UPC · Album
Opera Arias
Handel, Dame Emma Kirkby, Catherine Bott and 2 more
034571142715
54 tracksReleased 2007-01-01
Last verified:
034571142715 is the Universal Product Code (UPC barcode) for the release “Opera Arias” by Handel, Dame Emma Kirkby, Catherine Bott, The Brandenburg Consort, Roy Goodman, released 2007-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 54 tracks, each with its own ISRC.
Format
0Number system
34571Manufacturer
14271Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCOpera Arias
IPI2 songwriters
Track List (54)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | Almira, HWV 1: Second Overture in G minor | — | |
| 2 | Almira, HWV 1: Act 3. Aria: Vedrai s' a tuo dispetto | — | |
| 3 | Rodrigo, HWV 3: Act 3. Aria: Perché vi a il caro sposo | — | |
| 4 | Rinaldo, HWV 7: Act 2. Aria: Vo' far guerra, e vincer voglio | — | |
| 5 | Silla, HWV 10: Overture: 1. Largo - Allegro | — | |
| 6 | Silla, HWV 10: Overture: 2. Andante | — | |
| 7 | Amadigi di Gaula, HWV 11: Act 1. Aria: Ah! spietato! e non ti muove | — | |
| 8 | Amadigi di Gaula, HWV 11: Act 2. Aria: Desterò dall' empia Dite | — | |
| 9 | Giulio Cesare in Egitto, HWV 17: Act 2. Sinfonia and aria: V' Adoro, pupille | — | |
| 10 | Tamerlano, HWV 18: Overture: 1. Largo - Allegro | — | |
| 11 | Tamerlano, HWV 18: Overture: 2. Adagio - Menuet | — | |
| 12 | Tamerlano, HWV 18: Act 3. Aria: Cor di padre, e cor d' amante | — | |
| 13 | Rodelinda, regina de' Longobardi, HWV 19: Act 1. Aria: Ombre, piante, urne funeste! | — | |
| 14 | Scipione, HWV 20: Overture: 1. Largo - Allegro | — | |
| 15 | Scipione, HWV 20: Overture: 2. Allegro | — | |
| 16 | Scipione, HWV 20: Act 1. Interlude: March | — | |
| 17 | Scipione, HWV 20: Act 2. Aria: Scoglio d'immota fronte | — | |
| 2-1 | Alessandro, HWV 21: Overture | — | |
| 2-2 | Alessandro, HWV 21: Act 1. Sinfonia | — | |
| 2-3 | Alessandro, HWV 21: Act 1. Recit. Che vidi? Che mirai! | — | |
| 2-4 | Alessandro, HWV 21: Act 1. Aria. No, più soffrir non voglio | — | |
| 2-5 | Alessandro, HWV 21: Act 1. Aria. Placa l'alma | — | |
| 2-6 | Alessandro, HWV 21: Recit. Solitudine amate | — | |
| 2-7 | Alessandro, HWV 21: Act 2. Aria. Aure, fonti | — | |
| 2-8 | Alessandro, HWV 21: Recit. Pur troppo veggio | — | |
| 2-9 | Alessandro, HWV 21: Act 2. Aria. Che tirannia d'amor! | — | |
| 2-10 | Alessandro, HWV 21: Recit. Svanisci o reo timore | — | |
| 2-11 | Alessandro, HWV 21: Act 2. Aria. Dica il falso | — | |
| 2-12 | Admeto, Rè di Tessaglia, HWV 22: Act 2. Recit. Il ritratto d'Admeto | — | |
| 2-13 | Admeto, Rè di Tessaglia, HWV 22: Act 2. Aria. La sorte mia vacilla | — | |
| 2-14 | Admeto, Rè di Tessaglia, HWV 22: Aria. Quest'è dunque le fede | — | |
| 2-15 | Admeto, Rè di Tessaglia, HWV 22: Act 2. Aria. Vedrò fra poco | — | |
| 2-16 | Riccardo Primo, rè d'Inghilterra, HWV 23: Recit. Morte vieni | — | |
| 2-17 | Riccardo Primo, rè d'Inghilterra, HWV 23: Act 3. Recit. A me nel mio rossore | — | |
| 2-18 | Riccardo Primo, rè d'Inghilterra, HWV 23: Aria. Quando non vede | — | |
| 2-19 | Siroe, rè di Persia, HWV 24: Act 2. Recit. A costei, che dirò? | — | |
| 2-20 | Siroe, rè di Persia, HWV 24: Act 2. Aria. L'aura non sempre | — | |
| 2-21 | Siroe, rè di Persia, HWV 24: Recit. Di diversi sembiante | — | |
| 2-22 | Siroe, rè di Persia, HWV 24: Act 2. Aria. Non vi piacque, ingiusti dei | — | |
| 2-23 | Tolomeo, rè d'Egitto, HWV 25: Recit. E dove, e dove mai | — | |
| 2-24 | Tolomeo, rè d'Egitto, HWV 25: Act 1. Aria. Fonti amiche | — | |
| 2-25 | Tolomeo, rè d'Egitto, HWV 25: Act 3. Aria. Ti pentirai, crudel | — | |
| 3-1 | Lotario, HWV 26: Overture | — | |
| 3-2 | Lotario, HWV 26: Act 1, Scherza in mar | — | |
| 3-3 | Partenope, HWV 27: Act 1, Io te levo | — | |
| 3-4 | Ezio, HWV 29: Act 1, Caro padre | — | |
