UPC · Release
Anton Bruckner, Münchner Philharmoniker, Sergiu Celibidache
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The UPC for “Symphonies 3-9 / Te Deum / Mass No. 3 in F minor” by Anton Bruckner, Münchner Philharmoniker, Sergiu Celibidache is 0599908557827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. This release contains 58 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 3 in D minor (1888/89, ed. Nowak): I. Sehr langsam, misterioso | — | ||
| 2 | Symphony No. 3 in D minor (1888/89, ed. Nowak): II. Adagio. Bewegt, quasi andante | — | ||
| 3 | Symphony No. 3 in D minor (1888/89, ed. Nowak): III. Ziemlich schnell | — | ||
| 4 | Symphony No. 3 in D minor (1888/89, ed. Nowak): IV. Allegro | — | ||
| 5 | Applause | — | ||
| 2-1 | Symphony No. 4 in E flat "Romantic" (ed. Haas): I. Bewegt, nicht zu schnell | — | ||
| 2-2 | Symphony No. 4 in E flat "Romantic" (ed. Haas): II. Andante quasi allegretto | — | ||
| 2-3 | Symphony No. 4 in E flat "Romantic" (ed. Haas): III. Scherzo: Bewegt – Trio: Nicht zu schnell. Keinesfalls schleppend | — | ||
| 2-4 | Symphony No. 4 in E flat "Romantic" (ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 3-1 | Applause | — | ||
| 3-2 | Symphony No. 5 in B flat (1878, ed. Haas): I. Adagio – Allegro | — | ||
| 3-3 | Symphony No. 5 in B flat (1878, ed. Haas): II. Adagio: Sehr Langsam | — | ||
| 4-1 | Symphony No. 5 in B flat (1878, ed. Haas): III. Scherzo: Molto vivace (Schnell) – Trio | — | ||
| 4-2 | Symphony No. 5 in B flat (1878, ed. Haas): IV. Finale: Adagio – Allegro moderato | — | ||
| 4-3 | Applause | — | ||
| 5-1 | Applause | — | ||
| 5-2 | Symphony No. 6 in A (ed. Haas): I. Majestoso | — | ||
| 5-3 | Symphony No. 6 in A (ed. Haas): II. Adagio: Sehr feierlich | — | ||
| 5-4 | Symphony No. 6 in A (ed. Haas): III. Scherzo: Nicht schnell – Trio: Langsam | — | ||
| 5-5 | Symphony No. 6 in A (ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 5-6 | Applause | — | ||
| 6-1 | Applause | — | ||
| 6-2 | Symphony No. 7 in E (ed. Haas): I. Allegro moderato | — | ||
| 6-3 | Symphony No. 7 in E (ed. Haas): II. Adagio: Sehr feierlich und sehr langsam | — | ||
| 7-1 | Symphony No. 7 in E (ed. Haas): III. Scherzo: Sehr schnell – Trio | — | ||
| 7-2 | Symphony No. 7 in E (ed. Haas): IV. Finale: Bewegt, doch nicht schnell | — | ||
| 7-3 | Applause | — | ||
| 7-4 | Te Deum (1883/84, ed. Peters): I. Te Deum: Allegro moderato | — | ||
| 7-5 | Te Deum (1883/84, ed. Peters): II. Te ergo: Moderato | — | ||
| 7-6 | Te Deum (1883/84, ed. Peters): III. Aeterna fac: Allegro moderato | — | ||
| 7-7 | Te Deum (1883/84, ed. Peters): IV. Salvum fac: Moderato – Allegro moderato | — | ||
| 7-8 | Te Deum (1883/84, ed. Peters): V. In te, Domine, speravi: Mäßig bewegt – Allegro moderato – Alla breve | — | ||
| 8-1 | Applause | — | ||
| 8-2 | Symphony No. 8 in C minor (1890, ed. Nowak): I. Allegro moderato | — | ||
| 8-3 | Symphony No. 8 in C minor (1890, ed. Nowak): II. Scherzo: Allegro moderato – Trio: Langsam | — | ||
| 9-1 | Symphony No. 8 in C minor (1890, ed. Nowak): III. Adagio: Feierlich langsam, doch nicht schleppend | — | ||
| 9-2 | Symphony No. 8 in C minor (1890, ed. Nowak): IV. Finale: Feierlich, nicht schnell | — | ||
| 9-3 | Applause | — | ||
| 10-1 | Applause | — | ||
