UPC · Release
Half Japanese
Last verified:
The UPC for “Greatest Hits” by Half Japanese is 054895211829. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Safe House. This release contains 69 tracks, each with its own ISRC. Tracks include USDAZ0511304, USDAZ0511301.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Firecracker | — | ||
| 2 | Daytona Beach | — | ||
| 3 | Said and Done | — | ||
| 4 | Dance When I Say Dance | — | ||
| 5 | Postcard From Far Away | — | ||
| 6 | The Worst I'd Ever Do | — | ||
| 7 | Horseshoes | — | ||
| 8 | Open / Close Your Eyes | — | ||
| 9 | This Could Be the Night | Half Japanese | — | |
| 10 | Put Some Sugar on It | — | ||
| 11 | Calling All Girls | — | ||
| 12 | La Bamba | — | ||
| 13 | Love at First Sight | — | ||
| 14 | Rub Every Muscle | — | ||
| 15 | Silver and Katherine | — | ||
| 16 | My Sordid Past | — | ||
| 17 | Ride Ride Ride | — | ||
| 18 | Day and Night | — | ||
| 19 | Last Straw | — | ||
| 20 | Nicole | — | ||
| 21 | Miracles Happen Every Day | — | ||
| 22 | U.S. Teens | — | ||
| 23 | School of Love | — | ||
| 24 | T. For Texas | — | ||
| 25 | Colleen | — | ||
| 26 | Red Dress | — | ||
| 27 | Charmed Life | — | ||
| 28 | Rosemary's Baby | — | ||
| 29 | I Know How It Feels... Bad | — | ||
| 30 | Roman Candles | — | ||
| 31 | Dream Date | — | ||
| 2-1 | Movin On Up | — | ||
| 2-2 | No More Beatlemania | — | ||
| 2-3 | How Did You Know? | — | ||
| 2-4 | Penny in the Fountain | — | ||
| 2-5 | King Kong | — | ||
| 2-6 | Secret | — | ||
| 2-7 | B./C. Millionaires | — | ||
| 2-8 | Amazing Clock | — | ||
| 2-9 | Thick and Thin | — | ||
| 2-10 | 1000000 Kisses | — | ||
| 2-11 | Big Mistake | — | ||
| 2-12 | Little Records | — | ||
| 2-13 | No Direct Line | — | ||
| 2-14 | The House I Live In | — | ||
| 2-15 | U. F. O. Expert | Half Japanese | T-700.075.360-8 | |
| 2-16 | Identical Twins | — | ||
| 2-17 | Double Trouble | — | ||
| 2-18 | Evidence | — | ||
| 2-19 | Stripping for Cash | — | ||
| 2-20 | On the One Hand | — | ||
| 2-21 | Snakeline | — | ||
| 2-22 | Too Much Adrenalin | — | ||
| 2-23 | Trouble in the Water | — | ||
| 2-24 | Ball and Chain | — | ||
| 2-25 | Her Parents Came Home | — | ||
| 2-26 | Deadly Alien Spawn | — | ||
| 2-27 | Ancient Life | — | ||
| 2-28 | Poetic License | — | ||
| 2-29 | Uncertain Feelings | — | ||
| 2-30 | Something New... | — | ||
| 2-31 | Fire to Burn | — | ||
| 2-32 | Acupuncture | — | ||
| 2-33 | Salt and Pepper | — | ||
| 2-34 | Guitar Solo | — | ||
| 2-35 | A Little Bit More | — | ||
| 2-36 | Mono | — | ||
| 2-37 | Better Than Before | — | ||
| 2-38 | Everything Is Right | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
054895211829 is a Universal Product Code (UPC) assigned to Greatest Hits by Half Japanese. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 69 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Greatest Hits” by Half Japanese is 054895211829. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. Label: Safe House. This release contains 69 tracks, each with its own ISRC. Tracks include USDAZ0511304, USDAZ0511301.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Firecracker | — | ||
| 2 | Daytona Beach | — | ||
| 3 | Said and Done | — | ||
| 4 | Dance When I Say Dance | — | ||
| 5 | Postcard From Far Away | — | ||
| 6 | The Worst I'd Ever Do | — | ||
| 7 | Horseshoes | — | ||
| 8 | Open / Close Your Eyes | — | ||
| 9 | This Could Be the Night | Half Japanese | — | |
| 10 | Put Some Sugar on It | — | ||
| 11 | Calling All Girls | — | ||
| 12 | La Bamba | — | ||
| 13 | Love at First Sight | — | ||
| 14 | Rub Every Muscle | — | ||
| 15 | Silver and Katherine | — | ||
| 16 | My Sordid Past | — | ||
| 17 | Ride Ride Ride | — | ||
| 18 | Day and Night | — | ||
| 19 | Last Straw | — | ||
| 20 | Nicole | — | ||
| 21 | Miracles Happen Every Day | — | ||
| 22 | U.S. Teens | — | ||
| 23 | School of Love | — | ||
| 24 | T. For Texas | — | ||
| 25 | Colleen | — | ||
| 26 | Red Dress | — | ||
| 27 | Charmed Life | — | ||
| 28 | Rosemary's Baby | — | ||
| 29 | I Know How It Feels... Bad | — | ||
| 30 | Roman Candles | — | ||
| 31 | Dream Date | — | ||
| 2-1 | Movin On Up | — | ||
| 2-2 | No More Beatlemania | — | ||
| 2-3 | How Did You Know? | — | ||
| 2-4 | Penny in the Fountain | — | ||
| 2-5 | King Kong | — | ||
| 2-6 | Secret | — | ||
| 2-7 | B./C. Millionaires | — | ||
| 2-8 | Amazing Clock | — | ||
| 2-9 | Thick and Thin | — | ||
| 2-10 | 1000000 Kisses | — | ||
| 2-11 | Big Mistake | — | ||
| 2-12 | Little Records | — | ||
| 2-13 | No Direct Line | — | ||
| 2-14 | The House I Live In | — | ||
| 2-15 | U. F. O. Expert | Half Japanese | T-700.075.360-8 | |
| 2-16 | Identical Twins | — | ||
| 2-17 | Double Trouble | — | ||
| 2-18 | Evidence | — | ||
| 2-19 | Stripping for Cash | — | ||
| 2-20 | On the One Hand | — | ||
| 2-21 | Snakeline | — | ||
| 2-22 | Too Much Adrenalin | — | ||
| 2-23 | Trouble in the Water | — | ||
| 2-24 | Ball and Chain | — | ||
| 2-25 | Her Parents Came Home | — | ||
| 2-26 | Deadly Alien Spawn | — | ||
| 2-27 | Ancient Life | — | ||
| 2-28 | Poetic License | — | ||
| 2-29 | Uncertain Feelings | — | ||
| 2-30 | Something New... | — | ||
| 2-31 | Fire to Burn | — | ||
| 2-32 | Acupuncture | — | ||
| 2-33 | Salt and Pepper | — | ||
| 2-34 | Guitar Solo | — | ||
| 2-35 | A Little Bit More | — | ||
| 2-36 | Mono | — | ||
| 2-37 | Better Than Before | — | ||
| 2-38 | Everything Is Right | — |
