UPC · Release
Various Artists
Last verified:
The UPC for “Classics for Relaxation and Meditation” by Various Artists is 056775870829. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Madacy Music Group Inc.. This release contains 31 tracks, each with its own ISRC. Tracks include USCMG0301572, US2TL0932814, DEA540103303.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jesus Is Always My Gladness, Chorale - Cantata no. 147, “Herz und Mund und Tat und Leben”, BWV 147 (BC A174) | — | ||
| 2 | Concerto à cinque, for 2 solo violins, violin, viola, cello & continuo no. 1 in B-flat major, op. 9/1, T. 9/1: Adagio | — | ||
| 3 | Concerto for organ (or harpsichord), strings & continuo in G major, H. 444, Wq. 34: Largo | — | ||
| 4 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 5 | Mass no. 2, for chorus & winds in E minor, WAB 27: Kyrie eleyson | — | ||
| 6 | Piano Concerto no. 26 in D major (“Coronation”) K. 537: Larghetto | — | ||
| 7 | Symphony no. 8 in B minor (“Unfinished”), D. 759: Andante con moto | — | ||
| 8 | Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, op. 73: Tender and With Expression | — | ||
| 9 | Symphonic Poem [Excerpt] - Vltava (The Moldau), symphonic poem (Má Vlast no. 2), JB 1:112/2 | — | ||
| 10 | Valse Triste, for orchestra (from Kuolema), op. 44/1 | — | ||
| 11 | Oboe Concerto in C major, K. 314 (K. 285d): Adagio | — | ||
| 12 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 2-1 | Souvenir de Florence D-moll, op. 70: II. Adagio cantabile e con moto | Conrad von der Goltz Chamber Orchestra, Conrad von der Goltz | — | |
| 2-2 | Raindrop - Prelude for piano no. 15 in D-flat major, op. 28/15, CT. 180 | — | ||
| 2-3 | Symphony no. 4 in A major (“Italian”), op. 90: Andante con moto | — | ||
| 2-4 | Liebesträume - notturno for piano no. 3 in A-flat major (“O Lieb, so lang du lieben kannst”), S. 541/3 (LW A103/3) | — | ||
| 2-5 | Berceuse for piano, 4 hands in E major, op. 105: Lullaby | — | ||
| 2-6 | Berceuse for piano in D-flat major, op. 57, CT. 7: Lullaby | — | ||
| 2-7 | Woodwind Quintet in E-flat major, op. 88/2: Andante grazioso | — | ||
| 2-8 | Cello Concerto no. 1 in G major: Romance | — | ||
| 2-9 | Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Akiko Miyazashi, Renata Modron, Renata Mordon, Taki Ozawa, Mozart Festival Orchestra, Orchestre de Festival Belgique, SWR Symphony Orchestra, Wiener Mozart-Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Pierre Narrato, Kurt Redel | — | |
| 2-10 | Piano Sonata no. 8 in C minor (“Pathétique”), op. 13: Adagio cantabile | — | ||
| 2-11 | Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B-flat major (“Chorale St. Antoni”), H. 2/46: Andante | — | ||
| 3-1 | Virgo virginium praeclara - Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58) | — | ||
| 3-2 | Divertimento no. 1 in B-flat major: Chorale | — | ||
| 3-3 | Consolation in E major | — | ||
| 3-4 | Symphony no. 5 in D major/D minor (“Reformation”), op. 107: Finale | — | ||
| 3-5 | Evening Harmony - Études d’exécution transcendante (12 Transcendental Etudes), for piano, S. 139 (LW A172) | — | ||
| 3-6 | Orchestral Suite no. 3 in D major, BWV 1068: Air | — | ||
| 3-8 | Piano Concerto no. 1 in C major, op. 15: Largo | — | ||
| 3-9 | Adagio in E Major for Violin and Orchestra, K. 261 | Emmy Verhey, Royal Concertgebouw Orchestra and Eduardo Marturet | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
056775870829 is a Universal Product Code (UPC) assigned to Classics for Relaxation and Meditation by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
Creative Contributors (ISNI)