| 10-2 | Symphony No. 9 in D Minor (ed. Nowak): I. Feierlich. Misterioso | — | ||
| 10-3 | Symphony No. 9 in D Minor (ed. Nowak): II. Scherzo: Bewegt, lebhaft – Trio: Schnell | — | ||
| 11-1 | Symphony No. 9 in D Minor (ed. Nowak): III. Adagio: Langsam, feierlich | — | ||
| 11-2 | Applause | — | ||
| 11-3 | Symphony No. 9 – Excerpts from the rehearsals: I. Bars 1ff | — | ||
| 11-4 | Symphony No. 9 – Excerpts from the rehearsals: Bars 97ff | — | ||
| 11-5 | Symphony No. 9 – Excerpts from the rehearsals: II. Bars 1ff | — | ||
| 11-6 | Symphony No. 9 – Excerpts from the rehearsals: – | — | ||
| 11-7 | Symphony No. 9 – Excerpts from the rehearsals: III. Bars 1ff | — | ||
| 11-8 | Symphony No. 9 – Excerpts from the rehearsals: Bars 53ff | — | ||
| 11-9 | Symphony No. 9 – Excerpts from the rehearsals: Bars 129ff | — | ||
| 11-10 | Symphony No. 9 – Excerpts from the rehearsals: Bars 140ff | — | ||
| 11-11 | Symphony No. 9 – Excerpts from the rehearsals: – | — | ||
| 12-1 | Mass No. 3 in F minor: I. Kyrie: Moderato | — | ||
| 12-2 | Mass No. 3 in F minor: II. Gloria: Allegro – Andante, mehr Adagio (sehr langsam) – Tempo I – Ziemlich langsam | — | ||
| 12-3 | Mass No. 3 in F minor: III. Credo: Allegro – Moderato misterioso – Langsam – Largo – Allegro – Tempo I – Moderato – Allegro – Etwas langsamer als anfangs – Allegro | — | ||
| 12-4 | Mass No. 3 in F minor: IV. Sanctus: Moderato – Allegro | — | ||
| 12-5 | Mass No. 3 in F minor: V. Benedictus: Allegro moderato – Allegro | — | ||
| 12-6 | Mass No. 3 in F minor: VI. Agnus Dei: Andante – Moderato | — |
Credits Graph
0599908557827 is a Universal Product Code (UPC) assigned to Symphonies 3-9 / Te Deum / Mass No. 3 in F minor by Anton Bruckner, Münchner Philharmoniker, Sergiu Celibidache. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 58 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Symphonies 3-9 / Te Deum / Mass No. 3 in F minor” by Anton Bruckner, Münchner Philharmoniker, Sergiu Celibidache is 0599908557827. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2011-01-01. This release contains 58 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony No. 3 in D minor (1888/89, ed. Nowak): I. Sehr langsam, misterioso | — | ||
| 2 | Symphony No. 3 in D minor (1888/89, ed. Nowak): II. Adagio. Bewegt, quasi andante | — | ||
| 3 | Symphony No. 3 in D minor (1888/89, ed. Nowak): III. Ziemlich schnell | — | ||
| 4 | Symphony No. 3 in D minor (1888/89, ed. Nowak): IV. Allegro | — | ||
| 5 | Applause | — | ||
| 2-1 | Symphony No. 4 in E flat "Romantic" (ed. Haas): I. Bewegt, nicht zu schnell | — | ||
| 2-2 | Symphony No. 4 in E flat "Romantic" (ed. Haas): II. Andante quasi allegretto | — | ||
| 2-3 | Symphony No. 4 in E flat "Romantic" (ed. Haas): III. Scherzo: Bewegt – Trio: Nicht zu schnell. Keinesfalls schleppend | — | ||
| 2-4 | Symphony No. 4 in E flat "Romantic" (ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 3-1 | Applause | — | ||
| 3-2 | Symphony No. 5 in B flat (1878, ed. Haas): I. Adagio – Allegro | — | ||
| 3-3 | Symphony No. 5 in B flat (1878, ed. Haas): II. Adagio: Sehr Langsam | — | ||
| 4-1 | Symphony No. 5 in B flat (1878, ed. Haas): III. Scherzo: Molto vivace (Schnell) – Trio | — | ||
| 4-2 | Symphony No. 5 in B flat (1878, ed. Haas): IV. Finale: Adagio – Allegro moderato | — | ||
