UPC · Release
I Hear America Singing
William Schuman, Ned Rorem, Louise Talma, Gregg Smith Singers
047163303722
66 tracksReleased 1996-01-01VoxBox
Last verified:
047163303722 is the Universal Product Code (UPC barcode) for the release “I Hear America Singing” by William Schuman, Ned Rorem, Louise Talma, Gregg Smith Singers, released 1996-01-01 on VoxBox. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC.
Format
0Number system
47163Manufacturer
30372Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCI Hear America Singing
IPI1 songwriter
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Prelude for Voices | — | ||
| 2 | Carols of Death: I. The Last Invocation | — | ||
| 3 | Carols of Death: II. The Unknown Region | — | ||
| 4 | Carols of Death: III. To All, To Each | — | ||
| 5 | Perceptions: I. Thought | — | ||
| 6 | Perceptions: II. Beautiful Women, III. To Old Age | — | ||
| 7 | Perceptions: IV. Each of Us | — | ||
| 8 | Perceptions: V. To the States | — | ||
| 9 | Perceptions: VI. A Farm Picture | — | ||
| 10 | Perceptions: VII. Whoever You Are! | — | ||
| 11 | Perceptions: VIII. To You | — | ||
| 12 | Five Rounds on Famous Words: I. Health | — | ||
| 13 | Five Rounds on Famous Words: II. Thrift | — | ||
| 14 | Five Rounds on Famous Words: III. Caution | — | ||
| 15 | Five Rounds on Famous Words: IV. Beauty | — | ||
| 16 | Five Rounds on Famous Words: V. Haste | — | ||
| 17 | Mail Order Madrigals: I. Attention, Ladies! | — | ||
| 18 | Mail Order Madrigals: II. Superfluous Hair | — | ||
| 19 | Mail Order Madrigals: III. Sweet Refreshing Sleep | — | ||
| 20 | Mail Order Madrigals: IV. Dr. Worden's Pills | — | ||
| 21 | Esses: Short Suite for Singers on Words beginning with S: I. Suggestions | — | ||
| 22 | Esses: Short Suite for Singers on Words beginning with S: II. Serenáta | — | ||
| 23 | Esses: Short Suite for Singers on Words beginning with S: III. Stillness | — | ||
| 24 | Esses: Short Suite for Singers on Words beginning with S: IV. Sing-a-Ling | — | ||
| 25 | Orpheus with his lute | — | ||
| 2-1 | Letters from Paris: I. Spring | — | ||
| 2-2 | Letters from Paris: II. The French Telephone | — | ||
| 2-3 | Letters from Paris: III. Summer | — | ||
| 2-4 | Letters from Paris: IV. Colette | — | ||
| 2-5 | Letters from Paris: V. Autumn | — | ||
| 2-6 | Letters from Paris: VI. The Sex of the Automobile | — | ||
| 2-7 | Letters from Paris: VII. Winter | — | ||
| 2-8 | Letters from Paris: VIII. Mistenguett | — | ||
| 2-9 | Letters from Paris: IX. Spring Again | — | ||
| 2-10 | In Time of Pestilence: I. Adieu, farewell earth's bliss! | — | ||
| 2-11 | In Time of Pestilence: II. Rich men, trust not in wealth | — | ||
| 2-12 | In Time of Pestilence: III. Beauty is but a flower | — | ||
| 2-13 | In Time of Pestilence: IV. Strength stoops unto the grave | — | ||
| 2-14 | In Time of Pestilence: V. Wit with his wantoness | — | ||
| 2-15 | In Time of Pestilence: VI. Haste therefore each degree | — | ||
| 2-16 | Give All to Love | — | ||
| 2-17 | Missa Brevis: Kyrie | — | ||
| 2-18 | Missa Brevis: Gloria | — | ||
| 2-19 | Missa Brevis: Sanctus Benedictus | — | ||
| 2-20 | Missa Brevis: Osanna Agnus Dei | — | ||
| 3-1 | A Wreath of Blessings: I. A House Blessing | — | ||
| 3-2 | A Wreath of Blessings: II. Irish Blessing | — | ||
| 3-3 | A Wreath of Blessings: III. Augustine's Word | — | ||
| 3-4 | A Wreath of Blessings: IV. A Glasse of Blessings | — | ||
| 3-5 | A Wreath of Blessings: V. Chester Cathedral Blessing | — | ||
| 3-6 | Voices of Peace: I. Agnus Dei | — | ||
| 3-7 | Voices of Peace: II. Prayer of St. Francis of Assisi | — | ||
| 3-8 | Voices of Peace: III. Pray for the Peace of Jerusalem | — | ||
| 3-9 | Voices of Peace: IV. Peace | — | ||
| 3-10 | Voices of Peace: V. Shalom! Pax et Bonum! | — | ||
| 3-11 | The Leaden Echo and the Golden Echo | — | ||
| 3-12 | La Corona: I. La Corona | — | ||
| 3-13 | La Corona: II. Annunciation | — | ||
| 3-14 | La Corona: III. Nativitie | — | ||
| 3-15 | La Corona: IV. Temple | — | ||
| 3-16 | La Corona: V. Crucifying | — | ||
| 3-17 | La Corona: VI. Resurrection | — | ||
| 3-18 | La Corona: VII. Ascention | — | ||
| 3-19 | Let's Touch the Sky: I. anyone lived in a pretty how town | — | ||
| 3-20 | Let's Touch the Sky: II. love is more thicker than forget | — | ||
| 3-21 | Let's Touch the Sky: III. if up's the word | — |
Prelude for Voices
—
Carols of Death: I. The Last Invocation
—
Carols of Death: II. The Unknown Region
—
Carols of Death: III. To All, To Each
—
Perceptions: I. Thought
—
Perceptions: II. Beautiful Women, III. To Old Age
—
Perceptions: IV. Each of Us
—
Perceptions: V. To the States
—
Perceptions: VI. A Farm Picture
—
Perceptions: VII. Whoever You Are!