The UPC for “Classics for Relaxation and Meditation” by Various Artists is 056775870829. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Madacy Music Group Inc.. This release contains 31 tracks, each with its own ISRC. Tracks include USCMG0301572, US2TL0932814, DEA540103303.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Jesus Is Always My Gladness, Chorale - Cantata no. 147, “Herz und Mund und Tat und Leben”, BWV 147 (BC A174) | — | ||
| 2 | Concerto à cinque, for 2 solo violins, violin, viola, cello & continuo no. 1 in B-flat major, op. 9/1, T. 9/1: Adagio | — | ||
| 3 | Concerto for organ (or harpsichord), strings & continuo in G major, H. 444, Wq. 34: Largo | — | ||
| 4 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 5 | Mass no. 2, for chorus & winds in E minor, WAB 27: Kyrie eleyson | — | ||
| 6 | Piano Concerto no. 26 in D major (“Coronation”) K. 537: Larghetto | — | ||
| 7 | Symphony no. 8 in B minor (“Unfinished”), D. 759: Andante con moto | — | ||
| 8 | Phantasiestücke (3 Fantasy Pieces) for clarinet (or cello or violin) & piano, op. 73: Tender and With Expression | — | ||
| 9 | Symphonic Poem [Excerpt] - Vltava (The Moldau), symphonic poem (Má Vlast no. 2), JB 1:112/2 | — | ||
| 10 | Valse Triste, for orchestra (from Kuolema), op. 44/1 | — | ||
| 11 | Oboe Concerto in C major, K. 314 (K. 285d): Adagio | — | ||
| 12 | Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | T-921.530.950-5 | |
| 2-1 | Souvenir de Florence D-moll, op. 70: II. Adagio cantabile e con moto | Conrad von der Goltz Chamber Orchestra, Conrad von der Goltz | — | |
| 2-2 | Raindrop - Prelude for piano no. 15 in D-flat major, op. 28/15, CT. 180 | — | ||
| 2-3 | Symphony no. 4 in A major (“Italian”), op. 90: Andante con moto | — | ||
| 2-4 | Liebesträume - notturno for piano no. 3 in A-flat major (“O Lieb, so lang du lieben kannst”), S. 541/3 (LW A103/3) | — | ||
| 2-5 | Berceuse for piano, 4 hands in E major, op. 105: Lullaby | — | ||
| 2-6 | Berceuse for piano in D-flat major, op. 57, CT. 7: Lullaby | — | ||
| 2-7 | Woodwind Quintet in E-flat major, op. 88/2: Andante grazioso | — | ||
| 2-8 | Cello Concerto no. 1 in G major: Romance | — | ||
| 2-9 | Concerto in C major for Flute, Harp & Orchestra, K. 297c/299: II. Andantino | Angelika Bamber, Angelica Berger, Hans Friedrich, Peter Janconvic, Peter Jancovic, Akiko Miyazashi, Renata Modron, Renata Mordon, Taki Ozawa, Mozart Festival Orchestra, Orchestre de Festival Belgique, SWR Symphony Orchestra, Wiener Mozart-Ensemble, Ernest Bour, Herbert Kraus, Alberto Lizzio, Pierre Narrato, Kurt Redel | — | |
| 2-10 | Piano Sonata no. 8 in C minor (“Pathétique”), op. 13: Adagio cantabile | — | ||
| 2-11 | Divertimento (Feldparthie) for 2 oboes, 2 horns, 3 bassoons & serpent in B-flat major (“Chorale St. Antoni”), H. 2/46: Andante | — | ||
| 3-1 | Virgo virginium praeclara - Stabat Mater for vocal soloists, chorus & orchestra, B. 71 (Op. 58) | — | ||
| 3-2 | Divertimento no. 1 in B-flat major: Chorale | — | ||
| 3-3 | Consolation in E major | — | ||
| 3-4 | Symphony no. 5 in D major/D minor (“Reformation”), op. 107: Finale | — | ||
| 3-5 | Evening Harmony - Études d’exécution transcendante (12 Transcendental Etudes), for piano, S. 139 (LW A172) | — | ||
| 3-6 | Orchestral Suite no. 3 in D major, BWV 1068: Air | — | ||
| 3-8 | Piano Concerto no. 1 in C major, op. 15: Largo | — | ||
| 3-9 | Adagio in E Major for Violin and Orchestra, K. 261 | Emmy Verhey, Royal Concertgebouw Orchestra and Eduardo Marturet | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Concerto for Piano no. 21 in C major, K. 467 “Elvira Madigan”: II. Andante | Vilmos Fischer, Vienna Mozart Ensemble, Herbert Kraus, Svetlana Stanceva, Mozart Festival Orchestra, Alberto Lizzio | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
