UPC · Release
Carl Orff Collection
Carl Orff
036244208520
96 tracksReleased 1992-01-01Pilz
Last verified:
036244208520 is the Universal Product Code (UPC barcode) for the release “Carl Orff Collection” by Carl Orff, released 1992-01-01 on Pilz. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 96 tracks, each with its own ISRC.
Format
0Number system
36244Manufacturer
20852Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCCarl Orff Collection
IPI1 songwriter
Track List (96)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 2 | Carmina Burana: Fortuna Imperatrix Mundi: Fortune Plango Vulnera | — | ||
| 3 | Carmina Burana: I. Primo Vere: Veris Leta Facies | — | ||
| 4 | Carmina Burana: I. Primo Vere: Omnia Sol Temperat | — | ||
| 5 | Carmina Burana: I. Primo Vere: Ecce Gratum | — | ||
| 6 | Carmina Burana: Uff dem Anger: Tanz | — | ||
| 7 | Carmina Burana: Uff dem Anger: Floret Silva Nobilis | — | ||
| 8 | Carmina Burana: Uff dem Anger: Chramer Gip Diu Varwe Mir | — | ||
| 9 | Carmina Burana: Uff dem Anger: Reie: | — | ||
| 10 | Carmina Burana: Uff dem Anger: Chume, Chum Geselle Min | — | ||
| 11 | Carmina Burana: Uff dem Anger: Swaz Hie Gat Umbe | — | ||
| 12 | Carmina Burana: Uff dem Anger: Were Diu Werlt Alle Min | — | ||
| 13 | Carmina Burana: II. In Taberna: Estuans Interius | — | ||
| 14 | Carmina Burana: II. In Taberna: Olim Lacus Colueram | — | ||
| 15 | Carmina Burana: II. In Taberna: Ego Sum Abbas | — | ||
| 16 | Carmina Burana: II. In Taberna: In Taberna Quando Sumus | — | ||
| 17 | Carmina Burana: III. Cour D'amour: Amor Volat Undique | — | ||
| 18 | Carmina Burana: III. Cour D'amour: Dies, Nox Et Omnia | — | ||
| 19 | Carmina Burana: III. Cour D'amour: Stetit Puella | — | ||
| 20 | Carmina Burana: III. Cour D'amour: Circa Mea Pectora | — | ||
| 21 | Carmina Burana: III. Cour D'amour: Si Puer Cum Puellula | — | ||
| 22 | Carmina Burana: III. Cour D'amour: Veni, Veni, Venias | — | ||
| 23 | Carmina Burana: III. Cour D'amour: In Trutina | — | ||
| 24 | Carmina Burana: III. Cour D'amour: Tempus Est Iocundum | — | ||
| 25 | Carmina Burana: III. Cour D'amour: Dulcissime | — | ||
| 26 | Carmina Burana: Blanziflor Et Helena: Ave Formosissima | — | ||
| 27 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | — | ||
| 2-1 | Catulli Carmina: Eis Aiona! | — | ||
| 2-2 | Catulli Carmina: I. Odi Et Amo | — | ||
| 2-3 | Catulli Carmina: II. Vivamus Mea Lesbia | — | ||
| 2-4 | Catulli Carmina: III. Ille Mi Par Esse | — | ||
| 2-5 | Catulli Carmina: IV. Caeli, Lesbia Nostra | — | ||
| 2-6 | Catulli Carmina: V. Nulli Se Dicit Mulier Mea Nubere Malle Quam Mihi | — | ||
| 2-7 | Catulli Carmina: VI. Jucundum Mea Vita | — | ||
| 2-8 | Catulli Carmina: VII. O Mea Lesbia! Desine De Quoquam | — | ||
| 2-9 | Catulli Carmina: VIII. Odi Et Amo | — | ||
| 2-10 | Catulli Carmina: IX. Amabo Mea Dulcis Ipsitilla | — | ||
| 2-11 | Catulli Carmina: X. Ameana Puella Defututa | — | ||
| 2-12 | Catulli Carmina: XI. Miser Catulle | — | ||
| 2-13 | Catulli Carmina: XII. Catulle! Lesbia! Nulla Potest Mulier | — | ||
