UPC · Release
Artaxerxes
Thomas Arne, Catherine Bott, Patricia Spence and 6 more
034571170510
58 tracksReleased 1996-01-01Hyperion
Last verified:
034571170510 is the Universal Product Code (UPC barcode) for the release “Artaxerxes” by Thomas Arne, Catherine Bott, Patricia Spence, Christopher Robson, Ian Partridge, Richard Edgar‐Wilson, Philippa Hyde, The Parley of Instruments, Roy Goodman, released 1996-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 58 tracks, each with its own ISRC.
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0Number system
34571Manufacturer
17051Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Track List (58)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Artaxerxes: Act 1: No. 1. Overture. Poco più che andante – Larghetto – Gavotta | — | ||
| 2 | Artaxerxes: Act 1: No. 2. Recitative: Still silence reigns around (Mandane/Arbaces) | — | ||
| 3 | Artaxerxes: Act 1: No. 3. Duettino: Fair Aurora, pr'ythee stay (Mandane/Arbaces) | — | ||
| 4 | Artaxerxes: Act 1: No. 4. Recitative: Alas, thou know'st that for my Love of thee (Arbaces/Mandane) | — | ||
| 5 | Artaxerxes: Act 1: No. 5. Air: Adieu, thou lovely Youth (Mandane) | — | ||
| 6 | Artaxerxes: Act 1: No. 6. Recitative: O cruel parting! (Arbaces/Artabanes) | — | ||
| 7 | Artaxerxes: Act 1: No. 7. Air: Amid a thousand racking Woes (Arbaces) | — | ||
| 8 | Artaxerxes: Act 1: No. 8. Recitative: Be firm my Heart (Artabanes/Artaxerxes) | — | ||
| 9 | Artaxerxes: Act 1: No. 9. Air: Behold, on Lethe's dismal Strand (Artabanes) | — | ||
| 10 | Artaxerxes: Act 1: No. 10. Recitative: Stay, Artaxerxes, stay (Semira/Artaxerxes) | — | ||
| 11 | Artaxerxes: Act 1: No. 11. Air: Fair Semira, lovely Maid (Artaxerxes) | — | ||
| 12 | Artaxerxes: Act 1: No. 12. Recitative: I fear some dread Disaster (Semira/Rimenes) | — | ||
| 13 | Artaxerxes: Act 1: No. 13. Air: When real Joys we miss (Rimenes) | — | ||
| 14 | Artaxerxes: Act 1: No. 14. Recitative: Ye Gods, Protectors of the Persian Empire (Semira) | — | ||
| 15 | Artaxerxes: Act 1: No. 15. Air: How hard is the Fate (Semira) | — | ||
| 16 | Artaxerxes: Act 1: No. 16. Recitative: Where do I fly? (Mandane/Artaxerxes/Artabanes/Semira/Rimenes/Arbaces) | — | ||
| 17 | Artaxerxes: Act 1: No. 17. Air: Thy Father! away, I renounce the soft Claim (Artabanes) | — | ||
| 18 | Artaxerxes: Act 1: No. 18. Recitative: Ye cruel Gods, what Crime have I committed? (Arbaces) | — | ||
| 19 | Artaxerxes: Act 1: No. 19. Air: Acquit thee of this foul Offence (Semira) | — | ||
| 20 | Artaxerxes: Act 1: No. 20. Recitative: Appearance, I must own, is strong against me (Arbaces/Artaxerxes/Rimenes/Mandane) | — | ||
| 21 | Artaxerxes: Act 1: No. 21. Air: O too lovely, too unkind (Arbaces) | — | ||
| 22 | Artaxerxes: Act 1: No. 22. Recitative: Dear and beloved Shade of my dead Father (Mandane) | — | ||
| 23 | Artaxerxes: Act 1: No. 23. Air: Fly, soft Ideas, fly (Mandane) | — | ||
| 24 | Artaxerxes: Act 2: No. 1. Recitative: Guards, speed ye to the Tower (Artaxerxes/Artabanes) | — | ||
| 25 | Artaxerxes: Act 2: No. 2. Air: In Infancy, our Hopes and Fears (Artaxerxes) | — | ||
| 26 | Artaxerxes: Act 2: No. 3. Recitative: So far my great Resolve succeeds (Artabanes/Arbaces) | — | ||
| 27 | Artaxerxes: Act 2: No. 4. Air: Disdainful you fly me (Arbaces) | — | ||
| 28 | Artaxerxes: Act 2: No. 5. Recitative: Why, my dear Friend, so pensive, so inactive? (Rimenes/Artabanes/Semira) | — | ||
| 29 | Artaxerxes: Act 2: No. 6. Air: To sigh and complain (Rimenes) | — | ||
| 30 | Artaxerxes: Act 2: No. 7. Recitative: How many Links to dire Misfortune's Chain! (Semira/Mandane) | — | ||
| 31 | Artaxerxes: Act 2: No. 8. Air: If o'er the cruel Tyrant Love (Mandane) | — | ||
| 32 | Artaxerxes: Act 2: No. 9. Recitative: Which fatal Evil shall I first oppose? (Semira) | — | ||
| 33 | Artaxerxes: Act 2: No. 10. Air: If the River's swelling Waves (Semira) | — | ||
| 2-1 | Artaxerxes: Act 2: No. 11. Recitative: Ye solid Pillars of the Persian Empire (Artaxerxes/Mandane/Artabanes/Rimenes/Semira/Arbaces) | — | ||
| 2-2 | Artaxerxes: Act 2: No. 12. Air: By that belov'd Embrace (Arbaces) | — | ||
| 2-3 | Artaxerxes: Act 2: No. 13. Recitative: Ah me! at poor Arbaces parting (Mandane/Artabanes) | — | ||
| 2-4 | Artaxerxes: Act 2: No. 14. Air: Monster, away! (Mandane) | — | ||
| 2-5 | Artaxerxes: Act 2: No. 15. Recitative: See, lov'd Semira! (Artaxerxes/Semira/Artabanes) | — | ||
| 2-6 | Artaxerxes: Act 2: No. 16. Air: Thou, like the glorious Sun (Artabanes) | — | ||
| 2-7 | Artaxerxes: Act 3: No. 1. Arietta: Why is Death for ever late (Arbaces) | — | ||
| 2-8 | Artaxerxes: Act 3: No. 2. Recitative: Arbaces! (Artaxerxes/Arbaces) | — | ||
| 2-9 | Artaxerxes: Act 3: No. 3. Air: Water parted from the Sea (Arbaces) | — | ||
| 2-10 | Artaxerxes: Act 3: No. 4. Recitative: That Front, secure in conscious Innocence (Artaxerxes) | — | ||
| 2-11 | Artaxerxes: Act 3: No. 5. Air: Tho' oft a Cloud, with envious Shade (Artaxerxes) | — | ||
| 2-12 | Artaxerxes: Act 3: No. 6. Recitative: My Son, Arbaces – where art thou retir'd? (Artabanes/Rimenes) | — | ||
| 2-13 | Artaxerxes: Act 3: No. 7. Air: O let the Danger of a Son (Rimenes) | — | ||
| 2-14 | Artaxerxes: Act 3: No. 8. Recitative: Ye adverse Gods! (Artabanes) | — | ||
| 2-15 | Artaxerxes: Act 3: No. 9. Air: O, much lov'd Son, if Death (Artabanes) | — | ||
| 2-16 | Artaxerxes: Act 3: No. 10. Recitative: Perhaps the King releas'd Arbaces (Mandane/Semira) | — | ||
| 2-17 | Artaxerxes: Act 3: No. 11. Air: Let not Rage thy Bosom firing (Mandane) | — | ||
| 2-18 | Artaxerxes: Act 3: No. 12. Recitative: What have I done! alas, I vainly thought (Semira) | — | ||
| 2-19 | Artaxerxes: Act 3: No. 13. Air: 'Tis not true, that in our Grief (Semira) | — | ||
| 2-20 | Artaxerxes: Act 3: No. 14. Recitative: Nor here my searching Eyes can find Mandane (Arbaces/Mandane) | — | ||
| 2-21 | Artaxerxes: Act 3: No. 15. Duetto: For thee I live, my Dearest (Arbaces/Mandane) | — | ||
| 2-22 | Artaxerxes: Act 3: No. 16. Recitative: To you my People, much belov'd, I offer (Artaxerxes/Artabanes/Semira/Mandane) | — | ||
| 2-23 | Artaxerxes: Act 3: No. 17. Air: The Soldier, tir'd of War's Alarms (Mandane) | — | ||
| 2-24 | Artaxerxes: Act 3: No. 18. Recitative: Behold my King, Arbaces at thy Feet (Arbaces/Artaxerxes/Mandane/Artabanes) | — | ||
| 2-25 | Artaxerxes: Act 3: No. 19. Chorus: Live to us, to Empire live | — |
Artaxerxes: Act 1: No. 1. Overture. Poco più che andante – Larghetto – Gavotta
—
Artaxerxes: Act 1: No. 2. Recitative: Still silence reigns around (Mandane/Arbaces)
—
Artaxerxes: Act 1: No. 3. Duettino: Fair Aurora, pr'ythee stay (Mandane/Arbaces)
—
Artaxerxes: Act 1: No. 4. Recitative: Alas, thou know'st that for my Love of thee (Arbaces/Mandane)
—
Artaxerxes: Act 1: No. 5. Air: Adieu, thou lovely Youth (Mandane)
—
Artaxerxes: Act 1: No. 6. Recitative: O cruel parting! (Arbaces/Artabanes)
—
Artaxerxes: Act 1: No. 7. Air: Amid a thousand racking Woes (Arbaces)
—
Artaxerxes: Act 1: No. 8. Recitative: Be firm my Heart (Artabanes/Artaxerxes)
—
Artaxerxes: Act 1: No. 9. Air: Behold, on Lethe's dismal Strand (Artabanes)
—
Artaxerxes: Act 1: No. 10. Recitative: Stay, Artaxerxes, stay (Semira/Artaxerxes)
—
Artaxerxes: Act 1: No. 11. Air: Fair Semira, lovely Maid (Artaxerxes)
—
Artaxerxes: Act 1: No. 12. Recitative: I fear some dread Disaster (Semira/Rimenes)
—
Artaxerxes: Act 1: No. 13. Air: When real Joys we miss (Rimenes)
—
Artaxerxes: Act 1: No. 14. Recitative: Ye Gods, Protectors of the Persian Empire (Semira)
—
Artaxerxes: Act 1: No. 15. Air: How hard is the Fate (Semira)
—
Artaxerxes: Act 1: No. 16. Recitative: Where do I fly? (Mandane/Artaxerxes/Artabanes/Semira/Rimenes/Arbaces)
—
Artaxerxes: Act 1: No. 17. Air: Thy Father! away, I renounce the soft Claim (Artabanes)
—
Artaxerxes: Act 1: No. 18. Recitative: Ye cruel Gods, what Crime have I committed? (Arbaces)
—
Artaxerxes: Act 1: No. 19. Air: Acquit thee of this foul Offence (Semira)
—
Artaxerxes: Act 1: No. 20. Recitative: Appearance, I must own, is strong against me (Arbaces/Artaxerxes/Rimenes/Mandane)
—
Artaxerxes: Act 1: No. 21. Air: O too lovely, too unkind (Arbaces)
—
Artaxerxes: Act 1: No. 22. Recitative: Dear and beloved Shade of my dead Father (Mandane)
—
Artaxerxes: Act 1: No. 23. Air: Fly, soft Ideas, fly (Mandane)
—
Artaxerxes: Act 2: No. 1. Recitative: Guards, speed ye to the Tower (Artaxerxes/Artabanes)
—
Artaxerxes: Act 2: No. 2. Air: In Infancy, our Hopes and Fears (Artaxerxes)
—
Artaxerxes: Act 2: No. 3. Recitative: So far my great Resolve succeeds (Artabanes/Arbaces)
—
Artaxerxes: Act 2: No. 4. Air: Disdainful you fly me (Arbaces)
—
Artaxerxes: Act 2: No. 5. Recitative: Why, my dear Friend, so pensive, so inactive? (Rimenes/Artabanes/Semira)
—
Artaxerxes: Act 2: No. 6. Air: To sigh and complain (Rimenes)
—
Artaxerxes: Act 2: No. 7. Recitative: How many Links to dire Misfortune's Chain! (Semira/Mandane)
—
Artaxerxes: Act 2: No. 8. Air: If o'er the cruel Tyrant Love (Mandane)
—
Artaxerxes: Act 2: No. 9. Recitative: Which fatal Evil shall I first oppose? (Semira)
—
Artaxerxes: Act 2: No. 10. Air: If the River's swelling Waves (Semira)
—
Artaxerxes: Act 2: No. 11. Recitative: Ye solid Pillars of the Persian Empire (Artaxerxes/Mandane/Artabanes/Rimenes/Semira/Arbaces)
—
Artaxerxes: Act 2: No. 12. Air: By that belov'd Embrace (Arbaces)
—
Artaxerxes: Act 2: No. 13. Recitative: Ah me! at poor Arbaces parting (Mandane/Artabanes)
—
Artaxerxes: Act 2: No. 14. Air: Monster, away! (Mandane)
—
Artaxerxes: Act 2: No. 15. Recitative: See, lov'd Semira! (Artaxerxes/Semira/Artabanes)
—
Artaxerxes: Act 2: No. 16. Air: Thou, like the glorious Sun (Artabanes)
—
Artaxerxes: Act 3: No. 1. Arietta: Why is Death for ever late (Arbaces)
—
Artaxerxes: Act 3: No. 2. Recitative: Arbaces! (Artaxerxes/Arbaces)
—
Artaxerxes: Act 3: No. 3. Air: Water parted from the Sea (Arbaces)
—
Artaxerxes: Act 3: No. 4. Recitative: That Front, secure in conscious Innocence (Artaxerxes)
—
Artaxerxes: Act 3: No. 5. Air: Tho' oft a Cloud, with envious Shade (Artaxerxes)
—
Artaxerxes: Act 3: No. 6. Recitative: My Son, Arbaces – where art thou retir'd? (Artabanes/Rimenes)
—
Artaxerxes: Act 3: No. 7. Air: O let the Danger of a Son (Rimenes)
—
Artaxerxes: Act 3: No. 8. Recitative: Ye adverse Gods! (Artabanes)
—
Artaxerxes: Act 3: No. 9. Air: O, much lov'd Son, if Death (Artabanes)
—
Artaxerxes: Act 3: No. 10. Recitative: Perhaps the King releas'd Arbaces (Mandane/Semira)
—
Artaxerxes: Act 3: No. 11. Air: Let not Rage thy Bosom firing (Mandane)
—
Artaxerxes: Act 3: No. 12. Recitative: What have I done! alas, I vainly thought (Semira)
—
Artaxerxes: Act 3: No. 13. Air: 'Tis not true, that in our Grief (Semira)
—
Artaxerxes: Act 3: No. 14. Recitative: Nor here my searching Eyes can find Mandane (Arbaces/Mandane)
—
Artaxerxes: Act 3: No. 15. Duetto: For thee I live, my Dearest (Arbaces/Mandane)
—
Artaxerxes: Act 3: No. 16. Recitative: To you my People, much belov'd, I offer (Artaxerxes/Artabanes/Semira/Mandane)
—
Artaxerxes: Act 3: No. 17. Air: The Soldier, tir'd of War's Alarms (Mandane)
—
Artaxerxes: Act 3: No. 18. Recitative: Behold my King, Arbaces at thy Feet (Arbaces/Artaxerxes/Mandane/Artabanes)
—
Artaxerxes: Act 3: No. 19. Chorus: Live to us, to Empire live
—
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What is UPC 034571170510?
034571170510 is a Universal Product Code (UPC) assigned to Artaxerxes by Thomas Arne, Catherine Bott, Patricia Spence, Christopher Robson, Ian Partridge, Richard Edgar‐Wilson, Philippa Hyde, The Parley of Instruments, Roy Goodman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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