UPC · Release
Various Artists
Last verified:
The UPC for “100 Greatest Classics” by Various Artists is 051091520120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1987-01-01. Label: Encanto Records. This release contains 100 tracks, each with its own ISRC. Tracks include GBF077010112, GBF076410210, GBF076411160.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Romeo and Juliet Fantasy Overture: Love Theme | — | ||
| 2 | Silent Worship: "Did You Not Hear My Lady?2 (Ptolemy) | — | ||
| 3 | Violin Concerto in E Minor op. 64: 2. Andante | — | ||
| 4 | Faust: Ballet Music: Suite | — | ||
| 5 | Messiah: I Know That My Redeemer Liveth | — | ||
| 6 | Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 7 | 1812 Overture op. 49: Closing Section | — | ||
| 8 | Pomp and Circumstance March No 1 In D Major Op 39: "Land of Hope and Glory" | — | ||
| 9 | The Lost Chord | — | ||
| 10 | The Four Seasons op. 8: Spring. Allegro | — | ||
| 11 | Invitation to the Dance (orchestrated by Berlioz) | — | ||
| 12 | Rusalka: "O Silver Moon" | — | ||
| 13 | Enigma Variations op. 36: No 9 Nimrod | — | ||
| 14 | Nabucco: Chorus of Hebrew Slaves | — | ||
| 2-1 | William Tell Overture -- Closing Section | — | ||
| 2-2 | Symphony No 9 In E Minor Op 95 'From The New World' -- Largo (Second Movement) | — | ||
| 2-3 | Horn Concerto No 4 In E Flat Major K495 -- Rondo (Third Movement) | — | ||
| 2-4 | The Gondoliers -- Selection: Take A Pair Of Sparkling Eyes; Dance A Cachucha, Fandango, Bolero | — | ||
| 2-5 | Clair De Lune | — | ||
| 2-6 | Hear My Prayer -- 'O For The Wings Of A Dove' | — | ||
| 2-7 | Serenade No 13 In G Major K 525 'Eine Kleine Nachtmusik' -- First Movement | — | ||
| 2-8 | The Thieving Magpie -- Overture | — | ||
| 2-9 | Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.174.209-6 | |
| 2-10 | Waltz In D Flat Major Op 64 No 1 'Minute Waltz' | — | ||
| 2-11 | Symphony No 7 In A Major Op 92 -- Second Movement | — | ||
| 2-12 | Abide With Me | — | ||
| 2-13 | Dance Of The Sugar Plum Fairy And Waltz Of The Flowers: 'The Nutcracker' | — | ||
| 3-1 | The Londonderry Air (Irish Tune From County Derry) | — | ||
| 3-2 | The Swan of Tuonela op. 22 | — | ||
| 3-3 | The Russian Creed | — | ||
| 3-4 | The Holy City | — | ||
| 3-5 | Cantata no. 208 “Sheep May Safely Graze” | — | ||
| 3-6 | Piano Concerto no. 2 in C Minor op. 18: First Movement (Moderato) | — | ||
| 3-7 | Hungarian Rhapsody no. 2 | — | ||
| 3-8 | Xerxes: Largo | — | ||
| 3-9 | Turandot: “Nessun dorma” | Bruno Prevedi, Orchestra of the Royal Opera House, Covent Garden, Edward Downes | T-005.000.838-2 | |
| 3-10 | Andante cantabile (String Quartet no. 1 op. 11) | — | ||
| 3-11 | Adagio of Spartacus and Phrygia (Spartacus) | — | ||
| 4-1 | Semele: “Where’er You Walk” | — | ||
| 4-2 | Peer Gynt: Morning Mood | — | ||
| 4-3 | Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T-922.043.218-8 | |
| 4-4 | The Blue Danube op. 314 | — | ||
| 4-5 | Samson and Delilah: “Softly Awakes My Heart” | — | ||
| 4-6 | Symphony No 4 in A Major op. 90 ‘Italian’ -- First Movement | — | ||
| 4-7 | The Marriage of Figaro: Overture | — | ||
| 4-8 | Ave Maria | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-009.147.667-3 | |
| 4-9 | Liebestraum No 3 in A Flat Major | — | ||
| 4-10 | Rosamunde: Overture | — | ||
