UPC · Release
The Best of Dixieland
Chris Barber’s Jazz Band
Last verified:
042282087829 is the Universal Product Code (UPC barcode) for the release “The Best of Dixieland” by Chris Barber’s Jazz Band, released 1989-01-01 on Limelight. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 16 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (16)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | All the Girls Go Crazy About the Way I Walk | — | ||
| 2 | I Never Knew Just What a Gal Could Do | — | ||
| 3 | Saint Louis Blues | — | ||
| 4 | I’d Love It | — | ||
| 5 | Merrydown Blues | — | ||
| 6 | Skokiaan | — | ||
| 7 | Storyville Blues | — | ||
| 8 | It’s Tight Like That | — | ||
| 9 | Bury My Body | — | ||
| 10 | Diggin’ My Potatoes | — | ||
| 11 | Salutation March | — | ||
| 12 | I Hate a Man Like You | — | ||
| 13 | The World Is Waiting for the Sunrise | — | ||
| 14 | Reckless Blues | — | ||
| 15 | Ice Cream | — | ||
| 16 | Oh, Didn’t He Ramble | — |
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What is UPC 042282087829?
042282087829 is a Universal Product Code (UPC) assigned to The Best of Dixieland by Chris Barber’s Jazz Band. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 16 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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