| 2-14 | Catulli Carmina: Eis Aiona! | — | ||
| 3-1 | Trionfo di Afrodite: I. Canto Amebo Di Vergine E Giovani A Vespro In Attesa Della Sposa E Dello Sposo: Vesper Adest, Juvenes, Consurgite | — | ||
| 3-2 | Trionfo di Afrodite:II. Corteo Nuziale Ed Arrivo Della Sposa E Dello Sposo: Ιφοι ετò μἐλαϑεου ύμήυαου | — | ||
| 3-3 | Trionfo di Afrodite:III. Sposa E Sposo: Ζά τ’ ὲλεξάμαυ όυαε, Κυπεογέηα. | — | ||
| 3-4 | Trionfo di Afrodite:IV. Invocazione dell'Imeneo: Collis O Heliconii | — | ||
| 3-5 | Trionfo di Afrodite:IV. Invocazione dell'Imeneo: Quis Deus Magi | — | ||
| 3-6 | Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Claustra Pandite Ianuae | — | ||
| 3-7 | Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Tollite, O Pueri, Faces | — | ||
| 3-8 | Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Iam Licet Venia, Marite | — | ||
| 3-9 | Trionfo di Afrodite:VI. Canti Dei Novelli Sposi: Γάλαχτοσ λευχοτέϱα, | — | ||
| 3-10 | Trionfo di Afrodite:VII. Apparizione di Afrodite: Σύ τὰυ ϑεῶυ άχαμπτου φϱὲυα χαι βδοτῶυ ᾶγεις | — | ||
| 4-1 | Orpheus: Toccata (Nr. 1+2) | — | ||
| 4-2 | Orpheus: Als Einst Orpheus | — | ||
| 4-3 | Orpheus: Preist Diesen Tag Der Freude (Nr. 3+4) | — | ||
| 4-4 | Orpheus: Strahlendes Licht (Nr. 5) | — | ||
| 4-5 | Orpheus: All Mein Sehnen (Nr. 6) | — | ||
| 4-6 | Orpheus: Flieht Uns Der Nächtigen Wolken Dunkel (Nr. 7-10) | — | ||
| 4-7 | Orpheus: Moresca (Nr. 11) | — | ||
| 4-8 | Orpheus: Nehmt Mich Auf, Ihr Stillen Wälder (Nr. 12-17) | — | ||
| 4-9 | Orpheus: Weh, Dunkles Schicksal (Nr. 18-21) | — | ||
| 4-10 | Orpheus: Lamento , Eurydike, Bis Du Mir Erloschen (Nr. 22+23) | — | ||
| 4-11 | Orpheus: Bin Ich Hinabgetaucht (Nr. 24-26) | — | ||
| 4-12 | Orpheus: Halt, Der Du Ins Land Des Todes Niedersteigst (Nr. 27+28) | — | ||
| 4-13 | Orpheus: Du Dunkler Warner (Nr. 29) | — | ||
| 4-14 | Orpheus: Des Lebens Stern | — | ||
| 4-15 | Orpheus: Allbezwingend Trägt Dein Sang (Nr. 30) | — | ||
| 4-16 | Orpheus: Weh Mir, Unselig Seligem (Nr. 31) | — | ||
| 4-17 | Orpheus: Hat Ganz Des Leides Kraft Dein Herz Zerbrochen (Nr. 32) | — | ||
| 4-18 | Orpheus: O Gib Sie Mir Zurück (Nr. 33+34) | — | ||
| 4-19 | Orpheus: Zum Licht! (Nr. 35) | — | ||
| 4-20 | Orpheus: Besiegt Hat Orpheus Die Nacht (Nr. 36) | — | ||
| 4-21 | Orpheus: Eurydike, Meine Liebe Blüht Empor (Nr. 37) | — | ||
| 4-22 | Orpheus: Eurydike, Fühlst Du Den Tag (Nr. 38) | — | ||
| 4-23 | Orpheus: Weh, Daß Des Lebens Sehnsucht (Nr. 39) | — | ||
| 4-24 | Orpheus: O Laß Mich Untergehn In Deinem Traum (Nr. 40) | — | ||
| 5-1 | Klage Der Ariadne: Zu Ende Geht Nun Alles | — | ||
| 5-2 | Klage Der Ariadne: O Theseus, Theseus, Geliebter | — | ||
| 5-3 | Klage Der Ariadne: Träume, Selige Träume | — | ||
| 5-4 | Klage Der Ariadne: Fluch Dir, Fluch Deinem Treubruch | — | ||
| 5-5 | Klage Der Ariadne: Mächt’ger Tod, Du Letzte Zufucht | — | ||
| 5-6 | Klage Der Ariadne: Zu Ende Geht Nun Alles | — | ||
| 5-7 | Tanz der Spröden: Ach, Teure Mutter, Welche Gegend | — | ||