| 4-11 | Aida: Grand March | — | ||
| 4-12 | Elias: “O Rest in the Lord” | — | ||
| 4-13 | Die Walküre: The Ride of the Valkyries | — | ||
| 5-1 | The Skaters Waltz op. 183 | — | ||
| 5-2 | Der Obersteiger: „Sei nicht bös” (Don't Be Cross) | — | ||
| 5-3 | Symphony No 6 in F Major op. 68 'Pastoral' -- Fifth Movement (Shepherds' Thanksgiving After the Storm) | — | ||
| 5-4 | Cantata No 147 "Jesu, Joy of Man's Desiring" | — | ||
| 5-5 | Capriccio italien op. 45 | — | ||
| 5-6 | Symphony No 5 in C Minor op. 67: First Movement | — | ||
| 5-7 | Casanova: The Nun's Chorus | — | ||
| 5-8 | Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — | |
| 5-9 | Für Elise | — | ||
| 5-10 | Swan Lake: Scene and Dance of the Little Swans | — | ||
| 5-11 | The Tales of Hoffmann: Barcarolle | — | ||
| 5-12 | Piano Concerto in A Minor op. 16: Last Movement | — | ||
| 6-1 | Also sprach Zarathustra op. 30: Sunrise (Opening Section) | — | ||
| 6-2 | Finlandia op. 26 | — | ||
| 6-3 | Cavalleria rusticana: Intermezzo | — | ||
| 6-4 | ‘My Love’s Like A Red, Red Rose’ | — | ||
| 6-5 | In a Monastery Garden | — | ||
| 6-6 | Cavalleria rusticana: Easter Hymn | — | ||
| 6-7 | Boléro (excerpt) | — | ||
| 6-8 | Warsaw Concerto | — | ||
| 6-9 | Solemn Melody | — | ||
| 6-10 | The Lord’s Prayer | — | ||
| 6-11 | Fantasia on Greensleeves | — | ||
| 6-12 | Elizabethan Serenade | — | ||
| 6-13 | All in the April Evening | — | ||
| 6-14 | Symphony No. 5 for Organ in F Minor op. 42 No. 1: Toccata | — | ||
| 6-15 | Faery Song (The Immortal Hour) | — | ||
| 6-16 | Karelia Suite op. 11: Alla marcia | — | ||
| 7-1 | The Barber of Seville: Overture | — | ||
| 7-2 | Jerusalem Op. 208 | — | ||
| 7-3 | 'Moonlight' Sonata (No. 14) In C-Sharp Minor Op. 27 No. 2: First Movement | — | ||
| 7-4 | Symphony No. 6 in B Minor Op. 72 'Pathétique': First Movement, Excerpt | — | ||
| 7-5 | The Lord's My Shepherd (Crimond, Psalm 23) | — | ||
| 7-6 | Trumpet Voluntary | — | ||
| 7-7 | Ave Maria | — | ||
| 7-8 | Tannhäuser: Overture, Excerpt | — | ||
| 7-9 | The Hebrides Overture (Fingal's Cave) Op. 26 | — | ||
| 7-10 | Water Music: Suite 2, 'Alla Hornpipe' | — | ||
| 7-11 | Violin Concerto No. 1 in G Minor Op. 26: Second Movement (Adagio) | — | ||
| 7-12 | Roses From the South Op 288 | — | ||
| 7-13 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060.898.099-9 | |
| 8-1 | Tales From the Vienna Woods, op. 325 | — | ||
| 8-2 | La Gioconda: Dance of the Hours | — | ||
| 8-3 | Symphony no. 8 in B minor 'Unfinished': First Movement (excerpt) | — | ||
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Emil Gilels, The Cleveland Orchestra, George Szell | — | |
| 8-5 | Toccata and Fugue in D minor BMV 565: Toccata | — | ||
| 8-6 | Piano Concerto no. 1 in B-flat minor op. 23: First Movement (excerpt) | — | ||
| 8-7 | Symphony no. 9 in D minor op. 125 'Choral': Last Movement (excerpt) | — | ||
| 8-8 | Prince Igor: Polovstian Dances | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
051091520120 is a Universal Product Code (UPC) assigned to 100 Greatest Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — |
Creative Contributors (ISNI)
