UPC · Release
Complete Suites for Violin and Piano
Achron, Hagai Shaham, Arnon Erez
034571178417
57 tracksReleased 2012-01-01Hyperion
Last verified:
034571178417 is the Universal Product Code (UPC barcode) for the release “Complete Suites for Violin and Piano” by Achron, Hagai Shaham, Arnon Erez, released 2012-01-01 on Hyperion. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC. Tracks include GBAJY1284101, GBAJY1284104, GBAJY1284105.
Format
0Number system
34571Manufacturer
17841Product
7Check digit
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- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCComplete Suites for Violin and Piano
ISRC15 recordings
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | HEBREW MELODY, OP. 33 | — | |
| 2 | Two Hebrew Pieces, op. 35: Hebrew Dance | — | |
| 3 | Two Hebrew Pieces, op. 35: Hebrew Lullaby | — | |
| 4 | ELI ZION | — | |
| 5 | PRELUDE, OP. 13 | — | |
| 6 | SOUVENIR DE VARSOVIE, OP. 14 | — | |
| 7 | COQUETTERIE, OP. 15 | — | |
| 8 | SERENADE, OP. 17 | — | |
| 9 | LES SYLPHIDES, OP. 18 | — | |
| 10 | BERCEUSE, OP. 20 | — | |
| 11 | DANCE IMPROVISATION, OP. 37 | — | |
| 12 | SCHER, OP. 42 | — | |
| 13 | MÄRCHEN, OP. 46 | — | |
| 14 | LIEBESWIDMUNG, OP. 51 | — | |
| 15 | CANZONETTA, OP. 52 NO. 2 | — | |
| 16 | Zwei Stimmungen, op. 32: No. 1 in D minor | — | |
| 17 | Zwei Stimmungen, op. 32: No. 2 in B minor | — | |
| 18 | Zwei Stimmungen, op. 36: No. 1 in G minor | — | |
| 19 | Zwei Stimmungen, op. 36: No. 2 in B major | — | |
| 20 | Two Pastels, op. 44: No. 1 in A minor | — | |
| 21 | Two Pastels, op. 44: No. 2 in E minor | — | |
| 22 | Stempenyu Suite: Stempenyu Plays | — | |
| 23 | Stempenyu Suite: Scher | — | |
| 24 | Stempenyu Suite: Freilachs | — | |
| 2-1 | Suite no. 1 “en style ancien”, op. 21: Prélude: Tempo giusto | — | |
| 2-2 | Suite no. 1 “en style ancien”, op. 21: Gavotte: Allegro moderato | — | |
| 2-3 | Suite no. 1 “en style ancien”, op. 21: Sicilienne: Andantino | — | |
| 2-4 | Suite no. 1 “en style ancien”, op. 21: Fughetta: Non troppo allegro | — | |
| 2-5 | Suite no. 1 “en style ancien”, op. 21: Gigue: Allegro comodo | — | |
| 2-6 | Suite no. 2, op. 22: En passant: Vivo e scorrendo | — | |
| 2-7 | Suite no. 2, op. 22: Menuet: Allegretto aperto – Trio: Un poco meno mosso | — | |
| 2-8 | Suite no. 2, op. 22: Moulin: Vivace e gajamente assai | — | |
| 2-9 | Suite no. 2, op. 22: Intermezzo: Cantabile e molto dramatico | — | |
| 2-10 | Suite no. 2, op. 22: Marionettes: Allegro molto e scherzando | — | |
| 2-11 | Quatre Tableaux fantastiques (Suite no. 3), op. 23: Andantino espressivo | — | |
| 2-12 | Quatre Tableaux fantastiques (Suite no. 3), op. 23: Allegretto con grazia ma un pochino malinconico | — | |
| 2-13 | Quatre Tableaux fantastiques (Suite no. 3), op. 23: Largo e fantastico | — | |
| 2-14 | Quatre Tableaux fantastiques (Suite no. 3), op. 23: Allegro con agilità | — | |
| 2-15 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Étincelles: Allegro molto | — | |
| 2-16 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Quasi valse: Allegro | — | |
| 2-17 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Grâce: Allegretto | — | |
| 2-18 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Terrasses du palais: Calmato | — | |
| 2-19 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Grimaces: Moderato | — | |
| 2-20 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Galanterie: Andantino | — | |
| 2-21 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Pastorale: Allegro vivo | — | |
| 2-22 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Moment dramatique: Adagio e molto espressivo | — | |
| 2-23 | Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Marche grotesque: Allegro giocoso | — | |
| 2-24 | Children’s Suite: Jumping With Tongue Out: Allegro grazioso (after op. 57 no. 2) | — | |
| 2-25 | Children’s Suite: Sleep, My Puppy: Andantino (after op. 57 no. 11) | — | |
