UPC · Release
Bahia Lady
Francis Goya, Carmiña Cabrera
Last verified:
042284651721 is the Universal Product Code (UPC barcode) for the release “Bahia Lady” by Francis Goya, Carmiña Cabrera, released 1990-01-01 on Mercury. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 14 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (14)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantinero di Cuba | — | ||
| 2 | Eu Sem Voce | — | ||
| 3 | How Insensitive | — | ||
| 4 | Cacha Mecanica | — | ||
| 5 | Jolanta | — | ||
| 6 | Chabada / Mas Que Nada /Agua de Beber / Voce Abusou | — | ||
| 7 | Amando | — | ||
| 8 | Bahia Lady | — | ||
| 9 | Orfeo Negro (Manha de Carnaval) | — | ||
| 10 | Porque Te Vas (Let Go) | — | ||
| 11 | Amazonia | — | ||
| 12 | Nostalgia | — | ||
| 13 | Hold Me Now | — | ||
| 14 | Zazuera | — |
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Creative Contributors (ISNI)
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What is UPC 042284651721?
042284651721 is a Universal Product Code (UPC) assigned to Bahia Lady by Francis Goya, Carmiña Cabrera. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 14 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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