| 4-3 | Applause | — | ||
| 5-1 | Applause | — | ||
| 5-2 | Symphony No. 6 in A (ed. Haas): I. Majestoso | — | ||
| 5-3 | Symphony No. 6 in A (ed. Haas): II. Adagio: Sehr feierlich | — | ||
| 5-4 | Symphony No. 6 in A (ed. Haas): III. Scherzo: Nicht schnell – Trio: Langsam | — | ||
| 5-5 | Symphony No. 6 in A (ed. Haas): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 5-6 | Applause | — | ||
| 6-1 | Applause | — | ||
| 6-2 | Symphony No. 7 in E (ed. Haas): I. Allegro moderato | — | ||
| 6-3 | Symphony No. 7 in E (ed. Haas): II. Adagio: Sehr feierlich und sehr langsam | — | ||
| 7-1 | Symphony No. 7 in E (ed. Haas): III. Scherzo: Sehr schnell – Trio | — | ||
| 7-2 | Symphony No. 7 in E (ed. Haas): IV. Finale: Bewegt, doch nicht schnell | — | ||
| 7-3 | Applause | — | ||
| 7-4 | Te Deum (1883/84, ed. Peters): I. Te Deum: Allegro moderato | — | ||
| 7-5 | Te Deum (1883/84, ed. Peters): II. Te ergo: Moderato | — | ||
| 7-6 | Te Deum (1883/84, ed. Peters): III. Aeterna fac: Allegro moderato | — | ||
| 7-7 | Te Deum (1883/84, ed. Peters): IV. Salvum fac: Moderato – Allegro moderato | — | ||
| 7-8 | Te Deum (1883/84, ed. Peters): V. In te, Domine, speravi: Mäßig bewegt – Allegro moderato – Alla breve | — | ||
| 8-1 | Applause | — | ||
| 8-2 | Symphony No. 8 in C minor (1890, ed. Nowak): I. Allegro moderato | — | ||
| 8-3 | Symphony No. 8 in C minor (1890, ed. Nowak): II. Scherzo: Allegro moderato – Trio: Langsam | — | ||
| 9-1 | Symphony No. 8 in C minor (1890, ed. Nowak): III. Adagio: Feierlich langsam, doch nicht schleppend | — | ||
| 9-2 | Symphony No. 8 in C minor (1890, ed. Nowak): IV. Finale: Feierlich, nicht schnell | — | ||
| 9-3 | Applause | — | ||
| 10-1 | Applause | — | ||
| 10-2 | Symphony No. 9 in D Minor (ed. Nowak): I. Feierlich. Misterioso | — | ||
| 10-3 | Symphony No. 9 in D Minor (ed. Nowak): II. Scherzo: Bewegt, lebhaft – Trio: Schnell | — | ||
| 11-1 | Symphony No. 9 in D Minor (ed. Nowak): III. Adagio: Langsam, feierlich | — | ||
| 11-2 | Applause | — | ||
| 11-3 | Symphony No. 9 – Excerpts from the rehearsals: I. Bars 1ff | — | ||
| 11-4 | Symphony No. 9 – Excerpts from the rehearsals: Bars 97ff | — | ||
| 11-5 | Symphony No. 9 – Excerpts from the rehearsals: II. Bars 1ff | — | ||
| 11-6 | Symphony No. 9 – Excerpts from the rehearsals: – | — | ||
| 11-7 | Symphony No. 9 – Excerpts from the rehearsals: III. Bars 1ff | — | ||
| 11-8 | Symphony No. 9 – Excerpts from the rehearsals: Bars 53ff | — | ||
| 11-9 | Symphony No. 9 – Excerpts from the rehearsals: Bars 129ff | — | ||
| 11-10 | Symphony No. 9 – Excerpts from the rehearsals: Bars 140ff | — | ||
| 11-11 | Symphony No. 9 – Excerpts from the rehearsals: – | — | ||
| 12-1 | Mass No. 3 in F minor: I. Kyrie: Moderato | — | ||
| 12-2 | Mass No. 3 in F minor: II. Gloria: Allegro – Andante, mehr Adagio (sehr langsam) – Tempo I – Ziemlich langsam | — | ||
| 12-3 | Mass No. 3 in F minor: III. Credo: Allegro – Moderato misterioso – Langsam – Largo – Allegro – Tempo I – Moderato – Allegro – Etwas langsamer als anfangs – Allegro | — | ||
| 12-4 | Mass No. 3 in F minor: IV. Sanctus: Moderato – Allegro | — | ||
| 12-5 | Mass No. 3 in F minor: V. Benedictus: Allegro moderato – Allegro | — | ||
| 12-6 | Mass No. 3 in F minor: VI. Agnus Dei: Andante – Moderato | — |
