UPC · Release
Complete Works for Piano
Saint‐Saëns, Marylene Dosse, Annie Petit
047163360725
82 tracksReleased 1999-01-01VoxBox
Last verified:
047163360725 is the Universal Product Code (UPC barcode) for the release “Complete Works for Piano” by Saint‐Saëns, Marylene Dosse, Annie Petit, released 1999-01-01 on VoxBox. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 82 tracks, each with its own ISRC.
Format
0Number system
47163Manufacturer
36072Product
5Check digit
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Track List (82)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Six Bagatelles for Piano, op. 3: I. Poco sostenuto | — | ||
| 2 | Six Bagatelles for Piano, op. 3: II. Allegro animato quasi presto | — | ||
| 3 | Six Bagatelles for Piano, op. 3: III. Poco adagio | — | ||
| 4 | Six Bagatelles for Piano, op. 3: IV. Moderato assai | — | ||
| 5 | Six Bagatelles for Piano, op. 3: V. Allegro molto | — | ||
| 6 | Six Bagatelles for Piano, op. 3: VI. Poco sostenuto | — | ||
| 7 | Duettino for Piano Duet in G major, op. 11 | — | ||
| 8 | Variations on a Theme of Beethoven for 2 Pianos in E-flat major, op. 35 | — | ||
| 9 | Piano Concerto no. 3 in E-flat major, op. 29: Allegro | — | ||
| 10 | Caprice sur les « Airs de ballet », tiré de « L’Alceste » de Gluck | — | ||
| 2-1 | Mazurka no. 1 in G minor, op. 21 | — | ||
| 2-2 | Mazurka no. 2 in G minor, op. 24 | — | ||
| 2-3 | Mazurka no. 3 in B minor, op. 66 | — | ||
| 2-4 | Gavotte in C minor, op. 23 | — | ||
| 2-5 | Six Études, op. 52 : I. Prélude | — | ||
| 2-6 | Six Études, op. 52 : II. Pour l’indépendance des doigts. Andantino malinconico | — | ||
| 2-7 | Six Études, op. 52 : III. Prélude et fugue I | — | ||
| 2-8 | Six Études, op. 52 : IV. Étude de rythme. Andantino | — | ||
| 2-9 | Six Études, op. 52 : V. Prélude et fugue II | — | ||
| 2-10 | Six Études, op. 52 : VI. Étude en forme de valse | — | ||
| 2-11 | Allegro appassionato in C-sharp minor, op. 70 | — | ||
| 2-12 | Menuet et valse, op. 56 | — | ||
| 2-13 | Une nuit à Lisbonne, Barcarolle, op. 63 | — | ||
| 2-14 | Polonaise for 2 pianos in F minor, op. 77 | — | ||
| 3-1 | Album, op. 72 : I. Prélude | — | ||
| 3-2 | Album, op. 72 : II. Carillon | — | ||
| 3-3 | Album, op. 72 : III. Toccata | — | ||
| 3-4 | Album, op. 72 : IV. Valse | — | ||
| 3-5 | Album, op. 72 : V. Chanson Napolitaine | — | ||
| 3-6 | Album, op. 72 : VI. Final | — | ||
| 3-7 | Souvenir d’Italie in G major, op. 80 | — | ||
| 3-8 | Feuillet d’album for piano duet in B-flat major, op. 81 | — | ||
| 3-9 | Les Cloches du soir, op. 85 | — | ||
| 3-10 | Pas redoublé for piano duet in B-flat major, op. 86 | — | ||
| 3-11 | Scherzo for pianos duet in B major, op. 87 | — | ||
| 3-12 | Valse Canariote in A minor, op. 88 | — | ||
| 3-13 | Suite for piano in F major, op. 90 : I. Prélude et fugue | — | ||
| 3-14 | Suite for piano in F major, op. 90 : II. Menuet | — | ||
| 3-15 | Suite for piano in F major, op. 90 : III. Gavotte | — | ||
| 3-16 | Suite for piano in F major, op. 90 : IV. Gigue | — | ||
| 4-1 | Souvenir d’Ismaïlia, op. 100 | — | ||
| 4-2 | Valse nonchalante in D-flat major, op. 110 | — | ||
| 4-3 | Caprice arabe for piano duet in A major, op. 96 | — | ||
| 4-4 | Thème varié, op. 97 | — | ||
| 4-5 | Valse mignonne in E-flat major, op. 104 | — | ||