| 3-5 | Sosarme, re di Media, HWV 30: Act 1, Dite pace | — | |
| 3-6 | Sosarme, re di Media, HWV 30: Act 3, Vorrei, né pur saprei | — | |
| 3-7 | Atalanta, HWV 35: Overture | — | |
| 3-8 | Arianna in Creta, HWV 32: Act 2, Son qual stanco | — | |
| 3-9 | Alcina, HWV 34: Act 3, Ah! Ruggiero | — | |
| 3-10 | Berenice, Regina d'Egitto, HWV 38: Act 3, Chi t'intende? | — | |
| 3-11 | Deidamia, HWV 42: Overture | — | |
| 3-12 | Deidamia, HWV 42: Act 3, M'hai resa infelice | — |
Almira, HWV 1: Second Overture in G minor
—
Almira, HWV 1: Act 3. Aria: Vedrai s' a tuo dispetto
—
Rodrigo, HWV 3: Act 3. Aria: Perché vi a il caro sposo
—
Rinaldo, HWV 7: Act 2. Aria: Vo' far guerra, e vincer voglio
—
Silla, HWV 10: Overture: 1. Largo - Allegro
—
Silla, HWV 10: Overture: 2. Andante
—
Amadigi di Gaula, HWV 11: Act 1. Aria: Ah! spietato! e non ti muove
—
Amadigi di Gaula, HWV 11: Act 2. Aria: Desterò dall' empia Dite
—
Giulio Cesare in Egitto, HWV 17: Act 2. Sinfonia and aria: V' Adoro, pupille
—
Tamerlano, HWV 18: Overture: 1. Largo - Allegro
—
Tamerlano, HWV 18: Overture: 2. Adagio - Menuet
—
Tamerlano, HWV 18: Act 3. Aria: Cor di padre, e cor d' amante
—
Rodelinda, regina de' Longobardi, HWV 19: Act 1. Aria: Ombre, piante, urne funeste!
—
Scipione, HWV 20: Overture: 1. Largo - Allegro
—
Scipione, HWV 20: Overture: 2. Allegro
—
Scipione, HWV 20: Act 1. Interlude: March
—
Scipione, HWV 20: Act 2. Aria: Scoglio d'immota fronte
—
Alessandro, HWV 21: Overture
—
Alessandro, HWV 21: Act 1. Sinfonia
—
Alessandro, HWV 21: Act 1. Recit. Che vidi? Che mirai!
—
Alessandro, HWV 21: Act 1. Aria. No, più soffrir non voglio
—
Alessandro, HWV 21: Act 1. Aria. Placa l'alma
—
Alessandro, HWV 21: Recit. Solitudine amate
—
Alessandro, HWV 21: Act 2. Aria. Aure, fonti
—
Alessandro, HWV 21: Recit. Pur troppo veggio
—
Alessandro, HWV 21: Act 2. Aria. Che tirannia d'amor!
—
Alessandro, HWV 21: Recit. Svanisci o reo timore
—
Alessandro, HWV 21: Act 2. Aria. Dica il falso
—
Admeto, Rè di Tessaglia, HWV 22: Act 2. Recit. Il ritratto d'Admeto
—
Admeto, Rè di Tessaglia, HWV 22: Act 2. Aria. La sorte mia vacilla
—
Admeto, Rè di Tessaglia, HWV 22: Aria. Quest'è dunque le fede
—
Admeto, Rè di Tessaglia, HWV 22: Act 2. Aria. Vedrò fra poco
—
Riccardo Primo, rè d'Inghilterra, HWV 23: Recit. Morte vieni
—
Riccardo Primo, rè d'Inghilterra, HWV 23: Act 3. Recit. A me nel mio rossore
—
Riccardo Primo, rè d'Inghilterra, HWV 23: Aria. Quando non vede
—
Siroe, rè di Persia, HWV 24: Act 2. Recit. A costei, che dirò?
—
Siroe, rè di Persia, HWV 24: Act 2. Aria. L'aura non sempre
—
Siroe, rè di Persia, HWV 24: Recit. Di diversi sembiante
—
Siroe, rè di Persia, HWV 24: Act 2. Aria. Non vi piacque, ingiusti dei
—
Tolomeo, rè d'Egitto, HWV 25: Recit. E dove, e dove mai
—
Tolomeo, rè d'Egitto, HWV 25: Act 1. Aria. Fonti amiche
—
Tolomeo, rè d'Egitto, HWV 25: Act 3. Aria. Ti pentirai, crudel
—
Lotario, HWV 26: Overture
—
Lotario, HWV 26: Act 1, Scherza in mar
—
Partenope, HWV 27: Act 1, Io te levo
—
Ezio, HWV 29: Act 1, Caro padre
—
Sosarme, re di Media, HWV 30: Act 1, Dite pace
—
Sosarme, re di Media, HWV 30: Act 3, Vorrei, né pur saprei
—
Atalanta, HWV 35: Overture
—
Arianna in Creta, HWV 32: Act 2, Son qual stanco
—
Alcina, HWV 34: Act 3, Ah! Ruggiero
—
Berenice, Regina d'Egitto, HWV 38: Act 3, Chi t'intende?
—
Deidamia, HWV 42: Overture
—
Deidamia, HWV 42: Act 3, M'hai resa infelice
—
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What is UPC 034571142715?
034571142715 is a Universal Product Code (UPC) assigned to Opera Arias by Handel, Dame Emma Kirkby, Catherine Bott, The Brandenburg Consort, Roy Goodman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 54 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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