| 5-8 | Tanz der Spröden: Hört, Werte Damen | — | ||
| 5-9 | Tanz der Spröden: Wie Unerträglich Anzusehn | — | ||
| 5-10 | Tanz der Spröden: Tanz Der Spröden | — | ||
| 5-11 | Tanz der Spröden: Seltsam Fürwahr Ist Das | — | ||
| 5-12 | Tanz der Spröden: Den Tanz Der Spröden Habt Ihr Nun Gesehn | — | ||
| 6-1 | Prometheus: Szene I - Kratos: Am Rande Der Erde / Scene I - Power: To The Earth's Remotest | — | ||
| 6-2 | Prometheus: Szene II - Prometheus: Heiliger Äther, Leichtbeschwingte Luft / Scene II - Prometheus: Oh, Thou Bring Sky Of Heaven | — | ||
| 6-3 | Prometheus: Szene III - Prometheus: Horch, Horch! Da, Da! / Scene III - Prometheus: Ha! Hold! | — | ||
| 6-4 | Prometheus: Szene IV - Okeanos: Bis Zu Dir, Prometheus, Gekommen / Scene IV - Oceanus: I Am Come To The Goal Of A Long Journey | — | ||
| 6-5 | Prometheus: Szene V - Chor: Sieh, Wie Wir Dein Unheillos / Chor: O Diese Qual Verwirrt Dir Deinen Sinn / Scene V - Chorus: I Mourn Over Thee, Prometheus / Chorus: Thou Hast Suffered Sorrow And Humiliation | — | ||
| 7-1 | Prometheus: Szene VI - Io: Welches Land? Welcher Stamm? / Scene VI - Io: What Land Is This? What People? | — | ||
| 7-2 | Prometheus: Szene VII - Chor: Weise, Ja Weise War Jener / Scene VII - Chorus: Ah, Sage, Sage In Sooth | — | ||
| 7-3 | Prometheus: Szene VIII - Prometheus: Da Seh Ich Schon Den Läufer Des Zeus / Scene VIII - Prometheus: But Stay, Foronder I Behold This Lackey | — | ||
| 7-4 | Prometheus: Szene IX - Prometheus: Nun Wankt Sie In Wahrheit / Scene IX - Prometheus: Lo, No It Hath Passed From Word To Deed | — |
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
—
Carmina Burana: Fortuna Imperatrix Mundi: Fortune Plango Vulnera
—
Carmina Burana: I. Primo Vere: Veris Leta Facies
—
Carmina Burana: I. Primo Vere: Omnia Sol Temperat
—
Carmina Burana: I. Primo Vere: Ecce Gratum
—
Carmina Burana: Uff dem Anger: Tanz
—
Carmina Burana: Uff dem Anger: Floret Silva Nobilis
—
Carmina Burana: Uff dem Anger: Chramer Gip Diu Varwe Mir
—
Carmina Burana: Uff dem Anger: Reie:
—
Carmina Burana: Uff dem Anger: Chume, Chum Geselle Min
—
Carmina Burana: Uff dem Anger: Swaz Hie Gat Umbe
—
Carmina Burana: Uff dem Anger: Were Diu Werlt Alle Min
—
Carmina Burana: II. In Taberna: Estuans Interius
—
Carmina Burana: II. In Taberna: Olim Lacus Colueram
—
Carmina Burana: II. In Taberna: Ego Sum Abbas
—
Carmina Burana: II. In Taberna: In Taberna Quando Sumus
—
Carmina Burana: III. Cour D'amour: Amor Volat Undique
—
Carmina Burana: III. Cour D'amour: Dies, Nox Et Omnia
—
Carmina Burana: III. Cour D'amour: Stetit Puella
—
Carmina Burana: III. Cour D'amour: Circa Mea Pectora
—
Carmina Burana: III. Cour D'amour: Si Puer Cum Puellula
—
Carmina Burana: III. Cour D'amour: Veni, Veni, Venias
—
Carmina Burana: III. Cour D'amour: In Trutina
—
Carmina Burana: III. Cour D'amour: Tempus Est Iocundum
—
Carmina Burana: III. Cour D'amour: Dulcissime
—
Carmina Burana: Blanziflor Et Helena: Ave Formosissima
—
Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna
—
Catulli Carmina: Eis Aiona!
