UPC · Album

Deborah

Handel, Yvonne Kenny, Susan Gritton and 7 more

034571168418
65 tracksReleased 1993-01-01Hyperion

Last verified:

034571168418 is the Universal Product Code (UPC barcode) for the release Deborah by Handel, Yvonne Kenny, Susan Gritton, Catherine Denley, James Bowman, Michael George, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King, released 1993-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 65 tracks, each with its own ISRC. Tracks include GBAJY9384101, GBAJY9384102, GBAJY9384103.

Format

0Number system
34571Manufacturer
16841Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCDeborah
ISRC65 recordings

Track List (65)

Deborah: Act I "Overture": Grave - Allegro - Menuett
The King’s Consort, Robert King
Deborah: Act I, Scene I, No. I. Chorus "Immortal Lord of earth and skies"
Choir of New College Oxford, Choristers of Salisbury Cathedral, Robert King
Deborah: Act I, Scene I, No. II. Recitative "O Barak, favour’d of the skies" (Deborah, Barak)
Yvonne Kenny, James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. III. Duet "Where do thy ardours raise me?" (Barak, Deborah)
James Bowman, Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. IV. Chorus "Forbear thy doubts! to arms! away!"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. V. Recitative "Since Heav’n has thus his will express’d" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. VI. Soli & Chorus "For ever to the voice of pray’r"
Susan Gritton, James Bowman, Mark Milhofer, Colin Campbell, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. VII. Recitative "By that adorable decree" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. VIII. Chorus "O hear thy lowly servants’ pray’r"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. IX. Recitative "Ye sons of Israel, cease your fears" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. X. Chorus "O blast, with thy tremendous brow"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. XI. Recitative "To whomsoe’er his fate the tyrant owes" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene I, No. XII. Air "How lovely is the blooming fair" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene II, No. I. Recitative "O Deborah! Where’er I turn" (Jael, Deborah)
Susan Gritton, Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act I, Scene II, No. II. Air "Choirs of Angels, all around thee" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act I, Scene II, No. III. Recitative "My transports are too great to tell" (Jael)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act I, Scene II, No. IV. Air "To joy he brightens my despair" (Jael)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act I, Scene III, No. I. Recitative "Barak, my son, the joyful sound" (Abinoam)
Michael George, The King’s Consort, Robert King
Deborah: Act I, Scene III, No. II. Air "Awake the ardour of thy breast" (Abinoam)
Michael George, The King’s Consort, Robert King
Deborah: Act I, Scene III, No. III. Recitative "I go where Heav’n and duty call" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene III, No. VI. Air "All danger disdaining" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene III, No. V. Chorus "Let thy deeds be glorious"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act I, Scene IV. Recitative "My charge is to declare" (Herald) / Act I, Scene V, No. I. "Let him approach..." (Deborah, Barak)
Mark Milhofer, Yvonne Kenny, James Bowman, The King’s Consort, Robert King
Deborah: Act I, Scene V, No. II. Chorus "Despair all around them"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act II, No. I. Chorus "See, the proud chief advances now"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act II, No. II. Recitative "That here rebellious arms I see" (Sisera)
Catherine Denley, The King’s Consort, Robert King
Deborah: Act II, No. III. Air "At my feet extended low" (Sisera)
Catherine Denley, The King’s Consort, Robert King
Deborah: Act II, No. IV. Recitative "Go frown, Barbarian" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act II, No. V. Air "In Jehovah’s awful sight" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act II, No. VI. Recitative "Yes, how your God in wonders can excel" (Sisera)
Catherine Denley, The King’s Consort, Robert King
Deborah: Act II, No. VII. Air "Whilst you boast the wondrous story" (Sisera)
Catherine Denley, The King’s Consort, Robert King
Deborah: Act II, No. VIII. Air "Impious mortal, cease to brave us" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act II, No. IX. Recitative "Behold the nations all around" (Chief Priest of Baal)
Colin Campbell, The King’s Consort, Robert King
Deborah: Act II, No. X. Chorus "O Baal, monarch of the skies!" (chorus of Baal's priests)
