UPC · Release
The Eduardo Mata Years
Dallas Symphony Orchestra, Eduardo Mata
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053479210920 is the Universal Product Code (UPC barcode) for the release “The Eduardo Mata Years” by Dallas Symphony Orchestra, Eduardo Mata, released 2010-01-01 on Dorian Sono Luminus. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (67)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Scythian Suite, Op. 20: I. The Adoration of Veles and Ala | — | ||
| 2 | Scythian Suite, Op. 20: II. Chuzhbog and the Dance of the Evil Spirits | — | ||
| 3 | Scythian Suite, Op. 20: III. Night | — | ||
| 4 | Scythian Suite, Op. 20: IV. The Glorious Departure of Lolli and the Procession of the Sun | — | ||
| 5 | Le Sacre du printemps: Première partie. Introduction | — | ||
| 6 | Le Sacre du printemps: Première partie. Les augures printaniers. Danses des adolescentes | — | ||
| 7 | Le Sacre du printemps: Première partie. Jeu du rapt | — | ||
| 8 | Le Sacre du printemps: Première partie. Rondes printanières | — | ||
| 9 | Le Sacre du printemps: Première partie. Jeux des cités rivales | — | ||
| 10 | Le Sacre du printemps: Première partie. Cortège du sage | — | ||
| 11 | Le Sacre du printemps: Première partie. L'adoration de la terre. Le Sage | — | ||
| 12 | Le Sacre du printemps: Première partie. Danse de la terre | — | ||
| 13 | Le Sacre du printemps: Deuxième partie. Introduction | — | ||
| 14 | Le Sacre du printemps: Deuxième partie. Cercles mystérieux des adolescentes | — | ||
| 15 | Le Sacre du printemps: Deuxième partie. Glorification de l'élue | — | ||
| 16 | Le Sacre du printemps: Deuxième partie. Évocation des ancètres | — | ||
| 17 | Le Sacre du printemps: Deuxième partie. Action rituelle des ancètres | — | ||
| 18 | Le Sacre du printemps: Deuxième partie. Danse sacrale. L'élue | — | ||
| 2-1 | Symphony no. 7 “Leningrad” in C major, op. 60: I. Allegretto | — | ||
| 2-2 | Symphony no. 7 “Leningrad” in C major, op. 60: II. Moderato (Poco allegretto) | — | ||
| 2-3 | Symphony no. 7 “Leningrad” in C major, op. 60: III. Adagio | — | ||
| 2-4 | Symphony no. 7 “Leningrad” in C major, op. 60: IV. Allegro non troppo | — | ||
| 3-1 | Alexander Nevsky Cantata: I. Russia under the Mongolian yoke | — | ||
| 3-2 | Alexander Nevsky Cantata: II. Song about Alexander Nevsky | — | ||
| 3-3 | Alexander Nevsky Cantata: III. The crusaders in Pskov | — | ||
| 3-4 | Alexander Nevsky Cantata: IV. Arise, ye Russian people | — | ||
| 3-5 | Alexander Nevsky Cantata: V. The battle on ice | — | ||
| 3-6 | Alexander Nevsky Cantata: VI. Field of the dead | — | ||
| 3-7 | Alexander Nevsky Cantata: VII. Alexander's entry into Pskov | — | ||
| 3-8 | Symphony no. 9 in E-flat major, op. 70: I. Allegro | — | ||
| 3-9 | Symphony no. 9 in E-flat major, op. 70: II. Moderato | — | ||
| 3-10 | Symphony no. 9 in E-flat major, op. 70: III. Presto | — | ||
| 3-11 | Symphony no. 9 in E-flat major, op. 70: IV. Largo | — | ||
| 3-12 | Symphony no. 9 in E-flat major, op. 70: V. Allegretto | — | ||
| 4-1 | On the Waterfront | — | ||
| 4-2 | Symphony no. 3 (in one movement) | — | ||
| 4-3 | Billy the Kid: Introduction: The Open Prairie (Lento maestoso) | — | ||
| 4-4 | Billy the Kid: Street in a Frontier Town (Moderato) | — | ||
| 4-5 | Billy the Kid: Mexican Dance and Finale (Moderato) | — | ||
| 4-6 | Billy the Kid: Prairie Night : Card Game at Night (Molto moderato) | — | ||
| 4-7 | Billy the Kid: Gun Battle (Allegro) | — | ||
| 4-8 | Billy the Kid: Celebration: After Billy's Capture (Allegro) | — | ||
| 4-9 | Billy the Kid: Billy's Death (Lento moderato) | — | ||
| 4-10 | Billy the Kid: The Open Prairie again | — | ||
| 5-1 | Symphony in B-flat, op. 20: I. Lento - Allegro vivo | — | ||
| 5-2 | Symphony in B-flat, op. 20: II. Très lent - Un peu plus vite | — | ||
| 5-3 | Symphony in B-flat, op. 20: III. Animé - Très animé | — | ||
| 5-4 | Escales (Ports of Call): I. Palérmo. Calme | — | ||
| 5-5 | Escales (Ports of Call): II. Tunis. Modéré très rythmé | — | ||
| 5-6 | Escales (Ports of Call): III. Valencia. Animé | — | ||
| 5-7 | Divertissement: I. Introduction. Allegro vivo | — | ||
| 5-8 | Divertissement: II. Cortège. Moderato molto | — | ||
| 5-9 | Divertissement: III. Nocturne. Lento | — | ||
| 5-10 | Divertissement: IV. Valse. Animato assai | — | ||
| 5-11 | Divertissement: V. Parade. Tempo di marcia | — | ||
| 5-12 | Divertissement: VI. Finale. Quasi cadenza | — | ||
| 6-1 | Roman Festivals - I. Circus Maximus (Circuses) | — | ||
| 6-2 | Roman Festivals - II. The Jubilee (Il Giubileo) | — | ||
| 6-3 | Roman Festivals - III. The October Festival (L'Ottobrata) | — | ||
| 6-4 | Roman Festivals - IV. The Epiphany (La Befana) | — | ||
| 6-5 | Brazilian Impressions - I. Tropical Night (Notte tropicale) | — | ||
| 6-6 | Brazilian Impressions - II. Butantan | — | ||
| 6-7 | Brazilian Impressions - III. Song and Dance (Canzone e Danza) | — | ||
| 6-8 | Pines of Rome - I. The Pines of Villa Borghese (I Pini di Villa Borghese) | — | ||
| 6-9 | Pines of Rome - II. The Pines near a Catacomb (Pini presso una catacomba) | — | ||
| 6-10 | Pines of Rome - III. The Pines of the Janiculum (I Pini del Gianicolo) | — | ||
| 6-11 | Pines of Rome - IV. The Pines of the Appian Way (I Pini della Via Appia) | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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What is UPC 053479210920?
053479210920 is a Universal Product Code (UPC) assigned to The Eduardo Mata Years by Dallas Symphony Orchestra, Eduardo Mata. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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