UPC · Release
Joshua
Handel, Emma Kirkby, James Bowman, Aidan Oliver, John Mark Ainsley, Michael George, Choir of New College Oxford, The King’s Consort, Robert King
034571164618
56 tracksReleased 1991-01-01Hyperion
Last verified:
034571164618 is the Universal Product Code (UPC barcode) for the release “Joshua” by Handel, Emma Kirkby, James Bowman, Aidan Oliver, John Mark Ainsley, Michael George, Choir of New College Oxford, The King’s Consort, Robert King, released 1991-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include GBAJY9146101, GBAJY9146102, GBAJY9146103.
Format
0Number system
34571Manufacturer
16461Product
8Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCJoshua
ISRC56 recordings
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Joshua: Act I. Introduction | The King’s Consort, Robert King | — | |
| 2 | Joshua: Act I. "Ye sons of Israel" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 3 | Joshua: Act I. "Behold, my friends" | John Mark Ainsley, Michael George, The King’s Consort, Robert King | — | |
| 4 | Joshua: Act I. "O first in wisdom" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 5 | Joshua: Act I. "Matrons and virgins" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 6 | Joshua: Act I. "Oh! who can tell" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 7 | Joshua: Act I. "Caleb, attend to all I now prescribe" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 8 | Joshua: Act I. "To long posterity we here record" | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 9 | Joshua: Act I. "So long the memory shall last" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 10 | Joshua: Act I. "While Kedron's brook to Jordan's stream" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 11 | Joshua: Act I. "But who is he?" | James Bowman, The King’s Consort, Robert King | — | |
| 12 | Joshua: Act I. "Awful, pleasing being, say" | James Bowman, The King’s Consort, Robert King | — | |
| 13 | Joshua: Act I. "Joshua, I come commission'd from on high" | Aidan Oliver, John Mark Ainsley, The King’s Consort, Robert King | — | |
| 14 | Joshua: Act I. "Haste, Israel haste" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 15 | Joshua: Act I. "The Lord commands" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 16 | Joshua: Act I. "In these blest scenes" | James Bowman, Emma Kirkby, The King’s Consort, Robert King | — | |
| 17 | Joshua: Act I. "Hark! 'tis the linnet and the thrush" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 18 | Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight" | James Bowman, The King’s Consort, Robert King | — | |
| 19 | Joshua: Act I. "Our limpid streams with freedom flow" | Emma Kirkby, James Bowman, The King’s Consort, Robert King | — | |
| 20 | Joshua: Act I. "The trumpet calls" | James Bowman, The King’s Consort, Robert King | — | |
| 21 | Joshua: Act I. "May all the host of heav'n attend him round" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 22 | Joshua: Act II. "'Tis well" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 23 | Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant" | The King’s Consort, Robert King | — | |
| 24 | Joshua: Act II. "Glory to God!" | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 25 | Joshua: Act II. "The walls are levell'd" | Michael George, The King’s Consort, Robert King | — | |
| 26 | Joshua: Act II. "See, the raging flames arise" | Michael George, The King’s Consort, Robert King | — | |
| 27 | Joshua: Act II. "To Vanity and earthly Pride" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-1 | Joshua: Act II. "Let all the seed of Abrah'm now prepare" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 2-2 | Joshua: Act II. "Almight ruler of the skies" | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-3 | Joshua: Act II. "Joshua, the men dispatch'd by thee to learn" | Michael George, The King’s Consort, Robert King | — | |
| 2-4 | Joshua: Act II. "How soon our tow'ring hopes are cross'd!" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-5 | Joshua: Act II. "Whence this dejection?" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 2-6 | Joshua: Act II. "With redoubled rage return" | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-7 | Joshua: Act II. "Now give the army breath" | James Bowman, The King’s Consort, Robert King | — | |
| 2-8 | Joshua: Act II. "Heroes when with glory burning" | James Bowman, The King’s Consort, Robert King | — | |
| 2-9 | Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-10 | Joshua: Act II. "As cheers the sun the tender flow'r" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-11 | Joshua: Act II. "Sure I'm deceiv'd" | Michael George, James Bowman, The King’s Consort, Robert King | — | |
| 2-12 | Joshua: Act II. "Nations, who in future story" | James Bowman, The King’s Consort, Robert King | — | |
| 2-13 | Joshua: Act II. "Brethren and friends" | John Mark Ainsley, Michael George, The King’s Consort, Robert King | — | |
| 2-14 | Joshua: Act II. "Oh! thou bright orb" | John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-15 | Joshua: Act III. "Hail! mighty Joshua, hail!" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-16 | Joshua: Act III. "Happy, Oh, thrice happy we" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-17 | Joshua: Act III. "Caleb, for holy Eleazer send" | John Mark Ainsley, Michael George, The King’s Consort, Robert King | — | |
| 2-18 | Joshua: Act III. "Shall I in Mamre's fertile plain" | Michael George, Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-19 | Joshua: Act III. "O Caleb, fear'd by foes" | James Bowman, Michael George, The King’s Consort, Robert King | — | |
| 2-20 | Joshua: Act III. "Place danger around me" | Michael George, The King’s Consort, Robert King | — | |
| 2-21 | Joshua: Act III. "Father of mercy, hear the pray'r we make" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-22 | Joshua: Act III. "In bloom of youth, this stripling hath achiev'd" | John Mark Ainsley, The King’s Consort, Robert King | — | |
| 2-23 | Joshua: Act III. "See the conqu'ring hero comes!" | Choir of New College Oxford, The King’s Consort, Robert King | — | |