| 4-6 | Caprice héroïque for piano duet in D-flat major, op. 106 | — | ||
| 4-7 | Valse langoureuse in E major, op. 120 | — | ||
| 4-8 | Valse gaie, op. 139 | — | ||
| 4-9 | Six Études for the left hand alone, op. 135 : I. Prélude. Allegretto moderato | — | ||
| 4-10 | Six Études for the left hand alone, op. 135 : II. Alla fuga - Allegro non troppo | — | ||
| 4-11 | Six Études for the left hand alone, op. 135 : III. Moto perpetuo - Allegretto | — | ||
| 4-12 | Six Études for the left hand alone, op. 135 : IV. Bourrée. Molto allegro | — | ||
| 4-13 | Six Études for the left hand alone, op. 135 : V. Elégie. Poco adagio | — | ||
| 4-14 | Six Études for the left hand alone, op. 135 : VI. Gigue. Presto | — | ||
| 5-1 | Six Études, op. 111 : I. Tierces majeurs et mineurs | — | ||
| 5-2 | Six Études, op. 111 : II. Traits chromatiques | — | ||
| 5-3 | Six Études, op. 111 : III. Prélude et fugue | — | ||
| 5-4 | Six Études, op. 111 : IV. Les Cloches de las Palmas | — | ||
| 5-5 | Six Études, op. 111 : V. Tierces majeurs chromatiques | — | ||
| 5-6 | Six Études, op. 111 : VI. Toccata d’après le final du 5ème concerto | — | ||
| 5-7 | Marche interaliée for piano duet, op. 155 | — | ||
| 5-8 | Six Fugues, op. 161 : I. Allegro moderato | — | ||
| 5-9 | Six Fugues, op. 161 : II. Poco Allegro grazioso | — | ||
| 5-10 | Six Fugues, op. 161 : III. Allegretto | — | ||
| 5-11 | Six Fugues, op. 161 : IV. Allegro moderato | — | ||
| 5-12 | Six Fugues, op. 161 : V. Andantino quasi allegretto | — | ||
| 5-13 | Six Fugues, op. 161 : VI. Maestoso poco allegro | — | ||
| 5-14 | Feuillet d’album, op. 169 | — | ||
| 5-15 | Carnival of the Animals: I. Introduction and Royal March | — | ||
| 5-16 | Carnival of the Animals: II. Hens and Cocks | — | ||
| 5-17 | Carnival of the Animals: III. Wild Asses | — | ||
| 5-18 | Carnival of the Animals: IV. Tortoises | — | ||
| 5-19 | Carnival of the Animals: V. The Elephant | — | ||
| 5-20 | Carnival of the Animals: VI. Kangaroos | — | ||
| 5-21 | Carnival of the Animals: VII. The Aquarium | — | ||
| 5-22 | Carnival of the Animals: VIII. Personages With Long Ears | — | ||
| 5-23 | Carnival of the Animals: IX. Cuckoo in the Woods | — | ||
| 5-24 | Carnival of the Animals: X. Birds | — | ||
| 5-25 | Carnival of the Animals: XI. Pianists | — | ||
| 5-26 | Carnival of the Animals: XII. Fossils | — | ||
| 5-27 | Carnival of the Animals: XIII. The Swan | — | ||
| 5-28 | Carnival of the Animals: XIV. Finale | — |
Six Bagatelles for Piano, op. 3: I. Poco sostenuto
—
Six Bagatelles for Piano, op. 3: II. Allegro animato quasi presto
—
Six Bagatelles for Piano, op. 3: III. Poco adagio
—
Six Bagatelles for Piano, op. 3: IV. Moderato assai
—
Six Bagatelles for Piano, op. 3: V. Allegro molto
—
Six Bagatelles for Piano, op. 3: VI. Poco sostenuto
—
Duettino for Piano Duet in G major, op. 11
—
Variations on a Theme of Beethoven for 2 Pianos in E-flat major, op. 35
—
Piano Concerto no. 3 in E-flat major, op. 29: Allegro
—
Caprice sur les « Airs de ballet », tiré de « L’Alceste » de Gluck
—
Mazurka no. 1 in G minor, op. 21
—
Mazurka no. 2 in G minor, op. 24
—
Mazurka no. 3 in B minor, op. 66
—
Gavotte in C minor, op. 23
—
Six Études, op. 52 : I. Prélude
—
Six Études, op. 52 : II. Pour l’indépendance des doigts. Andantino malinconico
—
Six Études, op. 52 : III. Prélude et fugue I
—
Six Études, op. 52 : IV. Étude de rythme. Andantino
