UPC · Release
Pirates of the Caribbean: Soundtrack Treasures Collection
Klaus Badelt, Hans Zimmer
Last verified:
050087111724 is the Universal Product Code (UPC barcode) for the release “Pirates of the Caribbean: Soundtrack Treasures Collection” by Klaus Badelt, Hans Zimmer, released 2007-01-01 on Walt Disney Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include USWD10321327, USWD10321328, USWD10321329.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fog Bound | Hans Zimmer, Klaus Badelt | — | |
| 2 | The Medallion Calls | Hans Zimmer, Klaus Badelt, Ramin Djawadi | — | |
| 3 | The Black Pearl | Hans Zimmer, Klaus Badelt, Steve Jablonsky | — | |
| 4 | Will and Elizabeth | Hans Zimmer, Steve Jablonsky, Ramin Djawadi | — | |
| 5 | Swords Crossed | Hans Zimmer, Klaus Badelt, Steve Jablonsky, Geoff Zanelli | — | |
| 6 | Walk the Plank | Hans Zimmer, Klaus Badelt, Ramin Djawadi | T-010.095.417-3 | |
| 7 | Barbossa Is Hungry | Hans Zimmer, Klaus Badelt, Geoff Zanelli | — | |
| 8 | Blood Ritual | Hans Zimmer, Klaus Badelt, Jim Dooley | — | |
| 9 | Moonlight Serenade | Hans Zimmer, Klaus Badelt, Jim Dooley, Ramin Djawadi | T-070.110.054-0 | |
| 10 | To the Pirates’ Cave! | Hans Zimmer, Klaus Badelt, Jim Dooley, Ramin Djawadi | — | |
| 11 | Skull and Crossbones | Hans Zimmer, Klaus Badelt, Nick Glennie-Smith, Geoff Zanelli, Ramin Djawadi | — | |
| 12 | Bootstrap’s Bootstraps | Hans Zimmer, Klaus Badelt, Geoff Zanelli, James McKee Smith | T-801.657.421-4 | |
| 13 | Underwater March | Hans Zimmer, Klaus Badelt, Nick Glennie-Smith, Blake Neely | — | |
| 14 | One Last Shot | Hans Zimmer, Klaus Badelt | — | |
| 15 | He's a Pirate (Pirates of the Caribbean: The Curse of the Black Pearl) | Klaus Badelt | — | |
| 2-1 | Jack Sparrow | Hans Zimmer | — | |
| 2-2 | The Kraken | Hans Zimmer | — | |
| 2-3 | Davy Jones | Hans Zimmer | — | |
| 2-4 | I’ve Got My Eye on You | Hans Zimmer, Trevor Morris | — | |
| 2-5 | Dinner Is Served | Hans Zimmer, Geoff Zanelli, Mel Wesson, Nick Glennie-Smith, Bruce Fowler | — | |
| 2-6 | Tia Dalma | Hans Zimmer, Geoff Zanelli, Lorne Balfe | — | |
| 2-7 | Two Hornpipes (Tortuga) | Tom Gire, John Sponsler | T-901.358.985-0 | |
| 2-8 | A Family Affair | Hans Zimmer, Nick Glennie-Smith | T-070.233.981-8 | |
| 2-9 | Wheel of Fortune | Hans Zimmer, Tom Gire, John Sponsler | — | |
| 2-10 | You Look Good Jack | Hans Zimmer | T-070.897.955-8 | |
| 2-11 | Hello Beastie | Hans Zimmer, Lorne Balfe, Tom Gire, John Sponsler | — | |
| 3-1 | Hoist the Colours | Hans Zimmer, Gore Verbinski | — | |
| 3-2 | Singapore | Hans Zimmer, Gore Verbinski, Geoff Zanelli, Tom Gire, John Sponsler, Atli Örvarsson | — | |
| 3-3 | At Wit’s End | Hans Zimmer, Lorne Balfe, Geoff Zanelli, Henry Jackman, Atli Örvarsson | — | |
| 3-4 | Multiple Jacks | Hans Zimmer, Atli Örvarsson | — | |
| 3-5 | Up Is Down | Hans Zimmer, Henry Jackman | — | |
| 3-6 | I See Dead People in Boats | Hans Zimmer, Lorne Balfe, Atli Örvarsson | — | |
| 3-7 | The Brethren Court | Hans Zimmer, Gore Verbinski, Lorne Balfe, Atli Örvarsson | — | |
| 3-8 | Parlay | Hans Zimmer | — | |
| 3-9 | Calypso | Hans Zimmer, Geoff Zanelli | — | |
| 3-10 | What Shall We Die For | Hans Zimmer, Gore Verbinski, Nick Glennie-Smith | — | |
| 3-11 | I Don’t Think Now Is the Best Time | Hans Zimmer, Gore Verbinski, Henry Jackman, Atli Örvarsson, Tom Gire, John Sponsler | — | |
| 3-12 | One Day | Hans Zimmer, Henry Jackman, Tom Gire, John Sponsler | — | |
| 3-13 | Drink Up Me Hearties | Hans Zimmer, Lorne Balfe, Geoff Zanelli, Henry Jackman | — | |
| 4-1 | Pirates, Day One, 4:56am | Hans Zimmer | — | |
| 4-2 | Marry Me | Hans Zimmer | — | |
| 4-3 | The Heart of Davy Jones | Hans Zimmer | — | |
| 4-4 | Lord Cutler Beckett | Hans Zimmer | — | |
| 4-5 | Jack’s Theme Bare Bones Demo | Hans Zimmer | — | |
| 4-6 | Hoist the Colours Suite | Hans Zimmer | — | |
| 4-7 | The Pirate Lord of Singapore | Hans Zimmer | — | |
| 4-8 | Just Good Business | Hans Zimmer | — | |
| 5-1 | Making of a Score | — | ||
| 5-2 | Hans Zimmer: The Man Behind the Pirates Music | — | ||
| 5-3 | Hans Zimmer’s Live Performance at Disneyland for the World Premiere of Pirates of the Caribbean: At the World’s End | — |
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| He’s a Pirate (Tiësto remix) | Hans Zimmer, Geoff Zanelli | T-072.938.121-8 |
| He’s a Pirate (Pete n’ Red’s Jolly Roger radio edit) | Hans Zimmer, Geoff Zanelli | T-902.737.616-5 |
| He’s a Pirate (Friscia & Lamboy Tribal Treasure mix) | Klaus Badelt | — |
| He’s a Pirate (Pelo Verde mix) | Klaus Badelt | — |
| He’s a Pirate (Chris Joss Ship Ahoy tribal mix) | Hans Zimmer, Geoff Zanelli | T-072.938.123-0 |
| Jack’s Suite (Paul Oakenfold mix) | Hans Zimmer | T-802.513.667-9 |
| Jack’s Suite (The Crystal Method mix) | Hans Zimmer | T-802.513.667-9 |
| Pirates Live Forever (Ryeland Allison mix) | Hans Zimmer | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
People also ask
Verified on
What is UPC 050087111724?
050087111724 is a Universal Product Code (UPC) assigned to Pirates of the Caribbean: Soundtrack Treasures Collection by Klaus Badelt, Hans Zimmer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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