The UPC for “100 Greatest Classics” by Various Artists is 051091520120. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1987-01-01. Label: Encanto Records. This release contains 100 tracks, each with its own ISRC. Tracks include GBF077010112, GBF076410210, GBF076411160.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Romeo and Juliet Fantasy Overture: Love Theme | — | ||
| 2 | Silent Worship: "Did You Not Hear My Lady?2 (Ptolemy) | — | ||
| 3 | Violin Concerto in E Minor op. 64: 2. Andante | — | ||
| 4 | Faust: Ballet Music: Suite | — | ||
| 5 | Messiah: I Know That My Redeemer Liveth | — | ||
| 6 | Suite no. 3 in D major, BWV 1068: II. Air | Academy of St Martin in the Fields, Sir Neville Marriner | T-914.248.874-2 | |
| 7 | 1812 Overture op. 49: Closing Section | — | ||
| 8 | Pomp and Circumstance March No 1 In D Major Op 39: "Land of Hope and Glory" | — | ||
| 9 | The Lost Chord | — | ||
| 10 | The Four Seasons op. 8: Spring. Allegro | — | ||
| 11 | Invitation to the Dance (orchestrated by Berlioz) | — | ||
| 12 | Rusalka: "O Silver Moon" | — | ||
| 13 | Enigma Variations op. 36: No 9 Nimrod | — | ||
| 14 | Nabucco: Chorus of Hebrew Slaves | — | ||
| 2-1 | William Tell Overture -- Closing Section | — | ||
| 2-2 | Symphony No 9 In E Minor Op 95 'From The New World' -- Largo (Second Movement) | — | ||
| 2-3 | Horn Concerto No 4 In E Flat Major K495 -- Rondo (Third Movement) | — | ||
| 2-4 | The Gondoliers -- Selection: Take A Pair Of Sparkling Eyes; Dance A Cachucha, Fandango, Bolero | — | ||
| 2-5 | Clair De Lune | — | ||
| 2-6 | Hear My Prayer -- 'O For The Wings Of A Dove' | — | ||
| 2-7 | Serenade No 13 In G Major K 525 'Eine Kleine Nachtmusik' -- First Movement | — | ||
| 2-8 | The Thieving Magpie -- Overture | — | ||
| 2-9 | Solomon, HWV 67: Act III. The Arrival of the Queen of Sheba | Academy of St Martin in the Fields, Sir Neville Marriner | T-011.174.209-6 | |
| 2-10 | Waltz In D Flat Major Op 64 No 1 'Minute Waltz' | — | ||
| 2-11 | Symphony No 7 In A Major Op 92 -- Second Movement | — | ||
| 2-12 | Abide With Me | — | ||
| 2-13 | Dance Of The Sugar Plum Fairy And Waltz Of The Flowers: 'The Nutcracker' | — | ||
| 3-1 | The Londonderry Air (Irish Tune From County Derry) | — | ||
| 3-2 | The Swan of Tuonela op. 22 | — | ||
| 3-3 | The Russian Creed | — | ||
| 3-4 | The Holy City | — | ||
| 3-5 | Cantata no. 208 “Sheep May Safely Graze” | — | ||
| 3-6 | Piano Concerto no. 2 in C Minor op. 18: First Movement (Moderato) | — | ||
| 3-7 | Hungarian Rhapsody no. 2 | — | ||
| 3-8 | Xerxes: Largo | — | ||
| 3-9 | Turandot: “Nessun dorma” | Bruno Prevedi, Orchestra of the Royal Opera House, Covent Garden, Edward Downes | T-005.000.838-2 | |
| 3-10 | Andante cantabile (String Quartet no. 1 op. 11) | — | ||
| 3-11 | Adagio of Spartacus and Phrygia (Spartacus) | — | ||
| 4-1 | Semele: “Where’er You Walk” | — | ||
| 4-2 | Peer Gynt: Morning Mood | — | ||
| 4-3 | Madama Butterfly: Atto II, Parte 1. “Un bel dì, vedremo levarsi un fil di fumo” (Butterfly) | Renata Tebaldi, Orchestra dell’Accademia di Santa Cecilia, Roma, Tullio Serafin | T-922.043.218-8 | |
| 4-4 | The Blue Danube op. 314 | — | ||
| 4-5 | Samson and Delilah: “Softly Awakes My Heart” | — | ||
| 4-6 | Symphony No 4 in A Major op. 90 ‘Italian’ -- First Movement | — | ||
| 4-7 | The Marriage of Figaro: Overture | — | ||
| 4-8 | Ave Maria | Leontyne Price, Wiener Philharmoniker, Herbert von Karajan | T-009.147.667-3 | |