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act II, No. XI. Recitative "No. more, ye infidels, No. more!" (Chief Priest of the Israelites)
Adrian Peacock, The King’s Consort, Robert King
Deborah: Act II, No. XII. Chorus "Lord of eternity, who hast in store" (chorus of Israelites)
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act II, No. XIII. Recitative "By his great name, and his alone" (Deborah, Sisera)
Yvonne Kenny, Catherine Denley, The King’s Consort, Robert King
Deborah: Act II, No. XIV. Soli & Chorus "All your boast will end in woe"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act II, No. XV. Recitative "Great prophetess, my soul's on fire" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act II, No. XVI. Air "In the battle, fame pursuing" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act II, No. XVII. Recitative "Thy ardours warm the winter of my age" (Abinoam)
Michael George, The King’s Consort, Robert King
Deborah: Act II, No. XVIII. Air "Swift inundation of desolation" (Abinoam)
Michael George, The King’s Consort, Robert King
Deborah: Act II, No. XIX. Recitative "O Judah, with what joy I see" (Israelite woman)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act II, No. XX. Air "No. more disconsolate I'll mourn" (Israelite woman)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act II, No. XXI. Recitative "Now, Jael, to thy tent retire" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act II, No. XXII. Air "O the pleasure my soul is possessing" (Jael)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act II, No. XXIII. Recitative "Barak, we now to battle go" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act II, No. XXIV. Duet "Smiling freedom, lovely guest" (Deborah, Barak)
Yvonne Kenny, James Bowman, The King’s Consort, Robert King
Deborah: Act II, No. XXV. Chorus "The great king of kings will aid us today"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act III, Scene I, No. I. Chorus "A grand military symphony: Now the proud insulting foe" (chorus of Israelites)
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act III, Scene I, No. II. Recitative "The haughty foe whose pride to heav'n did soar" (Israelite woman)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene I, No. III. Air "Now sweetly smiling peace descends" (Israelite woman)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene II, No. I. Recitative "My pray'rs are heard, the blessings of this day" (Abinoam, Barak)
Michael George, James Bowman, The King’s Consort, Robert King
Deborah: Act III, Scene II, No. II. Air "Tears, such as tender fathers shed" (Abinoam)
Michael George, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. I. Recitative "O Deborah, my fears are o'er" (Jael)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. II. Chorus "Doleful tidings, how ye wound" (chorus of Baal's priests)
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. III. Air "Our fears are now forever fled" (Israelite woman)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. IV. Recitative "I saw the tyrant breathless in her tent" (Barak, Jael)
James Bowman, Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. V. Air "Tyrant, now No. more we dread thee" (Jael)
Susan Gritton, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. VI. Recitative "If, Jael, I a right divine" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. VII. Air "The glorious sun shall cease to shed" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. VIII. Recitative "May heav'n, with kind profusion, shed" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. IX. Air "Low at her feet he bow'd, he fell" (Barak)
James Bowman, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. X. Recitative "O great Jehovah! may thy foes" (Deborah)
Yvonne Kenny, The King’s Consort, Robert King
Deborah: Act III, Scene III, No. XI. Chorus "Let our glad songs to heav'n ascend"
Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King

People also ask

What is UPC 034571168418?
UPC 034571168418 is the Universal Product Code (barcode) for "Deborah" by Handel, Yvonne Kenny, Susan Gritton, Catherine Denley, James Bowman, Michael George, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King, released on Hyperion.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 034571168418?
UPC 034571168418 contains 65 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 034571168418?

034571168418 is a Universal Product Code (UPC) assigned to Deborah by Handel, Yvonne Kenny, Susan Gritton, Catherine Denley, James Bowman, Michael George, Choir of New College Oxford, Choristers of Salisbury Cathedral, The King’s Consort, Robert King. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 65 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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