UPC · Release
Richard M. Sherman, Robert B. Sherman, Irwin Kostal
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050087316150 is the Universal Product Code (UPC barcode) for the release “The Legacy Collection: Mary Poppins” by Richard M. Sherman, Robert B. Sherman, Irwin Kostal, released 2014-01-01 on Walt Disney Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 28 tracks, each with its own ISRC. Tracks include USV610423993, USV610423157, USV610423994.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Buena Vista Fanfare | Disney Studio Orchestra | T-901.060.131-7 | |
| 2 | Overture | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 3 | One Man Band | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 4 | Sister Suffragette | Glynis Johns, Hermione Baddeley, Reta Shaw | — | |
| 5 | The Life I Lead | David Tomlinson | — | |
| 6 | The Perfect Nanny | Karen Dotrice, Matthew Garber | — | |
| 7 | Air Mail / Admiral Boom / The Not-So-Perfect Nannies / Mary Poppins Arrives | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 8 | A Spoonful of Sugar | Julie Andrews | T-070243891-2 | |
| 9 | Pavement Artist | Dick Van Dyke | — | |
| 10 | Jolly Holiday | Julie Andrews, Dick Van Dyke, Bill Lee, Ginny Tyler, Paul Frees, Marc Breaux, Marni Nixon, Thurl Ravenscroft | — | |
| 11 | Jolly Holiday (reprise) | Julie Andrews, Dick Van Dyke, Daws Butler, Peter Ellenshaw, Dal McKennon, J. Pat O'Malley, Richard M. Sherman, David Tomlinson, Richard M. Sherman | — | |
| 12 | Penguin Dance | Irwin Kostal, Richard M. Sherman | — | |
| 13 | The Carousel Horses | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 14 | Supercalifragilisticexpialidocious | Julie Andrews, Dick Van Dyke | T-900.214.198-2 | |
| 15 | Pavement Artist (reprise) | Dick Van Dyke | — | |
| 16 | Stay Awake | Julie Andrews | — | |
| 17 | Trouble at Uncle Albert’s | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 18 | I Love to Laugh | Ed Wynn, Julie Andrews, Dick Van Dyke | — | |
| 19 | A British Bank (The Life I Lead) | David Tomlinson, Julie Andrews | — | |
| 20 | Feed the Birds (Tuppence a Bag) | Julie Andrews | — | |
| 21 | Father’s Footsteps | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 22 | Fidelity Fiduciary Bank | David Tomlinson, “Navckid Keyd”, Arthur Malet, Bill Lee, Thurl Ravenscroft, Allan Davies, William R. Cole | — | |
| 23 | Panic at the Bank | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 24 | Chim Chim Cher‐ee / March Over the Rooftops | Dick Van Dyke, Julie Andrews, Karen Dotrice, Matthew Garber | T-070.233.343-4 | |
| 25 | Step in Time | Dick Van Dyke | — | |
| 26 | A Man Has Dreams (The Life I Lead / A Spoonful of Sugar) | David Tomlinson, Dick Van Dyke | T-070.243.891-2 | |
| 27 | Mr. Banks Is Discharged | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — | |
| 28 | Let’s Go Fly a Kite | David Tomlinson, Dick Van Dyke | T-070.241.660-1 |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Feed the Birds (Tuppence a Bag) | Julie Andrews | — |
| Feed the Birds (Tuppence a Bag) | Julie Andrews | T0702339998 |
| A British Bank (The Life I Lead) | David Tomlinson, Julie Andrews | — |
| Fidelity Fiduciary Bank | Dick Van Dyke, David Tomlinson | — |
| I Love to Laugh | Ed Wynn, Julie Andrews, Dick Van Dyke | T0702405295 |
| Let's Go Fly a Kite (Mary Poppins) | David Tomlinson, Dick Van Dyke | T-070.241.660-1 |
| The Life I Lead | David Tomlinson | T9067594325 |
| Overture | Orchestra and Chorus | — |
| The Perfect Nanny | Karen Dotrice, Matthew Garber | — |
| Sister Suffragette | Glynis Johns, Hermione Baddeley, Reta Shaw | — |
| Stay Awake | Julie Andrews | T9062924827 |
| Step in Time | Dick Van Dyke | T0107830205 |
| The Sherman brothers reminisce: Unreleased demo recordings of Chim Chim Cher-ee / Let's Go Fly a Kite / The Eyes of Love / Feed the Birds | Richard M. Sherman, Robert B. Sherman | T-070.233.343-4 |
| One Man Band | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — |
| Air Mail / Admiral Boom / The Not-So-Perfect Nannies / Mary Poppins Arrives | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — |
| Pavement Artist | Dick Van Dyke | — |
| Jolly Holiday | Julie Andrews, Dick Van Dyke, Bill Lee, Ginny Tyler, Paul Frees, Marc Breaux, Marni Nixon, Thurl Ravenscroft | — |
| Jolly Holiday (reprise) | Julie Andrews, Dick Van Dyke, Daws Butler, Peter Ellenshaw, Dal McKennon, J. Pat O'Malley, Richard M. Sherman, David Tomlinson, Richard M. Sherman | — |