| 2-24 | Joshua: Act III. "Welcome! my son" | Michael George, James Bowman, Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-25 | Joshua: Act III. "Oh! had I Jubal's lyre" | Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-26 | Joshua: Act III. "While life shall last" | James Bowman, The King’s Consort, Robert King | — | |
| 2-27 | Joshua: Act III. "O peerless maid" | James Bowman, Emma Kirkby, The King’s Consort, Robert King | — | |
| 2-28 | Joshua: Act III. "While lawless tyrants" | Michael George, The King’s Consort, Robert King | — | |
| 2-29 | Joshua: Act III. "The great Jehovah is our awful theme" | Choir of New College Oxford, The King’s Consort, Robert King | — |
Joshua: Act I. Introduction
The King’s Consort, Robert King
—
Joshua: Act I. "Ye sons of Israel"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act I. "Behold, my friends"
John Mark Ainsley, Michael George, The King’s Consort, Robert King
—
Joshua: Act I. "O first in wisdom"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "Matrons and virgins"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act I. "Oh! who can tell"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act I. "Caleb, attend to all I now prescribe"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "To long posterity we here record"
John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act I. "So long the memory shall last"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "While Kedron's brook to Jordan's stream"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "But who is he?"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act I. "Awful, pleasing being, say"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act I. "Joshua, I come commission'd from on high"
Aidan Oliver, John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "Haste, Israel haste"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act I. "The Lord commands"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act I. "In these blest scenes"
James Bowman, Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act I. "Hark! 'tis the linnet and the thrush"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act I. "O Achsah, form'd for ev'ry chaste delight"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act I. "Our limpid streams with freedom flow"
Emma Kirkby, James Bowman, The King’s Consort, Robert King
—
Joshua: Act I. "The trumpet calls"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act I. "May all the host of heav'n attend him round"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act II. "'Tis well"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act II. "A Solemn March During the Circumvection of the Ark of the Covenant"
The King’s Consort, Robert King
—
Joshua: Act II. "Glory to God!"
John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act II. "The walls are levell'd"
Michael George, The King’s Consort, Robert King
—
Joshua: Act II. "See, the raging flames arise"
Michael George, The King’s Consort, Robert King
—
Joshua: Act II. "To Vanity and earthly Pride"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act II. "Let all the seed of Abrah'm now prepare"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act II. "Almight ruler of the skies"
John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act II. "Joshua, the men dispatch'd by thee to learn"
Michael George, The King’s Consort, Robert King
—
Joshua: Act II. "How soon our tow'ring hopes are cross'd!"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act II. "Whence this dejection?"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act II. "With redoubled rage return"
John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act II. "Now give the army breath"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act II. "Heroes when with glory burning"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act II. "Indulgent heav'n hath heard my virgin pray'r"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act II. "As cheers the sun the tender flow'r"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act II. "Sure I'm deceiv'd"
Michael George, James Bowman, The King’s Consort, Robert King
—
Joshua: Act II. "Nations, who in future story"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act II. "Brethren and friends"
John Mark Ainsley, Michael George, The King’s Consort, Robert King
—
Joshua: Act II. "Oh! thou bright orb"
John Mark Ainsley, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act III. "Hail! mighty Joshua, hail!"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act III. "Happy, Oh, thrice happy we"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act III. "Caleb, for holy Eleazer send"
John Mark Ainsley, Michael George, The King’s Consort, Robert King
—
Joshua: Act III. "Shall I in Mamre's fertile plain"
Michael George, Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act III. "O Caleb, fear'd by foes"
James Bowman, Michael George, The King’s Consort, Robert King
—
Joshua: Act III. "Place danger around me"
Michael George, The King’s Consort, Robert King
—
Joshua: Act III. "Father of mercy, hear the pray'r we make"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act III. "In bloom of youth, this stripling hath achiev'd"
John Mark Ainsley, The King’s Consort, Robert King
—
Joshua: Act III. "See the conqu'ring hero comes!"
Choir of New College Oxford, The King’s Consort, Robert King
—
Joshua: Act III. "Welcome! my son"
Michael George, James Bowman, Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act III. "Oh! had I Jubal's lyre"
Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act III. "While life shall last"
James Bowman, The King’s Consort, Robert King
—
Joshua: Act III. "O peerless maid"
James Bowman, Emma Kirkby, The King’s Consort, Robert King
—
Joshua: Act III. "While lawless tyrants"
Michael George, The King’s Consort, Robert King
—
Joshua: Act III. "The great Jehovah is our awful theme"
Choir of New College Oxford, The King’s Consort, Robert King
—
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What is UPC 034571164618?
034571164618 is a Universal Product Code (UPC) assigned to Joshua by Handel, Emma Kirkby, James Bowman, Aidan Oliver, John Mark Ainsley, Michael George, Choir of New College Oxford, The King’s Consort, Robert King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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