UPC · Release
The Complete Music for Solo Piano, Volume 53a: Music for Piano and Orchestra 1
Franz Liszt, Leslie Howard, Budapest Symphony Orchestra and 1 more
034571174013
44 tracksReleased 2000-01-01Hyperion
Last verified:
034571174013 is the Universal Product Code (UPC barcode) for the release “The Complete Music for Solo Piano, Volume 53a: Music for Piano and Orchestra 1” by Franz Liszt, Leslie Howard, Budapest Symphony Orchestra, Karl Anton Rickenbacher, released 2000-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 44 tracks, each with its own ISRC.
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34571Manufacturer
17401Product
3Check digit
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Track List (44)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 1 in E-flat major, S. 124: Allegro maestoso. Tempo giusto - | — | |
| 2 | Piano Concerto no. 1 in E-flat major, S. 124: Quasi adagio - | — | |
| 3 | Piano Concerto no. 1 in E-flat major, S. 124: Allegretto vivace - | — | |
| 4 | Piano Concerto no. 1 in E-flat major, S. 124: Allegro marziale animato | — | |
| 5 | Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Tempo di marcia. Moderato - | — | |
| 6 | Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Cadenza del pianoforte - Allegro vivace ma non troppo - Allegro molto vivace - Cadenza del pianoforte - | — | |
| 7 | Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Allegretto - Poco a poco più mosso - Vivo - Tempo di marcia. Animato - Più allegro - Presto - | — | |
| 8 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Andante - Presto - Allegro - Allegro moderato - | — | |
| 9 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation I. Allegro moderato - | — | |
| 10 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation III. (L'istesso tempo) - Un poco animato - | — | |
| 11 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation III. Molto vivace - | — | |
| 12 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation IV (canonique). Lento - Presto - | — | |
| 13 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation V. Vivace. Fugato - Cadenza - | — | |
| 14 | Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation VI. Sempre allegro (ma non troppo) - Un poco meno allegro - Cadenza - Presto - Allegro animato - | — | |
| 15 | Grande Fantaisie symphonique, S. 120: Lento - | — | |
| 16 | Grande Fantaisie symphonique, S. 120: Allegro vivace - Andantino, senza interruzione - Vivace animato | — | |
| 2-1 | Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Quasi moderato (Malédiction) - Sostenuto - Molto agitato - Calmato (Pleurs, angoisse) - | — | |
| 2-2 | Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Un poco più animato - Un poco agitato - Vivo (Raillerie) - Sempre più di fuoco - | — | |
| 2-3 | Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Energico nobilmente - Sempre moderato; a tempo rubato - Sostenuto - Recitativo. Patetico. Senza tempo - Andante lacrimoso - | — | |
| 2-4 | Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Animato con agitazione - Molto animato, quasi presto - Stretto - Strepitoso | — | |
| 2-5 | Concerto in E-flat major, S. 125a: Andantino - Recitativo del pianoforte - | — | |
| 2-6 | Concerto in E-flat major, S. 125a: Allegro - Tempo primo - | — | |
| 2-7 | Concerto in E-flat major, S. 125a: Andante - | — | |
| 2-8 | Concerto in E-flat major, S. 125a: Tempo primo - Allegro come prima - | — | |
| 2-9 | Concerto in E-flat major, S. 125a: Allegro vivace - Più mosso | — | |
| 2-10 | Grand Solo de concert, S. 365: Allegro energico - Patetico - Agitato - | — | |
| 2-11 | Grand Solo de concert, S. 365: Grandioso - | — | |
| 2-12 | Grand Solo de concert, S. 365: Più mosso - Stretta - | — | |
| 2-13 | Grand Solo de concert, S. 365: Andante, quasi marcia funebre - Tempo giusto. Moderato - Allegro con bravura | — | |
| 2-14 | Hexaméron — Morceau de concert, S. 365b: Introduction. Extrêmement lent - | — | |
| 2-15 | Hexaméron — Morceau de concert, S. 365b: Tema. Allegro marziale - | — | |
| 2-16 | Hexaméron — Morceau de concert, S. 365b: Variation 1. Ben marcato - | — | |
| 2-17 | Hexaméron — Morceau de concert, S. 365b: Variation 2. Moderato - | — | |
| 2-18 | Hexaméron — Morceau de concert, S. 365b: Variation 3 di bravura. Allegro animato - | — | |
| 2-19 | Hexaméron — Morceau de concert, S. 365b: Ritornello - | — | |
| 2-20 | Hexaméron — Morceau de concert, S. 365b: Variation 4. Legato e grazioso - | — | |
| 2-21 | Hexaméron — Morceau de concert, S. 365b: Variation 5. Vivo e brillante - | — | |
