UPC · Release
Rhythmcolor Exotica
Glen Velez
Last verified:
052296414023 is the Universal Product Code (UPC barcode) for the release “Rhythmcolor Exotica” by Glen Velez, released 1996-09-24. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 9 tracks, each with its own ISRC. Tracks include QMZ7C2410028, QMZ7C2410029, QMZ7C2410030.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (9)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Golden Seal | Glen Velez | — | |
| 2 | Pan Eros | Glen Velez | — | |
| 3 | Velez Rubio | Glen Velez | — | |
| 4 | Mesopotamia | Glen Velez | — | |
| 5 | Rosanna’s Turquoise | Glen Velez | — | |
| 6 | Temple of Moonlight | Glen Velez | — | |
| 7 | Procession for Bes | Glen Velez | — | |
| 8 | Tecolote | Glen Velez | — | |
| 9 | Doorway to Dionysus | Glen Velez | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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What is UPC 052296414023?
052296414023 is a Universal Product Code (UPC) assigned to Rhythmcolor Exotica by Glen Velez. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 9 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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