—
Perceptions: VIII. To You
—
Five Rounds on Famous Words: I. Health
—
Five Rounds on Famous Words: II. Thrift
—
Five Rounds on Famous Words: III. Caution
—
Five Rounds on Famous Words: IV. Beauty
—
Five Rounds on Famous Words: V. Haste
—
Mail Order Madrigals: I. Attention, Ladies!
—
Mail Order Madrigals: II. Superfluous Hair
—
Mail Order Madrigals: III. Sweet Refreshing Sleep
—
Mail Order Madrigals: IV. Dr. Worden's Pills
—
Esses: Short Suite for Singers on Words beginning with S: I. Suggestions
—
Esses: Short Suite for Singers on Words beginning with S: II. Serenáta
—
Esses: Short Suite for Singers on Words beginning with S: III. Stillness
—
Esses: Short Suite for Singers on Words beginning with S: IV. Sing-a-Ling
—
Orpheus with his lute
—
Letters from Paris: I. Spring
—
Letters from Paris: II. The French Telephone
—
Letters from Paris: III. Summer
—
Letters from Paris: IV. Colette
—
Letters from Paris: V. Autumn
—
Letters from Paris: VI. The Sex of the Automobile
—
Letters from Paris: VII. Winter
—
Letters from Paris: VIII. Mistenguett
—
Letters from Paris: IX. Spring Again
—
In Time of Pestilence: I. Adieu, farewell earth's bliss!
—
In Time of Pestilence: II. Rich men, trust not in wealth
—
In Time of Pestilence: III. Beauty is but a flower
—
In Time of Pestilence: IV. Strength stoops unto the grave
—
In Time of Pestilence: V. Wit with his wantoness
—
In Time of Pestilence: VI. Haste therefore each degree
—
Give All to Love
—
Missa Brevis: Kyrie
—
Missa Brevis: Gloria
—
Missa Brevis: Sanctus Benedictus
—
Missa Brevis: Osanna Agnus Dei
—
A Wreath of Blessings: I. A House Blessing
—
A Wreath of Blessings: II. Irish Blessing
—
A Wreath of Blessings: III. Augustine's Word
—
A Wreath of Blessings: IV. A Glasse of Blessings
—
A Wreath of Blessings: V. Chester Cathedral Blessing
—
Voices of Peace: I. Agnus Dei
—
Voices of Peace: II. Prayer of St. Francis of Assisi
—
Voices of Peace: III. Pray for the Peace of Jerusalem
—
Voices of Peace: IV. Peace
—
Voices of Peace: V. Shalom! Pax et Bonum!
—
The Leaden Echo and the Golden Echo
—
La Corona: I. La Corona
—
La Corona: II. Annunciation
—
La Corona: III. Nativitie
—
La Corona: IV. Temple
—
La Corona: V. Crucifying
—
La Corona: VI. Resurrection
—
La Corona: VII. Ascention
—
Let's Touch the Sky: I. anyone lived in a pretty how town
—
Let's Touch the Sky: II. love is more thicker than forget
—
Let's Touch the Sky: III. if up's the word
—
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Creative Contributors (ISNI)
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What is UPC 047163303722?
047163303722 is a Universal Product Code (UPC) assigned to I Hear America Singing by William Schuman, Ned Rorem, Louise Talma, Gregg Smith Singers. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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