| 2-22 | Hexaméron — Morceau de concert, S. 365b: Interlude 1. Fuocoso, molto energico - Lento, quasi recitativo - | — | |
| 2-23 | Hexaméron — Morceau de concert, S. 365b: Variation 6. Largo - | — | |
| 2-24 | Hexaméron — Morceau de concert, S. 365b: Interlude 2. (L'istesso tempo) - | — | |
| 2-25 | Hexaméron — Morceau de concert, S. 365b: Finale (part 1). Molto vivace quasi prestissimo - | — | |
| 2-26 | Hexaméron — Morceau de concert, S. 365b: Finale (part 2). Allegro animato | — | |
| 2-27 | C M von Webers Polonaise brillante, S. 367: Introduzione. Adagio - Quasi andante - Animato | — | |
| 2-28 | C M von Webers Polonaise brillante, S. 367: Tempo di polacca | — |
Piano Concerto no. 1 in E-flat major, S. 124: Allegro maestoso. Tempo giusto -
—
Piano Concerto no. 1 in E-flat major, S. 124: Quasi adagio -
—
Piano Concerto no. 1 in E-flat major, S. 124: Allegretto vivace -
—
Piano Concerto no. 1 in E-flat major, S. 124: Allegro marziale animato
—
Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Tempo di marcia. Moderato -
—
Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Cadenza del pianoforte - Allegro vivace ma non troppo - Allegro molto vivace - Cadenza del pianoforte -
—
Fantasie über Motive aus Beethovens Ruinen von Athen, S. 122: Allegretto - Poco a poco più mosso - Vivo - Tempo di marcia. Animato - Più allegro - Presto -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Andante - Presto - Allegro - Allegro moderato -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation I. Allegro moderato -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation III. (L'istesso tempo) - Un poco animato -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation III. Molto vivace -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation IV (canonique). Lento - Presto -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation V. Vivace. Fugato - Cadenza -
—
Totentanz - Paraphrase über "Dies irae", S. 126ii: Variation VI. Sempre allegro (ma non troppo) - Un poco meno allegro - Cadenza - Presto - Allegro animato -
—
Grande Fantaisie symphonique, S. 120: Lento -
—
Grande Fantaisie symphonique, S. 120: Allegro vivace - Andantino, senza interruzione - Vivace animato
—
Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Quasi moderato (Malédiction) - Sostenuto - Molto agitato - Calmato (Pleurs, angoisse) -
—
Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Un poco più animato - Un poco agitato - Vivo (Raillerie) - Sempre più di fuoco -
—
Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Energico nobilmente - Sempre moderato; a tempo rubato - Sostenuto - Recitativo. Patetico. Senza tempo - Andante lacrimoso -
—
Concerto in E minor for Piano and Strings, S. 121 "Malédiction": Animato con agitazione - Molto animato, quasi presto - Stretto - Strepitoso
—
Concerto in E-flat major, S. 125a: Andantino - Recitativo del pianoforte -
—
Concerto in E-flat major, S. 125a: Allegro - Tempo primo -
—
Concerto in E-flat major, S. 125a: Andante -
—
Concerto in E-flat major, S. 125a: Tempo primo - Allegro come prima -
—
Concerto in E-flat major, S. 125a: Allegro vivace - Più mosso
—
Grand Solo de concert, S. 365: Allegro energico - Patetico - Agitato -
—
Grand Solo de concert, S. 365: Grandioso -
—
Grand Solo de concert, S. 365: Più mosso - Stretta -
—
Grand Solo de concert, S. 365: Andante, quasi marcia funebre - Tempo giusto. Moderato - Allegro con bravura
—
Hexaméron — Morceau de concert, S. 365b: Introduction. Extrêmement lent -
—
Hexaméron — Morceau de concert, S. 365b: Tema. Allegro marziale -
—
Hexaméron — Morceau de concert, S. 365b: Variation 1. Ben marcato -
—
Hexaméron — Morceau de concert, S. 365b: Variation 2. Moderato -
—
Hexaméron — Morceau de concert, S. 365b: Variation 3 di bravura. Allegro animato -
—
Hexaméron — Morceau de concert, S. 365b: Ritornello -
—
Hexaméron — Morceau de concert, S. 365b: Variation 4. Legato e grazioso -
—
Hexaméron — Morceau de concert, S. 365b: Variation 5. Vivo e brillante -
—
Hexaméron — Morceau de concert, S. 365b: Interlude 1. Fuocoso, molto energico - Lento, quasi recitativo -
—
Hexaméron — Morceau de concert, S. 365b: Variation 6. Largo -
—
Hexaméron — Morceau de concert, S. 365b: Interlude 2. (L'istesso tempo) -
—
Hexaméron — Morceau de concert, S. 365b: Finale (part 1). Molto vivace quasi prestissimo -
—
Hexaméron — Morceau de concert, S. 365b: Finale (part 2). Allegro animato
—
C M von Webers Polonaise brillante, S. 367: Introduzione. Adagio - Quasi andante - Animato
—
C M von Webers Polonaise brillante, S. 367: Tempo di polacca
—
