My Amelia Smiles | — | ||
| 2-17 | Farewell, Ye Rocks | — | ||
| 2-18 | What a Sad Fate Is Mine | — | ||
| 2-19 | I Take No Pleasure | — | ||
| 2-20 | Love's Power in My Heart | — | ||
| 2-21 | How Delightful's the Life | — | ||
| 2-22 | She, Who My Poor Heart Possesses | — | ||
| 2-23 | Love Arms Himself in Celia's Eyes | — | ||
| 2-24 | When First My Shepherdess and I | — | ||
| 2-25 | Through Mornful Shades and Solitary Groves | — | ||
| 2-26 | If Music Be the Food of Love (2nd version) | — | ||
| 2-27 | Scarce Had the Rising Sun Appeared | — | ||
| 2-28 | Who but a Slave Can Well Express | — | ||
| 2-29 | High on a Throne | — | ||
| 2-30 | Incassum Lesbia | — | ||
| 3-1 | She Loves and She Confesses Too | — | ||
| 3-2 | Amintas, to My Grief I See | — | ||
| 3-3 | Corinna Is Divinely Fair | — | ||
| 3-4 | Amintor, Heedless of His Flocks | — | ||
| 3-5 | He Himself Courts His Own Ruin | — | ||
| 3-6 | No, to What Purpose Should I Speak | — | ||
| 3-7 | Sylvia, 'tis True You're Fair | — | ||
| 3-8 | Lovely Albina's Come Ashore | — | ||
| 3-9 | Spite of the Godhead Pow'rful Love | — | ||
| 3-10 | If Music Be the Food of Love | — | ||
| 3-11 | Phillis, I Can Ne'er Forgive It | — | ||
| 3-12 | Bacchus Is a Pow'r Divine | — | ||
| 3-13 | From Silent Shades | — | ||
| 3-14 | Let Formal Lovers Still Pursue | — | ||
| 3-15 | I Came, I Saw, and Was Undone | — | ||
| 3-16 | Who Can Behold Florella's Charms | — | ||
| 3-17 | Cupid, the Slyest Rogue Alive | — | ||
| 3-18 | If Pray'rs and Tears | — | ||
| 3-19 | In Cloris All Soft Charms Agree | — | ||
| 3-20 | Let Us, Kind Lesbia, Give Away | — | ||
| 3-21 | Love Is Now Become a Trade | — | ||
| 3-22 | Ask Me to Love No More | — | ||
| 3-23 | O Solitude, My Sweetest Choice | — | ||
| 3-24 | Olinda in the Shades Unseen | — | ||
| 3-25 | Pious Celinda Goes to Prayers | — | ||
| 3-26 | When Strephon Found His Passion Vain | — | ||
| 3-27 | The Fatal Hour Comes On Apace | — | ||
| 3-28 | Sawney Is a Bonny Lad | — | ||
| 3-29 | Toung Thirsis' Fate | — |
