UPC · Release
The Beggar's Opera
John Gay, Christopher Pepusch, The Broadside Band, Jeremy Barlow
034571165912
103 tracksReleased 1991-01-01Hyperion
Last verified:
034571165912 is the Universal Product Code (UPC barcode) for the release “The Beggar's Opera” by John Gay, Christopher Pepusch, The Broadside Band, Jeremy Barlow, released 1991-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 103 tracks, each with its own ISRC. Tracks include GBAJY9159101, GBAJY9159102, GBAJY9159103.
Format
0Number system
34571Manufacturer
16591Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Beggar's Opera
ISRC45 recordings
Track List (103)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Beggar's Opera: Act I. The Beggar's Opera: Act I. Introduction "If poverty be a title to poetry" (Beggar, Player) | John Gay | — | |
| 2 | The Beggar's Opera: Act I. Dialogue / Overture | John Gay | — | |
| 3 | The Beggar's Opera: Act I. Air. "Through all the employments of life" (Peachum) | John Gay | — | |
| 4 | The Beggar's Opera: Act I. Dialogue "Sir, Black Moll hath sent word" (Filch, Peachum) | John Gay | — | |
| 5 | The Beggar's Opera: Act I. Air. "'Tis woman that seduces all mankind" (Filch, Peachum) | John Gay | — | |
| 6 | The Beggar's Opera: Act I. Dialogue. "But 'tis now high time to look about me" (Peachum) | John Gay | — | |
| 7 | The Beggar's Opera: Act I. Dialogue. "What of Bob Booty, husband?" (Mrs Peachum, Peachum) | John Gay | — | |
| 8 | The Beggar's Opera: Act I. Air "If any wench Venus's girdle wear" (Mrs Peachum, Peachum) | John Gay | — | |
| 9 | The Beggar's Opera: Act I. Air. "If love the virgin's heart invade" (Mrs Peachum, Peachum) | John Gay | — | |
| 10 | The Beggar's Opera: Act I. Dialogue. "Never was a man more out the way in an argument" (Mrs Peachum) | John Gay | — | |
| 11 | The Beggar's Opera: Act I. Air. "A maid is like the golden ore" (Mrs Peachum) | John Gay | — | |
| 12 | The Beggar's Opera: Act I. Dialogue. "Come hither, Filch" (Mrs Peachum, Filch) | John Gay | — | |
| 13 | The Beggar's Opera: Act I. Dialogue. "I know as well as any of the fine ladies" (Polly) | John Gay | — | |
| 14 | The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum) | John Gay | — | |
| 15 | The Beggar's Opera: Act I. Air. "Our Poly is a sad slut!" (Mrs Peachum, Peachum, Polly) | John Gay | — | |
| 16 | The Beggar's Opera: Act I. Air. "Can love be control'd by advice?" (Polly, Mrs Peachum, Peachum) | John Gay | — | |
| 17 | The Beggar's Opera: Act I. Air. "O Polly, you might have toy'd and kissed" (Mrs Peachum, Polly) | John Gay | — | |
| 18 | The Beggar's Opera: Act I. Air. "I like a ship in storms was tossed" (Polly, Peachum) | John Gay | — | |
| 19 | The Beggar's Opera: Act I. Dialogue. "Dear wife, be a little pacified" (Peachum, Mrs Peachum) | John Gay | — | |
| 20 | The Beggar's Opera: Act I. Air. "A fox may steal your hens, sir" (Peachum) | John Gay | — | |
| 21 | The Beggar's Opera: Act I. Dialogue. "'Twas only Nimming Ned" (Polly, Peachum, Mrs Peachum) | John Gay | — | |
| 22 | The Beggar's Opera: Act I. Air. "Oh, ponder well! be not severe" (Polly, Mrs Peachum) | John Gay | — | |
| 23 | The Beggar's Opera: Act I. Air. "The turtle thus with plaintive crying" (Polly, Mrs Peachum, Peachum) | John Gay | — | |
| 24 | The Beggar's Opera: Act I. Dialogue. "The thing, husband, must and shall be done" (Mrs Peachum, Peachum) | John Gay | — | |
| 25 | The Beggar's Opera: Act I. Dialogue. "Now I'm a wretch" (Polly) | John Gay | — | |