| 2-26 | Children’s Suite: Birdies: Moderato (after op. 57 no. 12) | — | |
| 2-27 | Children’s Suite: March of Toys: Marciale (after op. 57 no. 10) | — | |
| 2-28 | Children’s Suite: Mamma, Tell a Fairy Tale: Allegretto (after op. 57 no. 4) | — | |
| 2-29 | Children’s Suite: The Top: Allegro (after op. 57 no. 8) | — | |
| 2-30 | Children’s Suite: The Caravan: Lento (after op. 57 no. 18) | — | |
| 2-31 | Children’s Suite: Parade With Presents: Alla marcia (after op. 57 no. 20) | — | |
| 2-32 | PENSÉE DE LEOPOLD AUER | — | |
| 2-33 | LA ROMANESCA | — |
HEBREW MELODY, OP. 33
—
Two Hebrew Pieces, op. 35: Hebrew Dance
—
Two Hebrew Pieces, op. 35: Hebrew Lullaby
—
ELI ZION
—
PRELUDE, OP. 13
—
SOUVENIR DE VARSOVIE, OP. 14
—
COQUETTERIE, OP. 15
—
SERENADE, OP. 17
—
LES SYLPHIDES, OP. 18
—
BERCEUSE, OP. 20
—
DANCE IMPROVISATION, OP. 37
—
SCHER, OP. 42
—
MÄRCHEN, OP. 46
—
LIEBESWIDMUNG, OP. 51
—
CANZONETTA, OP. 52 NO. 2
—
Zwei Stimmungen, op. 32: No. 1 in D minor
—
Zwei Stimmungen, op. 32: No. 2 in B minor
—
Zwei Stimmungen, op. 36: No. 1 in G minor
—
Zwei Stimmungen, op. 36: No. 2 in B major
—
Two Pastels, op. 44: No. 1 in A minor
—
Two Pastels, op. 44: No. 2 in E minor
—
Stempenyu Suite: Stempenyu Plays
—
Stempenyu Suite: Scher
—
Stempenyu Suite: Freilachs
—
Suite no. 1 “en style ancien”, op. 21: Prélude: Tempo giusto
—
Suite no. 1 “en style ancien”, op. 21: Gavotte: Allegro moderato
—
Suite no. 1 “en style ancien”, op. 21: Sicilienne: Andantino
—
Suite no. 1 “en style ancien”, op. 21: Fughetta: Non troppo allegro
—
Suite no. 1 “en style ancien”, op. 21: Gigue: Allegro comodo
—
Suite no. 2, op. 22: En passant: Vivo e scorrendo
—
Suite no. 2, op. 22: Menuet: Allegretto aperto – Trio: Un poco meno mosso
—
Suite no. 2, op. 22: Moulin: Vivace e gajamente assai
—
Suite no. 2, op. 22: Intermezzo: Cantabile e molto dramatico
—
Suite no. 2, op. 22: Marionettes: Allegro molto e scherzando
—
Quatre Tableaux fantastiques (Suite no. 3), op. 23: Andantino espressivo
—
Quatre Tableaux fantastiques (Suite no. 3), op. 23: Allegretto con grazia ma un pochino malinconico
—
Quatre Tableaux fantastiques (Suite no. 3), op. 23: Largo e fantastico
—
Quatre Tableaux fantastiques (Suite no. 3), op. 23: Allegro con agilità
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Étincelles: Allegro molto
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Quasi valse: Allegro
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Grâce: Allegretto
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Terrasses du palais: Calmato
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Grimaces: Moderato
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Galanterie: Andantino
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Pastorale: Allegro vivo
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Moment dramatique: Adagio e molto espressivo
—
Suite bizarre, (“Cycles des rythmes”, Suite no. 4), op. 41: Marche grotesque: Allegro giocoso
—
Children’s Suite: Jumping With Tongue Out: Allegro grazioso (after op. 57 no. 2)
—
Children’s Suite: Sleep, My Puppy: Andantino (after op. 57 no. 11)
—
Children’s Suite: Birdies: Moderato (after op. 57 no. 12)
—
Children’s Suite: March of Toys: Marciale (after op. 57 no. 10)
—
Children’s Suite: Mamma, Tell a Fairy Tale: Allegretto (after op. 57 no. 4)
—
Children’s Suite: The Top: Allegro (after op. 57 no. 8)
—
Children’s Suite: The Caravan: Lento (after op. 57 no. 18)
—
Children’s Suite: Parade With Presents: Alla marcia (after op. 57 no. 20)
—
PENSÉE DE LEOPOLD AUER
—
LA ROMANESCA
—
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What is UPC 034571178417?
034571178417 is a Universal Product Code (UPC) assigned to Complete Suites for Violin and Piano by Achron, Hagai Shaham, Arnon Erez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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