UPC · Release
1960’s Rock ’n’ Roll Collection
Various Artists
Last verified:
056775191429 is the Universal Product Code (UPC barcode) for the release “1960’s Rock ’n’ Roll Collection” by Various Artists, released 1997-01-01 on Madacy Entertainment. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 100 tracks, each with its own ISRC. Tracks include BRFDZ0700063, USQX91100111, USRC19901069.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (100)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Twist | Chubby Checker | T-070.247.541-9 | |
| 2 | He’s a Rebel | The Crystals | T-918.230.807-2 | |
| 3 | Duke of Earl | — | ||
| 4 | The End of the World | Skeeter Davis | T-031.531.123-9 | |
| 5 | Raindrops | — | ||
| 6 | Sheila | — | ||
| 7 | Leader of the Pack | The Shangri-Las | T-070.241.600-9 | |
| 8 | The Boy From New York City | — | ||
| 9 | Hey! Baby | — | ||
| 10 | (Just Like) Romeo and Juliet | — | ||
| 11 | Surf City | — | ||
| 12 | My Boyfriend’s Back | — | ||
| 2-1 | Runaway | — | ||
| 2-2 | Stand by Me | — | ||
| 2-3 | It’s My Party | — | ||
| 2-4 | Save the Last Dance for Me | — | ||
| 2-5 | Happy Together | The Turtles | T-070.234.423-7 | |
| 2-6 | Cherish | — | ||
| 2-7 | This Diamond Ring | — | ||
| 2-8 | Raindrops Keep Fallin’ on My Head | B.J. Thomas | T-070.128.029-6 | |
| 2-9 | Games People Play | — | ||
| 2-10 | Ferry Cross the Mersey | — | ||
| 2-11 | Cara Mia | — | ||
| 2-12 | She Cried | — | ||
| 3-1 | Wooly Bully | — | ||
| 3-2 | What Becomes of the Brokenhearted | — | ||
| 3-3 | Hawaii Five‐O | — | ||
| 3-4 | Lady Willpower | — | ||
| 3-5 | GRAZING IN THE GRASS | THE FRIENDS OF DISTINCTION | T-901.131.684-0 | |
| 3-6 | Judy in Disguise | John Fred & His Playboy Band | T-070.939.636-0 | |
| 3-7 | Let’s Twist Again | — | ||
| 3-8 | Judy’s Turn to Cry | — | ||
| 3-9 | Tossin’ and Turnin’ | — | ||
| 3-10 | The Little Old Lady (From Pasadena) | — | ||
| 3-11 | Hurt So Bad | — | ||
| 3-12 | Rinky Dink | — | ||
| 4-1 | One Fine Day | The Chiffons | T-070.939.730-7 | |
| 4-2 | Little Honda | — | ||
| 4-3 | Rubber Ball | — | ||
| 4-4 | Sad Movies | — | ||
| 4-5 | Wipe Out | The Surfaris | T-070.248.066-7 | |
| 4-6 | Elenore | The Turtles | — | |
| 4-7 | Bend Me Shape Me | — | ||
| 4-8 | Hair | The Cowsills | T-906.863.618-0 | |
| 4-9 | Kind of a Drag | — | ||
| 4-10 | She’s Not There | — | ||
| 4-11 | Sunday Will Never Be the Same | Spanky & Our Gang | T-070.275.885-7 | |
| 4-12 | Laugh, Laugh | — | ||
| 5-1 | A Summer Song | — | ||
| 5-2 | Five O’Clock World | — | ||
| 5-3 | Incense and Peppermints | Strawberry Alarm Clock | T-070.079.701-8 | |
| 5-4 | Spooky | — | ||
| 5-5 | Western Union | — | ||
| 5-6 | Pony Time | — | ||
| 5-7 | She’s a Fool | — | ||
| 5-8 | The Night Has a Thousand Eyes | — | ||
| 5-9 | Deep Purple | Nino Tempo & April Stevens | T-070.038.705-8 | |
| 5-10 | Dead Man’s Curve | Jan & Dean | T-070.233.606-8 | |
| 5-11 | C'mon and Swim, Part One | Bobby Freeman | — | |
| 5-12 | Denise | — | ||
| 5-13 | You Don’t Have to Be a Baby to Cry | — | ||
| 6-1 | Peppermint Twist | — | ||
| 6-2 | Hey Paula | Paul & Paula | T-070.240.287-6 | |
| 6-3 | If I Had a Hammer | — | ||
| 6-4 | Under the Boardwalk | The Drifters | T-070.247.569-1 | |
| 6-5 | Then You Can Tell Me Goodbye | — | ||
| 6-6 | Cool Jerk | — | ||
| 6-7 | I’m Leaving It Up to You | — | ||
| 6-8 | Goin’ Out of My Head | — | ||
| 6-9 | Tell Him | The Exciters | T-070.940.496-5 | |
| 6-10 | Diane | — | ||
| 6-11 | Cry Like a Baby | — | ||
| 6-12 | Telstar | The Tornados | T-010.162.623-6 | |
| 6-13 | Lightnin’ Strikes | — | ||
| 7-1 | Midnight Confessions | — | ||
| 7-2 | More Today Than Yesterday | — | ||
| 7-3 | The Worst That Could Happen | — | ||
| 7-4 | Bread and Butter | The Newbeats | — | |
| 7-5 | Poetry in Motion | Johnny Tillotson | T-070.242.955-7 | |
| 7-6 | The Monkey Time | — | ||
| 7-7 | What’s Your Name | — | ||
| 7-8 | Tragedy | — | ||
| 7-9 | Nut Rocker | — | ||
| 7-10 | Respectable | — | ||
| 7-11 | You Don’t Own Me | — | ||
| 7-12 | Twine Time | — | ||
| 7-13 | Rescue Me | — | ||
| 8-1 | Uptown | — | ||
| 8-2 | Two Faces Have I | — | ||
| 8-3 | Sugar Shack | — | ||
| 8-4 | Hats Off to Larry | — | ||
| 8-5 | Mr. Bass Man | — | ||
| 8-6 | Soul Man | — | ||
| 8-7 | Shakin’ All Over | — | ||
| 8-8 | Along Comes Mary | The Association | T-700.000.471-9 | |
| 8-9 | It’s in His Kiss (The Shoop, Shoop Song) | Betty Everett | T-070.939.570-9 | |
| 8-10 | Remember (Walkin’ in the Sand) | The Shangri-Las | T-073.168.733-4 | |
| 8-11 | Love Potion No. 9 | — | ||
| 8-12 | Wild Thing | The Troggs | T-070.248.029-2 | |
| 8-13 | Young Girl | Gary Puckett & the Union Gap | T-070.248.352-0 |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Elenore | The Turtles | T-070.881.289-8 |
| Let's Twist Again | Chubby Checker | T-070.095.613-3 |
| Elenore | The Turtles | T-070.881.289-8 |
What other identifiers does this connect to?
Musical Works (ISWC)
+20 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+20 more
Identifier Graph
People also ask
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What is UPC 056775191429?
056775191429 is a Universal Product Code (UPC) assigned to 1960’s Rock ’n’ Roll Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 100 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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