| 26 | The Beggar's Opera: Act I. Air. "Pretty Polly, say" (Macheath, Polly) | John Gay | — | |
| 27 | The Beggar's Opera: Act I. Air. "My heart was so free" (Macheath, Polly) | John Gay | — | |
| 28 | The Beggar's Opera: Act I. Air. "Were I laid on Greenland's coast" (Macheath, Polly) | John Gay | — | |
| 29 | The Beggar's Opera: Act I. Air. "O what pain it is to part!" (Polly, Macheath) | John Gay | — | |
| 30 | The Beggar's Opera: Act I. Air. "The miser thus a shilling sees" (Macheath, Polly) | John Gay | — | |
| 31 | The Beggar's Opera: Act II. Dialogue. "But pr'ythee, Matt, what is become of thy brother Tom?" (Ben, Matt, Jemmy, Jack, Wat, Robin, Ned, Harry) | John Gay | — | |
| 32 | The Beggar's Opera: Act II. Air. "Fill ev'ry glass, for wine inspires us" (Matt, company) | John Gay | — | |
| 33 | The Beggar's Opera: Act II. Dialogue. "Gentlemen, well met" (Macheath, Matt) | John Gay | — | |
| 34 | The Beggar's Opera: Act II. Air. "Let us take the road" (Matt) | John Gay | — | |
| 35 | The Beggar's Opera: Act II. Dialogue. "What a fool is a fond wench!" (Macheath) | John Gay | — | |
| 36 | The Beggar's Opera: Act II. Air. "If the heart of a man is deprest with cares" (Macheath, Drawer) | John Gay | — | |
| 37 | The Beggar's Opera: Act II. Dialogue. "Dear Mrs Coaxer, you are welcome" (Macheath) | John Gay | — | |
| 38 | The Beggar's Opera: Act II. Air. "Youth's the season made for joys" (Macheath, Jenny, Coaxer, Vixen, Brazen) | John Gay | — | |
| 39 | The Beggar's Opera: Act II. Air. "Before the barn door crowing" (Jenny, Macheath, Trull, Tawdry, Slammekin, Vixen) | John Gay | — | |
| 40 | The Beggar's Opera: Act II. Air. "The gamesters and lawyers are jugglers alike" (Jenny, Tawdry, Macheath) | John Gay | — | |
| 41 | The Beggar's Opera: Act II. Dialogue. "I seize you, sir, as my prisoner" (Peachum, Macheath) | John Gay | — | |
| 42 | The Beggar's Opera: Act II. Air. "At the tree I shall suffer with pleasure" (Macheath, Peachum) | John Gay | — | |
| 43 | The Beggar's Opera: Act II. Dialogue. "Look ye, Mrs Jenny" (Vixen, Coaxer, Slammekin, Trull, Jenny) | John Gay | — | |
| 44 | The Beggar's Opera: Act II. Dialogue. "Noble Captain, you are welcome" (Lockit, Macheath) | John Gay | — | |
| 45 | The Beggar's Opera: Act II. Air. "Man may escape from rope and gun" (Macheath) | John Gay | — | |
| 2-1 | The Beggar's Opera: Act II. Dialogue: You Base Man, You! | — | ||
| 2-2 | The Beggar's Opera: Act II. Air 27: Thus When A Good Huswife Sees A Rat (A Lovely Lass To A Friar Came) | — | ||
| 2-3 | The Beggar's Opera: Act II. Air 28: How Cruel Are The Traitors ('Twas When The Sea Was Roaring) | — | ||
| 2-4 | The Beggar's Opera: Act II. Air 29: The First Time At The Looking-Glass (The Sun Has Loos'd His Weary Teams) | — | ||
| 2-5 | The Beggar's Opera: Act II. Dialogue: In This Last Affair, Brother Peachum | — | ||
| 2-6 | The Beggar's Opera: Act II. Air 30: When You Censure the Age (How Happy Are We) | — | ||
| 2-7 | The Beggar's Opera: Act II. Dialogue: Whence Come You, Hussy? | — | ||
| 2-8 | The Beggar's Opera: Act II. Air 31: Is Then His Fate Decreed, Sir? (Of A Noble Race Was Shenkin) | — | ||
| 2-9 | The Beggar's Opera: Act II. Air 32: You'll Think E'er Many Days Ensue | — | ||
| 2-10 | The Beggar's Opera: Act II. Dialogue: Though The Ordinary Was Out Of The Way Today | — | ||
| 2-11 | The Beggar's Opera: Act II. Air 33: If You At An Office Solicit Your Due (London Ladies) | — | ||
| 2-12 | The Beggar's Opera: Act II. Dialogue: Where Is My Dear Husband? | — | ||