| 4-9 | Liebestraum No 3 in A Flat Major | — | ||
| 4-10 | Rosamunde: Overture | — | ||
| 4-11 | Aida: Grand March | — | ||
| 4-12 | Elias: “O Rest in the Lord” | — | ||
| 4-13 | Die Walküre: The Ride of the Valkyries | — | ||
| 5-1 | The Skaters Waltz op. 183 | — | ||
| 5-2 | Der Obersteiger: „Sei nicht bös” (Don't Be Cross) | — | ||
| 5-3 | Symphony No 6 in F Major op. 68 'Pastoral' -- Fifth Movement (Shepherds' Thanksgiving After the Storm) | — | ||
| 5-4 | Cantata No 147 "Jesu, Joy of Man's Desiring" | — | ||
| 5-5 | Capriccio italien op. 45 | — | ||
| 5-6 | Symphony No 5 in C Minor op. 67: First Movement | — | ||
| 5-7 | Casanova: The Nun's Chorus | — | ||
| 5-8 | Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — | |
| 5-9 | Für Elise | — | ||
| 5-10 | Swan Lake: Scene and Dance of the Little Swans | — | ||
| 5-11 | The Tales of Hoffmann: Barcarolle | — | ||
| 5-12 | Piano Concerto in A Minor op. 16: Last Movement | — | ||
| 6-1 | Also sprach Zarathustra op. 30: Sunrise (Opening Section) | — | ||
| 6-2 | Finlandia op. 26 | — | ||
| 6-3 | Cavalleria rusticana: Intermezzo | — | ||
| 6-4 | ‘My Love’s Like A Red, Red Rose’ | — | ||
| 6-5 | In a Monastery Garden | — | ||
| 6-6 | Cavalleria rusticana: Easter Hymn | — | ||
| 6-7 | Boléro (excerpt) | — | ||
| 6-8 | Warsaw Concerto | — | ||
| 6-9 | Solemn Melody | — | ||
| 6-10 | The Lord’s Prayer | — | ||
| 6-11 | Fantasia on Greensleeves | — | ||
| 6-12 | Elizabethan Serenade | — | ||
| 6-13 | All in the April Evening | — | ||
| 6-14 | Symphony No. 5 for Organ in F Minor op. 42 No. 1: Toccata | — | ||
| 6-15 | Faery Song (The Immortal Hour) | — | ||
| 6-16 | Karelia Suite op. 11: Alla marcia | — | ||
| 7-1 | The Barber of Seville: Overture | — | ||
| 7-2 | Jerusalem Op. 208 | — | ||
| 7-3 | 'Moonlight' Sonata (No. 14) In C-Sharp Minor Op. 27 No. 2: First Movement | — | ||
| 7-4 | Symphony No. 6 in B Minor Op. 72 'Pathétique': First Movement, Excerpt | — | ||
| 7-5 | The Lord's My Shepherd (Crimond, Psalm 23) | — | ||
| 7-6 | Trumpet Voluntary | — | ||
| 7-7 | Ave Maria | — | ||
| 7-8 | Tannhäuser: Overture, Excerpt | — | ||
| 7-9 | The Hebrides Overture (Fingal's Cave) Op. 26 | — | ||
| 7-10 | Water Music: Suite 2, 'Alla Hornpipe' | — | ||
| 7-11 | Violin Concerto No. 1 in G Minor Op. 26: Second Movement (Adagio) | — | ||
| 7-12 | Roses From the South Op 288 | — | ||
| 7-13 | Hallelujah Chorus (Messiah) | Academy of St Martin in the Fields Chorus, László Heltay, Academy of St Martin in the Fields, Sir Neville Marriner | T-060.898.099-9 | |
| 8-1 | Tales From the Vienna Woods, op. 325 | — | ||
| 8-2 | La Gioconda: Dance of the Hours | — | ||
| 8-3 | Symphony no. 8 in B minor 'Unfinished': First Movement (excerpt) | — | ||
| 8-4 | Concerto for Piano and Orchestra no. 5 in E-flat major, op. 73 "Emperor": III. Rondo. Allegro | Emil Gilels, The Cleveland Orchestra, George Szell | — | |
| 8-5 | Toccata and Fugue in D minor BMV 565: Toccata | — | ||
| 8-6 | Piano Concerto no. 1 in B-flat minor op. 23: First Movement (excerpt) | — | ||
| 8-7 | Symphony no. 9 in D minor op. 125 'Choral': Last Movement (excerpt) | — | ||
| 8-8 | Prince Igor: Polovstian Dances | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Prélude à l’apres-midi d’un faune | London Symphony Orchestra, Pierre Monteux | — |
