UPC · Release
Various Artists
Last verified:
042284492423 is the Universal Product Code (UPC barcode) for the release “The Mod Scene, Volume 2” by Various Artists, released 1999-01-01 on Decca. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 25 tracks, each with its own ISRC. Tracks include GBFO76821970, GBF076423810, GBF076421830.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Own Up Time | — | ||
| 2 | Leaving Here | — | ||
| 3 | Beggin’ | Timebox | T-070.880.775-3 | |
| 4 | Liza Jane | Davie Jones & The King Bees | — | |
| 5 | The Time It Takes | — | ||
| 6 | Looking Back | — | ||
| 7 | Zoot’s Suit | — | ||
| 8 | Long Legged Baby | The Graham Bond Organisation | T-010.266.598-4 | |
| 9 | Breakdown Blues | — | ||
| 10 | I Can Only Give You Everything | — | ||
| 11 | Sugar Babe, Part I / Part II | — | ||
| 12 | We Got Love | — | ||
| 13 | What’s News [sic] Pussycat | — | ||
| 14 | Candy Man | — | ||
| 15 | I Can’t Sleep | — | ||
| 16 | Can You Hear Me | — | ||
| 17 | She Ain’t No Good | — | ||
| 18 | Midnight Confessions | — | ||
| 19 | Baby Never Say Goodbye | — | ||
| 20 | Lies | — | ||
| 21 | Phone Me | — | ||
| 22 | Breaking Down | — | ||
| 23 | Baby Get Your Head Screwed On | — | ||
| 24 | Movin’ In | — | ||
| 25 | Try It | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
042284492423 is a Universal Product Code (UPC) assigned to The Mod Scene, Volume 2 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 25 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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