UPC · Release
The Complete Sarah Vaughan on Mercury, Volume 3: Great Show on Stage: 1957-1959
Sarah Vaughan
Last verified:
042282633323 is the Universal Product Code (UPC barcode) for the release “The Complete Sarah Vaughan on Mercury, Volume 3: Great Show on Stage: 1957-1959” by Sarah Vaughan, released 1986-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 97 tracks, each with its own ISRC. Tracks include USPR35770258, USPR35770265, USPR35512100.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (97)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | September in the Rain | Sarah Vaughan | T-070.134.717-2 | |
| 2 | Willow Weep for Me | — | ||
| 3 | Just One of Those Things | — | ||
| 4 | Be Anything but Darling Be Mine | — | ||
| 5 | Thou Swell | — | ||
| 6 | Stairway to the Stars | — | ||
| 7 | Honeysuckle Rose | — | ||
| 8 | Just a Gigolo | Sarah Vaughan | T-070.088.858-9 | |
| 9 | How High the Moon | Sarah Vaughan | T-070.074.622-0 | |
| 10 | Dream | Sarah Vaughan | T-070.038.420-8 | |
| 11 | I’m Gonna Sit Right Down and Write Myself a Letter | — | ||
| 12 | It’s Got to Be Love | — | ||
| 13 | Alone | — | ||
| 14 | It’s Got to Be Love | — | ||
| 2-1 | If This Isn’t Love | Sarah Vaughan | T-070.905.300-8 | |
| 2-2 | Embraceable You | — | ||
| 2-3 | Lucky in Love | — | ||
| 2-4 | Dancing in the Dark | — | ||
| 2-5 | Poor Butterfly | Sarah Vaughan | T-801.020.409-9 | |
| 2-6 | Sometimes I’m Happy | — | ||
| 2-7 | I Cover the Waterfront | — | ||
| 2-8 | Sweet Affection | — | ||
| 2-9 | Meet Me Half Way | — | ||
| 2-10 | What’s So Bad About It | — | ||
| 2-11 | That Old Black Magic | — | ||
| 2-12 | That Old Black Magic | — | ||
| 2-13 | I’ve Got the World on a String | — | ||
| 2-14 | I’ve Got the World on a String | — | ||
| 2-15 | Hit the Road to Dreamland | Sarah Vaughan | T-070.073.813-1 | |
| 3-1 | Gone Again | — | ||
| 3-2 | The Next Time Around | — | ||
| 3-3 | Careless | — | ||
| 3-4 | Friendly Enemies | — | ||
| 3-5 | Are You Certain | — | ||
| 3-6 | Stardust | Sarah Vaughan | T-031.563.049-9 | |
| 3-7 | Doodlin’ | Sarah Vaughan | T-010.031.880-6 | |
| 3-9 | Darn That Dream | Sarah Vaughan | T-070.038.420-8 | |
| 3-12 | Mary Contrary | — | ||
| 3-13 | Separate Ways | — | ||
| 3-14 | Broken Hearted Melody | Sarah Vaughan | T-070.884.145-5 | |
| 3-15 | Too Much, Too Soon | — | ||
| 3-16 | Padre | — | ||
| 3-17 | Spin Little Bottle | — | ||
| 4-1 | Smoke Gets in Your Eyes | Sarah Vaughan | T-070.199.313-6 | |
| 4-2 | Moonlight in Vermont | — | ||
| 4-3 | Cheek to Cheek | — | ||
| 4-4 | Missing You | — | ||
| 4-5 | Just One of Those Things | Sarah Vaughan | T-070.089.096-5 | |
| 4-6 | No ’Count Blues | — | ||
| 4-7 | Detour Ahead | — | ||
| 4-8 | Three Little Words | Sarah Vaughan | T-070.180.019-2 | |
| 4-9 | Speak Low | Sarah Vaughan | T-070.137.239-5 | |
| 4-10 | Like Someone In Love | — | ||
| 4-11 | You’d Be So Nice to Come Home To | Sarah Vaughan | T-070.211.122-5 | |
| 4-12 | I’ll String Along With You | Sarah Vaughan | T-070.210.739-8 | |
| 4-13 | All of You | Sarah Vaughan | T-072.103.950-4 | |
| 4-14 | Thanks for the Memory | Sarah Vaughan | T-070.178.583-2 | |
| 5-1 | Please Be Kind | Sarah Vaughan | T-070.166.035-6 | |
| 5-2 | The Midnight Sun Will Never Set | Sarah Vaughan | T-070.109.284-3 | |
| 5-3 | Live for Love | Sarah Vaughan | T-902.818.395-1 | |
| 5-4 | Misty | Sarah Vaughan, the Quincy Jones Orchestra | T-070.109.662-9 | |
| 5-5 | I’m Lost | Sarah Vaughan | T-070.905.843-4 | |
| 5-6 | Love Me | Sarah Vaughan | T-700.040.105-0 | |
| 5-7 | That’s All | Sarah Vaughan | T-071.017.360-6 | |
| 5-8 | Day by Day | Sarah Vaughan | T-070.038.492-4 | |
| 5-9 | Gone With the Wind | Sarah Vaughan | T-070.064.775-1 | |
| 5-10 | I’ll Close My Eyes | Sarah Vaughan | T-070.903.367-9 | |
| 5-11 | The Thrill Is Gone | — | ||
| 5-12 | Cool Baby | — | ||
| 5-13 | Everything I Do | — | ||
| 5-14 | I Ain’t Hurtin’ | — | ||
| 5-15 | Disillusioned Heart | — | ||
| 5-16 | I Should Care | — | ||
| 5-17 | For All We Know | — | ||
| 6-1 | My Ideal | — | ||
| 6-2 | You’re My Baby | — | ||
| 6-3 | Smooth Operator | — | ||
| 6-4 | Maybe It’s Because I Love You Too Much | — | ||
| 6-5 | Our Waltz | — | ||
| 6-6 | Never in a Million Years | — | ||
| 6-7 | Close to You | — | ||
| 6-8 | Eternally | — | ||
| 6-9 | Some Other Spring | — | ||
| 6-10 | Say It Isn’t So | — | ||
| 6-11 | If You Are but a Dream | — | ||
| 6-12 | Maybe You’ll Be There | — | ||
| 6-13 | All of a Sudden My Heart Sings | — | ||
| 6-14 | There’s No You | — | ||
| 6-15 | Missing You | — | ||
| 6-16 | Please | — | ||
| 6-17 | Funny | — | ||
| 6-18 | I’ve Got to Talk to My Heart | — | ||
| 6-19 | Out of This World | — | ||
| 6-20 | Last Night When We Were Young | — | ||
| 6-21 | Through a Long and Sleepless Night | — | ||
| 6-22 | I’ll Never Be the Same | — | ||
| 6-23 | Through the Years | — |
What other identifiers does this connect to?
Musical Works (ISWC)
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Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Credits Graph
People also ask
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What is UPC 042282633323?
042282633323 is a Universal Product Code (UPC) assigned to The Complete Sarah Vaughan on Mercury, Volume 3: Great Show on Stage: 1957-1959 by Sarah Vaughan. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 97 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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