| 2-13 | The Beggar's Opera: Act II. Air 34: Thus When The Swallow Seeking Prey (All In The Downs) | — | ||
| 2-14 | The Beggar's Opera: Act II. Air 35: How Happy Could I Be With Either (Have You Heard Of A Frolicksome Ditty) | — | ||
| 2-15 | The Beggar's Opera: Act II. Air 36: I'm Bubbled (Irish Trot) | — | ||
| 2-16 | The Beggar's Opera: Act II. Air 37: Cease Your Funning | — | ||
| 2-17 | The Beggar's Opera: Act II. Air 38: Why How Now, Madam Flirt? (Good-morrow, Gossip) | — | ||
| 2-18 | The Beggar's Opera: Act II. Dialogue: Where's My Wench? | — | ||
| 2-19 | The Beggar's Opera: Act II. Air 39: No Power On Earth Can E'er Divide (Irish Howl) | — | ||
| 2-20 | The Beggar's Opera: Act II. Dialogue: I Am Naturally Compassionate, Wife | — | ||
| 2-21 | The Beggar's Opera: Act II. Air 40: I Like The Fox Shall Grieve (The Lass Of Patie's Mill) | — | ||
| 2-22 | The Beggar's Opera: Act III. Dialogue: To Be Sure, Wench | — | ||
| 2-23 | The Beggar's Opera: Act III. Air 41: When Young At The Bar You First Taught Me To Score (If Love's A Sweet Passion) | — | ||
| 2-24 | The Beggar's Opera: Act III. Air 42: My Love Is All Madness & Folly (South Sea Ballad) | — | ||
| 2-25 | The Beggar's Opera: Act III. Dialogue: Peachum Then Intends To Outwit Me | — | ||
| 2-26 | The Beggar's Opera: Act III. Air 43: Thus Gamesters United In Friendship Are Found (Packington's Pound) | — | ||
| 2-27 | The Beggar's Opera: Act III. Dialogue: Why, Boy, Thou Lookest As If Thou Wert Half Starv'd | — | ||
| 2-28 | The Beggar's Opera: Act III. Dialogue: I Am Sorry, Gentlemen | — | ||
| 2-29 | The Beggar's Opera: Act III. Air 44: The Modes Of The Court So Common Are Grown (Lillibullero) | — | ||
| 2-30 | The Beggar's Opera: Act III. Dialogue: The Coronation Account, Brother Peachum | — | ||
| 2-31 | The Beggar's Opera: Act III. Air 45: What Gudgeons Are We Men! (Down In The North Country) | — | ||
| 2-32 | The Beggar's Opera: Act III. Dialogue: Dear Mrs Dye, Your Servant | — | ||
| 2-33 | The Beggar's Opera: Act III. Air 46: In The Days Of My Youth (A Shepherd Kept Sheep) | — | ||
| 2-34 | The Beggar's Opera: Act III. Dialogue: Jealousy, Rage, Love & Fear | — | ||
| 2-35 | The Beggar's Opera: Act III. Air 47: I'm Like A Skiff On The Ocean Tossed (One Evening, Having Lost My Way) | — | ||
| 2-36 | The Beggar's Opera: Act III. Dialogue: Dear Madam, Your Servant | — | ||
| 2-37 | The Beggar's Opera: Act III. Air 48: When A Wife's In Her Pout (Now Roger, I'll Tell Thee, Because Thou'rt My Son) | — | ||
| 2-38 | The Beggar's Opera: Act III. Air 49: A Curse Attends That Woman's Love (O Bessy Bell) | — | ||
| 2-39 | The Beggar's Opera: Act III. Air 50: Among The Men, Coquets We Find (Would Fate To Me Belinda Give) | — | ||
| 2-40 | The Beggar's Opera: Act III. Air 51: Come, Sweet Lass (Come, Sweet Lass) | — | ||
| 2-41 | The Beggar's Opera: Act III. Dialogue: All This Wheedling Of Lucy Cannot Be For Nothing | — | ||
| 2-42 | The Beggar's Opera: Act III. Dialogue: Come, Miss Polly | — | ||
| 2-43 | The Beggar's Opera: Act III. Dialogue: Set Your Heart To Rest, Captain | — | ||
| 2-44 | The Beggar's Opera: Act III. Air 52: Hither, Dear Husband, Turn Your Eyes(The Last Time I Went O'er The Moor) | — | ||
| 2-45 | The Beggar's Opera: Act III. Air 53: Which Way Shall I Turn Me? (Tom Tinker's My True Love) | — | ||
| 2-46 | The Beggar's Opera: Act III. Air 54: When My Hero In Court Appears (I Am A Poor Shepherd Undone) | — | ||
| 2-47 | The Beggar's Opera: Act III. Air 55: When He Holds Up His Hand (Ianthe The Lovely) | — | ||
