UPC · Release
Aida
Giuseppe Verdi, Violeta Urmana, Johan Botha, Dolora Zajick, Carlo Guelfi, Metropolitan Opera Orchestra, Chorus, Ballet, Daniele Gatti
044007434321
41 tracksReleased 2011-01-01
Last verified:
044007434321 is the Universal Product Code (UPC barcode) for the release “Aida” by Giuseppe Verdi, Violeta Urmana, Johan Botha, Dolora Zajick, Carlo Guelfi, Metropolitan Opera Orchestra, Chorus, Ballet, Daniele Gatti, released 2011-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC.
Format
0Number system
44007Manufacturer
43432Product
1Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (41)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introduction by Renée Fleming | — | ||
| 2 | Aida: Prelude | — | ||
| 3 | Aida: Act I. Scene I. “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès) | — | ||
| 4 | Aida: Act I. Scene I. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès) | — | ||
| 5 | Aida: Act I. Scene I. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès) | — | ||
| 6 | Aida: Act I. Scene I. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès) | — | ||
| 7 | Aida: Act I. Scene I. “Alta cagion v’aduna” (the King, messenger, Radamès, Ramfis, Aida, Amneris, chorus) | — | ||
| 8 | Aida: Act I. Scene I. “Su! del Nilo al sacro lido” (the King, Ramfis, Aida, Radamès, Amneris, messenger, chorus) | — | ||
| 9 | Aida: Act I. Scene I. “Ritorna vincitor!” (Aida) | — | ||
| 10 | Aida: Act I. Scene II. “Possente, possente Fthà” (priestess, Ramfis, chorus) | — | ||
| 11 | Aida: Act I. Scene II. Danza sacra delle Sacerdotesse (Sacred Dance of the Priestesses) (Ramfis, chorus, ballet) | — | ||
| 12 | Aida: Act I. Scene II. “Immenso Fthà” … “Nume, custode e vindice” (Ramfis, Radamès, chorus) | — | ||
| 13 | Aida: Act II. Scene I. “Chi mai fra gl’inni e i plausi erge alla gloria il vol” (Amneris, chorus) | — | ||
| 14 | Aida: Act II. Scene I. Danza di piccoli schiavi mori (Dance of the Young Moorish Slaves) (Amneris, chorus, ballet) | — | ||
| 15 | Aida: Act II. Scene I. “Fu la sorte dell’armi a’ tuoi funesta, povera Aida!” (Amneris, Aida) | — | ||
| 16 | Aida: Act II. Scene I. “Su! del Nilo al sacro lido” (Amneris, Aida, chorus) | — | ||
| 17 | Aida: Act II. Scene II. “Gloria all’Egitto, ad Iside” (Ramfis, chorus) | — | ||
| 18 | Aida: Act II. Scene II. Marcia trionfale (Triumphal March) | — | ||
| 19 | Aida: Act II. Scene II. Ballabile (Ballet) | — | ||
| 20 | Aida: Act II. Scene II. “Vieni, o guerriero vindice” (Ramfis, chorus) | — | ||
| 21 | Aida: Act II. Scene II. “Salvator della patria, io ti saluto” (the King, Radamès, Ramfis, chorus) | — | ||
| 22 | Aida: Act II. Scene II. “Che veggo!… Egli?… Mio padre!” (Aida, the King, Radamès, Amneris, Amonasro, Ramfis, chorus) | — | ||
| 23 | Aida: Act II. Scene II. “O Re: pei sacri Numi” … “Gloria all’Egitto” (Radamès, the King, Amneris, Ramfis, Aida, chorus) | — | ||
| 24 | Renée Fleming Interviews Johan Botha | — | ||
| 25 | Renée Fleming Interviews Dolora Zajick | — | ||
| 26 | Renée Fleming Interviews Violeta Urmana | — | ||
| 27 | Renée Fleming Interviews Alexei Ratmansky | — | ||
| 28 | Renée Fleming Interviews Met Supernumeraries | — | ||
| 2-1 | Aida: Act III. “O tu che sei d’Osiride madre immortale e sposa” (Ramfis, Amneris, chorus) | — | ||
| 2-2 | Aida: Act III. “Qui Radamès verra!” … “O patria mia” (Aida) | — | ||
| 2-3 | Aida: Act III. “Ciel! mio padre!” … “Rivedrai le foreste imbalsamate” (Aida, Amonasro) | — | ||
| 2-4 | Aida: Act III. “Pur ti riveggo, mia dolce Aida” (Radamès, Aida) | — | ||
| 2-5 | Aida: Act III. “Fuggiam gli ardori inospiti” (Aida, Radamès) | — | ||
| 2-6 | Aida: Act III. “Aida! – Tu non m’ami” (Radamès, Aida, Amonasro, Amneris, Ramfis) | — | ||
| 2-7 | Aida: Act IV. Scene I. “L’aborrita rivale a me sfuggia” (Amneris) | — | ||
| 2-8 | Aida: Act IV. Scene I. “Già i Sacerdoti adunansi” (Amneris, Radamès) | — | ||