Additional database matches (44)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: I. ALLEGRO MAESTOSO. TEMPO GIUSTO | FRANZ LISZT LESLIE HOWARD BUDAPEST SYMPHONY ORCHESTRA KARL ANTON RICKENBACHER, LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA | — |
| LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: II. QUASI ADAGIO | LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA | — |
| LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: III. ALLEGRETTO VIVACE – ALLEGRO ANIMATO | BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD & KARL ANTON RICKENBACHER | — |
| Unknown | — | |
| """""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: I. TEMPO DI MARCIA. MODERATO""""""" | LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA | — |
| """""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: II. CADENZA DEL PIANOFORTE – ALLEGRO VIVACE MA NON TROPPO – ALLEGRO MOLTO VIVACE – CADENZA DEL PIANOFORTE""""""" | LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA | — |
| """""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: III. ALLEGRETTO – POCO A POCO PIÙ MOSSO – VIVO – TEMPO DI MARCIA. ANIMATO – PIÙ ALLEGRO – PRESTO""""""" | LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA | — |
| LISZT: TOTENTANZ, S. 126/2: INTRODUCTION. ANDANTE – PRESTO – ALLEGRO – ALLEGRO MODERATO | BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT KARL ANTON RICKENBACHER LESLIE HOWARD, BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD & KARL ANTON RICKENBACHER, LESLIE HOWARD | — |
| LISZT: TOTENTANZ, S. 126/2: VAR. 1. ALLEGRO MODERATO | BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT LESLIE HOWARD KARL ANTON RICKENBACHER, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT LESLIE HOWARD, LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA, LESLIE HOWARD, KARL ANTON RICKENBACHER, BUDAPEST SYMPHONY ORCHESTRA | — |
| Unknown | — | |
| LISZT: TOTENTANZ, S. 126/2: VAR. 3. MOLTO VIVACE | BUDAPEST SYMPHONY ORCHESTRA | — |
| """LISZT: TOTENTANZ, S. 126/2: VAR. 4, """"CANONIQUE"""". LENTO – PRESTO""" | LESLIE HOWARD | — |
| LISZT: TOTENTANZ, S. 126/2: VAR. 5. VIVACE. FUGATO – CADENZA | BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA & KARL ANTON RICKENBACHER & LESLIE HOWARD, LESLIE HOWARD | — |
| LISZT: TOTENTANZ, S. 126/2: VAR. 6. SEMPRE ALLEGRO, MA NON TROPPO – UN POCO MENO ALLEGRO – CADENZA – PRESTO – ALLEGRO ANIMATO | KARL ANTON RICKENBACHER | — |
| GRANDE FANTAISIE SYMPHONIQUE, S. 120: I. LENTO | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| GRANDE FANTAISIE SYMPHONIQUE, S. 120: II. ALLEGRO VIVACE – ANDANTINO, SENZA INTERRUZIONE – VIVACE ANIMATO | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| """""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: I. QUASI MODERATO, """"""""MALÉDICTION"""""""" – SOSTENUTO – MOLTO AGITATO – CALMATO, """"""""PLEURS, ANGOISSE""""""""""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| """""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: II. UN POCO PIÙ ANIMATO – UN POCO AGITATO – VIVO, """"""""RAILLERIE"""""""" – SEMPRE PIÙ DI FUOCO""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| Unknown | — | |
| """""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: IV. ANIMATO CON AGITAZIONE – MOLTO ANIMATO, QUASI PRESTO – STRETTO – STREPITOSO""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| CONCERTO IN E-FLAT, S. 125A OP POSTH. : I. ANDANTINO – RECITATIVO DEL PIANOFORTE | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| CONCERTO IN E-FLAT, S. 125A OP POSTH. : II. ALLEGRO – TEMPO PRIMO | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| CONCERTO IN E-FLAT, S. 125A OP POSTH. : III. ANDANTE | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| CONCERTO IN E-FLAT, S. 125A OP POSTH. : IV. TEMPO PRIMO – ALLEGRO COME PRIMA | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| CONCERTO IN E-FLAT, S. 125A OP POSTH. : V. ALLEGRO VIVACE – PIÙ MOSSO | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| GRAND SOLO DE CONCERT, S. 365: I. ALLEGRO ENERGICO – PATETICO – AGITATO | BUDAPEST SYMPHONY ORCHESTRA & KARL ANTON RICKENBACHER & LESLIE HOWARD, FRANZ LISZT,BUDAPEST SYMPHONY ORCHESTRA,KARL ANTON RICKENBACHER,LESLIE HOWARD, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD, LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA | — |
| GRAND SOLO DE CONCERT, S. 365: II. GRANDIOSO | — | |
| GRAND SOLO DE CONCERT, S. 365: III. PIÙ MOSSO – STRETTA | FRANZ LISZT,KARL ANTON RICKENBACHER,BUDAPEST SYMPHONY ORCHESTRA,LESLIE HOWARD, KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD, LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA | — |
| Unknown | — | |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: I. EXTRÊMEMENT LENT""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| Unknown | — | |
| Unknown | — | |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: IV. VARIATION 2: MODERATO""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| Unknown | — | |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VI. RITORNELLO""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VII. VARIATION 4: LEGATO E GRAZIOSO (HERZ)""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VIII. VARIATION 5: VIVO E BRILLANTE (CZERNY)""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| Unknown | — | |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: X. VARIATION 6: LARGO (CHOPIN)""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: XI. INTERLUDE 2: [L'ISTESSO TEMPO]""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| Unknown | — | |
| """""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: XIII. FINALE PART 2: ALLEGRO ANIMATO""""""" | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| C M VON WEBERS POLONAISE BRILLANTE, S. 367: I. INTRODUZIONE: ADAGIO – QUASI ANDANTE – ANIMATO | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
| C M VON WEBERS POLONAISE BRILLANTE, S. 367: II. TEMPO DI POLACCA | KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD | — |
LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: I. ALLEGRO MAESTOSO. TEMPO GIUSTO
FRANZ LISZT LESLIE HOWARD BUDAPEST SYMPHONY ORCHESTRA KARL ANTON RICKENBACHER, LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA
—
LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: II. QUASI ADAGIO
LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA
—
LISZT: PIANO CONCERTO NO. 1 IN E-FLAT MAJOR, S. 124: III. ALLEGRETTO VIVACE – ALLEGRO ANIMATO
BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD & KARL ANTON RICKENBACHER
—
Unknown
—
"""""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: I. TEMPO DI MARCIA. MODERATO"""""""
LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA
—
"""""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: II. CADENZA DEL PIANOFORTE – ALLEGRO VIVACE MA NON TROPPO – ALLEGRO MOLTO VIVACE – CADENZA DEL PIANOFORTE"""""""
LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA
—
"""""""FANTASIE ÜBER MOTIVE AUS BEETHOVENS """"""""RUINEN VON ATHEN"""""""", S. 122: III. ALLEGRETTO – POCO A POCO PIÙ MOSSO – VIVO – TEMPO DI MARCIA. ANIMATO – PIÙ ALLEGRO – PRESTO"""""""
LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA
—
LISZT: TOTENTANZ, S. 126/2: INTRODUCTION. ANDANTE – PRESTO – ALLEGRO – ALLEGRO MODERATO
BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT KARL ANTON RICKENBACHER LESLIE HOWARD, BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD & KARL ANTON RICKENBACHER, LESLIE HOWARD
—
LISZT: TOTENTANZ, S. 126/2: VAR. 1. ALLEGRO MODERATO
BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT LESLIE HOWARD KARL ANTON RICKENBACHER, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA FRANZ LISZT LESLIE HOWARD, LESLIE HOWARD, LESLIE HOWARD & KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA, LESLIE HOWARD, KARL ANTON RICKENBACHER, BUDAPEST SYMPHONY ORCHESTRA
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Unknown
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LISZT: TOTENTANZ, S. 126/2: VAR. 3. MOLTO VIVACE
BUDAPEST SYMPHONY ORCHESTRA
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"""LISZT: TOTENTANZ, S. 126/2: VAR. 4, """"CANONIQUE"""". LENTO – PRESTO"""
LESLIE HOWARD
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LISZT: TOTENTANZ, S. 126/2: VAR. 5. VIVACE. FUGATO – CADENZA
BUDAPEST SYMPHONY ORCHESTRA, BUDAPEST SYMPHONY ORCHESTRA & KARL ANTON RICKENBACHER & LESLIE HOWARD, LESLIE HOWARD
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LISZT: TOTENTANZ, S. 126/2: VAR. 6. SEMPRE ALLEGRO, MA NON TROPPO – UN POCO MENO ALLEGRO – CADENZA – PRESTO – ALLEGRO ANIMATO
KARL ANTON RICKENBACHER
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GRANDE FANTAISIE SYMPHONIQUE, S. 120: I. LENTO
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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GRANDE FANTAISIE SYMPHONIQUE, S. 120: II. ALLEGRO VIVACE – ANDANTINO, SENZA INTERRUZIONE – VIVACE ANIMATO
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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"""""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: I. QUASI MODERATO, """"""""MALÉDICTION"""""""" – SOSTENUTO – MOLTO AGITATO – CALMATO, """"""""PLEURS, ANGOISSE"""""""""""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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"""""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: II. UN POCO PIÙ ANIMATO – UN POCO AGITATO – VIVO, """"""""RAILLERIE"""""""" – SEMPRE PIÙ DI FUOCO"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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Unknown