| 2-48 | The Beggar's Opera: Act III. Air 56: Our Selves, Like The Great, To Secure A Retreat (A Cobbler There Was) | — | ||
| 2-49 | The Beggar's Opera: Act III. Air 57: The Charge Is Prepar'd (Bonny Dundee) | — | ||
| 2-50 | The Beggar's Opera: Act III. Dialogue: Follow Them, Filch, To The Court | — | ||
| 2-51 | The Beggar's Opera: Act III. Air 58: O Cruel, Cruel, Cruel Case! (Happy Groves) | — | ||
| 2-52 | The Beggar's Opera: Act III. Air 67: Since Laws Were Made Tor Ev'ry Degree (Green Sleeves) | — | ||
| 2-53 | The Beggar's Opera: Act III. Dialogue: For My Having Broke Prison | — | ||
| 2-54 | The Beggar's Opera: Act III. Dialogue: My Dear Lucy, My Dear Polly | — | ||
| 2-55 | The Beggar's Opera: Act III. Air 68: Would I Might Be Hang'd! (All You That Must Take A Leap) | — | ||
| 2-56 | The Beggar's Opera: Act III. Dialogue: But, Honest Friend | — | ||
| 2-57 | The Beggar's Opera: Act III. Dialogue: So, It Seems, I Am Not Left To My Choice | — | ||
| 2-58 | The Beggar's Opera: Act III. Air 69: Thus I Stand Like The Turk (Lumps Of Pudding) | — |
The Beggar's Opera: Act I. The Beggar's Opera: Act I. Introduction "If poverty be a title to poetry" (Beggar, Player)
John Gay
—
The Beggar's Opera: Act I. Dialogue / Overture
John Gay
—
The Beggar's Opera: Act I. Air. "Through all the employments of life" (Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue "Sir, Black Moll hath sent word" (Filch, Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "'Tis woman that seduces all mankind" (Filch, Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "But 'tis now high time to look about me" (Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "What of Bob Booty, husband?" (Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Air "If any wench Venus's girdle wear" (Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "If love the virgin's heart invade" (Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "Never was a man more out the way in an argument" (Mrs Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "A maid is like the golden ore" (Mrs Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "Come hither, Filch" (Mrs Peachum, Filch)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "I know as well as any of the fine ladies" (Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "Virgins are like the fair flower in its lustre" (Polly, Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "Our Poly is a sad slut!" (Mrs Peachum, Peachum, Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "Can love be control'd by advice?" (Polly, Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "O Polly, you might have toy'd and kissed" (Mrs Peachum, Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "I like a ship in storms was tossed" (Polly, Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "Dear wife, be a little pacified" (Peachum, Mrs Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "A fox may steal your hens, sir" (Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "'Twas only Nimming Ned" (Polly, Peachum, Mrs Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "Oh, ponder well! be not severe" (Polly, Mrs Peachum)
John Gay
—
The Beggar's Opera: Act I. Air. "The turtle thus with plaintive crying" (Polly, Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "The thing, husband, must and shall be done" (Mrs Peachum, Peachum)
John Gay
—