—
Catulli Carmina: I. Odi Et Amo
—
Catulli Carmina: II. Vivamus Mea Lesbia
—
Catulli Carmina: III. Ille Mi Par Esse
—
Catulli Carmina: IV. Caeli, Lesbia Nostra
—
Catulli Carmina: V. Nulli Se Dicit Mulier Mea Nubere Malle Quam Mihi
—
Catulli Carmina: VI. Jucundum Mea Vita
—
Catulli Carmina: VII. O Mea Lesbia! Desine De Quoquam
—
Catulli Carmina: VIII. Odi Et Amo
—
Catulli Carmina: IX. Amabo Mea Dulcis Ipsitilla
—
Catulli Carmina: X. Ameana Puella Defututa
—
Catulli Carmina: XI. Miser Catulle
—
Catulli Carmina: XII. Catulle! Lesbia! Nulla Potest Mulier
—
Catulli Carmina: Eis Aiona!
—
Trionfo di Afrodite: I. Canto Amebo Di Vergine E Giovani A Vespro In Attesa Della Sposa E Dello Sposo: Vesper Adest, Juvenes, Consurgite
—
Trionfo di Afrodite:II. Corteo Nuziale Ed Arrivo Della Sposa E Dello Sposo: Ιφοι ετò μἐλαϑεου ύμήυαου
—
Trionfo di Afrodite:III. Sposa E Sposo: Ζά τ’ ὲλεξάμαυ όυαε, Κυπεογέηα.
—
Trionfo di Afrodite:IV. Invocazione dell'Imeneo: Collis O Heliconii
—
Trionfo di Afrodite:IV. Invocazione dell'Imeneo: Quis Deus Magi
—
Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Claustra Pandite Ianuae
—
Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Tollite, O Pueri, Faces
—
Trionfo di Afrodite:V. Ludi E Canti Nuziali Davanti Al Talamo: Iam Licet Venia, Marite
—
Trionfo di Afrodite:VI. Canti Dei Novelli Sposi: Γάλαχτοσ λευχοτέϱα,
—
Trionfo di Afrodite:VII. Apparizione di Afrodite: Σύ τὰυ ϑεῶυ άχαμπτου φϱὲυα χαι βδοτῶυ ᾶγεις
—
Orpheus: Toccata (Nr. 1+2)
—
Orpheus: Als Einst Orpheus
—
Orpheus: Preist Diesen Tag Der Freude (Nr. 3+4)
—
Orpheus: Strahlendes Licht (Nr. 5)
—
Orpheus: All Mein Sehnen (Nr. 6)
—
Orpheus: Flieht Uns Der Nächtigen Wolken Dunkel (Nr. 7-10)
—
Orpheus: Moresca (Nr. 11)
—
Orpheus: Nehmt Mich Auf, Ihr Stillen Wälder (Nr. 12-17)
—
Orpheus: Weh, Dunkles Schicksal (Nr. 18-21)
—
Orpheus: Lamento , Eurydike, Bis Du Mir Erloschen (Nr. 22+23)
—
Orpheus: Bin Ich Hinabgetaucht (Nr. 24-26)
—
Orpheus: Halt, Der Du Ins Land Des Todes Niedersteigst (Nr. 27+28)
—
Orpheus: Du Dunkler Warner (Nr. 29)
—
Orpheus: Des Lebens Stern
—
Orpheus: Allbezwingend Trägt Dein Sang (Nr. 30)
—
Orpheus: Weh Mir, Unselig Seligem (Nr. 31)
—
Orpheus: Hat Ganz Des Leides Kraft Dein Herz Zerbrochen (Nr. 32)
—
Orpheus: O Gib Sie Mir Zurück (Nr. 33+34)
—