| Penguin Dance | Irwin Kostal, Richard M. Sherman | — |
| The Carousel Horses | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — |
| Pavement Artist (reprise) | Dick Van Dyke | — |
| Trouble at Uncle Albert’s | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — |
| Father’s Footsteps | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | — |
| Panic at the Bank | Richard M. Sherman, Robert B. Sherman, Irwin Kostal | T9053155694 |
| Hollywood Spotlight Microphone | Richard M. Sherman, Robert B. Sherman, Julie Andrews, Dick Van Dyke, Dick Tufeld | — |
| The Pearly Song (Supercalifragilisticexpialidocious) (pre‐demo) | Richard M. Sherman, Robert B. Sherman | T-900.214.198-2 |
| Chim Chim Cher‐ee (pre‐demo) | Richard M. Sherman, Robert B. Sherman | T-070.233.343-4 |
| Feed the Birds (Tuppence a Bag) (pre‐demo) | Richard M. Sherman | T-070233999-8 |
| Let’s Go Fly a Kite (pre‐demo) | Richard M. Sherman | T-070.241.660-1 |
| Story Meeting Excerpts: Cherry Tree Lane | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Mr. Banks Decided to Hire a Nanny Himself | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Children Write Their Own Advertisement | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Line of Applicants and Mary Poppins Arrives | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Notes on Mary Meeting the Banks | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Up to the Nursery | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Bert and the Talking Pictures | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: A Carousel Horse Ride to the Seashore | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Return Home | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Next Morning We Meet the Sweep | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Uncle Albert’s | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: A Change in the Wind and an Adventure With Admiral Boom | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Bird Woman | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Mr. Banks and the Compass | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Compass Sequence: Timbuktu | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Compass Sequence: The Land of Sand | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Compass Sequence: Tea in China | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Compass Sequence: The North Pole | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: The Return Home | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Everyone Descends on Cherry Tree Lane | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| Story Meeting Excerpts: Mary Departs | Richard M. Sherman, Robert B. Sherman, Don DaGradi, P.L. Travers | — |
| The Perfect Nanny (pre‐demo) | Richard M. Sherman, Robert B. Sherman | — |
| Jolly Holiday (pre‐demo) | Richard M. Sherman, Robert B. Sherman | — |
| Stay Awake (pre‐demo) | Richard M. Sherman | T9062924827 |
| I Love to Laugh (pre‐demo) | Richard M. Sherman | — |
| Mary Poppins Melody (pre‐demo) | Richard M. Sherman, Robert B. Sherman | — |
| Mary Poppins Melody (new recording) | Kate Higgins | — |
| Admiral Boom (demo) | Richard M. Sherman | — |
| Admiral Boom (new recording) | Randy Crenshaw, Jeff Gunn, Dennis Kyle | — |
| The Right Side (pre‐demo) | Richard M. Sherman, Robert B. Sherman | — |
| The Right Side (new recording) | Juliana Hansen | T3105636275 |
| The Chimpanzoo (demo) | Richard M. Sherman | — |
| The Chimpanzoo (new recording) | Bob Joyce, Jeff Gunn, Randy Crenshaw, Dennis Kyle | — |
| The Land of Sand (pre‐demo) | Richard M. Sherman, Robert B. Sherman | — |
| The Land of Sand (new recording) | Kate Higgins, Juliana Hansen, Jeff Gunn, Bob Joyce | T3092862432 |
| The North Pole Polka (pre‐demo) | Richard M. Sherman | — |
| The North Pole Polka (new recording) | Jeff Gunn, Bob Joyce, Richard M. Sherman, Kate Higgins, Dennis Kyle | T9211008434 |
| The Eyes of Love (pre‐demo) | Richard M. Sherman | T0717891138 |
| The Eyes of Love (new recording) | Juliana Hansen | T0717891138 |
| Overture | Orchestra and Chorus | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
050087316150 is a Universal Product Code (UPC) assigned to The Legacy Collection: Mary Poppins by Richard M. Sherman, Robert B. Sherman, Irwin Kostal. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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