The Beggar's Opera: Act I. Dialogue. "Now I'm a wretch" (Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "Pretty Polly, say" (Macheath, Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "My heart was so free" (Macheath, Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "Were I laid on Greenland's coast" (Macheath, Polly)
John Gay
—
The Beggar's Opera: Act I. Air. "O what pain it is to part!" (Polly, Macheath)
John Gay
—
The Beggar's Opera: Act I. Air. "The miser thus a shilling sees" (Macheath, Polly)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "But pr'ythee, Matt, what is become of thy brother Tom?" (Ben, Matt, Jemmy, Jack, Wat, Robin, Ned, Harry)
John Gay
—
The Beggar's Opera: Act II. Air. "Fill ev'ry glass, for wine inspires us" (Matt, company)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "Gentlemen, well met" (Macheath, Matt)
John Gay
—
The Beggar's Opera: Act II. Air. "Let us take the road" (Matt)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "What a fool is a fond wench!" (Macheath)
John Gay
—
The Beggar's Opera: Act II. Air. "If the heart of a man is deprest with cares" (Macheath, Drawer)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "Dear Mrs Coaxer, you are welcome" (Macheath)
John Gay
—
The Beggar's Opera: Act II. Air. "Youth's the season made for joys" (Macheath, Jenny, Coaxer, Vixen, Brazen)
John Gay
—
The Beggar's Opera: Act II. Air. "Before the barn door crowing" (Jenny, Macheath, Trull, Tawdry, Slammekin, Vixen)
John Gay
—
The Beggar's Opera: Act II. Air. "The gamesters and lawyers are jugglers alike" (Jenny, Tawdry, Macheath)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "I seize you, sir, as my prisoner" (Peachum, Macheath)
John Gay
—
The Beggar's Opera: Act II. Air. "At the tree I shall suffer with pleasure" (Macheath, Peachum)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "Look ye, Mrs Jenny" (Vixen, Coaxer, Slammekin, Trull, Jenny)
John Gay
—
The Beggar's Opera: Act II. Dialogue. "Noble Captain, you are welcome" (Lockit, Macheath)
John Gay
—
The Beggar's Opera: Act II. Air. "Man may escape from rope and gun" (Macheath)
John Gay
—
The Beggar's Opera: Act II. Dialogue: You Base Man, You!
—
The Beggar's Opera: Act II. Air 27: Thus When A Good Huswife Sees A Rat (A Lovely Lass To A Friar Came)
—
The Beggar's Opera: Act II. Air 28: How Cruel Are The Traitors ('Twas When The Sea Was Roaring)
—
The Beggar's Opera: Act II. Air 29: The First Time At The Looking-Glass (The Sun Has Loos'd His Weary Teams)
—
The Beggar's Opera: Act II. Dialogue: In This Last Affair, Brother Peachum
—
The Beggar's Opera: Act II. Air 30: When You Censure the Age (How Happy Are We)
—
The Beggar's Opera: Act II. Dialogue: Whence Come You, Hussy?
—
The Beggar's Opera: Act II. Air 31: Is Then His Fate Decreed, Sir? (Of A Noble Race Was Shenkin)
—
The Beggar's Opera: Act II. Air 32: You'll Think E'er Many Days Ensue
—
The Beggar's Opera: Act II. Dialogue: Though The Ordinary Was Out Of The Way Today
—
The Beggar's Opera: Act II. Air 33: If You At An Office Solicit Your Due (London Ladies)
—
The Beggar's Opera: Act II. Dialogue: Where Is My Dear Husband?
—
The Beggar's Opera: Act II. Air 34: Thus When The Swallow Seeking Prey (All In The Downs)
—
The Beggar's Opera: Act II. Air 35: How Happy Could I Be With Either (Have You Heard Of A Frolicksome Ditty)
—
The Beggar's Opera: Act II. Air 36: I'm Bubbled (Irish Trot)
—
The Beggar's Opera: Act II. Air 37: Cease Your Funning
—
The Beggar's Opera: Act II. Air 38: Why How Now, Madam Flirt? (Good-morrow, Gossip)
—
The Beggar's Opera: Act II. Dialogue: Where's My Wench?