—
Six Études, op. 52 : V. Prélude et fugue II
—
Six Études, op. 52 : VI. Étude en forme de valse
—
Allegro appassionato in C-sharp minor, op. 70
—
Menuet et valse, op. 56
—
Une nuit à Lisbonne, Barcarolle, op. 63
—
Polonaise for 2 pianos in F minor, op. 77
—
Album, op. 72 : I. Prélude
—
Album, op. 72 : II. Carillon
—
Album, op. 72 : III. Toccata
—
Album, op. 72 : IV. Valse
—
Album, op. 72 : V. Chanson Napolitaine
—
Album, op. 72 : VI. Final
—
Souvenir d’Italie in G major, op. 80
—
Feuillet d’album for piano duet in B-flat major, op. 81
—
Les Cloches du soir, op. 85
—
Pas redoublé for piano duet in B-flat major, op. 86
—
Scherzo for pianos duet in B major, op. 87
—
Valse Canariote in A minor, op. 88
—
Suite for piano in F major, op. 90 : I. Prélude et fugue
—
Suite for piano in F major, op. 90 : II. Menuet
—
Suite for piano in F major, op. 90 : III. Gavotte
—
Suite for piano in F major, op. 90 : IV. Gigue
—
Souvenir d’Ismaïlia, op. 100
—
Valse nonchalante in D-flat major, op. 110
—
Caprice arabe for piano duet in A major, op. 96
—
Thème varié, op. 97
—
Valse mignonne in E-flat major, op. 104
—
Caprice héroïque for piano duet in D-flat major, op. 106
—
Valse langoureuse in E major, op. 120
—
Valse gaie, op. 139
—
Six Études for the left hand alone, op. 135 : I. Prélude. Allegretto moderato
—
Six Études for the left hand alone, op. 135 : II. Alla fuga - Allegro non troppo
—
Six Études for the left hand alone, op. 135 : III. Moto perpetuo - Allegretto
—
Six Études for the left hand alone, op. 135 : IV. Bourrée. Molto allegro
—
Six Études for the left hand alone, op. 135 : V. Elégie. Poco adagio
—
Six Études for the left hand alone, op. 135 : VI. Gigue. Presto
—
Six Études, op. 111 : I. Tierces majeurs et mineurs
—
Six Études, op. 111 : II. Traits chromatiques
—
Six Études, op. 111 : III. Prélude et fugue
—
Six Études, op. 111 : IV. Les Cloches de las Palmas
—
Six Études, op. 111 : V. Tierces majeurs chromatiques
—
Six Études, op. 111 : VI. Toccata d’après le final du 5ème concerto
—
Marche interaliée for piano duet, op. 155
—
Six Fugues, op. 161 : I. Allegro moderato
—
Six Fugues, op. 161 : II. Poco Allegro grazioso
—
Six Fugues, op. 161 : III. Allegretto
—
Six Fugues, op. 161 : IV. Allegro moderato
—
Six Fugues, op. 161 : V. Andantino quasi allegretto
—
Six Fugues, op. 161 : VI. Maestoso poco allegro
—
Feuillet d’album, op. 169
—
Carnival of the Animals: I. Introduction and Royal March
—
Carnival of the Animals: II. Hens and Cocks
—
Carnival of the Animals: III. Wild Asses
—
Carnival of the Animals: IV. Tortoises
—
Carnival of the Animals: V. The Elephant
—
Carnival of the Animals: VI. Kangaroos
—
Carnival of the Animals: VII. The Aquarium
—
Carnival of the Animals: VIII. Personages With Long Ears
—
Carnival of the Animals: IX. Cuckoo in the Woods
—
Carnival of the Animals: X. Birds
—
Carnival of the Animals: XI. Pianists
—
Carnival of the Animals: XII. Fossils
—
Carnival of the Animals: XIII. The Swan
—
Carnival of the Animals: XIV. Finale
—
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What is UPC 047163360725?
047163360725 is a Universal Product Code (UPC) assigned to Complete Works for Piano by Saint‐Saëns, Marylene Dosse, Annie Petit. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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