| 2-9 | Aida: Act IV. Scene I. “Ohimè!… morir mi sento!” (Amneris, Ramfis, chorus) | — | ||
| 2-10 | Aida: Act IV. Scene I. “Radamès! Radamès! Radamès!” (Ramfis, Amneris, chorus) | — | ||
| 2-11 | Aida: Act IV. Scene II. “La fatal pietra sovra me si chiuse” (Radamès, Aida) | — | ||
| 2-12 | Aida: Act IV. Scene II. “Immenso Fthà” … “O terra, addio” (Aida, Radamès, Amneris, chorus) | — | ||
| 2-13 | Curtain Calls and Closing Credits | — |
Introduction by Renée Fleming
—
Aida: Prelude
—
Aida: Act I. Scene I. “Sì, corre voce che l’Etiope ardisca” (Ramfis, Radamès)
—
Aida: Act I. Scene I. “Se quel guerrier io fossi!” … “Celeste Aida” (Radamès)
—
Aida: Act I. Scene I. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)
—
Aida: Act I. Scene I. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)
—
Aida: Act I. Scene I. “Alta cagion v’aduna” (the King, messenger, Radamès, Ramfis, Aida, Amneris, chorus)
—
Aida: Act I. Scene I. “Su! del Nilo al sacro lido” (the King, Ramfis, Aida, Radamès, Amneris, messenger, chorus)
—
Aida: Act I. Scene I. “Ritorna vincitor!” (Aida)
—
Aida: Act I. Scene II. “Possente, possente Fthà” (priestess, Ramfis, chorus)
—
Aida: Act I. Scene II. Danza sacra delle Sacerdotesse (Sacred Dance of the Priestesses) (Ramfis, chorus, ballet)
—
Aida: Act I. Scene II. “Immenso Fthà” … “Nume, custode e vindice” (Ramfis, Radamès, chorus)
—
Aida: Act II. Scene I. “Chi mai fra gl’inni e i plausi erge alla gloria il vol” (Amneris, chorus)
—
Aida: Act II. Scene I. Danza di piccoli schiavi mori (Dance of the Young Moorish Slaves) (Amneris, chorus, ballet)
—
Aida: Act II. Scene I. “Fu la sorte dell’armi a’ tuoi funesta, povera Aida!” (Amneris, Aida)
—
Aida: Act II. Scene I. “Su! del Nilo al sacro lido” (Amneris, Aida, chorus)
—
Aida: Act II. Scene II. “Gloria all’Egitto, ad Iside” (Ramfis, chorus)
—
Aida: Act II. Scene II. Marcia trionfale (Triumphal March)
—
Aida: Act II. Scene II. Ballabile (Ballet)
—
Aida: Act II. Scene II. “Vieni, o guerriero vindice” (Ramfis, chorus)
—
Aida: Act II. Scene II. “Salvator della patria, io ti saluto” (the King, Radamès, Ramfis, chorus)
—
Aida: Act II. Scene II. “Che veggo!… Egli?… Mio padre!” (Aida, the King, Radamès, Amneris, Amonasro, Ramfis, chorus)
—
Aida: Act II. Scene II. “O Re: pei sacri Numi” … “Gloria all’Egitto” (Radamès, the King, Amneris, Ramfis, Aida, chorus)
—
Renée Fleming Interviews Johan Botha
—
Renée Fleming Interviews Dolora Zajick
—
Renée Fleming Interviews Violeta Urmana
—
Renée Fleming Interviews Alexei Ratmansky
—
Renée Fleming Interviews Met Supernumeraries
—
Aida: Act III. “O tu che sei d’Osiride madre immortale e sposa” (Ramfis, Amneris, chorus)
—
Aida: Act III. “Qui Radamès verra!” … “O patria mia” (Aida)
—
Aida: Act III. “Ciel! mio padre!” … “Rivedrai le foreste imbalsamate” (Aida, Amonasro)
—
Aida: Act III. “Pur ti riveggo, mia dolce Aida” (Radamès, Aida)
—
Aida: Act III. “Fuggiam gli ardori inospiti” (Aida, Radamès)
—
Aida: Act III. “Aida! – Tu non m’ami” (Radamès, Aida, Amonasro, Amneris, Ramfis)
—
Aida: Act IV. Scene I. “L’aborrita rivale a me sfuggia” (Amneris)
—
Aida: Act IV. Scene I. “Già i Sacerdoti adunansi” (Amneris, Radamès)
—
Aida: Act IV. Scene I. “Ohimè!… morir mi sento!” (Amneris, Ramfis, chorus)
—
Aida: Act IV. Scene I. “Radamès! Radamès! Radamès!” (Ramfis, Amneris, chorus)
—
Aida: Act IV. Scene II. “La fatal pietra sovra me si chiuse” (Radamès, Aida)
—
Aida: Act IV. Scene II. “Immenso Fthà” … “O terra, addio” (Aida, Radamès, Amneris, chorus)
—
Curtain Calls and Closing Credits
—
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What is UPC 044007434321?
044007434321 is a Universal Product Code (UPC) assigned to Aida by Giuseppe Verdi, Violeta Urmana, Johan Botha, Dolora Zajick, Carlo Guelfi, Metropolitan Opera Orchestra, Chorus, Ballet, Daniele Gatti. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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