—
The Beggar's Opera: Act II. Air 39: No Power On Earth Can E'er Divide (Irish Howl)
—
The Beggar's Opera: Act II. Dialogue: I Am Naturally Compassionate, Wife
—
The Beggar's Opera: Act II. Air 40: I Like The Fox Shall Grieve (The Lass Of Patie's Mill)
—
The Beggar's Opera: Act III. Dialogue: To Be Sure, Wench
—
The Beggar's Opera: Act III. Air 41: When Young At The Bar You First Taught Me To Score (If Love's A Sweet Passion)
—
The Beggar's Opera: Act III. Air 42: My Love Is All Madness & Folly (South Sea Ballad)
—
The Beggar's Opera: Act III. Dialogue: Peachum Then Intends To Outwit Me
—
The Beggar's Opera: Act III. Air 43: Thus Gamesters United In Friendship Are Found (Packington's Pound)
—
The Beggar's Opera: Act III. Dialogue: Why, Boy, Thou Lookest As If Thou Wert Half Starv'd
—
The Beggar's Opera: Act III. Dialogue: I Am Sorry, Gentlemen
—
The Beggar's Opera: Act III. Air 44: The Modes Of The Court So Common Are Grown (Lillibullero)
—
The Beggar's Opera: Act III. Dialogue: The Coronation Account, Brother Peachum
—
The Beggar's Opera: Act III. Air 45: What Gudgeons Are We Men! (Down In The North Country)
—
The Beggar's Opera: Act III. Dialogue: Dear Mrs Dye, Your Servant
—
The Beggar's Opera: Act III. Air 46: In The Days Of My Youth (A Shepherd Kept Sheep)
—
The Beggar's Opera: Act III. Dialogue: Jealousy, Rage, Love & Fear
—
The Beggar's Opera: Act III. Air 47: I'm Like A Skiff On The Ocean Tossed (One Evening, Having Lost My Way)
—
The Beggar's Opera: Act III. Dialogue: Dear Madam, Your Servant
—
The Beggar's Opera: Act III. Air 48: When A Wife's In Her Pout (Now Roger, I'll Tell Thee, Because Thou'rt My Son)
—
The Beggar's Opera: Act III. Air 49: A Curse Attends That Woman's Love (O Bessy Bell)
—
The Beggar's Opera: Act III. Air 50: Among The Men, Coquets We Find (Would Fate To Me Belinda Give)
—
The Beggar's Opera: Act III. Air 51: Come, Sweet Lass (Come, Sweet Lass)
—
The Beggar's Opera: Act III. Dialogue: All This Wheedling Of Lucy Cannot Be For Nothing
—
The Beggar's Opera: Act III. Dialogue: Come, Miss Polly
—
The Beggar's Opera: Act III. Dialogue: Set Your Heart To Rest, Captain
—
The Beggar's Opera: Act III. Air 52: Hither, Dear Husband, Turn Your Eyes(The Last Time I Went O'er The Moor)
—
The Beggar's Opera: Act III. Air 53: Which Way Shall I Turn Me? (Tom Tinker's My True Love)
—
The Beggar's Opera: Act III. Air 54: When My Hero In Court Appears (I Am A Poor Shepherd Undone)
—
The Beggar's Opera: Act III. Air 55: When He Holds Up His Hand (Ianthe The Lovely)
—
The Beggar's Opera: Act III. Air 56: Our Selves, Like The Great, To Secure A Retreat (A Cobbler There Was)
—
The Beggar's Opera: Act III. Air 57: The Charge Is Prepar'd (Bonny Dundee)
—
The Beggar's Opera: Act III. Dialogue: Follow Them, Filch, To The Court
—
The Beggar's Opera: Act III. Air 58: O Cruel, Cruel, Cruel Case! (Happy Groves)
—
The Beggar's Opera: Act III. Air 67: Since Laws Were Made Tor Ev'ry Degree (Green Sleeves)
—
The Beggar's Opera: Act III. Dialogue: For My Having Broke Prison
—
The Beggar's Opera: Act III. Dialogue: My Dear Lucy, My Dear Polly
—
The Beggar's Opera: Act III. Air 68: Would I Might Be Hang'd! (All You That Must Take A Leap)
—
The Beggar's Opera: Act III. Dialogue: But, Honest Friend
—
The Beggar's Opera: Act III. Dialogue: So, It Seems, I Am Not Left To My Choice
—
The Beggar's Opera: Act III. Air 69: Thus I Stand Like The Turk (Lumps Of Pudding)
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
Identifier Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 034571165912?
034571165912 is a Universal Product Code (UPC) assigned to The Beggar's Opera by John Gay, Christopher Pepusch, The Broadside Band, Jeremy Barlow. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 103 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm