UPC · Release
The Complete Music for Solo Piano, Volume 46: Meditations
Franz Liszt, Leslie Howard
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034571171616 is the Universal Product Code (UPC barcode) for the release “The Complete Music for Solo Piano, Volume 46: Meditations” by Franz Liszt, Leslie Howard, released 1997-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC.
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Track List (109)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 1: Versus. Gloria in excelsis Deo | — | ||
| 2 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 1: Gloria Patri | — | ||
| 3 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 2: Versus. Hodie illuxit | — | ||
| 4 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 3: Versus. Dicite | — | ||
| 5 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 3: Gloria Patri | — | ||
| 6 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 4: Versus. Ave, Maria, gratia plena | — | ||
| 7 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 5: Versus. Beata, quae credidit | — | ||
| 8 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 6: Versus. Benedicta tu in mulieribus | — | ||
| 9 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 6: Gloria Patri | — | ||
| 10 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 7: Versus. Dies sanctificatus | — | ||
| 11 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 8: Versus. Omnia per ispum facta sunt | — | ||
| 12 | Responsorien und Antiphonen, S. 30: I. In nativitate Domini: Responsorium 8: Gloria Patri | — | ||
| 13 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 1: In monte Oliveti | — | ||
| 14 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 1: Versus. Vigilate | — | ||
| 15 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 2: Tristis est anima mea | — | ||
| 16 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 2: Versus. Ecce appropinquat | — | ||
| 17 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 3: Ecce vidimus | — | ||
| 18 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 3: Versus. Vere languores | — | ||
| 19 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 3 reprise | — | ||
| 20 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 4: Amicus meus | — | ||
| 21 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 4: Versus. Bonum erat ei | — | ||
| 22 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 5: Judas mercator pessimus | — | ||
| 23 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 5: Versus. Melius illi erat | — | ||
| 24 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 6: Unus ex discipulis meis | — | ||
| 25 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 6: Versus. Qui intingit | — | ||
| 26 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 6 reprise | — | ||
| 27 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 7: Eram quasi agnus | — | ||
| 28 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 7: Versus. Omnes inimici mei | — | ||
| 29 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 8: Una hora non potuistis | — | ||
| 30 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 8: Versus. Quid dormitis? | — | ||
| 31 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 9: Seniores populi | — | ||
| 32 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 9: Versus. Collegerunt Pontifices | — | ||
| 33 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 9 reprise | — | ||
| 34 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Ad Benedictus Antiphona Traditor autem dedit eis signum | — | ||
| 35 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 1. Responsorium 1: Omnes amici mei | — | ||
| 36 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 2. Responsorium 1: Versus. Inter iniquos | — | ||
| 37 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 3. Responsorium 2: Velum templi scissum est | — | ||
| 38 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 4. Responsorium 2: Versus. Petrae scissae sunt | — | ||
| 39 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 5. Responsorium 3: Vinea mea electa | — | ||
| 40 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 6. Responsorium 3: Versus. Sepivi te | — | ||
| 41 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 7. Responsorium 4: Tamquam ad latronem | — | ||
| 42 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 8. Responsorium 4: Versus. Cumque injecissent | — | ||
| 43 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 9. Responsorium 5: Tenebrae factae sunt | — | ||
| 44 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 10. Responsorium 5: Versus. Exclamans Jesus | — | ||
| 45 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 11. Responsorium 6: Animam meam dilectam | — | ||
| 46 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 12. Responsorium 6: Versus. Insurrexerunt in me | — | ||
| 47 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 13. Responsorium 7: Tradiderunt me | — | ||
| 48 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 14. Responsorium 7: Versus. Alieni insurrexerunt | — | ||
| 49 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 15. Responsorium 8: Jesum tradidit | — | ||
| 50 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 16. Responsorium 8: Versus. Adduxerunt autem eum | — | ||
| 51 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 17. Responsorium 9: Caligaverunt oculi mei | — | ||
| 52 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 18. Responsorium 9: Versus. O vos omnes | — | ||
| 53 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 19. Responsorium 9 reprise | — | ||
| 54 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: 20. Ad Benedictus Antiphona Posuerunt super caput ejus | — | ||
| 2-1 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 1: Sicut ovis | — | ||
| 2-2 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 1: Versus. Tradidit in mortem | — | ||
