UPC · Release
Complete Odes and Welcome Songs, Volume 5
Purcell, The King’s Consort, Robert King
034571164762
29 tracksReleased 1991-01-01Hyperion
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034571164762 is the Universal Product Code (UPC barcode) for the release “Complete Odes and Welcome Songs, Volume 5” by Purcell, The King’s Consort, Robert King, released 1991-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 29 tracks, each with its own ISRC.
Format
0Number system
34571Manufacturer
16476Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCComplete Odes and Welcome Songs, Volume 5
IPI1 songwriter
Track List (29)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony | — | ||
| 2 | Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn" | — | ||
| 3 | Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return" | — | ||
| 4 | Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove" | — | ||
| 5 | Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle" | — | ||
| 6 | Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight" | — | ||
| 7 | Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast" | — | ||
| 8 | Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard" | — | ||
| 9 | Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd" | — | ||
| 10 | Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns" | — | ||
| 11 | Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres" | — | ||
| 12 | Ode, Z 327 "Great parent, hail to thee": I. [Symphony] | — | ||
| 13 | Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!" | — | ||
| 14 | Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing" | — | ||
| 15 | Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated" | — | ||
| 16 | Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat" | — | ||
| 17 | Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire" | — | ||
| 18 | Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite" | — | ||
| 19 | Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame" | — | ||
| 20 | Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung" | — | ||
| 21 | Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these" | — | ||
| 22 | Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony | — | ||
| 23 | Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear" | — | ||
| 24 | Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne" | — | ||
| 25 | Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art" | — | ||
| 26 | Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled" | — | ||
| 27 | Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ" | — | ||
| 28 | Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage" | — | ||
| 29 | Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine" | — |
Ode, Z 338 "Welcome, welcome, glorious morn": I. Symphony
—
Ode, Z 338 "Welcome, welcome, glorious morn": II. Aria (High Tenor) - Chorus "Welcome, welcome, glorious morn"
—
Ode, Z 338 "Welcome, welcome, glorious morn": III. Duet (High Tenor, Bass) - Ritornello - Chorus "At thy return"
—
Ode, Z 338 "Welcome, welcome, glorious morn": IV. Duet (Alto, Bass) "Welcome as when three happy Kingdoms strove"
—
Ode, Z 338 "Welcome, welcome, glorious morn": V. Aria (Tenor) " THe mighty Goddess of this wealthy Isle"
—
Ode, Z 338 "Welcome, welcome, glorious morn": VI. Trio (Alto, High Tenor, Bass) - Chorus - Ritornello "Full of Wonder and Delight"
—
Ode, Z 338 "Welcome, welcome, glorious morn": VII. Aria (Tenor) - Chorus "And lo! a sacred Fury swell'd her Breast"
—
Ode, Z 338 "Welcome, welcome, glorious morn": VIII. Aria (Soprano) - Chorus "My Pray'rs are heard"
—
Ode, Z 338 "Welcome, welcome, glorious morn": IX. Duet (Basses I-II) "He to the Field by Honour call'd"
—
Ode, Z 338 "Welcome, welcome, glorious morn": X. Aria (High Tenor) "Whilst undisturb'd his happy Consort reigns"
—
Ode, Z 338 "Welcome, welcome, glorious morn": XI. Aria (Tenor) - Chorus "Sound, all ye Spheres"
—
Ode, Z 327 "Great parent, hail to thee": I. [Symphony]
—
Ode, Z 327 "Great parent, hail to thee": II. Trio (Alto, Tenor, Bass) - Chorus "Great Parent, Hail!"
—
Ode, Z 327 "Great parent, hail to thee": III. Aria (Alto) "Another Century commencing"
—
Ode, Z 327 "Great parent, hail to thee": IV. Duet (Tenor, High Tenor) "After War's, Alarms repeated"
—
Ode, Z 327 "Great parent, hail to thee": V. Aria (Bass) "Awful Matron take thy Seat"
—
Ode, Z 327 "Great parent, hail to thee": VI. Aria (Tenor) - Chorus " She was the first who did inspire"
—
Ode, Z 327 "Great parent, hail to thee": VII. Duet (High Tenor, Bass) "Succeeding Princes next recite"
—
Ode, Z 327 "Great parent, hail to thee": VIII. Chorus "But chiefly Recommend to Fame"
—
Ode, Z 327 "Great parent, hail to thee": IX. Symphony - Aria (Soprano) "Thy Royal Patron sung"
—
Ode, Z 327 "Great parent, hail to thee": X. Chorus "With themes like these"
—
Ode, Z 337 "The summer's absence unconcerned we bear": I. Symphony
—
Ode, Z 337 "The summer's absence unconcerned we bear": II. Aria (Bass) - Trio (Alto, Tenor, Bass) - Chorus - Ritornello "The summer's absence we unconcerned bear"
—
Ode, Z 337 "The summer's absence unconcerned we bear": III. Aria (Alto) - Chorus - Ritornello "And when late from your Throne"
—
Ode, Z 337 "The summer's absence unconcerned we bear": IV. Aria (Bass) - Duet (Sopranos I-II) - Chorus "Ah! had we, Sir, the power or art"
—
Ode, Z 337 "The summer's absence unconcerned we bear": V. Trio (Alto, High Tenor, Bass) - Ritornello "Happy while all her neighbours bled"
—
Ode, Z 337 "The summer's absence unconcerned we bear": VI. Aria (Tenor) "So happily still you your counsels employ"
—
Ode, Z 337 "The summer's absence unconcerned we bear": VII. Aria (Alto) - Ritornello "These had by their ill usage"
—
Ode, Z 337 "The summer's absence unconcerned we bear": VIII. Aria (Tenor) - Chorus "But these no more shall dare repine"
—
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What is UPC 034571164762?
034571164762 is a Universal Product Code (UPC) assigned to Complete Odes and Welcome Songs, Volume 5 by Purcell, The King’s Consort, Robert King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 29 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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