UPC · Album
Raritäten, Vol. 2
Wolfgang Ambros
Last verified:
044001657627 is the Universal Product Code (UPC barcode) for the release “Raritäten, Vol. 2” by Wolfgang Ambros, released 2001-01-01 on Amadeo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 21 tracks, each with its own ISRC. Tracks include ATA018400890, ATA018801190, ATA149320031.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (6)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Heut bin i wieder fett wie ein Radierer | Wolfgang Ambros, Rainhard Fendrich | ATA018400890 |
| Rukuruku Bay | Wolfgang Ambros | ATA018801190 |
| Zwa wie mia zwa | Georg Danzer, Wolfgang Ambros | ATA149320031 |
| Herr Vampir | Wolfgang Ambros | DEA437300188 |
| I steh auf a Alte | Wolfgang Ambros | DEA437400151 |
| Da Wamperte, da Glatzerte und i | Marianne Mendt, Wolfgang Ambros | DEA600000621 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
People also ask
Verified on
What is UPC 044001657627?
044001657627 is a Universal Product Code (UPC) assigned to Raritäten, Vol. 2 by Wolfgang Ambros. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 21 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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