| 2-3 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 2: Jerusalem, surge | — | ||
| 2-4 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 2: Versus. Deduc quasi torrentem | — | ||
| 2-5 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 3: Plange quasi Virgo | — | ||
| 2-6 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 3: Versus. Accingite vos | — | ||
| 2-7 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 4: Recessit pastor noster | — | ||
| 2-8 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 4: Versus. Destruxit quidem | — | ||
| 2-9 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 5: O vos omnes | — | ||
| 2-10 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 5: Versus. Attendite | — | ||
| 2-11 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 6: Ecce quomodo moritur justus | — | ||
| 2-12 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 6: Versus. Tamquam agnus | — | ||
| 2-13 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 7: Astiterunt reges terrae | — | ||
| 2-14 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 7: Versus. Quare fremuerunt gentes | — | ||
| 2-15 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 8: Aestimatus sum | — | ||
| 2-16 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 8: Versus. Posuerunt me | — | ||
| 2-17 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 9: Sepulto Domino | — | ||
| 2-18 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 9: Versus. Accedentes principes | — | ||
| 2-19 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Ad Benedictus Antiphona Mulieres sedentes ad monumentum | — | ||
| 2-20 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 1: Credo quod Redemptor meus | — | ||
| 2-21 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 1: Versus. Quem visurus | — | ||
| 2-22 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 2: Qui Lazarum resuscitasti | — | ||
| 2-23 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 2: Versus. Qui venturus est | — | ||
| 2-24 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 3: Domine, quando veneris | — | ||
| 2-25 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 3: Versus 1. Commissa mea | — | ||
| 2-26 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 3: Versus 2. Requiem aeternam | — | ||
| 2-27 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 4: Memento mei Deus | — | ||
| 2-28 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 4: Versus. De profundis | — | ||
| 2-29 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 5: Hei mihi! Domine | — | ||
| 2-30 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 5: Versus. Anima mea | — | ||
| 2-31 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 6: Ne recorderis | — | ||
| 2-32 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 6: Versus 1. Dirige, Domine / Versus 2. Requiem aeternam | — | ||
| 2-33 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 7: Peccantem me | — | ||
| 2-34 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 7: Versus. Deus, in nomine tuo | — | ||
| 2-35 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 8: Domine, secundum actum meum | — | ||
| 2-36 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 8: Versus. Amplius lava me | — | ||
| 2-37 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9: Libera me Domine de viis inferni | — | ||
| 2-38 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9: Versus 1. Clamantes et dicentes | — | ||
| 2-39 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9: Versus 2. Requiem aeternam | — | ||
| 2-40 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis: Libera me, Domine, de morte | — | ||
| 2-41 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis: Versus 1. Tremens factus | — | ||
| 2-42 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis: Versus 2. Dies illa, dies irae | — | ||
| 2-43 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis: Versus 3. Requiem aeternam | — | ||
| 2-44 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis reprise | — | ||
| 2-45 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 1: In monte Oliveti (variant harmonization) | — | ||
| 2-46 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 1: Versus. Vigilate (variant harmonization) | — | ||
| 2-47 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 7: Eram quasi agnus (variant harmonization) | — | ||
| 2-48 | Responsorien und Antiphonen, S. 30: II. Feria V in coena Domini: Responsorium 7: Versus. Omnes inimici (variant harmonization) | — | ||
| 2-49 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: Responsorium 4: Tamquam ad latronem 1 / Versus. Cumque injecissent (variant harmonization) | — | ||
| 2-50 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: Responsorium 4: Tamquam ad latronem 2 (variant harmonization, responsorium only) | — | ||
| 2-51 | Responsorien und Antiphonen, S. 30: III. Feria VI in Parasceve: Responsorium 6: Animam meam dilectam / Versus. Insurrexerunt in me (variant harmonization) | — | ||
| 2-52 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 6: Ecce quomodo moritur justus (variant harmonization) | — | ||
| 2-53 | Responsorien und Antiphonen, S. 30: IV. Sabbato majoris hebdomadæ: Responsorium 6: Versus. Tamquam agnus (variant harmonization) | — | ||
| 2-54 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 1: Credo quod Redemptor meus / Versus 1. Quem visurus (variant harmonization) | — | ||
| 2-55 | Responsorien und Antiphonen, S. 30: V. In officio defunctorum: Responsorium 9bis: Versus 1. Tremens factus (variant harmonization) | — |
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What is UPC 034571171616?
034571171616 is a Universal Product Code (UPC) assigned to The Complete Music for Solo Piano, Volume 46: Meditations by Franz Liszt, Leslie Howard. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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