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"""""""CONCERTO FOR PIANO AND STRINGS IN E MINOR, """"""""MALÉDICTION"""""""", S. 121: IV. ANIMATO CON AGITAZIONE – MOLTO ANIMATO, QUASI PRESTO – STRETTO – STREPITOSO"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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CONCERTO IN E-FLAT, S. 125A OP POSTH. : I. ANDANTINO – RECITATIVO DEL PIANOFORTE
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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CONCERTO IN E-FLAT, S. 125A OP POSTH. : II. ALLEGRO – TEMPO PRIMO
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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CONCERTO IN E-FLAT, S. 125A OP POSTH. : III. ANDANTE
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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CONCERTO IN E-FLAT, S. 125A OP POSTH. : IV. TEMPO PRIMO – ALLEGRO COME PRIMA
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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CONCERTO IN E-FLAT, S. 125A OP POSTH. : V. ALLEGRO VIVACE – PIÙ MOSSO
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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GRAND SOLO DE CONCERT, S. 365: I. ALLEGRO ENERGICO – PATETICO – AGITATO
BUDAPEST SYMPHONY ORCHESTRA & KARL ANTON RICKENBACHER & LESLIE HOWARD, FRANZ LISZT,BUDAPEST SYMPHONY ORCHESTRA,KARL ANTON RICKENBACHER,LESLIE HOWARD, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD, LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA
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GRAND SOLO DE CONCERT, S. 365: II. GRANDIOSO
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GRAND SOLO DE CONCERT, S. 365: III. PIÙ MOSSO – STRETTA
FRANZ LISZT,KARL ANTON RICKENBACHER,BUDAPEST SYMPHONY ORCHESTRA,LESLIE HOWARD, KARL ANTON RICKENBACHER & BUDAPEST SYMPHONY ORCHESTRA & LESLIE HOWARD, KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD, LESLIE HOWARD KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA
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Unknown
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: I. EXTRÊMEMENT LENT"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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Unknown
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Unknown
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: IV. VARIATION 2: MODERATO"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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Unknown
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VI. RITORNELLO"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VII. VARIATION 4: LEGATO E GRAZIOSO (HERZ)"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: VIII. VARIATION 5: VIVO E BRILLANTE (CZERNY)"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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Unknown
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: X. VARIATION 6: LARGO (CHOPIN)"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: XI. INTERLUDE 2: [L'ISTESSO TEMPO]"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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Unknown
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"""""""HEXAMÉRON – MORCEAU DE CONCERT, """"""""GRANDES VARIATIONS DE BRAVOURE SUR LA MARCHE DES PURITAINS DE BELLINI"""""""", S. 365A: XIII. FINALE PART 2: ALLEGRO ANIMATO"""""""
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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C M VON WEBERS POLONAISE BRILLANTE, S. 367: I. INTRODUZIONE: ADAGIO – QUASI ANDANTE – ANIMATO
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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C M VON WEBERS POLONAISE BRILLANTE, S. 367: II. TEMPO DI POLACCA
KARL ANTON RICKENBACHER BUDAPEST SYMPHONY ORCHESTRA LESLIE HOWARD
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What is UPC 034571174013?
034571174013 is a Universal Product Code (UPC) assigned to The Complete Music for Solo Piano, Volume 53a: Music for Piano and Orchestra 1 by Franz Liszt, Leslie Howard, Budapest Symphony Orchestra, Karl Anton Rickenbacher. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 44 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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