UPC · Album
Lost Mixes: Extended Ecstasy
Various Artists
Last verified:
051091311728 is the Universal Product Code (UPC barcode) for the release “Lost Mixes: Extended Ecstasy” by Various Artists, released 1994-01-01 on Warner Special Products. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 8 tracks, each with its own ISRC. Tracks include GBAAP0200262, GBARL1001525, GBBBN0300383.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (7)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Blue Monday 1988 (12″ mix) | New Order | GBAAP0200262 |
| Loaded (Terry Farley mix) | Primal Scream | GBARL1001525 |
| Loaded (Terry Farley mix) | Primal Scream | GBBBN0300383 |
| Blue Monday 1988 (12″ mix) | New Order | GBCRL0800407 |
| Roam (12″ remix) | The B-52s | USRH11901973 |
| Crazy (Chick on My Tip mix) | Seal | USRH12103632 |
| Crazy (Chick on My Tip mix) | Seal | USWB10203230 |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
What is UPC 051091311728?
051091311728 is a Universal Product Code (UPC) assigned to Lost Mixes: Extended Ecstasy by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 8 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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