Orpheus: Zum Licht! (Nr. 35)
—
Orpheus: Besiegt Hat Orpheus Die Nacht (Nr. 36)
—
Orpheus: Eurydike, Meine Liebe Blüht Empor (Nr. 37)
—
Orpheus: Eurydike, Fühlst Du Den Tag (Nr. 38)
—
Orpheus: Weh, Daß Des Lebens Sehnsucht (Nr. 39)
—
Orpheus: O Laß Mich Untergehn In Deinem Traum (Nr. 40)
—
Klage Der Ariadne: Zu Ende Geht Nun Alles
—
Klage Der Ariadne: O Theseus, Theseus, Geliebter
—
Klage Der Ariadne: Träume, Selige Träume
—
Klage Der Ariadne: Fluch Dir, Fluch Deinem Treubruch
—
Klage Der Ariadne: Mächt’ger Tod, Du Letzte Zufucht
—
Klage Der Ariadne: Zu Ende Geht Nun Alles
—
Tanz der Spröden: Ach, Teure Mutter, Welche Gegend
—
Tanz der Spröden: Hört, Werte Damen
—
Tanz der Spröden: Wie Unerträglich Anzusehn
—
Tanz der Spröden: Tanz Der Spröden
—
Tanz der Spröden: Seltsam Fürwahr Ist Das
—
Tanz der Spröden: Den Tanz Der Spröden Habt Ihr Nun Gesehn
—
Prometheus: Szene I - Kratos: Am Rande Der Erde / Scene I - Power: To The Earth's Remotest
—
Prometheus: Szene II - Prometheus: Heiliger Äther, Leichtbeschwingte Luft / Scene II - Prometheus: Oh, Thou Bring Sky Of Heaven
—
Prometheus: Szene III - Prometheus: Horch, Horch! Da, Da! / Scene III - Prometheus: Ha! Hold!
—
Prometheus: Szene IV - Okeanos: Bis Zu Dir, Prometheus, Gekommen / Scene IV - Oceanus: I Am Come To The Goal Of A Long Journey
—
Prometheus: Szene V - Chor: Sieh, Wie Wir Dein Unheillos / Chor: O Diese Qual Verwirrt Dir Deinen Sinn / Scene V - Chorus: I Mourn Over Thee, Prometheus / Chorus: Thou Hast Suffered Sorrow And Humiliation
—
Prometheus: Szene VI - Io: Welches Land? Welcher Stamm? / Scene VI - Io: What Land Is This? What People?
—
Prometheus: Szene VII - Chor: Weise, Ja Weise War Jener / Scene VII - Chorus: Ah, Sage, Sage In Sooth
—
Prometheus: Szene VIII - Prometheus: Da Seh Ich Schon Den Läufer Des Zeus / Scene VIII - Prometheus: But Stay, Foronder I Behold This Lackey
—
Prometheus: Szene IX - Prometheus: Nun Wankt Sie In Wahrheit / Scene IX - Prometheus: Lo, No It Hath Passed From Word To Deed
—
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What is UPC 036244208520?
036244208520 is a Universal Product Code (UPC) assigned to Carl Orff Collection by Carl Orff. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 96 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm